It was the night of the tenth of December. Three of the four stories of the cupola were building, and the upright posts were reaching toward the fourth. It still appeared to be a confused network of timbers, with only the beginnings of walls, but as the cupola walls are nothing but a shell of light boards to withstand the wind, the work was further along than might have been supposed. Down on the working story the machinery was nearly all in, and up here in the cupola the scales and garners were going into place as rapidly as the completing of the supporting framework permitted. The cupola floors were not all laid. If you had stood on the distributing floor, over the tops of the bins, you might have looked not only down through a score of openings between plank areas and piles of timbers, into black pits, sixteen feet square by seventy deep, but upward through a grill of girders and joists to the clear sky. Everywhere men swarmed over the work, and the buzz of the electric lights and the sounds of hundreds of hammers blended into a confused hum.
If you had walked to the east end of the building, here and there balancing along a plank or dodging through gangs of laborers and around moving timbers, you would have seen stretching from off a point not halfway through to the ground, the annex bins, rising so steadily that it was a matter only of a few weeks before they would be ready to receive grain. Now another walk, this time across the building to the north side, would show you the river house, out there on the wharf, and the marine tower rising up through the middle with a single arc lamp on the topmost girder throwing a mottled, checkered shadow on the wharf and the water below.
At a little after eight o'clock, Peterson, who had been looking at the stairway, now nearly completed, came out on the distributing floor. He was in good spirits, for everything was going well, and Bannon had frankly credited him, of late, with the improvement in the work of the night shifts. He stood looking up through the upper floors of the cupola, and he did not see Max until the timekeeper stood beside him.
"Hello, Max," he said. "We'll have the roof on here in another ten days."
Max followed Peterson's glance upward.
"I guess that's right. It begins to look as if things was coming 'round all right. I just come up from the office. Mr. Bannon's there. He'll be up before long, he says. I was a-wondering if maybe I hadn't ought to go back and tell him about Grady. He's around, you know."
"Who? Grady?"
"Yes. Him and another fellow was standing down by one of the cribbin' piles. I was around there on the way up."
"What was they doing?"
"Nothing. Just looking on."
Peterson turned to shout at some laborers, then he pushed back his hat and scratched his head.
"I don't know but what you'd ought to 'a' told Charlie right off. That man Grady don't mean us no good."
"I know it, but I wasn't just sure."
"Well, I'll tell you——"
Before Peterson could finish, Max broke in:—
"That's him."
"Where?"
"That fellow over there, walking along slow. He's the one that was with Grady."
"I'd like to know what he thinks he's doing here." Peterson started forward, adding, "I guess I know what to say to him."
"Hold on, Pete," said Max, catching his arm. "Maybe we'd better speak to Mr. Bannon. I'll go down and tell him, and you keep an eye on this fellow."
Peterson reluctantly assented, and Max walked slowly away, now and then pausing to look around at the men. But when he had nearly reached the stairway, where he could slip behind the scaffolding about the only scale hopper that had reached a man's height above the floor, he moved more rapidly. He met Bannon on the stairway, and told him what he had seen. Bannon leaned against the wall of the stairway bin, and looked thoughtful.
"So he's come, has he?" was his only comment. "You might speak to Pete, Max, and bring him here. I'll wait."
Max and Peterson found him looking over the work of the carpenters.
"I may not be around much to-night," he said, with a wink, "but I'd like to see both of you to-morrow afternoon some time. Can you get around about four o'clock, Pete?"
"Sure," the night boss replied.
"We've got some thinking to do about the work, if we're going to put it through. I'll look for you at four o'clock then, in the office." He started down the stairs. "I'm going home now."
"Why," said Peterson, "you only just come."
Bannon paused and looked back over his shoulder. The light came from directly overhead, and the upper part of his face was in the shadow of his hat brim, but Max, looking closely at him, thought that he winked again.
"I wanted to tell you," the foreman went on; "Grady's come around, you know—and another fellow——"
"Yes, Max told me. I guess they won't hurt you. Good night."
As he went on down he passed a group of laborers who were bringing stairway material to the carpenters.
"I don't know but what you was talking pretty loud," said Max to Peterson, in a low voice. "Here's some of 'em now."
"They didn't hear nothing," Peterson replied, and the two went back to the distributing floor. They stood in a shadow, by the scale hopper, waiting for the reappearance of Grady's companion. He had evidently gone on to the upper floors, where he could not be distinguished from the many other moving figures; but in a few minutes he came back, walking deliberately toward the stairs. He looked at Peterson and Max, but passed by without a second glance, and descended. Peterson stood looking after him.
"Now, I'd like to know what Charlie meant by going home," he said.
Max had been thinking hard. Finally he said:—
"Say, Pete, we're blind."
"Why?"
"Did you think he was going home?"
Peterson looked at him, but did not reply.
"Because he ain't."
"Well, you heard what he said."
"What does that go for? He was winking when he said it. He wasn't going to stand there and tell the laborers all about it, like we was trying to do. I'll bet he ain't very far off."
"I ain't got a word to say," said Peterson. "If he wants to leave Grady to me, I guess I can take care of him."
Max had come to the elevator for a short visit—he liked to watch the work at night—but now he settled down to stay, keeping about the hopper where he could see Grady if his head should appear at the top of the stairs. Something told him that Bannon saw deeper into Grady's man[oe]uvres than either Peterson or himself, and while he could not understand, yet he was beginning to think that Grady would appear before long, and that Bannon knew it.
Sure enough, only a few minutes had gone when Max turned back from a glance at the marine tower and saw the little delegate standing on the top step, looking about the distributing floor and up through the girders overhead, with quick, keen eyes. Then Max understood what it all meant: Grady had chosen a time when Bannon was least likely to be on the job; and had sent the other man ahead to reconnoitre. It meant mischief—Max could see that; and he felt a boy's nervousness at the prospect of excitement. He stepped farther back into the shadow.
Grady was looking about for Peterson; when he saw his burly figure outlined against a light at the farther end of the building, he walked directly toward him, not pausing this time to talk to the laborers or to look at them. Max, moving off a little to one side, followed, and reached Peterson's side just as Grady, his hat pushed back on his head and his feet apart, was beginning to talk.
"I had a little conversation with you the other day, Mr. Peterson. I called to see you in the interests of the men, the men that are working for you—working like galley slaves they are, every man of them. It's shameful to a man that's seen how they've been treated by the nigger drivers that stands over them day and night." He was speaking in a loud voice, with the fluency of a man who is carefully prepared. There was none of the bitterness or the ugliness in his manner that had slipped out in his last talk with Bannon, for he knew that a score of laborers were within hearing, and that his words would travel, as if by wire, from mouth to mouth about the building and the grounds below. "I stand here, Mr. Peterson, the man chosen by these slaves of yours, to look after their rights. I do not ask you to treat them with kindness, I do not ask that you treat them as gentlemen. What do I ask? I demand what's accorded to them by the Constitution of the United States and the Declaration of Independence, that says even a nigger has more rights than you've given to these men, the men that are putting money into your pocket, and Mr. Bannon's pocket, and the corporation's pocket, by the sweat of their brows. Look at them; will you look at them?" He waved his arm toward the nearest group, who had stopped working and were listening; and then, placing a cigar in his mouth and tilting it upward, he struck a match and sheltered it in his hands, looking over it for a moment at Peterson.
The night boss saw by this time that Grady meant business, that his speech was preliminary to something more emphatic, and he knew that he ought to stop it before the laborers should be demoralized.
"You can't do that here, Mister," said Max, over Peterson's shoulder, indicating the cigar.
Grady still held the match, and looked impudently across the tip of his cigar. Peterson took it up at once.
"You'll have to drop that," he said. "There's no smoking on this job."
The match had gone out, and Grady lighted another.
"So that's one of your rules, too?" he said, in the same loud voice. "It's a wonder you let a man eat."
Peterson was growing angry. His voice rose as he talked.
"I ain't got time to talk to you," he said. "The insurance company says there can't be no smoking here. If you want to know why, you'd better ask them."
Grady blew out the match and returned the cigar to his pocket, with an air of satisfaction that Peterson could not make out.
"That's all right, Mr. Peterson. I didn't come here to make trouble. I come here as a representative of these men"—he waved again toward the laborers—"and I say right here, that if you'd treated them right in the first place, I wouldn't be here at all. I've wanted you to have a fair show. I've put up with your mean tricks and threats and insults ever since you begun—and why? Because I wouldn't delay you and hurt the work. It's the industries of to-day, the elevators and railroads, and the work of strong men like these that's the bulwark of America's greatness. But what do I get in return, Mister Peterson? I come up here as a gentleman and talk to you. I treat you as a gentleman. I overlook what you've showed yourself to be. And how do you return it? By talking like the blackguard you are—you knock an innocent cigar——"
"Your time's up!" said Pete, drawing a step nearer. "Come to business, or clear out. That's all I've got to say to you."
"All right,MisterPeterson—allright. I'll put up with your insults. I can afford to forget myself when I look about me at the heavier burdens these men have to bear, day and night. Look at that—look at it, and then try to talk to me."
He pointed back toward the stairs where a gang of eight laborers were carrying a heavy timber across the shadowy floor.
"Well, what about it?" said Pete, with half-controlled rage.
"What about it! But never mind. I'm a busy man myself. I've got no more time to waste on the likes of you. Take a good look at that, and then listen to me. That's the last stick of timber that goes across this floor until you put a runway from the hoist to the end of the building. And every stick that leaves the runway has got to go on a dolly. Mark my words now—I'm talking plain. My men don't lift another pound of timber on this house—everything goes on rollers. I've tried to be a patient man, but you've run against the limit. You've broke the last back you'll have a chance at." He put his hand to his mouth as if to shout at the gang, but dropped it and faced around. "No, I won't stop them. I'll be fair to the last." He pulled out his watch. "I'll give you one hour from now. At ten o'clock, if your runway and the dollies ain't working, the men go out. And the next time I see you, I won't be so easy."
He turned away, waved to the laborers, with an, "All right, boys; go ahead," and walked grandly toward the stairway.
Max whistled.
"I'd like to know where Charlie is," said Peterson.
"He ain't far. I'll find him;" and Max hurried away.
Bannon was sitting in the office chair with his feet on the draughting-table, figuring on the back of a blotter. The light from the wall lamp was indistinct, and Bannon had to bend his head forward to see the figures. He did not look up when the door opened and Max came to the railing gate.
"Grady's been up on the distributing floor," said Max, breathlessly, for he had been running.
"What did he want?"
"He's going to call the men off at ten o'clock if we don't put in a runway and dollies on the distributing floor."
Bannon looked at his watch.
"Is that all he wants?"
Max, in his excitement, did not catch the sarcasm in the question.
"That's all he said, but it's enough. We can't do it"
Bannon closed his watch with a snap.
"No," he said, "and we won't throw away any good time trying. You'd better round up the committee that's supposed to run this lodge and send them here. That young Murphy's one of them—he can put you straight. Bring Pete back with you, and the new man, James."
Max lingered, with a look of awe and admiration.
"Are you going to stand out, Mr. Bannon?" he asked.
Bannon dropped his feet to the floor, and turned toward the table.
"Yes," he said. "We're going to stand out."
Since Bannon's talk with President Carver a little drama had been going on in the local lodge, a drama that neither Bannon, Max, nor Peterson knew about. James had been selected by Carver for this work because of proved ability and shrewdness. He had no sooner attached himself to the lodge, and made himself known as an active member, than his personality, without any noticeable effort on his part, began to make itself felt. Up to this time Grady had had full swing, for there had been no one among the laborers with force enough to oppose him.
The first collision took place at an early meeting after Grady's last talk with Bannon. The delegate, in the course of the meeting, bitterly attacked Bannon, accusing him, at the climax of his oration, of an attempt to buy off the honest representative of the working classes for five thousand dollars. This had a tremendous effect on the excitable minds before him. He finished his speech with an impassioned tirade against the corrupt influences of the money power, and was mopping his flushed face, listening with elation to the hum of anger that resulted, confident that he had made his point, when James arose. The new man was as familiar with the tone of the meetings of laborers as Grady himself. At the beginning he had no wish further than to get at the truth. Grady had not stated his case well. It had convinced the laborers, but to James it had weak points. He asked Grady a few pointed questions, that, had the delegate felt the truth behind him, should not have been hard to answer. But Grady was still under the spell of his own oratory, and in attempting to get his feet back on the ground, he bungled. James did not carry the discussion beyond the point where Grady, in the bewilderment of recognizing this new element in the lodge, lost his temper, but when he sat down, the sentiment of the meeting had changed. Few of those men could have explained their feelings; it was simply that the new man was stronger than they were, perhaps as strong as Grady, and they were influenced accordingly.
There was no decision for a strike at that meeting. Grady, cunning at the business, immediately dropped open discussion, and, smarting under the sense of lost prestige, set about regaining his position by well-planned talk with individual laborers. This went on, largely without James' knowledge, until Grady felt sure that a majority of the men were back in his control. This time he was determined to carry through the strike without the preliminary vote of the men. It was a bold stroke, but boldness was needed to defeat Charlie Bannon; and nobody knew better than Grady that a dashing show of authority would be hard for James or any one else to resist.
And so he had come on the job this evening, at a time when he supposed Bannon safe in bed, and delivered his ultimatum. Not that he had any hope of carrying the strike through without some sort of a collision with the boss, but he well knew that an encounter after the strike had gathered momentum would be easier than one before. Bannon might be able to outwit an individual, even Grady himself, but he would find it hard to make headway against an angry mob. And now Grady was pacing stiffly about the Belt Line yards, while the minute hand of his watch crept around toward ten o'clock. Even if Bannon should be called within the hour, a few fiery words to those sweating gangs on the distributing floor should carry the day. But Grady did not think that this would be necessary. He was still in the mistake of supposing that Peterson and the boss were at outs, and he had arrived, by a sort of reasoning that seemed the keenest strategy, at the conclusion that Peterson would take the opportunity to settle the matter himself. In fact, Grady had evolved a neat little campaign, and he was proud of himself.
Bannon did not have to wait long. Soon there was a sound of feet outside the door, and after a little hesitation, six laborers entered, five of them awkwardly and timidly, wondering what was to come. Peterson followed, with Max, and closed the door. The members of the committee stood in a straggling row at the railing, looking at each other and at the floor and ceiling—anywhere but at the boss, who was sitting on the table, sternly taking them in. James stepped to one side.
"Is this all the committee?" Bannon presently said.
The men hesitated, and Murphy, who was in the centre, answered, "Yes, sir."
"You are the governing members of your lodge?"
There was an air of cool authority about Bannon that disturbed the men. They had been led to believe that his power reached only the work on the elevator, and that an attempt on his part to interfere in any way with their organization would be an act of high-handed tyranny, "to be resisted to the death" (Grady's words). But these men standing before their boss, in his own office, were not the same men that thrilled with righteous wrath under Grady's eloquence in the meetings over Barry's saloon. So they looked at the floor and ceiling again, until Murphy at last answered:—
"Yes, sir."
Bannon waited again, knowing that every added moment of silence gave him the firmer control.
"I have nothing to say about the government of your organization," he said, speaking slowly and coldly. "I have brought you here to ask you this question, Have you voted to strike?"
The silence was deep. Peterson, leaning against the closed door, held his breath; Max, sitting on the railing with his elbow thrown over the desk, leaned slightly forward. The eyes of the laborers wandered restlessly about the room. They were disturbed, taken off their guard; they needed Grady. But the thought of Grady was followed by the consciousness of the silent figure of the new man, James, standing behind them. Murphy's first impulse was to lie. Perhaps, if James had not been there, he would have lied. As it was, he glanced up two or three times, and his lips as many times framed themselves about words that did not come. Finally he said, mumbling the words:—
"No, we ain't voted for no strike."
"There has been no such decision made by your organization?"
"No, I guess not."
Bannon turned to Peterson.
"Mr. Peterson, will you please find Mr. Grady and bring him here."
Max and Peterson hurried out together. Bannon drew up the chair, and turned his back on the committee, going on with his figuring. Not a word was said; the men hardly moved; and the minutes went slowly by. Then there was a stir outside, and the sound of low voices. The door flew open, admitting Grady, who stalked to the railing, choking with anger. Max, who immediately followed, was grinning, his eyes resting on a round spot of dust on Grady's shoulder, and on his torn collar and disarranged tie. Peterson came in last, and carefully closed the door—his eyes were blazing, and one sleeve was rolled up over his bare forearm. Neither of them spoke. If anything in the nature of an assault had seemed necessary in dragging the delegate to the office, there had been no witnesses. And he had entered the room of his own accord.
Grady was at a disadvantage, and he knew it. Breathing hard, his face red, his little eyes darting about the room, he took it all in—the members of the committee; the boss, figuring at the table, with an air of exasperating coolness about his lean back; and last of all, James, standing in the shadow. It was the sight of the new man that checked the storm of words that was pressing on Grady's tongue. But he finally gathered himself and stepped forward, pushing aside one of the committee.
Then Bannon turned. He faced about in his chair and began to talk straight at the committee, ignoring the delegate. Grady began to talk at the same time, but though his voice was the louder, no one seemed to hear him. The men were looking at Bannon. Grady hesitated, started again, and then, bound by his own rage and his sense of defeat, let his words die away, and stood casting about for an opening.
"—This man Grady threatened a good while ago that I would have a strike on my hands. He finally came to me and offered to protect me if I would pay him five thousand dollars."
"That's a lie!" shouted the delegate. "He come to me——"
Bannon had hardly paused. He drew a typewritten copy of Grady's letter from his pocket, and read it aloud, then handed it over to Murphy. "That's the way he came at me. I want you to read it."
The man took it awkwardly, glanced at it, and passed it on.
"To-night he's ordered a strike. He calls himself your representative, but he has acted on his own responsibility. Now, I am going to talk plain to you. I came here to build this elevator, and I'm going to do it. I propose to treat you men fair and square. If you think you ain't treated right, you send an honest man to this office, and I'll talk with him. But I'm through with Grady. I won't have him here at all. If you send him around again, I'll throw him off the job."
The men were a little startled. They looked at one another, and the man on Murphy's left whispered something. Bannon sat still, watching them.
Then Grady came to himself. He wheeled around to face the committee, and threw out one arm in a wide gesture.
"I demand to know what this means! I demand to know if there is a law in this land! Is an honest man, the representative of the hand of labor, to be attacked by hired ruffians? Is he to be slandered by the tyrant who drives you at the point of the pistol? And you not men enough to defend your rights—the rights held by every American—the rights granted by the Constitution! But it ain't for myself I would talk. It ain't my own injuries that I suffer for. Your liberty hangs in the balance. This man has dared to interfere in the integrity of your lodge. Have you no words——"
Bannon arose, caught Grady's arm, and whirled him around.
"Grady," he said, "shut up."
The delegate tried to jerk away, but he could not shake off that grip. He looked toward the committeemen, but they were silent. He looked everywhere but up into the eyes that were blazing down at him. And finally Bannon felt the muscles within his grip relax.
"I'll tell you what I want you to do," said Bannon to the committeemen. "I want you to elect a new delegate. Don't talk about interference—I don't care how you elect him, or who he is, if he comes to me squarely."
Grady was wriggling again.
"This means a strike!" he shouted. "This means the biggest strike the West has ever seen! You won't get men for love or money——"
Bannon gave the arm a wrench, and broke in:—
"I'm sick of this. I laid this matter before President Carver. I have his word that if you hang on to this man after he's been proved a blackmailer, your lodge can be dropped from the Federation. If you try to strike, you won't hurt anybody but yourselves. That's all. You can go."
"Wait——" Grady began, but they filed out without looking at him. James, as he followed them, nodded, and said, "Good night, Mr. Bannon."
Then for the last time Bannon led Grady away. Peterson started forward, but the boss shook his head, and went out, marching the delegate between the lumber piles to the point where the path crossed the Belt Line tracks.
"Now, Mr. Grady," he said, "this is where our ground stops. The other sides are the road there, and the river, and the last piles of cribbing at the other end. I'm telling you so you will know where you don't belong. Now, get out!"
The effect of the victory was felt everywhere. Not only were Max and Pete and Hilda jubilant over it, but the under-foremen, the timekeepers, even the laborers attacked their work with a fresher energy. It was like the first whiff of salt air to an army marching to the sea. Since the day when the cribbing came down from Ledyard, the work had gone forward with almost incredible rapidity; there had been no faltering during the weeks when Grady's threatened catastrophe was imminent, but now that the big shadow of the little delegate was dispelled, it was easier to see that the huge warehouse was almost finished. There was still much to do, and the handful of days that remained seemed absurdly inadequate; but it needed only a glance at what Charlie Bannon's tireless, driving energy had already accomplished to make the rest look easy. "We're sure of it now. She'll be full to the roof before the year is out." As Max went over the job with his time-book next morning, he said it to every man he met, and they all believed him. Peterson, the same man and not the same man either, who had once vowed that there wouldn't be any night work on Calumet K, who had bent a pair of most unwilling shoulders to the work Bannon had put upon them, who had once spent long, sulky afternoons in the barren little room of his new boarding-house; Peterson held himself down in bed exactly three hours the morning after that famous victory. Before eleven o'clock he was sledging down a tottering timber at the summit of the marine tower, a hundred and forty feet sheer above the wharf. Just before noon he came into the office and found Hilda there alone.
He had stopped outside the door to put on his coat, but had not buttoned it; his shirt, wet as though he had been in the lake, clung to him and revealed the outline of every muscle in his great trunk. He flung his hat on the draughting-table, and his yellow hair seemed crisper and curlier than ever before.
"Well, it looks as though we was all right," he said.
Hilda nodded emphatically. "You think we'll get through in time, don't you, Mr. Peterson?"
"Think!" he exclaimed. "I don't have to stop to think. Here comes Max; just ask him."
Max slammed the door behind him, brought down the timekeeper's book on Hilda's desk with a slap that made her jump, and vaulted to a seat on the railing. "Well, I guess it's a case of hurrah for us, ain't it, Pete?"
"Your sister asked me if I thought we'd get done on time. I was just saying it's a sure thing."
"I don't know," said Max, laughing. "I guess an earthquake could stop us. But why ain't you abed, Pete?"
"What do I want to be abed for? I ain't going to sleep any more this year—unless we get through a day or two ahead of time. I don't like to miss any of it. Charlie Bannon may have hustled before, but I guess this breaks his record. Where is he now, Max?"
"Down in the cellar putting in the running gear for the 'cross-the-house conveyors. He has his nerve with him. He's putting in three drives entirely different from the way they are in the plans. He told me just now that there wasn't a man in the office who could design a drive that wouldn't tie itself up in square knots in the first ten minutes. I wonder what old MacBride'll say when he sees that he's changed the plans."
"If MacBride has good sense, he'll pass anything that Charlie puts up," said Pete.
He was going to say more, but just then Bannon strode into the office and over to the draughting table. He tossed Pete's hat to one side and began studying a detail of the machinery plans.
"Max." He spoke without looking up. "I wish you'd find a water boy and send him up to the hotel to get a couple of sandwiches and a bottle of coffee."
"Well, that's a nice way to celebrate, I must say," Pete commented.
"Celebrate what?"
"Why, last night; throwing Grady down. You ought to take a day off on the strength of that."
"What's Grady got to do with it? He ain't in the specifications."
"No," said Pete, slowly; "but where would we have been if he'd got the men off?"
"Where would we have been if the house had burned up?" Bannon retorted, turning away from the table. "That's got nothing to do with it. I haven't felt less like taking a day off since I came on the job. We may get through on time and we may not. If we get tangled up in the plans like this, very often, I don't know how we'll come out. But the surest way to get left is to begin now telling ourselves that this is easy and it's a cinch. That kind of talk makes me tired."
Pete flushed, started an explanatory sentence, and another, and then, very uncomfortable, went out.
Bannon did not look up; he went on studying the blue print, measuring here and there with his three-sided ruler and jotting down incomprehensible operations in arithmetic on a scrap of paper. Max was figuring tables in his time-book, Hilda poring over the cash account. For half an hour no one spoke. Max crammed his cap down over his ears and went out, and there were ten minutes more of silence. Then Bannon began talking. He still busied his fingers with the blue print, and Hilda, after discovering that he was talking to himself rather than to her, went on with her work. But nevertheless she heard, in a fragmentary way, what he was saying.
"Take a day off—schoolboy trick—enough to make a man tired. Might as well do it, though. We ain't going to get through. The office ought to do a little work once in a while just to see what it's like. They think a man can do anything. I'd like to know why I ain't entitled to a night's sleep as well as MacBride. But he don't think so. After he'd worked me twenty-four hours a day up to Duluth, and I lost thirty-two pounds up there, he sends me down to a mess like this. With a lot of drawings that look as though they were made by a college boy. Where does he expect 'em to pile their car doors, I'd like to know."
That was the vein of it, though the monologue ran on much longer. But at last he swung impatiently around and addressed Hilda. "I'm ready to throw up my hands. I think I'll go back to Minneapolis and tell MacBride I've had enough. He can come down here and finish the house himself."
"Do you think he would get it done in time?" Hilda's eyes were laughing at him, but she kept them on her work.
"Oh, yes," he said wearily. "He'd get the grain into her somehow. You couldn't stump MacBride with anything. That's why he makes it so warm for us."
"Do you think," she asked very demurely, indeed, "that if Mr. MacBride had been here he could have built it any faster than—than we have, so far?"
"I don't believe it," said Bannon, unwarily. Her smile told him that he had been trapped. "I see," he added. "You mean that there ain't any reason why we can't do it."
He arose and tramped uneasily about the little shanty. "Oh, of course, we'll get it done—just because we have to. There ain't anything else we can do. But just the same I'm sick of the business. I want to quit."
She said nothing, and after a moment he wheeled and, facing her, demanded abruptly: "What's the matter with me, anyway?" She looked at him frankly, a smile, almost mischievous, in her face. The hard, harassed look between his eyes and about his drawn mouth melted away, and he repeated the question: "What's the matter with me? You're the doctor. I'll take whatever medicine you say."
"You didn't take Mr. Peterson's suggestion very well—about taking a holiday, I mean. I don't know whether I dare prescribe for you or not. I don't think you need a day off. I think that, next to a good, long vacation, the best thing for you is excitement." He laughed. "No, I mean it. You're tired out, of course, but if you have enough to occupy your mind, you don't know it. The trouble to-day is that everything is going too smoothly. You weren't a bit afraid yesterday that the elevator wouldn't be done on time. That was because you thought there was going to be a strike. And if just now the elevator should catch on fire or anything, you'd feel all right about it again."
He still half suspected that she was making game of him, and he looked at her steadily while he turned her words over in his mind. "Well," he said, with a short laugh, "if the only medicine I need is excitement, I'll be the healthiest man you ever saw in a little while. I guess I'll find Pete. I must have made him feel pretty sore."
"Pete," he said, coming upon him in the marine tower a little later, "I've got over my stomach-ache. Is it all right?"
"Sure," said Pete; "I didn't know you was feeling bad. I was thinking about that belt gallery, Charlie. Ain't it time we was putting it up? I'm getting sort of nervous about it."
"There ain't three days' work in it, the way we're going," said Bannon, thoughtfully, his eyes on the C. & S. C. right-of-way that lay between him and the main house, "but I guess you're right. We'll get at it now. There's no telling what sort of a surprise party those railroad fellows may have for us. The plans call for three trestles between the tracks. We'll get those up to-day."
To Pete, building the gallery was a more serious business. He had not Bannon's years of experience at bridge repairing; it had happened that he had never been called upon to put up a belt gallery before, and this idea of building a wooden box one hundred and fifty feet long and holding it up, thirty feet in air, on three trestles, was formidable. Bannon's nonchalant air of setting about it seemed almost an affectation.
Each trestle was to consist of a rank of four posts, planted in a line at right angles to the direction of the gallery; they were to be held together at the top by a corbel. No one gave rush orders any more on Calumet K, for the reason that no one ever thought of doing anything else. If Bannon sent for a man, he came on the run. So in an incredibly short time the fences were down and a swarm of men with spades, post augers, picks, and shovels had invaded the C. & S. C. right-of-way. Up and down the track a hundred yards each way from the line of the gallery Bannon had stationed men to give warning of the approach of trains. "Now," said Bannon, "we'll get this part of the job done before any one has time to kick. And they won't be very likely to try to pull 'em up by the roots once we get 'em planted."
But the section boss had received instructions that caused him to be wide-awake, day or night, to what was going on in the neighborhood of Calumet K. Half an hour after the work was begun, the picket line up the track signalled that something was coming. There was no sound of bell or whistle, but presently Bannon saw a hand car spinning down the track as fast as six big, sweating men could pump the levers. The section boss had little to say; simply that they were to get out of there and put up that fence again, and the quicker the better. Bannon tried to tell him that the railroad had consented to their putting in the gallery, that they were well within their rights, that he, the section boss, had better be careful not to exceed his instructions. But the section boss had spoken his whole mind already. He was not of the sort that talk just for the pleasure of hearing their own voices, and he had categorical instructions that made parley unnecessary. He would not even tell from whom he had the orders. So the posts were lugged out of the way and the fence was put up and the men scattered out to their former work again, grinning a little over Bannon's discomfiture.
Bannon's next move was to write to Minneapolis for information and instructions, but MacBride, who seemed to have all the information there was, happened to be in Duluth, and Brown's instructions were consequently foggy. So, after waiting a few days for something more definite, Bannon disappeared one afternoon and was gone more than an hour. When he strode into the office again, keen and springy as though his work had just begun, Hilda looked up and smiled a little. Pete was tilted back in the chair staring glumly out of the window. He did not turn until Bannon slapped him jovially on the shoulders and told him to cheer up.
"Those railroad chaps are laying for us, sure enough," he said. "I've been talking to MacBride himself—over at the telephone exchange; he ain't in town—and he said that Porter—he's the vice-president of the C. & S. C.—Porter told him, when he was in Chicago, that they wouldn't object at all to our building the gallery over their tracks. But that's all we've got to go by. Not a word on paper. Oh, they mean to give us a picnic, and no mistake!"
With that, Bannon called up the general offices of the C. & S. C. and asked for Mr. Porter. There was some little delay in getting the connection, and then three or four minutes of fencing while a young man at the other end of the line tried to satisfy himself that Bannon had the right to ask for Mr. Porter, let alone to talk with him, and Bannon, steadily ignoring his questions, continued blandly requesting him to call Mr. Porter to the telephone. Hilda was listening with interest, for Bannon's manner was different from anything she had ever seen in him before. It lacked nothing of his customary assurance, but its breeziness gave place to the most studied restraint; he might have been a railroad president himself. He hung up the receiver, however, without accomplishing anything, for the young man finally told him that Mr. Porter had gone out for the afternoon.
So next morning Bannon tried again. He learned that Porter was in, and all seemed to be going well until he mentioned MacBride & Company, after which Mr. Porter became very elusive. Three or four attempts to pin him down, or at least to learn his whereabouts, proved unsuccessful, and at last Bannon, with wrath in his heart, started down town.
It was nearly night before he came back, and as before, he found Pete sitting gloomily in the office waiting his return. "Well," exclaimed the night boss, looking at him eagerly; "I thought you was never coming back. We've most had a fit here, wondering how you'd come out. I don't have to ask you, though. I can see by your looks that we're all right."
Bannon laughed, and glanced over at Hilda, who was watching him closely. "Is that your guess, too, Miss Vogel?"
"I don't think so," she said. "I think you've had a pretty hard time."
"They're both good guesses," he said, pulling a paper out of his pocket, and handing it to Hilda. "Read that." It was a formal permit for building the gallery, signed by Porter himself, and bearing the O. K. of the general manager.
"Nice, isn't it?" Bannon commented. "Now read the postscript, Miss Vogel." It was in Porter's handwriting, and Hilda read it slowly. "MacBride & Company are not, however, allowed to erect trestles or temporary scaffolding in the C. & S. C. right-of-way, nor to remove any property of the Company, such as fences, nor to do anything which may, in the opinion of the local authorities, hinder the movement of trains."
Pete's face went blank. "A lot of good this darned permit does us then. That just means we can't build it."
Bannon nodded. "That's what it's supposed to mean," he said. "That's just the point."
"You see, it's like this," he went on. "That man Porter would make the finest material for ring-oiling, dust proof, non-inflammable bearings that I ever saw. He's just about the hardest, smoothest, shiniest, coolest little piece of metal that ever came my way. Well, he wants to delay us on this job. I took that in the moment I saw him. Well, I told him how we went ahead, just banking on his verbal consent, and how his railroad had jumped on us; and I said I was sure it was just a misunderstanding, but I wanted it cleared up because we was in a hurry. He grinned a little over that, and I went on talking. Said we'd bother 'em as little as possible; of course we had to put up the trestles in their property, because we couldn't hold the thing up with a balloon.
"He asked me, innocent as you please, if a steel bridge couldn't be made in a single span, and I said, yes, but it would take too long. We only had a few days. 'Well,' he says, 'Mr. Bannon, I'll give you a permit.' And that's what he gave me. I bet he's grinning yet. I wonder if he'll grin so much about three days from now."
"Do you mean that you can build it anyway?" Hilda demanded breathlessly.
He nodded, and, turning to Pete, plunged into a swift, technical explanation of how the trick was to be done. "Won't you please tell me, too?" Hilda asked appealingly.
"Sure," he said. He sat down beside her at the desk and began drawing on a piece of paper. Pete came and looked over his shoulder. Bannon began his explanation.
"Here's the spouting house, and here's the elevator. Now, suppose they were only fifteen feet apart. Then if we had two ten-foot sticks and put 'em up at an angle and fastened the floor to a bolt that came down between 'em, the whole weight of the thing would be passed along to the foundation that the ends of the timbers rest on. But you see, it's got to be one hundred and fifty feet long, and to build it that way would take two one hundred-foot timbers, and we haven't got 'em that long.
"But we've got plenty of sticks that are twenty feet long, and plenty of bolts, and this is the way we arrange 'em. We put up our first stick (x) at an angle just as before. Then we let a bolt (o) down through the upper end of it and through the floor of the gallery. Now the next timber (y) we put up at just the same angle as the first, with the foot of it bearing down on the lower end of the bolt.
"That second stick pushes two ways. A straight down push and a sideways push. The bolt resists the down push and transmits it to the first stick, and that pushes against the sill that I markeda. Now, the sideways push is against the butt of the first timber of the floor, and that's passed on, same way, to the sill.
"Well, that's the whole trick. You begin at both ends at once and just keep right on going. When the thing's done it looks this way. You see where the two sections meet in the middle, it's just the same as the little fifteen-foot gallery that we made a picture of up here."