Chapter 20

BEHISTUN SCULPTURE.

The clue was obtained from the Behistun inscriptions, through the energy of Sir Henry Rawlinson; and the records of the successive steps of the discovery will be found in theJournal of the Asiatic Society, in theQuarterly Reviewfor March 1847, and in such popular works as Mr Vaux’s “Nineveh and Persepolis.” Edwin Norris and others had laboured, and the process of deciphering cuneiform texts was already well advanced when Sir Henry Layard and Mr Rassam discovered such abundant treasures in the mounds on the Tigris. The inscriptions which are now known to record the personal history of Darius, the son of Hystaspes, are almost always in three forms of the cuneiform character, which may be described as Persian, Median, and Assyrian, and were addressed to different races of his subjects. The most extensive monument of the kind is found on a rock escarpment at Behistun, on the frontiers of Persia, a place on the high road from Babylonia to the further east. The rock is almost perpendicular, and rises abruptly from the plain to the height of 1700 feet, an imposing object which must always have attracted the attention of travellers. It was knownto the Greeks, who erected on the top of it a temple to Zeus; and it had probably been sacred to Ormazd, the supreme deity of the Persians. High up on the face of this rock, 300 feet above the plain, there are two tablets, one of them containing sculptured figures and nearly a thousand lines of cuneiform character. The sculptured portion of the rock represents a line of nine persons united by a cord tied round their necks, and having their hands bound behind their backs, who are approaching another of more majestic stature, who, holding up his right hand in token of authority, treads on a prostrate body. His countenance expresses the idea of a great king or conqueror, and behind the king stand two guards with long spears in their hands.

The reign of Darius was disturbed by many revolts, and the insurrectionary attempts of many impostors and pretenders. It is these impostors who are represented as prisoners in the sculpture, and over the head of each figure we find his name and description. The first one, the prostrate figure, is “Gomates, the Magian, an impostor,” who said, “I am Bartius, the son of Cyrus; I am the King,” and so on. The inscription is by far the largest and most important record which has been preserved of the greatness of Darius, and of the Persian state and system. The lines over the monarch himself would read in English as follows:—

“I am Darius the king, the great king, the king of kings, the king of Persia, the king of the (dependent) provinces, the son of Hystaspes, the grandson of Arsames, the Achæmenian,” &c.

It will be noticed here how the word king is repeated; as the inscription proceeds the name Darius is repeated also. A German scholar, Professor Grotefend, had observed that such inscriptions generally begin with three or four words, one of which varies while the others donot. He suspected that the word which changes would be the king’s name—as different inscriptions would relate to different kings—and that the other words gave the king’s titles. He felt convinced that a word which was constantly repeated signified “king,” and conjectured that when two kings were mentioned they were probably father and son. Finding that the names of Cyrus and Cambyses would not suit, because no two names in the inscription he was dealing with commenced with the same letter, he tried others. Cyrus and Artaxerxes seemed equally inapplicable, because of their unequal length, the two names he was dealing with being of six letters each. The only names remaining were those of Darius and Xerxes; and these on further comparison appeared to agree so exactly with the characters that he did not hesitate at once to adopt them. Having thus found out more than twelve letters, among which were precisely those composing the royal title, the next business was to give these names their original Persian form, in order that by ascertaining the correct value of each character, the royal title might be deciphered. From the “Zendavesta” of Anquetil du Perron, M. Grotefend found that the Greek form Hystaspes was originally represented in Persian by Gustasp, Kishtasp, or Wistasp. The first seven letters of this name were at once discovered, while a comparison of all the royal titles led him to the conclusion that the three last formed the inflection of the genitive singular, corresponding to the Latin Hystaspis. Thus did Grotefend proceed step by step, his ingenuity and perseverance being beyond all praise. Meantime Sir Henry Rawlinson, although stationed in Persia and cut off in a great degree from the results of European scholarship, was devoting himself with ardour to the study of the Behistun inscription, and making independent progress.

It turned out that of the three forms of arrow-headedcharacter in this class of inscriptions the Persian was the easiest to decipher, being an alphabetic language, and that the other two were not purely alphabetic. Still, a sure clue was obtained, and the key being applied by an increasing number of investigators, the Median and the Assyrian in the course of time yielded up their secrets. At length, in 1857, to put the method of decipherment to a test, the inscription of Tiglath-Pileser I. was submitted to four eminent Assyriologists, namely, Sir H. Rawlinson, Dr Oppert, Mr Fox Talbot, and Dr Hincks, who made translations of it independently, and sent them, under seal, to the secretary of the Royal Asiatic Society. When they were opened and compared it was found that they exhibited a remarkable resemblance to one another, much greater, in fact, than could have been the case if the method of decipherment had not been sound. Since 1857 immense advances have been made, until now, as Dr Sayce confidently declares, it is possible to translate an ordinary Assyrian text with as much ease and certainty as a page of the Old Testament.

[Authorities and Sources:—“Assyrian Discoveries.” By George Smith. “The Chaldean Genesis.” By George Smith. “Ancient History from the Monuments: Assyria.” By George Smith. “Ancient History from the Monuments: Babylonia.” By Rev. Dr A. H. Sayce. “Nineveh and its Remains.” H. A. Layard. “Nineveh and Persepolis.” W. S. W. Vaux. “Guide to the Kouyunjik Gallery.” British Museum. “The Story of the Nations: Assyria.” By Zénaïde A. Ragozin. “The Story of the Nations: Babylonia.” Zénaïde A. Ragozin. “Hibbert Lectures.” Dr A. H. Sayce. “Records of the Past.” “Transactions of the Society of Biblical Archæology.” Smith’s “Dictionary of the Bible.” “From Under the Dust of Ages.” St Chad Boscawen.]

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