Chapter 15

ST. JOHN'S EPISCOPAL CHURCH, PRINCES STREET, EDINBURGH. (From a Photograph by A. A. Inglis.)

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In 1792 a measure of relief was passed for the Episcopalians of Scotland. These had fallen into disgrace for their refusal to swear allegiance to the House of Hanover. The conduct of many of them during the rebellion of 1745 had increased the rigour of Government against them, and an Act was passed, the 19 George II., ordering the shutting up of all Episcopalian chapels where the minister had not taken the oath of allegiance, and where he did not pray for the king and royal family. Any clergyman of that church violating these regulations was liable to six months' imprisonment for the first offence, and transportation to one of the American plantations for the second, with perpetual imprisonment did he dare to return thence. No minister was to be held qualified to officiate except he had received letters of orders from an English or Irish bishop of the Protestant Episcopalian Church. All persons frequenting the chapels of such unqualified persons were liable to a penalty of five pounds for the first offence, and two years' imprisonment for the second. But now, the Pretender being dead, and his brother, Cardinal York, being held on account ofhis clerical character to have forfeited his claim to the Crown, the Scottish Episcopalians came and took the necessary oaths; this Bill was passed removing their disabilities, and the aristocracy of Scotland soon, for the most part, became members of the church when it ceased to be in disgrace.

ROWLAND HILL PREACHING TO THE COLLIERS OF KINGSWOOD. (See p.170.)

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The various triumphs in the direction of liberty of conscience evidence a sense of civil right in the community, which forced itself on the Government, rather than a sense of religion. But religion, too, was in steady growth. The Dissenters had greatly increased during this period, and amongst them the names of some of their ministers had acquired a general reputation. Robert Hall, of Leicester, and afterwards of Bristol, threw a new lustre on the Baptist community. He was the son of a Baptist minister, was at first educated by Dr. Ryland, the learned Baptist pastor of Northampton, and afterwards took his degree of M.A. at King's College, Aberdeen. He commenced his ministerial career in Bristol, and subsequently resided as minister at Leicester for twenty years. On the death of his old tutor, Dr. Ryland, he became the president of the Baptist Academy at Bristol, and pastor of Broadmead Chapel, in that town. Robert Hall was not inferior to any of the clergy of the Establishment in learning or eloquence. He was for eleven years the Baptist minister in Cambridge before removing to Leicester. In Cambridge he succeeded to a man nearly as remarkable, the celebrated Robert Robinson. At this university town he attracted the notice of some of the leading Established clergy and professors, and of the world at large, by his "Vindication of the Freedom of the Press," and his splendid sermon "On Modern Infidelity." Dr. Parr has left a testimony to the merits of Robert Hall in his will, which does honour to his liberality:—"Mr. Hall has, like Jeremy Taylor, the eloquence of an orator, the fancy of a poet, the subtlety of a schoolman, the profoundness of a philosopher, and the piety of a saint." To the same body belonged the celebrated author of "Essays on the Formation of Character," John Foster, also of Bristol.

Amongst the followers of Whitefield becameconspicuous Rowland Hill, Matthew Wilks, and William Huntington. Of the followers of Whitefield, Selina, Countess of Huntingdon, became the patron, as she had been of Whitefield himself, whom she made her chaplain. This remarkable woman founded schools and colleges for the preachers; and so completely did she identify herself with this sect that it became styled "Lady Huntingdon's Society." Perhaps the most celebrated of these preachers, after Whitefield, was Rowland Hill, who was a younger son of Sir Rowland Hill, of Hawkstone, in Shropshire. He was educated at Cambridge for the Church of England, but preferred following Whitefield, and for many years went about preaching in the open air, like Whitefield, in different parts of the country, and particularly amongst the colliers of Kingswood. In 1783 his chapel, called the Surrey Chapel, being built, he settled in London, and continued his ministry in the metropolis till his death in 1833, at the age of eighty-eight. Rowland Hill was as much celebrated for his humour and eccentricity, which he carried into his preachings, as for his talents. He was also an author of various productions, the most popular of which were his "Village Dialogues."

Perhaps a still more remarkable man of the same denomination was William Huntington, originally a coalheaver, struggling with severe poverty; yet, believing himself called to the ministry, he boldly followed his conceived duty, through much discouragement and persecution. He has left an autobiography, in which his perfect faith in and reliance on God are justified by the most remarkable supply of all his wants, and support in a widely extended and useful ministry. After the death of his first wife he married the wealthy widow of Sir James Sanderson, a London alderman, and passed his latter years in affluence.

Amongst the Independents the names of John Clayton and William Beugo Collyer, and amongst the Unitarians Dr. Priestley, Theophilus Lindsey, and Thomas Belsham are conspicuous.

But the most remarkable growth of religion was through the instrumentality of the Wesleyan Methodists. These spread over all the country, through town and village, into places where the ministers of the Establishment had fallen into a spiritual sleep from want of rivalry. In Wales they found a great and almost unoccupied field. In Cornwall, where Wesley had been abused and pelted with stones, they became universal, and still continue to astonish the visitor to that county by their extraordinary numbers, almost every Cornish miner being of that sect. Throughout England the spread of Methodism has been a most influential cause of the revival of activity and discipline in the Established Church itself; for it soon became evident that the Church must exert itself, or the body of the people, especially in the country and in manufacturing districts, would be absorbed by the Wesleyan interest.

In Wales, such was the neglect of religion by the Establishment, that, previous to 1804, there was scarcely a clergyman of the Church of England in the principality who was a native, or could preach in Welsh. The capability of a minister to make himself understood by his parishioners had been totally disregarded by those who had the presentation to livings; the exercise of patronage had alone been cared for; the souls of people went for nothing. About that time the Rev. Mr. Charles was engaged as curate in a Welsh parish. He found not a single Bible in the parish, and on extending his inquiries he scarcely found a Bible in Wales. He made this fact known to the public, in an appeal for Welsh Bibles, and for this appeal and the attendant exposure of the clerical neglect he was dismissed from his cure, and could find no bishop who would license him to preach in any other parish. But his truly Christian act had excited the attention of the religious public, and had the effect of establishing the British and Foreign Bible Society in 1804.

In Ireland the bulk of the population had been left to the Catholic pastors, who were maintained by their flocks, the property of the Catholic Church having been long transferred by Act of Parliament to the Church of England, or, as it was called, the sister Church of Ireland. The number of parishes in Ireland had been originally only two thousand four hundred and thirty-six, though the population at that time was half that of England; but in 1807 Mr. Wickham stated that, in 1803, these had been consolidated, and reduced to one thousand one hundred and eighty-three. In some of these parishes in the south of Ireland, Mr. Fitzgerald stated that the incomes amounted to one thousand pounds, to one thousand five hundred pounds, and even to three thousand pounds a year; yet that in a considerable number of these highly endowed parishes there was no church whatever. In others there were churches but no Protestant pastors, because there were no Protestants. The provision for religious instruction went wholly, in these cases, to support non-resident, and often very irreligious, clergymen. In fact, no truly religious clergyman ever couldhold such a living. The livings were, in fact, looked upon as sinecures to be conferred by Ministers on their relatives or Parliamentary supporters. It was stated that out of one thousand one hundred and eighty-three benefices in Ireland, two hundred and thirty-three were wholly without churches; and Mr. Fitzgerald said, "that where parishes had been consolidated, the services rendered to the people by their clergyman had been diminished in proportion as his income had been augmented; for no place of religious worship was provided within the reach of the inhabitants; nor could such parishioners obtain baptism for their children, or the other rites of the Church; and the consequence was that the Protestant inhabitants, in such places, had disappeared."

Measures to alter this disgraceful state of things were repeatedly introduced, but as steadily rejected. The collection of tithes seemed to occupy the chief attention of the Established clergy of Ireland, even where they rendered no spiritual services, and eventually led to a state of irritation and of dire conflict between the Protestant incumbent and the Catholic population which did not cease till after the death of George III. The clergyman called in the soldiery to assist him in the forcible levying of tithes, and the bloodshed and frightful plunder of the poor huts of the Irish in thisbellum ecclesiasticumbecame the scandal of all Christendom ere it was ended by the Act of a later reign, which transferred the collection of tithes to the landlord in the shape of rent.

In literature, and the amount of genius in every branch of it, as well as in mechanical skill, few ages ever transcended that of George III. Though he and his Ministers did their best to repress liberty, they could not restrain the liberty of the mind, and it burst forth on all sides with almost unexampled power. In fact, throughout Europe, during this period, a great revolution in taste took place. The old French influence and French models, which had prevailed in most countries since the days of Louis XIV., were now abandoned, and there was a return to nature and originality. "The Reliques of Ancient English Poetry," collected by Percy, the Bishop of Dromore, and the publication of the old Scottish ballads by Walter Scott, snapped the spell which had bound the intellect since the days of Pope, and opened the sealed eyes of wondering scholars; and they saw, as it were, "a new heaven and a new earth" before them. They once more felt the fresh breath of the air and ocean, smelt the rich odour of the heath and the forest, and the oracles of the heart were reopened, as they listened again to the whispers of the eternal winds. Once more, as of old to prophets and prophetic kings, there was "a sound of going in the tops of the trees." In Great Britain, Scott, Wordsworth, Coleridge, Southey, Byron, Shelley—in Germany, Goethe, Schiller, Wieland, Richter—in Scandinavia, Tegner, Oehlenschläger, Stagnelius—with a world of lesser lights around them, stood in the glowing beams of a new morning, casting around them the wondrous wealth of a poetry as fresh as it was overflowing. As in poetry, so in prose invention. The novel and romance came forth in totally new forms, and with a life and scope such as they had never yet attained. From Fielding and Sterne to Godwin and Scott, the list of great writers in this department shed a new glory on the English name. In works of all other kinds the same renewal of mind was conspicuous; history took a prominent place, and science entered on new fields.

Before the conclusion of the reign of George II. a new school of fiction had appeared. De Foe had, besides his "Robinson Crusoe," opened up the inexhaustible field of incident and character existing in actual life in his "Colonel Jack," "Moll Flanders," "Roxana," and other novels, and Fielding and Richardson extended it. Fielding, too, died six years before the beginning of this reign, and Richardson in the first year of it. But their works were in full circulation, and extended their influence far into this period. They have, therefore, been left to be noticed here in connection with the class of writers to whom they gave origin, and to whom they properly belong. Richardson (b.1689;d.1761) seems to have originated the true novel of real life in his "Pamela," which was the history of a servant, written with that verisimilitude that belongs to biography. This was commenced in 1740, and brought to a conclusion in 1741. The extra-ordinary sensation which it created was sufficient proof that the author had struck into the very heart of nature, and not only knew where the seat of human passion lay, but had the highest command over it. It was not, in fact, from books and education, but from native insight and acute observation, that he drew his power. He was born in Derbyshire, and received his education at a common day-school. He was then apprenticed as a printer in London, and established himself as a master in that business, which he continued to pursue with great success. His "Pamela" ran through five editions in the first year. In 1748appeared his "Clarissa Harlowe," and wonderfully extended his reputation, which reached its full blaze in his "Sir Charles Grandison," in 1754. In all these works he showed himself a perfect analyst of the human heart, and detector of the greatest niceties of character. Though he could have known little or nothing of aristocratic life, yet, trusting to the sure guidance of nature, he drew ladies and gentlemen, and made them act and converse as the first ladies and gentlemen of the age would have been proud to act and speak. A more finished gentleman than Sir Charles Grandison, or correcter lady than Miss Byron, was never delineated. The only thing was, that, not being deeply versed in the debaucheries and vulgarisms of the so-called high life of the time, he drew it as much purer and better than it was. It is in the pages of Fielding and Smollett that we must seek for the darker and more real character of the age. The fault of Richardson was his prolixity. He develops his plot, and draws all his characters, and works out his narrative with the minutest strokes. It is this which prevents him from being read now. Who could wade through a novel of nine volumes? Yet these were devoured by the readers of that time with an avidity that not even the novels of Sir Walter Scott were waited for in the height of his popularity.

Fielding (b.1707;d.1754) began his career by an attempt, in "Joseph Andrews," to caricature the "Pamela" of Richardson. He represented Joseph as Pamela's brother; but he had not proceeded far when he became too much interested in his own creation to make a mere parody of him. This novel he produced in 1742, the year after the completion of "Pamela." The following year he gave to the world "Jonathan Wild;" in 1749, "Tom Jones;" and in 1751, but three years before his death, at the age of only forty-seven, "Amelia." But, besides a novelist, Fielding was a dramatic writer, a political writer, and the editor of four successive periodicals—The Champion,The True Patriot,The Jacobite Journal, andThe Covent Garden Journal. Fielding, unlike Richardson, was educated at Eton, and afterwards at Leyden. He had fortune, but he dissipated it; and had the opportunity of seeing both high and low life, by his rank as a gentleman and his office as a police-magistrate. His novels are masterly productions. His squire Western and parson Adams, and his other characters are genuine originals; and they are made to act and talk with a raciness of humour and a flow of wit that might even yet render them popular, if their occasional grossness did not repel the reader of this age. It is, indeed, the misfortune of Fielding, Sterne, and Smollett, that they lived in so coarse and debauched an epoch; their very fidelity now renders them repulsive. Richardson and Fielding were the Dickens and Thackeray of their day. In Fielding, the colder nature and the more satiric tone make the resemblance to Thackeray the more striking.

Tobias Smollett (b.1721;d.1771), before he appeared as a novelist, following in the track of Fielding rather than in that of Richardson, had figured as poet, dramatist, and satirist. Originally a surgeon from Dumbartonshire, and afterwards surgeon's mate on board of a man-of-war, he had then lived as an author in London. Thus he had seen great variety of life and character, and, having a model given him, he threw his productions forth in rapid succession. His first novel was "Roderick Random," which appeared in 1748, the same year as Richardson's "Clarissa," and a year preceding perhaps the greatest of Fielding's works, "Tom Jones." Then came, in rapid sequence, "Peregrine Pickle," "Count Fathom," "Sir Launcelot Greaves," and "Humphrey Clinker." Whilst writing these he was busy translating "Don Quixote"—a work after his own heart—travelling and writing travels, editingThe Briton, and continuing Hume's "History of England." In his novels Smollett displayed a deep knowledge of character, and a humour still broader and coarser than that of Fielding. In Smollett the infusion of indecency may be said to have reached its height. In fact, there is no more striking evidence of the vast progress made in England since the commencement of the reign of George III., in refinement of manners and delicacy of sentiment, than the contrast between the coarseness and obscenity of those early writers and the novelists of the present day. The picture which they offer of the rude vice, the low tastes, the debauched habits, the general drunkenness, and the ribaldry and profanity of language in those holding the position of gentlemen and even of ladies, strikes us now with amazement and almost with loathing.

JANE AUSTEN.OLIVER GOLDSMITH.SAMUEL RICHARDSON.LAURENCE STERNE.TOBIAS SMOLLETT.

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The next novelist who appeared was of a very different school. Richardson was an elaborate anatomist of character; Fielding and Smollett were master painters of life and manners, and threw in strong dashes of wit and humour; but they had little sentiment. In Laurence Sterne (b.1713;d.1768) came forth a sentimentalist, who, whilst he melted his readers by touches of pathos, couldscarcely conceal from them that he was laughing at them in his sleeve. The mixture of feeling, wit,double entendre, and humour of the most subtle and refined kind, and that in a clergyman, produced the oddest, and yet the most vivid, impressions on the reader. The effect was surprise, pleasure, wonder, and no little misgiving; but the novelty and charm of this original style were so great that they carried all before them, but not without the most violent censures from the press on his indecencies, especially considering his position as a clergyman. Sterne was the grandson of that Richard Sterne, a native of Mansfield, in Nottinghamshire, who was chaplain to Archbishop Laud, and attended him on the scaffold. Laurence Sterne was the son of a lieutenant in the army, and was born at Clonmel, in Ireland, his grandfather having then become Archbishop of York. Sterne, therefore, on taking orders, was on the way of preferment, and received the rectory of Stillington and the perpetual curacy of Coxwold, both in Yorkshire. There he wrote not only sermons, but satire, particularly his "History of a Watchcoat." But it was his novel of "Tristram Shandy" which brought him into sudden popularity. After this, his "Sentimental Journey" completed his reputation; and his Maria and her lamb, his uncle Toby, Corporal Trim, Yorick, Doctor Slop, the widow Wadman, and his lesser characters, usurped for a long period the tears and laughter of the nation.

But it was not till 1766 that the public became possessed of what may be called the first domestic novel, in the "Vicar of Wakefield" of Oliver Goldsmith (b.1728;d.1774). The works of Richardson, Fielding, and Smollett had been rather novels of general life than of the home life of England, but this work was a narrative of such every-day kind as might occur in any little nook in the country. It was a picture of those chequered scenes that the lowliest existence presents: the simple, pious pastor, in the midst of his family, easily imposed on and led into difficulties; the heartless rake, bringing disgrace and sorrow where all had been sunshine before; the struggles and the triumphs of worth, which had no wealth or high rank to emblazon it; and all mingled and quickened by a humour so genial and unstudied that it worked on the heart like the charms of nature herself. No work ever so deeply influenced the literary mind of England. The productions which it has originated are legion, and yet it standssui generisamongst them all. The question may seem to lack sequence, yet we may ask whether there would have been a "Pickwick" if there had not been a "Vicar of Wakefield?"

It is said that when Johnson called on Goldsmith to see what could be done to raise money to pay the latter's landlady, who threatened him with imprisonment, Goldsmith handed the doctor the MS. of a new novel that might be worth something! This was the "Vicar of Wakefield." Johnson recognised its merits instantly, and at once sold it to a bookseller for £60, with which Goldsmith's rent was paid.

What a totally different species of composition was the "Vicar" to the tale of "Rasselas," published by his friend Dr. Samuel Johnson (b.1709;d.1784), the great lexicographer, seven years before! This was conceived in the romantic and allegoric spirit of the time—"The Ten Days of Seged," "The Vision of Mirza," and the like. It was laid in the south, but amid Eastern manners, and didactic in spirit and ornate in style. It was measured, and graceful, and dull—too scholastic to seize on the heart and the imagination. On a nature like Goldsmith's it could make no impression, and therefore leave no trace. The one was like a scene amid palm trees, and fountains, and sporting gazelles; the other like a genuine English common, on which robust children were tumbling and shouting, amid blooming gorse, near the sunny brook, with the lark carolling above them. There is no country in Europe, scarcely in the world, where letters are known, which has not its translation of the "Vicar of Wakefield." Even in England, "Rasselas" is almost forgotten.

Now followed a period in which many works were produced which were extremely popular in their day, but of which few now retain public appreciation. Amongst these none reached the same estimation as "Henry, Earl of Moreland: or, The Fool of Quality," by Henry Brooke. It was designed to show the folly and the artificialmoraleof the age, by presenting Henry as the model of direct and natural sentiments, for the indulgence of which he was thought a fool by the fashionable world. The early part of the work is admirable, and the boyhood of Henry is the obvious prototype of Day's "History of Sandford and Merton;" but as it advances it becomes utterly extravagant. Miss Frances Brooke, too, was the author of "Julia Mandeville" and other novels. Mrs. Charlotte Smith, long remembered for her harmonious sonnets, was the author of numerous novels, as "The Old Manor House," "Celestina," "Marchmont," etc.; there were also Mrs. Hannah Morewith her "Cœlebs in Search of a Wife;" Mrs. Hamilton with her "Agrippina;" Bage with his "Hermstrong: or, Man as he is Not;" "Monk" Lewis with his "Tales of Wonder" and his "Monk;" and Horace Walpole with his melodramatic romance of "The Castle of Otranto." But far beyond Walpole rose Mrs. Ann Radcliffe, the very queen of horror and wonder, in her strange, exciting tales of "The Sicilian Romance," "The Romance of the Forest," "The Mysteries of Udolpho," "The Italian," etc. No writer ever carried the powers of mystery, wonder, and suspense, to the same height, or so bewitched her age by them.

Far greater, however, as the wielder of human sympathies by the recital of wrongs and oppression, was William Godwin in his "Caleb Williams" and "St. Leon." "Caleb Williams" is a model for narrative: lively, clear, simple yet strong, moving in a rapid career—in fine contrast to the slow, wire-drawn progress of the later three-volume novel—till it winds up in an intensity of sensation. Then came Miss Burney, better known as Madame D'Arblay, with her "Evelina," "Cecilia," and "Camilla," returning again to the details of social life. Afterwards came Dr. John Moore with "Zeluco," etc.; Mrs. Inchbald with her charming "Simple Story;" Mrs. Opie with "The Father and Daughter" in 1801, followed by various other novels; and in the same year Miss Edgeworth commenced her splendid career with "Belinda," and in the next year "Castle Rackrent." To this period also belongs Lady Morgan with her "Wild Irish Girl," though she continued to live and write long after this reign.

Amongst the novelists of the later period of the reign we may name Horace Smith, author of "Brambletye House," etc.; Leigh Hunt, the poet, author of "Sir Ralph Esher;" Peacock, author of "Headlong Hall;" Beckford, author of the wild Eastern tale of "Vathek;" Hamilton, author of "Cyril Thornton," etc.; Maturin, author of "Melmoth the Wanderer," etc.; Mrs. Brunton, author of "Discipline," "Self-Control," etc.; and Miss Ferrier, author of "Marriage" and other novels of a high order. Jane Austen (b.1775;d.1817), author of "Pride and Prejudice," "Mansfield Park," "Sense and Sensibility," etc., all distinguished by the nicest sense of character, was far above any of these, and ranks with the foremost of our writers of fiction.

But far above all rose, at this period, the already popular romantic poet, Walter Scott. Before him, in Scotland, Henry Mackenzie had occupied for a long time the foreground as a writer of fiction, in "The Man of Feeling," "Julia de Roubigné," etc., but in a very different class of invention. As Walter Scott (b.1771;d.1832) had opened up the romance of the Scottish Highlands in his poems, so he now burst forth, on the same ground, in historic romance, with a vigour, splendour, and wonderful fertility of imagination and resource of knowledge which far exceeded everything in the history of literature since the days of Shakespeare. We need not attempt to characterise the voluminous series of what are called the "Waverley Novels," which, in their ample range, occupied almost every country of Europe and every climate, from the bleak rocks of Orkney to the glowing plains of Syria and India; they are familiar to all readers, and closed this period with a splendour from the mingled blaze of invention, poetry, and science, which no succeeding age is likely to surpass.

In history, as in fiction, a new school of writers arose during this period, at the head of which stood Hume, Robertson, and Gibbon. David Hume (b.1711;d.1776) had already acquired a great reputation by his "Philosophical Essays concerning the Human Understanding," his "Inquiry into the Principles of Morals," and his "Natural History of Religion." In these metaphysical works he had indulged his extreme sceptical tendency, and in the "Essay on Miracles" believed that he had exploded the Christian religion. His works on this subject did not, at first, gain much attention; but in a while were seized on by the deistical and atheistical philosophers in Britain and on the Continent, and have furnished them with their principal weapons. The first two volumes of history met for a time with the same cold reception as his metaphysics. He commenced with that favourite period with historians—the reigns of James I. and Charles I.—because then began the great struggle for the destruction of the Constitution, followed by the still more interesting epoch of its battle for and triumph over its enemies. Hume had all the Tory prejudices of the Scottish Jacobite, and the reigns of James I. and Charles I. were extremely to his taste, but as little to that of the English public. Hence the dead silence with which it was received. But when there had been time to read the second volume, containing the Commonwealth and the reigns of Charles II. and James II., the storm broke out. In these he had run counter to all the received political ideas of the age. But this excitement raised both volumes into notice, and he then went back, and, in1759, published two more volumes, containing the reigns of the Tudors; and, going back again, in 1762 he completed his history by bringing it down from the invasion of Julius Cæsar to the accession of Henry VII. It was afterwards, as has been mentioned, continued by Smollett.

DR. JOHNSON READING THE MANUSCRIPT OF THE "VICAR OF WAKEFIELD." (See p.174.)

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The history of Hume was much over-estimated in his own time, in spite of the despotic notions which abound in it. It was held up as a marvel of eloquence and acuteness. But after times always correct the enthusiasm of contemporaries, and Hume's history has been found not in every case trustworthy. When we now, indeed, take up Hume, we are surprised to find it a very plain, clear narrative of events, with many oversights and perversions, and nothing more. We wonder where are the transcendent beauties which threw our readers of the eighteenth century into raptures for which language scarcely gave expression. Whoever will read the correspondence of contemporaries with Hume, will find him eulogised rather as a demi-god than a man, and his works described in extravagant strains of praise.

The "History of Scotland, during the Reigns of Queen Mary and James VI.," by Dr. Robertson, was published in 1759, the year of the appearance of Hume's "History of the House of Tudor." It was at once popular; and Hume, writing to him, attributed this to the deference which he had paid to established opinions, the true source of the popularity of many works. This was followed, in 1769, by his "History of Charles V.," and, in 1777, by his "History of America." Robertson's chief characteristic is a sonorous and rather floridstyle, which extremely pleased his age, but wearies this. His histories drew great attention to the subjects of them at that period; but time has shown that they are extremely superficial, and they have not held their place.

DR. JOHNSON. (After the Portrait by Sir Joshua Reynolds.)

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"The History of the Decline and Fall of the Roman Empire," by Gibbon, began to appear in 1776, a few months before the death of Hume, and was not completed till 1788. It consisted of six ponderous quarto volumes, and now often occupies double that number of octavos. It is a monument of enormous labour and research, filling the long, waste, dark space between ancient and modern history. It traces the history of Rome from its Imperial splendour; through its severance into East and West; through its decadence under its luxurious and effeminate emperors; through the ravages of the invading hordes of the North, to the period when the nations of Europe began, in the dawn of a new morning, to rise from the depth of barbarism into life, form, and power. The faults of this great work are, that it is written, like Hume's "History of England," in the sceptical spirit of the period; and that it marches on, in one high-sounding, pompous style, with a monotonous step, over every kind of subject. The same space and attention are bestowed on the insignificance of the feeblest emperors, and the least important times, as on the greatest and most eventful. It is a work which all should read, but a large part of it will be waded through rather as a duty than a pleasure. Still, Gibbon holds his own indispensable position; no other man has yet risen to occupy it better.

Besides these leading histories, this reign produced many others of great value. Amongst theseappeared, in 1763, a "History of England," by a lady, Catherine Macaulay, from James I. to the accession of the House of Hanover; which was followed by another series, from the Revolution to her own time. Mrs. Macaulay was a thorough-going Republican; had gone to America expressly to see and converse with Washington, and her history presented the very opposite opinions and phase of events to those of Hume. Lord Lyttelton wrote a "History of Henry II.," in by no means a popular style; and the book is now forgotten. In 1776 there was published the first volume of Lord Hailes's valuable "Annals of Scotland," of which Dr. Johnson entertained so high an opinion. Besides these may be named Macpherson's "History of Great Britain from the Restoration;" Stuart's "History of the Reformation in Scotland," and "History of Scotland from the Reformation to the Death of Queen Mary;" Whitaker's "History of Manchester;" Warner's "History of Ireland;" Leland's "History of Ireland;" Grainger's "Biographical History of England;" Ferguson's "History of the Progress and Termination of the Roman Republic;" Watson's "History of Philip II. of Spain;" Orme's "History of the British Nation in Hindostan;" Anderson's "Annals of Commerce." In 1784 Mitford published his "History of Ancient Greece," and two years later Gillies published another "History of Greece." In 1789 Pinkerton published a "History of the House of Stuart down to Queen Mary." In 1790 Boswell published his "Life of Johnson," the most interesting biography ever written; in 1796 Roscoe his "Life of Lorenzo de' Medici," and, in 1805, the "Life and Pontificate of Leo X."

The miscellaneous literature of this reign was immense, consisting of travels, biographies, essays on all subjects, and treatises in every department of science and letters. Prominent amongst these are the "Letters of Junius," who, in the early part of the reign, kept the leading statesmen, judges, and the king himself, in terror by the relentlessness of his scarifying criticisms. These letters, which are the perfection of political writing, have been ascribed to many authors, but most generally to Sir Philip Francis; though it is hard to speak on the subject with certainty. The writings of Dr. Johnson furnish many items to this department. His "Dictionary of the English Language" (1755) was a gigantic labour; his "Lives of the Poets," his "Tour to the Western Isles," would of themselves have made a reputation, had he never written his poetry, his periodical essays, or edited Shakespeare. Burke, too, besides his Speeches, added largely to general literature. He wrote his "Inquiry into the Origin of the Sublime and Beautiful;" assisted in the composition of theAnnual Registerfor several years; and, in 1790, published his most famous work, "Reflections on the French Revolution." Besides these he wrote political letters and essays. Lady Mary Wortley Montagu produced her celebrated Letters about the middle of the century, and many other women were popular writers at this period: Sophia and Harriett Lee, Anna Maria Williams, Mrs. Lennox, Mrs. Catherine Talbot, Elizabeth Carter, the translator of Epictetus, Mrs. Montagu, an essayist on Shakespeare, Mrs. Chapone, author of "Letters on the Improvement of the Mind," Mrs. Barbauld, and Mrs. Charlotte Smith. In theology, metaphysics, and mental philosophy, the earlier portion of the reign was rich. In rapid succession appeared Reid's "Inquiry into the Human Mind," Campbell's "Answer to Hume on Miracles," Beattie's "Essay on Truth," Wallace's "Essay on the Numbers of Mankind," and Stuart's "Enquiry into the Principles of Political Economy." But nine years after Stuart's work appeared another on the same subject, which raised that department of inquiry into one of the most prominent and influential sciences of the age. This was the famous treatise "On the Nature and Causes of the Wealth of Nations," by Adam Smith (1776), which produced a real revolution in the doctrines of the production and accumulation of wealth. In teaching the advantages of free trade and the division of labour it has rendered incalculable services to mankind.

Besides those already mentioned as distinguished in various branches of literature, there was a host of others whom we can only name. In theology there were Warburton, South, Horsley, Jortin, Madan, Gerard, Blair, Geddes, Lardner, Priestley; in criticism and philology, Harris, Monboddo, Kames, Blair, Sir William Jones, Walpole; in antiquarian research, Hawkins, Burney, Chandler, Barrington, Stevens, Pegge, Farmer, Vallancey, Grose, Gough; in belles-lettres and general literature, Chesterfield, Hawkesworth, Brown, Jenyns, Bryant, Hurd, Melmoth, Potter, Francklin, etc.; in mathematical and physical science, Black, the discoverer of latent heat, Cavendish, the discoverer of the composition of water, Priestley, Herschel, Maskelyne, Horsley, Vince, Maseres, James Hutton, author of "The Huttonian Theory of the Earth," Charles Hutton, Cullen Brown, the founder of the Brownian theory of medicine, John andWilliam Hunter, the anatomists, Pennant, the zoologist, etc.; discoverers of new lands, plants, and animals, Commodore Byron, Captains Wallis, Cook, Carteret, Flinders, etc., Dr. Solander, Sir Joseph Banks, Mr. Green.

Amongst these, or in the period immediately succeeding them, some individuals demand a particular notice. Benjamin Franklin, though an American citizen, ought perhaps to be mentioned, as so immensely influencing science by his discoveries in electricity; and Sir William Jones, for his great additions to our knowledge of Indian and Persian literature and theology. There was a large number of translations made by Pye, Twining, Gillies, Francis, Murphy, Parr, Tyrwhitt, Wakefield, etc. By one or other of these the works of Aristotle, Tacitus, Horace, Cæsar, Virgil, Lucretius, etc., were wholly or partly introduced to us. Monboddo's "Origin and Progress of Language," and Horne Tooke's "Diversions of Purley" made a great sensation; Paine's "Rights of Man" and "Age of Reason" a still greater, and called out elaborate answers. Richard Porson was equally distinguished for his classical knowledge and his drunkenness. Mary Wollstonecraft published her "Rights of Woman," as a necessary addendum to Paine's "Rights of Man." There were also editions of Shakespeare issued by Dr. Johnson, Steevens, Capell, Hanmer, Malone, and Reed. Warton, Ritson, Pinkerton, Macpherson, and Ellis revived our older poetry by new editions. The controversy on the poetry of Ossian ran high during this period. In theology and morals, the works of Dr. Paley and Bishops Watson, Horsley, and Porteus, were most prominent. In speculative philosophy, Malthus, by his "Essay on the Principle of Population," carried to greater lengths the notions of Wallace on the numbers of mankind.

In the later period of the reign some of our chief poets appeared also as prose writers in biography, criticism, and general literature: Southey, as biographer and critic; Campbell and Moore, Leigh Hunt and Charles Lamb, in the same field; so also Hazlitt, Sydney Smith, Jeffrey, Playfair, Stewart, Brown, Mackintosh, and Bentham—the last in the philosophy of law. In physical science, Sir Humphry Davy, Leslie, Dalton, the author of the atomic theory, and Wollaston, distinguished themselves.

Periodical writing grew in this reign into a leading organ of opinion and intelligence. The two chief periodicals, according to our present idea of them, were theGentleman's Magazineand theMonthly Review. These were both started prior to the accession of George III. TheGentleman's Magazinewas started by Cave, the publisher, in 1731; and theMonthly Reviewcommenced in 1749. The former was a depository of a great variety of matters, antiquarian, topographical, critical, and miscellaneous, and has retained that character to the present hour. TheMonthly Reviewwas exclusively devoted to criticism. But in the early portion of the reign a periodical literature of a totally different character prevailed—the periodical essayist—formed on the model of theSpectator,Guardian, andTatlerof a prior period. Chief amongst these figured Ambrose Philips'sFreethinker; theMuseum, supported by Walpole, the Wartons, Akenside, etc.; theRambler, by Dr. Johnson; theAdventurer, by Hawkesworth; theWorld, in which wrote chiefly aristocrats, as Lords Lyttelton, Chesterfield, Bath, Cork, Horace Walpole, etc.; theConnoisseur, chiefly supplied by George Colman and Bonnel Thornton; theOld Maid, conducted by Mrs. Frances Brooke; theIdler, by Johnson; theBabbler, by Hugh Kelly; theCitizen of the World, by Goldsmith; theMirror, chiefly written by Mackenzie, the author of the "Man of Feeling;" and theLounger, also chiefly conducted by Mackenzie. This class of productions, appearing each once or twice a week, afforded the public the amusement and instruction now furnished by the daily newspapers, weekly reviews, and monthly magazines. Towards the end of the reign arose a new species of review, the object of which was, under the guise of literature, to serve opposing parties in politics. The first of these was theEdinburgh Review, the organ of the Whigs, started in 1802, in which Brougham, Jeffrey, and Sydney Smith were the chief writers. This, professing to be liberal, launched forth the most illiberal criticisms imaginable. There was scarcely a great poet of the time—Wordsworth, Coleridge, Southey, Byron, James Montgomery, Leigh Hunt, Shelley, Keats—whom it did not, but vainly, endeavour to crush. To combat the influence of this Whig organ, in 1809 came forth theQuarterly Review, the great organ of the Tories, to which Scott, Southey, Wilson Croker, Gifford, etc., were the chief contributors. In 1817 this was followed by another Conservative journal, not quarterly, but monthly in its issue, conducted chiefly by Professor Wilson and Lockhart, namely,Blackwood's Magazine, in which the monthly magazines of to-day find their prototype, but with a more decided political bias than these generally possess.

In the department of the Drama the fertilitywas immense. Tragedy, comedy, and farce maintained a swelling stream during the whole reign. In the earlier portion of it the chief writers of this class were Goldsmith, Garrick, Foote, Macklin, Murphy, Cumberland, Colman the elder, Mrs. Cowley, and Sheridan. Several of these dramatists—as Garrick, Macklin, and Foote—were, at the same time, actors. The most eminent of them as writers were Goldsmith, Sheridan, and Colman. Horace Walpole wrote the "Mysterious Mother," a tragedy, which, however, was never acted; Goldsmith his two comedies, "The Good-Natured Man" and "She Stoops to Conquer," which were extremely popular; Garrick, the farces of "The Lying Valet" and "Miss in her Teens." He was said also to have been a partner with Colman in writing "The Clandestine Marriage;" but Colman denied this, saying that Garrick wrote the first two acts, and brought them to him, desiring him to put them together, and that he did put them together, for he put them together into the fire, and re-wrote the whole. Another farce, "High Life below Stairs," attributed to Garrick, was, it seems, written by the Rev. James Townley, assisted by Dr. Hoadly, the author of "The Suspicious Husband." Garrick was the great actor of his time, but, as a dramatic writer, his merit is insignificant. Foote was the chief writer of the comic before Colman. His productions amount to upwards of twenty, the most of them farces; and amongst them are "The Minor," "The Liar," and "The Mayor of Garrat." Foote was the wit and punster of the age. His satiric keenness was the terror of his time, and he dared to think of trying it even on the great essayist, Dr. Johnson, by introducing him upon the stage; but Johnson sent him word that he would be in one of the stage-boxes with a good, knotty cudgel, and Foote thought it best to let him alone.

Macklin was the author of "The Man of the World," a most successful comedy, as well as others of much merit. He remained on the stage till he was a hundred years old, and lived to a hundred and seven. George Colman had distinguished himself by the translation of Terence's plays and Horace's "Art of Poetry" before he commenced as a dramatist. His vein was comic, and his comedies and farces amount to nearly thirty, the best being "The Clandestine Marriage," already mentioned, "Polly Honeycomb," and "The Jealous Wife." Arthur Murphy was a native of Cork, and was brought up a merchant, but his bent was to the drama, and he quitted his business and went to London, where he wrote two successful farces, "The Apprentice" and "The Upholsterer." He next wrote "The Orphan of China," a tragedy. He then studied for the bar, but had not much practice, and returned to writing for the stage. "The Grecian Daughter," "All in the Wrong," "The Way to keep Him," and "The Citizen," were very successful, and raised him to wealth and distinction. Not satisfied with being a popular writer, he desired to act as well as write, like Garrick and Macklin, but failed. Besides his dramatic productions, he translated Tacitus and Sallust, and wrote the life of Garrick. Richard Cumberland, also an Irishman, was a very voluminous as well as miscellaneous writer. His comedy of "The West Indian" made him at once popular, and he wrote a great number of productions for the stage, amongst the best of which were "The Fashionable Lover," "The Jew," "The Wheel of Fortune," etc. He was employed by Government as an envoy to Lisbon and Madrid, and by it refused the payment of his expenses. This reduced him to sell his hereditary property, but he retired to Tunbridge Wells, and continued to write plays, novels, essays, criticisms, etc., till nearly eighty years of age.

There was a number of lady dramatists of this period. Mrs. Cowley wrote "The Runaway," "The Belle's Stratagem," "More Ways than One," etc.; Mrs. Brooke, Miss Marshall, Mrs. Lennox, and Miss Sophia Lee, all wrote successful plays; Mrs. Sheridan, the author of the Eastern story, "Nourjahad," was the writer of the successful comedies of "The Discovery" and "The Dupe." But the chief dramatist of this period was Richard Brinsley Sheridan, her son (b.1751;d.1816). He was equally distinguished as a politician, an orator, and a critic. Like Murphy, Macklin, and Cumberland, he was an Irishman. His dramas placed him at the head of all the writers for the stage of his time. They abounded with humour, wit, the smartest action, and knowledge of life and human nature. His splendid comedy of "The Rivals," written when he was not twenty-five, did not at first augur much success; but "The Duenna," which appeared the same year, carried with it at once the highest public favour; and his "School for Scandal," acted in 1777, raised his reputation to the utmost. He also wrote the farces of "The Critic," "The Trip to Scarborough," and "St. Patrick's Day." All these were issued before 1780, and after that he was too much involved in political affairs to renew this style of writing. Amongst his other labours for the theatre was the adaptation of "Pizarro," one ofKotzebue's numerous plays. Sheridan first appeared before the world as the translator of "Aristænetus."

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