"What on earth induced you to talk about Protestants and Catholics marrying, Rip?" said Richard, as soon as they were in the street.
"Why," Ripton answered, "I was so hard pushed for it, 'pon my honour, I didn't know what to say. I ain't an author, you know; I can't make a story. I was trying to invent a point, and I couldn't think of any other, and I thought that was just the point likely to make a jolly good dispute. Capital dinners they give at those crack hotels. Why did you throw it all upon me? I didn't begin on the old lady."
The hero mused, "It's odd! It's impossible you could have known! I'll tell you why, Rip! I wanted to try you. You fib well at long range, but you don't do at close quarters and single combat. You're good behind walls, but not worth a shot in the open. I just see what you're fit for. You're staunch—that I am certain of. You always were. Lead the way to one of the parks—down in that direction. You know?—where she is!"
Ripton led the way. His dinner had prepared this young Englishman to defy the whole artillery of established morals. With the muffled roar of London around them, alone in a dark slope of green, the hero, leaning on his henchman, and speaking in a harsh clear undertone, delivered his explanations. Doubtless the true heroic insignia and point of view will be discerned, albeit in common private's uniform.
"They've been plotting against me for a year, Rip! When you see her, you'll know what it was to have such a creature taken away from you. It nearly killed me. Never mind what she is. She's the most perfect and noble creature God ever made! It's not only her beauty—I don't care so much about that!—but when you've once seen her, she seems to draw music from all the nerves of your body; but she's such an angel. I worship her. And her mind's like her face. She's pure gold. There, you'll see her to-night.
"Well," he pursued, after inflating Ripton with this rapturous prospect, "they got her away, and I recovered. It was Mister Adrian's work. What's my father's objection to her? Because of her birth? She's educated; her manners are beautiful—full of refinement—quick and soft! Can they show me one of their ladies like her?—she's the daughter of a naval lieutenant! Because she's a Catholic? What has religion to do with"—he pronounced "Love!" a little modestly—as it were a blush in his voice.
"Well, when I recovered I thought I did not care for her. It shows how we know ourselves! And I cared for nothing. I felt as if I had no blood. I tried to imitate my dear Austin. I wish to God he were here. I love Austin. He would understand her. He's coming back this year, and then—but it'll be too late then.—Well, my father's always scheming to make me perfect—he has never spoken to me a word about her, but I can see her in his eyes—he wanted to give me a change, he said, and asked me to come to town with my uncle Hippy, and I consented. It was another plot to get me out of the way! As I live, I had no more idea of meeting her than of flying to heaven!"
He lifted his face. "Look at those old elm branches! How they seem to mix among the stars!—glittering fruits of Winter!"
Ripton tipped his comical nose upward, and was in duty bound to say, Yes! though he observed no connection between them and the narrative.
"Well," the hero went on, "I came to town. There I heard she was coming, too—coming home. It must have been fate, Ripton! Heaven forgive me! I was angry with her, and I thought I should like to see her once—only once—and reproach her for being false—for she never wrote to me. And, oh, the dear angel! what she must have suffered!—I gave my uncle the slip, and got to the railway she was coming by. There was a fellow going to meet her—a farmer's son—and, good God! they were going to try and make her marry him! I remembered it all then. A servant of the farm had told me. That fellow went to the wrong station, I suppose, for we saw nothing of him. There she was—not changed a bit!—looking lovelier than ever! And when she saw me, I knew in a minute that she must love me till death!—You don't know what it is yet, Rip!—Will you believe, it?—Though I was as sure she loved me and had been true as steel, as that I shall see her to-night, I spoke bitterly to her. And she bore it meekly—she looked like a saint. I told her there was but one hope of life for me—she must prove she was true, and as I give up all, so must she. I don't know what I said. The thought of losing her made me mad. She tried to plead with me to wait—it was for my sake, I know. I pretended, like a miserable hypocrite, that she did not love me at all. I think I said shameful things. Oh what noble creatures women are! She hardly had strength to move. I took her to that place where you found us, Rip! she went down on her knees to me, I never dreamed of anything in life so lovely as she looked then. Her eyes were thrown up, bright with a crowd of tears—her dark brows bent together, like Pain and Beauty meeting in one; and her glorious golden hair swept off her shoulders as she hung forward to my hands.—Could I lose such a prize.—If anything could have persuaded me, would not that?—I thought of Dante's Madonna—Guido's Magdalen.—Is there sin in it? I see none! And if there is, it's all mine! I swear she's spotless of a thought of sin. I see her very soul? Cease to love her? Who dares ask me? Cease to love her? Why, I live on her!—To see her little chin straining up from her throat, as she knelt to me!—there was one curl that fell across her throat"….
Ripton listened for more. Richard had gone off in a muse at the picture.
"Well?" said Ripton, "and how about that young farmer fellow?"
The hero's head was again contemplating the starry branches. His lieutenant's question came to him after an interval.
"Young Tom? Why, it's young Torn Blaize—son of our old enemy, Rip! I like the old man now. Oh! I saw nothing of the fellow."
"Lord!" cried Ripton, "are we going to get into a mess with Blaizes again? I don't like that!"
His commander quietly passed his likes or dislikes.
"But when he goes to the train, and finds she's not there?" Ripton suggested.
"I've provided for that. The fool went to the South-east instead of the South-west. All warmth, all sweetness, comes with the South-west!—I've provided for that, friend Rip. My trusty Tom awaits him there, as if by accident. He tells him he has not seen her, and advises him to remain in town, and go for her there to-morrow, and the day following. Tom has money for the work. Young Tom ought to see London, you know, Rip!—like you. We shall gain some good clear days. And when old Blaize hears of it—what then? I have her! she's mine!—Besides, he won't hear for a week. This Tom beats that Tom in cunning, I'll wager. Ha! ha!" the hero burst out at a recollection. "What do you think, Rip? My father has some sort of System with me, it appears, and when I came to town the time before, he took me to some people—the Grandisons—and what do you think? one of the daughters is a little girl—a nice little thing enough very funny—and he wants me to wait for her! He hasn't said so, but I know it. I know what he means. Nobody understands him but me. I know he loves me, and is one of the best of men—but just consider!—a little girl who just comes up to my elbow. Isn't it ridiculous? Did you ever hear such nonsense?"
Ripton emphasized his opinion that it certainly was foolish.
"No, no! The die's cast!" said Richard. "They've been plotting for a year up to this day, and this is what comes of it! If my father loves me, he will love her. And if he loves me, he'll forgive my acting against his wishes, and see it was the only thing to be done. Come! step out! what a time we've been!" and away he went, compelling Ripton to the sort of strides a drummer-boy has to take beside a column of grenadiers.
Ripton began to wish himself in love, seeing that it endowed a man with wind so that he could breathe great sighs, while going at a tremendous pace, and experience no sensation of fatigue. The hero was communing with the elements, his familiars, and allowed him to pant as he pleased. Some keen-eyed Kensington urchins, noticing the discrepancy between the pedestrian powers of the two, aimed their wit at Mr. Thompson junior's expense. The pace, and nothing but the pace, induced Ripton to proclaim that they had gone too far, when they discovered that they had over shot the mark by half a mile. In the street over which stood love's star, the hero thundered his presence at a door, and evoked a flying housemaid, who knew not Mrs. Berry. The hero attached significance to the fact that his instincts should have betrayed him, for he could have sworn to that house. The door being shut he stood in dead silence.
"Haven't you got her card?" Ripton inquired, and heard that it was in the custody of the cabman. Neither of them could positively bring to mind the number of the house.
"You ought to have chalked it, like that fellow in the Forty Thieves,"Ripton hazarded a pleasantry which met with no response.
Betrayed by his instincts, the magic slaves of Love! The hero heavily descended the steps.
Ripton murmured that they were done for. His commander turned on him, and said: "Take all the houses on the opposite side, one after another. I'll take these." With a wry face Ripton crossed the road, altogether subdued by Richard's native superiority to adverse circumstances.
Then were families aroused. Then did mortals dimly guess that something portentous was abroad. Then were labourers all day in the vineyard, harshly wakened from their evening's nap. Hope and Fear stalked the street, as again and again the loud companion summonses resounded. Finally Ripton sang out cheerfully. He had Mrs. Berry before him, profuse of mellow curtsies.
Richard ran to her and caught her hands: "She's well?—upstairs?"
"Oh, quite well! only a trifle tired with her journey, and fluttering-like," Mrs. Berry replied to Ripton alone. The lover had flown aloft.
The wise woman sagely ushered Ripton into her own private parlour, there to wait till he was wanted.
"In all cases where two have joined to commit an offence, punish one of the two lightly," is the dictum of The Pilgrim's's Scrip.
It is possible for young heads to conceive proper plans of action, and occasionally, by sheer force of will, to check the wild horses that are ever fretting to gallop off with them. But when they have given the reins and the whip to another, what are they to do? They may go down on their knees, and beg and pray the furious charioteer to stop, or moderate his pace. Alas! each fresh thing they do redoubles his ardour: There is a power in their troubled beauty women learn the use of, and what wonder? They have seen it kindle Ilium to flames so often! But ere they grow matronly in the house of Menelaus, they weep, and implore, and do not, in truth, know how terribly two-edged is their gift of loveliness. They resign themselves to an incomprehensible frenzy; pleasant to them, because they attribute it to excessive love. And so the very sensible things which they can and do say, are vain.
I reckon it absurd to ask them to be quite in earnest. Are not those their own horses in yonder team? Certainly, if they were quite in earnest, they might soon have my gentleman as sober as a carter. A hundred different ways of disenchanting him exist, and Adrian will point you out one or two that shall be instantly efficacious. For Love, the charioteer, is easily tripped, while honest jog-trot Love keeps his legs to the end. Granted dear women are not quite in earnest, still the mere words they utter should be put to their good account. They do mean them, though their hearts are set the wrong way. 'Tis a despairing, pathetic homage to the judgment of the majority, in whose faces they are flying. Punish Helen, very young, lightly. After a certain age you may select her for special chastisement. An innocent with Theseus, with Paris she is an advanced incendiary.
The fair young girl was sitting as her lover had left her; trying to recall her stunned senses. Her bonnet was un-removed, her hands clasped on her knees; dry tears in her eyes. Like a dutiful slave, she rose to him. And first he claimed her mouth. There was a speech, made up of all the pretty wisdom her wild situation and true love could gather, awaiting him there; but his kiss scattered it to fragments. She dropped to her seat weeping, and hiding her shamed cheeks.
By his silence she divined his thoughts, and took his hand and drew it to her lips.
He bent beside her, bidding her look at him.
"Keep your eyes so."
She could not.
"Do you fear me, Lucy?"
A throbbing pressure answered him.
"Do you love me, darling?"
She trembled from head to foot.
"Then why do you turn from me?"
She wept: "O Richard, take me home! take me home!"
"Look at me, Lucy!"
Her head shrank timidly round.
"Keep your eyes on me, darling! Now speak!"
But she could not look and speak too. The lover knew his mastery when he had her eyes.
"You wish me to take you home?"
She faltered: "O Richard? it is not too late."
"You regret what you have done for me?"
"Dearest! it is ruin."
"You weep because you have consented to be mine?"
"Not for me! O Richard!"
"For me you weep? Look at me! For me?"
"How will it end! O Richard!"
"You weep for me?"
"Dearest! I would die for you!"
"Would you see me indifferent to everything in the world? Would you have me lost? Do you think I will live another day in England without you? I have staked all I have on you, Lucy. You have nearly killed me once. A second time, and the earth will not be troubled by me. You ask me to wait, when they are plotting against us on all sides? Darling Lucy! look on me. Fix—your fond eyes on me. You ask me to wait when here you are given to me when you have proved my faith—when we know we love as none have loved. Give me your eyes! Let them tell me I have your heart!"
Where was her wise little speech? How could she match such mighty eloquence? She sought to collect a few more of the scattered fragments.
"Dearest! your father may be brought to consent by and by, and then—oh! if you take me home now"—
The lover stood up. "He who has been arranging that fine scheme to disgrace and martyrize you? True, as I live! that's the reason of their having you back. Your old servant heard him and your uncle discussing it. He!—Lucy! he's a good man, but he must not step in between you and me. I say God has given you to me."
He was down by her side again, his arms enfolding her.
She had hoped to fight a better battle than in the morning, and she was weaker and softer.
Ah! why should she doubt that his great love was the first law to her? Why should she not believe that she would wreck him by resisting? And if she suffered, oh sweet to think it was for his sake! Sweet to shut out wisdom; accept total blindness, and be led by him!
The hag Wisdom annoyed them little further. She rustled her garments ominously, and vanished.
"Oh, my own Richard!" the fair girl just breathed.
He whispered, "Call me that name."
She blushed deeply.
"Call me that name," he repeated. "You said it once today."
"Dearest!"
Not that."
"O darling!"
"Not that."
"Husband!"
She was won. The rosy gate from which the word had issued was closed with a seal.
Ripton did not enjoy his introduction to the caged bird of beauty that night. He received a lesson in the art of pumping from the worthy landlady below, up to an hour when she yawned, and he blinked, and their common candle wore with dignity the brigand's hat of midnight, and cocked a drunken eye at them from under it.
Beauty, of course, is for the hero. Nevertheless, it is not always he on whom beauty works its most conquering influence. It is the dull commonplace man into whose slow brain she drops like a celestial light, and burns lastingly. The poet, for instance, is a connoisseur of beauty: to the artist she is a model. These gentlemen by much contemplation of her charms wax critical. The days when they had hearts being gone, they are haply divided between the blonde and the brunette; the aquiline nose and the Proserpine; this shaped eye and that. But go about among simple unprofessional fellows, boors, dunderheads, and here and there you shall find some barbarous intelligence which has had just strength enough to conceive, and has taken Beauty as its Goddess, and knows but one form to worship, in its poor stupid fashion, and would perish for her. Nay, more: the man would devote all his days to her, though he is dumb as a dog. And, indeed, he is Beauty's Dog. Almost every Beauty has her Dog. The hero possesses her; the poet proclaims her; the painter puts her upon canvas; and the faithful Old Dog follows her: and the end of it all is that the faithful Old Dog is her single attendant. Sir Hero is revelling in the wars, or in Armida's bowers; Mr. Poet has spied a wrinkle; the brush is for the rose in its season. She turns to her Old Dog then. She hugs him; and he, who has subsisted on a bone and a pat till there he squats decrepit, he turns his grateful old eyes up to her, and has not a notion that she is hugging sad memories in him: Hero, Poet, Painter, in one scrubby one! Then is she buried, and the village hears languid howls, and there is a paragraph in the newspapers concerning the extraordinary fidelity of an Old Dog.
Excited by suggestive recollections of Nooredeen and the Fair Persian, and the change in the obscure monotony of his life by his having quarters in a crack hotel, and living familiarly with West-End people—living on the fat of the land (which forms a stout portion of an honest youth's romance), Ripton Thompson breakfasted next morning with his chief at half-past eight. The meal had been fixed overnight for seven, but Ripton slept a great deal more than the nightingale, and (to chronicle his exact state) even half-past eight rather afflicted his new aristocratic senses and reminded him too keenly of law and bondage. He had preferred to breakfast at Algernon's hour, who had left word for eleven. Him, however, it was Richard's object to avoid, so they fell to, and Ripton no longer envied Hippias in bed. Breakfast done, they bequeathed the consoling information for Algernon that they were off to hear a popular preacher, and departed.
"How happy everybody looks!" said Richard, in the quiet Sunday streets.
"Yes—jolly!" said Ripton.
"When I'm—when this is over, I'll see that they are, too—as many as I can make happy," said the hero; adding softly: "Her blind was down at a quarter to six. I think she slept well!"
"You've been there this morning?" Ripton exclaimed; and an idea of what love was dawned upon his dull brain.
"Will she see me, Ricky?"
"Yes. She'll see you to-day. She was tired last night."
"Positively?"
Richard assured him that the privilege would be his.
"Here," he said, coming under some trees in the park, "here's where I talked to you last night. What a time it seems! How I hate the night!"
On the way, that Richard might have an exalted opinion of him, Ripton hinted decorously at a somewhat intimate and mysterious acquaintance with the sex. Headings of certain random adventures he gave.
"Well!" said his chief, "why not marry her?"
Then was Ripton shocked, and cried, "Oh!" and had a taste of the feeling of superiority, destined that day to be crushed utterly.
He was again deposited in Mrs. Berry's charge for a term that caused him dismal fears that the Fair Persian still refused to show her face, but Richard called out to him, and up Ripton went, unaware of the transformation he was to undergo. Hero and Beauty stood together to receive him. From the bottom of the stairs he had his vivaciously agreeable smile ready for them, and by the time he entered the room his cheeks were painfully stiff, and his eyes had strained beyond their exact meaning. Lucy, with one hand anchored to her lover, welcomed him kindly. He relieved her shyness by looking so extremely silly. They sat down, and tried to commence a conversation, but Ripton was as little master of his tongue as he was of his eyes. After an interval, the Fair Persian having done duty by showing herself, was glad to quit the room. Her lord and possessor then turned inquiringly to Ripton.
"You don't wonder now, Rip?" he said.
"No, Richard!" Ripton waited to reply with sufficient solemnity, "indeedI don't!"
He spoke differently; he looked differently. He had the Old Dog's eyes in his head. They watched the door she had passed through; they listened for her, as dogs' eyes do. When she came in, bonneted for a walk, his agitation was dog-like. When she hung on her lover timidly, and went forth, he followed without an idea of envy, or anything save the secret raptures the sight of her gave him, which are the Old Dog's own. For beneficent Nature requites him: His sensations cannot be heroic, but they have a fulness and a wagging delight as good in their way. And this capacity for humble unaspiring worship has its peculiar guerdon. When Ripton comes to think of Miss Random now, what will he think of himself? Let no one despise the Old Dog. Through him doth Beauty vindicate her sex.
It did not please Ripton that others should have the bliss of beholding her, and as, to his perceptions, everybody did, and observed her offensively, and stared, and turned their heads back, and interchanged comments on her, and became in a minute madly in love with her, he had to smother low growls. They strolled about the pleasant gardens of Kensington all the morning, under the young chestnut buds, and round the windless waters, talking, and soothing the wild excitement of their hearts. If Lucy spoke, Ripton pricked up his ears. She, too, made the remark that everybody seemed to look happy, and he heard it with thrills of joy. "So everybody is, where you are!" he would have wished to say, if he dared, but was restrained by fears that his burning eloquence would commit him. Ripton knew the people he met twice. It would have been difficult to persuade him they were the creatures of accident.
From the Gardens, in contempt of Ripton's frowned protest, Richard boldly struck into the park, where solitary carriages were beginning to perform the circuit. Here Ripton had some justification for his jealous pangs. The young girl's golden locks of hair; her sweet, now dreamily sad, face; her gentle graceful figure in the black straight dress she wore; a sort of half-conventual air she had—a mark of something not of class, that was partly beauty's, partly maiden innocence growing conscious, partly remorse at her weakness and dim fear of the future it was sowing—did attract the eye-glasses. Ripton had to learn that eyes are bearable, but eye-glasses an abomination. They fixed a spell upon his courage; for somehow the youth had always ranked them as emblems of our nobility, and hearing two exquisite eye-glasses, who had been to front and rear several times, drawl in gibberish generally imputed to lords, that his heroine was a charming little creature, just the size, but had no style,—he was abashed; he did not fly at them and tear them. He became dejected. Beauty's dog is affected by the eye-glass in a manner not unlike the common animal's terror of the human eye.
Richard appeared to hear nothing, or it was homage that he heard. He repeated to Lucy Diaper Sandoe's verses—
"The cockneys nod to each other aside,The coxcombs lift their glasses,"
and projected hiring a horse for her to ride every day in the park, and shine among the highest.
They had turned to the West, against the sky glittering through the bare trees across the water, and the bright-edged rack. The lover, his imagination just then occupied in clothing earthly glories in celestial, felt where his senses were sharpest the hand of his darling falter, and instinctively looked ahead. His uncle Algernon was leisurely jolting towards them on his one sound leg. The dismembered Guardsman talked to a friend whose arm supported him, and speculated from time to time on the fair ladies driving by. The two white faces passed him unobserved. Unfortunately Ripton, coming behind, went plump upon the Captain's live toe—or so he pretended, crying, "Confound it, Mr. Thompson! you might have chosen the other."
The horrible apparition did confound Ripton, who stammered that it was extraordinary.
"Not at all," said Algernon. "Everybody makes up to that fellow.Instinct, I suppose!"
He had not to ask for his nephew. Richard turned to face the matter.
"Sorry I couldn't wait for you this morning, uncle," he said, with the coolness of relationship. "I thought you never walked so far."
His voice was in perfect tone—the heroic mask admirable.
Algernon examined the downcast visage at his side, and contrived to allude to the popular preacher. He was instantly introduced to Ripton's sister, Miss Thompson.
The Captain bowed, smiling melancholy approval of his nephew's choice of a minister. After a few stray remarks, and an affable salute to Miss Thompson, he hobbled away, and then the three sealed volcanoes breathed, and Lucy's arm ceased to be squeezed quite so much up to the heroic pitch.
This incident quickened their steps homeward to the sheltering wings of Mrs. Berry. All that passed between them on the subject comprised a stammered excuse from Ripton for his conduct, and a good-humoured rejoinder from Richard, that he had gained a sister by it: at which Ripton ventured to wish aloud Miss Desborough would only think so, and a faint smile twitched poor Lucy's lips to please him. She hardly had strength to reach her cage. She had none to eat of Mrs. Berry's nice little dinner. To be alone, that she might cry and ease her heart of its accusing weight of tears, was all she prayed for. Kind Mrs. Berry, slipping into her bedroom to take off her things, found the fair body in a fevered shudder, and finished by undressing her completely and putting her to bed.
"Just an hour's sleep, or so," the mellifluous woman explained the case to the two anxious gentlemen. "A quiet sleep and a cup of warm tea goes for more than twenty doctors, it do—when there's the flutters," she pursued. "I know it by myself. And a good cry beforehand's better than the best of medicine."
She nursed them into a make-believe of eating, and retired to her softer charge and sweeter babe, reflecting, "Lord! Lord! the three of 'em don't make fifty! I'm as old as two and a half of 'em, to say the least." Mrs. Berry used her apron, and by virtue of their tender years took them all three into her heart.
Left alone, neither of the young men could swallow a morsel.
"Did you see the change come over her?" Richard whispered.
Ripton fiercely accused his prodigious stupidity.
The lover flung down his knife and fork: "What could I do? If I had said nothing, we should have been suspected. I was obliged to speak. And she hates a lie! See! it has struck her down. God forgive me!"
Ripton affected a serene mind: "It was a fright, Richard," he said. "That's what Mrs. Berry means by flutters. Those old women talk in that way. You heard what she said. And these old women know. I'll tell you what it is. It's this, Richard!—it's because you've got a fool for your friend!"
"She regrets it," muttered the lover. "Good God! I think she fears me."He dropped his face in his hands.
Ripton went to the window, repeating energetically for his comfort: "It's because you've got a fool for your friend!"
Sombre grew the street they had last night aroused. The sun was buried alive in cloud. Ripton saw himself no more in the opposite window. He watched the deplorable objects passing on the pavement. His aristocratic visions had gone like his breakfast. Beauty had been struck down by his egregious folly, and there he stood—a wretch!
Richard came to him: "Don't mumble on like that, Rip!" he said. "Nobody blames you."
"Ah! you're very kind, Richard," interposed the wretch, moved at the face of misery he beheld.
"Listen to me, Rip! I shall take her home to-night. Yes! If she's happier away from me!—do you think me a brute, Ripton? Rather than have her shed a tear, I'd!—I'll take her home to-night!"
Ripton suggested that it was sudden; adding from his larger experience, people perhaps might talk.
The lover could not understand what they should talk about, but he said: "If I give him who came for her yesterday the clue? If no one sees or hears of me, what can they say? O Rip! I'll give her up. I'm wrecked for ever! What of that? Yes—let them take her! The world in arms should never have torn her from me, but when she cries—Yes! all's over. I'll find him at once."
He searched in out-of-the-way corners for the hat of resolve. Ripton looked on, wretcheder than ever.
The idea struck him:—"Suppose, Richard, she doesn't want to go?"
It was a moment when, perhaps, one who sided with parents and guardians and the old wise world, might have inclined them to pursue their righteous wretched course, and have given small Cupid a smack and sent him home to his naughty Mother. Alas!(it is The Pilgrim's Scrip interjecting) women are the born accomplices of mischief! In bustles Mrs. Berry to clear away the refection, and finds the two knights helmed, and sees, though 'tis dusk, that they wear doubtful brows, and guesses bad things for her dear God Hymen in a twinkling.
"Dear! dear!" she exclaimed, "and neither of you eaten a scrap! And there's my dear young lady off into the prettiest sleep you ever see!"
"Ha?" cried the lover, illuminated.
"Soft as a baby!" Mrs. Berry averred. "I went to look at her this very moment, and there's not a bit of trouble in her breath. It come and it go like the sweetest regular instrument ever made. The Black Ox haven't trod on her foot yet! Most like it was the air of London. But only fancy, if you had called in a doctor! Why, I shouldn't have let her take any of his quackery. Now, there!"
Ripton attentively observed his chief, and saw him doff his hat with a curious caution, and peer into its recess, from which, during Mrs. Berry's speech, he drew forth a little glove—dropped there by some freak of chance.
"Keep me, keep me, now you have me!" sang the little glove, and amused the lover with a thousand conceits.
"When will she wake, do you think, Mrs. Berry?" he asked.
"Oh! we mustn't go for disturbing her," said the guileful good creature. "Bless ye! let her sleep it out. And if you young gentlemen was to take my advice, and go and take a walk for to get a appetite—everybody should eat! it's their sacred duty, no matter what their feelings be! and I say it who'm no chicken!—I'll frickashee this—which is a chicken—against your return. I'm a cook, I can assure ye!"
The lover seized her two hands. "You're the best old soul in the world!" he cried. Mrs. Berry appeared willing to kiss him. "We won't disturb her. Let her sleep. Keep her in bed, Mrs. Berry. Will you? And we'll call to inquire after her this evening, and come and see her to-morrow. I'm sure you'll be kind to her. There! there!" Mrs. Berry was preparing to whimper. "I trust her to you, you see. Good-bye, you dear old soul."
He smuggled a handful of gold into her keeping, and went to dine with his uncles, happy and hungry.
Before they reached the hotel, they had agreed to draw Mrs. Berry into their confidence, telling her (with embellishments) all save their names, so that they might enjoy the counsel and assistance of that trump of a woman, and yet have nothing to fear from her. Lucy was to receive the name of Letitia, Ripton's youngest and best-looking sister. The heartless fellow proposed it in cruel mockery of an old weakness of hers.
"Letitia!" mused Richard. "I like the name. Both begin with L. There's something soft—womanlike—in the L.'s."
Material Ripton remarked that they looked like pounds on paper. The lover roamed through his golden groves. "Lucy Feverel! that sounds better! I wonder where Ralph is. I should like to help him. He's in love with my cousin Clare. He'll never do anything till he marries. No man can. I'm going to do a hundred things when it's over. We shall travel first. I want to see the Alps. One doesn't know what the earth is till one has seen the Alps. What a delight it will be to her! I fancy I see her eyes gazing up at them.
'And oh, your dear blue eyes, that heavenward glanceWith kindred beauty, banished humbleness,Past weeping for mortality's distress—Yet from your soul a tear hangs there in trance.And fills, but does not fall;Softly I hear it callAt heaven's gate, till Sister Seraphs pressTo look on you their old love from the skies:Those are the eyes of Seraphs bright on your blue eyes!
"Beautiful! These lines, Rip, were written by a man who was once a friend of my father's. I intend to find him and make them friends again. You don't care for poetry. It's no use your trying to swallow it, Rip!"
"It sounds very nice," said Ripton, modestly shutting his mouth.
"The Alps! Italy! Rome! and then I shall go to the East," the hero continued. "She's ready to go anywhere with me, the dear brave heart! Oh, the glorious golden East! I dream of the desert. I dream I'm chief of an Arab tribe, and we fly all white in the moonlight on our mares, and hurry to the rescue of my darling! And we push the spears, and we scatter them, and I come to the tent where she crouches, and catch her to my saddle, and away!—Rip! what a life!"
Ripton strove to imagine he could enjoy it.
"And then we shall come home, and I shall lead Austin's life, with her to help me. First be virtuous, Rip! and then serve your country heart and soul. A wise man told me that. I think I shall do something."
Sunshine and cloud, cloud and sunshine, passed over the lover. Now life was a narrow ring; now the distances extended, were winged, flew illimitably. An hour ago and food was hateful. Now he manfully refreshed his nature, and joined in Algernon's encomiums on Miss Letitia Thompson.
Meantime Beauty slept, watched by the veteran volunteer of the hero's band. Lucy awoke from dreams which seemed reality, to the reality which was a dream. She awoke calling for some friend, "Margaret!" and heard one say, "My name is Bessy Berry, my love! not Margaret." Then she asked piteously where she was, and where was Margaret, her dear friend, and Mrs. Berry whispered, "Sure you've got a dearer!"
"Ah!" sighed Lucy, sinking on her pillow, overwhelmed by the strangeness of her state.
Mrs. Berry closed the frill of her nightgown and adjusted the bedclothes quietly.
Her name was breathed.
"Yes, my love?" she said.
"Is he here?"
"He's gone, my dear."
"Gone?—Oh, where?" The young girl started up in disorder.
"Gone, to be back, my love! Ah! that young gentleman!" Mrs. Berry chanted: "Not a morsel have he eat; not a drop have he drunk!"
"O Mrs. Berry! why did you not make him?" Lucy wept for the famine-struck hero, who was just then feeding mightily.
Mrs. Berry explained that to make one eat who thought the darling of his heart like to die, was a sheer impossibility for the cleverest of women; and on this deep truth Lucy reflected, with her eyes wide at the candle. She wanted one to pour her feelings out to. She slid her hand from under the bedclothes, and took Mrs. Berry's, and kissed it. The good creature required no further avowal of her secret, but forthwith leaned her consummate bosom to the pillow, and petitioned heaven to bless them both!—Then the little bride was alarmed, and wondered how Mrs. Berry could have guessed it.
"Why," said Mrs. Berry, "your love is out of your eyes, and out of everything ye do." And the little bride wondered more. She thought she had been so very cautious not to betray it. The common woman in them made cheer together after their own April fashion. Following which Mrs. Berry probed for the sweet particulars of this beautiful love-match; but the little bride's lips were locked. She only said her lover was above her in station.
"And you're a Catholic, my dear!"
"Yes, Mrs. Berry!"
"And him a Protestant."
"Yes, Mrs. Berry!"
"Dear, dear!—And why shouldn't ye be?" she ejaculated, seeing sadness return to the bridal babe. "So as you was born, so shall ye be! But you'll have to make your arrangements about the children. The girls to worship with yet, the boys with him. It's the same God, my dear! You mustn't blush at it, though you do look so pretty. If my young gentleman could see you now!"
"Please, Mrs. Berry!" Lucy murmured.
"Why, he will, you know, my dear!"
"Oh, please, Mrs. Berry!"
"And you that can't bear the thoughts of it! Well, I do wish there was fathers and mothers on both sides and dock-ments signed, and bridesmaids, and a breakfast! but love is love, and ever will be, in spite of them."
She made other and deeper dives into the little heart, but though she drew up pearls, they were not of the kind she searched for. The one fact that hung as a fruit upon her tree of Love, Lucy had given her; she would not, in fealty to her lover, reveal its growth and history, however sadly she yearned to pour out all to this dear old Mother Confessor.
Her conduct drove Mrs. Berry from the rosy to the autumnal view of matrimony, generally heralded by the announcement that it is a lottery.
"And when you see your ticket," said Mrs. Berry, "you shan't know whether it's a prize or a blank. And, Lord knows! some go on thinking it's a prize when it turns on 'em and tears 'em. I'm one of the blanks, my dear! I drew a blank in Berry. He was a black Berry to me, my dear! Smile away! he truly was, and I a-prizin' him as proud as you can conceive! My dear!" Mrs. Berry pressed her hands flat on her apron. "We hadn't been a three months man and wife, when that man—it wasn't the honeymoon, which some can't say—that man—Yes! he kicked me. His wedded wife he kicked! Ah!" she sighed to Lucy's large eyes, "I could have borne that. A blow don't touch the heart," the poor creature tapped her sensitive side. "I went on loving of him, for I'm a soft one. Tall as a Grenadier he is, and when out of service grows his moustache. I used to call him my body-guardsman like a Queen! I flattered him like the fools we women are. For, take my word for it, my dear, there's nothing here below so vain as a man! That I know. But I didn't deserve it…. I'm a superior cook …. I did not deserve that noways." Mrs. Berry thumped her knee, and accentuated up her climax: "I mended his linen. I saw to his adornments—he called his clothes, the bad man! I was a servant to him, my dear! and there—it was nine months—nine months from the day he swear to protect and cherish and that—nine calendar months, and my gentleman is off with another woman! Bone of his bone!—pish!" exclaimed Mrs. Berry, reckoning her wrongs over vividly. "Here's my ring. A pretty ornament! What do it mean? I'm for tearin' it off my finger a dozen times in the day. It's a symbol? I call it a tomfoolery for the dead-alive to wear it, that's a widow and not a widow, and haven't got a name for what she is in any Dixonary, I've looked, my dear, and"—she spread out her arms—"Johnson haven't got a name for me!"
At this impressive woe Mrs. Berry's voice quavered into sobs. Lucy spoke gentle words to the poor outcast from Johnson. The sorrows of Autumn have no warning for April. The little bride, for all her tender pity, felt happier when she had heard her landlady's moving tale of the wickedness of man, which cast in bright relief the glory of that one hero who was hers. Then from a short flight of inconceivable bliss, she fell, shot by one of her hundred Argus-eyed fears.
"O Mrs. Berry! I'm so young! Think of me—only just seventeen!"
Mrs. Berry immediately dried her eyes to radiance. "Young, my dear! Nonsense! There's no so much harm in being young, here and there. I knew an Irish lady was married at fourteen. Her daughter married close over fourteen. She was a grandmother by thirty! When any strange man began, she used to ask him what pattern caps grandmothers wore. They'd stare! Bless you! the grandmother could have married over and over again. It was her daughter's fault, not hers, you know."
"She was three years younger," mused Lucy.
"She married beneath her, my dear. Ran off with her father's bailiff's son. 'Ah, Berry!' she'd say, 'if I hadn't been foolish, I should be my lady now—not Granny!' Her father never forgave her—left all his estates out of the family."
"Did her husband always love her?" Lucy preferred to know.
"In his way, my dear, he did," said Mrs. Berry, coming upon her matrimonial wisdom. "He couldn't help himself. If he left off, he began again. She was so clever, and did make him so comfortable. Cook! there wasn't such another cook out of a Alderman's kitchen; no, indeed! And she a born lady! That tells ye it's the duty of all women! She had her saying 'When the parlour fire gets low, put coals on the ketchen fire!' and a good saying it is to treasure. Such is man! no use in havin' their hearts if ye don't have their stomachs."
Perceiving that she grew abstruse, Mrs. Berry added briskly: "You know nothing about that yet, my dear. Only mind me and mark me: don't neglect your cookery. Kissing don't last: cookery do!"
Here, with an aphorism worthy a place in The Pilgrim'S Scrip, she broke off to go posseting for her dear invalid. Lucy was quite well; very eager to be allowed to rise and be ready when the knock should come. Mrs. Berry, in her loving considerateness for the little bride, positively commanded her to lie down, and be quiet, and submit to be nursed and cherished. For Mrs. Berry well knew that ten minutes alone with the hero could only be had while the little bride was in that unattainable position.
Thanks to her strategy, as she thought, her object was gained. The night did not pass before she learnt, from the hero's own mouth, that Mr. Richards, the father of the hero, and a stern lawyer, was adverse to his union with this young lady he loved, because of a ward of his, heiress to an immense property, whom he desired his son to espouse; and because his darling Letitia was a Catholic—Letitia, the sole daughter of a brave naval officer deceased, and in the hands of a savage uncle, who wanted to sacrifice this beauty to a brute of a son. Mrs. Berry listened credulously to the emphatic narrative, and spoke to the effect that the wickedness of old people formed the excuse for the wildness of young ones. The ceremonious administration of oaths of secrecy and devotion over, she was enrolled in the hero's band, which now numbered three, and entered upon the duties with feminine energy, for there are no conspirators like women. Ripton's lieutenancy became a sinecure, his rank merely titular. He had never been married—he knew nothing about licences, except that they must be obtained, and were not difficult—he had not an idea that so many days' warning must be given to the clergyman of the parish where one of the parties was resident. How should he? All his forethought was comprised in the ring, and whenever the discussion of arrangements for the great event grew particularly hot and important, he would say, with a shrewd nod: "We mustn't forget the ring, you know, Mrs. Berry!" and the new member was only prevented by natural complacence from shouting: "Oh, drat ye! and your ring too." Mrs. Berry had acted conspicuously in fifteen marriages, by banns, and by licence, and to have such an obvious requisite dinned in her ears was exasperating. They could not have contracted alliance with an auxiliary more invaluable, an authority so profound; and they acknowledged it to themselves. The hero marched like an automaton at her bidding; Lieutenant Thompson was rejoiced to perform services as errand-boy in the enterprise.
"It's in hopes you'll be happier than me, I do it," said the devout and charitable Berry. "Marriages is made in heaven, they say; and if that's the case, I say they don't take much account of us below!"
Her own woeful experiences had been given to the hero in exchange for his story of cruel parents.
Richard vowed to her that he would henceforth hold it a duty to hunt out the wanderer from wedded bonds, and bring him back bound and suppliant.
"Oh, he'll come!" said Mrs. Berry, pursing prophetic wrinkles: "he'll come of his own accord. Never anywhere will he meet such a cook as Bessy Berry! And he know her value in his heart of hearts. And I do believe, when he do come, I shall be opening these arms to him again, and not slapping his impidence in the face—I'm that soft! I always was—in matrimony, Mr. Richards!"
As when nations are secretly preparing for war, the docks and arsenals hammer night and day, and busy contractors measure time by inches, and the air hums around: for leagues as it were myriads of bees, so the house and neighbourhood of the matrimonial soft one resounded in the heroic style, and knew little of the changes of light decreed by Creation. Mrs. Berry was the general of the hour. Down to Doctors' Commons she expedited the hero, instructing him how boldly to face the Law, and fib: for that the Law never could mist a fib and a bold face. Down the hero went, and proclaimed his presence. And lo! the Law danced to him its sedatest lovely bear's-dance. Think ye the Lawless susceptible to him than flesh and blood? With a beautiful confidence it put the few familiar questions to him, and nodded to his replies: then stamped the bond, and took the fee. It must be an old vagabond at heart that can permit the irrevocable to go so cheap, even to a hero. For only mark him when he is petitioned by heroes and heroines to undo what he does so easily! That small archway of Doctors' Commons seems the eye of a needle, through which the lean purse has a way, somehow, of slipping more readily than the portly; but once through, all are camels alike, the lean purse an especially big camel. Dispensing tremendous marriage as it does, the Law can have no conscience.
"I hadn't the slightest difficulty," said the exulting hero.
"Of course not!" returns Mrs. Berry. "It's as easy, if ye're in earnest, as buying a plum bun."
Likewise the ambassador of the hero went to claim the promise of the Church to be in attendance on a certain spot, on a certain day, and there hear oath of eternal fealty, and gird him about with all its forces: which the Church, receiving a wink from the Law, obsequiously engaged to do, for less than the price of a plum-cake.
Meantime, while craftsmen and skilled women, directed by Mrs. Berry, were toiling to deck the day at hand, Raynham and Belthorpe slept,—the former soundly; and one day was as another to them. Regularly every morning a letter arrived from Richard to his father, containing observations on the phenomena of London; remarks (mainly cynical) on the speeches and acts of Parliament; and reasons for not having yet been able to call on the Grandisons. They were certainly rather monotonous and spiritless. The baronet did not complain. That cold dutiful tone assured him there was no internal trouble or distraction. "The letters of a healthful physique!" he said to Lady Blandish, with sure insight. Complacently he sat and smiled, little witting that his son's ordeal was imminent, and that his son's ordeal was to be his own. Hippias wrote that his nephew was killing him by making appointments which he never kept, and altogether neglecting him in the most shameless way, so that his ganglionic centre was in a ten times worse state than when he left Raynham. He wrote very bitterly, but it was hard to feel compassion for his offended stomach.
On the other hand, young Tom Blaize was not forthcoming, and had despatched no tidings whatever. Farmer Blaize smoked his pipe evening after evening, vastly disturbed. London was a large place—young Tom might be lost in it, he thought; and young Tom had his weaknesses. A wolf at Belthorpe, he was likely to be a sheep in London, as yokels have proved. But what had become of Lucy? This consideration almost sent Farmer Blaize off to London direct, and he would have gone had not his pipe enlightened him. A young fellow might play truant and get into a scrape, but a young man and a young woman were sure to be heard of, unless they were acting in complicity. Why, of course, young Tom had behaved like a man, the rascal! and married her outright there, while he had the chance. It was a long guess. Still it was the only reasonable way of accounting for his extraordinary silence, and therefore the farmer held to it that he had done the deed. He argued as modern men do who think the hero, the upsetter of ordinary calculations, is gone from us. So, after despatching a letter to a friend in town to be on the outlook for son Tom, he continued awhile to smoke his pipe, rather elated than not, and mused on the shrewd manner he should adopt when Master Honeymoon did appear.
Toward the middle of the second week of Richard's absence, Tom Bakewell came to Raynham for Cassandra, and privately handed a letter to the Eighteenth Century, containing a request for money, and a round sum. The Eighteenth Century was as good as her word, and gave Tom a letter in return, enclosing a cheque on her bankers, amply providing to keep the heroic engine in motion at a moderate pace. Tom went back, and Raynham and Lobourne slept and dreamed not of the morrow. The System, wedded to Time, slept, and knew not how he had been outraged—anticipated by seven pregnant seasons. For Time had heard the hero swear to that legalizing instrument, and had also registered an oath. Ah me! venerable Hebrew Time! he is unforgiving. Half the confusion and fever of the world comes of this vendetta he declares against the hapless innocents who have once done him a wrong. They cannot escape him. They will never outlive it. The father of jokes, he is himself no joke; which it seems the business of men to discover.
The days roll round. He is their servant now. Mrs. Berry has a new satin gown, a beautiful bonnet, a gold brooch, and sweet gloves, presented to her by the hero, wherein to stand by his bride at the altar to-morrow; and, instead of being an old wary hen, she is as much a chicken as any of the party, such has been the magic of these articles. Fathers she sees accepting the facts produced for them by their children; a world content to be carved out as it pleases the hero.
At last Time brings the bridal eve, and is blest as a benefactor. The final arrangements are made; the bridegroom does depart; and Mrs. Berry lights the little bride to her bed. Lucy stops on the landing where there is an old clock eccentrically correct that night. 'Tis the palpitating pause before the gates of her transfiguration. Mrs. Berry sees her put her rosy finger on the One about to strike, and touch all the hours successively till she comes to the Twelve that shall sound "Wife" in her ears on the morrow, moving her lips the while, and looking round archly solemn when she has done; and that sight so catches at Mrs. Berry's heart that, not guessing Time to be the poor child's enemy, she endangers her candle by folding Lucy warmly in her arms, whimpering; "Bless you for a darling! you innocent lamb! You shall be happy! You shall!"
Old Time gazes grimly ahead.
Although it blew hard when Caesar crossed the Rubicon, the passage of that river is commonly calm; calm as Acheron. So long as he gets his fare, the ferryman does not need to be told whom he carries: he pulls with a will, and heroes may be over in half-an-hour. Only when they stand on the opposite bank, do they see what a leap they have taken. The shores they have relinquished shrink to an infinite remoteness. There they have dreamed: here they must act. There lie youth and irresolution: here manhood and purpose. They are veritably in another land: a moral Acheron divides their life. Their memories scarce seem their own! The Philosophical Geography (about to be published) observes that each man has, one time or other, a little Rubicon—a clear or a foul water to cross. It is asked him: "Wilt thou wed this Fate, and give up all behind thee?" And "I will," firmly pronounced, speeds him over. The above-named manuscript authority informs us, that by far the greater number of caresses rolled by this heroic flood to its sister stream below, are those of fellows who have repented their pledge, and have tried to swim back to the bank they have blotted out. For though every man of us may be a hero for one fatal minute, very few remain so after a day's march even: and who wonders that Madam Fate is indignant, and wears the features of the terrible Universal Fate to him? Fail before her, either in heart or in act, and lo, how the alluring loves in her visage wither and sicken to what it is modelled on! Be your Rubicon big or small, clear or foul, it is the same: you shall not return. On—or to Acheron!—I subscribe to that saying of The Pilgrim's Scrip:
"The danger of a little knowledge of things is disputable: but beware the little knowledge of one's self!"
Richard Feverel was now crossing the River of his Ordeal. Already the mists were stealing over the land he had left: his life was cut in two, and he breathed but the air that met his nostrils. His father, his father's love, his boyhood and ambition, were shadowy. His poetic dreams had taken a living attainable shape. He had a distincter impression of the Autumnal Berry and her household than of anything at Raynham. And yet the young man loved his father, loved his home: and I daresay Caesar loved Rome: but whether he did or no, Caesar when he killed the Republic was quite bald, and the hero we are dealing with is scarce beginning to feel his despotic moustache. Did he know what he was made of? Doubtless, nothing at all. But honest passion has an instinct that can be safer than conscious wisdom. He was an arrow drawn to the head, flying from the bow. His audacious mendacities and subterfuges did not strike him as in any way criminal; for he was perfectly sure that the winning and securing of Lucy would in the end be boisterously approved of, and in that case, were not the means justified? Not that he took trouble to argue thus, as older heroes and self-convicting villains are in the habit of doing; to deduce a clear conscience. Conscience and Lucy went together.
It was a soft fair day. The Rubicon sparkled in the morning sun. One of those days when London embraces the prospect of summer, and troops forth all its babies. The pavement, the squares, the parks, were early alive with the cries of young Britain. Violet and primrose girls, and organ boys with military monkeys, and systematic bands very determined in tone if not in tune, filled the atmosphere, and crowned the blazing procession of omnibuses, freighted with business men, Cityward, where a column of reddish brown smoke,—blown aloft by the South-west, marked the scene of conflict to which these persistent warriors repaired. Richard had seen much of early London that morning. His plans were laid. He had taken care to ensure his personal liberty against accidents, by leaving his hotel and his injured uncle Hippias at sunrise. To-day or to-morrow his father was to arrive. Farmer Blaize, Tom Bakewell reported to him, was raging in town. Another day and she might be torn from him: but to-day this miracle of creation would be his, and then from those glittering banks yonder, let them summon him to surrender her who dared! The position of things looked so propitious that he naturally thought the powers waiting on love conspired in his behalf. And she, too—since she must cross this river, she had sworn to him to be brave, and do him honour, and wear the true gladness of her heart in her face. Without a suspicion of folly in his acts, or fear of results, Richard strolled into Kensington Gardens, breakfasting on the foreshadow of his great joy, now with a vision of his bride, now of the new life opening to him. Mountain masses of clouds, rounded in sunlight, swung up the blue. The flowering chestnut pavilions overhead rustled and hummed. A sound in his ears as of a banner unfolding in the joyful distance lulled him.
He was to meet his bride at the church at a quarter past eleven. His watch said a quarter to ten. He strolled on beneath the long-stemmed trees toward the well dedicated to a saint obscure. Some people were drinking at the well. A florid lady stood by a younger one, who had a little silver mug half-way to her mouth, and evinced undisguised dislike to the liquor of the salutary saint.
"Drink, child!" said the maturer lady. "That is only your second mug. I insist upon your drinking three full ones every morning we're in town. Your constitution positively requires iron!"
"But, mama," the other expostulated, "it's so nasty. I shall be sick."
"Drink!" was the harsh injunction. "Nothing to the German waters, my dear. Here, let me taste." She took the mug and gave it a flying kiss. "I declare I think it almost nice—not at all objectionable. Pray, taste it," she said to a gentleman standing below them to act as cup-bearer.
An unmistakable cis-Rubicon voice replied: "Certainly, if it's good fellowship; though I confess I don't think mutual sickness a very engaging ceremony."
Can one never escape from one's relatives? Richard ejaculated inwardly.
Without a doubt those people were Mrs. Doria, Clare, and Adrian. He had them under his eyes.
Clare, peeping up from her constitutional dose to make sure no man was near to see the possible consequence of it, was the first to perceive him. Her hand dropped.
"Now, pray, drink, and do not fuss!" said Mrs. Doria.
"Mama!" Clare gasped.
Richard came forward and capitulated honourably, since retreat was out of the question. Mrs. Doria swam to meet him: "My own boy! My dear Richard!" profuse of exclamations. Clare shyly greeted him. Adrian kept in the background.
"Why, we were coming for you to-day, Richard," said Mrs. Doria, smiling effusion; and rattled on, "We want another cavalier. This is delightful! My dear nephew! You have grown from a boy to a man. And there's down on his lip! And what brings you here at such an hour in the morning? Poetry, I suppose! Here, take my, arm, child.—Clare! finish that mug and thank your cousin for sparing you the third. I always bring her, when we are by a chalybeate, to take the waters before breakfast. We have to get up at unearthly hours. Think, my dear boy! Mothers are sacrifices! And so you've been alone a fortnight with your agreeable uncle! A charming time of it you must have had! Poor Hippias! what may be his last nostrum?"
"Nephew!" Adrian stretched his head round to the couple. "Doses of nephew taken morning and night fourteen days! And he guarantees that it shall destroy an iron constitution in a month."
Richard mechanically shook Adrian's hand as he spoke.
"Quite well, Ricky?"
"Yes: well enough," Richard answered.
"Well?" resumed his vigorous aunt, walking on with him, while Clare and Adrian followed. "I really never saw you looking so handsome. There's something about your face—look at me—you needn't blush. You've grown to an Apollo. That blue buttoned-up frock coat becomes you admirably—and those gloves, and that easy neck-tie. Your style is irreproachable, quite a style of your own! And nothing eccentric. You have the instinct of dress. Dress shows blood, my dear boy, as much as anything else. Boy!—you see, I can't forget old habits. You were a boy when I left, and now!—Do you see any change in him, Clare?" she turned half round to her daughter.
"Richard is looking very well, mama," said Clare, glancing at him under her eyelids.
"I wish I could say the same of you, my dear.—Take my arm, Richard. Are you afraid of your aunt? I want to get used to you. Won't it be pleasant, our being all in town together in the season? How fresh the Opera will be to you! Austin, I hear, takes stalls. You can come to the Forey's box when you like. We are staying with the Foreys close by here. I think it's a little too far out, you know; but they like the neighbourhood. This is what I have always said: Give him more liberty! Austin has seen it at last. How do you think Clare looking?"
The question had to be repeated. Richard surveyed his cousin hastily, and praised her looks.
"Pale!" Mrs. Doria sighed.
"Rather pale, aunt."
"Grown very much—don't you think, Richard?"
"Very tall girl indeed, aunt."
"If she had but a little more colour, my dear Richard! I'm sure I give her all the iron she can swallow, but that pallor still continues. I think she does not prosper away from her old companion. She was accustomed to look up to you, Richard"—
"Did you get Ralph's letter, aunt?" Richard interrupted her.
"Absurd!" Mrs. Doria pressed his arm. "The nonsense of a boy! Why did you undertake to forward such stuff?"
"I'm certain he loves her," said Richard, in a serious way.
The maternal eyes narrowed on him. "Life, my dear Richard, is a game of cross-purposes," she observed, dropping her fluency, and was rather angered to hear him laugh. He excused himself by saying that she spoke so like his father.
"You breakfast with us," she freshened off again. "The Foreys wish to see you; the girls are dying to know you. Do you know, you have a reputation on account of that"—she crushed an intruding adjective—"System you were brought up on. You mustn't mind it. For my part, I think you look a credit to it. Don't be bashful with young women, mind! As much as you please with the old ones. You know how to behave among men. There you have your Drawing-room Guide! I'm sure I shall be proud of you. Am I not?"
Mrs. Doria addressed his eyes coaxingly.
A benevolent idea struck Richard, that he might employ the minutes to spare, in pleading the case of poor Ralph; and, as he was drawn along, he pulled out his watch to note the precise number of minutes he could dedicate to this charitable office.
"Pardon me," said Mrs. Doria. "You want manners, my dear boy. I think it never happened to me before that a man consulted his watch in my presence."
Richard mildly replied that he had an engagement at a particular hour, up to which he was her servant.
"Fiddlededee!" the vivacious lady sang. "Now I've got you, I mean to keep you. Oh! I've heard all about you. This ridiculous indifference that your father makes so much of! Why, of course, you wanted to see the world! A strong healthy young man shut up all his life in a lonely house—no friends, no society, no amusements but those of rustics! Of course you were indifferent! Your intelligence and superior mind alone saved you from becoming a dissipated country boor.—Where are the others?"
Clare and Adrian came up at a quick pace.
"My damozel dropped something," Adrian explained.
Her mother asked what it was.
"Nothing, mama," said Clare, demurely, and they proceeded as before.
Overborne by his aunt's fluency of tongue, and occupied in acute calculation of the flying minutes, Richard let many pass before he edged in a word for Ralph. When he did, Mrs. Doria stopped him immediately.
"I must tell you, child, that I refuse to listen to such rank idiotcy."
"It's nothing of the kind, aunt."
"The fancy of a boy."
"He's not a boy. He's half-a-year older than I am!"
"You silly child! The moment you fall in love, you all think yourselves men."
"On my honour, aunt! I believe he loves her thoroughly."
"Did he tell you so, child?"
"Men don't speak openly of those things," said Richard.
"Boys do," said Mrs. Doria.
"But listen to me in earnest, aunt. I want you to be kind to Ralph. Don't drive him to—You maybe sorry for it. Let him—do let him write to her, and see her. I believe women are as cruel as men in these things."
"I never encourage absurdity, Richard."
"What objection have you to Ralph, aunt?"
"Oh, they're both good families. It's not that absurdity, Richard. It will be to his credit to remember that his first fancy wasn't a dairymaid." Mrs. Doria pitched her accent tellingly. It did not touch her nephew.
"Don't you want Clare ever to marry?" He put the last point of reason to her.
Mrs. Doria laughed. "I hope so, child. We must find some comfortable old gentleman for her."
"What infamy!" mutters Richard.
"And I engage Ralph shall be ready to dance at her wedding, or eat a hearty breakfast—We don't dance at weddings now, and very properly. It's a horrid sad business, not to be treated with levity.—Is that his regiment?" she said, as they passed out of the hussar-sentinelled gardens. "Tush, tush, child! Master Ralph will recover, as—hem! others have done. A little headache—you call it heartache—and up you rise again, looking better than ever. No doubt, to have a grain of sense forced into your brains, you poor dear children! must be painful.. Girls suffer as much as boys, I assure you. More, for their heads are weaker, and their appetites less constant. Do I talk like your father now? Whatever makes the boy fidget at his watch so?"
Richard stopped short. Time spoke urgently.
"I must go," he said.
His face did not seem good for trifling. Mrs. Doria would trifle in spite.
"Listen, Clare! Richard is going. He says he has an engagement. What possible engagement can a young man have at eleven o'clock in the morning?—unless it's to be married!" Mrs. Doria laughed at the ingenuity of her suggestion.
"Is the church handy, Ricky?" said Adrian. "You can still give us half-an-hour if it is. The celibate hours strike at Twelve." And he also laughed in his fashion.
"Won't you stay with us, Richard?" Clare asked. She blushed timidly, and her voice shook.
Something indefinite—a sharp-edged thrill in the tones made the burning bridegroom speak gently to her.
"Indeed, I would, Clare; I should like to please you, but I have a most imperative appointment—that is, I promised—I must go. I shall see you again"—
Mrs. Doria, took forcible possession of him. "Now, do come, and don't waste words. I insist upon your having some breakfast first, and then, if you really must go, you shall. Look! there's the house. At least you will accompany your aunt to the door."
Richard conceded this. She little imagined what she required of him. Two of his golden minutes melted into nothingness. They were growing to be jewels of price, one by one more and more precious as they ran, and now so costly-rare—rich as his blood! not to kindest relations, dearest friends, could he give another. The die is cast! Ferryman! push off.