Dragon.
Dragon.
was only associated with pharmacy by means of the “blood” which took his name and was at one time popularly supposed to be yielded by him. I know of no evidence in support of this statement, but it is sometimes so reported. According to Pharmacographia dragon’s blood was first obtained from Socotra and taken with other merchandise by the Arabs to China. Possibly it was there that it acquired the name of dragon’s blood, for the dragon has always been a much revered beast in that country. Dioscorides called this product cinnabar. I find in old books that the fruit of the calamus draconis on which the resin collects along with scales (and this is the source of our present supply), when stripped of its skin shows a design of a dragon. Lemery quoting from “Monard and several other authors,” says, “When the skin is taken off from this fruit there appears underneath the figure of a dragon as it is represented by the painters, with wings expanded, a slender neck, a hairy or bristle back, longtail, and feet armed with talons. They pretend,” he adds, “that this figure gave the name to tree. But I believe this circumstance fabulous because I never knew it confirmed by any traveller.”
The Dragon Tree(Dracona Draco).
The Dragon Tree(Dracona Draco).
The tree illustrated above is at Teneriffe, and is, perhaps, the oldest tree in the world. Humboldt, in 1799, found its trunk was forty-eight feet in circumference.]
Very likely the shrewd Arabs invented the name dragon’s blood to please their Chinese customers, and it may be therefore that the tree acquired its name from the resin, not the resin from the tree.
Dragon’s blood was given in old pharmacy as a mild astringent, and was one of the ingredients in the styptic pills of Helvetius. It was also included in the formula for Locatelli’s balsam. Now it is chiefly used as a varnish colouring, as for example in varnishes for violins. In some parts of the country it has a reputation as a charm to restore love. Maidens whose swains areunfaithful or neglectful procure a piece, wrap it in paper, and throw it on the fire, saying:
May he no pleasure or profit seeTill he come back again to me.[Cuthbert Bede inNotes and Queries.Series 1., Vol. II., p. 242.]
May he no pleasure or profit seeTill he come back again to me.[Cuthbert Bede inNotes and Queries.Series 1., Vol. II., p. 242.]
May he no pleasure or profit seeTill he come back again to me.[Cuthbert Bede inNotes and Queries.Series 1., Vol. II., p. 242.]
May he no pleasure or profit see
Till he come back again to me.
[Cuthbert Bede inNotes and Queries.
Series 1., Vol. II., p. 242.]
Dragons are mentioned many times in the Authorised Version of the Old Testament. In most of these instances jackals are substituted in the Revised Version, and only once, I think, the alternative of crocodiles is suggested in the margin, though in many instances it would obviously be a better rendering, as has been pointed out by many scholars.
which seeks to explain how the old myths, some poetical, many disgusting, and all impossible, originated, is a modern study which has fascinated a large number of learned scholars. The old notion that they were merely allegorical forms of representing facts and phenomena is not tenable in view of the universality of the legends among the least cultivated races. Professor Max Müller initiated a lively controversy some forty years ago by suggesting that myths were a consequence of language, a disease of language, as Mr. Andrew Lang has termed it. He traced many of the Greek myths to Aryan sources, and insisted that they had developed from the words or phrases used to describe natural phenomena. Thus, for example, he explained the myth of Apollo and Daphne (mentioned on page 9) by supposing that a phrase existed describing the Sun following, or chasing, the Dawn. He even maintained that the Sanskrit Ahana, dawn, was the derivation of Daphne. Words, of course, were invented to convey some mental conception; that conception, while it was intelligible, would (according to Max Müller’s system) be developed into a story. The argument was most ingeniously worked out, but it has not proved capable of satisfying the conditions of the problem. How could it suffice, for instance, to explain the occurrence of almost identical myths treasured by the most degraded and widely separated peoples? The more likely theory is that in a very early stage of the savage mind the untrained imagination tended inevitably to associate the facts of nature with certain monstrous, obscene, and irrational forms. Perhaps the most able exposition of this view, or something like it, expounded within moderate limits, is to be found in an article on Mythology contributed to the “Encyclopædia Britannica” by Mr. Andrew Lang.
which seeks to explain how the old myths, some poetical, many disgusting, and all impossible, originated, is a modern study which has fascinated a large number of learned scholars. The old notion that they were merely allegorical forms of representing facts and phenomena is not tenable in view of the universality of the legends among the least cultivated races. Professor Max Müller initiated a lively controversy some forty years ago by suggesting that myths were a consequence of language, a disease of language, as Mr. Andrew Lang has termed it. He traced many of the Greek myths to Aryan sources, and insisted that they had developed from the words or phrases used to describe natural phenomena. Thus, for example, he explained the myth of Apollo and Daphne (mentioned on page 9) by supposing that a phrase existed describing the Sun following, or chasing, the Dawn. He even maintained that the Sanskrit Ahana, dawn, was the derivation of Daphne. Words, of course, were invented to convey some mental conception; that conception, while it was intelligible, would (according to Max Müller’s system) be developed into a story. The argument was most ingeniously worked out, but it has not proved capable of satisfying the conditions of the problem. How could it suffice, for instance, to explain the occurrence of almost identical myths treasured by the most degraded and widely separated peoples? The more likely theory is that in a very early stage of the savage mind the untrained imagination tended inevitably to associate the facts of nature with certain monstrous, obscene, and irrational forms. Perhaps the most able exposition of this view, or something like it, expounded within moderate limits, is to be found in an article on Mythology contributed to the “Encyclopædia Britannica” by Mr. Andrew Lang.