CONTENTSBIOGRAPHICALTHE MAN OF LETTERS AS A MAN OF BUSINESSI.II.III.IV.V.VI.VII.VIIIIX.X.XI.CONFESSIONS OF A SUMMER COLONISTI.II.III.IVTHE EDITOR’S RELATIONS WITH THE YOUNG CONTRIBUTORI.II.III.IV.V.VI.LAST DAYS IN A DUTCH HOTELI.II.IIIIVV.VI.VII.VIII.SOME ANOMALIES OF THE SHORT STORYI.II.III.IV.V.VI.SPANISH PRISONERS OF WARI.II.III.IV.AMERICAN LITERARY CENTRESI.II.III.IV.V.THE STANDARD HOUSEHOLD-EFFECT COMPANYI.II.STACCATO NOTES OF A VANISHED SUMMERI.II.III.IV.V.SHORT STORIES AND ESSAYSWORRIES OF A WINTER WALKI.II.III.SUMMER ISLES OF EDENI.II.III.IV.WILD FLOWERS OF THE ASPHALTI.II.III.IVA CIRCUS IN THE SUBURBSI.II.III.IV.A SHE HAMLETI.II.III.THE MIDNIGHT PLATOONI.II.III.IV.V.THE BEACH AT ROCKAWAYI.II.III.IV.V.VI.SAWDUST IN THE ARENAI.II.III.AT A DIME MUSEUMI.II.AMERICAN LITERATURE IN EXILEI.II.THE HORSE SHOWI.II.III.IV.THE PROBLEM OF THE SUMMERI.II.III.AESTHETIC NEW YORK FIFTY-ODD YEARS AGOI.II.FROM NEW YORK INTO NEW ENGLANDI.II.III.IV.V.THE ART OF THE ADSMITHI.II.III.THE PSYCHOLOGY OF PLAGIARISMI.II.PURITANISM IN AMERICAN FICTIONI.II.THE WHAT AND THE HOW IN ARTI.II.III.POLITICS OF AMERICAN AUTHORSI.II.III.IV.STORAGEI.II.III.IV“FLOATING DOWN THE RIVER ON THE O-HI-O”I.II.III.IV.V.VI.MY LITERARY PASSIONSBIBLIOGRAPHICALI. THE BOOKCASE AT HOMEII. GOLDSMITHIII. CERVANTESIV. IRVINGV. FIRST FICTION AND DRAMAVI. LONGFELLOW’S “SPANISH STUDENT”VII. SCOTTVIII. LIGHTER FANCIESIX. POPEX. VARIOUS PREFERENCESXI. UNCLE TOM’S CABINXII. OSSIANXIII. SHAKESPEAREXIV. IK MARVELXV. DICKENSXVI. WORDSWORTH, LOWELL, CHAUCERXVII. MACAULAYXVIII. CRITICS AND REVIEWSXIX. A NON-LITERARY EPISODEXX. THACKERAYXXI. “LAZARILLO DE TORMES”XXII. CURTIS, LONGFELLOW, SCHLEGELXXIII. TENNYSONXXIV. HEINEXXV. DE QUINCEY, GOETHE, LONGFELLOWXXVI. GEORGE ELIOT, HAWTHORNE, GOETHE, HEINEXXVII. CHARLES READEXXVIII. DANTEXXIX. GOLDONI, MANZONI, D’AZEGLIOXXX. “PASTOR FIDO,” “AMINTA,” “ROMOLA,” “YEAST,” “PAUL FERROLL”XXXI. ERCKMANN-CHATRIAN, BJORSTJERNE BJORNSONXXXII. TOURGUENIEF, AUERBACHXXXIII. CERTAIN PREFERENCES AND EXPERIENCESXXXIV. VALDES, GALDOS, VERGA, ZOLA, TROLLOPE, HARDYXXXV. TOLSTOYCRITICISM AND FICTIONIIIIIIIVV.VI.VII.VIII.IX.X.XI.XII.XIII.XIV.XV.XVII.XVIII.XIX.XX.XXI.XXII.XXIII.XXIV.XXV.XXVI.XXVII.PG EDITOR’S BOOKMARKS
CONTENTS
BIOGRAPHICAL
THE MAN OF LETTERS AS A MAN OF BUSINESS
I.II.III.IV.V.VI.VII.VIIIIX.X.XI.
CONFESSIONS OF A SUMMER COLONIST
I.II.III.IV
THE EDITOR’S RELATIONS WITH THE YOUNG CONTRIBUTOR
I.II.III.IV.V.VI.
LAST DAYS IN A DUTCH HOTEL
I.II.IIIIVV.VI.VII.VIII.
SOME ANOMALIES OF THE SHORT STORY
I.II.III.IV.V.VI.
SPANISH PRISONERS OF WAR
I.II.III.IV.
AMERICAN LITERARY CENTRES
I.II.III.IV.V.
THE STANDARD HOUSEHOLD-EFFECT COMPANY
I.II.
STACCATO NOTES OF A VANISHED SUMMER
I.II.III.IV.V.
SHORT STORIES AND ESSAYS
WORRIES OF A WINTER WALK
I.II.III.
SUMMER ISLES OF EDEN
I.II.III.IV.
WILD FLOWERS OF THE ASPHALT
I.II.III.IV
A CIRCUS IN THE SUBURBS
I.II.III.IV.
A SHE HAMLET
I.II.III.
THE MIDNIGHT PLATOON
I.II.III.IV.V.
THE BEACH AT ROCKAWAY
I.II.III.IV.V.VI.
SAWDUST IN THE ARENA
I.II.III.
AT A DIME MUSEUM
I.II.
AMERICAN LITERATURE IN EXILE
I.II.
THE HORSE SHOW
I.II.III.IV.
THE PROBLEM OF THE SUMMER
I.II.III.
AESTHETIC NEW YORK FIFTY-ODD YEARS AGO
I.II.
FROM NEW YORK INTO NEW ENGLAND
I.II.III.IV.V.
THE ART OF THE ADSMITH
I.II.III.
THE PSYCHOLOGY OF PLAGIARISM
I.II.
PURITANISM IN AMERICAN FICTION
I.II.
THE WHAT AND THE HOW IN ART
I.II.III.
POLITICS OF AMERICAN AUTHORS
I.II.III.IV.
STORAGE
I.II.III.IV
“FLOATING DOWN THE RIVER ON THE O-HI-O”
I.II.III.IV.V.VI.
MY LITERARY PASSIONS
BIBLIOGRAPHICAL
I. THE BOOKCASE AT HOME
II. GOLDSMITH
III. CERVANTES
IV. IRVING
V. FIRST FICTION AND DRAMA
VI. LONGFELLOW’S “SPANISH STUDENT”
VII. SCOTT
VIII. LIGHTER FANCIES
IX. POPE
X. VARIOUS PREFERENCES
XI. UNCLE TOM’S CABIN
XII. OSSIAN
XIII. SHAKESPEARE
XIV. IK MARVEL
XV. DICKENS
XVI. WORDSWORTH, LOWELL, CHAUCER
XVII. MACAULAY
XVIII. CRITICS AND REVIEWS
XIX. A NON-LITERARY EPISODE
XX. THACKERAY
XXI. “LAZARILLO DE TORMES”
XXII. CURTIS, LONGFELLOW, SCHLEGEL
XXIII. TENNYSON
XXIV. HEINE
XXV. DE QUINCEY, GOETHE, LONGFELLOW
XXVI. GEORGE ELIOT, HAWTHORNE, GOETHE, HEINE
XXVII. CHARLES READE
XXVIII. DANTE
XXIX. GOLDONI, MANZONI, D’AZEGLIO
XXX. “PASTOR FIDO,” “AMINTA,” “ROMOLA,” “YEAST,” “PAUL FERROLL”
XXXI. ERCKMANN-CHATRIAN, BJORSTJERNE BJORNSON
XXXII. TOURGUENIEF, AUERBACH
XXXIII. CERTAIN PREFERENCES AND EXPERIENCES
XXXIV. VALDES, GALDOS, VERGA, ZOLA, TROLLOPE, HARDY
XXXV. TOLSTOY
CRITICISM AND FICTION
IIIIIIIVV.VI.VII.VIII.IX.X.XI.XII.XIII.XIV.XV.XVII.XVIII.XIX.XX.XXI.XXII.XXIII.XXIV.XXV.XXVI.XXVII.
PG EDITOR’S BOOKMARKS
CONTENTSI.II.III.IV.V.VI.VII.VIII.IX.X.XI.XII.XIII.XIV.XV.XVI.XVII.XVIII.XIX.XX.XXI.XXII.XXIII.XXIV.XXV.XXVI.XXVII.XXVIII.XXIX.XXX.XXXI.XXXII.XXXIII:XXXIV.XXXV.XXXVI.XXXVII.XXXVIII.XXXIX.XL.XLI.XLII.XLIIIXLIV.XLV.XLVI.XLVII.XLVIII.XLIX.L.
CONTENTS
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
XXVI.
XXVII.
XXVIII.
XXIX.
XXX.
XXXI.
XXXII.
XXXIII:
XXXIV.
XXXV.
XXXVI.
XXXVII.
XXXVIII.
XXXIX.
XL.
XLI.
XLII.
XLIII
XLIV.
XLV.
XLVI.
XLVII.
XLVIII.
XLIX.
L.
CONTENTSLITERARY FRIENDS AND ACQUAINTANCESBIBLIOGRAPHICALMY FIRST VISIT TO NEW ENGLANDI.II.IIIIVV.VI.VII.VIII.IX.X.XI.XII.XIII.XIV.XV.XVI.XVII.FIRST IMPRESSIONS OF LITERARY NEW YORKI.II.III.IV.V.VI.ROUNDABOUT TO BOSTONI.II.III.IV.V.VI.LITERARY BOSTON AS I KNEW ITI.II.III.IV.V.VI.VII.VIII.IX.X.OLIVER WENDELL HOLMESI.II.III.IV.V.VI.VII.VIII.IX.THE WHITE MR. LONGFELLOWI.II.III.IV.V.VI.VII.VIII.STUDIES OF LOWELLI.II.III.IV.V.VI.VII.VIII.IX.X.XI.XII.CAMBRIDGE NEIGHBORSI.II.III.IV.V.VI.VII.VIII.IX.X.XI.A BELATED GUESTI.II.III.IV.MY MARK TWAINI.II.III.IV.V.VI.VII.VIII.IX.X.XI.XII.XIII.XIV.XV.XVI.XVII.XIX.XX.XXI.XXII.XXIII.XXIV.XXV.ETEXT EDITOR’S BOOKMARKS
CONTENTS
LITERARY FRIENDS AND ACQUAINTANCES
BIBLIOGRAPHICAL
MY FIRST VISIT TO NEW ENGLAND
I.
II.
III
IV
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
FIRST IMPRESSIONS OF LITERARY NEW YORK
I.
II.
III.
IV.
V.
VI.
ROUNDABOUT TO BOSTON
I.
II.
III.
IV.
V.
VI.
LITERARY BOSTON AS I KNEW IT
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
OLIVER WENDELL HOLMES
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
THE WHITE MR. LONGFELLOW
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
STUDIES OF LOWELL
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
CAMBRIDGE NEIGHBORS
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
A BELATED GUEST
I.
II.
III.
IV.
MY MARK TWAIN
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
ETEXT EDITOR’S BOOKMARKS