By the park-gates that evening, Wilfrid received a letter from the hands of Tracy Runningbrook. It said: "I am not able to see you now. When I tell you that I will see you before I leave England, I insist upon your believing me. I have no head for seeing anybody now. Emilia"—was the simple signature, perused over and over again by this maddened lover, under the flitting gate-lamp, after Tracy had left him. The coldness of Emilia's name so briefly given, concentrated every fire in his heart. What was it but miserable cowardice, he thought, that prevented him from getting the peace poor Barrett had found? Intolerable anguish weakened his limbs. He flung himself on a wayside bank, grovelling, to rise again calm and quite ready for society, upon the proper application of the clothes-brush. Indeed; he patted his shoulder and elbow to remove the soil of his short contact with earth, and tried a cigar: but the first taste of the smoke sickened his lips. Then he stood for a moment as a man in a new world. This strange sensation of disgust with familiar comforting habits, fixed him in perplexity, till a rushing of wild thoughts and hopes from brain to heart, heart to brain, gave him insight, and he perceived his state, and that for all he held to in our life he was dependent upon another; which is virtually the curse of love.
"And he passed along the road," adds the Philosopher, "a weaker man, a stronger lover. Not that love should diminish manliness or gains by so doing; but travelling to love by the ways of Sentiment, attaining to the passion bit by bit, does full surely take from us the strength of our nature, as if (which is probable) at every step we paid fee to move forward. Wilfrid had just enough of the coin to pay his footing. He was verily fining himself down. You are tempted to ask what the value of him will be by the time that he turns out pure metal? I reply, something considerable, if by great sacrifice he gets to truth—gets to that oneness of feeling which is the truthful impulse. At last, he will stand high above them that have not suffered. The rejection of his cigar."
This wages too absurd. At the risk of breaking our partnership for ever, I intervene. My Philosopher's meaning is plain, and, as usual, good; but not even I, who have less reason to laugh at him than anybody, can gravely accept the juxtaposition of suffering and cigars. And, moreover, there is a little piece of action in store.
Wilfrid had walked half way to Brookfield, when the longing to look upon the Richford chamber-windows stirred so hotly within him that he returned to the gates. He saw Captain Gambier issuing on horseback from under the lamp. The captain remarked that it was a fine night, and prepared to ride off, but Wilfrid requested him to dismount, and his voice had the unmistakeable ring in it by which a man knows that there must be no trifling. The captain leaned forward to look at him before he obeyed the summons, All self-control had abandoned Wilfrid in the rage he felt at Gambier's having seen Emilia, and the jealous suspicion that she had failed to keep her appointment for the like reason.
"Why do you come here?" he said, hoarsely.
"By Jove! that's an odd question," said the captain, at once taking his ground.
"Am I to understand that you've been playing with my sister, as you do with every other woman?"
Captain Gambier murmured quietly, "Every other woman?" and smoothed his horse's neck. "They're not so easily played with, my dear fellow. You speak like a youngster."
"I am the only protector of my sister's reputation," said Wilfrid, "and, by heaven! if you have cast her over to be the common talk, you shall meet me."
The captain turned to his horse, saying, "Oh! Well!" Being mounted, he observed: "My dear Pole, you might have sung out all you had to say. Go to your sister, and if she complains of my behaviour, I'll meet you. Oh, yes! I'll meet you; I have no objection to excitement. You're in the hands of an infernally clever woman, who does me the honour to wish to see my blood on the carpet, I believe; but if this is her scheme, it's not worthy of her ability. She began pretty well. She arranged the preliminaries capitally. Why, look here," he relinquished his ordinary drawl; "I'll tell you something, which you may put down in my favour or not—just as you like. That woman did her best to compromise your sister with me on board the yacht. I can't tell you how, and won't. Of course, I wouldn't if I could; but I have sense enough to admire a very charming person, and I did the only honourable thing in my power. It's your sister, my good fellow, who gave me my dismissal. We had a little common sense conversation—in which she shines. I envy the man that marries her, but she denies me such luck. There! if you want to shoot me for my share in that transaction, I'll give you your chance: and if you do, my dear Pole, either you must be a tremendous fool, or that woman's ten times cleverer than I thought. You know where to find me. Good night."
The captain gave heel to his horse, hearing no more.
Adela confirmed to Wilfrid what Gambier had spoken; and that it was she who had given him his dismissal. She called him by his name, "Augustus," in a kindly tone, remarking, that Lady Charlotte had persecuted him dreadfully. "Poor Augustus! his entire reputation for evil is owing to her black paint-brush. There is no man so easily 'hooked,' as Mrs. Bayruffle would say, as he, though he has but eight hundred a year: barely enough to live on. It would have been cruel of me to keep him, for if he is in love, it's with Emilia."
Wilfrid here took upon himself to reproach her for a certain negligence of worldly interests. She laughed and blushed with humorous satisfaction; and, on second thoughts, he changed his opinion, telling her that he wished he could win his freedom as she had done.
"Wilfrid," she said suddenly, "will you persuade Cornelia not to wear black?"
"Yes, if you wish it," he replied.
"You will, positively? Then listen, dear. I don't like the prospect of your alliance with Lady Charlotte."
Wilfrid could not repress a despondent shrug.
"But you can get released," she cried; and ultimately counselled him:"Mention the name of Lord Eltham before her once, when you are alone.Watch the result. Only, don't be clumsy. But I need not tell you that."
For hours he cudgelled his brains to know why she desired Cornelia not to wear black, and when the light broke in on him he laughed like a jolly youth for an instant. The reason why was in a web so complicated, that, to have divined what hung on Cornelia's wearing of black, showed a rare sagacity and perception of character on the little lady's part. As thus:—Sir Twickenham Pryme is the most sensitive of men to ridicule and vulgar tattle: he has continued to visit the house, learning by degrees to prefer me, but still too chivalrous to withdraw his claim to Cornelia, notwithstanding that he has seen indications of her not too absolute devotion towards him:—I have let him become aware that I have broken with Captain Gambier (whose income is eight hundred a year merely), for the sake of a higher attachment: now, since the catastrophe, he can with ease make it appear to the world that I was his choice from the first, seeing that Cornelia will assuredly make no manner of objection:—but, if she, with foolish sentimental persistence, assumes the garb of sorrow, then Sir Twickenham's ears will tingle; he will retire altogether; he will not dare to place himself in a position which will lend a colour to the gossip, that jilted by one sister, he flew for consolation to the other; jilted, too, for the mere memory of a dead man! an additional insult!
Exquisite intricacy! Wilfrid worked through all the intervolutions, and nearly forgot his wretchedness in admiration of his sister's mental endowments. He was the more willing to magnify them, inasmuch as he thereby strengthened his hope that liberty would follow the speaking of the talismanic name of Eltham to Lady Charlotte, alone. He had come to look upon her as the real barrier between himself and Emilia.
"I think we have brains," he said softly, on his pillow, upon a review of the beggared aspect of his family; and he went to sleep with a smile on his face.
A sharp breath of air had passed along the dews, and all the young green of the fresh season shone in white jewels. The sky, set with very dim distant stars, was in grey light round a small brilliant moon. Every space of earth lifted clear to her; the woodland listened; and in the bright silence the nightingales sang loud.
Emilia and Tracy Runningbrook were threading their way toward a lane over which great oak branches intervolved; thence under larches all with glittering sleeves, and among spiky brambles, with the purple leaf and the crimson frosted. The frost on the edges of the brown-leaved bracken gave a faint colour. Here and there, intense silver dazzled their eyes. As they advanced amid the icy hush, so hard and instant was the ring of the earth under them, their steps sounded as if expected.
"This night seems made for me!" said Emilia.
Tracy had no knowledge of the object of the expedition. He was her squire simply; had pitched on a sudden into an enamoured condition, and walked beside her, caring little whither he was led, so that she left him not.
They came upon a clearing in the wood where a tournament of knights might have been held. Ranged on two sides were rows of larches, and forward, fit to plume a dais, a clump of tall firs stood with a flowing silver fir to right and left, and the white stems of the birch-tree shining from among them. This fair woodland court had three broad oaks, as for gateways; and the moon was above it. Moss and the frosted brown fern were its flooring.
Emilia said eagerly, "This way," and ran under one of the oaks. She turned to Tracy following: "There is no doubt of it." Her hand was lying softly on her throat.
"Your voice?" Tracy divined her.
She nodded, but frowned lovingly at the shout he raised, and he understood that there was haply some plot to be worked out. The open space was quite luminous in the middle of those three deep walls of shadow. Emilia enjoined him to rest where he was, and wait for her on that spot like a faithful sentinel, whatsoever ensued. Coaxing his promise, she entered the square of white light alone. Presently she stood upon a low mound, so that her whole figure was distinct, while the moon made her features visible.
Expectancy sharpened the stillness to Tracy's ears. A nightingale began the charm. He was answered by another. Many were soon in song, till even the pauses were sweet with them. Tracy had the thought that they were calling for Emilia to commence; that it was nature preluding the divine human voice, weaving her spell for it. He was seized by a thirst to hear the adorable girl, who stood there patiently, with her face lifted soft in moonlight. And then the blood thrilled along his veins, as if one more than mortal had touched him. It seemed to him long before he knew that Emilia's voice was in the air.
In such a place, at such a time, there is no wizardry like a woman's voice. Emilia had gained in force and fulness. She sang with a stately fervour, letting the notes flow from her breast, while both her arms hung loose, and not a gesture escaped her. Tracy's fiery imagination set him throbbing, as to the voice of the verified spirit of the place. He heard nothing but Emilia, and scarce felt that it was she, or that tears were on his eyelids, till her voice sank richly, deep into the bosom of the woods. Then the stillness, like one folding up a precious jewel, seemed to pant audibly.
"She's not alone!" This was human speech at his elbow, uttered in some stupefied amazement. In an extremity of wrath, Tracy turned about to curse the intruder, and discerned Wilfrid, eagerly bent forward on the other side of the oak by which he leaned. Advancing toward Emilia, two figures were seen. Mr. Pericles in his bearskin was easily to be distinguished. His companion was Laura Tinley. The Greek moved at rapid strides, and coming near upon Emilia, raised his hands as in exclamation. At once he disencumbered his shoulders of the enormous wrapper, held it aloft imperiously, and by main force extinguished Emilia. Laura's shrill laugh resounded.
"Oh! beastly bathos!" Tracy groaned in his heart. "Here we are down inAvernus in a twinkling!"
There was evidently quick talk going on among the three, after which Emilia, heavily weighted, walked a little apart with Mr. Pericles, who looked lean and lank beside her, and gesticulated in his wildest manner. Tracy glanced about for Wilfrid. The latter was not visible, but, stepping up the bank of sand and moss, appeared a lady in shawl and hat, in whom he recognized Lady Charlotte. He went up to her and saluted.
"Ah! Tracy," she said. "I saw you leave the drawing room, and expected to find you here. So, the little woman has got her voice again; but why on earth couldn't she make the display at Richford? It's very pretty, and I dare say you highly approve of this kind of romantic interlude, Signor Poet, but it strikes me as being rather senseless."
"But, are you alone? What on earth brings you here?" asked Tracy.
"Oh!" the lady shrugged. "I've a guard to the rear. I told her I would come. She said I should hear something to-night, if I did. I fancied naturally the appointment had to do with her voice, and wished to please her. It's only five minutes from the west-postern of the park. Is she going to sing any more? There's company apparently. Shall we go and declare ourselves?"
"I'm on duty, and can't," replied Tracy, and twisting his body in an ecstasy, added: "Did you hear her?"
Lady Charlotte laughed softly. "You speak as if you had taken a hurt, my dear boy. This sort of scene is dangerous to poets. But, I thought you slighted music."
"I don't know whether I'm breathing yet," Tracy rejoined. She's a Goddess to me from this moment. Not like music? Am I a dolt? She would raise me from the dead, if she sang over me. Put me in a boat, and let her sing on, and all may end! I could die into colour, hearing her! That's the voice they hear in heaven."
"When they are good, I suppose," the irreverent lady appended. "What's that?" And she held her head to listen.
Emilia's mortal tones were calling Wilfrid's name. The lady became grave, as with keen eyes she watched the open space, and to a second call Wilfrid presented himself in a leisurely way from under cover of the trees; stepping into the square towards the three, as one equal to all occasions, and specially prepared for this. He was observed to bow to Mr. Pericles, and the two men extended hands, Laura Tinley standing decently away from them.
Lady Charlotte could not contain her mystification. "What does it mean?" she said. "Wilfrid was to be in town at the Ambassador's to-night! He wrote to me at five o'clock from his Club! Is he insane? Has he lost every sense of self-interest? He can't have made up his mind to miss his opportunity, when all the introductions are there! Run, like a good creature, Tracy, and see if that is Wilfrid, and come back and tell me; but don't sag I am here."
"Desert my post?" Tracy hugged his arms tight together. "Not if I freeze here!"
The doubt in Lady Charlotte's eyes was transient. She dropped her glass. Visible adieux were being waved between Mr. Pericles and Laura Tinley on the one hand, and Wilfrid and Emilia, on the other. After which, and at a quick pace, manifestly shivering, Mr. Pericles drew Laura into the shadows, and Emilia, clad in the immense bearskin, as with a trailing black barbaric robe, walked toward the oaks. Wilfrid's head was stooped to a level with Emilia's, into whose face he was looking obliviously, while the hot words sprang from his lips. They neared the oak, and Emilia slanted her direction, so as to avoid the neighbourhood of the tree. Tracy felt a sudden grasp of his arm. It was momentary, coming simultaneously with a burst of Wilfrid's voice.
"Do I know what I love, you ask? I love your footprints! Everything you have touched is like fire to me. Emilia! Emilia!"
"Then," came the clear reply, "you do not love Lady Charlotte?"
"Love her!" he shouted scornfully, and subdued his voice to add: "she has a good heart, and whatever scandal is talked of her and Lord Eltham, she is a well-meaning friend. But, love her! You, you I love!"
"Theatrical business," Lady Charlotte murmured, and imagined she had expected it when she promised Emilia she would step out into the night air, as possibly she had.
The lady walked straight up to them.
"Well, little one!" she addressed Emilia; "I am glad you have recovered your voice. You play the game of tit-for-tat remarkably well. We will now sheath our battledores. There is my hand."
The unconquerable aplomb in Lady Charlotte, which Wilfrid always artistically admired, and which always mastered him; the sight of her pale face and courageous eyes; and her choice of the moment to come forward and declare her presence;—all fell upon the furnace of Wilfrid's heart like a quenching flood. In a stupefaction, he confessed to himself that he could say actually nothing. He could hardly look up.
Emilia turned her eyes from the outstretched hand, to the lady's face.
"What will it mean?" she said.
"That we are quits, I presume; and that we bear no malice. At any rate, that I relinquish the field. I like a hand that can deal a good stroke. I conceived you to be a mere little romantic person, and correct my mistake. You win the prize, you see."
"You would have made him an Austrian, and he is now safe from that. I win nothing more," said Emilia.
When Tracy and Emilia stood alone, he cried out in a rapture of praise,"Now I know what a power you have. You may bid me live or die."
The recent scene concerned chiefly the actors who had moved onward: it had touched Emilia but lightly, and him not at all. But, while he magnified the glory of her singing, the imperishable note she had sounded this night, and the power and the triumph that would be hers, Emilia's bosom began to heave, and she checked him with a storm of tears. "Triumph! yes! what is this I have done? Oh, Merthyr, my, true hero! He praises me and knows nothing of how false I have been to you. I am a slave! I have sold myself—sold myself!" She dropped her face in her hands, broken with grief. "He fights," she pursued; "he fights for my country. I feel his blood—it seems to run from my body as it runs from his. Not if he is dying—I dare not go to him if he is dying! I am in chains. I have sworn it for money. See what a different man Merthyr is from any on earth! Would he shoot himself for a woman? Would he grow meaner the more he loved her? My hero! my hero! and Tracy, my friend! what is my grief now? Merthyr is my hero, but I hear him—I hear him speaking it into my ears with his own lips, that I do not love him. And it is true. I never should have sold myself for three weary years away from him, if I had loved him. I know it now it is done. I thought more of my poor friends and Wilfrid, than of Merthyr, who bleeds for my country! And he will not spurn me when we meet. Yes, if he lives, he will come to me gentle as a ghost that has seen God!"
She abandoned herself to weeping. Tracy, in a tender reverence for one who could speak such solemn matter spontaneously, supported her, and felt her tears as a rain of flame on his heart.
The nightingales were mute. Not a sound was heard from bough or brake.
A wreck from the last Lombard revolt landed upon our shores in June. His right arm was in a sling, and his Italian servant following him, kept close by his side, with a ready hand, as if fearing that at any moment the wounded gentleman's steps might fail. There was no public war going on just then: for which reason he was eyed suspiciously by the rest of the passengers making their way up the beach; who seemed to entertain an impression that he had no business at such a moment to be crippled, and might be put down as one of those foreign fools who stand out for a trifle as targets to fools a little luckier than themselves. Here, within our salt girdle, flourishes common sense. We cherish life; we abhor bloodshed; we have no sympathy with your juvenile points of honour: we are, in short, a civilized people; and seeing that Success has made us what we are, we advise other nations to succeed, or be quiet. Of all of which the gravely-smiling gentleman appeared well aware; for, with an eye that courted none, and a perfectly calm face, he passed through the crowd, only once availing himself of his brown-faced Beppo's spontaneously depressed shoulder when a twinge of pain shooting from his torn foot took his strength away. While he remained in sight, some speculation as to his nationality continued: he had been heard to speak nothing but Italian, and yet the flower of English cultivation was signally manifest in his style and bearing. The purchase of that day's journal, giving information that the Lombard revolt was fully, it was thought finally, crushed out, and the insurgents scattered, hanged, or shot, suggested to a young lady in a group melancholy with luggage, that the wounded gentleman was one who had escaped from the Austrians.
"Only, he is English."
"If he is, he deserves what he's got."
A stout Briton delivered this sentence, and gave in addition a sermon on meddling, short, emphatic, and not uncheerful apparently, if estimated by the hearty laugh that closed it; though a lady remarked, "Oh, dear me! You are very sweeping."
"By George! ma'am," cried the Briton, holding out his newspaper, "here's a leader on the identical subject, with all my views in it! Yes! those Italians are absurd: they never were a people: never agreed. Egad! the only place they're fit for is the stage. Art! if you like. They know all about colouring canvas, and sculpturing. I don't deny 'em their merits, and I don't mind listening to their squalling, now and then: though, I'll tell you what: have you ever noticed the calves of those singers?—I mean, the men. Perhaps not—for they' ve got none. They're sticks, not legs. Who can think much of fellows with such legs? Now, the next time you go to the Italian Opera, notice 'em. Ha! ha!—well, that would sound queer, told at secondhand; but, just look at their legs, ma'am, and ask yourself whether there's much chance for a country that stands on legs like those! Let them paint, and carve blocks, and sing. They're not fit for much else, as far as I can see."
Thus, in the pride of his manliness, the male Briton. A shrill cry drew the attention of this group once more to the person who had just kindly furnished a topic. He had been met on his way by a lady unmistakeably foreign in her appearance. "Marini!" was the word of the cry; and the lady stood with her head bent and her hands stiffened rigidly.
"Lost her husband, I dare say!" the Briton murmured. "Perhaps he's one of the 'hanged, or shot,' in the list here Hanged! shot! Ask those Austrians to be merciful, and that's their reply. Why, good God! it's like the grunt of a savage beast! Hanged! shot!—count how many for one day's work! Ten at Verona; fifteen at Mantua; five—there, stop! If we enter into another alliance with those infernal ruffians!—if they're not branded in the face of Europe as inhuman butchers! if I—by George! if I were an Italian I'd handle a musket myself, and think great guns the finest music going. Mind, if there's a subscription for the widows of these poor fellows, I put down my name; so shall my wife, so shall my daughters, so we will all, down to the baby!"
Merthyr's name was shouted first on his return to England by Mrs. Chump. He was waiting on the platform of the London station for the train to take him to Richford, when, "Oh! Mr. Pow's, Mr. Pow's!" resounded, and Mrs. Chump fluttered before him. She was on her way to Brookfield, she said; and it was, she added, her firm belief that heaven had sent him to her sad, not deeming "that poor creature, Mr. Braintop, there, sufficient for the purpose. For what I've got to go through, among them at Brookfield, Mr. Pow's, it's perf'ctly awful. Mr. Braintop," she turned to the youth, "you may go now. And don't go takin' ship and sailin' for Italy after the little Belloni, for ye haven't a chance—poor fella! though he combs 's hair so careful, Mr. Pow's, and ye might almost laugh and cry together to see how humble he is, and audacious too—all in a lump. For, when little Belloni was in the ship, ye know, and she thinkin', 'not one of my friends near to wave a handkerchief!' behold, there's that boy Braintop just as by maguc, and he wavin' his best, which is a cambric, and a present from myself, and precious wet that night, ye might swear; for the quiet lovers, Mr. Pow's, they cry, they do, buckutsful!"
"And is Miss Belloni gone?" said Merthyr, looking steadily for answer.
"To be sure, sir, she has; but have ye got a squeak of pain? Oh, dear! it makes my blood creep to see a man who's been where there's been firing of shots in a temper. Ye're vary pale, sir."
"She went—on what day?" asked Merthyr.
"Oh! I can't poss'bly tell ye that, Mr. Pow's, havin' affairs of my own most urrgent. But, Mr. Paricles has got her at last. That's certain. Gall'ns of tears has poor Mr. Braintop cried over it, bein' one of the mew-in-a-corner sort of young men, ye know, what never win the garl, but cry enough to float her and the lucky fella too, and off they go, and he left on the shore."
Merthyr looked impatiently out of the window. His wounds throbbed and his forehead was moist.
"With Mr. Pericles?" he queried, while Mrs. Chump was giving him the reasons for the immediate visit to Brookfield.
"They're cap'tal friends again, ye know, Mr. Pow's, Mr. Paricles and Pole; and Pole's quite set up, and yesterday mornin' sends me two thousand pounds—not a penny less! and ye'll believe me, I was in a stiff gape for five minutes when Mr. Braintop shows the money. What a temptation for the young man! But Pole didn't know his love for little Belloni."
"Has she no one with her?" Merthyr seized the opportunity of her name being pronounced to get clear tidings of her, if possible.
"Oh, dear, yes, Mr. Paricles is with her," returned Mrs. Chump. "And, as I was sayin', sir, two thousand pounds! I ran off to my lawyer; for, it'll seem odd to ye, now, Mr. Pow's, that know my 'ffection for the Poles, poor dears, I'd an action against 'em. 'Stop ut,' I cries out to the man: if he'd been one o' them that wears a wig, I couldn't ha' spoken so—'Stop ut,' I cries, not a bit afraid of 'm. I wouldn't let the man go on, for all I want to know is, that I'm not rrooned. And now I've got money, I must have friends; for when I hadn't, ye know, my friends seemed against me, and now I have, it's the world that does, where'll I hide it? Oh, dear! now I'm with you, I don't mind, though this brown-faced forr'ner servant of yours, he gives me shivers. Can he understand English?—becas I've got ut all in my pockut!"
Merthyr sighed wearily for release. At last the train slackened speed, and the well-known fir-country appeared in sight. Mrs. Chump caught him by the arm as he prepared to alight. "Oh! and are ye goin' to let me face the Poles without anyone to lean on in that awful moment, and no one to bear witness how kind I've spoken of 'em. Mr. Pow's! will ye prove that you're a blessed angel, sir, and come, just for five minutes—which is a short time to do a thing for a woman she'll never forget."
"Pray spare me, madam," Merthyr pleaded. "I have much to learn atRichford."
"I cann't spare ye, sir," cried Mrs. Chump. "I cann't go before that fam'ly quite alone. They're a tarr'ble fam'ly. Oh! I'll be goin' on my knees to ye, Mr. Pow's. Weren't ye sent by heaven now? And you to run away! And if you're woundud, won't I have a carr'ge from the station, which'll be grander to go in, and impose on 'em, ye know. Pray, sir! I entreat ye!"
The tears burst from her eyes, and her hot hand clung to his imploringly.
Merthyr was a witness of the return of Mrs. Chump to Brookfield. In that erewhile abode of Fine Shades, the Nice Feelings had foundered. The circle of a year, beginning so fairly for them, enfolded the ladies and their first great scheme of life. Emilia had been a touchstone to this family. They could not know it in their deep affliction, but in manger they had much improved. Their welcome of Mrs. Chump was an admirable seasoning of stateliness with kindness. Cornelia and Arabella took her hand, listening with an incomparable soft smile to her first protestations, which they quieted, and then led her to Mr. Pole; of whom it may be said, that an accomplished coquette could not in his situation have behaved with a finer skill; so that, albeit received back into the house, Mrs. Chump had yet to discover what her footing there was to be, and trembled like the meanest of culprits. Mr. Pole shook her hand warmly, tenderly, almost tearfully, and said to the melted woman: "You're right, Martha; it's much better for us to examine accounts in a friendly way, than to have strangers and lawyers, and what not—people who can't possibly know the whole history, don't you see—meddling and making a scandal; and I'm much obliged to you for coming."
Vainly Mrs. Chump employed alternately innuendo and outcry to make him perceive that her coming involved a softer business, and that to money, she having it now, she gave not a thought. He assured her that in future she must; that such was his express desire; that it was her duty to herself and others. And while saying this, which seemed to indicate that widowhood would be her state as far as he was concerned, he pressed her hand with extreme sweetness, and his bird's-eyes twinkled obligingly. It is to be feared that Mr. Pole had passed the age of improvement, save in his peculiar art. After a time Nature stops, and says to us 'thou art now what thou wilt be.'
Cornelia was in black from neck to foot. She joined the conversation as the others did, and indeed more flowingly than Adela, whose visage was soured. It was Cornelia to whom Merthyr explained his temporary subjection to the piteous appeals of Mrs. Chump. She smiled humorously to reassure him of her perfect comprehension of the apology for his visit, and of his welcome: and they talked, argued a little, differed, until the terrible thought that he talked, and even looked like some one else, drew the blood from her lips, and robbed her pulses of their play. She spoke of Emilia, saying plainly and humbly: "All we have is owing to her." Arabella spoke of Emilia likewise, but with a shade of the foregone tone of patronage. "She will always be our dear little sister." Adela continued silent, as with ears awake for the opening of a door. Was it in ever-thwarted anticipation of the coming of Sir Twickenham?
Merthyr's inquiry after Wilfrid produced a momentary hesitation on Cornelia's Part—"He has gone to Verona. We have an uncle in the Austrian service," she said; and Merthyr bowed.
What was this tale of Emilia, that grew more and more perplexing as he heard it bit by bit? The explanation awaited him at Richford. There, when Georgiana had clasped her brother in one last jealous embrace, she gave him the following letter straightway, to save him, haply, from the false shame of that eager demand for one, which she saw ready to leap to words in his eyes. He read it, sitting in the Richford library alone, while the great rhododendron bloomed outside, above the shaven sunny sward, looking like a monstrous tropic bird alighted to brood an hour in full sunlight.
"My Friend!"
"I would say my Beloved! I will not write it, for it would be false. I have read of the defeat. Why was a battle risked at that cruel place! Here are we to be again for so many years before we can win God to be on our side! And I—do you not know? we used to talk of it!—I never can think it the Devil who has got the upper hand. What succeeds, I always think should succeed—was meant to, because the sky looks clear over it. This knocks a blow at my heart and keeps it silent and only just beating. I feel that you are safe. That, I am thankful for. If you were not, God would warn me, and not let me mock him with thanks when I pray. I pray till my eyelids burn, on purpose to get a warning if there is any black messenger to be sent to me. I do not believe it.
"For three years I am a prisoner. I go to the Conservatorio in Milan with Mr. Pericles, and my poor little mother, who cries, asking me where she will be among such a people, until I wonder she should be my mother. My voice has returned. Oh, Merthyr! my dear, calm friend! to keep calling you friend, and friend, puts me to sleep softly!—Yes, I have my voice. I felt I had it, like some one in a room with us when we will not open our eyes. There was misery everywhere, and yet I was glad. I kept it secret. I began to feel myself above the world. I dreamed of what I would do for everybody. I thought of you least! I tell you so, and take a scourge and scourge myself, for it is true that in her new joy this miserable creature that I am thought of you least. Now I have the punishment!
"My friend! the Poles were at the mercy of Mr. Pericles: Wilfrid had struck him: Mr. Pericles was angry and full of mischief. Those dear people had been kind to me, and I heard they were poor. I felt money in my breast, in my throat, that only wanted coining. I went to Georgiana, and oh! how truly she proved to me that she loves you better than I do. She refused to part with money that you might soon want. I laid a scheme for Mr. Pericles to hear me sing. He heard me, and my scheme succeeded. If Italy knew as well as I, she would never let her voice be heard till she is sure of it:—Yes! from foot to head, I knew it was impossible to fail. If a country means to be free, the fire must run through it and make it feel that certainty. Then—away the whitecoat! I sang, and the man twisted, as if I had bent him in my hand. He rushed to me, and offered me any terms I pleased, if for three years I would go to the Conservatorio at Milan, and learn submissively. It is a little grief to me that I think this man loves music more deeply than I do. In the two things I love best, the love of others exceeds mine. I named a sum of money—immense! and I desired that Mr. Pericles should assist Mr. Pole in his business. He consented at once to everything. The next day he gave me the money, and I signed my name and pledged my honour to an engagement. My friends were relieved.
"It was then I began to think of you. I had not to study the matter long to learn that I did not love you: and I will not trust my own feelings as they come to me now. I judge myself by my acts, or, Merthyr! I should sink to the ground like a dead body when I think of separation from you for three years. But, what am I? I am a raw girl. I command nothing but raw and flighty hearts of men. Are they worth anything? Let me study three years, without any talk of hearts at all. It commenced too early, and has left nothing to me but a dreadful knowledge of the weakness in most people:—not in you!
"If I might call you my Beloved! and so chain myself to you, I think I should have all your firmness and double my strength. I will not; for I will not have what I do not deserve. I think of you reading this, till I try to get to you; my heart is like a bird caught in the hands of a cruel boy. By what I have done I know I do not love you. Must we half-despise a man to love him? May no dear woman that I know ever marry the man she first loves! My misery now is gladness, is like rain-drops on rising wings, if I say to myself 'Free! free, Emilia!' I am bound for three years, but I smile at such a bondage to my body. Evviva! my soul is free! Three years of freedom, and no sounding of myself—three years of growing, and studying; three years of idle heart!—Merthyr! I throb to think that those three years—true man! my hero, I may call you!—those three years may make me worthy of you. And if you have given all to Italy, that a daughter of Italy should help to return it, seems, my friend, so tenderly sweet—here is the first drop from my eyes!
"I would break what you call a Sentiment: I broke my word to Wilfrid. But this sight of money has a meaning that I cannot conquer. I know you would not wish me to for your own pleasure; and therefore I go. I hope to be growing; I fly like a seed to Italy. Let me drill, and take sharp words, and fret at trifles! I lift my face to that prospect as if I smelt new air. I am changeing—I have no dreams of Italy, no longings, but go to see her like a machine ready to do my work. Whoever speaks to me, I feel that I look at them and know them. I see the faults of my country—Oh, beloved Breseians! not yours, Florentines! nor yours, dear Venice! We will be silent when they speak of the Milanese, till Italy can say to them, 'That conduct is not Italian, my children.' I see the faults. Nothing vexes me.
"Addio! My friend, we will speak English in dear England! Tell all that I shall never forget England! My English Merthyr! the blood you have shed is not for a woman. The blood that you have shed, laurels spring from it! For a woman, the blood spilt is sickly and poor, and nourishes nothing. I shudder at the thought of one we knew. He makes Love seem like a yellow light over a plague-spotted city, like a painting I have seen. Goodbye to the name of Love for three years! My engagement to Mr. Pericles is that I am not to write, not to receive letters. To you I say now, trust me for three years! Merthyr's answer is already in my bosom. Beloved!—let me say it once—when the answer to any noble thing I might ask of you is in my bosom instantly, is not that as much as marriage? But be under no deception. See me as I am. Oh, good-bye! good-bye! Good-bye to you! Good-bye to England!
"I am,
"Most humbly and affectionately,"Your friend,"And her daughter by the mother's side,
"Emilia Alessandra Belloni."
A plunge into the deep is of little momentA marriage without love is dishonourActive despair is a passion that must be supersededAm I ill? I must be hungry!And, ladies, if you will consent to be likened to a fruitAnd he passed along the road, adds the PhilosopherBear in mind that we are sentimentalists—The eye is our servantBeing heard at night, in the nineteenth centuryBeyond a plot of flowers, a gold-green meadow dipped to a ridgeBut love for a parent is not merely dutyDepreciating it after the fashion of chartered hypocrites.Emilia alone of the party was as a blot to herFine Shades were still too dominant at BrookfieldHad Shakespeare's grandmother three Christian names?He thinks that the country must be saved by its women as wellHis alien ideas were not unimpressed by the pictureHushing together, they agreed that it had been a false moveI had to cross the park to give a lessonI cannot delay; but I request you, that are here privilegedI had to make my father and mother live on potatoesI detest anything that has to do with gratitudeI know that your father has been hearing tales told of meI am not ashamedIt was as if she had been eyeing a golden door shut fastLittlenesses of which women are accusedLove that shrieks at a mortal wound, and bleeds humanlyLove discerns unerringly what is and what is not dutyLove the poor devilLove, with his accustomed cunningMan who beats his wife my first question is, 'Do he take his tea?'My mistress! My glorious stolen fruit! My dark angel of loveMy voice! I have my voice! Emilia had cried it out to herselfMy engagement to Mr. Pericles is that I am not to writeNo nose to the hero, no moral to the taleNor can a protest against coarseness be sweepingly interpretedOh! beastly bathosOn a wild April morningOnce my love? said he. Not now?—does it mean, not now?One of those men whose characters are read off at a glanceOur partner is our masterPassion does not inspire dark appetite—Dainty innocence doesPassion, he says, is noble strength on firePleasure sat like an inextinguishable light on her facePoor mortals are not in the habit of climbing Olympus to askRevived for them so much of themselvesShe was perhaps a little the taller of the twoShe had great awe of the word 'business'Silence was their only protection to the Nice FeelingsSo it is when you play at Life! When you will not go straightSolitude is pasturage for a suspicionThe majority, however, had been snatched out of this blissThe circle which the ladies of Brookfield were designingThe woman follows the man, and music fits to verse,The sentimentalists are represented by them among the civilizedThe dismally-lighted city wore a look of Judgement terrible to seeThe sentimentalist goes on accumulating imagesThe gallant cornet adored delicacy and a gilded refinementThe philosopher (I would keep him back if I could)Their way was down a green lane and across long meadow-pathsThey, meantime, who had a contempt for sleepThey had all noticed, seen, and observedTo know that you are in England, breathing the same air with meTrue love excludes no natural dutyVictims of the modern feminine 'ideal'We have now looked into the hazy interior of their systemsWe are, in short, a civilized peopleWhat was this tale of Emilia, that grew more and more perplexingWilfrid perceived that he had become an old manWomen are wonderfully quick scholars under ridiculeYou have not to be told that I desire your happiness above all
RHODA FLEMING, complete
By George Meredith
Remains of our good yeomanry blood will be found in Kent, developing stiff, solid, unobtrusive men, and very personable women. The distinction survives there between Kentish women and women of Kent, as a true South-eastern dame will let you know, if it is her fortune to belong to that favoured portion of the county where the great battle was fought, in which the gentler sex performed manful work, but on what luckless heads we hear not; and when garrulous tradition is discreet, the severe historic Muse declines to hazard a guess. Saxon, one would presume, since it is thought something to have broken them.
My plain story is of two Kentish damsels, and runs from a home of flowers into regions where flowers are few and sickly, on to where the flowers which breathe sweet breath have been proved in mortal fire.
Mrs. Fleming, of Queen Anne's Farm, was the wife of a yeoman-farmer of the county. Both were of sound Kentish extraction, albeit varieties of the breed. The farm had its name from a tradition, common to many other farmhouses within a circuit of the metropolis, that the ante-Hanoverian lady had used the place in her day as a nursery-hospital for the royal little ones. It was a square three-storied building of red brick, much beaten and stained by the weather, with an ivied side, up which the ivy grew stoutly, topping the roof in triumphant lumps. The house could hardly be termed picturesque. Its aspect had struck many eyes as being very much that of a red-coat sentinel grenadier, battered with service, and standing firmly enough, though not at ease. Surrounding it was a high wall, built partly of flint and partly of brick, and ringed all over with grey lichen and brown spots of bearded moss, that bore witness to the touch of many winds and rains. Tufts of pale grass, and gilliflowers, and travelling stone-crop, hung from the wall, and driblets of ivy ran broadening to the outer ground. The royal Arms were said to have surmounted the great iron gateway; but they had vanished, either with the family, or at the indications of an approaching rust. Rust defiled its bars; but, when you looked through them, the splendour of an unrivalled garden gave vivid signs of youth, and of the taste of an orderly, laborious, and cunning hand.
The garden was under Mrs. Fleming's charge. The joy of her love for it was written on its lustrous beds, as poets write. She had the poetic passion for flowers. Perhaps her taste may now seem questionable. She cherished the old-fashioned delight in tulips; the house was reached on a gravel-path between rows of tulips, rich with one natural blush, or freaked by art. She liked a bulk of colour; and when the dahlia dawned upon our gardens, she gave her heart to dahlias. By good desert, the fervent woman gained a prize at a flower-show for one of her dahlias, and `Dahlia' was the name uttered at the christening of her eldest daughter, at which all Wrexby parish laughed as long as the joke could last. There was laughter also when Mrs. Fleming's second daughter received the name of 'Rhoda;' but it did not endure for so long a space, as it was known that she had taken more to the solitary and reflective reading of her Bible, and to thoughts upon flowers eternal. Country people are not inclined to tolerate the display of a passion for anything. They find it as intrusive and exasperating as is, in the midst of larger congregations, what we call genius. For some years, Mrs. Fleming's proceedings were simply a theme for gossips, and her vanity was openly pardoned, until that delusively prosperous appearance which her labour lent to the house, was worn through by the enforced confession of there being poverty in the household. The ragged elbow was then projected in the face of Wrexby in a manner to preclude it from a sober appreciation of the fairness of the face.
Critically, moreover, her admission of great poppy-heads into her garden was objected to. She would squander her care on poppies, and she had been heard to say that, while she lived, her children should be fully fed. The encouragement of flaunting weeds in a decent garden was indicative of a moral twist that the expressed resolution to supply her table with plentiful nourishment, no matter whence it came, or how provided, sufficiently confirmed. The reason with which she was stated to have fortified her stern resolve was of the irritating order, right in the abstract, and utterly unprincipled in the application. She said, `Good bread, and good beef, and enough of both, make good blood; and my children shall be stout.' This is such a thing as maybe announced by foreign princesses and rulers over serfs; but English Wrexby, in cogitative mood, demanded an equivalent for its beef and divers economies consumed by the hungry children of the authoritative woman. Practically it was obedient, for it had got the habit of supplying her. Though payment was long in arrear, the arrears were not treated as lost ones by Mrs. Fleming, who, without knowing it, possessed one main secret for mastering the custodians of credit. She had a considerate remembrance and regard for the most distant of her debts, so that she seemed to be only always a little late, and exceptionally wrongheaded in theory. Wrexby, therefore, acquiesced in helping to build up her children to stoutness, and but for the blindness of all people, save artists, poets, novelists, to the grandeur of their own creations, the inhabitants of this Kentish village might have had an enjoyable pride in the beauty and robust grace of the young girls,—fair-haired, black-haired girls, a kindred contrast, like fire and smoke, to look upon. In stature, in bearing, and in expression, they were, if I may adopt the eloquent modern manner of eulogy, strikingly above their class. They carried erect shoulders, like creatures not ashamed of showing a merely animal pride, which is never quite apart from the pride of developed beauty. They were as upright as Oriental girls, whose heads are nobly poised from carrying the pitcher to the well. Dark Rhoda might have passed for Rachel, and Dahlia called her Rachel. They tossed one another their mutual compliments, drawn from the chief book of their reading. Queen of Sheba was Dahlia's title. No master of callisthenics could have set them up better than their mother's receipt for making good blood, combined with a certain harmony of their systems, had done; nor could a schoolmistress have taught them correcter speaking. The characteristic of girls having a disposition to rise, is to be cravingly mimetic; and they remembered, and crooned over, till by degrees they adopted the phrases and manner of speech of highly grammatical people, such as the rector and his lady, and of people in story-books, especially of the courtly French fairy-books, wherein the princes talk in periods as sweetly rounded as are their silken calves; nothing less than angelically, so as to be a model to ordinary men.
The idea of love upon the lips of ordinary men, provoked Dahlia's irony; and the youths of Wrexby and Fenhurst had no chance against her secret Prince Florizels. Them she endowed with no pastoral qualities; on the contrary, she conceived that such pure young gentlemen were only to be seen, and perhaps met, in the great and mystic City of London. Naturally, the girls dreamed of London. To educate themselves, they copied out whole pages of a book called the `Field of Mars,' which was next to the family Bible in size among the volumes of the farmer's small library. The deeds of the heroes of this book, and the talk of the fairy princes, were assimilated in their minds; and as they looked around them upon millers', farmers', maltsters', and tradesmen's sons, the thought of what manner of youth would propose to marry them became a precocious tribulation. Rhoda, at the age of fifteen, was distracted by it, owing to her sister's habit of masking her own dismal internal forebodings on the subject, under the guise of a settled anxiety concerning her sad chance.
In dress, the wife of the rector of Wrexby was their model. There came once to Squire Blancove's unoccupied pew a dazzling vision of a fair lady. They heard that she was a cousin of his third wife, and a widow, Mrs. Lovell by name. They looked at her all through the service, and the lady certainly looked at them in return; nor could they, with any distinctness, imagine why, but the look dwelt long in their hearts, and often afterward, when Dahlia, upon taking her seat in church, shut her eyes, according to custom, she strove to conjure up the image of herself, as she had appeared to the beautiful woman in the dress of grey-shot silk, with violet mantle and green bonnet, rose-trimmed; and the picture she conceived was the one she knew herself by, for many ensuing years.
Mrs. Fleming fought her battle with a heart worthy of her countrywomen, and with as much success as the burden of a despondent husband would allow to her. William John Fleming was simply a poor farmer, for whom the wheels of the world went too fast:—a big man, appearing to be difficult to kill, though deeply smitten. His cheeks bloomed in spite of lines and stains, and his large, quietly dilated, brown ox-eyes, that never gave out a meaning, seldom showed as if they had taken one from what they saw. Until his wife was lost to him, he believed that he had a mighty grievance against her; but as he was not wordy, and was by nature kind, it was her comfort to die and not to know it. This grievance was rooted in the idea that she was ruinously extravagant. The sight of the plentiful table was sore to him; the hungry mouths, though he grudged to his offspring nothing that he could pay for, were an afflicting prospect. "Plump 'em up, and make 'em dainty," he advanced in contravention of his wife's talk of bread and beef.
But he did not complain. If it came to an argument, the farmer sidled into a secure corner of prophecy, and bade his wife to see what would come of having dainty children. He could not deny that bread and beef made blood, and were cheaper than the port-wine which doctors were in the habit of ordering for this and that delicate person in the neighbourhood; so he was compelled to have recourse to secret discontent. The attention, the time, and the trifles of money shed upon the flower garden, were hardships easier to bear. He liked flowers, and he liked to hear the praise of his wife's horticultural skill. The garden was a distinguishing thing to the farm, and when on a Sunday he walked home from church among full June roses, he felt the odour of them to be so like his imagined sensations of prosperity, that the deception was worth its cost. Yet the garden in its bloom revived a cruel blow. His wife had once wounded his vanity. The massed vanity of a silent man, when it does take a wound, desires a giant's vengeance; but as one can scarcely seek to enjoy that monstrous gratification when one's wife is the offender, the farmer escaped from his dilemma by going apart into a turnip-field, and swearing, with his fist outstretched, never to forget it. His wife had asked him, seeing that the garden flourished and the farm decayed, to yield the labour of the farm to the garden; in fact, to turn nurseryman under his wife's direction. The woman could not see that her garden drained the farm already, distracted the farm, and most evidently impoverished him. She could not understand, that in permitting her, while he sweated fruitlessly, to give herself up to the occupation of a lady, he had followed the promptings of his native kindness, and certainly not of his native wisdom. That she should deem herself `best man' of the two, and suggest his stamping his name to such an opinion before the world, was an outrage.
Mrs. Fleming was failing in health. On that plea, with the solemnity suited to the autumn of her allotted days, she persuaded her husband to advertise for an assistant, who would pay a small sum of money to learn sound farming, and hear arguments in favour of the Corn Laws. To please her, he threw seven shillings away upon an advertisement, and laughed when the advertisement was answered, remarking that he doubted much whether good would come of dealings with strangers. A young man, calling himself Robert Armstrong, underwent a presentation to the family. He paid the stipulated sum, and was soon enrolled as one of them. He was of a guardsman's height and a cricketer's suppleness, a drinker of water, and apparently the victim of a dislike of his species; for he spoke of the great night-lighted city with a horror that did not seem to be an estimable point in him, as judged by a pair of damsels for whom the mysterious metropolis flew with fiery fringes through dark space, in their dreams.
In other respects, the stranger was well thought of, as being handsome and sedate. He talked fondly of one friend that he had, an officer in the army, which was considered pardonably vain. He did not reach to the ideal of his sex which had been formed by the sisters; but Mrs. Fleming, trusting to her divination of his sex's character, whispered a mother's word about him to her husband a little while before her death.
It was her prayer to heaven that she might save a doctor's bill. She died, without lingering illness, in her own beloved month of June; the roses of her tending at the open window, and a soft breath floating up to her from the garden. On the foregoing May-day, she had sat on the green that fronted the iron gateway, when Dahlia and Rhoda dressed the children of the village in garlands, and crowned the fairest little one queen of May: a sight that revived in Mrs. Fleming's recollection the time of her own eldest and fairest taking homage, shy in her white smock and light thick curls. The gathering was large, and the day was of the old nature of May, before tyrannous Eastwinds had captured it and spoiled its consecration. The mill-stream of the neighbouring mill ran blue among the broad green pastures; the air smelt of cream-bowls and wheaten loaves; the firs on the beacon-ridge, far southward, over Fenhurst and Helm villages, were transported nearer to see the show, and stood like friends anxious to renew acquaintance. Dahlia and Rhoda taught the children to perceive how they resembled bent old beggar-men. The two stone-pines in the miller's grounds were likened by them to Adam and Eve turning away from the blaze of Paradise; and the saying of one receptive child, that they had nothing but hair on, made the illustration undying both to Dahlia and Rhoda.
The magic of the weather brought numerous butterflies afield, and one fiddler, to whose tuning the little women danced; others closer upon womanhood would have danced likewise, if the sisters had taken partners; but Dahlia was restrained by the sudden consciousness that she was under the immediate observation of two manifestly London gentlemen, and she declined to be led forth by Robert Armstrong. The intruders were youths of good countenance, known to be the son and the nephew of Squire Blancove of Wrexby Hall. They remained for some time watching the scene, and destroyed Dahlia's single-mindedness. Like many days of gaiety, the Gods consenting, this one had its human shadow. There appeared on the borders of the festivity a young woman, the daughter of a Wrexby cottager, who had left her home and but lately returned to it, with a spotted name. No one addressed her, and she stood humbly apart. Dahlia, seeing that every one moved away from her, whispering with satisfied noddings, wished to draw her in among the groups. She mentioned the name of Mary Burt to her father, supposing that so kind a man would not fail to sanction her going up to the neglected young woman. To her surprise, her father became violently enraged, and uttered a stern prohibition, speaking a word that stained her cheeks. Rhoda was by her side, and she wilfully, without asking leave, went straight over to Mary, and stood with her under the shadow of the Adam and Eve, until the farmer sent a messenger to say that he was about to enter the house. Her punishment for the act of sinfulness was a week of severe silence; and the farmer would have kept her to it longer, but for her mother's ominously growing weakness. The sisters were strangely overclouded by this incident. They could not fathom the meaning of their father's unkindness, coarseness, and indignation. Why, and why? they asked one another, blankly. The Scriptures were harsh in one part, but was the teaching to continue so after the Atonement? By degrees they came to reflect, and not in a mild spirit, that the kindest of men can be cruel, and will forget their Christianity toward offending and repentant women.
Mrs. Fleming had a brother in London, who had run away from his Kentish home when a small boy, and found refuge at a Bank. The position of Anthony Hackbut in that celebrated establishment, and the degree of influence exercised by him there, were things unknown; but he had stuck to the Bank for a great number of years, and he had once confessed to his sister that he was not a beggar. Upon these joint facts the farmer speculated, deducing from them that a man in a London Bank, holding money of his own, must have learnt the ways of turning it over—farming golden ground, as it were; consequently, that amount must now have increased to a very considerable sum. You ask, What amount? But one who sits brooding upon a pair of facts for years, with the imperturbable gravity of creation upon chaos, will be as successful in evoking the concrete from the abstract. The farmer saw round figures among the possessions of the family, and he assisted mentally in this money-turning of Anthony's, counted his gains for him, disposed his risks, and eyed the pile of visionary gold with an interest so remote, that he was almost correct in calling it disinterested. The brothers-in-law had a mutual plea of expense that kept them separate. When Anthony refused, on petition, to advance one hundred pounds to the farmer, there was ill blood to divide them. Queen Anne's Farm missed the flourishing point by one hundred pounds exactly. With that addition to its exchequer, it would have made head against its old enemy, Taxation, and started rejuvenescent. But the Radicals were in power to legislate and crush agriculture, and "I've got a miser for my brother-in-law," said the farmer. Alas! the hundred pounds to back him, he could have sowed what he pleased, and when it pleased him, partially defying the capricious clouds and their treasures, and playing tunefully upon his land, his own land. Instead of which, and while too keenly aware that the one hundred would have made excesses in any direction tributary to his pocket, the poor man groaned at continuous falls of moisture, and when rain was prayed for in church, he had to be down on his knees, praying heartily with the rest of the congregation. It was done, and bitter reproaches were cast upon Anthony for the enforced necessity to do it.
On the occasion of his sister's death, Anthony informed his bereaved brother-in-law that he could not come down to follow the hearse as a mourner. "My place is one of great trust;" he said, "and I cannot be spared." He offered, however, voluntarily to pay half the expenses of the funeral, stating the limit of the cost. It is unfair to sound any man's springs of action critically while he is being tried by a sorrow; and the farmer's angry rejection of Anthony's offer of aid must pass. He remarked in his letter of reply, that his wife's funeral should cost no less than he chose to expend on it. He breathed indignant fumes against "interferences." He desired Anthony to know that he also was "not a beggar," and that he would not be treated as one. The letter showed a solid yeoman's fist. Farmer Fleming told his chums, and the shopkeeper of Wrexby, with whom he came into converse, that he would honour his dead wife up to his last penny. Some month or so afterward it was generally conjectured that he had kept his word.
Anthony's rejoinder was characterized by a marked humility. He expressed contrition for the farmer's misunderstanding of his motives. His fathomless conscience had plainly been reached. He wrote again, without waiting for an answer, speaking of the Funds indeed, but only to pronounce them worldly things, and hoping that they all might meet in heaven, where brotherly love, as well as money, was ready made, and not always in the next street. A hint occurred that it would be a gratification to him to be invited down, whether he could come or no; for holidays were expensive, and journeys by rail had to be thought over before they were undertaken; and when you are away from your post, you never knew who maybe supplanting you. He did not promise that he could come, but frankly stated his susceptibility to the friendliness of an invitation. The feeling indulged by Farmer Fleming in refusing to notice Anthony's advance toward a reconciliation, was, on the whole, not creditable to him. Spite is more often fattened than propitiated by penitence. He may have thought besides (policy not being always a vacant space in revengeful acts) that Anthony was capable of something stronger and warmer, now that his humanity had been aroused. The speculation is commonly perilous; but Farmer Fleming had the desperation of a man who has run slightly into debt, and has heard the first din of dunning, which to the unaccustomed imagination is fearful as bankruptcy (shorn of the horror of the word). And, moreover, it was so wonderful to find Anthony displaying humanity at all, that anything might be expected of him. "Let's see what he will do," thought the farmer in an interval of his wrath; and the wrath is very new which has none of these cool intervals. The passions, do but watch them, are all more or less intermittent.
As it chanced, he acted sagaciously, for Anthony at last wrote to say that his home in London was cheerless, and that he intended to move into fresh and airier lodgings, where the presence of a discreet young housekeeper, who might wish to see London, and make acquaintance with the world, would be agreeable to him. His project was that one of his nieces should fill this office, and he requested his brother-in-law to reflect on it, and to think of him as of a friend of the family, now and in the time to come. Anthony spoke of the seductions of London quite unctuously. Who could imagine this to be the letter of an old crabbed miser? "Tell her," he said, "there's fruit at stalls at every street-corner all the year through—oysters and whelks, if she likes—winkles, lots of pictures in shops—a sight of muslin and silks, and rides on omnibuses—bands of all sorts, and now and then we can take a walk to see the military on horseback, if she's for soldiers." Indeed, he joked quite comically in speaking of the famous horse-guards—warriors who sit on their horses to be looked at, and do not mind it, because they are trained so thoroughly. "Horse-guards blue, and horse-guards red," he wrote—"the blue only want boiling." There is reason to suppose that his disrespectful joke was not original in him, but it displayed his character in a fresh light. Of course, if either of the girls was to go, Dahlia was the person. The farmer commenced his usual process of sitting upon the idea. That it would be policy to attach one of the family to this chirping old miser, he thought incontestable. On the other hand, he had a dread of London, and Dahlia was surpassingly fair. He put the case to Robert, in remembrance of what his wife had spoken, hoping that Robert would amorously stop his painful efforts to think fast enough for the occasion. Robert, however, had nothing to say, and seemed willing to let Dahlia depart. The only opponents to the plan were Mrs. Sumfit, a kindly, humble relative of the farmer's, widowed out of Sussex, very loving and fat; the cook to the household, whose waist was dimly indicated by her apron-string; and, to aid her outcries, the silently-protesting Master Gammon, an old man with the cast of eye of an antediluvian lizard, the slowest old man of his time—a sort of foreman of the farm before Robert had come to take matters in hand, and thrust both him and his master into the background. Master Gammon remarked emphatically, once and for all, that "he never had much opinion of London." As he had never visited London, his opinion was considered the less weighty, but, as he advanced no further speech, the sins and backslidings of the metropolis were strongly brought to mind by his condemnatory utterance. Policy and Dahlia's entreaties at last prevailed with the farmer, and so the fair girl went up to the great city.
After months of a division that was like the division of her living veins, and when the comfort of letters was getting cold, Rhoda, having previously pledged herself to secresy, though she could not guess why it was commanded, received a miniature portrait of Dahlia, so beautiful that her envy of London for holding her sister away from her, melted in gratitude. She had permission to keep the portrait a week; it was impossible to forbear from showing it to Mrs. Sumfit, who peeped in awe, and that emotion subsiding, shed tears abundantly. Why it was to be kept secret, they failed to inquire; the mystery was possibly not without its delights to them. Tears were shed again when the portrait had to be packed up and despatched. Rhoda lived on abashed by the adorable new refinement of Dahlia's features, and her heart yearned to her uncle for so caring to decorate the lovely face.
One day Rhoda was at her bed-room window, on the point of descending to encounter the daily dumpling, which was the principal and the unvarying item of the midday meal of the house, when she beheld a stranger trying to turn the handle of the iron gate. Her heart thumped. She divined correctly that it was her uncle. Dahlia had now been absent for very many months, and Rhoda's growing fretfulness sprang the conviction in her mind that something closer than letters must soon be coming. She ran downstairs, and along the gravel-path. He was a little man, square-built, and looking as if he had worn to toughness; with an evident Sunday suit on: black, and black gloves, though the day was only antecedent to Sunday.
"Let me help you, sir," she said, and her hands came in contact with his, and were squeezed.
"How is my sister?" She had no longer any fear in asking.
"Now, you let me through, first," he replied, imitating an arbitrary juvenile. "You're as tight locked in as if you was in dread of all the thieves of London. You ain't afraid o' me, miss? I'm not the party generally outside of a fortification; I ain't, I can assure you. I'm a defence party, and a reg'lar lion when I've got the law backing me."
He spoke in a queer, wheezy voice, like a cracked flute, combined with the effect of an ill-resined fiddle-bow.
"You are in the garden of Queen Anne's Farm," said Rhoda.
"And you're my pretty little niece, are you? 'the darkie lass,' as your father says. 'Little,' says I; why, you needn't be ashamed to stand beside a grenadier. Trust the country for growing fine gals."
"You are my uncle, then?" said Rhoda. "Tell me how my sister is. Is she well? Is she quite happy?"
"Dahly?" returned old Anthony, slowly.
"Yes, yes; my sister!" Rhoda looked at him with distressful eagerness.
"Now, don't you be uneasy about your sister Dahly." Old Anthony, as he spoke, fixed his small brown eyes on the girl, and seemed immediately to have departed far away in speculation. A question recalled him.
"Is her health good?"
"Ay; stomach's good, head's good, lungs, brain, what not, all good. She's a bit giddy, that's all."
"In her head?"
"Ay; and on her pins. Never you mind. You look a steady one, my dear. I shall take to you, I think."
"But my sister—" Rhoda was saying, when the farmer came out, and sent a greeting from the threshold,—
"Brother Tony!"
"Here he is, brother William John."
"Surely, and so he is, at last." The farmer walked up to him with his hand out.
"And it ain't too late, I hope. Eh?"
"It's never too late—to mend," said the farmer.