Chapter 35

THE FIRST GENERAL ASSEMBLY OF THE FREE CHURCH OF SCOTLAND.Signing the Act of Separation and Deed of Demission at Tanfield, Edinburgh, May 23rd, 1843.FROMTHEPAINTINGBYD. O. HILL, R.S.A.

THE FIRST GENERAL ASSEMBLY OF THE FREE CHURCH OF SCOTLAND.

Signing the Act of Separation and Deed of Demission at Tanfield, Edinburgh, May 23rd, 1843.

FROMTHEPAINTINGBYD. O. HILL, R.S.A.

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DR. CHALMERS. (After the Portrait by John Faed, R.S.A.)

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In Ireland Roman Catholicism was represented by Archbishop Murray and Dr. Doyle, the eloquent Bishop of Kildare. The majority of the Irish Churchmen were Evangelical, and hence came often into collision with Archbishop Whately, who was a powerful supporter of the system of mixed education. The Scottish Churches at that time possessed a number of ministers of great power and eminence, each exerting in his own denomination extensive influence. Dr. Andrew Thomson, a mighty spirit, had reached the meridian of his great popularity. Dr. Chalmers was rising fast to the commanding position he so long occupied. Among the Baptists the most important names were those of two laymen, James and Robert Haldane, who not only preached throughout Scotland, but organised a vast missionary scheme for India. In the United Presbyterian Church the ablest man was Dr. John Brown, of Edinburgh, wielding great influence as a theological professor, and as the pastor of a large congregation in that city. In Glasgow the Rev. Greville Ewing had founded the Independent Church, then new to Scotland. Associated with him was a man not less gentle in spirit, but with intellectual power much morecommanding, and of the highest cultivation as a theologian—Dr. Wardlaw, who during his life continued the foremost man among the Scottish Congregationalists. Dr. Russell, of Dundee, possessing an intellect of great force, with an energetic temperament, contributed his share to the great controversy which continued for a number of years to agitate the whole Scottish nation, till it issued in the disruption, and in the establishment of the Free Church. That movement had already begun, and the decision of the House of Lords in the Auchterarder case had made the schism inevitable. Among English Nonconformists the greatest names of the Independents were those of Dr. Fletcher, of Finsbury Chapel, John Burnet, of Camberwell, John Angell James, of Birmingham, and William Jay, of Bath. John Williams was preaching the Gospel to the Melanesians, and Dr. Moffat in South Africa. The Baptists could boast Robert Hall, and the essayist John Foster; their greatest missionary was perhaps Dr. Carey. Of the leading Wesleyans we may notice the names of Dr. Bunting and Dr. Adam Clarke. The two chief events which affected that body during the period were—the secession in 1834, when Dr Warren and his followers, called "Warrenites," separated from the Conference, and the last secession, when 100,000 broke off, forming a new community. All the seceding bodies—the Kilhamites, or New Connexion Methodists; the Bible Christians, or Bryanites; the Wesleyan Methodist Association, formed in 1835; and last, the Wesleyan Methodist Reformers—separated on the alleged ground of the tyrannical powers exercised by the Conference, and the exclusion of the laityfrom their due share in the management of the body.

Until the beginning of the nineteenth century the state of mathematical science was very low in England. The commencement of a better era originated with Woodhouse at Cambridge and Playfair in Edinburgh, by both of whom the Continental methods were introduced into the studies of their respective Universities. About 1820 the translation of La Croix's "Differential Calculus," superintended by Sir John Herschel and Dean Peacock, came into use as a text-book. Soon afterwards the writings of Laplace and Poisson were generally read in the Universities; and a few men of active and daring minds, chiefly of the Cambridge school, such as Professor Airy and Sir John Lubbock, grappled with the outstanding difficulties of physical astronomy; whilst a larger number applied themselves to the most difficult parts of pure analysis, and acquired great dexterity in its use, in the solution of geometrical and mechanical problems.

Sir John F. W. Herschel, son of Sir William Herschel, conversant with almost every branch of science, also devoted himself with remarkable success to the cultivation of sidereal astronomy. He evinced very early a taste for mathematics, but did not devote himself to astronomy until after his father's death in 1822. He then gave himself up to it without reserve. At that period the Southern Hemisphere was to astronomers little more than an unknown region. For the purpose of exploring it, he visited the Cape of Good Hope in 1834, where, making use of his father's method, he continued his observations for more than four years, examining with great care, among other things, the nebulæ and double stars. On his return to Europe, he gave the results of his labours to the world in a work of deep interest, and of the highest importance; and the value of the services he had rendered to science was recognised, not only by the scientific world, but by his Sovereign also, who created him a baronet. After he was appointed Master of the Mint, in 1850, he took no further part in practical astronomy, but he published many excellent works, not only on that subject, but on science generally; and he displayed a thorough acquaintance with natural history, thebelles-lettres, and the fine arts, and translated a portion of the "Iliad." This great astronomer and mathematician died in May, 1871. Lord Rosse's labours to improve the telescope commenced about 1828, and continued unremittingly until 1844. His masterpiece was of six feet aperture and 54 feet in focal length.

Amongst the foremost of the promoters of science, and the most eloquent of its expounders, was Sir David Brewster, who died full of years and of honours in 1868. Arrived at manhood at the opening of the present century, having been born in 1781, he continued his brilliant course during fifty years, pursuing his investigations into the laws of polarisation by crystals, and by the reflection, refraction, and absorption of light, in which he made important discoveries. The attention of the British public was forcibly arrested by an able treatise on "Light," contributed by Sir John Herschel, in 1827, to the "Encyclopædia Metropolitana." Its excellent method and lucid explanations attracted to the theory of Young and Fresnel men of science who had been deterred by the fragmentary and abstruse style of the former. This was followed four years later by a most able and precise mathematical exposition of the theory, and its application to optical problems, by Professor Airy, who became Astronomer-Royal in 1835.

While an impulse was thus given to the mathematical theory of light in the University of Cambridge, similar progress was being made in the sister University of Dublin, where three of her most eminent professors—Sir William Rowan Hamilton, Dr. Lloyd, and Mr. M'Cullagh—devoted themselves energetically to its improvement and verification. Sir William Hamilton, a geometer of the first order, having undertaken a more complete discussion of the wave surface of Fresnel, to the equation of which he gave a more elegant form, ascertained the exact nature of that surface, and consequently the exact direction of refracted rays in the neighbourhood of the optic axes. The beautiful and unexpected results he obtained were verified by his friend Dr. Lloyd. The names of Sir William R. Hamilton and Dr. Lloyd will be handed down to posterity in connection with this discovery. "But," says Professor Forbes, "they have other claims to our respect. The former has generalised the most complicated cases of common geometrical optics, by a peculiar analysis developed in his essays on 'Systems of Rays.' To Dr. Lloyd we are indebted for several interesting experimental papers on optics, for an impartial review of the progress of the science, and for an excellent elementary treatise on the wave theory."

In the galaxy of illustrious names that shed light upon this age, not the least conspicuous is that of Mary Somerville, who is known in Britishscience not only as the able commentator of Laplace's "Mécanique Céleste," but as the author of some ingenious experiments on the magnetising power of the violet ray, and on the permeability of different bodies to the chemical rays, similar to those of Melloni on the heating rays; and she found great and seemingly capricious variations in this respect. The beautiful invention of the stereoscope, one of the most interesting contributions made to the theory of vision, was the work of Mr. Wheatstone, who published an account of it in the "Philosophical Transactions" of 1838. In connection with experiments of this class should be mentioned the invention of the daguerreotype, or the production of permanent pictures on plated copper, in 1825, which was brought to perfection in 1839 by Daguerre, whose name it bears. About the same time Henry Fox Talbot applied himself to similar experiments, and invented the calotype, or the production of permanent pictures on paper; and by a subsequent invention he obtained what he justly called "an instantaneous process." The science of photography was, however, in its infancy.

But far more important are the wondrous powers evolved from the study of heat. The pioneer in this branch of work was the Hon. H. Cavendish, who was born in 1731, and devoted his life, until his death in 1810, to the pursuits of science. He was followed by Dalton, who made several important discoveries in chemistry, particularly with reference to the gases, and in the doctrine of heat. With the greatest modesty and simplicity of character, he remained in the obscurity of the country, neither asking for approbation nor offering himself as an object of applause. In 1833, at the age of sixty-seven, he received a pension from Government, which he enjoyed till 1844, when he died. His discoveries may be said to have terminated at the age of forty, though he laboured for thirty years after. His first sketch of the atomic theory was propounded as early as 1807.

Sir Mark Isambard Brunel, a hero of mechanical science, made a great step in advance by the invention of self-acting machinery to supersede the work of artisans, by which a new epoch was created in art. The greatest effort of Brunel was the Thames Tunnel, a structure of perfect firmness and solidity laid on a quicksand, and forced through a quaking mass of mud, which will endure like thecloacæof regal Rome, when the palace and the cathedral have crumbled to dust. He was enabled to accomplish this prodigious work by means of "the shield"—a movable vertical frame of cast iron, provided with thirty-six cells, in each of which a man was placed with a pick to excavate the area, this frame or shield being moved bodily forward by powerful screws, while the bricklayers brought up the arched masonry behind, which was then beyond the power of injury. The works, however, were several times "drowned" during their progress by the irruptions of the Thames, but every fresh difficulty was met successfully by the heroic engineer. The tunnel was commenced on the 2nd of March, 1825, and finished on the 25th of March, 1843. Brunel survived the completion of this, his greatest work, above six years, dying on the 12th of December, 1849.

Mention must be made of the extraordinary calculating machines of Charles Babbage. A few years after leaving college he originated the plan of a machine for calculating tables, by means of successive orders of differences, and having received for it, in 1822 and the following year, the support of the Astronomical and Royal Societies, and a grant of money from Government, he proceeded to its execution. He also in 1834 contrived a machine called the "analytical engine," extending the plan so as to develop algebraic quantities, and to tabulate the numerical value of complicated functions, when one or more of the variables which they contain are made to alter their values; but the difficulties of carrying out this plan became insurmountable. In 1839 Babbage resigned the professorship of mathematics in the University of Cambridge. He died at the end of 1871, having devoted his life to the study and advancement of science.

Joseph Mallord William Turner (born in 1775) has been pronounced as "essentially the great founder of English landscape painting, the greatest poet-artist our nation has yet produced. He excelled in everything—from the mere diagram and topographic map to the most consummate truth and the most refined idealism. In every touch of his there was profound thought and meaning." He was unrivalled in storms; as Napoleon said of Kleber, "He wakes on the day of battle." The remark of Admiral Bowles, when looking at Turner's "Wreck of theMinotaur," conveyed the highest compliment to his art—"No ship could live in such a sea." His "Man Overboard" is a still higher effort of genius, in conveying an expression of horror and utter despair. He was the best illustrator of our national poets. He made known to Englishmenthe beauties of their native land, and made them acquainted with the picturesque on the Continent. He gave our young artists love for colour, and made us the Venetians of the modern school. From "The fightingTemerairetugged to her last Moorings," to "Wilkie's Burial," and the "Burning of the Houses of Parliament," he let no event of his age pass without record or comment. He died in 1851.

JOSEPH MALLORD WILLIAM TURNER. (After the Portrait by C. Turner.)

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The fame of Sir Thomas Lawrence (b.1769) had attained to its meridian in this period. In portrait painting he was one of the most distinguished artists of the day, and he attained proficiency in it without having gone to Italy or studied the old masters. It has been said of him, as well as of Sir Joshua Reynolds, that he painted three generations of beauties. He went to Aix-la-Chapelle in 1818, by invitation, to take the likenesses of the most distinguished statesmen who were there assembled for diplomatic purposes. During his residence on the Continent he was received by the Sovereigns of the different countries he visited, and entertained with marked distinction; and the propriety and elegance of his deportment, we are told, made an impression highly favourable to his character. On his return he found that he had been unanimously elected to succeed West as the President of the Royal Academy, and this office he continued to hold till his death, which took place on the 7th of January, 1830.

Sir David Wilkie (b.1785), one of the greatest of Scottish painters, claims a few words here, especially regarding the latter part of his brilliant career. In 1820-1 he accomplished his masterpiece, "The Chelsea Pensioners listening to theNews of Waterloo," for which he received 1,200 guineas from the Duke of Wellington. His later works did not increase his reputation, chiefly because he abandoned the style in which he excelled and adopted the pseudo-Spanish. In 1830 he was made painter in ordinary to his Majesty on the death of Lawrence, and became a candidate for the Presidentship of the Royal Academy, but had only one vote recorded in his favour. Between 1830 and 1840 he painted a considerable number of works, among which were "John Knox preaching before Mary," and "The Discovery of the Body of Tippoo Sahib," painted for the widow of Sir David Baird, for £1,500. In 1836 he was knighted, and in 1840 he set out on a tour to the East, and went as far as Jerusalem, which he viewed with rapture. At Constantinople he had the honour of painting the Sultan for the Queen. He returned by Egypt, but never saw his native land again. He died off Gibraltar, and, the burial service having been read by torchlight, his body was committed to the deep, on the 1st of June, 1841.

ABBOTSFORD AND THE EILDON HILLS. (From a Photograph by Valentine & Sons, Dundee.)

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In the lives of English painters the story of Benjamin Robert Haydon is perhaps the saddest. In youth he devoted himself with such zeal to the study of art that people wondered how he ever found time to eat. He was one of those men of genius who may be called "unlucky." He was always in pecuniary difficulties, though his father allowed him £200 per annum in the earlier part of his career. He applied for admission into the Academy, but did not obtain a single vote; and he got involved in controversies, which continued to embitter his life. He succeeded at last, however, by his energy, in commanding public attention and winning fame. For the "Judgment of Solomon" he received £700, with £100 voted to him by the directors of the British Institution, and the freedom of Plymouth. His pictures were, however, very unequal; here and there was a powerful piece of work, but the whole was generally rough and unfinished. He committed suicide in 1846. Sculpture, which was then at its lowest ebb, was relieved alone from vacuity by the works of Chantrey, Flaxman, and Gibson.

In architecture the first place is due to the patriarch of the science, Sir John Soane, who wasemployed in erecting or improving numerous public edifices in the metropolis and elsewhere. The atrocious law-courts, which he added to Westminster Hall, were happily removed in 1883. In 1826 he built the Freemasons' Hall, in Great Queen Street, having been chosen grand superintendent of works to the fraternity of Freemasons some years before. In 1833 he completed the State Paper Office in St. James's Park. He was now in his eightieth year, and he retired from the active labours of the profession in which he had been engaged for sixty years, during forty-five of which he had been in the service of the Bank of England. At his death, which occurred on January 20th, 1837, his house and museum in Lincoln's Inn Fields became the property of the public.

Sir Charles Barry was the architect of numerous buildings, but his greatest work was the New Palace of Westminster. When the old Houses of Parliament were burned down in 1834, amongst the numerous designs sent in Mr. Barry's was selected, and he had the honour of constructing the magnificent temple of legislation in which the most powerful body in the world debates and deliberates, upon the old, classic site, rendered sacred by so many events in our history. It has been disputed whether the style of the building is altogether worthy of the locality and the object, and whether grander and more appropriate effects might not have been produced by the vast sums expended. But it has been remarked in defence of the artist, that the design was made almost at the commencement of the revival of our national architecture, and that, this fact being considered, the impression will be one of admiration for the genius of the architect that conceived such a work; and the conviction will remain that by it Sir Charles Barry did real service to the progress of English art.

The two Pugins, father and son, had much to do with the revival of Gothic architecture among us. The father, Augustus, born in France in 1769, came over to London to practise his profession. In 1821-3 he published "Specimens of Gothic Architecture," selected from various ancient edifices in England; and in 1825-28 "Specimens of the Architectural Antiquities of Normandy." The year before his death, in 1832, he assisted his son in producing a work entitled "Gothic Ornaments," selected from various buildings in England and France. Augustus Welby Pugin, who was born in 1811, very soon eclipsed his father's fame. Having resolved to devote his time to the archæological study of style and symbolism in architectural ornaments, he settled down at Ramsgate in 1833, and carried his resolution into effect both with pen and pencil. In 1835 he published designs for furniture, in the style of the fifteenth century; and designs for iron and brass work, in the style of the sixteenth and seventeenth centuries. The year following appeared his "Designs for Gold and Silver Ornaments, and Ancient Timber Houses." His exclusive and ardent devotion to these studies, aided, no doubt, by his habits of seclusion, began to produce a morbid effect upon his intellect, which was shown in the overweening arrogance of a tract entitled "Contrasts; or, a Parallel between Ancient and Modern Architecture." This morbid tendency probably was increased by his becoming a member of the Roman Catholic Church, in which a great field was opened for the display of his peculiar tastes by the construction of buildings which he expected would shame the degenerate taste of the age, but which, too often, were found to be gloomy and inconvenient. His principal works were the Cathedral of St. George, Southwark, the Church of St. Barnabas, at Nottingham, the Cistercian Abbey of St. Bernard, in Leicestershire, the cathedral churches of Killarney and Enniscorthy, Alton Castle, and the model structure which he erected at his own place near Ramsgate. The Mediæval Court in the Exhibition of 1851 was associated in all minds with the name of Pugin. In his case genius was too nearly allied to madness. The awful boundary was passed towards the close of his life, when his friends were obliged to confine him in a lunatic asylum, from which he returned only to die in 1852.

Among the historians of the time there are three or four names that deserve to be specially mentioned. The first is that of Sir James Mackintosh, who, notwithstanding the pressure of Parliamentary duties and the attractions of London society, so far conquered his constitutional indolence, increased by his residence in India, as to produce some literary works so valuable that it has been a source of regret that he could not find time to give to the world something more than fragments. His dissertation on "The Progress of Ethical Philosophy" shows what he could have accomplished in that field; while his three volumes of "The History of England" caused a general feeling of disappointment that he was not spared to complete the work. He was engaged on a history of the Revolution of 1688 when he died, rather suddenly, in May, 1832.

The English Roman Catholics produced anhistorian—Dr. Lingard—who, for the correctness and strength of his diction, as well as the extent of his learning, ranks among the first names in this department of literature. He was a man of great force of mind, remarkable acuteness in testing historical evidence, and considerable powers of description. Being a priest, it was not to be expected that he would be impartial in his treatment of the events and characters of the Reformation, and the subsequent conflicts between the Churches of England and Rome. Of his own Church he was a zealous defender and a skilful apologist; but where that bias did not interfere, his judgments were generally sound. He died in 1851.

Henry Hallam, who died in 1859, occupies a higher ground than Lingard, having no party interests to serve, and having a mind singularly free from prejudice, as well as a conscientious regard for truth in his records and judgments; while his clear, impressive, and graceful style invests dry details with interest. His "View of the State of Europe during the Middle Ages," a work of great learning and value, was followed, in 1827, by his "Constitutional History of England;" and ten years later he published, in four volumes, an "Introduction to the Literature of Europe in the Fourteenth, Fifteenth, and Sixteenth Centuries." This is his greatest work, and in point of learning and utility and purity of style it may be regarded as one of the greatest in the English language. These works placed Mr. Hallam, by general consent, at the head of contemporary historians.

The history of the Peninsular War was written very ably and faithfully by a soldier who bore a distinguished part in it—General Sir W. F. P. Napier, one of three brothers, all eminently distinguished for their talents and achievements. About the time when this work was concluded appeared further illustrations of the war, in the "Despatches of Field-Marshal the Duke of Wellington," which were edited by Colonel Gurwood, and which are very valuable. Of these despatches it was justly remarked in theEdinburgh Reviewthat no man ever before had the gratification of himself witnessing the formation of such a monument to his glory.

Thomas Moore, the poet, in the latter period of his life, published several biographical works—namely, a "Life of Richard Brinsley Sheridan," in 1825; "Notices of the Life of Lord Byron," in 1830; and "Memoirs of Lord Edward Fitzgerald," in 1831. Byron had written memoirs of his own life, which he presented to Moore, and by the publication of which a very large sum of money could have been made; but Moore generously placed the MS. at the disposal of Mrs. Leigh, the poet's sister and executrix; and from a regard to his memory, they were consigned to the flames. It is supposed, however, that all that was valuable in them was found in the noble lord's journals and memorandum-books. Among literary biographies—a class of publications highly interesting to cultivated minds—the first place is due to Lockhart's "Life of Sir Walter Scott," a work that ranks next to Boswell's "Life of Johnson."

The number of distinguished authors on miscellaneous subjects was very great at this time. In jurisprudence and political economy there were Jeremy Bentham, whose life ended in 1832; his eminent disciples, John Stuart Mill, Dr. Bowring, and Dr. Hill Burton; Archbishop Whately, Mr. M'Culloch, Mr. Sadler, and Mr. N. W. Senior. De Quincey began his brilliant career as an author in 1822, by the publication of "The Confessions of an English Opium-Eater."

In 1827 began the plan of publishing monthly volumes of valuable scientific works, previously so expensive as to be beyond the reach of the multitude. To Mr. Constable, of Edinburgh, belongs the credit of this plan; but he failed before it could be carried out. His name, however, was given to the series, and "Constable's Miscellany" was started in 1827. The works were issued in monthly numbers, at a shilling each, and in volumes at 3s. 6d. each. Mr. Murray, the eminent London publisher, took up the idea, and published monthly volumes of "The Family Library," at five shillings each. A series of "Sacred Classics" was also published. The "Edinburgh Cabinet Library" commenced in 1830, and contained the works of some of the first writers of the day. There was also a series called a "Library of Entertaining Knowledge," in four-shilling volumes, started by the Society for the Diffusion of Useful Knowledge, which was established in 1825. The first of its sixpenny treatises on science was issued in 1827. It was "A Discourse on the Objects, Advantages, and Pleasures of Science," by Henry Brougham. The society thus began to work upon a vast field, a mere skirt of which it was able to cultivate.

ST. GEORGE'S CATHEDRAL, SOUTHWARK.

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Sir Walter Scott has, perhaps, left the most permanent traces behind him. We have on many occasions mentioned this illustrious writer; perhaps this is a fitting time to speak more in detail of his career. He was born, in 1771, of a very respectable family, at Edinburgh. He began his career as an author while very young; his earlier publications, though not successful in a pecuniary way, were greatly admired by good judges; and his undoubted talents, as well as his family connections, introduced him to men high in rank, whose influence became valuable to him, and also to the most distinguished literary characters of the time. His appointment as sheriff-depute of Selkirkshire, by securing him a competent income, while its duties demanded but little of his time, enabled him to devote himself to his favourite pursuits; and his resources were further augmented by a small patrimony which he obtained at the death of his father, and by property he received with the lady whom he married. At this period he produced several poems, some of which were of considerable length, and he acquired a large amount of celebrity. "Marmion" appeared in 1808, and "The Lady of the Lake" in 1810. His income from various sources became, after some time, very considerable; and happy would it have been for him had he been content with it. But ambition, of which he had long shown symptoms, became a master passion, and he yielded fatally to its influence. To hasten the acquisition of wealth, as a means of adding to the consequence and importance of his family, which was the dream of his life, he became a partner in a large publishing firm, which afterwards involved him in its ruin, and whose liabilities swallowed up the profits of a most successful career. The demands which it continually made on his resources compelled him to undertake literary drudgery, in addition to his ordinary labours; and the magnitude of the enterprises filled him with continual anxiety. His time was unremittingly occupied: from 1815 to 1825 he vanished, indeed, from public view; yet he was never more thoroughly employed. "Waverley" made its appearance in 1814; but the name of the writer was, for some time, involved in impenetrable mystery. Its success was unexampled, and it was followed by many similar productions. When the hour of Sir Walter Scott's seemingly greatest prosperity had arrived, and his most sanguine expectationsappeared to be nearly realised, the crash came. The firm of which he had so long been a secret partner stopped payment; this event, besides entailing upon him immense pecuniary loss, inflicted a deep wound on his feelings by proclaiming to the world his connection with mercantile speculations. His conduct upon this trying occasion was, however, in accordance with his whole life; he refused to avail himself of any legal technicalities for the purpose of diminishing his responsibilities; and he not only gave up to the creditors of the concern with which he was so unfortunately connected all he then possessed, but devoted the energies of the remainder of his life to make up the large deficit that still remained. He afterwards realised the enormous sum of £40,000 by his writings, and shortly after his death his debts were paid in full by his executors. But his exertions had been too much for him; he became ultimately a wreck both in body and mind; every effort to recover health was in vain; the last few months of his life passed with very rare intervals of consciousness; and he expired, it may be said, prematurely, in the sixty-first year of his age. He ranks high as a poet, but far higher as the discoverer of a new world of fiction; in describing which, however numerous those who attempt to follow the course which he pursued, he is little likely ever to have a successful rival. He died in 1832, and so belongs more properly to the reign of George III.

THOMAS MOORE.

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The age was remarkably prolific in female poets and novelists, some of whom have taken as high a rank in literature as their sex have done in any age. Lady Blessington and Lady Morgan were not young at the death of George III., but manyof their most celebrated works were published during the two subsequent reigns. The former, soon after the death of Lord Blessington in 1829, fixed her residence in London at Gore House, which became the centre of attraction for men of talent and distinction in every department. Even great statesmen and Ministers of the Crown sometimes spent their evenings in her circle, which was then unrivalled in London for the combined charms of beauty, wit, and brilliant conversation; and besides, all the celebrities and lions of London were sure to be met there. The ambiguous attachment that so long subsisted between her and Count D'Orsay, one of the most accomplished men of the age, however, excluded Lady Blessington from the best society. The heavy expenses of her establishment compelled her to work hard with her pen, and she produced a number of works, which were in great demand in the circulating libraries of the day. They are no longer read. Debt at length broke up the establishment at Gore House, and all its precious collections passed under the hammer of the auctioneer, to satisfy inexorable creditors. Lady Blessington removed to Paris, where she lived in retirement for some years, and died in 1849. Lady Morgan (Sydney Owenson) was before the country as an author for nearly half a century. She was born in Dublin, in 1783, and died in 1859. Before she was sixteen years of age she was the author of two novels. Her third work, "The Wild Irish Girl," brought to her the fame for which she longed, and made her a celebrity. In 1811 she married Sir Charles Morgan, a Dublin physician. Her principal works as a novelist were "Patriotic Sketches," "O'Donnell," "Florence M'Carthy," and "The O'Briens and O'Flahertys," which was published in 1827.

One of the most charming poets of the time was Mrs. Hemans, whose maiden name was Felicia Dorothea Browne, daughter of a Liverpool merchant, and sister of Colonel Browne, a distinguished officer, who was for many years one of the Commissioners of the Metropolitan Police in Dublin. In 1819 she obtained a prize of £50 for the best poem on the subject of Sir William Wallace; and in 1821 that awarded by the Royal Society of Literature for the best poem on the subject of Dartmoor. Her next production was a tragedy, "The Vespers of Palermo," which was unsuccessful on the stage. "The Forest Sanctuary" appeared in 1826, and in 1828 "Records of Woman." In 1830 appeared "Songs of the Affections," and four years later, "National Lyrics," "Hymns for Childhood," and "Scenes and Hymns of Life." There was a collective edition of her works published, with a memoir by her sister, in 1839, and several other editions subsequently, not only in Great Britain, but in America, where her poems were exceedingly popular. She died in 1835.

Letitia Elizabeth Landon, known as one of the most eminent female poets of her time, by the signature "L. E. L." which she appended to her numerous contributions in the magazines, was born at Hans Place, Chelsea, in 1802. Her "Poetical Sketches" were published first in theLiterary Gazette. In 1824 appeared her "Improvisatrice." She was the author of two other volumes of poetry, and of a successful novel. A spirit of melancholy pervades her writings; but it is stated by Mr. L. Blanchard, in the "Life and Literary Remains," which he published, that she was remarkable for the vivacity and playfulness of her disposition. Her poetry ranked very high in public estimation for its lyric beauty and touching pathos; but the circumstances of her early death, which was the subject of much controversy, invested her name with a tragic and romantic interest. In 1838 she was married to Mr. George Maclean, Governor of Cape Coast Castle, but the marriage was unhappy, and she died, shortly afterwards, from an overdose of laudanum.

Robert Pollok was a young Scottish minister, who rose suddenly to popularity by the publication of a poem in blank verse, entitled "The Course of Time." It was long and discursive, extending to ten books. The style was very unequal, sometimes rising to a high level, and often sinking to tame prose. The author had a wonderful command of words for one so young, and time would, no doubt, have mellowed what was crude and refined what was coarse, if he had not been prematurely cut off, just when his genius and his goodness had gathered round him a host of warm friends. He died of consumption, on the 15th of September, 1827. His early death contributed to the popularity of the poem, which ran through many editions.

John Wilson, though born so far back as 1785, was one of the writers of this period distinguished for originality, freshness, power, and rich fancy, combined with learning and eloquence. As "Christopher North" he was long the delight of the readers ofBlackwood's Magazine. His criticisms on poetry were distinguished by a profusion of thought and imagery, which flowed forth so rapidly, and sometimes so little under the control of judgment, that there seemed no reason why thestream of illustration should not flow on for ever. He was a poet as well as a critic; but it is a singular fact that his imagination, like that of Milton, was more active in prose than in verse. In the latter, his genius was like a spirited horse in harness; in the former, like the same horse unbridled, and bounding wildly over the prairies. His principal poetical work was "The Isle of Palms," published in 1812, which was followed by one more elaborate, "The City of the Plague." Among the most popular of his prose fictions are, "The Lights and Shadows of Scottish Life," "The Trials of Margaret Lyndsay," and "The Foresters." But it was in periodical literature that he shone most brightly. Soon after the establishment ofBlackwood's Magazine, in 1817, he became its chief editor, and thenceforward he poured forth through this organ all the treasures of his intellect. In 1820 he succeeded Dr. Thomas Brown as Professor of Moral Philosophy in the University of Edinburgh, which he held till 1851, when he resigned, in consequence of ill-health, receiving about the same time a pension of £300 a year from the Crown. As a professor he was greatly beloved by his students, on account of his genial nature and the warm interest he took in their welfare; and he was always surrounded by troops of friends, who respected his character almost as much as they admired his genius. He died in 1854.

The most distinguished dramatic writers of the time were Sheridan Knowles, Sir Edward Bulwer Lytton, Mr. Justice Talfourd, and Miss Mitford. Mr. Knowles's first drama,Caius Gracchus, appeared in 1815, and was followed by more successful efforts, namely,The Wife,a Tale of Mantua,The Hunchback,Virginius,The Blind Beggar of Bethnal Green,William Tell,The Love Chase,Old Maids, andThe Daughter. Ultimately, however, he became disgusted with the stage from religious scruples, and taking a fancy to polemics, he published two attacks upon Romanism, entitled, "The Rock of Rome" and "The Idol demolished by its own Priest." He ended his career as a preacher in connection with the Baptist denomination, and died in 1862, having enjoyed a literary pension of £200 a year since 1849.

Sir E. Bulwer Lytton (afterwards Lord Lytton) is chiefly known as a most successful novelist, but he won fame also as a dramatic author, his chief productions in this line beingThe Lady of LyonsandRichelieu. He was born in 1805, and was the youngest son of General Bulwer, of Haydon Hall. He commenced the career of authorship very early, having written "Weeds and Wild Flowers," "O'Neil, the Rebel," and "Falkland," before the appearance of "Pelham" in 1828. Then in rapid succession appeared "The Disowned," "Devereux," "Paul Clifford," "Eugene Aram," "The Last Days of Pompeii," "Rienzi," "Ernest Maltravers," "Alice, or the Mysteries," "The Last of the Barons," "Harold, or the Last of the Saxon Kings," and several others. In 1831 he entered the House of Commons, and represented Lincoln till 1841. His political career, however, belongs to the reign of Queen Victoria.

The success of the Waverley Novels turned the main force of the genius and literary resources of the country into the ever widening channel of prose fiction. Many names of note appeared before the public as novel writers about that time. In Scotland, under the immediate shadow of the author of "Waverley," came John Galt, Mrs. Johnstone, Miss Ferrier, the Ettrick Shepherd, Allan Cunningham, Gibson Lockhart, Picken, Moir. In Ireland, and of Irish birth, there were Colley, Grattan, Crofton Croker, Banim, Gerald Griffin, Samuel Lover, and last, though not least, William Carleton. In England, and chiefly of English birth, were Mrs. Shelley, Peacock, Thomas Hope, Theodore and James Hook, Morier, Lister, Ward, Gleig, Horace Smith, Miss Mitford, Mrs. Gore, Mrs. Trollope, Captain Marryat, and Mr. James.

The changes in the manners and morals of the age since the reign of George III. have been sufficiently indicated in the preceding pages. Corresponding changes were gradually introduced in the world of fashion, though the conservative instinct of the aristocracy and the spirit of exclusiveness resisted innovation as long as possible. What was called "good society" was wonderfully select. The temple of fashion at the beginning of the reign of George IV. was Almack's; and the divinities that under the name of lady patronesses presided there were the Ladies Castlereagh, Jersey, Cowper, and Sefton, the Princess Esterhazy and the Countess Lieven. These and their associates gave the tone to thebeau monde. We can scarcely now conceive the importance that was then attached to the privilege of getting admission to Almack's. Of the 300 officers of the Foot Guards, not more than half a dozen were honoured with vouchers. The most popular and influential amongst thegrandes dameswas Lady Cowper, afterwards Lady Palmerston. Lady Jersey was not popular, being inconceivably rude and insolentin her manner. Many diplomatic arts, much finesse, and a host of intrigues were set in motion to get an invitation to Almack's. Very often persons whose rank and fortune entitled them to the entrée anywhere were excluded by the cliquism of the lady patronesses. Trousers had come into general use. They had been first worn by children, then adopted in the army, and from the army they came into fashion with civilians. But they were rigidly excluded from Almack's, as well as the black tie, which also came into use about this time. The female oligarchy who ruled the world of fashion, or tried to do so, issued a solemn proclamation that no gentleman should appear at the assemblies without being dressed in knee-breeches, white cravat, and chapeau bras. On one occasion, we are told, the Duke of Wellington was about to ascend the staircase of the ball-room, dressed in black trousers, when the vigilant Mr. Willis, the guardian of the establishment, stepped forward, and said, "Your Grace cannot be admitted in trousers." Whereupon the great captain quietly retreated, without daring to storm the citadel of fashion. The principal dances at Almack's had been Scottish reels, and the old English country dance. In 1815 Lady Jersey introduced from Paris the quadrille which has so long remained popular. The mazy waltz was also imported about the same time. Among the first who ventured to whirl round thesalonsof Almack's was Lord Palmerston, his favourite partner being Madame Lieven. This new dance was so diligently cultivated in the houses of the nobility and gentry that the upper classes were affected with a waltzing mania.

THE DUKE OF WELLINGTON AT ALMACK'S. (See p.440.)

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The coarse manners of the gentlemen were gradually yielding to refining influences, but the society of ladies amongst the upper classes was generally neglected. Husbands spent their days in hunting or other masculine occupations, and their evenings in dining and drinking; the dinner party, which commenced at seven, not breaking up before one in the morning. Four- or five-, or even six-bottle men were not uncommon among the nobility. Lord Eldon and his brother Lord Stowell used to say that they had drunk more bad port than any two men in England. The Italian Opera was then the greatest attraction. It becameless exclusive in its arrangements when the Opera House was under the management of Mr. Waters; but the strictest etiquette was still kept up with regard to the dress of gentlemen, who were only admitted with knee-buckles, ruffles, andchapeaux bras.If there happened to be a Drawing Room, the ladies as well as the gentlemen would come to the opera in their Court dresses.

Reproduced by André & Sleigh, Ld., Bushey, Herts.THE "FIGHTING TÉMÉRAIRE" TUGGED TO HER LAST BERTH TO BE BROKEN UP, 1838.FROMTHEPAINTINGBYJ. M. W. TURNER, R.A.,INTHENATIONALGALLERY.

Reproduced by André & Sleigh, Ld., Bushey, Herts.

THE "FIGHTING TÉMÉRAIRE" TUGGED TO HER LAST BERTH TO BE BROKEN UP, 1838.

FROMTHEPAINTINGBYJ. M. W. TURNER, R.A.,INTHENATIONALGALLERY.

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ROTTEN ROW IN 1830. (See p.442.)

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English cookery, even in the greatest houses, had not yet been much affected by French art. The dinners were remarkably solid, hot, and stimulating. Mulligatawny and turtle soups came first, then at one end of the table was uncovered the familiar salmon, and at the other the turbot surrounded by smelts. Next came a saddle of mutton, or a joint of roast beef, and for the fourth course came fowls, tongue, and ham. French dishes were placed on the sideboard, but for a long time such weak culinary preparations were treated with contemptuous neglect. The boiled potato was then very popular, and vegetables generally were unaccompanied with sauce. The dessert, which was ordered from the confectioner's, was often very costly. The wines used at dinner were chiefly port, sherry, and hock. "A perpetual thirst seemed to come over people, both men and women," says Captain Gronow, "as soon as they had tasted their soup, as from that moment everybody was taking wine with everybody else till the close of the dinner, and such wine as produced that class of cordiality which frequently wanders into stupefaction. How this sort of eating and drinking ended was obvious from the prevalence of gout; and the necessity of every one making the pill-box a constant bedroom companion."

There was a sort of understanding in those times that Hyde Park was the peculiar preserve of the aristocracy. Women of notoriously bad reputation would not then have dared to show themselves in Rotten Row, and the middle and lower classes of London did not think of intruding themselves as equestrians upon the pleasure-ground of the nobility. At that time it was every way more retired; the walks were fewer, and cows and deer were seen quietly grazing under clumps of trees. The frequenters of the park, who then congregated daily about five o'clock, were chieflycomposed of dandies and ladies in the best society; the former, well-mounted and dressed in a blue coat, with brass buttons, leather breeches and top-boots, with a tremendously deep, stiff, white cravat, and high shirt-collar, which rendered stooping impossible. Many of the ladies used to drive round the park in a carriage, called avis-à-vis, which held only two persons, having a hammer-cloth rich in heraldic designs, powdered footmen in smart liveries, and a coachman who assumed all the airs and importance of a wigged archbishop.

The growing importance of the middle classes, the rapid multiplication of men of wealth and high social position in the mercantile community; the marriage of their daughters into noble families rendered insolvent by extravagance, and the diffusion of knowledge among all classes of the community, gradually levelled or lowered the barriers of exclusiveness, increased the facilities of social intercourse, and rendered the fashions in the clothing of both sexes more accordant with good taste, more convenient, and more conducive to health. With the use of the trousers, and Hessian or Wellington boots, came the loose and easy surtout, and frock-coat; and instead of the deep stiff white cravat, black stocks or black ties were worn except in full dress at evening parties. The clergy, however, retained the white neckcloth, and, strange to say, it also became the necessary distinction of footmen, butlers, hotel-waiters, and shop-assistants. The old Court dress coat, with its bag-like skirt, was abandoned by gentlemen who attended dinner parties and balls, for the "swallow-tailed" dress coat.

The style of ladies' dresses in the days of George IV. forms a striking contrast to the fashions of the present day. The ordinary walking dresses were made loosely and simply—not high to the throat, as they were afterwards, nor yet low; the waist, with utter disregard to its natural length, was portioned off by a belt coming almost immediately under the arms, from which descended a long, straight, ungraceful skirt, without any undulation or fulness whatever, reaching to the feet, but short enough to leave them visible. The sleeves were plain and close to the arms, and fastened at the wrist with a frill. The same scantiness of material was observed in the evening dresses; they wore low bodices and short sleeves, with long gloves reaching to the elbow. The trimmings varied according to the taste of the wearer, as in our own day. Small flowers at the bottom of the skirt seem to have been the prevailing style. The hair was generally arranged in short curls round the face; but this was also subject to variations, of course, and some wore it plaited. The head-dress was composed of a bouquet of flowers placed on the top of the head. But the ugliest and the most uncouth part of the dress and the most irreconcilable with modern ideas of taste was the bonnet. The crown was in itself large enough for a hat of reasonable proportions; and from it, the leaf grew out, expanding round the face, in shape somewhat like a coal-scuttle, and trimmed elaborately with feathers and flowers.

Towards the end of William IV.'s reign the style of ladies' dress suddenly changed. The unshapely short-waisted robe was succeeded by one of ampler dimensions, longer and fuller, with a moderate amount of crinoline—enough to give dignity and grace to the figure, but not expanding to the same absurd extent as afterwards—and long pointed stomachers. The bonnets were considerably reduced in size. The ball dresses at the beginning of the Victorian reign became more like those of a later day, except that they were then made of heavy, rich materials—silk, satin, brocade, etc. The style of the sleeve varied, but one of the fashions at this time was a puffing at the shoulder, and sloping gradually down, commonly called the "leg-of-mutton sleeve." The cloaks were large and full, enveloping the whole figure, and reaching almost to the ground.

FOOTNOTE:

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