The click of the wicket-gate and he was gone, and down the frosty road his firm step was echoing. She stood at the long drawing-room window and listened. Eh, what a moon! And to-night the hare would be out on Three Rock Mountain, and the red fox pad toward the chicken-coops—the rogue of the world! And on the mountain lakes southward there would be a lid of mist hovering, blue mist and dark mountains and the white moon!
And under the moon her own garden, her own house lay so quietly sleeping. Crisp lawn and the graveled paths and the high wall and the greenhouses glistening, and the yew-trees against the wall. And the bigger trees of the garden, the oak and ash, and the rowan-trees—the mountain-ash, they called it in England—all the trees that were silent now, even the wind being still. The low dining-room that spread out at right angles, and was thatched like an old-time cottage—how sweet it seemed from here! And the stables, where the horses were in their stalls, and the coachman and groom slept. The little lodge where the gardeners were, a huddle of ivy. Oh, the sweet domain!
It seemed to her, when the old place and the servants slept, and the dogs were curled up sleeping, and the horses in their stalls, that she somehow was the guardian and protector of all this. The old servants were not afraid because a Kyteler still lived, and they knew they would be cared for, their whimsies understood. There being no strong man to stand against the encroachments of the world, what was better than her own sweet virginity? She could conceive of nothing harming the place or people when she was there. Even the spirits of the hills would pass it by gently; the dark Irish things that frighten folk in their sleep, the rumble of the death-coach, the wailing banshee, the thud of the Pooka's terrible hooves—none of them had power while she was there.
Would she always protect it—or would there be some one else? she mused. A big man. She turned from the window and went toward the fire. The face she had seen all day in reality was with her now in vision of the fire—the face with the strong jaw, the gray eyes, bronzed head, and red curls. How every one had looked at him, she remembered proudly, at the race-course to-day! How fine he was! How strong, too! She had been a feather to him when he swung her up on the car. And when his hands had caught her elbows and her feet left the ground, her heart jumped, fluttered....
And how nice he was! When the old rip of a battered singer had wished them a multitude of children, he had blushed like a girl.
And when he had lifted her from the car, he had held her for the fraction of a second in the air. He had thought she did n't notice it—and she had been afraid he would hear her heart beating, so loudly did it hammer in her breast. When she had turned him over to Rose Ann, to take to her father's old room and turned and gone into her own, she had closed her door and leaned against it, and said to herself, "Margery, this man 's in love with you!" and then, in a lower, hushed tone, "And, Margery, you 're in love with him!"
And all by herself she had blushed terribly and felt in a wild panic. "He will see it," she said; "he will know." But then she said, "No, he will not; I won't let him." And a song had come into her heart. A great pride and wonder filled her. She felt she should be dressed in soft scarlet robes, in some symbolic vestment of wonder and joy. But she came down to dinner in a demure white frock, her hair done very demurely, her eyes demure. And all the time her heart was bubbling with sweet, low laughter, and saying, "Do you know, Margery, this man 's in love with you, and he does n't know you know it. And you 're in love with him, and he does n't know that either. And we won't tell him, Margery, will we? We 'll let him find out for himself."
All through dinner and after, she got him to talk of where he had been—Brazil and China—and of New York, where he was born and which he loved. She watched him over the sullen saffron candlelight, and she thought, "He 's got a noble head," and again irrelevently, "You could n't muss that hair of his, no matter how much you tried. Those short red curls would spring back. I 'd like to try." And again she wondered, "Will he try to kiss me when he says good night? And what shall I do? Shall I kiss him back, or give him a piece of my mind? And if I give him a piece of my mind he may never come again. And if I kiss him he 'll think very little of me. It's awfully hard." And again, "Ah, he won't try," she said. "He would n't in my own house. And, besides, he 's really in love. I know it."
And he had only shaken hands with her, and said he was going soon, and might he come to see her before he went? And her heart sank, and she said, yes, she 'd be very sorry if he did n't. And he said, When? And she pondered over a possible engagement that did n't matter at all, and said, Tuesday, then, and her heart murmured disconsolately. Two long days.
Through dinner and after she thought she had only been thinking of his strong, eager face, but now he was gone, all he had said she remembered. And she thought of hot China, and the sun-baked South, and the yellow rivers. And of Brazil with all its forests, and the speckled snakes, and the whistling monkeys, and the egrets standing by the fountains, and the little armadillo lumbering across the roads. And of New York, the vital city, with its houses challenging the thunder of summer skies, its explosion of light when evening came, its hurrying myriads, keen-eyed, alert. Against all these backgrounds she could see his clean-cut, gray-eyed face, and she could see herself small and slight, looking up at him in wonder and pride.
"I could go with him anywhere," she whispered.
And then something seemed to call: "Margery!"
She looked up. There was nothing there, but the dimmed loved room obtruded itself upon her, and through the moonlit window she could see the antique trees, and the silver glint to the greenhouses, and in a clairvoyant instant she could see the old men sleeping after the day's work, and the ancient maids, and Fenian in his paddock, and poor Sheila, and the foxhounds. She knew what called.
"Margery!"
"Yes, dears."
"Oh, Lady Margery!"
"Hush, now. It's all right."
She had thought that to-night she would sleep as a child sleeps, and try to recapture the magic day in dreams. And be so happy. But the voice of the trees, and the murmur of the old house, and the pleading eyes of dog and horse, and the wailing tyranny of the sleeping aging folk shocked her into the knowledge that there was a sterner thing than dreaming before her. To-night she would not sleep.
"Margery! Lady Margery!"
"Yes. Yes."
"You couldn't, little mistress, you couldn't.'
"Hush, hearts, hush. I will not go away."
He was very handsome, very erect, very noble there, standing by the old fireplace. He was not merry to-night, so he was going to ask her to marry him, she knew. And in the black and white of evening things, bronzed face and curling hair, he looked the equal of any old Kyteler on the wall. And he had more than they had, she felt—abounding energy. She was very pretty herself to-night, too, she knew, and stately a little.
He was hurting, hurting her badly, for he was speaking now of South Africa, where he was going. And he was carefully telling her how wonderful he had heard that country was: the mass of Table Mountain and the rolling hills, the great acres of grapes, the miles of veldt with the white Boer farmhouses, the sun forever shining, hunting such as she had never dreamed of, great, majestic storms.
"You 'd like it; you 'd like it ever so much."
"Oh, I don't know," she lied. "Ireland is a lot to me."
He was telling her clumsily, shamefacedly of another thing—of a lucky chance he had had in Brazil many years ago, a chance he had taken laughingly, and that had made him indecently rich, and he still a very young man. She understood.
She moved away, and began hunting for a piece of music, so that her back was to him.
"Did you ever think," she said, "of settling down in Ireland? You 're Irish, you know.
"And it's not a bad place," she went on before he answered. "It's a sort of sportsman's paradise. Fishing and hunting and race-courses. And sailing. And if you get tired you can run over to London, or Paris, or Madrid.
"Oh, damn!" she said, "I can't find that thing at all!" She was trembling from head to heel. "Why don't you marry some nice Irish girl and settle down?"
"Oh, I could n't settle down in Ireland."
"No?"
"There 's my work to do."
"But you just said you were rich."
"That's no excuse for not working."
"I thought—I don't know."
"No, I 'd be a very poor sort," he laughed, "if I stopped work because I was rich. I 'd have no self-respect—"
"No?" she said dully. The trembling had passed now. She was just numb, numb and dead.
"But as to marrying an Irish girl, Lady Margery—Margery—"
She stood up and turned about. She was smiling quizzically.
"You 're not proposing to marry me, are you?"
"Yes."
"Don't. Don't, O'Conor," she said. "Please don't."
"Why?"
"Because of this—" she looked at him squarely—"I like you. I like you immensely. To me you 're everything a man should be, but just—I don't seem to see you that way. I don't love—do you see? And I don't think I ever could. No. I never could."
"Well, that's straight. Thanks."
"Are we friends still?"
"Of course, but—" He smiled. "Do you mind if I go?"
"I 'll see you out myself.
"O'Conor," she half whispered in the hall, "I'm an awful son of a gun. I should love you—you 're so fine, so decent, so—so everything—but I don't. I 'm sure I could never love any one. I 'm a very selfish woman, I sometimes think. It wouldn't have been worth while marrying me."
"You're not selfish, and you're very sweet, Margery."
"No, no! Shall I see you again?"
"I 'm afraid not. To-morrow I go to London, and from there to Africa."
"O'Conor, will you do something for me because we are friends?"
"Yes."
"Will you send me pictures of South Africa, and an occasional one of you, because we are friends?"
"Yes, Margery."
"And, O'Conor, if twenty years from now you want to settle down, come to me and let me find you a nice girl to marry—oh! the nicest girl in the world—or if you are sick or crippled, come."
He smiled.
"Promise me."
"All right, Margery. I will." He put out his hand.
"O'Conor," she said. Again she was trembling, but her voice—thank God!—her voice was all right. "I know you 're disappointed, and—O'Conor, would it help if you kissed me?"
"No," he said, "I 'm afraid it would hurt more. So I won't."
"I suppose it would hurt more." She stepped forward and put out her hand. "I am always your friend, O'Conor, your assured friend. And good-by now, O'Conor, and God bless you wherever you go!"
"And you too, Margery."
"You 'll come back, O'Conor, if you 're sick or hurt, or want to settle down, and talk to me about it—your friend, O'Conor, your little Irish friend. You won't forget?"
"I 'll never forget."
He walked down the path under the cloud-touched moon. Would he look back? No, he would n't. He did n't. Oh, there went a man!
She heard the wicket-gate close, and in her heart she knew that she would never again see him. No gray eyes any more, nor curly hair. Her face had become now a white and quivering mask. She snatched a cloak up and, wrapping it round her, she went blindly into the garden.
She began to shake with great silent sobs. Her face was wet now, and she could n't see. She sank at the roots of the mountain-ash.
"Rowan-tree, rowan-tree!" she cried, "I shall never see him any more!"
And as she sobbed, a little breeze came from the Three Rock Mountain, and all the trees in the garden murmured gently. The great ash unbent, the elm swayed, and the little apple-trees nodded with compassion. All the shrubs in the garden rustled.
Hush—hush! Hush—hush! Hush—hush!
"Oh, rowan-tree! rowan-tree!"
Hush—hush! Hush—hush!
The moon came gently from behind a great saffron-edged cloud and seemed to bend toward her. Its rays poured sweetly toward the dark head. A rabbit had come somehow into the garden and sat up near her, its ears lop, its pink nose twitching.
See—see! See—see! See—see!The trees were like kindly muses. The sobbing ceased as she watched, as a child's sobbing might.
It scampered off now, for in the kennel the foxhound puppies had wakened—her step or some cry of hers, maybe—and were snuffling and whining to get at her. And from the stables came the rap-rap of Fenian's hoofs, uneasy in his stall.
"I must go in," she said.
Her hand patted the bark of the rowan-tree, and she turned to go into the old house that had been there so many centuries and was there still, sheltering the complement of aging, tyrannous servants in their peaceful sleep, and was beckoning her, she felt, beckoning her to its wide lap....
The big gray hunter caracoled under him, and with a vicious twitch of curb and snaffle Morgan brought him to stand. He smacked the croup and touched the gelding's fore thigh with the toe of his riding boot until the great hunter stood like a horse in an illustration. Then Morgan turned around.
About him was the cold gray of an Irish morning in November. Woolly, dull, frost on the roads and a touch of easting to the wind—a perfect day for hunting. Forward of him a hundred and fifty yards the hounds were circling around the copse, while the leaders were inside, raising the red fox. Through the gray branches of the wood, gaunt as witches' arms, the pink of the whipper-in's coat showed like a Hallowe'en candle back of a screen. And here and there were knots of the hunt, talking to one another as neighbors talk. There were the women's fluting voices; there was the men's deep laughter. All were friendly, toward one another, toward the world, toward the red fox himself, friendly toward every one except Morgan. Well, to blazes with them, Morgan swore to himself. What the blazes did he care about them—a crowd of country squires and young army men, of stray farmers, and an occasional doctor or parson. What did they amount to, anyway? he 'd like to know.
And yet, he had thought they would be different. It had all been twenty years ago, and he 'd been away all that time, and he 'd been only two days back. But they 'd never forgotten. What haters they were, these Irish! What implacable enemies! What brought him back, anyhow? He could have been happy in America. Or hunting in England. What he 'd come back for was the red Irish fox.
"Steady, blast you!" he warned the big hunter.
"There he goes!" some woman cried, and "No, Janet, no!" a friend laughed. Janet! That would be Janet Conyers. And Janet Conyers must be forty now, and here she was still riding to hounds. Yes, he recognized a full dozen of them. Good Lord! Did people live as long as that? There was old Sir John Burroughs, spare as a lance, and old McGinty, who owned the Mill Farm. Yes, and the Master of Munsterbeg was there, red-faced, hale, all of sixty. And that Grecian profile—was n't that Di Connors, who was now Baroness Rothlin? And the big gaunt man with the hook nose, was n't that Ian More Campbell of the Antrim glens? Poet and soldier and horseman. Morgan felt a tremor of fear before the great Ulster Scot.
There was the yelp of a foxhound and a roar of anger. The thundering master of the hounds was turning on an inoffensive stranger.
"What the—what the—what the blazes do you mean, sir, riding over hounds in that manner? What hunt do you belong to, anyhow?"
"I don't belong to any hunt."
"Well, what the—what did you come out here for, anyhow?"
"My medical man told me I needed fresh air and exercise, and I thought—"
"You thought! You thought! Why in blazes don't you buy a bellows and stick it up your nose? You 'd get all the fresh air and exercise you want, but—"
There was a roar of laughter from the field, and above it rose Morgan's deep basso, like the bourdon note of an organ. But the instant the field noted his laughter, their laughter died.
Morgan smothered a curse and moved fifty yards down where he could get a flying start away from the rush of hunting. How they hated him, resented him, he felt, and yet he had killed no man, stolen no money, betrayed no woman. They hated him as much as they had loved and admired his wife Reynardine. Queer! Queer! He was the one they should love and she was the one they should have felt aloof toward. For he was the steeplechaser, the horseman, the hunter of foxes, and she was of a family whose tradition it was never to hunt or harry a fox, but to protect and aid it. You would have thought it would be the other way around; that they would have liked him and been cool or indifferent toward Reynardine, these hunting women, these sporting men. But no!
And that was twenty years ago, and they hated still. Twenty years! War and famine and pestilence had raged through the world. But they remained the same, these Irish gentlefolk. Yes, it was all of twenty years, nearly to a day, since he had left for foreign parts, and Reynardine, his wife, had died.
"Cop forard away!" went the ringing formula of the huntsmen. "Cop forard away!" A long wail on the horn. The covert had been drawn blank.
Two sharp notes and a halloing. "Yo ho, Tinker! Yo ho! Tim! Forard, hounds, forard!" And the pack of hounds began to move like a slow wave toward the distant woodland. The hunt followed at a slow trot....
Her name had been Petronilla, but through the country-side she was known as Reynardine, partly because of the Irish folk-song she could sing so well, with its haunting minors, its suggestion of superhuman music. He could see her slight form still, spiritual, virginal in the Irish twilight. He could hear her pulsating contralto voice:
"If by chance you look for mePerhaps you 'll not me find,For I 'll be in my castle—Enquire for Reynardine."
No, he would n't look for her, though he knew where she was. She was in her castle, for sure! Her deep and narrow castle in the ancient, disused Cistercian monastery where the Fitzpauls buried their dead. Tier on tier the old Norman-Irish family lay, with their strange names, Fulke and Gilles, Milo, Tortulf, Bertran. There they lay with their carved effigies, dogs at their feet and swords at their side—old Crusaders. There they lay, ancient harriers of the Irish clans, Arnold and Eudo. There they lay, old peers of the Irish parliament, Robert, Gerald and Byssak. There lay the newer landlords, Jenico and Maurice. There they lay, dead as their tradition. There they lay, and be damned to them, Morgan thought! All there was left of them now was one daughter, his and Reynardine's, whom he had seen only once, in swaddling-clothes, and whom, he trusted, he would never see again.
"If by chance you look for me," her song had gone. "Look for you," Morgan sneered. "I 'll be in my castle!" "Well, you can stay there, wife!" he sneered.
He 'd never look for her, even though he could see the monastery where she slept from where he sat on his horse's back....
They had come to a woodland upwind and the hunt had slowed down to a walk. The hounds were being urged in by the pink-coated huntsman. He heard the short note of the huntsman to wake the fox, saw the pack pour in like a stream....
He had come out this morning, his second morning in the country, to hunt, to kill the fox, to enjoy the sport he loved with what had become a mania. And now his day was being spoiled by old black memories. Perhaps it was the Abbey where Reynardine slept that nudged him with ghostly concentration, perhaps it was the field that ignored him as though he did not exist, perhaps it was the proximity of the fox itself—he had n't seen or hunted an Irish fox for twenty years. But he was troubled as a man is troubled by imminent disaster. He wished they 'd get on.
"Wind him, boys. Wind him. Yooi, get him out. Joyous! Tinker! Marvan! Leu in!"
But there was naught but the crash of whins, and the whirring of pheasants as they rose. There rose the huntsman's clear call:
"Yo hote back. Yooi over try back!" And the blast of the horn as he turned to draw the woodland again.
Twenty years ago! Could it have been only twenty years ago that he had met and married and parted from Reynardine? It was so misty, so vague, he had come to think of it as centuries before. He had come north from Dublin, a boy of twenty-two, just out of Trinity, son of old Jasper Morgan who had made a half-dozen fortunes in remounts for the South African War, grandson of Ed Morgan who had been ostler and stableman and later livery-keeper at Kingstown. And because he rode hard and well he was admitted everywhere. There is no democracy as open as that of the Ulster clans. A baron from William the Conqueror's invasion, or an Irish chieftain whose ancestors were Druidists yields precedence to any man who can do a thing better than he.... At a hunt ball young Morgan met Petronilla Fitzpaul, who was known through the country as Reynardine.
She was just at the momentous instant when a girl turns woman, that strange first of three tides in a woman's life. And the first tide breathlessly waited, curled, flowed in as he came. Very slight, very dark-haired, very deep-eyed, she was spared the ancestral Norman traits. She had n't the eagle beak of her brothers, or their intent scowling brows. She was a little thing of kindliness and deep emotions. One felt it in the face, somehow like a pansy, one felt it in her eyes, one felt it in her hands....
She liked him. He was new to her. She liked his dash. She liked, as gentlewomen will, the faint flavor of vulgarity in him. It was new to her. She liked the dash of his clothes. His assurance overcame her. She liked him. And she was at the mystic tide of her life. She thought she loved him.
And what intrigued Morgan was the spirit within. Some faint conception of her beauty and mystery penetrated to him. No man is interested in a woman bodily, no matter how much he thinks he is. He is interested in cosmic womanhood, or in the one spiritual entity that actuates the body. And before Morgan was a thread of flame that might lead him now down a formal garden, rhythmic with the murmur of bees, now through a woodland where the thrush sang in the branches, now through a Roman crypt, mysterious and sanctified. He was like a barbarian who has found a great jewel, topaz or opal or sapphire, the light of which enthralls him, but of whose value and use he is ignorant....
Her brothers and her father were not inclined to view a marriage between them with favor. It was not because of his lack of lineage, but because the points of view were so different. They saw a gulf. But Reynardine dissuaded them.
"Brothers dear and my father, cannot I, cannot we all—" she put her hands out toward them—"make him see our way, take our things to his heart?"
They were all great hulking men, her father and her brothers, Ulick, Garrett, Gilchrist, Kevin, and she was the only woman of them—her mother had died so long ago!—and she was so little, so pleading! They were as wax in her hands.
"You know, dears—" she hung her head—"I love this man."
"Do what your heart says, Reynardine," they gave her the precept they obeyed themselves with such success and chivalry. And they frowned the family frown. "If she can do so much with us, what can't she do with him!" they reasoned in their simple way. Alas! poor gentlemen!
There was an immensity of pride in Morgan's heart, apart from pride in his young wife, to be allied to a family such as the Fitzpauls. Twice they had refused duchies. They were so old they went back into the mists of Norman tradition. They had the quaint customs of their sort, and strange superstitions, such as all Irish families have—superstitions being but ancient mystic conceptions of nature, and customs observed so often through the centuries that their shadows became facts.
But of all quaint customs, their friendship to the fox was strangest of all. Their crest was a fox courant, and over no square foot of their lands could a fox be hunted. Great horsemen they were, but none had ever followed the hounds in a hunt. Perhaps some old Fitzpaul, seeing all people concentrated on ridding the land of the fox, had pitied the little red hunted one, and given it protection. Perhaps by some accident of border warfare a fox had deflected the chase from a hunted Fitzpaul and so earned the family gratitude. Perhaps this. Perhaps that. What did it matter?
Yes, a quaint observance, this trait of the Fitzpauls. An idiosyncrasy, a person might put it, such as a woman's objection to mice, or the energy of Henry Bergh—God rest him!—who fought that the law should protect horses from maltreatment. But what was queerer still, was their power over the foxes. Foxes greeted a Fitzpaul joyously, barking and wagging their tails like dogs—foxes, the most suspicious of all animals of the field. The Fitzpauls had some strange rhythmic power over foxes, as some people have over dogs. And yet, though this was mysterious, it was not so immensely mysterious. Some trainers are born with power over man-eating tigers, some men can handle snakes, some can sooth stampeding cattle. Morgan remembered hearing his father speak of Whistler Sullivan, who was called in when all hope of breaking a horse was gone. A mean, ferret-faced man, he would steal into the stall where a man-eating horse was tied and hackled, closing the door behind him, and a half-hour later he would bring the horse out. The horse would be coved and dripping with sweat, and never afterward would it balk or bolt or rear. And the Whistler had never laid a hand on him. He had only talked or hissed. People were afraid of the Whistler; the peasantry declared he had bargained his soul with the devil; but he had only power over horses, as the Fitzpauls had over the foxes of the field.
Well, that was all explicable, within the range of human knowledge. It was extraordinary, but that was all. But there was an eerier thing yet about that family. Other families had their banshees, their ghostly pipes, their drummers on battlements to portend or announce approaching death. But when a Fitzpaul died,—so went the tradition, so it had been attested by living men, so it had happened within a wheen of years,—the lawns were peopled with foxes at the dusk of day. Not spectral things, but foxes of the field and wood who gathered to bid their protectors God-speed on their strange, strange journey. They knew of death as bee-keepers say bees know. They made no sound but for the rustle of the grass and the faint thudding of their pads. But they were there. And a passing peasant might see them and raise his hat.
"God be good to the Fitzpauls," he would pray. "'T is they are good to the poor!"
A strange thing that of the foxes, a thing not understood. How little, after all did we know of animals! But to blazes with that! Morgan swore. Animals were n't here to be understood. Animals were here to be used, a horse to be ridden; a hound to hunt with; a fox to be chased to the death—as he was here to ride and hunt and chase to-day; as he had done always; as he had done when Reynardine, his wife, lived....
A bird rose shrieking from the copse, and suddenly a hound gave tongue, and then another, and then the pack cried as one dog. There was a blast of the horn.
"Gone away!" came the cheer of the huntsman. "Away! Away!"
Then fifty horses thundered.
First there was the minute red flash of the fox, slipping through the furze like a serpent, then the dappled flood of hounds, tails up, giving tongue like bells, then the master of the hunt on his great brown steeplechaser, then the huntsman, gay in pink, leather-faced with puckered eyes, on his little black mare. Then came the bunched hunt, the crash of ditches, the crackle of brambles, the thunder over turf, thesplosh-sploshover plowed land. There was the cheering of the country-side.
There a woman was down at a fence and men stopped to help her. There a riderless horse went by, mane tossing, stirrups flying. Now a groan, now a curse. The country-side flew by as in a motion picture. Patch of brown, patch of green, patch of gray, like a crazy-quilt. The crack of hunting crops, theppkof spurs. "Tally-ho, boys! tally-ho! On hounds! On!"
Morgan with certainty crept ahead of the field, not a hundred yards behind master and huntsman. Beneath him the great gray moved like a steam-engine. A little steadying forward, a rush and a thud, and they were over. Now a ditch was taken with a clatter, now a fence cleared nicely, now through a blackthorn hedge, Morgan's arm up to protect his eyes. Five minutes! Seven. Eight minutes! Nine. Ten, by the Lord Harry! And suddenly they were at Kyle na Maroo—Dead Men's Wood. And the hounds were sniffing, wailing, at check.
An old earth-stopper, wizened, purple-lipped, like a grave-digger of "Hamlet," appeared like a troll.
"Into the wood he went, your Honor," he addressed the master. "Into the wood the Red One went, your Honor, like a man diving into his own house."
"Are all the holes stopped, Mickey Dan?"
"Stopped is it, your Honor. Sure they 're stopped as if they were the burrows of the devil himself and the saints to be out hunting him on the judgment-day. Stopped is it? Sure, a worm itself could n't get in or out of them the way I 'm after stopping them with interest and grand care—"
"All right, Mickey Dan!" The master interrupted. "Hoick in!" He ordered the huntsmen.
"Leu in, boys, leu in. Tinker! David! Dermot! Ranger! Tally in, beauties! Tally in!"
Morgan pulled up his hunter and turned around to watch the field come up, no longer bunched, but straggling now. The burst to check had been too much for them. His horse was still fresh, his seat easy. He had done a notable thing, following so closely on the master's mount—the great racer that had won the Grand National—and the huntsman's mare, fleet as a greyhound, with so little weight up. Morgan desired a word of commendation, even a look of envy. But they took no notice of him. He might have been some old fox-hunter, invisible, long dead, riding a specter horse, over some well-remembered run, for all the attention they paid him. To them he was n't there; he did n't exist.
And because of Reynardine.
And what had he done to Reynardine? It was n't his fault. It was hers. She was in love with him, and then she turned and was not. Was it his fault that a woman was fickle?
Yes, she was in love with him. He could even yet see her dark murmuring eyes in the golden light of the candles, as she set there in her white frock and sang to him, her beautifully cut ivory hands plucking haunting melody from a pianoforte as from some old-time clavichord.
"Sun and dark I followed her,Her eyes did brightly shine:She took me o'er the mountains,Did my sweet Reynardine.If by chance you look for mePerhaps you'll not me find—"
Oh, damn! What did she ever come into his life for, anyway! She didn't want a man. She wanted a poet. Crazy! That's what she was, crazy as a coot. He supposed her daughter—their daughter—was as crazy as she!
First of all there 'd been the trouble about the hunting. She never said a word about it, but her face had blanched the first morning he saddled up for the Lonth. She had expected him, he laughed, to have the same crazy notions as her family. And her face had been drawn with pain when he came back in the evening. And she had said nothing. Too proud. Too damn crazy and too proud!
That evening he had asked her to play "Reynardine"—not that he liked the tune; he'd rather have had something popular, something with body to it, none of your blasted wailing folk-songs. But he just thought it might please her to have him ask. She shook her head, and plunged into Chopin.
"I don't think I could play—'Reynardine'—to-night," she said.
And she had never played or sung "Reynardine" to him again.
She and her folk had such darn queer notions. They thought more of a horse under them than themselves. They went to infinite pains and immense time to train a green horse or break in a dog where another person with a flick of spurs or, a crack of the whip could do it in half the time. True, they did it well. But, after all, you did n't make human friendships with animals. You made them do what you wanted to; or if they did n't— That was a man's way.
But people are queer, some of them. One man is proud that his horse whinnies in the stall when he hears the beloved footstep. And some men give friendship to dogs they never give to women, and their hearts break when a hound dies. And to some folk the birds of the air will come and eat out of their hand, so confident are the birds. And the death of a rabbit is a great tragedy to children. There is a virgin glade in nearly all folks' hearts where neither blood nor marriage wander, but the love of animals possesses. It is some mystic link in the chain of creation.
But he never had it. Never could understand it, Morgan thought. After all, man is the lord of creation, Morgan decided—that's true isn't it?—and all living things were for him to use. He had all rights over them, even to life and death. That was how some folks looked at it—not crazy people like the Fitzpauls.
And Reynardine did n't like the way he broke horses. Reynardine did n't like the way he shot pheasants. She was a queer girl, but—God!—she was very beautiful!
Well, that was the whole story of it; they did n't get on. There grew a gulf between them, and was that his fault? he asked. Was it his fault he was n't insane? Was it his fault he was too much of a man for her?
And when she was to have a child, she expected so much of him. She never asked of course—oh, no! She would never ask for anything, but she followed him with dumb eyes. What did she expect, anyhow? It was no man's job to hang around a gravid woman all the time, holding her hand. A million women in the world were bearing children. What was there to it, after all? Every one did it.
And then she had run home. Let her run. Crazy coot!
And when she was dying and sent for him, did he refuse to go and see her, as many a man would have done? No, he went. He remembered well the soft April twilight; the dim white figure in the great bed, with the haunting eyes. And her four big brothers standing around with set, grim faces.
"My husband," she had said, "for anything I did to you here, for any way I hurt, will you please forgive me?"
"That's all right, Reynardine," he said. "We were just not suited. And I forgive you." Then, awkwardly: "I'm sorry to see you this way, Reynardine."
A light had gone out of her face:
"Then—good-by!" Her hand unclasped from his.
"Good-by!" he had said uncomfortably, and turned to go. He noticed three of the brothers look at the senior, Gilchrist, meaningly. Gilchrist turned to go after him. A cold shiver had gone down Morgan's spine. His knees trembled. And then came the very soft voice:
"Gilchrist, and brothers dear, in a minute maybe I 'll have gone with the twilight, and I shall not be able to talk to you again, ever again, with these human lips. And I 'm going to ask you just one more favor, brothers dear, my brothers. Please do it for your sister. Let my—let this man go!"
Then Gilchrist threw open the door.
"This is no place for you," he had said. "Go!"
A crazy breed! He had never heard from them again. Never had they asked him to see or support his daughter. He had even forgotten her name. But he did n't want to see her. He wanted to see no more of the Fitzpaul blood. She was living in the old place, he understood, which was hers now.
Well, let her—
But—funny! He could never get out of his mind's eye the vision of his wife sitting by the great piano, plucking out the ancient melody:
"If by chance you look for mePerhaps you 'll not me find,For I 'll be in my castle—"
The hounds shifted, grew keen. "Ay! Ay!" came the tongue of the finder. Scent was picked up again. "Ay! Ay! Ay!" went the pack, heads up, tails straight. There was a red flash ahead in the grassy field.
"Come up, Finn!" the master shoved his great horse onward.
"Ay! Ay! Ay!" They were off. "Ay! Ay! Ay!" Seventy hounds and forty horsemen. "Ay! Ay! Ay!" And one red fox running for his life. "Ay! Ay!" A dead fox or a broken neck! "Ay! Ay! Ay!"
For years he had been looking forward to this first fox-hunt in Ireland, and now with the red speck ahead of him, and the flood of hounds following it, and the great gray between his knees, it occurred to him that he was not enjoying it. Never was a morning better for hunting, never a keener scent, never a better pack; never had he pushed as powerful, as sure-footed a horse at a fence. Behind him the field fell, was blown, dropped out, until there were hardly a half-dozen left. And he was close on the master of the hunt, close on the huntsman, close on the pack. Yet there was something in it that took the thrill away and left a leaden depression instead.
She would n't go out of his mind, would Reynardine. What was that daughter of hers—and his—like? Like her mother, he 'd be bound, every inch of her a Fitzpaul. Hardly any of his blood there. His only were the mechanics of procreation; she was not his daughter. Nothing lifeful of him had fused with the soul of Reynardine to perform the ineffable miracle. No, she would be all her mother—all Fitzpaul.
God! how he hated that name of Fitzpaul! How he hated Reynardine, who had made him feel like a cur, though he wouldn't admit it! How he had hated those four big brothers, who had made him feel afraid—an unforgivable thing!
Well, they were dead, he laughed, all dead. Gilchrist had died on Nevison's expedition to the pole, and he lay somewhere in the immaculate Arctic snows with the inscription his comrades had written on a simple cross: "Here lies a very gallant Irish gentleman." And Kevin had died fighting the Turks in Asia. And Ulick! Ulick was somewhere in the depths of the Irish sea, where he went out with the coast-guards to rescue a vessel in distress. And Garrett was funniest of all. He was killed defending a woman of the people from her drunken husband in a Dublin slum. All dead! Serve them right, too. They were always doing something that never got them anywhere. Fools!
He had hated them in life, and he hated them in death. But now their bodies were in dissolution, there was nothing concrete to hate, and, by some strange symbolism, he had come to hate what in his mind was most closely allied to the family, the fox that was their crest, the fox that had their protection. He hated it. He hunted it. He wanted to kill it. The day on which a fox was killed was to him a red-letter day. He felt somehow that he had killed a Fitzpaul.
Foxes took on for him now a strange, sinister entity. By thinking much of them, he had come to think of them as a quasi-human, supernormal race. There was something strange about them, anyway. Cleverest of all the beasts of the field, with their cunning they outwitted men. They were strange in their likes and dislikes. Their only friend was the dull-witted badger, a dark personality, too, whose burrows they used, with whom they often lived. They would eat fruit and shellfish. And though they killed birds, they would not touch a dead bird of prey. They had tabus as strict as a Maori's. Strange, mystical laws.
Very sinister they seemed to Morgan. Once in America he had seen Michi Itow, the Japanese, dance his dance of the fox. And there was something terrible in it, something so mysteriously awful that he all but rose in his seat, the cry of the pack ringing from his throat: "Ay! Ay! Ay! ... Ay! Ay!"
And he had a dreadful waking dream, of an acre of foxes watching him in the twilight, never moving, still on their pads. Just their pointed muzzles, their baleful, luminous eyes....
He had hunted foxes everywhere since he left Ireland. In Canada, where he had many a good kill. In England, where the sport was too ladida, too much of a social gathering to please. In America, in Maryland, where they hunted the gray fox, with hounds stag crossed with fox, but seldom killed. He could n't stand their way of hunting. The Marylanders did n't care to kill, and they had dubbed their favorite foxes with endearing nicknames. No! That was ridiculous! What he wanted was an Irish hunt—fine horses and good riders, and keen hounds, and a dead fox at the end of the day.
He looked up from the pack as they swung through a plowed field. The fox had swung in a circle and was running to where it had started. There was Cashelshane, King John's castle. There was Owana Ma ach Meg, the river of the little trout! There was Crock Na Mero, the hill of the querns! There was—there was the abbey where the Fitzpauls, where Reynardine slept.
"If by chance you look for mePerhaps you 'll not me find,For I 'll be in my castle—"