Geryn ignored the cry. "Do you know what the Great Fire was?"
Tel shook his head.
"The world was once much bigger than it is today," Geryn said. "Once man flew not just between island and mainland, island and island, but skirted the entire globe of the earth. Once man flew to the moon, even to the moving lights in the sky. There were empires, like Toromon, only bigger. And there were many of them. Often they fought with one another, and that was called a war. And the end of the final war was the Great Fire. That was over fifteen hundred years ago. Most of the world, from what little we know of it today, is scarred with strips of impassable land, the sea is run through with deadly currents. Only fragments of the earth, widely separated can hold life. Toromon may be the only one, for all we are sure of. And now we will have another war."
Some one from the bar yelled, "So what if it comes? It might bring some excitement."
Geryn whirled. "You don't understand!" He whipped one hand through his shocked white hair. "What are we fighting? We don't know. It's something mysterious and unnamable on the other side of the radiation barrier. Why are we fighting?"
"Because ..." began a bored voice at the bar.
"Because," interrupted Geryn, suddenly pointing directly at Tel's face, "we have to fight. Toromon has gotten into a situation where its excesses must be channelled toward something external. Our science has outrun our economics. Our laws have become stricter, and we say it is to stop the rising lawlessness. But it is to supply workers for the mines that the laws tighten, workers who will dig more tetron, that more citizens shall be jobless, and must therefore become lawless to survive. Ten years ago, before the aquariums, fish was five times its present price. There was perhaps four per cent unemployment in Toron. Today the prices of fish are a fifth of what they were, yet unemployment has reached twenty-five per cent of the city's populace. A quarter of our people starve. More arrive every day. What will we do with them? We will use them to fight a war. Our university turns out scientists whose science we can not use lest it put more people out of work. What will we do with them? We will use them to fight a war. Eventually the mines will flood us with tetron, too much for even the aquariums and the hydroponic gardens. It will be used for the war."
"Then what?" asked Tel.
"We do not know who or what we are fighting," repeated Geryn. "We will be fighting ourselves, but we will not know it. According to the books, it is customary in a war to keep each side in complete ignorance of the other. Or give them lies like those we use to frighten children instead of truth. But here the truth may be ..." His voice trailed off.
"What's your plan?" Tel asked.
There was another laugh at the bar.
"Somehow," and his voice was lower. "Somehow we must get ready to save something, salvage some fragment from the destruction that will come. There are only a few of us who know all this, who understand it, who know what ... what has to be done."
"What is that?" Tel asked again.
Suddenly Geryn whirled. "Drinks!" he called. "Drinks all around!" The quiet amusement and general lethargy disappeared as the people moved to the bar. "Drink up, friends, my fellows!" cried Geryn.
"Your plan?" Tel asked again, puzzled.
"I'll tell you," answered the old man, almost in a whisper. "I'll tell you. But not just yet. Not just ..." He turned back again. "Drink up!" Three men who already had their glasses gave a cheer.
"Are you with me, friends?" Geryn demanded.
"We're with you," six more cried, laughing, clinking their glasses hard on the table top as Tel looked from Alter to Rara and back.
"My plan ..." began Geryn. "Have you all had a glass? All of you? Another round for everybody. Yes, a second round!"
There was a solid cheer, now. Glass bottoms turned toward the ceiling, then whammed on the counter top again.
"My plan is to—you understand it's not just my plan, but only a small part in a great plan, a plan to save us all—my plan is to kidnap Prince Let from the palace. That's the part that we must do. Are you with me, friends?" A yell rose, and somebody had started a friendly fight at the end of the bar. Then Geryn's voice suddenly broke through the sound, low, in a grating whisper that silenced them for seconds. "Because you must be with me! The time is tonight. I have ... I have it planned." The voices halted, and then heaved to a roar. "Tonight," repeated Geryn, though hardly anyone could hear him. "I have it planned. Only you've got to be ... be with me."
Tel frowned and Alter shook her head. The old man had closed his eyes for a moment. Rara was beside him, her hand on his shoulder. "You're going to get yourself sick with all this yelling. Let me get you up to your room."
As she turned him toward the stairs, the scarred giant who had been given a drink, now rose from the table, looked straight at Geryn, then drained his glass.
Geryn nodded, drew a breath through his teeth, and then allowed Rara to lead him up the stairs as Tel and Alter watched.
The noise among the drinking men and women at the bar increased.
She made a note on her pad, put down her slide rule, and picked up a pearl snap with which she fastened together the shoulder panels of her white dress. The maid said, "Ma'am, shall I do your hair now?"
"One second," Clea said. She turned to page 328 of her integral tables, checked the increment of sub-cosine A plus B over thenth root of A to thenth plus B to thenth, and transferred it to her notebook.
"Ma'am?" asked the maid. She was a thin woman, about thirty. The little finger of her left hand was gone.
"You can start now." Clea leaned back in the beauty-hammock and lifted the dark mass of her hair from her neck. The maid caught the ebony wealth with one hand and reached for the end of the four yards of silver chain strung with alternate pearls and diamonds each inch and a half.
"Ma'am?" asked the maid again. "What are you figuring on?"
"I'm trying to determine the inverse sub-trigonometric functions. Dalen Golga, he was my mathematics professor at the university, discovered the regular ones, but nobody's come up with the inverses yet."
"Oh," said the maid. She ceased weaving the jeweled chain a moment, took a comb, and whipped it through a cascade of hair that fell back on Clea's shoulder. "Eh ... what are you going to do with them, once you find them?"
"Actually," said Clea. "Ouch ..."
"Oh, pardon me, I'm sorry, please ..."
"Actually," went on Clea, "they'll be perfectly useless. At least as far as anyone knows now. They exist, so to speak, in a world that has little to do with ours. Like the world of imaginary numbers, the square root of minus one. Eventually we may find use for them, perhaps in the same way we use imaginary numbers to find the roots of equations of a higher order than two, because cosine theta plusIsine theta equalseto theIsine theta, which lets us ..."
"Ma'am?"
"Well, that is to say they haven't been able to do anything like that with the sub-trigonometric functions yet. But they're fun."
"Bend your head a little to the left, ma'am," was the maid's comment.
Clea bent.
"You're going to look beautiful." Four and five fingers wove deftly in her hair. "Just beautiful."
"I hope that Tomar can get here. It's not going to be any fun without him."
"But isn't the King coming?" asked the maid. "I saw his acceptance note myself. You know it was on very simple paper. Very elegant."
"My father will enjoy that a good deal more than I will. My brother went to school with the King before ... before his Majesty's coronation."
"That's amazing," said the maid. "Were they friends? Just think of it? Do you know whether they were friends or not?"
Clea shrugged.
"And, oh," said the maid, continuing, "have you seen the ballroom? All the hors d'oeuvres are real, imported fish. You can tell, because they're smaller than the ones your father grows."
"I know," smiled Clea. "I don't think I've ever eaten any of Dad's fish in my life, which is sort of terrible, actually. They're supposed to be very good."
"Oh, they are, ma'am. They are. Your father is a fine man to grow such great, good fishes. But you must admit, there's something special about the ones that come from the coast. I tasted one on my way up through the pantry. So I know."
"What exactly is it?" Clea asked, turning around.
The maid frowned, and then smiled and nodded wisely. "Oh, I know. I know. You can tell the difference."
At that moment, Jon Koshar was saying, "Well, so far you've been right." He appeared to be more or less standing (the room was dim, so his head and hands were invisible), more or less alone ("Yeah, I trust you. I don't have much choice," he added.) in the pantry of his father's mansion.
Suddenly his voice took a different tone. "Look, Iwilltrust you; with part of me, anyway. I've been caged up for nearly five years, for something stupid I did, and for something that no matter how hard I try, I can't convince myself was all my fault. I don't mean that Uske should be blamed. But chance, and all the rest ... well, all I mean is it makes me want out that much more. I want to befree. I nearly got myself killed trying to escape from the mines. And a couple of people did get killed helping me. All right, you got me out of that stainless steel graveyard I wandered into back at the radiation barrier, and for that, thanks. I mean it. But I'm not free yet. And I still want out, more than anything in the world.
"Sure, I know that you want me to do something, but I don't understand it yet. You say you'll tell me soon. Okay. But you're riding around in my head like this, so I'm not free yet. If that's what I have to do to get free, than I'll do it. But I'm warning you. If I see another crack in the wall, another spot of light getting in, I'll claw my hands off trying to break through and to hell with what you want. Because while you're there, I can't be free."
Suddenly the light in the pantry flipped on. His sudden face went from the tautness of his last speech to fear. He had been standing by the side of a seven-foot porcelain storage cabinet. He jumped back to the wall. Whoever had come in, a butler or caterer, was out of sight on the other side. A hand came around the edge of the cabinet, reaching for the handle. The hand was broad, wiry with black hair, and sported a cheap, wide, brass ring set with an irregular shape of blue glass. As the door opened, the hand swung out of sight. There was a clatter of dishes on the shelves, the slide of crockery slipping over plastic racks, and a voice. "All right there. You carry this one." Then a grunt, and theker-flopof the latch as the door slammed to.
A moment later, the light, and John Koshar's hands and head, went out. When Jon stepped forward again, he looked at the pantry, at the doors, the cabinets. The familiarity hurt. There was a door that opened into the main kitchen. (Once he had snagged a kharba fruit from the cook's table and ran, as behind him a wooden salad bowl crashed to the floor. The sound made him whirl, in time to catch the cook's howl and to see the pale shreds of lettuce strewn across the black tile floor. The bowl was still spinning. He had been nine.)
He started slowly for the door to the hallway that led to the dining room. In the hall was a red wood table on which sat a free form sculpture of aluminum rods and heavy glass spheres. That was unfamiliar. Not the table, the sculpture.
A slight highlight along the curve of crystal brought back to him for a moment the blue ceramic vase that had been there in his memory. It was coated with glaze that was shot through with myriad cracks. It was cylindrical, straight, then suddenly veering to a small mouth, slightly off center. The burnished red wood behind the vivid, turquoise blue was a combination that was almost too rich, too sensual. He had broken the vase. He had broken it in surprise, when his sister had come in on him suddenly, the little girl with hair black as his own, only more of it, saying, "What are you doing, Jon?" and he had jumped, turned, and then the vase was lying in fragments on the floor, like a lot of bright, brittle leaves made out of stone. He remembered his first reaction had been, oddly, surprise at finding that the glaze covered the inside as well as the outside of the vase. He was fourteen.
He walked to the family dining room and stepped inside. With the ballroom in use, no one would come here. Stepping into the room was like stepping into a cricket's den, the subtletsk-tskof a thousand clocks repeated and repeated, overlapping and melting, with no clear, discernible rhythm. The wall by the door was lined with shelves and they were filled with his father's collection of chronometers. He looked at the clocks on the shelf level with his eye. The last time he had been in this room, it had been the shelf below. The light from the door made a row of crescents on the curved faces, some the size of his little finger nail, others the diameter of his head. Their hands were invisible, their settings were dim. (In his memory they went from simple gold to ornately carved silver, and one was set in an undersea bower with jeweled shells and coral branches.) There must be many new clocks after five years, he thought. If he turned on the light, how many would he recognize?
(When he was eighteen, he had stood in this room and examined the thin, double prong of a fire-blade. The light in the room was off, and as he flicked the button on the hilt, and the white sparks leaped out and up the length of the blade, the crescents flamed on the edges of the clock faces, all along the wall. Later, at the royal palace, with that same blade, there had been the same, sudden, clumsy fear at discovery, fear clotting into panic, the panic turning to confusion, and the confusion metastasizing into fear again, only fear all through him, dragging him down, so that when he tried to run down the vaulted hall, his feet were too heavy, so that when he tripped against the statue in the alcove, whirled upon the pursuing guard, and swung the white needle of energy down and the guard's flesh hissed and fell away—a moment of blood spurring under pale flame—almost immediately he was exhausted. They took him easily after that.)
Clumsy, he thought. Not with his fingers, (He had fixed many of these clocks when his father had acquired them in various states of disrepair.), but with his mind. His emotions were not fine and drawn, but rather great shafts of anger or fear fell about him without focus or apparent source. Disgust, or even love, when he had felt it was vague, liable to metamorphasize from one to the other. (School was great; his history teacher was very good.... School was noisy; the kids were pushy and didn't care about anything. His blue parakeet was delicate and beautiful; he had taught it to whistle ... there were always crumbs on the bottom of the cage; changing the paper was a nuisance.)
Then there had been five years of prison. And the first sharp feeling pierced his mind, as sharp as the uncoiled hair-spring of a clock, as sharp as jewels in a poison ring. It was a wish, a pain, an agony for freedom. The plans for escape had been intricate, yet sharp as the cracks in blue ceramic glaze. The hunger for escape was a hand against his stomach, and as the three of them had, at last, waited in the rain by the steps, it had tightened unbearably. Then ...
Then with all the sharpness, what had made him lose the others? Why had he wandered in the wrong direction? Clumsy! And he wanted to be free of that! And wonder if that was what he had wanted to be free of all along while he had sputtered at the prison guards, choked on the food, and could not communicate his outrage. Then, at the horizon, was the purple glow of something paler than sunrise, deadlier than the sea, a flickering, luminous purple gauze behind the hills. Near him were the skeletons of broken, century-ancient trees, leafless, nearly petrified. The crumbly dirt looked as if it had been scattered over the land in handfuls, loosely, bearing neither shrubs or footprints. By one boulder a trickle of black water ran beneath a fallen log, catching dim light in the ripples on either side. He looked up.
On the horizon, against the lines of light, as though cut—no, torn—from carbon paper was the silhouette of a city. Tower behind tower rose against the pearly haze. A net of roadways wound among the spires.
Then he made out one minuscule thread of metal that ran from the city, in his general direction but veering to the right. It passed him half a mile away and at last disappeared into the edge of the jungle that he could see, now, behind him.Telphar!The word came to his mind as though on a sign attached with springs to his consciousness. The radiation! That was the second thing he thought of. Once more the name of the city shivered in his brain:Telphar!The certain, very certain death he had wandered into caught the center of his gut like a fist. It was almost as if the name were sounding out loud in his skull. Then he stopped. Because he realized he had heard something. A ... a voice! Very definitely he heard it—
Music had started. He could hear it coming from the ballroom now. The party must be under way. He looked out into the hall. A fellow in a white apron, holding an empty tray on which were crumbs from small cakes, was coming toward him.
"Excuse me, sir," the man in the apron said. "Guests aren't supposed to be in this part of the house."
"I was trying to find the-eh-er ..." Jon coughed.
The man in the apron smiled. "Oh. Of course. Go back into the ballroom and take the hall to your left down three doors."
"Thank you," Jon smiled back and hurried up the hallway. He entered the ballroom by way of a high, arched alcove in which were small white meat, red meat, dark meat of fish ground into patties, cut into stars, strips of fillet wound into imitation sea shells, tiny braised shrimp, and stuffed baby smelts.
A ten-piece orchestra—three bass radiolins, a theremin, and six blown shells of various sizes—was making a slow, windy music from the dais. The scattering of guests seemed lost in the great room. Jon wandered across the floor.
Here and there were stainless steel fountains in which blue or pink liquid fanned over mounds of crushed ice. Each fountain was rimmed with a little shelf on which was a ring of glasses. He picked a glass up, let a spout of pink fill it, and walked on, sipping slowly.
Suddenly, the loudspeaker announced the arrival of Mr. Quelor Da and party. Heads turned, and a moment later a complex of glitter, green silk, blue net, and diamonds at the top of the six wide marble steps across the room resolved into four ladies and their escorts.
Jon glanced up at the balcony than ran around the second story of the room. A short gentleman in a severe, unornamented blue suit was coming toward the head of the steps which expanded down toward the ballroom floor with the grace and approximate shape of a swan's wing. The gentleman hurried down the pale cascade.
Jon sipped his drink. It was sweet with the combined flavors of a dozen fruits, with the whisper of alcohol bitter at the back of his tongue. The gentleman hurried across the floor, passing within yards of him.
Father! The impact was the same as the recognition of Telphar. The hair was thinner than it had been five years ago. He was much heavier. His—father—was at the other side of the room already, checking with the waiters. Jon pulled his shoulders in, and let his breath out. It was the familiarity, not the change, that hurt.
It took some time before the room filled. There was a lot of space. One guest Jon noted was a young man in military uniform. He was powerful, squat in a taurine way usually associated with older men. There was a major's insignia on his shoulder. Jon watched him a while, empathizing with his occasional looks that told how out of place he felt. He took neither food nor drink, but prowled a ten-foot area by the side of the balcony steps. Waiting, Jon thought.
A half an hour later, the floor was respectably populated. Jon had exchanged a few words at last with the soldier. (Jon: "A beautiful party, don't you think?" Soldier, with embarrassment: "Yes, sir." Jon: "I guess the war is worrying all of us." Soldier: "The war? Yes." Then he looked away, not inclined to talk more.) Jon was now near the door. Suddenly the loudspeaker announced: "The Party of His Royal Majesty, the King."
Gowns rustled, the talk rose, people turned, and fell back from the entrance. The King's party, headed by himself and a tall, electric-looking red-headed woman, his senior by a handful of years, appeared at the top of the six marble steps. As they came down, right and left, people bowed. Jon dropped his head, but not before he realized that the King's escort had given him a very direct look. He glanced up again, but now her emerald train was sweeping down the aisle the people had left open. Her insignia, he remembered, told him she was a duchess.
Coming up the aisle in the other direction now between the bowing crowds was old Koshar. He bowed very low, and the pale blond young man raised him and they shook hands, and Koshar spoke. "Your Majesty," he began warmly.
"Sir," answered the King, smiling.
"I haven't seen you since you were a boy at school."
The King smiled again, this time rather wanly. Koshar hurried on.
"But I would like to introduce my daughter to you, for it's her party. Clea—." The old man turned to the balcony stairs, and the crowd's eyes turned with him.
She was standing on the top step, in a white dress made of panel over silken panel, held with pearl clasps. Her black hair cascaded across one shoulder, webbed and re-webbed with a chain of silver strung with pearls. Her hands at her sides, she came down the stairs. People stepped back; she smiled, and walked forward. Jon watched while at last his sister reached his father's side.
"My daughter Clea," said old Koshar to the King.
"Charmed."
Koshar raised his left hand, and the musicians began the introduction to the changing partners dance. Jon watched the King take Clea in his arms, and also saw the soldier move toward them, and then stop. A woman in a smoky gray dress suddenly blocked his view, smiled at him, and said, "Will you dance?" He smiled back, to avoid another expression, and she was in his arms. Apparently the soldier had had a similar experience, for at the first turn of the music, Jon saw the soldier was dancing too. A few couples away, Clea and the King turned round and round, white and white, brunette and blond. The steps came back to Jon like a poem remembered, the turn, the dip, separate, and join again. When a girl does the strange little outward step, and the boy bows, so that for a moment she is out of sight, her gown always swishes just so. Yes, like that! This whole day had been filled with the sudden remembrances of tiny facts like that, forgotten for five years, at once relearned with startling vividness that shocked him. The music signaled for partners to change. Gowns whirled into momentary flowers, and he was dancing with the brown-haired woman the soldier had been dancing with a moment before. Looking to his left, he saw that the soldier had somehow contrived to get Clea for a partner. Moving closer, he overheard.
"I didn't think you were going to get here at all. I'm so glad," from Clea.
"I could have even come earlier," Tomar said. "But you'd have been busy."
"You could have come up."
"And once I got here, I didn't think we'd get a chance to talk, either."
"Well, you've got one now. Better make it quick. We change partners in a moment. What happened to the scouting planes?"
"All crippled. Didn't sight a thing. They got back to base almost before I did this morning. The report was nothing. What about the picnic, Clea?"
"We can have it on ..."
A burst of music signaled the change. Jon did not hear the day, but expected his sister to whirl into his arms. But instead (he saw her white dress flare and turn by him) an emerald iridescence caught in his eye, then rich mahogany flame. He was dancing with the Duchess. She was nearly his height, and watched him with a smile hung in the subtle area between friendship and knowing cynicism. She moved easily, and he had just remembered that he ought to smile back to be polite when the music sounded the change. The instant before she whirled away, he heard her say, very distinctly, "Good luck, Jon Koshar."
His name brought him to a halt, and he stared after her. When he did turn back to his new partner, surprise still on his face, his eyes were filled with sudden whiteness. It was Clea. He should have been dancing, but he was standing still. When she looked at his face to discover why, she suddenly drew a breath. At first he thought his head had disappeared again. Then, as shock and surprise became suddenly as real as her wide eyes, her open mouth, he whispered, "Clea!" And her hand went to her mouth.
Clumsy!he thought, and the word was a sudden ache in his hands and chest. Reach for her. Dance. As his hands went out, the music stopped, and the languid voice of the King came over the loudspeaker.
"Ladies and gentlemen, citizens of Toromon, I have just received a message from the council that necessitates an announcement to you as my friends and loyal subjects. I have been requested by the council to make their declaration of war official by my consent. An emergency meeting over sudden developments has made it imperative that we begin immediate action against our most hostile enemies on the mainland. Therefore, before you all, I declare the Empire of Toromon to be at war."
In the silence, Jon looked for his sister, but she was gone. Someone near the microphone cried out, "Long live the King." Then the cry echoed again. The musicians started the music once more, partners found one another, and the talking and laughing grew in his ears like waves, like crumbling rock, like the cutter teeth clawing into the rock face of the ore deposits....
Jon shook his head. But he was in his own house, yes. His room was on the second floor and he could go up and lie down. And by his bed would be the copper night table, and the copy ofDelcord the Whalerwhich he had been reading the night before.
He'd left the ballroom and gotten halfway down the hall before he remembered that his room was probably not his room any longer. And that he certainly couldn't go up to it and lie down. He was standing in front of the door of one of the sitting rooms that opened off the hall. The door was ajar, and from it he heard a woman's voice.
"Well, can't you do something about his index of refraction? If he's going to be doing any work at night, you can't have him popping on and off like a cigarette lighter." There was silence. Then: "Well, at least don't you think he should be told more than he knows now? Fine. So do I, especially since the war has been officially declared."
Jon took a breath and stepped in.
Her emerald train whirled across the duller green of the carpet as she turned. The bright hair, untonsured save by two coral combs, fell behind her shoulders. Her smile showed faint surprise. Very faint. "Who were you talking to?" Jon Koshar asked.
"Mutual friends," the Duchess said. They were alone in the room.
After a moment, Jon said, "What do they want us to do? It's treason, isn't it?"
The Duchess' eyes went thin. "Are you serious?" she asked. "You call that treason, keeping these idiots from destroying themselves, eating themselves up in a war with a nameless enemy, something so powerful that if there were any consideration of real fighting, we could be destroyed with a thought. Do you remember who the enemy is? You've heard his name. There are only three people in Toromon who have, Jon Koshar. Everyone else is ignorant. So we're the only ones who can say we're fully responsible. That responsibility is to Toromon. Have you any idea what state the economy is in? Your own father is responsible for a good bit of it; but if he closed down his aquariums now, the panic he would cause would equal the destruction their being open already causes. The empire is snowballing toward its own destruction, and it's going to take it out in the war. You call trying to prevent it treason?"
"Whatever we call it, we don't have much choice, do we?"
"With people like you around, I'm not sure it isn't a bad idea."
"Look," said Jon. "I was cooped up in a prison mine way out beyond nowhere for five years. All I wanted was out, see. All I wanted was to get free. Well, I'm back in Toron and I'm still not free."
"First of all," said the Duchess, "if it wasn't for them, you wouldn't be as free as you are now. After a day of clean clothes and walking in fresh air, if you're not well on the road to what you want, then I'd better change some ideas of my own. I want something too, Jon Koshar. When I was seventeen, I worked for a summer in your father's aquarium. My nine hours a day were spent with a metal spoon about the size of your head scraping the bottoms of the used tank tube of the stuff that even the glass filters were too touchy to take out. Afterwards I was too tired to do much more than read. So I read. Most of it was about Toromon's history. I read a lot about the mainland expeditions. Then, in my first winter out of school, I lived in a fishing village at the edge of the forest, studying what I could of the customs of the forest people. I made sketches of their temples, tried to map their nomadic movements. I even wrote an article on the architecture of their temporary shelters that was published in the university journal.
"Well, what I want is for Toromon to be free, free of its own ridiculous self-entanglements. Perhaps coming from the royal family, I had a easier path toward a sense of Toromon's history. At its best, that's all an aristocracy is good for anyway. But I wanted more than a sense, I wanted to know what it was worth. So I went out and looked, and I found out it was worth a whole lot. Somehow Toromon is going to have to pick itself up by the back of the neck and give itself a shaking. If I have to be the part that does the shaking, then I will. That's what I want, Jon Koshar, and I want it as badly as you want to be free."
Jon was quiet a moment. Then he said, "Anyway, to get what we want, I guess we more or less have to do the same thing. All right, I'll go along. But you're going to have to explain some things to me. There's a lot I still don't understand."
"A lot we both don't," the Duchess said. "But we know this: they're not from Earth, they're not human, and they come from very far away. Inconceivably far."
"What about the rest?"
"They'll help us help Toromon if we help them. How, I still don't understand for sure. Already I've arranged to have Price Let kidnaped."
"Kidnaped? But why?"
"Because if we get through this, Toromon is going to need a strong king. And I think you'll agree that Uske will never quite make that. Also, he's ill, and under any great strain, might die in a moment, not to mention the underground groups that are bound to spring up to undermine whatever the government decides to do, once the war gets going. Let is going where he can become a strong man, with the proper training, so that if anything happens to Uske, he can return and there'll be someone to guide the government through its crises. After that, how we're to help them, I'm not sure."
"I see," said Jon. "How did they get hold of you, anyway? For that matter, how did they get me?"
"You? They contacted you just outside of Telphar, didn't they? They had to rearrange the molecular structure of some of your more delicate proteins and do a general overhaul on your sub-crystalline structure so the radiation wouldn't kill you. That, unfortunately had the unpleasant side effect of booting down your index of refraction a couple of points, which is why you keep fading in dim light. In fact, I got a blow-by-blow description of your entire escape from them. It kept me on the edge of my seat all night. How was I contacted? The same way you were, suddenly, and with those words:Lord of the Flames. Now, your first direct assignment will be ..."
In another room, Clea was sitting on a blue velvet hassock with her hands tight in her lap. Then suddenly they flew apart like springs, shook beside her head, and then clasped again. "Tomar," she said. "Please, excuse me, but I'm upset. It was so strange. When I was dancing with the King, he told me how he had dreamed of my brother this morning. I didn't think anything of it. I thought it was just small talk. Then, just after I changed partners for the third time, there I was, staring into a face that I could have sworn was Jon's. And the man wasn't dancing, either. He was just looking at me, very funny, and then he said my name. Tomar, it was the same voice Jon used to use when I'd hurt myself and he wanted to help. Oh, it couldn't have been him, because he was too tall, and too gaunt, and the voice was just a little too deep. But it was so much like what he might have been. That was when the King made his announcement. I just turned and ran. The whole thing seemed supernatural. Oh, don't worry, I'm not superstitious, but it unnerved me. And that plus what you said this morning."
"What I said?" asked Tomar. He stood beside the hassock in the blue-draped sitting room, his hands in his pockets, listening with animal patience.
"About their drafting all the degree students into the war effort. Maybe the war is good, but Tomar, I'm working on another project, and all at once, the thing I want most in the world is to be left alone to work on it. And I want you, and I want to have a picnic. I'm nearly at the solution now, and to have to stop and work on bomb sightings and missile trajectories ... Tomar, there's a beauty in abstract mathematics that shouldn't have to be dulled with that sort of thing. Also, maybe you'll go away, or I'll go away. That doesn't seem fair either. Tomar, have you ever had things you wanted, had them in your hands, and suddenly have a situation come up that made it look like they might fly out of your grip forever?"
Tomar rubbed his hand across his brush-cut red hair and shook his head. "There was a time once, when I wanted things. Like food, work, and a bed where all four legs touched the ground. So I came to Toron. And I got them. And I got you, and so I guess there isn't anything else to want, or want that bad." He grinned, and the grin made her smile.
"I guess," she started, "... I guess it was just that he looked so much like my brother."
"Clea," Tomar said. "About your brother. I wasn't going to tell you this until later. Maybe I shouldn't say it now. But you were asking whether or not they were going to draft prisoners into the army; and whether at the end of their service, they'd be freed. Well, I did some checking. They are going to, and I sent through a recommendation that they take your brother among the first bunch. In three hours I got a memorandum from the penal commissioner. Your brother's dead."
She looked at him hard, trying to hold her eyes open and to prevent the little snarl of sound that was a sob from loosening in the back of her throat.
"In fact it happened last night," Tomar went on. "He and two others attempted an escape. Two of their bodies were found. And there's no chance that the third one could have escaped alive."
The snarl collapsed into a sound she would not make. She sat for a moment. Then she said, "Let's go back to the party." She stood up, and they walked across the white rug to the door. Once she shook her head and opened her mouth. Then she closed it again and went on. "Yes. I'm glad you said it. I don't know. Maybe it was a sign ... a sign that he was dead. Maybe it was a sign ..." She stopped. "No. It wasn't. It wasn't anything, was it? No." They went down the steps to the ballroom once more. The music was very, very happy.
A few hours earlier, Geryn gave Tel a kharba fruit. The boy took the bright-speckled melon around the inn, looking for Alter. Unable to find her, he wandered onto the street and up the block. Once a cat with a struggling gray shape in its teeth hurtled across his path. Later he saw an overturned garbage can with a filigree of fish bones ornamenting the parti-colored heap. Over the house roofs across the street, the taller buildings and towers of Toron paled to blue, with sudden yellow rectangles of window light scattered unevenly over their faces.
Turning down another block, he saw Rara standing on the corner, stopping the occasional passers-by. Tel started up to her, but she saw him and motioned him away. Puzzled, he went to a stoop and sat down to watch. As he ran his thumbnail along the orange rind, and juice oozed from the slit, he heard Rara talking to a stranger.
"Your fortune, sir. I'll spread your future before you like a silver mirror ..." The stranger passed. Rara turned to a woman now coming toward her. "Ma'am, a fragment of a unit will spread your life out like a patterned carpet where you may trace the designs of your fate. Just a quarter of a unit ..." The woman smiled, but shook her head. "You look like you come from the mainland," Rara called after her. "Well, good luck here in the New World, sister, the Island of Opportunity." Immediately she turned to another man, this one in a deep green uniform. "Sir," Tel heard her begin. Then she paused as she surveyed his costume. "Sir," she continued, "for a single unit I will unweave the threads of your destiny from eternity's loom. Would you like to know the promotion about to come your way? How many children you'll ..."
"Come on, lady," said the man in uniform. "It's illegal to tell fortunes here."
"But I've got my license," declared Rara. "I'm a genuine clairvoyant. Just a second ..." And her hands began to plunge into the seams and pockets of her gray rags.
"Never mind, lady. Just get moving," and he gave her a push. Rara moved.
Tel peeled back the strip of rind he'd loosened from the kharba fruit, licked the juice from the yellow wound, and followed Rara.
"Son of an electric eel," she said when Tel reached her, her birthmark scarlet. "Just trying to make a living, that's all."
"Want a bite?"
Rara shook her head. "I'm too angry," she said. They walked back to the inn.
"Do you know where Alter is?" Tel asked. "I was looking for her."
"She's not in the inn?"
"I couldn't find her there."
"Did you look on the roof?" Rara asked.
"Oh," said Tel. "No." They turned into the tavern and Tel went upstairs. It was not until he was halfway up the ladder on the second floor that went to the trap door in the ceiling that he wondered why she was on the roof. He pushed the trap door back and hoisted himself to the dusty, weathered rim.
Alter was hanging head and white hair down from a pipe that went from the stone chimney to a supporting pipe that was fastened by a firm collar to the roof.
"What are you doing?" Tel asked.
"Hi," she smiled down at him. "I'm practicing."
"Practicing what?"
She was hanging double from her waist over the pipe. Now she grabbed the bar close to her waist and somersaulted forward, letting her feet slowly and evenly to the ground, her legs perfectly straight. "My stunts," she said. "I'm an acrobat." She did not let go of the bar, but suddenly swung her legs up so that her ankles nearly touched her hands, and then whipped them down again, ending the kip by supporting herself upright on the metal perch. Then she flung her legs back (Tel jumped because she looked like she was going to fall) and went out and down, then under, swung up, arced over, and went down again in a giant circle. She circled once more, then doubled up, caught one knee over the bar, reversed direction, and suddenly was sitting on top of the rod with one leg over.
"Gee," Tel said. "How did you do that?"
"It's all timing," Alter said. Suddenly she threw her head back, and circled the bar once more, hanging from her hands and one knee. Then the knee came loose, and her feet came slowly to the ground. "You've just got to be strong enough to hold up your own weight. Maybe a little stronger. But the rest is all timing."
"You mean I could do that?"
"You want to try something?"
"Like what?"
"Come here and grab hold of the bar."
Tel came over and grabbed. He could just keep his feet flat on the tar-papered roof and still hold on. "All right," he said.
"Now pull yourself up and hook your left knee around the bar."
"Like this?" He kicked up once, missed, and tried again.
"When you kick, throw your head back," she instructed. "You'll balance better."
He did, pulled up, and got his foot through his arms, and suddenly felt the bar slide into the crook of his knee. He was hanging by his left knee and hands. "Now what do I do?" he asked, swaying back and forth.
Alter put her hand on his back to steady him. "Now straighten your right leg, and keep your arms fairly straight." He obeyed. "Now swing your right leg up and down, three times, and then swing it down real hard." Tel lifted his leg, dropped it, and at once began swinging back and forth beneath the pole. "Keep the leg straight," Alter said. "Don't bend it, or you'll loose momentum."
He got to the third kick, and then let go (with his thigh muscles, not his hands) and at once the sky slipped back behind him and his body swung upward away from the direction of the kick. "Whoooo," he said, and then felt an arm steadying his wrist. He was sitting on top of the bar with one leg over it. He looked down at Alter. "Is that what was supposed to happen?"
"Sure," she said. "That's how you mount the bar. It's called a knee mount."
"I guess it's easier than climbing. Now what do I do?"
"Try this. Straighten out your arms. And make sure they stay straight. Now straighten your back leg behind you." As he tried, he felt her hand on his knee, helping. "Hey ..." he said. "I'm not balanced."
"Don't worry," she said. "I'm holding you. Keep those arms straight. If you don't obey instructions you'll have a head full of tar paper. Seven feet isn't very high, but head first it's sort of uncomfortable."
Tel's elbows locked.
"Now when I count three, kick the leg I'm holding under you and throw your head back as hard as you can. One ..."
"What's supposed to happen?" Tel demanded.
"Follow instructions," replied Alter. "Two ... three!"
Tel threw and kicked, and felt Alter give his leg an extra push. He had planned to close his eyes, but what he saw kept them open. Sky and then roof were coming at him, fast. Then they veered away, along with Alter's face (which was upside down), till an instant later the pale blue towers of Toron, all pointing in the wrong direction, pierced his sight. Righting themselves, they jerked out of his line of vision and he was looking straight up at the sky (there was a star out, he noted before it became a meteor and flashed away) until it was replaced by the roof and Alter's face (laughing now) and then once more everything swept into its proper position for a moment.
He clamped his stinging hands tightly on the bar, and when he felt himself stop, he hunched forward and closed his eyes. "Mmmmmmmmmm," he said. Alter's hand was on his wrist, very firm, and he was sitting on top of the bar again.
"You just did a double back knee circle," she said, "You did it very well too." Then she laughed. "Only it wasn't supposed to be double. You just kept going."
"How do I get down?" Tel asked.
"Arms straight," said Alter.
Tel straightened his arms.
"Put this hand over here." She patted the bar on the other side of his leg. Tel transferred his grip. "Now bring your leg off the bar." Tel hoisted his leg back so that he was supported by just his hands. "Now bend forward and roll over, slowly if you can." Tel rolled, felt the bar slip from where it was pressed against his waist, and a moment later his feet were brushing back and forth over the tar paper. He let go and rubbed his hands together. "Why didn't you tell me what I was gonna do?"
"Because then you wouldn't have done it. Now that you know you can, the rest will be easier. You've got three stunts now in less than five minutes. The knee mount, back knee circle, and the forward dismount. And that was the best I've ever seen anybody do for a first try."
"Thanks," said Tel. He looked back up at the horizontal bar. "You know, it feels real funny, doing that stuff. I mean you don't really do it. You do things and than it happens to you."
"That's right," Alter said. "I hadn't thought of it like that Maybe that's why a good acrobat has to be a person who can sort of relax and just let things happen. You have to trust both your mind and your body."
"Oh," said Tel. "I was looking for you when I came up here. I wanted to give you something."
"Thank you," she smiled, brushing a shock of white hair from her forehead.
"I hope it didn't get broken." He reached into his pocket and pulled out a handful of something sinewy; he had strung the shells on lengths of leather thong. There were three loops of leather, each longer than the one before, and the shells were spread apart and held in place by tiny knots. "Geryn gave me the thong, and I put it together this afternoon. It's a necklace, see?"
She turned while he tied the ends behind her neck. Then she turned back to him, touching the green brilliance of one frail cornucopia, passing to the muted orange of another along the brown leather band. "Thank you," she said. "Thank you very much, Tel."
"You want some fruit?" he said, picking up the globe and beginning to peel the rest of it.
"All right," she said. He broke it open, gave her half, and they went to the edge of the roof and leaned on the balustrade, looking to the street below, then over the roofs of the other houses of the Devil's Pot and up to the darkening towers.
"You know," Tel said. "I've got a problem."
"No identification papers, no place to go. I should say you do."
"Not like that," he said. "But that's part of it, I guess. I guess it's a large part of it. But not all."
"Then what is it?"
"I've got to figure out what I want. Here I am, in a new place, with no way to get anything for myself; I've got to figure a goal."
"Look," said Alter, assuming the superiority of age and urban training, "I'm a year older than you, and I don't know where I'm going yet. But when I was your age, it occurred to me it would probably all take care of itself. All I had to do was ride it out. So that's what I've been doing, and I haven't been too unhappy. Maybe it's the difference between living here or on the seashore. But here you've got to spend a lot of time looking for the next meal. At least people like you and me have to. If you pay attention to that, you'll find yourself heading in the right direction soon enough. Whatever you're going to be, you're going to be, if you just give yourself half a chance."
"Like a big acrobatic stunt, huh?" asked Tel. "You just do the right things and then it happens to you."
"Like that," said Alter. "I guess so."
"Maybe," said Tel. The kharba fruit was cool, sweet like honey, orange, and pineapple.
A minute later someone was calling them. They turned from the balustrade and saw Geryn's white head poking from the trap door. "Come down," he demanded. "I've been looking all over for you. It's time."
They followed him back to the first floor. Tel saw that the scarred giant was still sitting at the table, his hands folded into quiet hammers before him.
"Now, everyone," Geryn called as he sat down at the table. Somewhat reluctantly people left the bar. Geryn dropped a sheaf of papers on the table. "Come around, everyone." The top sheet was covered with fine writing and careful architectural drawing. "Now this is the plan." So were the other sheets, when Geryn turned them over. "First, I'll divide you into groups."
He looked at the giant across the table. "Arkor, you take the first group." He picked out six more men and three women. He turned to the white-haired girl now. "Alter, you'll be with the special group." He named six more people. Tel was among them. A third group was formed which Geryn himself was to lead. Arkor's group was for strong-arm work. Geryn's was for guard duty and to keep the way clear while the prince was being conveyed back to the inn. "The people in the special group already know what to do."
"Sir," said Tel, "you haven't told me, yet."
Geryn looked at him. "You have to get caught."
"Sir?"
"You go past the guards, and make enough noise so that they catch you. Then, when they're occupied with you, we'll break in. Because you have no papers, they won't be able to trace you."
"Am I supposed to stay caught?"
"Of course not. You'll get away when we distract them."
"Oh," said Tel. Geryn went back to the papers.
As the plan was reviewed, Tel saw two things. First the completeness of the research, information, and attention to detail—habits of individual guards: one who left at the first sound of the change signal; another who waited a moment to exchange greetings with his replacement, a friend from his military academy days. Second, he saw its complexity. There were so many ins and outs, gears that had to mesh, movements to be timed within seconds, that Tel wondered if everything could possibly go right.
While he was wondering, they were suddenly already on their way, each one with a bit of the plan fixed firmly in his mind, no one with too clear a picture of the entire device. The groups were to split into subgroups of two or three, then reconvene at appointed spots around the castle. Tel and Alter found themselves walking through the city with the giant. Occasional street lights wheeled their shadows over the cracked pavement.
"You're from the forest, aren't you?" Tel finally asked the giant.
He nodded.
"Why did you come here?" Tel asked, trying to make conversation as they walked.
"I wanted to see the city," he said, raising his hand to his scars with a small chuckle. After that, he said nothing.
Prime Minister Chargill took his evening constitutional along the usually deserted Avenue of the Oyster at about this time every night. Prime Minister Chargill always carried on him a complete set of keys to the private suites of the royal family. This evening, however, a drunk in rags reeled out of a side street and collided with the old man. A moment later, making profuse apologies, he backed away, ducking his head, his hands behind his back. When the drunk returned to the side street, his weaving gait ceased, his hand came from behind his back, and in it was a complete set of keys to the private suites of the royal family.
The guard who was in charge of checking the alarm system loved flowers. He could—(and had been)—observed going to the florist's at least once a week on his time off. So when the old woman with a tray of scarlet anemones came by and offered them for his perusal, it is not surprising that he lowered his head over the tray and filled his lungs with that strange, pungent smell somewhere between orange rind and the sea wind. Forty-seven seconds later, he yawned. Fourteen seconds after that, he was sitting on the ground, his head hung forward, snoring. Through the gate two figures could be seen at the alarm box ... had anyone been there to look.
At another entrance to the castle, two guards converged on a fourteen-year-old boy with black hair and green eyes who was trying to climb the fence.
"Hey, get down from there! All right, come on. Where're your papers? What do you mean you don't have any? Come on with us. Get the camera out, Jo. We'll have to photograph him and send the picture to Chief Records Headquarters. They'll tell us who you are, kid. Now hold still."
Behind them, a sudden white-haired figure was out of the shadows and over the gate in a moment. The guards did not see her.
"Hold still now, kid, while I get your retina pattern."
Later on a bunch of rowdies, led by a giant, started to raise hell around the palace. They hadn't even gotten the kid to the guard house yet, but somehow in the confusion the boy got away. One guard, who wore a size seventeen uniform was knocked unconscious, but no one else was hurt. They dispersed the rowdies, carried the guard to the infirmary, and left. The doctor saw him in the waiting room, then left him there momentarily to look for an accident report slip in the supply room at the other side of the building. (He could have sworn that a whole pad of them had been lying on the desk when he'd stepped out for a bit ten minutes ago.) When the doctor returned with the slip the soldier was still there—only he was stark naked.
A minute later, an unfamiliar guard, wearing a size seventeen uniform, saluted the guard at the gate, and marched in.
Two strange men behind the gate flung a cord with a weight on one end over a third story cornice. They missed once, then secured it the second time and left it hanging there.
A guard wearing a size seventeen uniform came down the hall of the west wing of the castle, stopped before a large double door on which was a silver crown, indicating the room of the Queen Mother; he took a complete set of keys to the private suites of the royal family from his cloak, and locked her Majesty firmly in her room. At the next door, he locked Prince Let securely in his. Then he went rapidly on.
Tel ran till he got to the corner, rounded it, and checked the street sign. It was correct. So he went to a doorway and sat down to wait.
At the same time, Prince Let, getting ready for bed and wearing nothing but his undershirt, looked out the window and saw a girl with white hair hanging head down outside the shutter. He stood very still The upside down face smiled at him. Then the hands converged at the window lock, did something, and the two glass panels came open. The girl rolled over once, turned quickly, and suddenly she was crouching on the window ledge.
Let snatched up his pajama bottoms first, and ran to the door second. When he couldn't open it, he whirled around and pulled on his pajama pants.
Alter put her finger to her lips as she stepped down into his room. "Keep quiet," she whispered. "And relax," she added. "The Duchess of Petra sent me. More or less." She had been instructed to use that name to calm the prince. It seemed to work a trifle.
"Look," explained Alter, "you're being kidnapped. It's for your own good, believe me." She watched the blond boy come away from the door.
"Who are you?" he asked.
"I'm a friend of yours if you'll let me be."
"Where are you going to take me?"
"You're going to go on a trip. But you'll come back, eventually."
"What has my mother said?"
"Your mother doesn't know. Nobody knows except you and the Duchess, and the few people who're helping her."
Let appeared to be thinking. He walked over to his bed, sat down, and pressed his heel against the side board. There was a tiny click. Nothing else happened. "Why won't they open the door?" he asked.
"It's been locked," Alter said. Suddenly she looked at the clock beside the Prince's bed, and turned to the window. Light from the crystal chandelier caught on the shells that were strung on leather thongs around her neck as she turned.
Let put his hand quietly on the newel post of his bed and pressed his thumb hard on the purple garnet that encrusted the crowning ornamental dolphin. Nothing happened except a tiny click.
At the window, Alter reached out her hand, just as a bundle appeared outside on a lowered rope. She pulled them in, untied them, and shook them out as the rope suddenly flew out the window again. "Here," she said. "Get into these." It was a suit of rags. She tossed them to him.
Finally Let slipped out of his pajama pants and into the suit.
"Now look in your pocket," Alter said.
The boy did and took out a bunch of keys.
"You can open the door with those," Alter said. "Go on."
Let paused, then went to the door. Before he put the key in the lock though, he bent down and looked through the keyhole. "Hey," he said, looking back at the girl. "Come here. Do you see anything?"
Alter crossed the room, bent down, and looked. The only motion Let made was to lean against one of the panels on the wall, which gave a slight click. Nothing happened.
"I don't see anything," Alter said. "Open the door."
Let found the proper key, put it in the lock, and the door swung back.
"All right, you kids," said the guard who was standing on the other side of the door (who incidentally wore a size seventeen uniform), "you come along with me." He took Let firmly by one arm and Alter by the other and marched them down the hall. "I'm warning you to keep quiet," the guard said to Let as they turned the last corner.
Three minutes later they were outside the castle. As the guard passed another uniformed man at the Sentry's post, he said, "More stupid kids trying to break into the palace."
"What a night," said the guard and scratched his head. "A girl too?"
"Looks like it," said the guard who was escorting Alter and the Prince. "I'm taking them to be photographed."
"Sure," answered the guard, and saluted.
The two children were marched down the street toward the guard house. Before they got there, they were turned off into a side street. Then suddenly the guard was gone. A black-haired boy with green eyes was coming toward them.
"Is this the Prince?" Tel asked.
"Un-huh," said Alter.
"Who are you?" Let asked. "Where are you taking me?"
"My name is Tel. I'm a fisherman's son."
"My name is Alter," Alter introduced herself.
"She's an acrobat," Tel added.
"I'm the Prince," Let said. "Really. I'm Prince Let."
The two others looked at the blond boy who stood in front of them in rags like their own. Suddenly they laughed. The Prince frowned. "Where are you taking me?" he asked again.
"We're taking you to get something to eat and where you can get a good night's sleep," Alter answered. "Come on."
"If you hurt me, my mother will put you in jail."
"Nobody's going to hurt you, silly," Tel said. "Come on."
The Duchess of Petra said, "Now, your first direct assignment will be ..."
Then, the sudden green of beetles' wings; the red of polished carbuncle; a web of silver fire; lightning and blue smoke. Columns of jade caught red light through the great crack in the roof. The light across the floor was red. Jon felt that there were others with him, but he could not be sure. Before him, on a stone platform, three marble crescents were filled with pulsating shadows. Jon Koshar looked at them, and then away. There were many more columns, most broken.
He saw a huge break in the sanctuary wall. Outside he could look down on an immense red plain. At a scribed line, the plain changed color to an even more luminous red. Near the temple a few geometrical buildings cast maroon pinions of shadow over the russet expanse. Suddenly he realized that the further half of the plain was an immense red sea, yet with a perfectly straight shore line. Calmly it rippled toward the bright horizon.
At the horizon, filling up nearly a quarter of the sky, was what seemed to be a completely rounded mountain of dull red. No, it was a segment of a huge red disk, a great dull sun lipping the horizon of the planet. Yet it was dim enough so that he could stare directly at it without blinking. Above it, the atmosphere was a rich purple.
Then there was a voice from behind him, and he turned to the triple throne once more.
"Hail, hosts of Earth," the voice began. The very shadows of the room were like red bruises on the stone. "You are in the halls of an extinct city on Creton III. Twelve million years ago this planet housed a civilization higher than yours today. Now it is dead, and only we are left, sitting on their thrones in the twilight of their dying, ruddy sun."
"Who are you?" demanded Jon, but his voice sounded strange, distorted. As he bit the last word off, another voice broke in.
"What do you really want from us?"
Then a third voice.
"What are you going to do with us?"
Jon looked around but saw no one else. Suddenly another picture, the picture of a world of white desert where the sky was deep blue and each object cast double shadows, filled his mind. "This isn't the world you took me to before ..." he exclaimed.
"No," came the quiet voice, "this is not the world we took you to before. Listen. We are homeless wanderers of space. Our origin was not only in another galaxy, but in another universe, eternities ago. By way of this universe we can move from star to star without transversing any segment of time, unless we desire. Thus we have dwelt quietly in the dead cities of myriad suns till now. We have never tampered with any living species, though there is something in us that yearns for the extinct cultures.
"Recently according to our standards, though still much older than your solar system, a dark force has come into the universe. It has evolved similarly to us, and also leaps among galaxies in moments. Yet it holds no culture sacred that it finds, and has already tampered with a score of civilizations. It is younger than we are, and can only exist in one individual at a time, while our entity has three lobes, so to speak. This rival thinks nothing of completely changing the mind of its host, giving deadly information, even new powers. We are bound only to ride with your minds, warn you, guide you, but changing your body before your minds, and that only to keep you from death. So it will be your own greed, your own selflessness that will eventually win or lose this battle. Therefore it will be won or lost within the framework of your own civilization."
"Then tell us this," came a voice that was not Jon's. "What is on the other side of the radiation barrier?"
"But we have told you already. And you have guessed. Toromon is at war with an economic condition. Beyond the barrier is a civilization which is controlled by the Lord of the Flames. He is only in one member of their number, and any time he may move to another, although it is not likely."
"Are they our enemies?"
"Your only enemies are yourselves. But he must be evicted none the less. To do that, all you must do is confront the individual who is bearing him, the three of you together. But you must all be within seeing distance of him at once. For we work through your minds. What you cannot perceive, we cannot affect."
"How will we do this?"
"One of you has already been made immune to the radiation barrier. So will the rest of you when it becomes necessary. This is what you will do for us, and it will also remove the threatening element of the unknown that distracts Toromon from her own problems."
"But why our planet?" a voice asked.
"Yours is an ideal experimenting ground. Because of the Great Fire, your planet has many civilizations that are now completely isolated from one another; many, however, are on a fairly high level. The radiation barriers that lace your planet will keep you isolated from them for some time. When the Lord of the Flames is finished with one empire, he may wish to try a different method on a basically similar civilization. For all your isolated empires had the same base. Marinor, Letpar, Calcivon, Aptor—these are all empires on your planet of which you have never heard. But your first concern is Toromon."
"Will we remember all this?" Jon asked.
"You will remember enough. Good-bye; you know your task." The red haze in the deserted temple pulsed and the jade columns flickered. Hands of blue smoke caught him and flung him through a lightning flash. Whirled through a net of silver, he dropped through red into the vivid green of beetles' wings.
Jon blinked. The Duchess took a step backwards. The green carpet, the rich wood-paneled walls, the glass-covered desk: they were in a sitting room of his father's house, again.
Finally Jon asked, "Now just what am I supposed to do, again? And explain it very carefully."
"I was going to say," said the Duchess, "that you were to get to the Prince, who is being kept at an inn in the Devil's Pot, and accompany him to the forest people. I want him to stay there until this war is over. They live a different life from any of the other people of this empire. They will give him something he'll be able to use. I told you I spent some time there when I was younger. I can't explain exactly what it is, but it's a certain ruggedness, a certain strength. Maybe they won't give it to him, but if he's got it in him, they'll bring it out."
"What about ... the Lord of the Flames?"
"I don't—do you have any idea, Jon?"
"Well, assuming we get beyond the radiation barrier, assuming we find what people we're fighting, assuming we find which one of them is carrying around the Lord of the Flames, and assuming we can all three of us get to him at once—assuming all that, there's no problem. But we can't, can we? Look, I'll be going to the forest, so I'll be closest to the radiation barrier. I'll try to get through, see what the situation is, and then the two of you can come on. All right?"
"Fine."
"If nothing else, it'll put me closer to the Lord of the Flames ... and my freedom."
"How are you not free now, Jon Koshar?" the Duchess asked.
Instead of answering, he said, "Give me the address of the inn at the Devil's Pot."
Going down the hall, with the address, Jon increased his pace. His mind carried an alien mind that had saved him from death once already. How could he be free? The ... obligation? That couldn't be the word.
Around the corner he heard a voice. "And now would you please explain it to me? It's not every day that I'm called on to declare war. I think I did it rather eloquently. Now tell my why."
(Jon remembered the trick of acoustics which as a child enabled him to stand in this spot and overhear his sister and her girlfriends' conversation just as they came into the house.)
"It's your brother," came the other voice. "He's been kidnaped."
"He's been what?" asked the King. "And why? And by whom?"
"We don't know," answered the official. "But the council thought it was best to get you to declare war."
"Oh," said the King. "So that's why I made that little speech in there. What does mother say?"
"It wouldn't be polite to repeat, sir. She was locked in her room, and very insulted."
"She would be," said Uske. "So, the enemy has infiltrated and gotten my silly brother."
"Well," said the voice, "they can't be sure. But what with the planes this morning, they thought it was best."
"Oh, well," said the King. There were footsteps. Then silence.
Coming round the corner, Jon saw the coat closet was ajar. He opened the door, took out a great cape and hood, and wrapped it around him, pulling the hood close over his head. He stepped into the foyer and went out past the doorman.
At the edge of the Devil's Pot, the woman with the birthmark on the left side of her face was tapping a cane and holding out a tin cup. She had put on a pair of dark glasses and wandered up one street and down another. "Money for a poor blind woman," she said in a whiny voice. "Money for the blind." As a coin clinked into her cup, she nodded, smiled, and said, "Welcome to the New World. Good luck in the Island of Opportunity."