Chapter 6

“The Author is truly a man of talent and genius.”—Lit. Gaz.“The Author is one of the most masterly painters of national character that have yet appeared in Ireland.”—Edinburgh Review.“We bid adieu to the Author with the highest opinion of his exalted talents.”—Lit. Chron.

“The Author is truly a man of talent and genius.”—Lit. Gaz.

“The Author is one of the most masterly painters of national character that have yet appeared in Ireland.”—Edinburgh Review.

“We bid adieu to the Author with the highest opinion of his exalted talents.”—Lit. Chron.

6. ENGLISH FASHIONABLES ABROAD; a Novel. In 8 vols. post 8vo. 31s. 6d

“In the article of young ladies, unlike all other national manufactures, our exports considerably exceed our imports. Gentlemenmaytravel to study laws and politics, artistsmaytravel to improve themselves, but few girls leave their home, except on speculation.”—Introduction.“This text is amusingly illustrated and exemplified by the author of this work, who has given some sketches of speculating aunts, flirting daughters, and manœuvring mothers, that will startle some of our fashionable Anglo-Italians.”

“In the article of young ladies, unlike all other national manufactures, our exports considerably exceed our imports. Gentlemenmaytravel to study laws and politics, artistsmaytravel to improve themselves, but few girls leave their home, except on speculation.”—Introduction.

“This text is amusingly illustrated and exemplified by the author of this work, who has given some sketches of speculating aunts, flirting daughters, and manœuvring mothers, that will startle some of our fashionable Anglo-Italians.”

7. The CONTINUATION of VIVIAN GREY. Forming Vols. 3, 4, and 5. Second Edition, price 31s. 6d.

“We hail the author as a master in his art: and we may venture to appeal to the work he has produced, as at once a prognostic and accomplishment of original invention, that rare faculty in the genius of this age.”“These volumes abound with passages not surpassed for their beauty in our literature. Delicacy and sweetness are mingled with impressive eloquence and energetic truth. The magic of the style simply consists in the emotions of the writer. He is a thinker who makes others think; and these volumes will be reperused at intervals with the delight of novelty.”

“We hail the author as a master in his art: and we may venture to appeal to the work he has produced, as at once a prognostic and accomplishment of original invention, that rare faculty in the genius of this age.”

“These volumes abound with passages not surpassed for their beauty in our literature. Delicacy and sweetness are mingled with impressive eloquence and energetic truth. The magic of the style simply consists in the emotions of the writer. He is a thinker who makes others think; and these volumes will be reperused at intervals with the delight of novelty.”

8. The NATCHEZ; an INDIAN TALE. By the VISCOUNT DE CHATEAUBRIAND, Author of “Atala,” “The Beauties of Christianity,” &c. &c. In 3 vols. small 8vo. 24s.; French, 18s.

“The beautiful stories of Atala and René were merely episodes of the tale of ‘The Natchez,’ which, though lately published, was written thirty years ago, in the desert, and beneath the huts of savages. The plot of this romance is truly singular, it deviates from all beaten tracks, and exhibits manners and incidents to which Europe is an utter stranger.”“There are Scenes and Portraits in this Romance which the pencil of genius has exquisitely touched; and which will ensure it fame and favour of no trivial description.”—Literary Chron.

“The beautiful stories of Atala and René were merely episodes of the tale of ‘The Natchez,’ which, though lately published, was written thirty years ago, in the desert, and beneath the huts of savages. The plot of this romance is truly singular, it deviates from all beaten tracks, and exhibits manners and incidents to which Europe is an utter stranger.”

“There are Scenes and Portraits in this Romance which the pencil of genius has exquisitely touched; and which will ensure it fame and favour of no trivial description.”—Literary Chron.

9. TALES of a VOYAGER. 3 vols. post 8vo. 28s. 6d.

“The Author’s forte is essentially humorous, and his humour is of the spirit and quality of Washington Irving’s, combined with infinitely more fancy and vivacity.”—New Times.

“The Author’s forte is essentially humorous, and his humour is of the spirit and quality of Washington Irving’s, combined with infinitely more fancy and vivacity.”—New Times.

10. CONFESSIONS of an OLD BACHELOR. In 1 vol. post 8vo. 10s. 6d.

“Whoever this old bachelor may be, we hesitate not to term him one of the most entertaining, instructive, and philosophical authors that hat lately come before our critical tribunal.”—Literary Chronicle.

“Whoever this old bachelor may be, we hesitate not to term him one of the most entertaining, instructive, and philosophical authors that hat lately come before our critical tribunal.”—Literary Chronicle.

11. FALKLAND. 1 vol. post 8vo. 9s. 6d.

“Is this her fault or mine?The tempter, or the tempted, who sins most?”—Shakspeare.

“Is this her fault or mine?The tempter, or the tempted, who sins most?”—Shakspeare.

“Is this her fault or mine?The tempter, or the tempted, who sins most?”—Shakspeare.

“Is this her fault or mine?

The tempter, or the tempted, who sins most?”—Shakspeare.

12. MATILDA: a Tale of the Day. Fourth Edition, in 2 vols. small 8vo. 14s.

“Blush I not?Can you not read my fault writ in my cheek?Is not my crime there?”

“Blush I not?Can you not read my fault writ in my cheek?Is not my crime there?”

“Blush I not?Can you not read my fault writ in my cheek?Is not my crime there?”

“Blush I not?

Can you not read my fault writ in my cheek?

Is not my crime there?”

13. HYDE NUGENT; a Tale of Fashionable Life. 3 vols. post 8vo. 1l. 8s. 6d.

“Among a multitude of other scenes and characters sketched in this novel with great brilliance and effect, will be found:—A Presentation at Court—Westminster School—Country Gentlemen—Methodist Ladies—Lancers—Hussars—Guardsmen—Oxford—Duels—The Continent—The Opera and the Danseuses—Almack’s—Aristocratic Summer Parties—Fashionable Archery—Invitations—Drawing Rooms—Melton Mowbray—Dandies—Quadrilling—Gaming-houses—The Exhibition—Flirtation—Long’s—Foreign Fashionables—Watering Places, &c. &c.”

“Among a multitude of other scenes and characters sketched in this novel with great brilliance and effect, will be found:—A Presentation at Court—Westminster School—Country Gentlemen—Methodist Ladies—Lancers—Hussars—Guardsmen—Oxford—Duels—The Continent—The Opera and the Danseuses—Almack’s—Aristocratic Summer Parties—Fashionable Archery—Invitations—Drawing Rooms—Melton Mowbray—Dandies—Quadrilling—Gaming-houses—The Exhibition—Flirtation—Long’s—Foreign Fashionables—Watering Places, &c. &c.”

14. TRUCKLEBOROUGH HALL; aSatirical Novel. In 3 vols. post 8vo. 28s. 6d.

“This is an extremely piquant and ingenious satire on politicians of all parties and denominations. In its pages, the aristocratical, gentlemanly, twaddling whig; the interested, profligate tory; the democratical declaimer; the pompous, empty man in office; and though last, not least, the surfeited and satisfied high churchman; all figure in their most ludicrous phrases—nor should we omit to mention, that the conceited utilitarian comes in for his share of ridicule; which, though brief, is of a pleasant pungency. Such a book is much to our tastes, as we infinitely prefer laughing at the extravagancies of the world, to bewailing them.”—London Magazine.

“This is an extremely piquant and ingenious satire on politicians of all parties and denominations. In its pages, the aristocratical, gentlemanly, twaddling whig; the interested, profligate tory; the democratical declaimer; the pompous, empty man in office; and though last, not least, the surfeited and satisfied high churchman; all figure in their most ludicrous phrases—nor should we omit to mention, that the conceited utilitarian comes in for his share of ridicule; which, though brief, is of a pleasant pungency. Such a book is much to our tastes, as we infinitely prefer laughing at the extravagancies of the world, to bewailing them.”—London Magazine.

15. THE GERMAN NOVELISTS: Tales selected from ancient and modern Authors in that Language, from the earliest period to the close of the Eighteenth Century; with Critical and Biographical Notices. ByThomas Roscoe, Esq. In 4 vols. post 8vo. 38s.

16. DE VAVASOUR: a Tale of the Fourteenth Century, 3 vols. post 8vo. 31s. 6d.

“We feel confident in stating that this tale is the production of Lord Blessington.”—Literary Gazette, May 1826.“His Lordship has chosen a remote era, and has carried to his investigation the light-hearted, and, we were about to say, insolent spirit of curiosity which characterizes the modern temper; and accordingly he has drawn a picture, which we feel to be unusual, but are inclined to suspect may be true.”—New Monthly Magazine, June, 1826.

“We feel confident in stating that this tale is the production of Lord Blessington.”—Literary Gazette, May 1826.

“His Lordship has chosen a remote era, and has carried to his investigation the light-hearted, and, we were about to say, insolent spirit of curiosity which characterizes the modern temper; and accordingly he has drawn a picture, which we feel to be unusual, but are inclined to suspect may be true.”—New Monthly Magazine, June, 1826.

17. SANDOVAL; or, the Freemason. A Tale of the Spanish Revolution. By the Author of “Don Esteban.” In 3 vols. post 8vo. 28s. 6d.

This Work is the production of a Spanish gentleman, who was personally concerned in the scenes he describes. The private history of the Court at Madrid—the Amours of its imbecile Monarch—the Lives and Luxuries of the Monks—the Atrocities of the Magistracy, and the horrible system of Espionage—are all unmasked with great dramatic effect.

This Work is the production of a Spanish gentleman, who was personally concerned in the scenes he describes. The private history of the Court at Madrid—the Amours of its imbecile Monarch—the Lives and Luxuries of the Monks—the Atrocities of the Magistracy, and the horrible system of Espionage—are all unmasked with great dramatic effect.

18. RICHMOND; or, SCENES in the Life of a BOW-STREET OFFICER; drawn from his private Memoranda. 3 vols. post 8vo. 28s. 6d.

“Some be’th of war and some of woe,And some of fun and fudge also,Some of escapes and guile and death;Also of Love forsooth there be’th.”

“Some be’th of war and some of woe,And some of fun and fudge also,Some of escapes and guile and death;Also of Love forsooth there be’th.”

“Some be’th of war and some of woe,And some of fun and fudge also,Some of escapes and guile and death;Also of Love forsooth there be’th.”

“Some be’th of war and some of woe,

And some of fun and fudge also,

Some of escapes and guile and death;

Also of Love forsooth there be’th.”

19. A NEW SERIES of ARABIAN NIGHTS’ ENTERTAINMENTS, selected from the original Oriental MS., and now first translated into English by the Rev. GEORGE LAMB. 3 vols. small 8vo. 18s.

“The Arabian Tales possess other charms to recommend them, besides the abundance of the marvellous and supernatural which they contain, namely, the vivid picture they present of the customs, manners, prejudices, and every thing in the slightest degree referring to the nations among whom the wondrous incidents they relate are supposed to have occurred. Will it not, then, be a sufficient recommendation of these volumes to state that they fall by no means short of their greatly admired predecessors in this respect? Indeed, several of these Tales are more than either works of fiction, or pictures of the customs, manners, &c. of the nations of which they treat. Some of them will be found to contain much excellent moral instruction and philosophical reflection. The imaginative and descriptive parts will be found equally interesting and beautiful.”

“The Arabian Tales possess other charms to recommend them, besides the abundance of the marvellous and supernatural which they contain, namely, the vivid picture they present of the customs, manners, prejudices, and every thing in the slightest degree referring to the nations among whom the wondrous incidents they relate are supposed to have occurred. Will it not, then, be a sufficient recommendation of these volumes to state that they fall by no means short of their greatly admired predecessors in this respect? Indeed, several of these Tales are more than either works of fiction, or pictures of the customs, manners, &c. of the nations of which they treat. Some of them will be found to contain much excellent moral instruction and philosophical reflection. The imaginative and descriptive parts will be found equally interesting and beautiful.”


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