SCOTLANDI canna thole my ain toun, sin' I hae dwelt i' this;To bide in Edinboro' reek wad be the tap o' bliss.Yon bonnie plaid aboot me hap, the skirlin' pipes gae bring,With thistles fair tie up my hair, while I of Scotia sing.Kate Douglas Wiggin.EDINBURGH:Melrose Abbeyby moonlight!What a world of meaning those words hold for me! What a wealth of history those ruins contain! Their story must be read before coming, for the custodian's daughter, who was our guide, like Stockton's Pomona, had learned her story by heart, and no amount of questioning would bring forth any other facts save those in the "book."This morning Ruth and I hired wheels and rode to Abbotsford. The beautiful home of Sir Walter Scott is after the style of many castles we have seen, walled in with gardens, terraced lawns, parks and drives. We plucked a bit of the ivy and holly hedge planted by Sir Walter's own hand, and walked in the gardens he loved so well.Imagine, if you can, a city of three hundred thousand inhabitants, having in its heart an immense rock, with a castle on top of it.Edinburgh is rich in landmarks, in spite of the fact that it has been burned to the ground twice since 1300. Its natural beauty surpasses that of either London or Paris. It is built upon two ridges, divided by a valley, which is now a park. The new town is situated to the north of the park, and in this portion are found the modern buildings and principal hotels. From my window I look out on the marble features of Scott, whose monument is at the end of the park.The picturesque "Old Town" begins with the castle on its huge embankment and slopes down toward the south. It is here one finds the historic landmarks crowding each other in dramatic interest. Here, too, is brought vividly to mind the sad story of poor Queen Mary.In the valley between the old and new towns is found a wealth of art and architecture not duplicated anywhere, for these Scots are strong in their originality.It was from the esplanade overlooking one of the perpendicular sides of the castlerock, but which is now used as a drill-ground for the soldiers in the barracks, that I had my first view of that man-devised wonder, the Forth Bridge. I crossed it afterwardsen routeto Glasgow.A few days is but scant time to do justice to the landmarks of Edinburgh, and it puzzles one to choose from among those orthodox and those otherwise. St. Giles, the old Gray Friars and John Knox vie with the haunts of Burns, Scott, Johnson and Boswell. The shops, too, form no small part of the attractiveness of the street scene, and the windows filled with articles done in plaids of the different clans are alluring.NATIONAL GALLERY, EDINBURGH, CASTLE ON HILL IN BACKGROUNDGLASGOW:Thechief difference, I find, between the English and Scottish castles lies in the fact that the former are simply residences—walled to be sure—while the latter are strongholds, generally perched on some gigantic rock, and, incidentally, royalty resided in them long enough to have their heads under the guillotine. Stirling Castle is no exception to the rule, and it is therefore not visited by many women.There is a long, hard climb up the hill leading to the fortifications, for Stirling is still a garrisoned town, and the castle stands on the edge of a steep, isolated rock overhanging the Forth. Here are the steps where Mary, Queen of Scots, stood to survey her possessions, the window out of which the body of Douglas was thrown, and the raised dais, on the battlements, from which Queen Victoria reviewed her troops. From the battlements there is a fine view of the country for miles around, with the statue of Wallace to be seen in the far distance. Just before crossing the drawbridge at the entrance to the castle stands a bronze Robert Bruce, whose features, even in iron, bring back the foremost of Scottish chiefs.When a Scotchman tells you to do or see anything, he invariably adds, "If the day be fine," and true enough much depends on the "fineness" of the day in a country where it rains a littleeveryday. The good wishes had been so many and so fervent that we might have a fine day for the coach drive through the Trossachs that nature put on her brightest smile and never shed a tear until we were under shelter.The name Trossachs signifies "bristly country," and Scott, in his "Lady of the Lake," tells how it "bristles" with beauty and romance. That old story is, after all, the best guide to the lake region of Scotland.The big red coach, with its four white horses and red-coated driver, meets the passengers as they alight from the traveling carriages, and dashes away almost before they are seated. Then follows in quick succession pictures of white roads bordered with purple heather, with a background of the dark green of the mountain; of a stone bridge spanning the blue waters of a salmon stream; of a wild bit of mountain scenery, with a road seemingly straight up its rugged sides; and last comes the view of the calm waters of Loch Katrine.The boatRob Royreceives the party from the coach and rounds Ellen's Isle, sailing almost the entire length of the beautiful loch. When it finally lands, there is another coach waiting to carry us across the mountains, and on to Inversnaid, where, after visiting the waterfall, the train is taken for Glasgow.DRYBURGH ABBEY, WHERE SIR WALTER SCOTT IS BURIEDGlasgow is not a picturesque town—in fact, the Clyde is the prettiest thing aboutit—but it is modern and progressive, and it has two attractive public buildings, the cathedral and university.AYR:Burns'sland lies between Glasgow and the sea, and from the moment that one alights from the train, at each step is found some haunt of the much-loved poet. It takes but a short time to peep through the window into the room where Burns was born, and to compare the humble cot where he lived his life with the magnificent place he occupies in death. His tomb is set high up on a hill in the midst of a park whose sides slope down to the bonnie Doon.
I canna thole my ain toun, sin' I hae dwelt i' this;To bide in Edinboro' reek wad be the tap o' bliss.Yon bonnie plaid aboot me hap, the skirlin' pipes gae bring,With thistles fair tie up my hair, while I of Scotia sing.Kate Douglas Wiggin.
I canna thole my ain toun, sin' I hae dwelt i' this;To bide in Edinboro' reek wad be the tap o' bliss.Yon bonnie plaid aboot me hap, the skirlin' pipes gae bring,With thistles fair tie up my hair, while I of Scotia sing.Kate Douglas Wiggin.
I canna thole my ain toun, sin' I hae dwelt i' this;
To bide in Edinboro' reek wad be the tap o' bliss.
Yon bonnie plaid aboot me hap, the skirlin' pipes gae bring,
With thistles fair tie up my hair, while I of Scotia sing.
Kate Douglas Wiggin.
Melrose Abbeyby moonlight!
What a world of meaning those words hold for me! What a wealth of history those ruins contain! Their story must be read before coming, for the custodian's daughter, who was our guide, like Stockton's Pomona, had learned her story by heart, and no amount of questioning would bring forth any other facts save those in the "book."
This morning Ruth and I hired wheels and rode to Abbotsford. The beautiful home of Sir Walter Scott is after the style of many castles we have seen, walled in with gardens, terraced lawns, parks and drives. We plucked a bit of the ivy and holly hedge planted by Sir Walter's own hand, and walked in the gardens he loved so well.
Imagine, if you can, a city of three hundred thousand inhabitants, having in its heart an immense rock, with a castle on top of it.
Edinburgh is rich in landmarks, in spite of the fact that it has been burned to the ground twice since 1300. Its natural beauty surpasses that of either London or Paris. It is built upon two ridges, divided by a valley, which is now a park. The new town is situated to the north of the park, and in this portion are found the modern buildings and principal hotels. From my window I look out on the marble features of Scott, whose monument is at the end of the park.
The picturesque "Old Town" begins with the castle on its huge embankment and slopes down toward the south. It is here one finds the historic landmarks crowding each other in dramatic interest. Here, too, is brought vividly to mind the sad story of poor Queen Mary.
In the valley between the old and new towns is found a wealth of art and architecture not duplicated anywhere, for these Scots are strong in their originality.
It was from the esplanade overlooking one of the perpendicular sides of the castlerock, but which is now used as a drill-ground for the soldiers in the barracks, that I had my first view of that man-devised wonder, the Forth Bridge. I crossed it afterwardsen routeto Glasgow.
A few days is but scant time to do justice to the landmarks of Edinburgh, and it puzzles one to choose from among those orthodox and those otherwise. St. Giles, the old Gray Friars and John Knox vie with the haunts of Burns, Scott, Johnson and Boswell. The shops, too, form no small part of the attractiveness of the street scene, and the windows filled with articles done in plaids of the different clans are alluring.
NATIONAL GALLERY, EDINBURGH, CASTLE ON HILL IN BACKGROUND
NATIONAL GALLERY, EDINBURGH, CASTLE ON HILL IN BACKGROUND
Thechief difference, I find, between the English and Scottish castles lies in the fact that the former are simply residences—walled to be sure—while the latter are strongholds, generally perched on some gigantic rock, and, incidentally, royalty resided in them long enough to have their heads under the guillotine. Stirling Castle is no exception to the rule, and it is therefore not visited by many women.
There is a long, hard climb up the hill leading to the fortifications, for Stirling is still a garrisoned town, and the castle stands on the edge of a steep, isolated rock overhanging the Forth. Here are the steps where Mary, Queen of Scots, stood to survey her possessions, the window out of which the body of Douglas was thrown, and the raised dais, on the battlements, from which Queen Victoria reviewed her troops. From the battlements there is a fine view of the country for miles around, with the statue of Wallace to be seen in the far distance. Just before crossing the drawbridge at the entrance to the castle stands a bronze Robert Bruce, whose features, even in iron, bring back the foremost of Scottish chiefs.
When a Scotchman tells you to do or see anything, he invariably adds, "If the day be fine," and true enough much depends on the "fineness" of the day in a country where it rains a littleeveryday. The good wishes had been so many and so fervent that we might have a fine day for the coach drive through the Trossachs that nature put on her brightest smile and never shed a tear until we were under shelter.
The name Trossachs signifies "bristly country," and Scott, in his "Lady of the Lake," tells how it "bristles" with beauty and romance. That old story is, after all, the best guide to the lake region of Scotland.
The big red coach, with its four white horses and red-coated driver, meets the passengers as they alight from the traveling carriages, and dashes away almost before they are seated. Then follows in quick succession pictures of white roads bordered with purple heather, with a background of the dark green of the mountain; of a stone bridge spanning the blue waters of a salmon stream; of a wild bit of mountain scenery, with a road seemingly straight up its rugged sides; and last comes the view of the calm waters of Loch Katrine.
The boatRob Royreceives the party from the coach and rounds Ellen's Isle, sailing almost the entire length of the beautiful loch. When it finally lands, there is another coach waiting to carry us across the mountains, and on to Inversnaid, where, after visiting the waterfall, the train is taken for Glasgow.
DRYBURGH ABBEY, WHERE SIR WALTER SCOTT IS BURIED
DRYBURGH ABBEY, WHERE SIR WALTER SCOTT IS BURIED
Glasgow is not a picturesque town—in fact, the Clyde is the prettiest thing aboutit—but it is modern and progressive, and it has two attractive public buildings, the cathedral and university.
Burns'sland lies between Glasgow and the sea, and from the moment that one alights from the train, at each step is found some haunt of the much-loved poet. It takes but a short time to peep through the window into the room where Burns was born, and to compare the humble cot where he lived his life with the magnificent place he occupies in death. His tomb is set high up on a hill in the midst of a park whose sides slope down to the bonnie Doon.