THE ROMANCE OF ANOLD-FASHIONED GENTLEMAN

I knew therefore, as I looked at these two, what the little hand that lay in his meant to him.

So I held the candle and the Colonel lighted the tip end of just one tiny taper to show her how it burned, and what a pretty light it made shining through the green; and Katy clapped her hands and said it was beautiful, and such a darling little tree, and not at all likethe big one in the Sunday School that reached nearly to the ceiling, and that nobody dared to touch. And then we all went back to the fire and the Colonel’s chair, and before I knew it he had her by his side with his arm around her shoulders, telling her stories, while Aunt Nancy and Jim and I sat listening.

And so absorbed was he in the new life, and so happy with the child, that he only gave Fitz three fingers to shake when that friend of his heart came in, and never once said he was glad to see him—an unprecedented omission—and never once made the slightest allusion to the expected guest of the evening, Mr. Klutchem, now that his daughter had turned out to be a child of seven instead of a full-grown woman of twenty.

The Colonel told her of the great woods behind Carter Hall, where the Christmas tree had grown, and the fox with the white tail that lived there, and that used to pop into his hole in the snow, and how you’d pass right by and never see him because his tail, which was the biggest part of him, was so white; and the woodpeckers that bored into the bark with their long, sharp bills; and finally of the big turkeys that strutted and puffed their feathers and spread their tails about and ran so fast nothing could catch them.

“Not even a dog?” interrupted the child. She had crawled up into his arms now and was looking up into his face with wondering eyes.

“Dogs!” answered the Colonel contemptuously, “why, these turkeys would be up and gone befo’ a dog could turn ’round.”

“Tell me what they are like. Have they long—long legs—so?” and she stretched out her arms.

“Oh, longer—terrible long legs—long asthis”—and the Colonel’s arms went out to their full length.

Jim’s eyes were now popping out of his head, but his place was behind his Mistress’s chair, ready for her orders, and he had had so many scoldings that day that he thought it best not to move.

“And does he puff himself out like a real turkey in the picture books?”

“Oh, worse than a real turkey,—big asso”—and the Colonel’s arms went round in a circle.

The child thought hard for a moment until she had the picture of the strutting gobbler fastened in her mind, and said, cuddling closer to the Colonel: “Tell me some more.”

“About turkeys?”

“Yes, about turkeys.”

“About wild ones or tame ones?”

“Was that a wild one that the dogs couldn’t catch?”

“Yes.”

“Then tell me about some tame ones. Do they live in the woods?”

“No, they live in the barnyard with the chickens, and the cows, and the horses. Why, did you never see one?”

“Yes, but I want to hear you tell about them—that’s better than seeing.”

Jim could hold in no longer. He had become soexcited that he kept rubbing one shoe against the other, twisting and squirming like an eel. At last he burst out:

“An’ one o’ gobble-gobble was dat ornery, Mammy Henny shut him up in de coop!”

Aunt Nancy turned in astonishment, and Chad, who had come in with some dishes, was about to crush him with a look, when the Colonel said, with a sly twinkle in his eye:

“What did he do, Jim?”

“Jes’ trompled de li’l teeny chickens an’ eat up all de corn an’ wouldn’t let nobody come nigh him. An’ he was dat swelled up!”

Katy laughed, and turning to the Colonel, said:

“Tell me about that one.”

The Colonel ruminated for a moment, looked at Chad with a half-humorous expression, and motioned to little Jim to come over and stand by his chair so that he could hear the better, his own arm still about Katy, her head on his shoulder.

“About that big gobbler, Katy, that was so bad they had to put him in a coop?”

“Yes, that very one.”

“Well, when I fust knew him he was a little teeny turkey—oh, not near so high as Jim; ’bout up to Jim’s knees, I reckon. He’d follow ’round after his mammy and go where she wanted him to go and mind her like a nice little turkey as he was. He didn’t live on my plantation then—he lived on Judge Barbour’s plantation next to mine. Well, one day, Aunt Nancy—that dear lady over there—wanted a fine young turkey, and this little knee-high turkey was growin’ to be a big turkey, and so she brought him over and gave him the run of the barnyard.

“She was just as good to him as she could be. She made a nice clean place for him to live in, so his feathers wouldn’t get dirty any mo’, and he didn’t have to run ’round lookin’ for grasshoppers and beetles and little worms as he did at home, but he had a nice bowl of mush eve’y day and a place to go to sleep in all by himself, and Aunt Nancy did everythin’ she could to make him comfo’table.

“Well, what do you think happened? Just as soon as that turkey found out he was bein’ taken caare of better than the hens and the roosters and all the other little turkeys he had left at home, he began to put on airs. He breshed his feathers out and he strutted around same as if he owned the whole barnyard, and he’d go down to the pond and look at himself in the water; and he got so proud that whenever old Mrs. Hen or old Mr. Rooster would say ‘Good-mornin’’ to him as kind and as nice as could be, he wouldn’t answer politely, but he’d stick up his head and go ‘Gobble-gobble-gobble!’ and then he’d swell up again and puff out his chest and march himself off. Pretty soon he got so sassy that nobody could live with him. Why, he didn’t care what he did and who he stepped on. He trampled on two po’ little chicks one day that were just out of the shell and mashed them flat and did all sorts of dreadful things.”

“What an awful turkey! Poor little chickens,” sighed Katy. “Go on.”

“Next thing he did was to steal off and smoke cigarettes.”

Katy raised her head and looked up into the Colonel’s eyes.

“Why, turkeys can’t smoke, can they?”

“Oh, no—of co’se not—I forgot. That’s another story and I got them mixed up. Where was I? Oh, yes, when he got so sassy.”

Katy dropped her head on his shoulder again. Jim was now listening with all his might, his only fear being that Chad or Miss Nancy or the knocker on the front door would summon him before the story was ended.

“Well,” continued the Colonel, “that went on and on and on till there wasn’t any livin’ with him. Even dear Aunt Nancy couldn’t get along with him, which is a dreadful thing to say of anybody. So one day”—here the Colonel’s voice dropped to a tone of grave importance—“one day—Mammy Henny—that’s the wife of Chad over there by the table, crep’ up behind this wicked, sassy little turkey, when he was swellin’ around so big he couldn’t see his feet, and she grabbed him by the neck and two legs, and befo’ he knew where he was, plump he went into a big coop, and the door was shut tight. He hollered and squawked and flapped his wings terrible, but that didn’t make any diff’ence; in he went and there he stayed. He pushed with his long legs, and stuck his head out through theslats, and did all he could to get out, but it was no use. Next day Mammy Henny got a great big knife—oh, an awful long knife——”

“How long?” asked the child.

“Oh, a dreadful long knife—’most as long as Jim, here”—and the Colonel laid his hand on the boy’s shoulder—“and she sharpened it on a big grindstone, and Mammy Henny put some corn in the little trough outside the slats, and when this bad, wicked turkey poked his head out—WHACK—went the knife, and off went his head, and he was dead—dead—dead!”

As the solemn words fell from his lips, the Colonel broke into a laugh, and in a burst of tenderness threw his arms around the child and kissed her as if he would like to eat her up.

Katy was clapping her hands now.

“Oh, I’m justtooglad. And the poor little chickies—served him just right. I was afraid he’d get out and run away.”

The Colonel stole a look at Jim. The scrap stood looking into the fire, a wondering expression on his face. How much of the story was truth and how much fiction evidently puzzled Jim.

During the telling everybody in the room, Fitz, Miss Nancy—all of us, in fact,—had been watching Katy’s delight and Jim’s eager brown face, turned to the Colonel, the whites of his eyes big as saucers. Watching, too, the Colonel’s impartial manner to both of his listeners—black and white alike—the only distinctionbeing that the black boy stood, while the white child lay nestled in his arms.

Chad, as the story progressed, had crept up behind the Colonel’s chair, where he could hear without being seen, and was listening as eagerly as if he were a boy again. He had often told me that his old master, the Colonel’s father, used to tell him and the Colonel stories when they were boys together, but I had never seen the Colonel in the rôle before.

When the allusion to the cigarettes escaped the Colonel’s lips a smile overspread Chad’s visage, and a certain triumphant look crept into his eyes. With the child’s laughter still ringing through the room, Chad tapped Jim on the arm, led him to one side, held his lean, wrinkled finger within an inch of the boy’s nose and said in a sepulchral tone:

“Did ye hear dat? Do ye know who dat sassy, low-lived, mizzable, no-count, ornery turkey was, dat kep’ a-swellin’ up, thinkin’ he wasfreean’ somebody great till dat caarvin’ knife tuk his head off? Dat’syou!”

In the midst of this scene, Katy still in the Colonel’s arms, Aunt Nancy knitting quietly, talking to Fitz in an undertone, and I forming part of the circle around the fire, watching the Colonel’s delight and joy over his new guest—the dining-room door was pushed open, and Mr. Klutchem stepped in.

“I found the outside door ajar, Colonel,” he blurted out, “and heard you all laughing, and so I just walked in. Been here long, Katy?”

For an instant I was sorry he had come; it was like the dropping of a stone into a still pool.

The child slid out from the Colonel’s lap, with an expression on her face as if she had been caught in some act she should be ashamed of, and stood close to the Colonel’s chair, as if for protection. Aunt Nancy, Fitz, and I rose to our feet to welcome the newcomer. The Colonel, having to pull himself out from the depths of his chair, was the last to rise. He had been so absorbed in the child that he had entirely forgotten both the father and the dinner. It, however, never took the Colonel long to recover his equilibrium where a matter of courtesy was concerned.

“My dear, Mr. Klutchem,” he cried, throwing out his chest, and extending his hand graciously. “This is, indeed, a pleasure. Permit me to present you to my aunt, Miss Caarter, of Virginia, who has left her home to gladden our Christmas with her presence. The gentlemen, of co’se, you already know. Yo’ little daughter, suh, is a perfect sunbeam. She has so crept into our hearts that we feel as if we never wanted her to leave us——” and he laid his hand on the child’s head.

The banker shook hands with Aunt Nancy, remarked that he was sorry he had not been at home when she called, extended the same five fingers to me, and again in turn to Fitz, and sat down on the edge of a chair which Jim had dragged up for him. Katy walked over and stood by her father’s knee. Her holiday seemed over.

“Rather sharp weather, isn’t it?” Mr. Klutchem began, rubbing his hands and looking about him. He had not forgotten the cheeriness of the rooms the day of his first visit; in their holiday attire they were even more delightful. “I suppose, Colonel, you don’t have such weather in your State,” he continued.

The Colonel, who was waiting for a cue—any cue served the Colonel, weather, politics, finance, everything but morals and gossip, these he never discussed, launched out in his inimitable way describing the varied kinds of weather indigenous to his part of the State: the late spring frosts with consequent damage to the peach crop; the heat of summer; the ice storms and the heavy falls of soft snow that were gone by mid-day; the banker describing in return the severities of the winters in Vermont, his own State, and the quality of the farming land which, he said, with a dry laugh, often raised four stone fences to the acre, and sometimes five.

Before the two had talked many minutes I saw to my delight that the waters of the deep pool which I feared had become permanently troubled by the sudden arrival of the broker, were assuming their former tranquil condition. Aunt Nancy resumed her knitting awaiting the time when Chad should announce dinner. Katy, finding that her father had no immediate use for her—not an unusual experience with Katy—moved off and stood by Aunt Nancy, watching the play of her needles, the dear lady talking to her in a low voice, while Fitz and I put our heads together, andwith eyes and ears open, followed with close attention the gradual thawing out of the hard ice of the practical man of affairs under the warm sun of the Colonel’s hospitality.

Soon the long expected hour arrived, a fact made known first by the saddle-colored female to Jim standing at the head of the stairs, and who promptly conveyed it to Chad’s ear in a whisper that was heard all over the room, and finally by Chad himself, who announced the welcome news to Miss Nancy with a flourish that would have done credit to the master of ceremonies at a Lord Mayor’s banquet; drawing out a chair for her on the right of the Colonel, another on his left for Mr. Klutchem, and a third for Miss Klutchem, who was seated between Fitz and me. He then stationed Jim, now thoroughly humbled by the chastening he had received, at the door in the hall to keep open an unbroken line of communication between the fragrant kitchen below and the merry table above.

The seating of the guests brought the cosy circle together—and what a picture it was: The radiance of Aunt Nancy’s face as she talked to one guest and another, twisting her head like a wren’s to see Mr. Klutchem the better when the Colonel stood up to carve the ducks: and the benignant, patriarchal, bless-you-my-children smile that kept irradiating the Virginian’s visage as, knife in hand, he descanted on the various edibles and drinkables that made his native County a rare place to be born in; and Mr. Klutchem’s quiet, absorbed manner, so different from his boisterousoutbreaks—a fact which astonished Fitz most of all; and Katy’s unrestrained laughter breaking in at all times like a bird’s, and Chad’s beaming face and noiseless tread, taking the dishes from Jim’s hands as carefully as an antiquary would so many curios, and placing them without a sound before his master—yes, all these things indeed made a picture that could never be forgotten.

As to the quality and toothsomeness of the several and various dishes—roast, broiled, and baked—that kept constantly arriving, there was, there could be, but one opinion:

Nobody had ever seen such oysters; nobody had ever eaten such terrapin! Nobody had ever tasted such ducks!—so Mr. Klutchem said, and he ought to have known, for he had the run of the Clubs. Nobody had crunched such celery nor had revelled in such sweet potatoes; nor had anybody since the beginning of the world ever smacked their lips over such a ham.

“One of our razor-backs, Mr. Klutchem,” said the Colonel; “fed on acorns, and so thin that he can jump through a palin’ fence and never lose a hair. When a pig down our way gets so fat that a darky can catch him, we have no use for him”—and the Colonel laughed—a laugh which was echoed in a suppressed grin by Chad, the witticism not being intended for him.

Soon there stole over every one in the room that sense of peace and contentment which always comeswhen one is at ease in an atmosphere where love and kindness reign. The soft light of the candles, the low, rich color of the simple room with its festoons of cedar and pine, the aroma of the rare wine, and especially the spicy smell of the hemlock warmed by the burning tapers—that rare, unmistakable smell which only Christmas greens give out and which few of us know but once a year, and often not then; all had their effect on host and guests. Katy became so happy that she lost all fear of her father and prattled on to Fitz and me (we had pinned to her frock the rose the Colonel had bought for the “grown-up daughter,” and she was wearing it just as Aunt Nancy wore hers), and Aunt Nancy in her gentle voice talked finance to Mr. Klutchem in a way that made him open his eyes, and Fitz laughingly joined in, giving a wide berth to anything bearing on “corners” or “combinations” or “shorts” and “longs,” while I, to spare Aunt Nancy, kept one eye on Jim, winking at him with it once or twice when he was about to commit some foolishness, and so the happy feast went on.

As to the Colonel, he was never in better form. To him the occasion was the revival of the old Days of Plenty—the days his soul coveted and loved: his to enjoy, his to dispense.

But if it had been delightful before, what was it when Chad, after certain mysterious movements in the next room, bore aloft the crowning glory of the evening, and placed it with all its candles in the centre of the table, the Colonel leaning far back in his chair togive him room, his coat thrown wide, his face aglow, his eyes sparkling with the laughter that always kept him young!

Then it was that the Colonel gathering under his hand the little sheaf of paper lamplighters which Chad had twisted, rose from his seat, picked up a slender glass that had once served his father (“only seben o’ dat kind left,” Chad told me) and which that faithful servitor had just filled from the flow of the old decanter of like period, and with a wave of his hand as if to command attention, said, in a clear, firm voice that indicated the dignity of the occasion:

“My friends,—myvehy dearfriends, I should say, for I can omit none of you—certainly not this little angel who has captured our hearts, and surely not our distinguished guest, Mr. Klutchem, who has honored us with his presence—befo’ I kindle with the torch of my love these little beacons which are to light each one of us on our way until another Christmas season overtakes us; befo’, I say, these sparks burst into life, I want you to fill yo’ glasses (Chad had done that to the brim—even little Katy’s) and drink to the health and happiness of the lady on my right, whose presence is always a benediction and whose loyal affection is one of the sweetest treasures of my life!”

Everybody except the dear lady stood up—even little Katy—and Aunt Nancy’s health was drunk amid her blushes, she remarking to Mr. Klutchem that George would always embarrass her with these too flattering speeches of his, which was literally true, this being thefourth time I had heard similar sentiments expressed in the dear lady’s honor.

This formal toast over, the Colonel’s whole manner changed. He was no longer the dignified host conducting the feast with measured grace. With a spring in his voice and a certain unrestrained joyousness, he called to Chad to bring him a light for his first lamplighter. Then, with the paper wisp balanced in his hand, he began counting the several candles, peeping into the branches with the manner of a boy.

“One—two—three—fo’—yes, plenty of them, but we are goin’ to begin with the top one. This is yours, Nancy—this little white one on the vehy tip-top. Gentlemen, this top candle is always reserved for Miss Caarter,” and the lighted taper kindled it into a blaze. “Just like yo’ eyes, my dear, burnin’ steadily and warmin’ everybody,” and he tapped her hand caressingly with his fingers. “And now, where is that darlin’ little Katy’s—she must have a white one, too—here it is. Oh, what a brave little candle! Not a bit of sputterin’ or smoke. See, dearie, what a beautiful blaze! May all your life be as bright and happy. And here is Mr. Klutchem’s right alongside of Katy’s—a fine red one. There he goes, steady and clear and strong. And Fitz—dear old Fitz. Let’s see what kind of a candle Fitz should have. Do you know, Fitz, if I had my way, I’d light the whole tree for you. One candle is absurd for Fitz! There, Fitz, it’s off—another red one! All you millionaires must have red candles! And the Major! Ah, the Major!”—andhe held out his hand to me—“Let’s see—yaller? No, that will never do for you, Major. Pink? That’s better. There now, see how fine you look and how evenly you burn—just like yo’ love, my dear boy, that never fails me.”

The circle of the table was now complete; each guest had a candle alight, and each owner was studying the several wicks as if the future could be read in their blaze: Aunt Nancy with a certain seriousness. To her the custom was not new; the memories of her life were interwoven with many just such top candles,—one I knew of myself, that went out long, long ago, and has never been rekindled since.

The Colonel stopped, and for a moment we thought he was about to take his seat, although some wicks were still unlighted—his own among them.

Instantly a chorus of voices went up: “You have forgotten your own, Colonel—let me light this one for you,” etc., etc. Even little Katy had noticed the omission, and was pulling at my sleeve to call attention to the fact: the Colonel’s candle was the only one she really cared for.

“One minute—” cried the Colonel. “Time enough; the absent ones fust”—and he stooped down and peered among the branches—“yes,—that’s just the very one. This candle, Mr. Klutchem, is for our old Mammy Henny, who is at Caarter Hall, carin’ for my property, and who must be pretty lonely to-day—ah, there you go, Mammy!—blazin’ away like one o’ yo’ own fires!”

Each guest had a candle alight.Each guest had a candle alight.

Three candles now were all that were left unlighted; two of them side by side on the same branch, a brown one and a white one, and below these a yellow one standing all alone.

The Colonel selected a fresh taper, kindled it in the flame of Aunt Nancy’s top candle, and turning to Chad, who was standing behind his chair, said:

“I’m goin’ to put you, Chad, where you belong,—right alongside of me. Here, Katy darlin’, take this taper and light this white candle for me, and I’ll light the brown one for Chad,” and he picked up another taper, lighted it, and handed it to the child.

“Now!”

As the two candles flashed into flame, the Colonel leaned over, and holding out his hand to the old servant—boys together, these two, said in a voice full of tenderness:

“Many years together, Chad,—many years, old man.”

Chad’s face broke into a smile as he pressed the Colonel’s hand:

“Thank ye, marster,” was all he trusted himself to say—a title the days of freedom had never robbed him of—and then he turned his head to hide the tears.

During this whole scene little Jim had stood on tiptoe, his eyes growing brighter and brighter as each candle flashed into a blaze. Up to the time of the lighting of the last guest candle his face had expressed nothing but increasing delight. When, however,Mammy Henny’s candle, and then Chad’s were kindled, I saw an expression of wonderment cross his features which gradually settled into one of profound disappointment.

But the Colonel had not yet taken his seat. He had relighted the taper—this time from Mammy Henny’s candle—and stood with it in his hand, peering into the branches as if looking for something he had lost.

“Ah, here’s another. I wonder—who—this—little—yaller—candle—can—be—for,” he said slowly, looking around the room and accentuating each word. “I reckon they’re all here—Let me see—Aunt Nancy, Mr. Klutchem, Katy, Fitz, the Major, Mammy Henny, Chad, and me—Yes—all here—Oh!!” and he looked at the boy with a quizzical smile on his face—“I came vehy near forgettin’.

“This little yaller candle is Jim’s.”

When it was all over; and Aunt Nancy herself had tied on Katy’s hat and tucked the tippet into her neck, and buttoned her coat so that not a breath of cold air could get inside; and when Jim stood holding Mr. Klutchem’s hat in the hall, with Chad but a few feet away; and when Mr. Klutchem had said good-by to Aunt Nancy, and had turned to take the extended hand of the Colonel, I heard the banker say, in a voice as if a tear had choked it:

“Carter, you’re mighty good stuff and I like you. What you’ve taught me to-night I’ll never forget.Katy never had a mother, and I know now she’s never had a home. Good-night.”

“Come, Katy, I guess I’ll carry you, little girl—” and he picked up the child, wound her reluctant arms about his neck, and went out into the night.

Blossom week in Maryland! The air steeped in perfume and soft as a caress; the sky a luminous gray interwoven with threads of silver, flakings of pearl and tiny scales of opal.

All the hill-sides smothered in bloom—of peach, cherry, and pear; in waves, windrows and drifts of pink and ivory. Here and there, fluffy white, a single tree upheld like a bride’s bouquet ready for my lady’s hand when she goes to meet her lord. In the marshes flames of fringed azaleas and the tracings of budding birch and willow outspread like the sticks of fans. At their feet, shouldering their way upward, big dock leaves—vigorous, lusty leaves—eager to flaunt their verdure in the new awakening. Everywhere the joyous songs of busy birds fresh from the Southland—flying shuttles these, of black, blue and brown, weaving homes in the loom of branch and bud.

To the trained eye of young Adam Gregg, the painter, all this glory of blossom, hill-side, and pearly tinted sky came as a revelation and a delight. Drawing rein on his sorrel mare he raised himself in his stirrupsand swept his glance over the landscape, feasting his eyes on the note of warmth in the bloom of the peach—a blossom unknown to his more northern clime, on the soft brown of the pastures, and on the filmy blue of the distant hills melting into the gray haze of the April morning. Suddenly a thrill shot through him and a fresh enthusiasm rose in his heart: with all this wealth of color about him, what would not his brush accomplish.

Swinging in his seat he readjusted the rain-cloak and painting-kit that were strapped to his saddle-bags, and rode on, his slouch hat pushed back from his forehead to cool his brow, his gray riding-coat unbuttoned and hanging loose, the brown riding-boots gripped about the mare’s girth.

As he neared his destination the concluding lines of the letter of introduction tucked away in his pocket kept recurring to his mind. He was glad his subject was to be a woman—one near his own age. Women understood him better, and he them. It was the face and shoulders of a young and pretty woman—and a countess, too—which had won for him his first Honorable Mention in Munich. Would he be as lucky with the face and shoulders of the “beautiful girl-wife of Judge Colton”?

Soon the chimneys and big dormer-windows of Derwood Manor, surmounting the spacious colonial porch with its high pillars, rose above the skirting of trees. Then came the quaint gate with its brick posts topped by stone urns, through which swept a wide road borderedby lilac bushes. Dismounting at the horse-block the young painter handed the reins to a negro boy who had advanced to meet him, and, making his way through a group of pickaninnies and snuffing hounds, mounted the porch.

The Judge was waiting for him on the top step with both hands outstretched in welcome; a man of fifty, smooth-shaven, with iron-gray hair, a thin, straight mouth and a jaw as square as a law book.

“You needn’t look for your letter, Mr. Gregg,” he exclaimed heartily. “The nephew of my old classmate is always a welcome guest at Derwood Manor. We have been expecting you all the morning—” and the Judge shook the young man’s hand as if he had known him from babyhood. It was in the early fifties and the hatreds of later years were unknown among men of equal social position in a land where hospitality was a religion. “Let me present you to Mrs. Colton and my little son, Phil.”

Adam turned, and it seemed to him as if the glory of all the blossoms he had seen that day had gone into the making of a woman. Dressed all in white, a wide blue sash about her slender waist; graceful as a budding branch swaying in a summer wind; with eyes like rifts of blue seen through clouds of peach bloom; hair of spun gold in lifted waves about her head, one loosened curl straying over her beautiful shoulders; mouth and teeth a split pomegranate studded with seeds of pearl—she seemed the very embodiment of all the freshness, beauty, and charm of the awakening spring.

Instantly all the flesh tones from rose madder and cadmium to indigo-blue ran riot in his head. “What coloring,” he kept saying to himself—“What a skin, and the hair and shoulders, and the curl that breaks the line of the throat—never was there such a woman!”

Even as he stood looking into her eyes, pretending to listen to her words of welcome, he was deciding on the colors he would use and the precise pose in which he would paint her.

“And it is such a delight to have you with us,” she was saying in joyous tones, as though his coming brought a holiday. “When I knew you were to be here I began right away to build castles. You are to paint my portrait first, and then you are to paint Phil’s. Isn’t that it, Judge? Come Phil, dear, and shake hands with Mr. Gregg.”

“Whichever you please,” Adam replied simply, the little boy’s hand in his. “I only hope I shall be able to do justice to you both. It will be my fault if I don’t with all this beauty about me. I am really dazed by these wonderful fruit-trees.”

“Yes, we’re going to have a good season,” exclaimed the Judge—“best we have had for years, peaches especially. We expect a——”

“Oh, I only meant the coloring,” interrupted Gregg, his cheeks flushing. “It’s wonderfully lovely.”

“And you don’t have spring blossoms North?” asked Mrs. Colton. Her own eyes had been drinking in the charm of his personality; no color-schemes or palette-tones were interesting her. The straight, lithe,figure, square shoulders, open, honest face, sunny brown eyes, with the short, crisp hair that curled about the temples, meant something alive and young: something that could laugh when she laughed and be merry over little things.

“Yes, of course, but not this glorious rose-pink,” the young painter burst out enthusiastically. “If it will only last until I finish your portrait! It’s really your month to be painted in, Mrs. Colton. You have all of Sully’s harmonies in your coloring—pink, white, blue”—he was still looking into her eyes—“The great Thomas should have seen you first, I am only his humble disciple,” and he shrugged his square shoulders in a modest way.

“And what about Phil?” she laughed, catching the fire of his enthusiasm as she drew the boy closer to her side.

“Well, I should try him in October. He has”—and he glanced at the Judge—“his father’s brown eyes and dark skin. Nuts and autumn leaves and red berries go best with that,” he added, as he ran his fingers through the boy’s short curls.

“And an old fellow like me, I suppose, you’d paint with a foot of snow on the ground,” laughed the Judge dryly. “Well—anything to please Olivia. Come, all of you, dinner is waiting!”

The warmth of the greeting was as great a surprise to the young Northerner as the wealth of the out-of-door bloom. He had been hospitably received in similarjourneys in his own State, but never quite like this. There it was a matter of business until he had become “better acquainted,” even when he stayed in the houses of his patrons. He remembered one old farmer who wanted to put him in a room over the stable with the hired man, and another, a mill-owner, who deducted the sum of his board from the price of the picture, but here he had been treated as one of the family from the moment his foot touched their door-step. The Judge had not only placed him on his right hand at table, but had sent old Bundy, the family butler, down into the wine-cellar for a bottle of old Madeira, that had “rusted away in his cellar,” he said, for thirty years, and which he would open in remembrance of his college days, when his guest’s uncle was his chum and classmate.

Several days had passed before he would even allow Adam to take out his brushes and prepare his canvas for work; his explanation being that as he was obliged to go on Circuit, he would like to enjoy his visitor’s society before he left. There would be plenty of time for the picture while he was away. Then it too would come as a full surprise on his return—not a half-completed picture showing the work of days, but a finished portrait alive not only with the charm of the sitter, but with the genius of the master. This was proclaimed with a courteous wave of his hand to his wife and Adam, as if she, too, would be held responsible for the success of the portrait.

The morning before his departure he called Oliviaand Adam, and the three made a tour of the rooms in search of a suitable place where his easel could be set up and the work begun. All three admitted that the study was too dark, and so was the library unless the vines were cleared from the windows, which was, of course, out of the question, the Judge’s choice finally resting on one corner of the drawing-room, where a large window let in a little more light. In acquiescence the young painter drew back the curtains and placed his subject first on the sofa and then in an arm-chair, and again standing by the sash, and once more leaning over the window-sill; but in no position could he get what he wanted.

“Suit yourselves, then,” said the Judge, “and pick out your own place, and make yourselves as comfortable as you can—only don’t hurry over it. I shall not be back for a month, and if that is not time enough, why, we have all summer before us. As to your other comforts, my dear Adam—and I rejoice to see you know a good bottle of wine when you taste it—I have given Bundy express orders to decant for you some of the old Tiernan of ’28, which is a little dryer than even that special bottle of the Madeira you liked so well. My only regret is that I cannot share it with you. And now one word more before I say good-by, and that is that I must ask you, my dear Gregg, to do all you can to keep Mrs. Colton from becoming lonely. You will, of course, as usual, accompany her in her afternoon rides, and I need not tell you that my own horses are at your disposal. When I return I hope to be welcomedby two Olivias; one which by your genius you will put on canvas, and the other”—and he bowed grandiloquently to his wife—“I leave in your charge.”

The young painter took the first opportunity to discharge his duty—an opportunity afforded him when the Judge, after kissing his wife and shaking hands with Adam the morning he left, had stepped into his gig, his servant beside him, and with a lifting of his hat in punctilious courtesy, had driven down between the lilacs. It may have been gallantry or it may have been the pathetic way in which she waved her handkerchief in return that roused the boyish sympathy in his heart:

“Don’t worry,” he said in a voice full of tenderness. “He won’t be long gone—only a month, he says; and don’t be unhappy—I’m going to do everything to cheer you up.”

“But I’m never lonely,” she answered with an air of bravado, “and I try never to be unhappy. I always have Phil. And now,” and she broke out into a laugh, “I have you, and that makes me feel just as I did as a girl when one of the boys came over to play with me. Come upstairs, right away, and let me show you the big garret. I’m just crazy to see you begin work, and I really believe that’s the best place, after all. It’s full of old trunks and furniture, but there’s a splendid window——”

“On which side of the house, north or south? I must have a north light, you know.”

“Yes—north; looking straight up into your freezing cold country, sir! This way! Come along!” shecried joyously as she mounted the stairs, little Phil, as usual, tumbling after them.

Adam entered first and stood in the middle of the floor looking about him.

“Superb!” he cried. “Just the very place! What a magnificent light—so direct, and not a reflection from anything.”

It was, indeed, an ideal studio to one accustomed to the disorder of beautiful things. Not only was there a hip roof, with heavy, stained beams and brown shingles, but near its crotch opened a wide, round-topped window which shed its light on the dilapidated relics of two generations—old spinning-wheels, hair trunks, high-post, uncoupled bedsteads; hair-cloth sofas, and faded curtains of yellow damask, while near the door rested an enormous jar brought up from the garden to catch the drip of a leaky shingle—all so much lumber to Olivia, but of precious value to the young painter, especially the water jar, which reminded him of those he had seen in Sicily when he was tramping through its villages sketching.

“Just the place—oh, wonderful! Wonderful! Let me shout down for Bundy and we’ll move everything into shape right away.”

“Are you going to take them out or push them back?” exclaimed Olivia, her eyes growing wide with wonder as she watched him begin work.

“No, not going to move out one of them. You just wait—I’ll show you!” The boy in him was coming out now.

And Olivia did wait, uttering little cries of delight or inquiry meanwhile, as she tripped after him, her skirts lifted above her dainty ankles to keep them from the dust. “Oh, that ugly old bureau; shan’t we send it away?” followed by “Yes, I do think that’s better.” And, “Oh, are you going to put that screen there!” gouty old Bundy joining in with “Well, fo’ de Lawd, Miss ’Livy, I neber did see no ol’ trunk come to life agin befo’ by jes’ shovin’ it ’roun’.”

“And now get a sheet!” cried Adam, when everything had been arranged to his liking. “We’ll tack it across the lower half of the window. Then Bundy, please go down and bring up two buckets of water and pour it into this jar. Now, Mrs. Colton, come along, you and I will bring up blossoms enough to fill it,” and the two dashed downstairs and out into the orchard with a swoop of two swallows out for an airing.

Even Bundy had to admit to old Dinah, when he had returned to the kitchen, that the transformation of a lumber-room into a cosy studio was little less than miraculous.

“Dat painter gemman do beat de lan’,” he chuckled. “Got dat ol’ garret lookin’ like a parlor fixed up for comp’ny. Ye oughter see dem ol’ hair-backs wid de bottoms busted—got ’em kivered up wid dem patchwork bedspreads an’ lookin’ like dey was fit for de ol’ mist’ess’s bedroom. An’ he’s got dem ol’ yaller cut’ains we useter hab in de settin’-room hung on de fo’-posters as sort o’ screens fencin’ off one corner ob de room jes’ by de do’. Dat ol’ carpet’s spread out; datone-legged spinnin’-wheel’s propped up and standin’ roun’; dem ol’ stable lanterns is hung to de rafters. I clar’ to goodness, ye wouldn’t believe! Now dey jes’ sont me down for two buckets o’ water to fill dat ol’ jar we useter hab settin’ out here on de po’ch. He and de young mist’ess is out now lookin’ for peach blossoms to fill it. He’s a wonder, I tell ye!”

The masses of blossoms arranged in the big jar—the tops of their branches reaching the water-stained roof; a canvas for a half-length tacked on a stretcher and placed on an improvised easel, Adam began prying into the dark corners for a seat for his model, Olivia following his every movement, her eyes twice their usual size in her ever-increasing astonishment and delight.

“Hello, here’s just the thing!” he shouted, dragging out a high-back chair with some of the lower rungs gone, and dusting it off with his handkerchief. “Sit here and let me see how the light falls. No, that isn’t good; that dress won’t do at all.” (The gown came too far up on her neck to suit this artistic young gentleman’s ideas regarding the value of curved lines in portraiture.) “That collar spoils everything. Can’t you wear something else? I’d rather see you in full dress. I want the line of the throat ending in the sweep of the shoulder, and then I want the long curl against the flesh tones. You haven’t worn your hair that way since I came; and where’s the dress you had on the day I arrived? The colors suited you perfectly. I shall never forget how you looked—it was all blossoms,you and everything—and the background of the dark door, and the white of the porch columns, with just a touch of yellow ochre to break it—Oh, it was delicious! Please, now, put that dress on again and wear a low-neck waist with it. The flesh tones of the throat and shoulders will be superb and I know just how to harmonize them with this background.”

It was the picture, not the woman, that filled his soul. Flesh tones heightened by a caressing, lingering curl, and relieved by green leaves and flowers, were what had made the Munich picture a success.

“But I haven’t any low-necked gowns. Those I had when I was married are all worn out, and I’ve never needed any since. My nearest neighbors are ten miles away, and half the time I dine with only Phil.”

“Well, but can’t you fix something?” persisted Adam, bent on the composition he had in his mind. “Everybody’s been so good to me here I want this portrait to be the very best I can do. What is in these trunks? There must be some old dresses belonging to somebody’s grandmother or somebody’s aunt. Do you mind my opening this one? It’s unlocked.”

Adam lifted the lid. A faded satin gown belonging to the Judge’s mother lay on the top. The old lady had been born and brought up under this roof, and was still alive when the Judge’s first wife died.

“Here’s the very thing.”

“And you really want that old frock? All right, Mr. Autocrat, I’ll run down and put it on.”

She was like a child dressing for her first party. Twice did her hair fall about her shoulders and twice must she gather it up, fingering carefully the long curl, patting it into place; hooking the bodice so that all its modesty would be preserved and yet the line of the throat show clear, shaking out the full, pannier-like skirt until it stood out quite to her liking. Then with a mock curtsey to herself in the glass, she dashed out of the room, up the narrow stairs and into the garret again before he had had time to sort over his brushes.

“Lovely!” he burst out enthusiastically when she had whirled round so he could see all sides of her. “It’s more beautiful than the one I first saw you in. Now you look like a bit of old Dresden china—No, I think you look like a little French queen. No, I don’t know what you do look like, only you’re the loveliest thing I ever saw!”

The gown fitted her perfectly; part of her neck was bare, the single curl, just as he wanted it, straying over it. Then came the waist of ivory-white flowered satin with elbow sleeves, and then the puffy panniers drooped about the slender bodice. As he drank in her beauty the blood went tingling through his veins. He had thought her lovely that first morning when he saw her on the porch: then she was all blossoms; now she was a vision of the olden time for whose lightest smile brave courtiers fought and bled.

“That’s it, keep your head up!” he cried, as with many steppings backward and forward, he conductedher to the old chair, and with the air of a grand chamberlain placed her upon it, adding in mock gallantry:

“Sit there, fair lady mine, while your humble slave makes obeisance. To touch the hem of your garment would be—Oh, but aren’t you lovely! And the tone of old ivory in the satin, and the exquisite flesh notes—and the way the curl lies on the shoulder! You are adorable!”

And so the picture was begun.

The hours and the days that followed were hours and days of never-ending joy and frolic. While it was still “Mr. Gregg” and “Mrs. Colton,” it was as often “Uncle Adam” by little Phil (the three were never separated) and now and then “Marse Adam” by old Bundy, who sought in this way to emphasize his master’s injunction to “look after Mr. Gregg’s comfort.”

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