ENGLISH COSTUME

THE END

Printed byR. & R. Clark, Limited,Edinburgh.

UNIFORM WITH THIS VOLUME

ENGLISH COSTUMEPainted and Described byDION CLAYTON CALTHROPSQUARE DEMY 8vo (9 × 6-1/4 INCHES), CLOTH, GILT TOPCONTAINING 72 FULL-PAGE ILLUSTRATIONS IN COLOURFACSIMILE, AND NUMEROUS THUMB-NAILSKETCHES IN THE TEXTComplete in One VolumePrice 20s. net(By Post, 20s. 6d.)Or obtainable in four sectional volumes, bound in cloth, gilt topPrice 7s. 6d. net each(By post, 7s. 11d.)Vol. I.EARLY ENGLISH.Vol. III.TUDOR & STUART.Vol. II.MIDDLE AGES.Vol. IV.GEORGIAN.EXCERPTS FROM PREFACEThere is no reason why a book dealing with antiquarian subjects should be written in the dry-as-dust method; that it should be clear stands to reason; that it should be as complete as possible is a justification of its being; but beyond these it is eminently necessary that it should be interesting.It is to every kind of historical student that this book is addressed, especially to those who endeavour to make the dry bones of history live—the author, the artist, and the actor. It is, also, for all who take an intelligent interest in history, and who would wish to see the shifting panorama of men move before their eyes in the right colours and clothes.PUBLISHED BYADAM AND CHARLES BLACK, 4, 5, & 6 SOHO SQUARE, LONDON, W.

Painted and Described by

DION CLAYTON CALTHROP

SQUARE DEMY 8vo (9 × 6-1/4 INCHES), CLOTH, GILT TOP

CONTAINING 72 FULL-PAGE ILLUSTRATIONS IN COLOUR

FACSIMILE, AND NUMEROUS THUMB-NAIL

SKETCHES IN THE TEXT

Complete in One Volume

Price 20s. net

(By Post, 20s. 6d.)

Or obtainable in four sectional volumes, bound in cloth, gilt top

Price 7s. 6d. net each

(By post, 7s. 11d.)

There is no reason why a book dealing with antiquarian subjects should be written in the dry-as-dust method; that it should be clear stands to reason; that it should be as complete as possible is a justification of its being; but beyond these it is eminently necessary that it should be interesting.It is to every kind of historical student that this book is addressed, especially to those who endeavour to make the dry bones of history live—the author, the artist, and the actor. It is, also, for all who take an intelligent interest in history, and who would wish to see the shifting panorama of men move before their eyes in the right colours and clothes.

There is no reason why a book dealing with antiquarian subjects should be written in the dry-as-dust method; that it should be clear stands to reason; that it should be as complete as possible is a justification of its being; but beyond these it is eminently necessary that it should be interesting.

It is to every kind of historical student that this book is addressed, especially to those who endeavour to make the dry bones of history live—the author, the artist, and the actor. It is, also, for all who take an intelligent interest in history, and who would wish to see the shifting panorama of men move before their eyes in the right colours and clothes.

PUBLISHED BY

ADAM AND CHARLES BLACK, 4, 5, & 6 SOHO SQUARE, LONDON, W.

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