In a valley, not far from the margin of a beautiful river, raised on a lofty and artificial terrace at the base of a range of wooded heights, was a pile of modern building in the finest style of Christian architecture. It was of great extent and richly decorated. Built of a white and glittering stone, it sparkled with its pinnacles in the sunshine as it rose in strong relief against its verdant background. The winding valley, which was studded, but not too closely studded, with clumps of old trees, formed for a great extent on either side of the mansion a grassy demesne, which was called the Lower Park; but it was a region bearing the name of the Upper Park, that was the peculiar and most picturesque feature of this splendid residence. The wooded heights that formed the valley were not, as they appeared, a range of hills. Their crest was only the abrupt termination of a vast and enclosed tableland, abounding in all the qualities of the ancient chase: turf and trees, a wilderness of underwood, and a vast spread of gorse and fern. The deer, that abounded, lived here in a world as savage as themselves: trooping down in the evening to the river. Some of them, indeed, were ever in sight of those who were in the valley, and you might often observe various groups clustered on the green heights above the mansion, the effect of which was most inspiriting and graceful. Sometimes in the twilight, a solitary form, magnified by the illusive hour, might be seen standing on the brink of the steep, large and black against the clear sky.
We have endeavoured slightly to sketch St. Geneviève as it appeared to our friends from Beaumanoir, winding into the valley the day after Mr. Lyle had dined with them. The valley opened for about half-a-mile opposite the mansion, which gave to the dwellers in it a view over an extensive and richly-cultivated country. It was through this district that the party from Beaumanoir had pursued their way. The first glance at the building, its striking situation, its beautiful form, its brilliant colour, its great extent, a gathering as it seemed of galleries, halls, and chapels, mullioned windows, portals of clustered columns, and groups of airy pinnacles and fretwork spires, called forth a general cry of wonder and of praise.
The ride from Beaumanoir had been delightful; the breath of summer in every breeze, the light of summer on every tree. The gay laugh of Lady Everingham rang frequently in the air; often were her sunny eyes directed to Coningsby, as she called his attention to some fair object or some pretty effect. She played the hostess of Nature, and introduced him to all the beauties.
Mr. Lyle had recognised them. He cantered forward with greetings on a fat little fawn-coloured pony, with a long white mane and white flowing tail, and the wickedest eye in the world. He rode by the side of the Duchess, and indicated their gently-descending route.
They arrived, and the peacocks, who were sunning themselves on the turrets, expanded their plumage to welcome them.
‘I can remember the old house,’ said the Duchess, as she took Mr. Lyle’s arm; ‘and I am happy to see the new one. The Duke had prepared me for much beauty, but the reality exceeds his report.’
They entered by a short corridor into a large hall. They would have stopped to admire its rich roof, its gallery and screen; but their host suggested that they should refresh themselves after their ride, and they followed him through several apartments into a spacious chamber, its oaken panels covered with a series of interesting pictures, representing the siege of St. Geneviève by the Parliament forces in 1643: the various assaults and sallies, and the final discomfiture of the rebels. In all these figured a brave and graceful Sir Eustace Lyle, in cuirass and buff jerkin, with gleaming sword and flowing plume. The sight of these pictures was ever a source of great excitement to Henry Sydney, who always lamented his ill-luck in not living in such days; nay, would insist that all others must equally deplore their evil destiny.
‘See, Coningsby, this battery on the Upper Park,’ said Lord Henry. ‘This did the business: how it rakes up the valley; Sir Eustace works it himself. Mother, what a pity Beaumanoir was not besieged!’
‘It may be,’ said Coningsby.
‘I always fancy a siege must be so interesting,’ said Lady Everingham. ‘It must be so exciting.’
‘I hope the next siege may be at Beaumanoir, instead of St. Geneviève,’ said Lyle, laughing; ‘as Henry Sydney has such a military predisposition. Duchess, you said the other day that you liked Malvoisie, and here is some.
‘Now broach me a cask of Malvoisie,Bring pasty from the doe;’
said the Duchess. ‘That has been my luncheon.’
‘A poetic repast,’ said Lady Theresa.
‘Their breeds of sheep must have been very inferior in old days,’ said Lord Everingham, ‘as they made such a noise about their venison. For my part I consider it a thing as much gone by as tilts and tournaments.’
‘I am sorry that they have gone by,’ said Lady Theresa.
‘Everything has gone by that is beautiful,’ said Lord Henry.
‘Life is much easier,’ said Lord Everingham.
‘Life easy!’ said Lord Henry. ‘Life appears to me to be a fierce struggle.’
‘Manners are easy,’ said Coningsby, ‘and life is hard.’
‘And I wish to see things exactly the reverse,’ said Lord Henry. ‘The means and modes of subsistence less difficult; the conduct of life more ceremonious.’
‘Civilisation has no time for ceremony,’ said Lord Everingham.
‘How very sententious you all are!’ said his wife. ‘I want to see the hall and many other things.’ And they all rose.
There were indeed many other things to see: a long gallery, rich in ancestral portraits, specimens of art and costume from Holbein to Lawrence; courtiers of the Tudors, and cavaliers of the Stuarts, terminating in red-coated squires fresh from the field, and gentlemen buttoned up in black coats, and sitting in library chairs, with their backs to a crimson curtain. Woman, however, is always charming; and the present generation may view their mothers painted by Lawrence, as if they were patronesses of Almack’s; or their grandmothers by Reynolds, as Robinettas caressing birds, with as much delight as they gaze on the dewy-eyed matrons of Lely, and the proud bearing of the heroines of Vandyke. But what interested them more than the gallery, or the rich saloons, or even the baronial hall, was the chapel, in which art had exhausted all its invention, and wealth offered all its resources. The walls and vaulted roofs entirely painted in encaustic by the first artists of Germany, and representing the principal events of the second Testament, the splendour of the mosaic pavement, the richness of the painted windows, the sumptuousness of the altar, crowned by a masterpiece of Carlo Dolce and surrounded by a silver rail, the tone of rich and solemn light that pervaded all, and blended all the various sources of beauty into one absorbing and harmonious whole: all combined to produce an effect which stilled them into a silence that lasted for some minutes, until the ladies breathed their feelings in an almost inarticulate murmur of reverence and admiration; while a tear stole to the eye of the enthusiastic Henry Sydney.
Leaving the chapel, they sauntered through the gardens, until, arriving at their limit, they were met by the prettiest sight in the world; a group of little pony chairs, each drawn by a little fat fawn-coloured pony, like the one that Mr. Lyle had been riding. Lord Henry drove his mother; Lord Everingham, Lady Theresa; Lady Everingham was attended by Coningsby. Their host cantered by the Duchess’s side, and along winding roads of easy ascent, leading through beautiful woods, and offering charming landscapes, they reached in due time the Upper Park.
‘One sees our host to great advantage in his own house,’ said Lady Everingham. ‘He is scarcely the same person. I have not observed him once blush. He speaks and moves with ease. It is a pity that he is not more graceful. Above all things I like a graceful man.’
‘That chapel,’ said Coningsby, ‘was a fine thing.’
‘Very!’ said Lady Everingham. ‘Did you observe the picture over the altar, the Virgin with blue eyes? I never observed blue eyes before in such a picture. What is your favourite colour for eyes?’
Coningsby felt embarrassed: he said something rather pointless about admiring everything that was beautiful.
‘But every one has a favourite style; I want to know yours. Regular features, do you like regular features? Or is it expression that pleases you?’
‘Expression; I think I like expression. Expression must be always delightful.’
‘Do you dance?’
‘No; I am no great dancer. I fear I have few accomplishments. I am fond of fencing.’
‘I don’t fence,’ said Lady Everingham, with a smile. ‘But I think you are right not to dance. It is not in your way. You are ambitious, I believe?’ she added.
‘I was not aware of it; everybody is ambitious.’
‘You see I know something of your character. Henry has spoken of you to me a great deal; long before we met,—met again, I should say, for we are old friends, remember. Do you know your career much interests me? I like ambitious men.’
There is something fascinating in the first idea that your career interests a charming woman. Coningsby felt that he was perhaps driving a Madame de Longueville. A woman who likes ambitious men must be no ordinary character; clearly a sort of heroine. At this moment they reached the Upper Park, and the novel landscape changed the current of their remarks.
Far as the eye could reach there spread before them a savage sylvan scene. It wanted, perhaps, undulation of surface, but that deficiency was greatly compensated for by the multitude and prodigious size of the trees; they were the largest, indeed, that could well be met with in England; and there is no part of Europe where the timber is so huge. The broad interminable glades, the vast avenues, the quantity of deer browsing or bounding in all directions, the thickets of yellow gorse and green fern, and the breeze that even in the stillness of summer was ever playing over this table-land, all produced an animated and renovating scene. It was like suddenly visiting another country, living among other manners, and breathing another air. They stopped for a few minutes at a pavilion built for the purposes of the chase, and then returned, all gratified by this visit to what appeared to be the higher regions of the earth.
As they approached the brow of the hill that hung over St. Geneviève, they heard the great bell sound.
‘What is that?’ asked the Duchess.
‘It is almsgiving day,’ replied Mr. Lyle, looking a little embarrassed, and for the first time blushing. ‘The people of the parishes with which I am connected come to St. Geneviève twice a-week at this hour.’
‘And what is your system?’ inquired Lord Everingham, who had stopped, interested by the scene. ‘What check have you?’
‘The rectors of the different parishes grant certificates to those who in their belief merit bounty according to the rules which I have established. These are again visited by my almoner, who countersigns the certificate, and then they present it at the postern-gate. The certificate explains the nature of their necessities, and my steward acts on his discretion.
‘Mamma, I see them!’ exclaimed Lady Theresa.
‘Perhaps your Grace may think that they might be relieved without all this ceremony,’ said Mr. Lyle, extremely confused. ‘But I agree with Henry and Mr. Coningsby, that Ceremony is not, as too commonly supposed, an idle form. I wish the people constantly and visibly to comprehend that Property is their protector and their friend.’
‘My reason is with you, Mr. Lyle,’ said the Duchess, ‘as well as my heart.’
They came along the valley, a procession of Nature, whose groups an artist might have studied. The old man, who loved the pilgrimage too much to avail himself of the privilege of a substitute accorded to his grey hairs, came in person with his grandchild and his staff. There also came the widow with her child at the breast, and others clinging to her form; some sorrowful faces, and some pale; many a serious one, and now and then a frolic glance; many a dame in her red cloak, and many a maiden with her light basket; curly-headed urchins with demure looks, and sometimes a stalwart form baffled for a time of the labour which he desired. But not a heart there that did not bless the bell that sounded from the tower of St. Geneviève!
‘My fathers perilled their blood and fortunes for the cause of the Sovereignty and Church of England,’ said Lyle to Coningsby, as they were lying stretched out on the sunny turf in the park of Beaumanoir,’ and I inherit their passionate convictions. They were Catholics, as their descendant. No doubt they would have been glad to see their ancient faith predominant in their ancient land; but they bowed, as I bow, to an adverse and apparently irrevocable decree. But if we could not have the Church of our fathers, we honoured and respected the Church of their children. It was at least a Church; a ‘Catholic and Apostolic Church,’ as it daily declares itself. Besides, it was our friend. When we were persecuted by Puritanic Parliaments, it was the Sovereign and the Church of England that interposed, with the certainty of creating against themselves odium and mistrust, to shield us from the dark and relentless bigotry of Calvinism.’
‘I believe,’ said Coningsby, ‘that if Charles I. had hanged all the Catholic priests that Parliament petitioned him to execute, he would never have lost his crown.’
‘You were mentioning my father,’ continued Lyle. ‘He certainly was a Whig. Galled by political exclusion, he connected himself with that party in the State which began to intimate emancipation. After all, they did not emancipate us. It was the fall of the Papacy in England that founded the Whig aristocracy; a fact that must always lie at the bottom of their hearts, as, I assure you, it does of mine.
‘I gathered at an early age,’ continued Lyle, ‘that I was expected to inherit my father’s political connections with the family estates. Under ordinary circumstances this would probably have occurred. In times that did not force one to ponder, it is not likely I should have recoiled from uniting myself with a party formed of the best families in England, and ever famous for accomplished men and charming women. But I enter life in the midst of a convulsion in which the very principles of our political and social systems are called in question. I cannot unite myself with the party of destruction. It is an operative cause alien to my being. What, then, offers itself? The Duke talks to me of Conservative principles; but he does not inform me what they are. I observe indeed a party in the State whose rule it is to consent to no change, until it is clamorously called for, and then instantly to yield; but those are Concessionary, not Conservative principles. This party treats institutions as we do our pheasants, they preserve only to destroy them. But is there a statesman among these Conservatives who offers us a dogma for a guide, or defines any great political truth which we should aspire to establish? It seems to me a barren thing, this Conservatism, an unhappy cross-breed; the mule of politics that engenders nothing. What do you think of all this, Coningsby? I assure you I feel confused, perplexed, harassed. I know I have public duties to perform; I am, in fact, every day of my life solicited by all parties to throw the weight of my influence in one scale or another; but I am paralysed. I often wish I had no position in the country. The sense of its responsibility depresses me; makes me miserable. I speak to you without reserve; with a frankness which our short acquaintance scarcely authorises; but Henry Sydney has so often talked to me of you, and I have so long wished to know you, that I open my heart without restraint.’
‘My dear fellow,’ said Coningsby, ‘you have but described my feelings when you depicted your own. My mind on these subjects has long been a chaos. I float in a sea of troubles, and should long ago have been wrecked had I not been sustained by a profound, however vague, conviction, that there are still great truths, if we could but work them out; that Government, for instance, should be loved and not hated, and that Religion should be a faith and not a form.’
The moral influence of residence furnishes some of the most interesting traits of our national manners. The presence of this power was very apparent throughout the district that surrounded Beaumanoir. The ladies of that house were deeply sensible of the responsibility of their position; thoroughly comprehending their duties, they fulfilled them without affectation, with earnestness, and with that effect which springs from a knowledge of the subject. The consequences were visible in the tone of the peasantry being superior to that which we too often witness. The ancient feudal feeling that lingers in these sequestered haunts is an instrument which, when skilfully wielded, may be productive of vast social benefit. The Duke understood this well; and his family had imbibed all his views, and seconded them. Lady Everingham, once more in the scene of her past life, resumed the exercise of gentle offices, as if she had never ceased to be a daughter of the house, and as if another domain had not its claims upon her solicitude. Coningsby was often the companion of herself and her sister in their pilgrimages of charity and kindness. He admired the graceful energy, and thorough acquaintance with details, with which Lady Everingham superintended schools, organised societies of relief, and the discrimination which she brought to bear upon individual cases of suffering or misfortune. He was deeply interested as he watched the magic of her manner, as she melted the obdurate, inspired the slothful, consoled the afflicted, and animated with her smiles and ready phrase the energetic and the dutiful. Nor on these occasions was Lady Theresa seen under less favourable auspices. Without the vivacity of her sister, there was in her demeanour a sweet seriousness of purpose that was most winning; and sometimes a burst of energy, a trait of decision, which strikingly contrasted with the somewhat over-controlled character of her life in drawing-rooms.
In the society of these engaging companions, time for Coningsby glided away in a course which he sometimes wished nothing might disturb. Apart from them, he frequently felt himself pensive and vaguely disquieted. Even the society of Henry Sydney or Eustace Lyle, much as under ordinary circumstances they would have been adapted to his mood, did not compensate for the absence of that indefinite, that novel, that strange, yet sweet excitement, which he felt, he knew not exactly how or why, stealing over his senses. Sometimes the countenance of Theresa Sydney flitted over his musing vision; sometimes the merry voice of Lady Everingham haunted his ear. But to be their companion in ride or ramble; to avoid any arrangement which for many hours should deprive him of their presence; was every day with Coningsby a principal object.
One day he had been out shooting rabbits with Lyle and Henry Sydney, and returned with them late to Beaumanoir to dinner. He had not enjoyed his sport, and he had not shot at all well. He had been dreamy, silent, had deeply felt the want of Lady Everingham’s conversation, that was ever so poignant and so interestingly personal to himself; one of the secrets of her sway, though Coningsby was not then quite conscious of it. Talk to a man about himself, and he is generally captivated. That is the real way to win him. The only difference between men and women in this respect is, that most women are vain, and some men are not. There are some men who have no self-love; but if they have, female vanity is but a trifling and airy passion compared with the vast voracity of appetite which in the sterner sex can swallow anything, and always crave for more.
When Coningsby entered the drawing-room, there seemed a somewhat unusual bustle in the room, but as the twilight had descended, it was at first rather difficult to distinguish who was present. He soon perceived that there were strangers. A gentleman of pleasing appearance was near a sofa on which the Duchess and Lady Everingham were seated, and discoursing with some volubility. His phrases seemed to command attention; his audience had an animated glance, eyes sparkling with intelligence and interest; not a word was disregarded. Coningsby did not advance as was his custom; he had a sort of instinct, that the stranger was discoursing of matters of which he knew nothing. He turned to a table, he took up a book, which he began to read upside downwards. A hand was lightly placed on his shoulder. He looked round, it was another stranger; who said, however, in a tone of familiar friendliness,
‘How do you do, Coningsby?’
It was a young man about four-and-twenty years of age, tall, good-looking. Old recollections, his intimate greeting, a strong family likeness, helped Coningsby to conjecture correctly who was the person who addressed him. It was, indeed, the eldest son of the Duke, the Marquis of Beaumanoir, who had arrived at his father’s unexpectedly with his friend, Mr. Melton, on their way to the north.
Mr. Melton was a gentleman of the highest fashion, and a great favourite in society. He was about thirty, good-looking, with an air that commanded attention, and manners, though facile, sufficiently finished. He was communicative, though calm, and without being witty, had at his service a turn of phrase, acquired by practice and success, which was, or which always seemed to be, poignant. The ladies seemed especially to be delighted at his arrival. He knew everything of everybody they cared about; and Coningsby listened in silence to names which for the first time reached his ears, but which seemed to excite great interest. Mr. Melton frequently addressed his most lively observations and his most sparkling anecdotes to Lady Everingham, who evidently relished all that he said, and returned him in kind.
Throughout the dinner Lady Everingham and Mr. Melton maintained what appeared a most entertaining conversation, principally about things and persons which did not in any way interest our hero; who, however, had the satisfaction of hearing Lady Everingham, in the drawing-room, say in a careless tone to the Duchess.
‘I am so glad, mamma, that Mr. Melton has come; we wanted some amusement.’
What a confession! What a revelation to Coningsby of his infinite insignificance! Coningsby entertained a great aversion for Mr. Melton, but felt his spirit unequal to the social contest. The genius of the untutored, inexperienced youth quailed before that of the long-practised, skilful man of the world. What was the magic of this man? What was the secret of this ease, that nothing could disturb, and yet was not deficient in deference and good taste? And then his dress, it seemed fashioned by some unearthly artist; yet it was impossible to detect the unobtrusive causes of the general effect that was irresistible. Coningsby’s coat was made by Stultz; almost every fellow in the sixth form had his coats made by Stultz; yet Coningsby fancied that his own garment looked as if it had been furnished by some rustic slopseller. He began to wonder where Mr. Melton got his boots from, and glanced at his own, which, though made in St. James’s Street, seemed to him to have a cloddish air.
Lady Everingham was determined that Mr. Melton should see Beaumanoir to the greatest advantage. Mr. Melton had never been there before, except at Christmas, with the house full of visitors and factitious gaiety. Now he was to see the country. Accordingly, there were long rides every day, which Lady Everingham called expeditions, and which generally produced some slight incident which she styled an adventure. She was kind to Coningsby, but had no time to indulge in the lengthened conversations which he had previously found so magical. Mr. Melton was always on the scene, the monopolising hero, it would seem, of every thought, and phrase, and plan. Coningsby began to think that Beaumanoir was not so delightful a place as he had imagined. He began to think that he had stayed there perhaps too long. He had received a letter from Mr. Rigby, to inform him that he was expected at Coningsby Castle at the beginning of September, to meet Lord Monmouth, who had returned to England, and for grave and special reasons was about to reside at his chief seat, which he had not visited for many years. Coningsby had intended to have remained at Beaumanoir until that time; but suddenly it occurred to him, that the Age of Ruins was past, and that he ought to seize the opportunity of visiting Manchester, which was in the same county as the castle of his grandfather. So difficult is it to speculate upon events! Muse as we may, we are the creatures of circumstances; and the unexpected arrival of a London dandy at the country-seat of an English nobleman sent this representative of the New Generation, fresh from Eton, nursed in prejudices, yet with a mind predisposed to inquiry and prone to meditation, to a scene apt to stimulate both intellectual processes; which demanded investigation and induced thought, the great METROPOLIS OF LABOUR.
A great city, whose image dwells in the memory of man, is the type of some great idea. Rome represents conquest; Faith hovers over the towers of Jerusalem; and Athens embodies the pre-eminent quality of the antique world, Art.
In modern ages, Commerce has created London; while Manners, in the most comprehensive sense of the word, have long found a supreme capital in the airy and bright-minded city of the Seine.
Art was to the ancient world, Science is to the modern: the distinctive faculty. In the minds of men the useful has succeeded to the beautiful. Instead of the city of the Violet Crown, a Lancashire village has expanded into a mighty region of factories and warehouses. Yet, rightly understood, Manchester is as great a human exploit as Athens.
The inhabitants, indeed, are not so impressed with their idiosyncrasy as the countrymen of Pericles and Phidias. They do not fully comprehend the position which they occupy. It is the philosopher alone who can conceive the grandeur of Manchester, and the immensity of its future. There are yet great truths to tell, if we had either the courage to announce or the temper to receive them.
A feeling of melancholy, even of uneasiness, attends our first entrance into a great town, especially at night. Is it that the sense of all this vast existence with which we have no connexion, where we are utterly unknown, oppresses us with our insignificance? Is it that it is terrible to feel friendless where all have friends?
Yet reverse the picture. Behold a community where you are unknown, but where you will be known, perhaps honoured. A place where you have no friends, but where, also, you have no enemies. A spot that has hitherto been a blank in your thoughts, as you have been a cipher in its sensations, and yet a spot, perhaps, pregnant with your destiny!
There is, perhaps, no act of memory so profoundly interesting as to recall the careless mood and moment in which we have entered a town, a house, a chamber, on the eve of an acquaintance or an event that has given colour and an impulse to our future life.
What is this Fatality that men worship? Is it a Goddess?
Unquestionably it is a power that acts mainly by female agents. Women are the Priestesses of Predestination.
Man conceives Fortune, but Woman conducts it.
It is the Spirit of Man that says, ‘I will be great;’ but it is the Sympathy of Woman that usually makes him so.
It was not the comely and courteous hostess of the Adelphi Hotel, Manchester, that gave occasion to these remarks, though she may deserve them, and though she was most kind to our Coningsby as he came in late at night very tired, and not in very good humour.
He had travelled the whole day through the great district of labour, his mind excited by strange sights, and at length wearied by their multiplication. He had passed over the plains where iron and coal supersede turf and corn, dingy as the entrance of Hades, and flaming with furnaces; and now he was among illumined factories with more windows than Italian palaces, and smoking chimneys taller than Egyptian obelisks. Alone in the great metropolis of machinery itself, sitting down in a solitary coffee-room glaring with gas, with no appetite, a whirling head, and not a plan or purpose for the morrow, why was he there? Because a being, whose name even was unknown to him, had met him in a hedge alehouse during a thunderstorm, and told him that the Age of Ruins was past.
Remarkable instance of the influence of an individual; some evidence of the extreme susceptibility of our hero.
Even his bedroom was lit by gas. Wonderful city! That, however, could be got rid of. He opened the window. The summer air was sweet, even in this land of smoke and toil. He feels a sensation such as in Lisbon or Lima precedes an earthquake. The house appears to quiver. It is a sympathetic affection occasioned by a steam-engine in a neighbouring factory.
Notwithstanding, however, all these novel incidents, Coningsby slept the deep sleep of youth and health, of a brain which, however occasionally perplexed by thought, had never been harassed by anxiety. He rose early, freshened, and in fine spirits. And by the time the deviled chicken and the buttered toast, that mysterious and incomparable luxury, which can only be obtained at an inn, had disappeared, he felt all the delightful excitement of travel.
And now for action! Not a letter had Coningsby; not an individual in that vast city was known to him. He went to consult his kind hostess, who smiled confidence. He was to mention her name at one place, his own at another. All would be right; she seemed to have reliance in the destiny of such a nice young man.
He saw all; they were kind and hospitable to the young stranger, whose thought, and earnestness, and gentle manners attracted them. One recommended him to another; all tried to aid and assist him. He entered chambers vaster than are told of in Arabian fable, and peopled with habitants more wondrous than Afrite or Peri. For there he beheld, in long-continued ranks, those mysterious forms full of existence without life, that perform with facility, and in an instant, what man can fulfil only with difficulty and in days. A machine is a slave that neither brings nor bears degradation; it is a being endowed with the greatest degree of energy, and acting under the greatest degree of excitement, yet free at the same time from all passion and emotion. It is, therefore, not only a slave, but a supernatural slave. And why should one say that the machine does not live? It breathes, for its breath forms the atmosphere of some towns. It moves with more regularity than man. And has it not a voice? Does not the spindle sing like a merry girl at her work, and the steam-engine roar in jolly chorus, like a strong artisan handling his lusty tools, and gaining a fair day’s wages for a fair day’s toil?
Nor should the weaving-room be forgotten, where a thousand or fifteen hundred girls may be observed in their coral necklaces, working like Penelope in the daytime; some pretty, some pert, some graceful and jocund, some absorbed in their occupation; a little serious some, few sad. And the cotton you have observed in its rude state, that you have seen the silent spinner change into thread, and the bustling weaver convert into cloth, you may now watch as in a moment it is tinted with beautiful colours, or printed with fanciful patterns. And yet the mystery of mysteries is to view machines making machines; a spectacle that fills the mind with curious, and even awful, speculation.
From early morn to the late twilight, our Coningsby for several days devoted himself to the comprehension of Manchester. It was to him a new world, pregnant with new ideas, and suggestive of new trains of thought and feeling. In this unprecedented partnership between capital and science, working on a spot which Nature had indicated as the fitting theatre of their exploits, he beheld a great source of the wealth of nations which had been reserved for these times, and he perceived that this wealth was rapidly developing classes whose power was imperfectly recognised in the constitutional scheme, and whose duties in the social system seemed altogether omitted. Young as he was, the bent of his mind, and the inquisitive spirit of the times, had sufficiently prepared him, not indeed to grapple with these questions, but to be sensible of their existence, and to ponder.
One evening, in the coffee-room of the hotel, having just finished his well-earned dinner, and relaxing his mind for the moment in a fresh research into the Manchester Guide, an individual, who had also been dining in the same apartment, rose from his table, and, after lolling over the empty fireplace, reading the framed announcements, looking at the directions of several letters waiting there for their owners, picking his teeth, turned round to Coningsby, and, with an air of uneasy familiarity, said,—
‘First visit to Manchester, sir?’
‘My first.’
‘Gentleman traveller, I presume?’
‘I am a traveller.’ said Coningsby.
‘Hem! From south?’
‘From the south.’
‘And pray, sir, how did you find business as you came along? Brisk, I dare say. And yet there is a something, a sort of a something; didn’t it strike you, sir, there was a something? A deal of queer paper about, sir!’
‘I fear you are speaking on a subject of which I know nothing,’ said Coningsby, smiling; ‘I do not understand business at all; though I am not surprised that, being at Manchester, you should suppose so.’
‘Ah! not in business. Hem! Professional?’
‘No,’ said Coningsby, ‘I am nothing.’
‘Ah! an independent gent; hem! and a very pleasant thing, too. Pleased with Manchester, I dare say?’ continued the stranger.
‘And astonished,’ said Coningsby; ‘I think, in the whole course of my life, I never saw so much to admire.’
‘Seen all the lions, have no doubt?’
‘I think I have seen everything,’ said Coningsby, rather eager and with some pride.
‘Very well, very well,’ exclaimed the stranger, in a patronising tone. ‘Seen Mr. Birley’s weaving-room, I dare say?’
‘Oh! isn’t it wonderful?’ said Coningsby.
‘A great many people.’ said the stranger, with a rather supercilious smile.
‘But after all,’ said Coningsby, with animation, ‘it is the machinery without any interposition of manual power that overwhelms me. It haunts me in my dreams,’ continued Coningsby; ‘I see cities peopled with machines. Certainly Manchester is the most wonderful city of modern times!’
The stranger stared a little at the enthusiasm of his companion, and then picked his teeth.
‘Of all the remarkable things here,’ said Coningsby, ‘what on the whole, sir, do you look upon as the most so?’
‘In the way of machinery?’ asked the stranger.
‘In the way of machinery.’
‘Why, in the way of machinery, you know,’ said the stranger, very quietly, ‘Manchester is a dead letter.’
‘A dead letter!’ said Coningsby.
‘Dead and buried,’ said the stranger, accompanying his words with that peculiar application of his thumb to his nose that signifies so eloquently that all is up.
‘You astonish me!’ said Coningsby.
‘It’s a booked place though,’ said the stranger, ‘and no mistake. We have all of us a very great respect for Manchester, of course; look upon her as a sort of mother, and all that sort of thing. But she is behind the times, sir, and that won’t do in this age. The long and short of it is, Manchester is gone by.’
‘I thought her only fault might be she was too much in advance of the rest of the country,’ said Coningsby, innocently.
‘If you want to see life,’ said the stranger, ‘go to Staleybridge or Bolton. There’s high pressure.’
‘But the population of Manchester is increasing,’ said Coningsby.
‘Why, yes; not a doubt. You see we have all of us a great respect for the town. It is a sort of metropolis of this district, and there is a good deal of capital in the place. And it has some firstrate institutions. There’s the Manchester Bank. That’s a noble institution, full of commercial enterprise; understands the age, sir; high-pressure to the backbone. I came up to town to see the manager to-day. I am building a new mill now myself at Staleybridge, and mean to open it by January, and when I do, I’ll give you leave to pay another visit to Mr. Birley’s weaving-room, with my compliments.’
‘I am very sorry,’ said Coningsby, ‘that I have only another day left; but pray tell me, what would you recommend me most to see within a reasonable distance of Manchester?’
‘My mill is not finished,’ said the stranger musingly, ‘and though there is still a great deal worth seeing at Staleybridge, still you had better wait to see my new mill. And Bolton, let me see; Bolton, there is nothing at Bolton that can hold up its head for a moment against my new mill; but then it is not finished. Well, well, let us see. What a pity this is not the 1st of January, and then my new mill would be at work! I should like to see Mr. Birley’s face, or even Mr. Ashworth’s, that day. And the Oxford Road Works, where they are always making a little change, bit by bit reform, eh! not a very particular fine appetite, I suspect, for dinner, at the Oxford Road Works, the day they hear of my new mill being at work. But you want to see something tip-top. Well, there’s Millbank; that’s regular slap-up, quite a sight, regular lion; if I were you I would see Millbank.’
‘Millbank!’ said Coningsby; ‘what Millbank?’
‘Millbank of Millbank, made the place, made it himself. About three miles from Bolton; train to-morrow morning at 7.25, get a fly at the station, and you will be at Millbank by 8.40.’
‘Unfortunately I am engaged to-morrow morning,’ said Coningsby, ‘and yet I am most anxious, particularly anxious, to see Millbank.’
‘Well, there’s a late train,’ said the stranger, ‘3.15; you will be there by 4.30.’
‘I think I could manage that,’ said Coningsby.
‘Do,’ said the stranger; ‘and if you ever find yourself at Staleybridge, I shall be very happy to be of service. I must be off now. My train goes at 9.15.’ And he presented Coningsby with his card as he wished him good night.
In a green valley of Lancaster, contiguous to that district of factories on which we have already touched, a clear and powerful stream flows through a broad meadow land. Upon its margin, adorned, rather than shadowed, by some old elm-trees, for they are too distant to serve except for ornament, rises a vast deep red brick pile, which though formal and monotonous in its general character, is not without a certain beauty of proportion and an artist-like finish in its occasional masonry. The front, which is of great extent, and covered with many tiers of small windows, is flanked by two projecting wings in the same style, which form a large court, completed by a dwarf wall crowned with a light, and rather elegant railing; in the centre, the principal entrance, a lofty portal of bold and beautiful design, surmounted by a statue of Commerce.
This building, not without a degree of dignity, is what is technically, and not very felicitously, called a mill; always translated by the French in their accounts of our manufacturing riots, ‘moulin;’ and which really was the principal factory of Oswald Millbank, the father of that youth whom, we trust, our readers have not quite forgotten.
At some little distance, and rather withdrawn from the principal stream, were two other smaller structures of the same style. About a quarter of a mile further on, appeared a village of not inconsiderable size, and remarkable from the neatness and even picturesque character of its architecture, and the gay gardens that surrounded it. On a sunny knoll in the background rose a church, in the best style of Christian architecture, and near it was a clerical residence and a school-house of similar design. The village, too, could boast of another public building; an Institute where there were a library and a lecture-room; and a reading-hall, which any one might frequent at certain hours, and under reasonable regulations.
On the other side of the principal factory, but more remote, about half-a-mile up the valley, surrounded by beautiful meadows, and built on an agreeable and well-wooded elevation, was the mansion of the mill-owner; apparently a commodious and not inconsiderable dwelling-house, built in what is called a villa style, with a variety of gardens and conservatories. The atmosphere of this somewhat striking settlement was not disturbed and polluted by the dark vapour, which, to the shame of Manchester, still infests that great town, for Mr. Millbank, who liked nothing so much as an invention, unless it were an experiment, took care to consume his own smoke.
The sun was declining when Coningsby arrived at Millbank, and the gratification which he experienced on first beholding it, was not a little diminished, when, on enquiring at the village, he was informed that the hour was past for seeing the works. Determined not to relinquish his purpose without a struggle, he repaired to the principal mill, and entered the counting-house, which was situated in one of the wings of the building.
‘Your pleasure, sir?’ said one of three individuals sitting on high stools behind a high desk.
‘I wish, if possible, to see the works.’
‘Quite impossible, sir;’ and the clerk, withdrawing his glance, continued his writing. ‘No admission without an order, and no admission with an order after two o’clock.’
‘I am very unfortunate,’ said Coningsby.
‘Sorry for it, sir. Give me ledger K. X., will you, Mr. Benson?’
‘I think Mr. Millbank would grant me permission,’ said Coningsby.
‘Very likely, sir; to-morrow. Mr. Millbank is there, sir, but very much engaged.’ He pointed to an inner counting-house, and the glass doors permitted Coningsby to observe several individuals in close converse.
‘Perhaps his son, Mr. Oswald Millbank, is here?’ inquired Coningsby.
‘Mr. Oswald is in Belgium,’ said the clerk.
‘Would you give a message to Mr. Millbank, and say a friend of his son’s at Eton is here, and here only for a day, and wishes very much to see his works?’
‘Can’t possibly disturb Mr. Millbank now, sir; but, if you like to sit down, you can wait and see him yourself.’
Coningsby was content to sit down, though he grew very impatient at the end of a quarter of an hour. The ticking of the clock, the scratching of the pens of the three silent clerks, irritated him. At length, voices were heard, doors opened, and the clerk said, ‘Mr. Millbank is coming, sir,’ but nobody came; voices became hushed, doors were shut; again nothing was heard, save the ticking of the clock and the scratching of the pen.
At length there was a general stir, and they all did come forth, Mr. Millbank among them, a well-proportioned, comely man, with a fair face inclining to ruddiness, a quick, glancing, hazel eye, the whitest teeth, and short, curly, chestnut hair, here and there slightly tinged with grey. It was a visage of energy and decision.
He was about to pass through the counting-house with his companions, with whom his affairs were not concluded, when he observed Coningsby, who had risen.
‘This gentleman wishes to see me?’ he inquired of his clerk, who bowed assent.
‘I shall be at your service, sir, the moment I have finished with these gentlemen.’
‘The gentleman wishes to see the works, sir,’ said the clerk.
‘He can see the works at proper times,’ said Mr. Millbank, somewhat pettishly; ‘tell him the regulations;’ and he was about to go.
‘I beg your pardon, sir,’ said Coningsby, coming forward, and with an air of earnestness and grace that arrested the step of the manufacturer. ‘I am aware of the regulations, but would beg to be permitted to infringe them.’
‘It cannot be, sir,’ said Mr. Millbank, moving.
‘I thought, sir, being here only for a day, and as a friend of your son—’
Mr. Millbank stopped and said,
‘Oh! a friend of Oswald’s, eh? What, at Eton?’
‘Yes, sir, at Eton; and I had hoped perhaps to have found him here.’
‘I am very much engaged, sir, at this moment,’ said Mr. Millbank; ‘I am sorry I cannot pay you any personal attention, but my clerk will show you everything. Mr. Benson, let this gentleman see everything;’ and he withdrew.
‘Be pleased to write your name here, sir,’ said Mr. Benson, opening a book, and our friend wrote his name and the date of his visit to Millbank: