CHAPTER VIII

Fig.134.—From the seal of Richard Plantagenet, Earl of Cornwall, King of the Romans (d.1272).Fig.135.—From the seal of Robert de Ferrars, Earl of Derby (d.before 1279).Fig.136.—Knight, showing mail over pot-de-fer, 1290.About the year 1280 the conical-topped heaume came into use, whose general form is delineated inFig. 137, and has already been noticed in the Trumpington brass. It wasof great weight, and either hung at the saddle bow, or was carried by the squire, when not in use; it rested upon the shoulders, and thus relieved the head of the greater part of its weight. Two heaumes are here shown (Figs.138,139) from Add. MS. 10,294 in the British Museum. One is of the plain and ordinary pattern, but the second shows a movable visor which can either be raised or removed entirely. It also illustrates a reinforcing plate protecting the sides of the head. Inside it was thickly padded, and representations of this feature may often be discerned upon monumental effigies, where the heaume is used to support the head of the recumbent knightly figure. To keep it in position laces were attached to the lower edge at the back; these are clearly seen inFig. 121, p.106.Fig.137.Fig.138.—Heaume. (Add. MS. 10,294.)Fig.139.—Heaume. (Add. MS. 10,294.)Fig.140.—Heaume of Henri de Perci,c.1300.The development of the crest during this period did not make much headway, but a few examples from seals and MSS. will show that there was a certain amount of progress. The heaume of Baron Henri de Perci,c.1300 (Fig. 140), exhibits a highly ornamented crest with the distinctive feature of two streamers affixed to its base, the contoise or mantling in its incipient form. The comb is deeply serrated, and ornamented with gadroons springing from the centre. Upon the seal of Henry de Lacy, Earl of Lincoln, 1301 (Fig. 141), the conical heaume is shown, not reaching, however, to the shoulders, with a small, plain comb upon its summit, differing in that respect from the crests of Richard Fitzalan,Earl of Arundel (Fig. 142), and Humphrey Bohun, Earl of Hereford (Fig. 143), which both date from the same year. A singularly plain heaume, considering the distinction of the wearer, is that of Edward, Prince of Wales, 1305, as delineated upon his seal (Fig. 144). The crest of John de Warenne, Earl of Surrey, 1329, shown inFig. 117on p.102, displays a startling development upon the preceding examples, and exhibits a high order of decorative design in crests at this early period.Fig.141.—From the seal of Henry de Lacy, Earl of Lincoln, 1301.Fig.142.—From the seal of Richard Fitzalan, Earl of Arundel, 1301.Fig.143.—From the seal of Humphrey de Bohun, Earl of Hereford, 1301.Fig.144.—From the seal of Edward of Carnarvon, Prince of Wales, 1305.PLATE XISir Robert de Bures, 1302. Acton Church, SuffolkAt Acton in Suffolk is a monumental brass to Sir Robert de Bures, dating from the year 1302, which holds the proud position of being the finest early brass in existence, and which may also fairly claim to be the finest military brass extant. The details of equipment differ but little from the d’Aubernoun and Trumpington brasses, but the guige of the shield, by being partially hidden underthe tippet of the coif-de-mailles, indicates that the coif was entirely separate from the hauberk, and was not continuous, as might be imagined from the early brasses. The genouillières are very elaborate, and probably of cuir-bouilli; above them and beneath the skirt of the hauberk are seen the padded and quilted trews covering the chausses from the knee upwards. This garment, whose surface was usually of silk, baudekyn, or other costly material, is shown in the brass to be richly embroidered with fleur-de-lys and an ornament resembling in shape the Greek lyre, disposed alternately in lozenges formed by the reticulations of the silken cords, and a similar decoration appears upon the grip of the sword (Plate XI.).Sir Robert de Septvans, 1306, is another knight whose brass effigy has the cross-legged position; it is in Chartham Church, Kent, and affords an excellent illustration of the military accoutrement at the termination of the reign of Edward I. (Fig. 146). The singular name of Septvans (or Seven Fans) is derived from the heraldic cognisance of the family, and is shown upon the figure as seven fans of the shape used for winnowing wheat at that period. The coif-de-mailles is thrown back in this effigy, and rests upon the shoulders in folds; the ailettes are square or oblong, and the sleeves of the hauberk are thrown back off the hands and are shown depending from the wrist. Beneath the hauberk the quilted undergarment called the haqueton appears; the trews are of similar material, and apparently are continued under the genouillières, probably to avoid chafing. The latter are of plate, and a stud is shown which fastens them to a strap behind the knee. The sword-hilt and scabbard are enriched with a highly effective diaper design.Fig.145.—Knight in banded mail, 1310. Croft, Lincs.Between the years 1306 and 1320 there are no brasses in existence exhibiting the full military equipment of the time, the example at Croft, 1310, being only a half-brass and singularly devoid of detail (Fig. 145). Two brasses, however, dating from 1320, afford us an opportunity of seeing the marked development in defences which had been adopted in the interval. The Bacon brass in Gorleston Church, Suffolk, has been much mutilated, but sufficient is retained to make it of interest. The coif-de-mailles, hauberk, surcoat, sword-belt, shield, and guige show no differences, but in the plate defences a great advance has been made. The back of the upper arms from shoulder to elbow, and the front of the lower arms from the bend of the elbow to the wrist, are protected by plates of steel, fastened by steel straps round the limbs; these are respectively the Demi-Brassarts and Demi-Vambraces. Upon the elbows are the Coudières, and upon the knees Genouillières of plate, while the shins are defended by Demi-Jambarts, all being fixed over the chain mail to fulfil the office of reinforcements. At the shoulder and elbow bends, roundels of plate appear, and over the shoulder are ailettes marked with the Cross of St. George. The shield is small and heater-shaped, and is furnished with a narrow guige. In the Fitzralph brass, 1320, Pebmarsh Church, Essex (Fig. 147), the general arrangement is similar to the Gorleston brass, but no ailettes are shown, and the shield is large and concave to the body. Uponthe feet are Sollerets consisting of five lames of plate riveted together and kept in place by two straps passing under each foot. The swords of both figures show straight quillons not drooping to the blade as formerly. The pryck spur is still in vogue, and from the roundels the small projecting spikes should be noticed. The five cross-legged brasses thus described and illustrated are all that now remain to us, and of these five only one, that of Trumpington, so far as is known, represents a knight who followed the banner of the Holy Cross to Palestine.Fig.146.—Sir Robert de Septvans, 1306. Chartham Church, Kent.Fig.147.—Sir — de Fitzralph,c.1320. Pebmarsh Church, Essex.Fig.148.—Figures from “Massacre of the Innocents” (Add. MS. 17,687),c.1290.The defensive equipment of the ordinary foot soldier of this period is well delineated inFig. 148, which is taken from Add. MS. 17,687 in the British Museum, a German illumination dating fromc.1290. The subject is the Massacre of the Innocents, a favourite theme for illustrations in those times: the central figure is holding in the air a child (not shown except the foot) preparatory to dashing it upon the ground, while the soldier to the right has the decapitated head of a child, also not reproduced, in his left hand. The coif-de-mailles are in all three examples peculiar in being continued as a pectoral; in two cases they are constructed of banded mail, and in the third of studded jazeraint. Two hauberks are shown, one of banded mail and the other of jazeraint. The central figure has genouillières of leather which, like those of his companions upon his left, are apparently continuous round the joint: the strips of pendent leather from them have been sewn over the shins and calves, while studded strips over chausses of the same material cover the lower limbs of his comrade. The third figure has simple chausses of banded mail with no reinforcement: long swords with characteristic pommels are worn, and the whole group is a most striking example of the lack of uniformity at the period. Also see Figs.149and150.Fig.149.—Soldier (Sloan MS. 346),c.1280.Fig.150.—Swordsman of the chain mail reinforced period.Archers.—From the time of the Norman Conquest the practice of archery assumed an importance which did not fall to its lot before in England. The Saxons had not paid particular attention to this arm from a military standpoint, only using it in sport, and the success of the Normans at Hastings was due in a great measure to the skill and superior numbers of their archers. The latter are shown on the tapestry both in hauberks and without, and one is seen on horseback. The bow appears to be of the simplest form of construction, and the arrow decidedly not the cloth-yard shaft of a later age. It became a custom from a very early date for the archer to bear a stake sharpened at both ends which the front ranks drove firmly into the ground with the second and uppermost point sloping from them, while the rear ranks filled up the intermediate spaces with theirs. When protected thus in front and on both flanks it was found that the archers of England could defy the charge of the heaviest cavalry. Already in the twelfth century the English began to develop that prowess in archery which subsequently made them renowned throughout the Continent of Europe. At the siege of Messina by Cœur de Lion we are told by Richard of Devizes that the Sicilians were obliged to leave their walls unmanned “because no one could look abroad but he would have an arrow in his eye before he could shut it,” while Richard himself did not disdain the use of the weapon, but used it personally with deadly effect when besieging Nottingham Castle, defended by the adherents of his brother John. Among the enactments of Henry I. of England it was provided that if any one practising with arrows or with darts should by accident slay another it was not to be visited against him as a crime.Fig.151.—Archer,c.1250.Fig.152.—Archer, 1330. (Roy. MS. 16, C. 6.)Fig.153.—Archers. (Roy. MS. 20, D. 1.)Fig.154.—Archer, &c., from Painted Chamber.It was during the period now under consideration, 1250 to 1325, that the archer first stepped into prominent notice, and that the efficacy of his weapon, the most deadly that the art of man devised until the introduction of gunpowder, came to be fully recognised. During the Norman period the infantry as a rule were armed with the bow, but the other weapons they bore were considered of equal if not greater usefulness and importance in battle, owing probably to the undeveloped condition of the weapon. With the advent, however, of the long-bow proper, and the invention of the arbalest, the deadly effect of the arrow and the quarrel began to be fully recognised and accepted, and changes consequently occurred in the art of warfare occasioned by the adoption of these weapons. The bow was not at first considered to be of exceptional efficiency in the open field, but to be especially valuable in sieges, and the defence of mountain passes and strongholds. When this idea was proved to be erroneous we find from various Statutes of Arms that a number of the military tenants were ordered to be provided with the long-bow and arrows. The Statute of Westminster, for instance, especially mentions the bow. Their equipment was considerably augmented also with respect to body armour, for inFig. 109on p.94we see the bowman ofc.1220 defended only by his chapelle-de-fer, whereas in Figs.153,155, taken from Roy. MS. 20, D 1, dating from the end of the century, when the conical heaume had been generally adopted, the archers are depicted with the same headgear and the body defended by a hauberk of banded mail. Whether arrows were ever furnished with the small cross-pieces as shown is conjectural; they are, however, often shown in MSS. having a foreign origin. InFig. 154the archer is seen clad in a coif-de-mailles and hauberk. The arrow-head is usually barbed as shown, but whether the three-barbed arrow of Spain, shown in the Spanish Codex, Add. MS. 11,695, written in 1109, was ever adopted in England is very doubtful. The fourteenth century showed the fullest development of the bow, as we shall find, and during that period the archer attained the height of his importance, but by his equipment at this early period we may conclude that he was taking an important place in the military force of the nation.Fig.155.—Mounted archer (Roy. MS. 20, D. 1.),c.1290.Fig.156.—Military equipment,c.1280.PLATE XII*Foot Armour of Philip II., made by Desiderius ColmanA. F. CalvertArbalestiers.—The arbalest or cross-bow was known apparently as early as the fourth century, and is mentioned in manuscripts of the tenth; it appears, however, to have been chiefly used for sport that time. It was not before the close of the twelfth century that it was recognised as a military weapon, or is illustrated in manuscripts. In the beginning of the twelfth century there appears to have been an effort made for its introduction, but at a council held under Pope Innocent II. in 1139, it was placed under an interdict as a barbarous weapon and unfit for Christian warfare, and this condemnation was subsequently confirmed by Innocent III. In the meantime, however, Richard I. of England and Philip Augustus of France had sanctioned its use during the Crusade in which they had taken part, Richard being the first to advocate its use, and Philip acquiescing and subsequently adopting his example. The cross-bow thus introduced into England at the end of the twelfth century practically became obsolete at the termination of the thirteenth, when the long-bow almost succeeded in extirpating its rival. This, however, was by no means the case upon the Continent, where it was the leading arm until the introduction of the arquebus, and throughout the thirteenth century cross-bowmen became integral units of every English army, sometimes being mounted. The King’s Bodyguard, founded by Richard I., was formed partly of arbalestiers. In the copious records left by Matthew Paris, who died in 1259, the cross-bowman is continually mentioned. His particular post was in the forefront of the battle and upon the wings, where the heavy quarrels discharged from his weapon were supposed to check the advance of the enemy’s cavalry; and scarcely a battle is recorded in that part of the thirteenth century where the arbalestier is not credited with performing most conspicuous service. In the battle near Damietta in 1237 a hundred Templars and three hundred cross-bowmen are said to have fallen, and the Emperor Frederick in 1239, writing to Henry III. of England, mentions the very prominent part played in a campaign by the arbalestiers. In the contest with Louis IX., Henry III. had seven hundred cross-bowmen in his force, while the French had a vastly greater number. In King John’s time the pay for a cross-bowman on foot was threepence per day, while if mounted he was paid sevenpence halfpenny or fifteenpence, according as to whether he possessed one or two horses. Notwithstanding the conspicuous successes of these troops theyoccupied an invidious position in other countries than our own; for the knights and men-at-arms, if they perceived the day being won by the prowess of the cross-bowmen, did not hesitate to charge through their ranks in order to share in the glory. This occurred many times upon the Continent, though happily no record exists of its happening in England.Fig.157.—Arbalestier,c.1250.Fig.158.—Archer and arbalestier, 13th century.Like the bowman of his time the arbalestier was clad occasionally in heavy armour. In the annexedFig. 158of an archer and a cross-bowman, from Add. MS. 15,268 and dating from the close of the thirteenth century, the armour of the latter appears to be of the tegulated or the scale variety, though it is quite possible that it may be intended for banded mail. Upon his head he wears a leather skull-cap strengthened apparently by iron bands, under which appears a linen or soft leather coif. A representation of a similar skull-cap of leather (Fig. 159), ornamented with a strengthening device in iron which is prolonged into a nasal, is shown upon one of the figures in the Painted Chamber, Westminster. The pile of the cross-bow bolt is shown to be quite distinct from the barbed head of the arrow. InFig. 109, p.94, the cross-bowman is represented as heavily armed in a pot-helm and hauberk of mail. The supersession of the cross-bow in England by the long-bow was due to natural causes. It was found that as the long-bow underwent improvements it outclassed the cross-bow in more ways than one. A powerful and skilful bowman could discharge half-a-dozen or more arrows during the time necessitated for winding up the cross-bow for a second shot; also the distance covered by the arrow, together with its penetrative force, were quite equal to that of the quarrel, and is generally considered to have been superior. In consequence of this rapidity of fire the English archer invariably beat down the attack of Continental cross-bowmen, if equal in numbers, and, very often, when they were in excess. Compactness of troops was a great point in mediæval warfare, and the bowmen could stand closer together with their bows vertical than their brethren of the cross-bow with their weapons in the horizontal position. There is little doubt that the cross-bow was the ideal weapon for the ordinary soldier of an ordinary race, inasmuch as little intellect was required to direct the aim and little strength was necessary if the usual mechanical means were used to bend the bow. For the efficient use of the long-bow, on the contrary, a keen judgment was an absolute necessity, and it was only a race of considerable physical power that could put forth the strength and maintain the exertion which the long-bow demanded. It is undoubtedly a matter for national self-complacency to reflect upon the fact that while the British gradually discarded the cross-bow and adopted the long-bow almost entirely, the Continental nations proceeded in exactly the opposite direction.Fig.159.—Nasal. Painted Chamber, Westminster.Fig.160.—Arbalestier, 1330. (Roy. MS. 16, G 6.)The Hand Cross-bow.—The cross-bow as at first introduced was of a simple construction, and permitted of the bow being drawn by the hands alone, without the aid of mechanical means. Such a bow is that shown in Figs.109,157,160, &c., which when required to be strung was simply placed upon the ground, the left foot inserted in the iron loop at the end of the stock, and the string drawn up with the right hand, until it engaged in the notch. This is termed the hand cross-bow. The oldest arbalest in the Wallace Collection dates from 1450, and is probably of German construction. The stock is of wood inlaid with plaques of polished stag-horn, which are beautifully carved in relief. The bow is of great strength, partly enveloped in parchment and leather painted, and the original cord remains.The Goat’s Foot, or Hind’s Foot, Cross-bow.—The apparatus to bend this bow is essentially a double lever consisting of two pieces articulated together. The smaller piece is divided into two distinct parts, each of which terminates in a catch; one of these engages with the bow-string and the other upon points on either side of the stock.The longer arm of the lever was drawn back, and the catch with the bow-string followed it until, being brought up sufficiently into position, the string was caught by the notch and remained secure until discharged. An arbalest is preserved in the Wallace Collection, dating from 1520, the bow of which is built up of layers of cane, whalebone, hide, and parchment, ornamented and painted; this bow was bent by the goat’s-foot lever, a few examples of which are to be seen in the Museum.The Wheel and Ratchet Cross-bow.—This apparatus is affixed to the bow stock behind the trigger by a stout cord which passes round the stock and holds the mechanism firmly. It consists of a flat, circular, iron case which contains in its outer periphery a small toothed wheel which can be turned by a long handle. Passing through the circular case and engaging with the small wheel is a straight ratchet with one side cogged: this ratchet has a catch at the end remote from the case which engages with the bow-string. By merely turning the handle and so revolving the wheel the ratchet is wound through the case, thus drawing back the string to its resting-place. The apparatus is then detached and hung at the belt until wanted again.InPlate XL., p.366, taken at the Rotunda, Woolwich, an arbalestier ofc.1450 may be discerned in the act of winding his cross-bow by a one-handled moulinet, the head of the stock, which is very short, resting on his knee and not on the ground. It takes a weight of 400 lbs. to bend this bow.PLATE XIII*Philip II., Armour by Wolf of Landshut, 1550A. F. CalvertMoulinet and Pulleys Cross-bow.—A piece of iron bent into the form of a stirrup is affixed to the stock (adjacent to the bow in this case), similar to that of the hand cross-bow, for the insertion of the left foot, so as to gain the largestamount of steadiness and purchase. At the butt end of the stock, against the archers body, a system of fixed pulleys, having cords running over another system of free pulleys, is firmly affixed by the insertion of the butt into a socket. The free-pulley system has a catch attached to it which engages with the cord of the bow: by winding up the fixed system with a small windlass having a handle on either side, the free system approaches the butt, bringing with it the string of the bow, which after a time is duly caught in the notch provided for it. The tackle is then released and hung at the belt until wanted. An excellent example of Moulinet and Pulleys may be seen in the Wallace Collection, dating from 1490 to 1500; it is constructed of steel, and is in good preservation.The Cross-bow à Galet.—In this type the bow is bent by means of a lever fixed to the stock, and was much used in the sixteenth century for the discharge of stones, spherical balls of lead, &c. In order to afford a good purchase for the lever, the stock between the bow and the string-catch was very often curved downwards into a segment of a circle and made of metal.The Barrelled Cross-bowwas as a rule bent by hand, although a short stick was occasionally used. A half-tube covered the groove through which the quarrel travelled, thus leaving a passage for the string. It did not carry to any remarkable distance, but in spite of this was in much request during the seventeenth century.Fig.161.—Slinger with staff sling or fustibal, 13th century.The missiles for cross-bows are termed quarrels, or bolts, and generally terminated in a four-sided pyramidal head or pile, being occasionally feathered with wood or brass. One kind was so feathered as to cause the bolt to rotateupon its axis. The cross-bow did not altogether disappear from the army. We find mention in 1572, in the time of Queen Elizabeth, of cross-bowmen being part of a force of six thousand men furnished by the queen to King Charles IX. The slinger of this period is well delineated inFig. 161. It will be perceived that he carries no protection whatever in the shape of armour; his weapon is the staff sling or fustibal.Banded Mail.—Toward the close of the thirteenth century a new species of armour made its appearance, which is generally known by the name of Banded Mail. It was in extensive use for about a century or more, and appears upon the knight as well as upon the ordinary soldier. Chain mail was apparently superseded by the banded mail, though not entirely, as the former appears upon regal effigies and persons of the aristocratic families, from which we may infer that the chain variety was retained by those who could afford it and banded mail was used by those whose means were limited.As the structure of banded mail always presents difficulty to the student, and many conjectures made at various times have as a rule rendered the question more difficult still without solving it, it is obviously not out of place in this work to deal comprehensively with the subject and, it is hoped, to definitely decide the question. The premises fromwhich we may argue are as follows:—Fig.162.—Banded mail: knight of the De Sulney family at Newton Solney, Derbyshire.1. From the time of the first Crusade, or approximately about that time, chain mail proper was the flexible defensive covering for the English knight, and various kinds of jazeraint armour, in which leather, metal plates, padded material, &c., were indiscriminately used, for the ordinary soldier. The chain mail was obviously too dear for the average purse.2. During the period mentioned above archery was in an incipient condition, and bodily defences were adapted to withstand the weapons in ordinary use, which, if we exclude the javelin, and, under extraordinary circumstances, the lance, were hand and not missile weapons.3. The simultaneous adoption of banded mail, not only by the common soldier, but also by a large proportion of the knightly forces, points conclusively to the fact that chain mail was no longer considered an adequate defence; in other words that the adoption of a new arm had rendered it inefficient, and that another description of armour was imperatively demanded to withstand its effects.4. The use of leather as a means for bodily defence had been known from the most ancient times, and in England had been freely used by the Saxons, as we have seen. From the Conquest onwards it had steadily advanced in favour, and culminated in importance in the first half of the fourteenth century during the Studded and Splinted Armour Period, not finally disappearing until the adoption of total plate defences rendered its use obsolete. Its second rise into favour during the seventeenth century is obviously not connected with this question, except to emphasise the fact that leather has always been considered an efficacious defence against sword-cuts, and also against missiles which are not gifted with too great powers of penetration.5. The fact that banded mail, whether seen upon the inside or the outside, presents exactly the same appearance (see the Creke, Northwode, and d’Aubernoun brasses) and is delineated in such manner in illuminated manuscripts, and carved the same in monumental effigies, precludes the supposition that rings of metal were sewn down or otherwise affixed to a garment of leather, as had been the fashion with Saxons and Normans. Unless, however, we suppose a total abandonment of leather as a defence which had been growing in favour previously and which culminated afterwards, we must conclude that leather in some form was used in the construction of the mail.6. The abandonment generally of chain mail and the adoption of banded mail occurred synchronously with the extraordinary development of the long-bow in the latter part of the thirteenth century.7. Banded mail was of so flexible a character that folds are depicted in garments constructed of this material; it was used for hauberks, camails, chausses, sleeves, and, in short, for every purpose in which its predecessor had been used.8. It is represented in MSS. with a metallic surface. The colour is always silver, white or grey of various shades, and gold. We have therefore to devise a protection which shall be of greater service than chain against arrows; which shall be comparatively cheap; in which leather plays a more or less conspicuous part; which shall present the same appearance when viewed upon both sides; shall be flexible; and finally shall have a metallic surface or general appearance.PLATE XIVSuggested Construction of Banded MailThe accompanying diagram (Plate XIV.) is taken from a photograph of a piece of banded mail constructed according to our idea of the structure of the mediæval defence. The rings are iron washers, 1 in. in diameter and 1/16 in. thick. Through the centre of the washers a piece of leather exactly as wide as the apertures passes from end to end. Thewashers are arranged like rouleaux of coin, each one just covering the aperture through the centre of the one below. Between each row of washers a thick piece of leather is placed, the raw edges being visible on either side of the mail where they have been rounded off with the knife. The section of this leather band would be similar to that of a dumb-bell, the centres on each side of the leather being hollowed so as to permit the edges of the rouleaux to approach each other and almost touch, the thin centre only preventing them. To the middle of this leather band the individual rings of the mail are sewn of both the upper and lower rows. The best portion of this example is that immediately to the right of the white band. The appearance of both sides of this example of mail is precisely similar; it is very flexible, and easily bends in any required direction. The weight, however, would probably be prohibitory, even to a mediæval knight, and in order to lighten it we may suggest that every alternate washer be made of leather, or even that two washers of leather alternate with one of metal. Against this it may be argued that banded mail is represented with a metallic tint, but so also is chain mail, which must have presented ordinarily a rusty-hued mass with simply an outer surface of polished iron. The liability to rust of chain mail must have been excessive, and the two outer and accessible surfaces were undoubtedly the only portions usually polished. So well known is this fact that in the pageants now prevalent brown string is knitted to represent chain armour, the outer surface being subsequently covered with a metallic medium. As a consequence the limners of banded mail would represent it with a metallic surface even though it presented as brown or rusty an aspect as chain mail. The washers used in the modern example would in the mediæval period be flattened rings of metal, and the excessively coarse and large banded mail would be oval rings and not circular. The bands are at times represented by single lines, and the suggestion is obvious that the lines simply represent the junction of the rouleaux which have not the extra defence of the bands of leather, or else the band is so narrow that one line is sufficient for its representation.We will now deal with its efficiency for defence against arrows, which appears to have been the chief reason for its being called into existence. These missiles would strike either upon the rouleaux or upon the bands, and would impinge either at a right angle to the plane of the surface, or at any angle less than a right angle. An arrow striking the rouleaux at right angles would endeavour to pass through (1) the thickness of a metal or leather disc; (2) the leather running through the discs; (3) the thickness of a metal or leather disc at the rear. If it struck a metal disc, however, there would be a deflective tendency either to right or left, according to the slant of the disc.An arrow striking at an acute angle upon the rouleaux would glance off if the discs slanted in its direction; if the discs sloped from it the arrow might insert itself between two of them, penetrate the band of leather running through the centres, and then endeavour to pass between two discs at the back. So tightly, however, would these discs be pressed together, by the leverage of the arrow-head itself in enlarging the opening between them in the front, that it is questionable if the inertia remaining in the arrow would enable it to overcome such resistance, remembering that the discs are firmly fixed both at the top and bottom to the leather bands. If an arrow struck upon one of the bands it would have to penetrate at least half-an-inch of leather and force apart the rouleaux firmly sewn, or affixed in other ways, to the band on either side.The specimen of banded mail constructed in accordance with the foregoing method possesses in actual practice the resisting power claimed for it; the apparent weak point is the penetrability between the discs. If, however, the rings are firmly sewn to the lateral bands the resistance to an arrow is almost if not quite equal to that of any other part of the mail; the arrow becomes firmly fixed in the discs without penetrating to the body. It is an unsettled question as to whether or not complete armour of leather discs was ever introduced into England: certain it is that the armour of William Longuespée, first Earl of Salisbury, in Salisbury Cathedral was originally painted brown, but that might signify, as we have said before, rusty chain mail and not leather; whereas upon the few sculptured effigies in banded mail preserved to us the colouring has altogether disappeared.CHAPTER VIIITHE CYCLAS PERIOD, 1325-1335Probably at no time in the history of defensive armour has it presented a more picturesque appearance than during the brief ten years of the Cyclas Period. Fitting closely to the figure, the various garments followed the outlines of the human form, and in no parts showed any marked peculiarities or eccentricities. The evolution of the style was undoubtedly derived from the experience gained during the Chain Mail Period, when that defence was proved to be ineffectual against the terrible effects of lance and sword. Both of these weapons, even if they did not actually pierce the mail, either bruised the body, or broke bones, and thereby incapacitated the wearer; while the protection afforded by the loosely hanging folds of the surcoat of previous periods, especially against sword-cuts, has been duly noted. Hence during the Cyclas Period we meet with the introduction of multitudinous coverings, whereby the lance, the sword, and the arrow were opposed by plate and mail, and by various padded garments of a textile nature. The superposition and nature of the defensive equipment will now be described.Fig.163.—Sir Robert Shurland, 1300; showing the gambeson.1.The Haqueton.—This consisted of a stuffed and padded garment covering the whole body from the neck to the knees, and the upper part of the arms; it rested immediately upon the under-shirt of wool. The padded character of the garment may be seen from the Creke andd’Aubernoun brasses, where the lower edge reaches the genouillières. In the Clehongre effigy the haqueton, though doubtless worn, is not apparent. The padding, besides being defensive, served to protect the body from the pressure of the mail and plate defences.

Fig.134.—From the seal of Richard Plantagenet, Earl of Cornwall, King of the Romans (d.1272).Fig.135.—From the seal of Robert de Ferrars, Earl of Derby (d.before 1279).

Fig.134.—From the seal of Richard Plantagenet, Earl of Cornwall, King of the Romans (d.1272).

Fig.134.—From the seal of Richard Plantagenet, Earl of Cornwall, King of the Romans (d.1272).

Fig.135.—From the seal of Robert de Ferrars, Earl of Derby (d.before 1279).

Fig.135.—From the seal of Robert de Ferrars, Earl of Derby (d.before 1279).

Fig.136.—Knight, showing mail over pot-de-fer, 1290.

Fig.136.—Knight, showing mail over pot-de-fer, 1290.

About the year 1280 the conical-topped heaume came into use, whose general form is delineated inFig. 137, and has already been noticed in the Trumpington brass. It wasof great weight, and either hung at the saddle bow, or was carried by the squire, when not in use; it rested upon the shoulders, and thus relieved the head of the greater part of its weight. Two heaumes are here shown (Figs.138,139) from Add. MS. 10,294 in the British Museum. One is of the plain and ordinary pattern, but the second shows a movable visor which can either be raised or removed entirely. It also illustrates a reinforcing plate protecting the sides of the head. Inside it was thickly padded, and representations of this feature may often be discerned upon monumental effigies, where the heaume is used to support the head of the recumbent knightly figure. To keep it in position laces were attached to the lower edge at the back; these are clearly seen inFig. 121, p.106.

Fig.137.Fig.138.—Heaume. (Add. MS. 10,294.)Fig.139.—Heaume. (Add. MS. 10,294.)

Fig.137.

Fig.137.

Fig.138.—Heaume. (Add. MS. 10,294.)

Fig.138.—Heaume. (Add. MS. 10,294.)

Fig.139.—Heaume. (Add. MS. 10,294.)

Fig.139.—Heaume. (Add. MS. 10,294.)

Fig.140.—Heaume of Henri de Perci,c.1300.

Fig.140.—Heaume of Henri de Perci,c.1300.

The development of the crest during this period did not make much headway, but a few examples from seals and MSS. will show that there was a certain amount of progress. The heaume of Baron Henri de Perci,c.1300 (Fig. 140), exhibits a highly ornamented crest with the distinctive feature of two streamers affixed to its base, the contoise or mantling in its incipient form. The comb is deeply serrated, and ornamented with gadroons springing from the centre. Upon the seal of Henry de Lacy, Earl of Lincoln, 1301 (Fig. 141), the conical heaume is shown, not reaching, however, to the shoulders, with a small, plain comb upon its summit, differing in that respect from the crests of Richard Fitzalan,Earl of Arundel (Fig. 142), and Humphrey Bohun, Earl of Hereford (Fig. 143), which both date from the same year. A singularly plain heaume, considering the distinction of the wearer, is that of Edward, Prince of Wales, 1305, as delineated upon his seal (Fig. 144). The crest of John de Warenne, Earl of Surrey, 1329, shown inFig. 117on p.102, displays a startling development upon the preceding examples, and exhibits a high order of decorative design in crests at this early period.

Fig.141.—From the seal of Henry de Lacy, Earl of Lincoln, 1301.Fig.142.—From the seal of Richard Fitzalan, Earl of Arundel, 1301.Fig.143.—From the seal of Humphrey de Bohun, Earl of Hereford, 1301.Fig.144.—From the seal of Edward of Carnarvon, Prince of Wales, 1305.

Fig.141.—From the seal of Henry de Lacy, Earl of Lincoln, 1301.

Fig.141.—From the seal of Henry de Lacy, Earl of Lincoln, 1301.

Fig.142.—From the seal of Richard Fitzalan, Earl of Arundel, 1301.

Fig.142.—From the seal of Richard Fitzalan, Earl of Arundel, 1301.

Fig.143.—From the seal of Humphrey de Bohun, Earl of Hereford, 1301.

Fig.143.—From the seal of Humphrey de Bohun, Earl of Hereford, 1301.

Fig.144.—From the seal of Edward of Carnarvon, Prince of Wales, 1305.

Fig.144.—From the seal of Edward of Carnarvon, Prince of Wales, 1305.

PLATE XISir Robert de Bures, 1302. Acton Church, Suffolk

PLATE XI

Sir Robert de Bures, 1302. Acton Church, Suffolk

At Acton in Suffolk is a monumental brass to Sir Robert de Bures, dating from the year 1302, which holds the proud position of being the finest early brass in existence, and which may also fairly claim to be the finest military brass extant. The details of equipment differ but little from the d’Aubernoun and Trumpington brasses, but the guige of the shield, by being partially hidden underthe tippet of the coif-de-mailles, indicates that the coif was entirely separate from the hauberk, and was not continuous, as might be imagined from the early brasses. The genouillières are very elaborate, and probably of cuir-bouilli; above them and beneath the skirt of the hauberk are seen the padded and quilted trews covering the chausses from the knee upwards. This garment, whose surface was usually of silk, baudekyn, or other costly material, is shown in the brass to be richly embroidered with fleur-de-lys and an ornament resembling in shape the Greek lyre, disposed alternately in lozenges formed by the reticulations of the silken cords, and a similar decoration appears upon the grip of the sword (Plate XI.).

Sir Robert de Septvans, 1306, is another knight whose brass effigy has the cross-legged position; it is in Chartham Church, Kent, and affords an excellent illustration of the military accoutrement at the termination of the reign of Edward I. (Fig. 146). The singular name of Septvans (or Seven Fans) is derived from the heraldic cognisance of the family, and is shown upon the figure as seven fans of the shape used for winnowing wheat at that period. The coif-de-mailles is thrown back in this effigy, and rests upon the shoulders in folds; the ailettes are square or oblong, and the sleeves of the hauberk are thrown back off the hands and are shown depending from the wrist. Beneath the hauberk the quilted undergarment called the haqueton appears; the trews are of similar material, and apparently are continued under the genouillières, probably to avoid chafing. The latter are of plate, and a stud is shown which fastens them to a strap behind the knee. The sword-hilt and scabbard are enriched with a highly effective diaper design.

Fig.145.—Knight in banded mail, 1310. Croft, Lincs.

Fig.145.—Knight in banded mail, 1310. Croft, Lincs.

Between the years 1306 and 1320 there are no brasses in existence exhibiting the full military equipment of the time, the example at Croft, 1310, being only a half-brass and singularly devoid of detail (Fig. 145). Two brasses, however, dating from 1320, afford us an opportunity of seeing the marked development in defences which had been adopted in the interval. The Bacon brass in Gorleston Church, Suffolk, has been much mutilated, but sufficient is retained to make it of interest. The coif-de-mailles, hauberk, surcoat, sword-belt, shield, and guige show no differences, but in the plate defences a great advance has been made. The back of the upper arms from shoulder to elbow, and the front of the lower arms from the bend of the elbow to the wrist, are protected by plates of steel, fastened by steel straps round the limbs; these are respectively the Demi-Brassarts and Demi-Vambraces. Upon the elbows are the Coudières, and upon the knees Genouillières of plate, while the shins are defended by Demi-Jambarts, all being fixed over the chain mail to fulfil the office of reinforcements. At the shoulder and elbow bends, roundels of plate appear, and over the shoulder are ailettes marked with the Cross of St. George. The shield is small and heater-shaped, and is furnished with a narrow guige. In the Fitzralph brass, 1320, Pebmarsh Church, Essex (Fig. 147), the general arrangement is similar to the Gorleston brass, but no ailettes are shown, and the shield is large and concave to the body. Uponthe feet are Sollerets consisting of five lames of plate riveted together and kept in place by two straps passing under each foot. The swords of both figures show straight quillons not drooping to the blade as formerly. The pryck spur is still in vogue, and from the roundels the small projecting spikes should be noticed. The five cross-legged brasses thus described and illustrated are all that now remain to us, and of these five only one, that of Trumpington, so far as is known, represents a knight who followed the banner of the Holy Cross to Palestine.

Fig.146.—Sir Robert de Septvans, 1306. Chartham Church, Kent.Fig.147.—Sir — de Fitzralph,c.1320. Pebmarsh Church, Essex.

Fig.146.—Sir Robert de Septvans, 1306. Chartham Church, Kent.

Fig.146.—Sir Robert de Septvans, 1306. Chartham Church, Kent.

Fig.147.—Sir — de Fitzralph,c.1320. Pebmarsh Church, Essex.

Fig.147.—Sir — de Fitzralph,c.1320. Pebmarsh Church, Essex.

Fig.148.—Figures from “Massacre of the Innocents” (Add. MS. 17,687),c.1290.

Fig.148.—Figures from “Massacre of the Innocents” (Add. MS. 17,687),c.1290.

The defensive equipment of the ordinary foot soldier of this period is well delineated inFig. 148, which is taken from Add. MS. 17,687 in the British Museum, a German illumination dating fromc.1290. The subject is the Massacre of the Innocents, a favourite theme for illustrations in those times: the central figure is holding in the air a child (not shown except the foot) preparatory to dashing it upon the ground, while the soldier to the right has the decapitated head of a child, also not reproduced, in his left hand. The coif-de-mailles are in all three examples peculiar in being continued as a pectoral; in two cases they are constructed of banded mail, and in the third of studded jazeraint. Two hauberks are shown, one of banded mail and the other of jazeraint. The central figure has genouillières of leather which, like those of his companions upon his left, are apparently continuous round the joint: the strips of pendent leather from them have been sewn over the shins and calves, while studded strips over chausses of the same material cover the lower limbs of his comrade. The third figure has simple chausses of banded mail with no reinforcement: long swords with characteristic pommels are worn, and the whole group is a most striking example of the lack of uniformity at the period. Also see Figs.149and150.

Fig.149.—Soldier (Sloan MS. 346),c.1280.Fig.150.—Swordsman of the chain mail reinforced period.

Fig.149.—Soldier (Sloan MS. 346),c.1280.

Fig.149.—Soldier (Sloan MS. 346),c.1280.

Fig.150.—Swordsman of the chain mail reinforced period.

Fig.150.—Swordsman of the chain mail reinforced period.

Archers.—From the time of the Norman Conquest the practice of archery assumed an importance which did not fall to its lot before in England. The Saxons had not paid particular attention to this arm from a military standpoint, only using it in sport, and the success of the Normans at Hastings was due in a great measure to the skill and superior numbers of their archers. The latter are shown on the tapestry both in hauberks and without, and one is seen on horseback. The bow appears to be of the simplest form of construction, and the arrow decidedly not the cloth-yard shaft of a later age. It became a custom from a very early date for the archer to bear a stake sharpened at both ends which the front ranks drove firmly into the ground with the second and uppermost point sloping from them, while the rear ranks filled up the intermediate spaces with theirs. When protected thus in front and on both flanks it was found that the archers of England could defy the charge of the heaviest cavalry. Already in the twelfth century the English began to develop that prowess in archery which subsequently made them renowned throughout the Continent of Europe. At the siege of Messina by Cœur de Lion we are told by Richard of Devizes that the Sicilians were obliged to leave their walls unmanned “because no one could look abroad but he would have an arrow in his eye before he could shut it,” while Richard himself did not disdain the use of the weapon, but used it personally with deadly effect when besieging Nottingham Castle, defended by the adherents of his brother John. Among the enactments of Henry I. of England it was provided that if any one practising with arrows or with darts should by accident slay another it was not to be visited against him as a crime.

Fig.151.—Archer,c.1250.Fig.152.—Archer, 1330. (Roy. MS. 16, C. 6.)

Fig.151.—Archer,c.1250.

Fig.151.—Archer,c.1250.

Fig.152.—Archer, 1330. (Roy. MS. 16, C. 6.)

Fig.152.—Archer, 1330. (Roy. MS. 16, C. 6.)

Fig.153.—Archers. (Roy. MS. 20, D. 1.)

Fig.153.—Archers. (Roy. MS. 20, D. 1.)

Fig.154.—Archer, &c., from Painted Chamber.

Fig.154.—Archer, &c., from Painted Chamber.

It was during the period now under consideration, 1250 to 1325, that the archer first stepped into prominent notice, and that the efficacy of his weapon, the most deadly that the art of man devised until the introduction of gunpowder, came to be fully recognised. During the Norman period the infantry as a rule were armed with the bow, but the other weapons they bore were considered of equal if not greater usefulness and importance in battle, owing probably to the undeveloped condition of the weapon. With the advent, however, of the long-bow proper, and the invention of the arbalest, the deadly effect of the arrow and the quarrel began to be fully recognised and accepted, and changes consequently occurred in the art of warfare occasioned by the adoption of these weapons. The bow was not at first considered to be of exceptional efficiency in the open field, but to be especially valuable in sieges, and the defence of mountain passes and strongholds. When this idea was proved to be erroneous we find from various Statutes of Arms that a number of the military tenants were ordered to be provided with the long-bow and arrows. The Statute of Westminster, for instance, especially mentions the bow. Their equipment was considerably augmented also with respect to body armour, for inFig. 109on p.94we see the bowman ofc.1220 defended only by his chapelle-de-fer, whereas in Figs.153,155, taken from Roy. MS. 20, D 1, dating from the end of the century, when the conical heaume had been generally adopted, the archers are depicted with the same headgear and the body defended by a hauberk of banded mail. Whether arrows were ever furnished with the small cross-pieces as shown is conjectural; they are, however, often shown in MSS. having a foreign origin. InFig. 154the archer is seen clad in a coif-de-mailles and hauberk. The arrow-head is usually barbed as shown, but whether the three-barbed arrow of Spain, shown in the Spanish Codex, Add. MS. 11,695, written in 1109, was ever adopted in England is very doubtful. The fourteenth century showed the fullest development of the bow, as we shall find, and during that period the archer attained the height of his importance, but by his equipment at this early period we may conclude that he was taking an important place in the military force of the nation.

Fig.155.—Mounted archer (Roy. MS. 20, D. 1.),c.1290.

Fig.155.—Mounted archer (Roy. MS. 20, D. 1.),c.1290.

Fig.156.—Military equipment,c.1280.

Fig.156.—Military equipment,c.1280.

PLATE XII*Foot Armour of Philip II., made by Desiderius ColmanA. F. Calvert

PLATE XII*

Foot Armour of Philip II., made by Desiderius Colman

A. F. Calvert

Arbalestiers.—The arbalest or cross-bow was known apparently as early as the fourth century, and is mentioned in manuscripts of the tenth; it appears, however, to have been chiefly used for sport that time. It was not before the close of the twelfth century that it was recognised as a military weapon, or is illustrated in manuscripts. In the beginning of the twelfth century there appears to have been an effort made for its introduction, but at a council held under Pope Innocent II. in 1139, it was placed under an interdict as a barbarous weapon and unfit for Christian warfare, and this condemnation was subsequently confirmed by Innocent III. In the meantime, however, Richard I. of England and Philip Augustus of France had sanctioned its use during the Crusade in which they had taken part, Richard being the first to advocate its use, and Philip acquiescing and subsequently adopting his example. The cross-bow thus introduced into England at the end of the twelfth century practically became obsolete at the termination of the thirteenth, when the long-bow almost succeeded in extirpating its rival. This, however, was by no means the case upon the Continent, where it was the leading arm until the introduction of the arquebus, and throughout the thirteenth century cross-bowmen became integral units of every English army, sometimes being mounted. The King’s Bodyguard, founded by Richard I., was formed partly of arbalestiers. In the copious records left by Matthew Paris, who died in 1259, the cross-bowman is continually mentioned. His particular post was in the forefront of the battle and upon the wings, where the heavy quarrels discharged from his weapon were supposed to check the advance of the enemy’s cavalry; and scarcely a battle is recorded in that part of the thirteenth century where the arbalestier is not credited with performing most conspicuous service. In the battle near Damietta in 1237 a hundred Templars and three hundred cross-bowmen are said to have fallen, and the Emperor Frederick in 1239, writing to Henry III. of England, mentions the very prominent part played in a campaign by the arbalestiers. In the contest with Louis IX., Henry III. had seven hundred cross-bowmen in his force, while the French had a vastly greater number. In King John’s time the pay for a cross-bowman on foot was threepence per day, while if mounted he was paid sevenpence halfpenny or fifteenpence, according as to whether he possessed one or two horses. Notwithstanding the conspicuous successes of these troops theyoccupied an invidious position in other countries than our own; for the knights and men-at-arms, if they perceived the day being won by the prowess of the cross-bowmen, did not hesitate to charge through their ranks in order to share in the glory. This occurred many times upon the Continent, though happily no record exists of its happening in England.

Fig.157.—Arbalestier,c.1250.

Fig.157.—Arbalestier,c.1250.

Fig.158.—Archer and arbalestier, 13th century.

Fig.158.—Archer and arbalestier, 13th century.

Like the bowman of his time the arbalestier was clad occasionally in heavy armour. In the annexedFig. 158of an archer and a cross-bowman, from Add. MS. 15,268 and dating from the close of the thirteenth century, the armour of the latter appears to be of the tegulated or the scale variety, though it is quite possible that it may be intended for banded mail. Upon his head he wears a leather skull-cap strengthened apparently by iron bands, under which appears a linen or soft leather coif. A representation of a similar skull-cap of leather (Fig. 159), ornamented with a strengthening device in iron which is prolonged into a nasal, is shown upon one of the figures in the Painted Chamber, Westminster. The pile of the cross-bow bolt is shown to be quite distinct from the barbed head of the arrow. InFig. 109, p.94, the cross-bowman is represented as heavily armed in a pot-helm and hauberk of mail. The supersession of the cross-bow in England by the long-bow was due to natural causes. It was found that as the long-bow underwent improvements it outclassed the cross-bow in more ways than one. A powerful and skilful bowman could discharge half-a-dozen or more arrows during the time necessitated for winding up the cross-bow for a second shot; also the distance covered by the arrow, together with its penetrative force, were quite equal to that of the quarrel, and is generally considered to have been superior. In consequence of this rapidity of fire the English archer invariably beat down the attack of Continental cross-bowmen, if equal in numbers, and, very often, when they were in excess. Compactness of troops was a great point in mediæval warfare, and the bowmen could stand closer together with their bows vertical than their brethren of the cross-bow with their weapons in the horizontal position. There is little doubt that the cross-bow was the ideal weapon for the ordinary soldier of an ordinary race, inasmuch as little intellect was required to direct the aim and little strength was necessary if the usual mechanical means were used to bend the bow. For the efficient use of the long-bow, on the contrary, a keen judgment was an absolute necessity, and it was only a race of considerable physical power that could put forth the strength and maintain the exertion which the long-bow demanded. It is undoubtedly a matter for national self-complacency to reflect upon the fact that while the British gradually discarded the cross-bow and adopted the long-bow almost entirely, the Continental nations proceeded in exactly the opposite direction.

Fig.159.—Nasal. Painted Chamber, Westminster.

Fig.159.—Nasal. Painted Chamber, Westminster.

Fig.160.—Arbalestier, 1330. (Roy. MS. 16, G 6.)

Fig.160.—Arbalestier, 1330. (Roy. MS. 16, G 6.)

The Hand Cross-bow.—The cross-bow as at first introduced was of a simple construction, and permitted of the bow being drawn by the hands alone, without the aid of mechanical means. Such a bow is that shown in Figs.109,157,160, &c., which when required to be strung was simply placed upon the ground, the left foot inserted in the iron loop at the end of the stock, and the string drawn up with the right hand, until it engaged in the notch. This is termed the hand cross-bow. The oldest arbalest in the Wallace Collection dates from 1450, and is probably of German construction. The stock is of wood inlaid with plaques of polished stag-horn, which are beautifully carved in relief. The bow is of great strength, partly enveloped in parchment and leather painted, and the original cord remains.

The Goat’s Foot, or Hind’s Foot, Cross-bow.—The apparatus to bend this bow is essentially a double lever consisting of two pieces articulated together. The smaller piece is divided into two distinct parts, each of which terminates in a catch; one of these engages with the bow-string and the other upon points on either side of the stock.The longer arm of the lever was drawn back, and the catch with the bow-string followed it until, being brought up sufficiently into position, the string was caught by the notch and remained secure until discharged. An arbalest is preserved in the Wallace Collection, dating from 1520, the bow of which is built up of layers of cane, whalebone, hide, and parchment, ornamented and painted; this bow was bent by the goat’s-foot lever, a few examples of which are to be seen in the Museum.

The Wheel and Ratchet Cross-bow.—This apparatus is affixed to the bow stock behind the trigger by a stout cord which passes round the stock and holds the mechanism firmly. It consists of a flat, circular, iron case which contains in its outer periphery a small toothed wheel which can be turned by a long handle. Passing through the circular case and engaging with the small wheel is a straight ratchet with one side cogged: this ratchet has a catch at the end remote from the case which engages with the bow-string. By merely turning the handle and so revolving the wheel the ratchet is wound through the case, thus drawing back the string to its resting-place. The apparatus is then detached and hung at the belt until wanted again.

InPlate XL., p.366, taken at the Rotunda, Woolwich, an arbalestier ofc.1450 may be discerned in the act of winding his cross-bow by a one-handled moulinet, the head of the stock, which is very short, resting on his knee and not on the ground. It takes a weight of 400 lbs. to bend this bow.

PLATE XIII*Philip II., Armour by Wolf of Landshut, 1550A. F. Calvert

PLATE XIII*

Philip II., Armour by Wolf of Landshut, 1550

A. F. Calvert

Moulinet and Pulleys Cross-bow.—A piece of iron bent into the form of a stirrup is affixed to the stock (adjacent to the bow in this case), similar to that of the hand cross-bow, for the insertion of the left foot, so as to gain the largestamount of steadiness and purchase. At the butt end of the stock, against the archers body, a system of fixed pulleys, having cords running over another system of free pulleys, is firmly affixed by the insertion of the butt into a socket. The free-pulley system has a catch attached to it which engages with the cord of the bow: by winding up the fixed system with a small windlass having a handle on either side, the free system approaches the butt, bringing with it the string of the bow, which after a time is duly caught in the notch provided for it. The tackle is then released and hung at the belt until wanted. An excellent example of Moulinet and Pulleys may be seen in the Wallace Collection, dating from 1490 to 1500; it is constructed of steel, and is in good preservation.

The Cross-bow à Galet.—In this type the bow is bent by means of a lever fixed to the stock, and was much used in the sixteenth century for the discharge of stones, spherical balls of lead, &c. In order to afford a good purchase for the lever, the stock between the bow and the string-catch was very often curved downwards into a segment of a circle and made of metal.

The Barrelled Cross-bowwas as a rule bent by hand, although a short stick was occasionally used. A half-tube covered the groove through which the quarrel travelled, thus leaving a passage for the string. It did not carry to any remarkable distance, but in spite of this was in much request during the seventeenth century.

Fig.161.—Slinger with staff sling or fustibal, 13th century.

Fig.161.—Slinger with staff sling or fustibal, 13th century.

The missiles for cross-bows are termed quarrels, or bolts, and generally terminated in a four-sided pyramidal head or pile, being occasionally feathered with wood or brass. One kind was so feathered as to cause the bolt to rotateupon its axis. The cross-bow did not altogether disappear from the army. We find mention in 1572, in the time of Queen Elizabeth, of cross-bowmen being part of a force of six thousand men furnished by the queen to King Charles IX. The slinger of this period is well delineated inFig. 161. It will be perceived that he carries no protection whatever in the shape of armour; his weapon is the staff sling or fustibal.

Banded Mail.—Toward the close of the thirteenth century a new species of armour made its appearance, which is generally known by the name of Banded Mail. It was in extensive use for about a century or more, and appears upon the knight as well as upon the ordinary soldier. Chain mail was apparently superseded by the banded mail, though not entirely, as the former appears upon regal effigies and persons of the aristocratic families, from which we may infer that the chain variety was retained by those who could afford it and banded mail was used by those whose means were limited.As the structure of banded mail always presents difficulty to the student, and many conjectures made at various times have as a rule rendered the question more difficult still without solving it, it is obviously not out of place in this work to deal comprehensively with the subject and, it is hoped, to definitely decide the question. The premises fromwhich we may argue are as follows:—

Banded Mail.—Toward the close of the thirteenth century a new species of armour made its appearance, which is generally known by the name of Banded Mail. It was in extensive use for about a century or more, and appears upon the knight as well as upon the ordinary soldier. Chain mail was apparently superseded by the banded mail, though not entirely, as the former appears upon regal effigies and persons of the aristocratic families, from which we may infer that the chain variety was retained by those who could afford it and banded mail was used by those whose means were limited.

As the structure of banded mail always presents difficulty to the student, and many conjectures made at various times have as a rule rendered the question more difficult still without solving it, it is obviously not out of place in this work to deal comprehensively with the subject and, it is hoped, to definitely decide the question. The premises fromwhich we may argue are as follows:—

Fig.162.—Banded mail: knight of the De Sulney family at Newton Solney, Derbyshire.

Fig.162.—Banded mail: knight of the De Sulney family at Newton Solney, Derbyshire.

1. From the time of the first Crusade, or approximately about that time, chain mail proper was the flexible defensive covering for the English knight, and various kinds of jazeraint armour, in which leather, metal plates, padded material, &c., were indiscriminately used, for the ordinary soldier. The chain mail was obviously too dear for the average purse.2. During the period mentioned above archery was in an incipient condition, and bodily defences were adapted to withstand the weapons in ordinary use, which, if we exclude the javelin, and, under extraordinary circumstances, the lance, were hand and not missile weapons.3. The simultaneous adoption of banded mail, not only by the common soldier, but also by a large proportion of the knightly forces, points conclusively to the fact that chain mail was no longer considered an adequate defence; in other words that the adoption of a new arm had rendered it inefficient, and that another description of armour was imperatively demanded to withstand its effects.4. The use of leather as a means for bodily defence had been known from the most ancient times, and in England had been freely used by the Saxons, as we have seen. From the Conquest onwards it had steadily advanced in favour, and culminated in importance in the first half of the fourteenth century during the Studded and Splinted Armour Period, not finally disappearing until the adoption of total plate defences rendered its use obsolete. Its second rise into favour during the seventeenth century is obviously not connected with this question, except to emphasise the fact that leather has always been considered an efficacious defence against sword-cuts, and also against missiles which are not gifted with too great powers of penetration.5. The fact that banded mail, whether seen upon the inside or the outside, presents exactly the same appearance (see the Creke, Northwode, and d’Aubernoun brasses) and is delineated in such manner in illuminated manuscripts, and carved the same in monumental effigies, precludes the supposition that rings of metal were sewn down or otherwise affixed to a garment of leather, as had been the fashion with Saxons and Normans. Unless, however, we suppose a total abandonment of leather as a defence which had been growing in favour previously and which culminated afterwards, we must conclude that leather in some form was used in the construction of the mail.6. The abandonment generally of chain mail and the adoption of banded mail occurred synchronously with the extraordinary development of the long-bow in the latter part of the thirteenth century.7. Banded mail was of so flexible a character that folds are depicted in garments constructed of this material; it was used for hauberks, camails, chausses, sleeves, and, in short, for every purpose in which its predecessor had been used.8. It is represented in MSS. with a metallic surface. The colour is always silver, white or grey of various shades, and gold. We have therefore to devise a protection which shall be of greater service than chain against arrows; which shall be comparatively cheap; in which leather plays a more or less conspicuous part; which shall present the same appearance when viewed upon both sides; shall be flexible; and finally shall have a metallic surface or general appearance.

1. From the time of the first Crusade, or approximately about that time, chain mail proper was the flexible defensive covering for the English knight, and various kinds of jazeraint armour, in which leather, metal plates, padded material, &c., were indiscriminately used, for the ordinary soldier. The chain mail was obviously too dear for the average purse.

2. During the period mentioned above archery was in an incipient condition, and bodily defences were adapted to withstand the weapons in ordinary use, which, if we exclude the javelin, and, under extraordinary circumstances, the lance, were hand and not missile weapons.

3. The simultaneous adoption of banded mail, not only by the common soldier, but also by a large proportion of the knightly forces, points conclusively to the fact that chain mail was no longer considered an adequate defence; in other words that the adoption of a new arm had rendered it inefficient, and that another description of armour was imperatively demanded to withstand its effects.

4. The use of leather as a means for bodily defence had been known from the most ancient times, and in England had been freely used by the Saxons, as we have seen. From the Conquest onwards it had steadily advanced in favour, and culminated in importance in the first half of the fourteenth century during the Studded and Splinted Armour Period, not finally disappearing until the adoption of total plate defences rendered its use obsolete. Its second rise into favour during the seventeenth century is obviously not connected with this question, except to emphasise the fact that leather has always been considered an efficacious defence against sword-cuts, and also against missiles which are not gifted with too great powers of penetration.

5. The fact that banded mail, whether seen upon the inside or the outside, presents exactly the same appearance (see the Creke, Northwode, and d’Aubernoun brasses) and is delineated in such manner in illuminated manuscripts, and carved the same in monumental effigies, precludes the supposition that rings of metal were sewn down or otherwise affixed to a garment of leather, as had been the fashion with Saxons and Normans. Unless, however, we suppose a total abandonment of leather as a defence which had been growing in favour previously and which culminated afterwards, we must conclude that leather in some form was used in the construction of the mail.

6. The abandonment generally of chain mail and the adoption of banded mail occurred synchronously with the extraordinary development of the long-bow in the latter part of the thirteenth century.

7. Banded mail was of so flexible a character that folds are depicted in garments constructed of this material; it was used for hauberks, camails, chausses, sleeves, and, in short, for every purpose in which its predecessor had been used.

8. It is represented in MSS. with a metallic surface. The colour is always silver, white or grey of various shades, and gold. We have therefore to devise a protection which shall be of greater service than chain against arrows; which shall be comparatively cheap; in which leather plays a more or less conspicuous part; which shall present the same appearance when viewed upon both sides; shall be flexible; and finally shall have a metallic surface or general appearance.

PLATE XIVSuggested Construction of Banded Mail

PLATE XIV

Suggested Construction of Banded Mail

The accompanying diagram (Plate XIV.) is taken from a photograph of a piece of banded mail constructed according to our idea of the structure of the mediæval defence. The rings are iron washers, 1 in. in diameter and 1/16 in. thick. Through the centre of the washers a piece of leather exactly as wide as the apertures passes from end to end. Thewashers are arranged like rouleaux of coin, each one just covering the aperture through the centre of the one below. Between each row of washers a thick piece of leather is placed, the raw edges being visible on either side of the mail where they have been rounded off with the knife. The section of this leather band would be similar to that of a dumb-bell, the centres on each side of the leather being hollowed so as to permit the edges of the rouleaux to approach each other and almost touch, the thin centre only preventing them. To the middle of this leather band the individual rings of the mail are sewn of both the upper and lower rows. The best portion of this example is that immediately to the right of the white band. The appearance of both sides of this example of mail is precisely similar; it is very flexible, and easily bends in any required direction. The weight, however, would probably be prohibitory, even to a mediæval knight, and in order to lighten it we may suggest that every alternate washer be made of leather, or even that two washers of leather alternate with one of metal. Against this it may be argued that banded mail is represented with a metallic tint, but so also is chain mail, which must have presented ordinarily a rusty-hued mass with simply an outer surface of polished iron. The liability to rust of chain mail must have been excessive, and the two outer and accessible surfaces were undoubtedly the only portions usually polished. So well known is this fact that in the pageants now prevalent brown string is knitted to represent chain armour, the outer surface being subsequently covered with a metallic medium. As a consequence the limners of banded mail would represent it with a metallic surface even though it presented as brown or rusty an aspect as chain mail. The washers used in the modern example would in the mediæval period be flattened rings of metal, and the excessively coarse and large banded mail would be oval rings and not circular. The bands are at times represented by single lines, and the suggestion is obvious that the lines simply represent the junction of the rouleaux which have not the extra defence of the bands of leather, or else the band is so narrow that one line is sufficient for its representation.We will now deal with its efficiency for defence against arrows, which appears to have been the chief reason for its being called into existence. These missiles would strike either upon the rouleaux or upon the bands, and would impinge either at a right angle to the plane of the surface, or at any angle less than a right angle. An arrow striking the rouleaux at right angles would endeavour to pass through (1) the thickness of a metal or leather disc; (2) the leather running through the discs; (3) the thickness of a metal or leather disc at the rear. If it struck a metal disc, however, there would be a deflective tendency either to right or left, according to the slant of the disc.An arrow striking at an acute angle upon the rouleaux would glance off if the discs slanted in its direction; if the discs sloped from it the arrow might insert itself between two of them, penetrate the band of leather running through the centres, and then endeavour to pass between two discs at the back. So tightly, however, would these discs be pressed together, by the leverage of the arrow-head itself in enlarging the opening between them in the front, that it is questionable if the inertia remaining in the arrow would enable it to overcome such resistance, remembering that the discs are firmly fixed both at the top and bottom to the leather bands. If an arrow struck upon one of the bands it would have to penetrate at least half-an-inch of leather and force apart the rouleaux firmly sewn, or affixed in other ways, to the band on either side.The specimen of banded mail constructed in accordance with the foregoing method possesses in actual practice the resisting power claimed for it; the apparent weak point is the penetrability between the discs. If, however, the rings are firmly sewn to the lateral bands the resistance to an arrow is almost if not quite equal to that of any other part of the mail; the arrow becomes firmly fixed in the discs without penetrating to the body. It is an unsettled question as to whether or not complete armour of leather discs was ever introduced into England: certain it is that the armour of William Longuespée, first Earl of Salisbury, in Salisbury Cathedral was originally painted brown, but that might signify, as we have said before, rusty chain mail and not leather; whereas upon the few sculptured effigies in banded mail preserved to us the colouring has altogether disappeared.

The accompanying diagram (Plate XIV.) is taken from a photograph of a piece of banded mail constructed according to our idea of the structure of the mediæval defence. The rings are iron washers, 1 in. in diameter and 1/16 in. thick. Through the centre of the washers a piece of leather exactly as wide as the apertures passes from end to end. Thewashers are arranged like rouleaux of coin, each one just covering the aperture through the centre of the one below. Between each row of washers a thick piece of leather is placed, the raw edges being visible on either side of the mail where they have been rounded off with the knife. The section of this leather band would be similar to that of a dumb-bell, the centres on each side of the leather being hollowed so as to permit the edges of the rouleaux to approach each other and almost touch, the thin centre only preventing them. To the middle of this leather band the individual rings of the mail are sewn of both the upper and lower rows. The best portion of this example is that immediately to the right of the white band. The appearance of both sides of this example of mail is precisely similar; it is very flexible, and easily bends in any required direction. The weight, however, would probably be prohibitory, even to a mediæval knight, and in order to lighten it we may suggest that every alternate washer be made of leather, or even that two washers of leather alternate with one of metal. Against this it may be argued that banded mail is represented with a metallic tint, but so also is chain mail, which must have presented ordinarily a rusty-hued mass with simply an outer surface of polished iron. The liability to rust of chain mail must have been excessive, and the two outer and accessible surfaces were undoubtedly the only portions usually polished. So well known is this fact that in the pageants now prevalent brown string is knitted to represent chain armour, the outer surface being subsequently covered with a metallic medium. As a consequence the limners of banded mail would represent it with a metallic surface even though it presented as brown or rusty an aspect as chain mail. The washers used in the modern example would in the mediæval period be flattened rings of metal, and the excessively coarse and large banded mail would be oval rings and not circular. The bands are at times represented by single lines, and the suggestion is obvious that the lines simply represent the junction of the rouleaux which have not the extra defence of the bands of leather, or else the band is so narrow that one line is sufficient for its representation.

We will now deal with its efficiency for defence against arrows, which appears to have been the chief reason for its being called into existence. These missiles would strike either upon the rouleaux or upon the bands, and would impinge either at a right angle to the plane of the surface, or at any angle less than a right angle. An arrow striking the rouleaux at right angles would endeavour to pass through (1) the thickness of a metal or leather disc; (2) the leather running through the discs; (3) the thickness of a metal or leather disc at the rear. If it struck a metal disc, however, there would be a deflective tendency either to right or left, according to the slant of the disc.

An arrow striking at an acute angle upon the rouleaux would glance off if the discs slanted in its direction; if the discs sloped from it the arrow might insert itself between two of them, penetrate the band of leather running through the centres, and then endeavour to pass between two discs at the back. So tightly, however, would these discs be pressed together, by the leverage of the arrow-head itself in enlarging the opening between them in the front, that it is questionable if the inertia remaining in the arrow would enable it to overcome such resistance, remembering that the discs are firmly fixed both at the top and bottom to the leather bands. If an arrow struck upon one of the bands it would have to penetrate at least half-an-inch of leather and force apart the rouleaux firmly sewn, or affixed in other ways, to the band on either side.

The specimen of banded mail constructed in accordance with the foregoing method possesses in actual practice the resisting power claimed for it; the apparent weak point is the penetrability between the discs. If, however, the rings are firmly sewn to the lateral bands the resistance to an arrow is almost if not quite equal to that of any other part of the mail; the arrow becomes firmly fixed in the discs without penetrating to the body. It is an unsettled question as to whether or not complete armour of leather discs was ever introduced into England: certain it is that the armour of William Longuespée, first Earl of Salisbury, in Salisbury Cathedral was originally painted brown, but that might signify, as we have said before, rusty chain mail and not leather; whereas upon the few sculptured effigies in banded mail preserved to us the colouring has altogether disappeared.

Probably at no time in the history of defensive armour has it presented a more picturesque appearance than during the brief ten years of the Cyclas Period. Fitting closely to the figure, the various garments followed the outlines of the human form, and in no parts showed any marked peculiarities or eccentricities. The evolution of the style was undoubtedly derived from the experience gained during the Chain Mail Period, when that defence was proved to be ineffectual against the terrible effects of lance and sword. Both of these weapons, even if they did not actually pierce the mail, either bruised the body, or broke bones, and thereby incapacitated the wearer; while the protection afforded by the loosely hanging folds of the surcoat of previous periods, especially against sword-cuts, has been duly noted. Hence during the Cyclas Period we meet with the introduction of multitudinous coverings, whereby the lance, the sword, and the arrow were opposed by plate and mail, and by various padded garments of a textile nature. The superposition and nature of the defensive equipment will now be described.

Fig.163.—Sir Robert Shurland, 1300; showing the gambeson.

Fig.163.—Sir Robert Shurland, 1300; showing the gambeson.

1.The Haqueton.—This consisted of a stuffed and padded garment covering the whole body from the neck to the knees, and the upper part of the arms; it rested immediately upon the under-shirt of wool. The padded character of the garment may be seen from the Creke andd’Aubernoun brasses, where the lower edge reaches the genouillières. In the Clehongre effigy the haqueton, though doubtless worn, is not apparent. The padding, besides being defensive, served to protect the body from the pressure of the mail and plate defences.


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