LIFE IN CONSTANTINOPLE.

LIFE IN CONSTANTINOPLE.The Light.View of Stamboul. Mosque of Validêh and Bridge.And first of all I must speak of the light. One of my chief pleasures at Constantinople was to watch the sun rise and set from the bridge of the Validéh Sultan. At daybreak in the autumn there is almost always a light fog hanging over the Golden Horn, through which the city can only be seen indistinctly, as though one were looking through those thin gauze curtains which are lowered across the stage of a theatre in order to hide the details of some grand spectacular effect. Skutari is quite invisible; only her hills, a vague outline, can be faintly traced against the eastern sky. The bridge, as well as both banks, is deserted. Constantinople is buried in slumber, and the profound silence and solitude lend solemnity and impressiveness to the scene. Presently behind the Skutari hills the sky begins to show streaks of gold, and, one by one, against that luminous background, the inky points of the cypress trees stand out clear and defined, like a company of giants drawn up in battle-array on the heights of her vast cemetery. Now a single ray of light flashesfrom one end to the other of the Golden Horn, like the first faint sigh of returning consciousness, as the great city stirs and slowly awakens once more to life. Then, behind the cypresses on the Asiatic shore, a fiery eye shines forth, and immediately upon the white summits of St. Sophia’s four minarets an answering blush is seen. In rapid succession from hill to hill, from mosque to mosque, to the farthest end of the Golden Horn, every minaret turns to rose, every dome to silver. The crimson flush creeps down from one terrace to another; the light increases, the veil is lifted, and all of Stambul lies revealed, rosy and resplendent on the heights, tinged with blue and violet shadows on the water’s edge, but everywhere fresh and sparkling as though just risen from the waves. In proportion as the sun rises higher and higher the delicacy of the first coloring disappears, swallowed up in the flood of dazzling light, which becomes so white and blinding as in turn to slightly obscure everything, until toward evening, when the glorious spectacle recommences. So clear does the atmosphere then become that from Galata you can easily distinguish each separate tree on the farthermost point of Kadi-keui. The huge profile of Stambul is thrown out against the sky with such distinctness and accuracy of detail that it would be quite possible to note one by one every minaret, every spire and cypress tree, that crowns her heights from Seraglio Point to thecemetery of Eyûb. The waters of the Bosphorus and Golden Horn turn to a marvellous ultramarine; the sky, of the color of amethysts in the east, grows fiery as it reaches Stambul, lighting up the horizon with a hundred tints of crimson and gold, making one think of the first day of creation. Stambul grows dim, Galata golden, while Skutari, receiving the full blaze of the setting sun upon her thousand casements, looks like a city devoured by flames. And this is the most perfect moment in all the twenty-four hours in which to see Constantinople. It is a rapid succession of the most exquisite tints—pale gold, rose, and lilac—mingling and blending one with another on the hillsides and water’s surface, lending to first one part of the city and then to another the finishing touch to its perfect beauty, and revealing a thousand modest charms of hill- and country-side, which were too shy to thrust themselves into notice beneath the blaze of the noonday sun. It is then that you see the great melancholy suburbs losing themselves amid the shadows of the valleys—little purple-tinted hamlets smiling on the hilltops; towns and villages which languish and droop as though their life were ebbing away; others disappear from view, as you look at them, like fires which have been suddenly extinguished; others, again, apparently quite dead, come unexpectedly to life again, all aglow, and sparkle joyously for still some moments longer in the last rays of the sun. Finally,however, nothing remains but two shining summits on the Asiatic shore—Mt. Bûlgurlù and the point of the cape which guards the entrance to the Propontis. At first they are two golden coronets, then two little crimson caps, then two rubies; and then Constantinople is plunged in shadow, while ten thousand voices from ten thousand minarets announce that the sun has set.The Birds.Constantinople possesses a grace and gayety all her own emanating from her myriads of birds of every species, objects of especial veneration and affection among the Turks. Mosque and grove, ancient wall and garden, palace and courtyard, are full of song, of the cheerful sound of twittering and chirping; everywhere there is the rush of wings, everywhere the busy, active little lives go on. Sparrows come boldly into the houses and eat from the women’s and children’s hands; swallows build their nests over the doorways of cafés and beneath the roofs of bazârs; innumerable flocks of pigeons, maintained by means of legacies from different sultans as well as private individuals, form black and white garlands around the cornices of the domes and terraces of the minarets; gulls circle joyously about the granaries; thousands of turtle-doves bill and coo among the cypress trees in the cemeteries; all around the Castle of the Seven Towers ravens croakand vultures hover significantly; kingfishers come and go in long lines between the Black Sea and Sea of Marmora; while storks may be seen resting upon the domes of solitary mausoleums. For the Turk each one of these birds possesses some pleasing quality or lucky influence. The turtle-dove is the patron of lovers; the swallow will protect from fire any building where her nest is built; the stork performs a yearly pilgrimage to Mecca; while the halcyon carries the souls of the faithful to Paradise. Hence they feed and protect them both from religious motives and from gratitude, and in return the birds make a continual festival around their houses, on the water, and among the tombs. In every quarter of Stambul they soar and circle about, grazing against you in their noisy flights, and filling the entire city with something of the joyous freedom of the open country, constantly bringing up before one’s mind images of nature.Associations.In no other city of Europe do the sites and monuments, either legendary or historical, act so forcibly upon the imagination as at Stambul, because in no other spot do they record events at once so recent and so picturesque. Elsewhere, in order to get away from the prose of modern every-day life, one is obliged to go back for several centuries; at Stambul a few years suffice. Legend, or what has allthe character and force of legend, dates from yesterday. It is not many years since, in the square of Et-Meidan, the celebrated massacre of the Janissaries took place; not many years since the waters of the Sea of Marmora cast up upon the banks of the imperial gardens those twenty sacks containing each the body of a beauty of Mustafa’s harem; not long since Brancovano’s family was executed in the Castle of the Seven Towers, or European ambassadors were pinioned between twokapuji-basciin the presence of the Grand Seigneur, upon whose half-averted countenance there glowed a mysterious light; or within the walls of the old Seraglio that life—so extraordinary—a mingling of horrors, love, and folly, ceased finally to exist, which now seems to belong to such a far-distant past. Wandering about the streets of Stambul and reflecting upon all these things, you cannot help a feeling of astonishment at the calm, cheerful aspect of the city, gay with color and vegetation. “Ah, traitoress!” you cry, “what have you done with all those mountains of heads, those lakes of blood? How is it possible that everything has been so cleverly concealed, so wiped out and obliterated, that not a trace remains?”On the Bosphorus, beneath the Seraglio walls and just opposite Leander’s Tower, which rises from the water like a lover’s monument, you may still behold the inclined plane down which the bodies of the unfaithful beauties of the harem were rolled into thesea; in the middle of the Et-Meidan the serpentine column still bears witness to the force of Muhammad the Conqueror’s famous sabre; on the Mahmûd bridge the spot is still pointed out on which the fiery sultan annihilated at a single blow the adventurous dervish who had dared to fling an anathema in his face; in the Holy Well of the Balukli church the miraculous fish still swim about which foretold the fall of the City of the Palæologi; beneath the trees of the Sweet Waters of Asia you can visit those shady retreats where a dissolute sultana was wont to bestow upon the favorite of the hour that fatal love whose certain sequence was death. Every doorway, every tower, every mosque and park and open square, records some strange event—a tragedy, a love-story, a mystery, the absolutism of a padishah or the reckless caprice of a sultana; everything has a history of its own, and wherever you turn the near-by objects, the distant view, the balmy perfumed air, the silence, all unite to transport him whose mind is stored with these histories of the past out of himself, his era, and the city of to-day, so that not infrequently, when suddenly confronted with the suggestion that it is high time to think of returning to the hotel, he asks himself confusedly what it means, how can there be a “hotel.”Serpentine Column of Delphi.Resemblances.In those early days, fresh from reading masses ofOriental literature, I kept recognizing in the people I met on the streets famous personages who figure in the legends and history of the East: sometimes they answered so entirely to the picture I had drawn in my own mind of some celebrated character that I would find myself stopping short in the street to gaze after them. How often have I seized my friend’s arm, and, pointing out some passer-by, exclaimed, “There he goes, by Jove! Don’t you recognize him?” In the square of the Sultan Validéh I have many a time seen the gigantic Turk who hurled down rocks and stones upon the heads of Baglione’s soldiers before the walls of Nicea; near one of the mosques I came across Unm Dgiemil, the old witch of Mecca who sowed thorns and brambles in front of Mohammed’s house; coming out of the book bazâr one day, I ran against Digiemal-eddin, the great scholar of Brusa, who knew all the Arabian dictionary by heart, walking along with a volume tucked under his arm; I have passed close enough to Ayesha, the favorite wife of the Prophet, to receive a steady look from those eyes “like twin stars reflected in a well.” I recognized in the Et-Meidan the beautiful and unfortunate Greek killed at the foot of the serpentine column by a ball from the huge guns of Orban; turning a sharp corner of one of the narrow streets of Phanar, I found myself suddenly face to face with Kara-Abderrahman, the handsomest young Turk of the days of Orkhan; Ihave seen Coswa, Mohammed’s she-camel, and recognized Kara-bidut, Selim’s black charger; I have encountered poor Fighani, the poet, who was condemned to go about Stambul harnessed to an ass for having made Ibrahim’s grand vizier the subject of a lampoon; I saw in one of the cafés the unwieldy form of Soliman, the fat admiral, whom the united efforts of four powerful slaves could with difficulty drag up from his divan; and Ali, the grand vizier, who failed to find throughout all Arabia a horse fit to carry him; and Mahmûd Pasha, that ferocious Hercules who strangled Suleiman’s son; and, established before the entrance of the copyists’ bazâr near the Bayezid square, that stupid Ahmed II., who would say nothing all day but “Kosc! kosc!” (Very well! very well!) Every character in theThousand and One Nights—the Aladdins, the Zobeids, the Sinbads, the Gulnars, the old Jew dealers with their magic lamps and their enchanted carpets for sale—passed before me one after another like a procession of so many phantoms.Costumes.This is perhaps the very best period in which to study the dress of the Mussulman population of Constantinople. In the last generation, as will probably be the case in the next, it presented too uniform an appearance. You find it in a sort of transition stage, and presenting, consequently, awonderful variety of form and color. The steady advance of the reform party, the resistance of the conservative Turks, the uncertainty and vacillation of the great mass of the people, hesitating between the two extremes—every aspect, in short, of the conflict which is being waged between ancient and modern Turkey—is faithfully reflected in the dress of her people. The old-fashioned Turk still wears his turban, his caftan and sash, and the traditional yellow morocco slippers, and, if he is one of the more strict and precise kind, a veritable Turk of the old school, the turban will be of vast proportions. The reformed Turk wears a long black coat buttoned close up under the chin, and dark shoes and trousers, preserving nothing Turkish in his costume but the fez. Some among the younger and bolder spirits have even gone farther, and, discarding the black frock-coat, substitute for it an open cut-away, light trousers, fancy cravat and jewelry, and carry a cane, and a flower in the buttonhole. Between these and those, the wearers of the caftan and the wearers of the coat, there is a deep gulf fixed. They no longer have anything in common but the name of Turk, and are in reality two separate nations. He of the turban still believes implicitly in the bridge Sirat, finer than a hair, sharper than a cimeter, which leads to the infernal regions; he faithfully performs his ablutions at the appointed hours, and at sunset shuts himself into his house. He of the frock-coat, on the contrary,laughs at the Prophet, has his photograph taken, talks French, and spends his evening at the theatre. Between these two extremes are those who, having departed somewhat from the ancient dress of their countrymen, are still unwilling to Europeanize themselves altogether. Some of them, while wearing turbans, yet have them so exceedingly small that some day they can be quietly exchanged for the fez without creating too much scandal; others who still wear the caftan have already adopted the fez; others, again, conform to the general fashion of the ancient costume, but have left off the sash and slippers as well as the bright colors, and little by little will get rid of the rest as well. The women alone still adhere to their veils and the long mantles covering the entire person; but the veil has grown transparent, and not infrequently reveals the outline of a little hat and feathers, while the mantle as often as not conceals a Parisian costume of the latest mode. Every year a thousand caftans disappear to make room for as many black coats; every day sees the death of a Turk of the old school, the birth of one of the new. The newspaper replaces thetespi, the cigar the chibuk; wine is used instead of flavored water, carriages instead of thearabà; the French grammar supersedes the Arabian, the piano thetimbur; stone houses rise on the sites of wooden ones. Everything is undergoing change and transformation. At thepresent rate it may well be that in less than a century those who wish to find the traces of ancient Turkey will be obliged to seek for them in the remotest provinces of Asia Minor, just as we now look for ancient Spain in the most out-of-the-way villages of Andalusia.Constantinople of the Future.Often, while gazing at Constantinople from the bridge of the Sultan Validéh, I would be confronted by the question, “What is to become of this city in one or two centuries, even if the Turks are not driven out of Europe?” Alas! there is but little doubt that the great holocaust of beauty at the hands of civilization will have been already accomplished. I can see that Constantinople of the future, that Oriental London, rearing itself in mournful and forbidding majesty upon the ruins of the most radiant city in the world. Her hills will be levelled, her woods and groves cut down, her many-colored houses razed to the ground; the horizon will be shut in on all sides by long rows of palatial dwellings, factories, and workshops, broken here and there by huge business-houses and pointed spires; long, straight streets will divide Stambul into ten thousand square blocks like a checker-board; telegraph-wires will interlace like some monster spider-web above the roofs of the noisy city; across the bridge of the Sultan Validéh will pour a black torrent ofstiff hats and caps; the mysterious retreats of the Seraglio will become a zoological garden, the Castle of the Seven Towers a penitentiary, the Hebdomon Palace a museum of natural history; everything will be solid, geometrical, useful, gray, hideous, and a thick black cloud of smoke will hide the blue Thracian heavens, to which no more ardent prayers will be addressed nor poets’ songs nor longing eyes of lovers. At such thoughts as these I could not help feeling my heart sink within me, but then quickly there came the consoling fancy that possibly—who knows?—some charming Italian bride of the next century, coming here on her wedding journey, may be heard to exclaim, “What a pity! what a dreadful pity it is that Constantinople has changed so from what it was at the period of that old torn book of the nineteenth century I found in the bottom of my grandmother’s clothes-press!”The Dogs.In those coming days another feature of Constantinopolitan life will also have disappeared, which is now one of the most curious of her curiosities—the dogs. And, as this is a subject which really merits attention, I am going to devote some little space to it. Constantinople is one huge dog-kennel; every one can see this for himself as soon as he gets there. The dogs constitute a second population in the city, and, while they are less numerous than the first, theyare hardly less interesting as a study. Every one knows how the Turks love and protect them, but just why they do so is not so easy to decide. I could not, for my own part, make out whether it is because the Koran recommends all men to be merciful to animals, or because they are supposed, like certain birds, to bring good luck, or because the Prophet loved them, or because they figure in their sacred books, or because, as some insist, when Muhammad the Conqueror made his victorious entry into the city through the breach in the gate of St. Romanus he was accompanied by a following composed principally of dogs. Be this as it may, the fact remains that many Turks leave considerable sums at their death for their maintenance, and when Sultan Abdul-Mejid had them all transported to the island of Marmora the people murmured, so that they were brought back amid public rejoicings, and the government has not attempted to interfere with them since. At the same time, the dog, having been pronounced by the Koran to be an unclean animal, not one out of all the innumerable hordes which infest Constantinople has an owner; any Turk harboring one would consider his house defiled. They are associated together in a great republic of freebooters, without collars or masters or kennels or homes or laws. Their entire lives are passed in the streets. There, scratching out little dens for themselves, they sleep and eat, are born, nourish theiryoung, and die; and no one, at least in Stambul, interferes in the smallest degree with their occupations or their repose. They are the masters of the road. With us it is customary for the dogs to withdraw to allow horses and people to pass by. There it is quite different, people, camels, horses, donkeys, and vehicles making sometimes quite a considerable circuit in order not to disturb the dogs: sometimes in one of the most crowded quarters of Stambul four or five of them, curled up fast asleep directly in the middle of the street, will make the entire population turn out for half a day. And in Pera and Galata it is nearly as bad, only there it is done less out of respect for the dogs themselves than for their numbers. Were you to attempt to clear the road, you would have to keep up an uninterrupted series of blows and kicks from the moment you set out until your return. The utmost they will do voluntarily is, when they see a carriage and four coming like the wind down some level street, at the last moment, when there is no possible hope of its turning out and the horses’ hoofs are fairly grazing their backs, they will slowly and unwillingly drag themselves a couple of feet to one side, nicely calculating the least possible distance necessary to save their precious necks. Laziness is the distinguishing quality of the Constantinople dogs. They lie down in the middle of the street, five or six or a dozen of them in a row or group, curled up in such a manner as to look muchmore like heaps of refuse than living animals, and there they will sleep away the entire day, undisturbed by the din and clamor going on about them, and not rain or sun, wind or cold, has the least power to affect them. When it snows, they sleep under the snow; when it rains, they stay on until they are so completely covered with mud that when they finally get up they look like unfinished clay models of dogs, with nothing to indicate eyes, ears, or mouth.The conditions of society, however, in Pera and Galata are not quite so favorable to the contemplative life as in Stambul, owing to the greater difficulty in obtaining food: in the latter place they liveen pension, while in the former they eatà la carte. They take the place of scavengers, falling with joy upon refuse which hogs would decline as food, willing, in fact, to eat pretty much everything short of stones. No sooner have they swallowed sufficient to sustain life than they compose themselves to slumber, and continue to sleep until aroused again by the pangs of hunger. And they almost always sleep in the same spot. The canine population of Constantinople is divided into settlements and quarters, just as the human population is. Every street and neighborhood is inhabited, or rather held possession of, by a certain number of dogs, the relatives and friends of one family, who never leave it themselves or allow strangers to comein. They have a sort of police force, with outposts and sentries, who go the rounds and act as scouts. Woe to that dog who, emboldened by hunger, dares to adventure his person across the boundaries of his neighbors’ territory! A crowd of infuriated curs give chase the instant his presence is discovered; if he is caught, they make short work of him; otherwise he is pursued as far as the confines of their own quarter, but no farther, as the enemy’s country is nearly always both feared and respected. It would be impossible to convey any just idea of the skirmishes and pitched battles which arise over a disputed bone, a reigning belle, or an infringement of territorial rights. Two dogs encounter one another; a dispute follows, and instantly reinforcements pour in from every street, lane, and alley; nothing can be seen but a confused, moving mass enveloped in clouds of dust, out of which there issues such a deafening hurlyburly of howls, yelps, and snarls as would crack the ear-drums even of a deaf man. At last the group breaks up again, and, as the dust subsides, the bodies of the fallen may be seen extended on the ground. Love-passages, jealousies, duels, bloodshed, broken limbs, and lacerated skins are the affairs of every hour. Occasionally they assemble in such noisy troops in front of some shop that the owner and his assistants are obliged, in the interests of trade, to arm themselves with stools and bars and sally forth in approved military style, taking theenemy by storm; and then there follows a pandemonium of howls, yells, and lamentations mingling with the sound of cracked heads and ribs, enough to fairly make the welkin ring. In Pera and Galata especially these wretched beasts are so ill treated, so accustomed to expect a blow whenever they see a stick, that at the mere sound of a cane or umbrella on the sidewalk they make preparations for flight: even when they seem to be fast asleep they frequently have the corner of one eye, just the point of a pupil, open, with which to watch attentively, for a quarter of an hour at a time, the slightest movement of some distant object bearing a resemblance, no matter how slight, to a stick. So unused are they to humane treatment that if you pat the head of one of them in passing, a dozen others come running up, fawning and gambolling and wagging their tails, to receive a like caress, and accompany the generous patron all the way to the end of the street, their eyes shining with joy and gratitude.Group of Dogs.The condition of a dog in Pera and Galata is worse, all said, than that of a spider in Holland, and their’s is usually admitted to be the most persecuted race in all the animal kingdom. When one sees the existence led by these miserable dogs, it is impossible not to think that there must be for them, as well, some compensation in another world. Like everything else in Constantinople, the sight of them recalled an historical reminiscence, but in their caseit seemed like the bitterest irony to picture the life of Bayezid’s famous hunting-pack, who ran about the imperial forests of Olympia wearing purple trappings and collars set with pearls. What a contrast of social conditions! Their unfortunate state has no doubt a great deal to do with their hideous appearance, but, apart from that, they are almost all of the mastiff breed or wolf-dogs, bearing some resemblance to both foxes and wolves, or rather they do not bear a resemblance to anything, but are a horrible race of mongrels, spotted over with strange colors—about as large as the so-called butcher’s dog, and so thin that each rib can be counted twenty feet off. Most of them, moreover, have become so reduced in the course of a life of incessant warfare that if you did not see them moving about you would be apt to take them for the mutilated remains of dogs. You find them with their tails cut off, ears torn, with skinned backs, sides laid open, blind in one eye, lame in two legs, covered with wounds, devoured by flies, reduced to the last possible stages to which a living dog can be brought—veritable types of war, famine, and pestilence. The tail may be spoken of, in connection with them, as an article of luxury: rare is it, indeed, for a Constantinople dog to enjoy the possession of one for more than a couple of months, at most, of public life. Poor creatures! they would move a heart of stone to pity, and yet at times they are so grotesquely maimed and altered,you see them going along with such a singular gait, such odd, ungainly movements, that it is almost impossible not to laugh outright. And, after all, neither hunger nor blows, nor even warfare, constitutes their most serious trial, but a cruel custom which has prevailed for some time in Pera and Galata. Sometimes in the middle of the night the peaceful inhabitants of a quarter are aroused from their slumbers by a diabolical uproar: rushing to their windows, they behold a crowd of dogs leaping and dancing about in agony, bounding high in the air, striking their heads against the walls, or rolling over and over in the dust: presently the uproar subsides, and in the morning, by the early light, the street is seen all strewn with dead bodies. It is the doctor or apothecary of the quarter, who, being in the habit of studying at night, has distributed a handful of pills in order to obtain a fortnight’s quiet. Through these and other means it happens that there is some slight decrease in the number of dogs in Pera and Galata; but what does this avail, since at Stambul they are so rapidly on the increase that it is merely a question of time when the supply of food there will prove insufficient for their support, and colonists will be sent over to the other shore to supply the places of those families which have been exterminated and fill up all blanks caused by war, famine, or poison.The Eunuchs.But there are other beings in Constantinople who arouse a far more profound sentiment of pity than the dogs. The eunuchs, who were first introduced among the Turks in spite of the clear and unmistakable voice of the Koran, which denounced this infamous form of degradation in no measured terms, continue to exist in defiance of recent legislation prohibiting the inhuman traffic, since stronger than either law or religion are the abominable thirst for gold which induces the crime and the cowardly egotism which derives advantage from it. These unfortunates are to be met at every street-corner, just as they are encountered on every page of history. In the background of every historical scene in Turkey may be traced one of these sinister forms grasping the threads of a conspiracy, laden with gold, or stained with blood—victim, favorite, or instrument of vengeance; if not openly formidable, secretly so; standing like a spectre in the shadow of the throne or blocking the approach to some mysterious doorway. And the same way in Constantinople: in the midst of a crowded bazâr, among the throng of pleasure-seekers at the Sweet Waters, beneath the columns of the mosques, beside the carriages, on the steamboats, in käiks, at all the festivals, wherever people are assembled together, one sees these phantoms of men, these melancholycountenances, like a dark shadow thrown across every aspect of gay Oriental life. With the decline of the absolutism of the Sultan their political power has waned, just as the relaxing of Oriental jealousy has diminished their importance in private life; the advantages they once enjoyed have consequently become greatly reduced, and it is only with considerable difficulty that they are now able to acquire sufficient wealth or power to in any measure compensate them for their misfortune. No Ghaznefér Aghà would now be forthcoming to submit voluntarily to mutilation in order to become chief of the white eunuchs; all those of the present day are unwilling victims, and victims who receive no adequate compensation. Bought or stolen as children in Abyssinia or Syria, about one in every three survives the infamous knife, to be sold in defiance of the law, and with a pretence of secresy far more revolting than if it were done openly. There is no need to have them pointed out: any one can recognize them at a glance. They are usually tall, fat, and flabby, with smooth, colorless faces, short waists, and long legs and arms. They wear fezzes, long black coats, and European trousers, and carry a whip made of hippopotamus skin, their badge of office, walking with long strides, and softly like big children. When on duty they accompany their mistresses on foot or horseback, sometimes preceding, sometimes following after, the carriage, eithersingly or in pairs, and looking around them with an ever-watchful eye, which, at the slightest suggestion of disrespect either by look or gesture on the part of a passer-by, becomes so full of angry menace as to send a cold chill down one’s backbone; but, except in some such case as this, they have either no expression at all or else an utter weariness of everything in the world. I cannot recollect ever having seen one of them laugh. Some among them, while very young, look fifty years old, and others, again, give one the impression of youths who have suddenly, in the course of a few hours, grown into old men; many of them, sleek, soft, and well-rounded, look like carefully-fattened animals. They wear fine clothing, and are as scrupulously neat and redolent of perfume as some vain young girl. There are men so heartless as to laugh in the faces of these unhappy creatures as they pass them on the street; possibly they imagine that, having been accustomed to it from infancy, they are unconscious or nearly so of the gulf which divides them from the rest of the human family. But it is perfectly well known that this is not the case; and, indeed, who, after giving the subject a moment’s thought, could suppose that it was? To belong to neither sex; to be merely the phantom of a man; to live in the midst of life, and yet not of it; to feel the billows of human passion surging all about you and be obliged to remain cold, impassive, unmoved, like a reef in the storm; tohave your very thoughts, the natural, promptings of your whole being, held in check by an iron band that no amount of virtuous effort on your part will ever avail to bend or break; to have constantly presented before your eyes a picture of happiness toward which all around you tends, the centre about which everything circulates, the illuminating cause of all the conditions of life, and to know yourself immeasurably far away in the outside darkness, in a cold immensity of space, like some wandering spirit accursed of God; and to be, moreover, yourself the guardian of that happiness in which you can never participate, the actual barrier which the jealousy of man has reared between his own felicity and the outside world, the bolt with which he makes fast his door, the cloth he uses to conceal his treasures; to be obliged to live in the very midst of that sensuous, perfumed existence of youth and beauty and enjoyment, with shame upon your brow and fury in your soul, despised, set aside, without name, without family, without a mother or so much as one tender memory, cut off from the common ties of nature and humanity,—who could doubt for one instant that theirs is a life of torment which the mind is powerless to grasp, like living with a dagger thrust into one’s heart?And this outrage still continues: these unhappy creatures walk the streets of a European city, live among men, and, wonderful to relate, refrain fromtearing, biting, stabbing, spitting in the face of that cowardly humanity which dares to look them in the eye without either shame or pity, while it busies itself with international associations for the protection of dogs and cats! Their whole existence is nothing but a series of tortures: as soon as the women of the harem find that they are unwilling to connive at their intrigues, they look upon them as spies and jailers, and hate them accordingly, punishing them by every device of coquetry that lies in their power until they sometimes drive them quite beyond all bounds, as in the case of the poor black eunuch in theLettere persiane, who put his mistress in the bath. The very names they bear are a bitter irony, being called after flowers and perfumes, in allusion to the ladies whose guardians they are, aspossessors of hyacinths, guardians of lilies, custodians of roses and of violets. And sometimes, poor wretches! they fall in love and are jealous and chafe, and become shedders of blood, or, seeing that some ardent glance directed toward their lady is returned, they lose their heads altogether and strike, as happened once during the Crimean War, when a eunuch struck a French officer in the face, and had his own head cut open in consequence by the other’s sword. Who can tell what they suffer or how the mere sight of beauty must sometimes torture them, a caress enrage, a smile torment them, the sound of a kiss given and returned cause their hands to stealtoward the dagger’s hilt? It is hardly to be wondered at that in their great empty hearts little flourishes beside the cold passions of hate, revenge, and ambition; that they grow up embittered, cowardly, envious, and savage; that they have either the dumb, unreasoning devotion of an animal for their owners, or else are cunning and treacherous; or that, when they do get into power, they use it to revenge themselves upon mankind for the affront put upon them. The more desolate and isolated their lot, so much the more do they seem to feel a necessity for female companionship. Unable to be her lover, they seek to be the friend of woman. They even marry, sometimes choosing for their wives women who are pregnant, as Sunbullin, Ibrahim’s chief eunuch, did, so as to have a child to love as his own, or, like the head eunuch of Ahmed II., they have harems filled with virgins in order that they may enjoy the contemplation and society of female loveliness; others adopt young girls, so that in old age they may have a female breast upon which to recline and not go down to the grave ignorant of all tenderness and loving care, having had nothing all their lives but scorn and contempt, or at best indifference. It is not uncommon for those who have grown wealthy at court or in some princely establishment, where they have combined with the duties of chief eunuch those of intendant, to purchase in old age a pretty villa onthe Bosphorus, and there to pass the remainder of their days in feasting and gayety, seeking by these means to blot out the recollection of their misfortune.Among all the various tales and anecdotes which were told me about these unfortunate beings one stands out with peculiar clearness in my memory. It was related by a young doctor of Pera in denial of the statement, sometimes made, that eunuchs do not suffer.“One evening,” said he, “I was leaving the house of a wealthy Mussulman, one of whose four wives was ill with heart disease; it was my third visit, and on coming away, as well as on entering, I was always preceded by a tall eunuch who called aloud the customary warning, ‘Women, withdraw,’ in order that the ladies and female slaves might know that there was a man in the harem and keep out of sight. On reaching the courtyard the eunuch returned, leaving me to make my way out alone. On this occasion, just as I was about to open the door, I felt a light touch on my arm: turning around, I found, standing close by me, another eunuch, a good-looking youth of eighteen or twenty, who stood gazing silently at me, his eyes filled with tears. Finding that he did not speak, I asked him what I could do for him. He hesitated a moment, and then, clasping my hand convulsively in both of his, he said in a hoarse voice, in which there was a ring of despair, ‘Doctor, you know some remedy for everymalady; tell me, is there none for mine?’ I cannot express to you the effect those simple words produced upon me: I wanted to answer him, but my voice seemed to die away, and finally, not knowing what to do or say, I pulled the door open and fled. But all that night and for many days after I kept seeing his face and hearing those mournful words; and I can tell you that more than once I could feel the tears rising at the recollection.”Philanthropists, journalists, ministers, ambassadors, and you, gentlemen, deputies to the Stambul Parliament and senators of the Crescent, raise an outcry in God’s name that this hideous ignominy, this black stain on the honor of mankind, may in the twentieth century be merely another dreadful memory like the Bulgarian atrocities.The Army.Types of Turkish Soldiers.Although I was fully aware before going to Constantinople that no traces of the magnificent army of former days were still to be seen, nevertheless, as soldiers are always a source of lively interest to me, I had no sooner arrived than I began to look about for them with eager curiosity. What I found, however, fell short of even what I had been led to expect. In place of the ancient costume, flowing, picturesque, and eminently warlike, they have adopted an ugly, forlorn uniform, consisting of red trousers, little scant jackets, stripes like a lackey’slivery, belts like those of college students, and on every head, from the Sultan’s down to the lowest man in the ranks, that miserable fez, which, besides being undignified and puerile, especially when perched on the head of a big, stout Mussulman, is the direct cause of any amount of ophthalmia and headache. The brilliancy of the Turkish army is lost, without any of that which belongs to the European military having been gained. The soldiers looked to me a mournful, half-hearted, dirty set of men. They may be brave, but they are certainly not impressive; and as to the nature of their training, one may form some idea of that from seeing officers and men employing their fingers in the street in place of handkerchiefs. One day I saw the soldier on guard at the bridge, where smoking is not allowed, bring this fact to the knowledge of a vice-consul by snatching the cigar out of his mouth; and on another occasion, in the mosque of the Dancing Dervishes, on the Rue de Pera, a soldier informed three Europeans that they were expected to uncover by knocking their hats off before my eyes: I knew very well that to raise a protesting voice on such occasions would mean nothing less than being seized and carried off bodily, like a bundle of old rags, to the guard-house. Hence throughout my entire stay at Constantinople my attitude toward the military was one of profound deference. On the other hand, one ceases to wonder at the uncouthness of the soldiersafter seeing what sort of people they are before donning the uniform. One day in Skutari a hundred or so recruits, probably brought from the interior of Asia Minor, passed close by me, and it was a sight which aroused both my compassion and my disgust. They looked like those terrible bandits of Hassin the Mad who passed through Constantinople toward the close of the sixteenth century on their way to die by the Austrian cannon on the plain of Pesth. I can see before me now their wild, sinister faces, rough shocks of hair, half-naked, tattooed bodies, and barbarous ornaments, and I seem to smell again the close, sickening odor, like that of wild animals’ dens, which they left behind them in the street. When the first news was brought of the massacres in Bulgaria, at once my thoughts turned to them. “My Skutari friends, beyond a doubt,” I said to myself. It is a fact, however, that they form the one solitary picturesque feature which I am able to recall of the Mussulman army.O glorious pageant of Bayezid, of Suleiman, of Muhammad! could one but behold you just once from the walls of Stambul, drawn up in glittering array upon the plain of Daûd Pasha! Every time I passed the triumphal gate of Adrianapolis I would be haunted by this brilliant vision, and pause to gaze fixedly at the opening, as though expecting each moment to see the pasha quartermaster comeforth, heralding the approach of the imperial troops.It was, in fact, the pasha quartermaster who marched at the head of the army, with two horse-tails, his insignia of rank, while behind him for a great distance flashed and glistened in the sunlight certain objects which were nothing less than the eight thousand brazen spoons fastened in the folds of the Janissaries’ turbans; in their midst could be seen the waving herons’ plumes and glittering armor of the colonels, followed by a crowd of servants laden with arms and provisions. Behind the Janissaries came a small troop of volunteers and pages dressed in silk, with iron mail, and shining head-pieces, accompanied by a band of music; after them, the cannoneers, with the cannon fastened together by means of metal chains; and then another small band of aghas, pages, chamberlains, and feudal soldiers, mounted on steeds with plumes and breast-plates. All of these were only the advance-guard, above whose closely-packed ranks floated thousands of brilliantly colored standards, waving horse-tails, and such a sea of lances, swords, bows, quivers, and arquebuses that it was not easy to distinguish the lines of swarthy faces burned by exposure in the Candian and Persian wars; accompanying them was the discordant sound of drum and flute, of trombone and kettledrum, mingling with the voices of the singers who escorted the Janissaries,and, with the rattle of arms, clanking of chains, and hoarse cries of Allah, forming a mighty roar, at once inspiriting and terrible, which could be heard from the Daûd Pasha camp to the other bank of the Golden Horn. O poets and painters, you who have dwelt with loving touch upon every picturesque detail of that vanished life of the Orient! come to my aid now, that together we may recall to life the Third Muhammad’s famous army and send it forth, brilliant and complete, from the ancient walls of Stambul.Passed the advance-guard, we see another glittering body of troops. Is it the Sultan? No, as yet the deity has barely quitted his temple. This is only the favorite vizier’s retinue, consisting of forty aghas clad in sable, and mounted upon horses caparisoned with velvet and with silver bits in their mouths; behind them are a crowd of pages and gorgeous grooms, leading other forty horses by the bridle, with gilded harness, and laden with shields, maces, and cimeters.Another troop advances. This is not the Sultan, either, but a body of state officials—the chief treasurer, members of the council, and the high dignitaries of the Seraglio—and with them a band of players and a throng of volunteers wearing purple caps decorated with birds’ wings and dressed in furs, scarlet silk, leopard skins, and Hungariankolpaks, armed with long lances entwined with silk and garlands of flowers.Still another sparkling wave of horsemen pours out of the Adrianapolis gate, but it is not the Sultan yet. This is the train of the grand vizier. First comes a crowd of mounted arquebusiers,furieri, and aghas, all high in favor with the Grand Seigneur; after them forty aghas of the grand vizier, surrounded by a forest of twelve hundred bamboo lances, borne by twelve hundred pages, and then the forty pages of the grand vizier clad in orange color and armed with bows, their quivers richly ornamented with gold. Following them are two hundred more youths, divided into six bands, each band having a distinctive color, and, riding in their midst, the governors and relatives of the chief minister; after these come a throng of grooms, armor-bearers, employés, servants, pages, and aghas, wearing gold-embroidered garments, and a troop of standard-bearers carrying aloft a multitude of silken flags; and last thekiâya, minister of the interior, escorted by twelvesciau, or legal executioners, followed by the grand vizier’s band.Another host pours out from the city-walls, and still it is not the Sultan, but a throng ofsciau,furieri, and underlings, gorgeously attired and forming the retinues of the jurisconsults, themollaandmuderri; close behind them are the head-masters of the falcon, vulture, hawk, and kite hunts, followed by aline of horsemen carrying on their saddles leopards trained for the chase, and a crowd of falconers, esquires, grooms with ferrets, standard-bearers, and drummers, and packs of caparisoned and bejewelled dogs.Another brilliant concourse sweeps out: the crowds of spectators prostrate themselves. At last the Sultan? No, not yet. This is not the head of the army, but its heart, the holy flame of courage and religious enthusiasm, the sacred ark of the Mussulman, around which mountains of decapitated heads have been reared, torrents of human blood have flowed—the green ensign of the Prophet, the flag among flags, taken from its place in the mosque of Sultan Ahmed, and now floating in the midst of a ferocious mob of dervishes clad in lion and bear skins, a circle of rapt-looking preaching sheikhs in camel’s-hair cloaks, and two companies of emirs, descendants of the Prophet, wearing the green turban; all of whom together raise a hoarse clamor of shouts, prayers, shrill cries, and singing.Another imposing troop of horsemen herald the approach, not of the Sultan yet, but of the judiciary, the judge of Constantinople and chief judge of Asia and Europe, whose enormous turbans may be seen towering above the heads of the sciau, who brandish their silver maces to clear a space for them through the crowd. With them ride the favorite vizier and vizier kaimakâm, their turbans decorated with silverstars and braided with gold; all the viziers of the Divan, before whom are borne horse-tails dyed with henné, attached to the ends of long red and blue poles; and last of all the military judges, followed by a train of attendants dressed in leopard skins and armed with lances—pages, armor-bearers, and sutlers.The next company pours out, glittering, magnificent. Surely the Sultan? No—the grand vizier, wearing a purple caftan lined with sable and mounted upon a horse fairly covered with steel and gold, he is followed by a throng of attendants clad in red velvet, and a crowd of high dignitaries, and the lieutenant-generals of the Janissaries, among whom themuftisshine out like swans in the midst of a flock of peacocks; after these, between two lines of spearmen carrying gilded spears and two lines of archers with crescent-shaped plumes, come the gorgeous grooms of the Seraglio, leading by the bridle a long file of horses from Arabia, Turkestan, Persia, and Caramania, their saddles of velvet, reins gilded, stirrups chased, and trappings covered with silver spangles, and laden with shields and arms glittering with jewels; finally the two sacred camels are seen, bearing one the Koran, the other a fragment of the Kaaba.The grand vizier’s retinue has passed, and a deafening clamor of drums and trumpets assails the ear. The spectators fly in every direction, cannonroar, a multitude of running footmen pour through the gate brandishing their cimeters, and here at last, in the midst of a thick forest of spears, plumes, and swords, the central point of those dazzling ranks of gold and silver head-pieces, beneath a cloud of waving satin banners, behold the Sultan of sultans, King of kings, the dispenser of thrones to the princes of the world, the shadow of God upon earth, emperor and sovereign lord of the White Sea and of the Black, of Rumelia and Anatolia, of the province of Salkadr, of Diarbekr, of Kurdistan, Aderbigian, Agiem, Sciam, Haleb, Egypt, Mecca, Medina, Jerusalem, the coasts of Arabia and Yemen, together with all the other dominions conquered by the arms of his mighty predecessors and august ancestors or subdued by his own flaming and triumphant sword. The solemn and imposing train sweeps slowly by. Now and again, the serried columns swaying a little to right or left, a glimpse is caught of the three jewelled plumes which surmount the turban of the deity, the serious, pallid countenance, the breast blazing with diamonds; then the ranks close in once more, the cavalcade passes on, the threatening cimeters are lowered, the bystanders raise their bowed heads, the vision disappears.After the imperial retinue a crowd of court officials come, one carrying on his head the Sultan’s stool, another his sabre, another his turban, another his mantle, a fifth the silver coffee-pot, a sixth thegolden coffee-pot; then more troops of pages, and after them the white eunuchs; then three hundred mounted chamberlains in white caftans, and the hundred carriages of the harem with silvered wheels, drawn by oxen hung with garlands of flowers or horses with velvet trappings, and escorted by a troop of black eunuchs; then three hundred mules file by laden with baggage and treasures from the court; after them a thousand camels carrying water and a thousand dromedaries laden with provisions; next a crowd of miners, armorers, and workmen of various kinds from Stambul, accompanied by a rabble of buffoons and conjurers; and finally the bulk of the fighting ranks of the army—hordes of Janissaries, yellowsilidars, purpleazabs,spahiswith red ensigns, foreign cavalry with white standards, cannon that belch forth blocks of lead and marble, the feudal soldiery from three continents, barbarian volunteers from the outlying provinces of the empire, seas of flags, forests of plumes, torrents of turbans—an iron avalanche on its way to overrun Europe like a curse sent from God, in whose track will be found nothing but a desert strewn with smoking ruins and heaps of skulls.Idleness.Although at certain hours of the day Constantinople wears an air of bustle and activity, in reality it is probably the laziest city in Europe, and in thisrespect both Turk and Frank meet on common ground. Every one begins by getting up at the latest possible hour in the morning. Even in summer, at a time when our cities are up and doing from one end to the other Constantinople is still buried in slumber. It is difficult to find a shop open or so much as to procure a cup of coffee until the sun is well up in the heavens. Hotels, offices, bazârs, banks, all snore together in one joyous chorus, and nothing short of a cannon would arouse them. Then the holidays! The Turks keep Friday, the Jews Saturday, and the Christians Sunday, besides which regular weekly ones are all the feast-days of the innumerable saints of the Greek and Armenian calendars, which are scrupulously observed; and although all of these holidays are supposed to affect only certain parts of the community respectively, in reality they provide large numbers, with whom, properly speaking, they have nothing whatever to do, with an excuse for being idle. You can thus form some idea of the amount of work accomplished in the course of a week. There are some offices which are only open twenty-four hours in the seven days. Each day some one of the five nationalities who go to make up the population of Constantinople is rambling about over the big city with no other object in the world than to kill time. In this art, however, the Turk yields to none. He can make a cup of coffee, costing twosous, last half a day, and sit immovable for five hours at a stretch at the foot of a cypress tree in one of the innumerable cemeteries. His indolence is a thing absolute and complete, an inertia resembling death or sleep, in which all the faculties seem to be suspended—an utter absence of any sort of emotion, a phase of existence completely unknown among Europeans. Turks dislike so much as to have the idea of movement presented to their minds. At Stambul, for instance, where there are no public walks, it is extremely unlikely that the Turks would frequent them if there were: to go to a place designed expressly for the purpose of being walked about in would, to their way of thinking, resemble work entirely too much. They enter the nearest cemetery or turn down the first street they come to, and follow, without any objective point, wherever their legs or the windings of the path or the people ahead may lead them. A Turk rarely goes to any spot merely for the purpose of seeing it. There are those among them, living in Stambul, who have never been farther than Kassim Pasha; Mussulman gentlemen who have never gotten beyond the Isles of the Princes, where they happen to have a friend living, or their own villa on the Bosphorus. For them the height of bliss consists in complete inactivity of body and mind; hence they abandon to the restless Christian all those great industries which require care and thought and travelling about from oneplace to another, and content themselves with such small trades as can be conducted sitting down in the same spot, and where sight can almost take the place of speech. Labor, which with us governs and regulates all the conditions of life, is a thing of quite secondary importance there, subordinated to what is pleasant and convenient. We look upon repose as a necessary interruption to work, while to them work is merely a suspension of repose. The first object, at all costs, is to sleep, dream, and smoke for a certain number of hours out of the twenty-four; whatever time is left over may be employed in gaining one’s livelihood. Time, as understood by the Turks, signifies something altogether different from what it does to us. The hour, day, month, year, has not a hundredth part of the value there that it has in other parts of Europe. The very shortest period required by any official of the Turkish government in which to answer the simplest form of inquiry is two weeks. These people do not know what it is to desire to finish a thing for the mere pleasure of having done with it, and, with the single exception of the porters, one never sees a Turk employed on any business hurrying in the streets of Stambul. All walk with the same measured tread, as though their steps were regulated by the beat of a single drum. With us life is a seething torrent; with them, a sleeping pool.

View of Stamboul. Mosque of Validêh and Bridge.

View of Stamboul. Mosque of Validêh and Bridge.

And first of all I must speak of the light. One of my chief pleasures at Constantinople was to watch the sun rise and set from the bridge of the Validéh Sultan. At daybreak in the autumn there is almost always a light fog hanging over the Golden Horn, through which the city can only be seen indistinctly, as though one were looking through those thin gauze curtains which are lowered across the stage of a theatre in order to hide the details of some grand spectacular effect. Skutari is quite invisible; only her hills, a vague outline, can be faintly traced against the eastern sky. The bridge, as well as both banks, is deserted. Constantinople is buried in slumber, and the profound silence and solitude lend solemnity and impressiveness to the scene. Presently behind the Skutari hills the sky begins to show streaks of gold, and, one by one, against that luminous background, the inky points of the cypress trees stand out clear and defined, like a company of giants drawn up in battle-array on the heights of her vast cemetery. Now a single ray of light flashesfrom one end to the other of the Golden Horn, like the first faint sigh of returning consciousness, as the great city stirs and slowly awakens once more to life. Then, behind the cypresses on the Asiatic shore, a fiery eye shines forth, and immediately upon the white summits of St. Sophia’s four minarets an answering blush is seen. In rapid succession from hill to hill, from mosque to mosque, to the farthest end of the Golden Horn, every minaret turns to rose, every dome to silver. The crimson flush creeps down from one terrace to another; the light increases, the veil is lifted, and all of Stambul lies revealed, rosy and resplendent on the heights, tinged with blue and violet shadows on the water’s edge, but everywhere fresh and sparkling as though just risen from the waves. In proportion as the sun rises higher and higher the delicacy of the first coloring disappears, swallowed up in the flood of dazzling light, which becomes so white and blinding as in turn to slightly obscure everything, until toward evening, when the glorious spectacle recommences. So clear does the atmosphere then become that from Galata you can easily distinguish each separate tree on the farthermost point of Kadi-keui. The huge profile of Stambul is thrown out against the sky with such distinctness and accuracy of detail that it would be quite possible to note one by one every minaret, every spire and cypress tree, that crowns her heights from Seraglio Point to thecemetery of Eyûb. The waters of the Bosphorus and Golden Horn turn to a marvellous ultramarine; the sky, of the color of amethysts in the east, grows fiery as it reaches Stambul, lighting up the horizon with a hundred tints of crimson and gold, making one think of the first day of creation. Stambul grows dim, Galata golden, while Skutari, receiving the full blaze of the setting sun upon her thousand casements, looks like a city devoured by flames. And this is the most perfect moment in all the twenty-four hours in which to see Constantinople. It is a rapid succession of the most exquisite tints—pale gold, rose, and lilac—mingling and blending one with another on the hillsides and water’s surface, lending to first one part of the city and then to another the finishing touch to its perfect beauty, and revealing a thousand modest charms of hill- and country-side, which were too shy to thrust themselves into notice beneath the blaze of the noonday sun. It is then that you see the great melancholy suburbs losing themselves amid the shadows of the valleys—little purple-tinted hamlets smiling on the hilltops; towns and villages which languish and droop as though their life were ebbing away; others disappear from view, as you look at them, like fires which have been suddenly extinguished; others, again, apparently quite dead, come unexpectedly to life again, all aglow, and sparkle joyously for still some moments longer in the last rays of the sun. Finally,however, nothing remains but two shining summits on the Asiatic shore—Mt. Bûlgurlù and the point of the cape which guards the entrance to the Propontis. At first they are two golden coronets, then two little crimson caps, then two rubies; and then Constantinople is plunged in shadow, while ten thousand voices from ten thousand minarets announce that the sun has set.

Constantinople possesses a grace and gayety all her own emanating from her myriads of birds of every species, objects of especial veneration and affection among the Turks. Mosque and grove, ancient wall and garden, palace and courtyard, are full of song, of the cheerful sound of twittering and chirping; everywhere there is the rush of wings, everywhere the busy, active little lives go on. Sparrows come boldly into the houses and eat from the women’s and children’s hands; swallows build their nests over the doorways of cafés and beneath the roofs of bazârs; innumerable flocks of pigeons, maintained by means of legacies from different sultans as well as private individuals, form black and white garlands around the cornices of the domes and terraces of the minarets; gulls circle joyously about the granaries; thousands of turtle-doves bill and coo among the cypress trees in the cemeteries; all around the Castle of the Seven Towers ravens croakand vultures hover significantly; kingfishers come and go in long lines between the Black Sea and Sea of Marmora; while storks may be seen resting upon the domes of solitary mausoleums. For the Turk each one of these birds possesses some pleasing quality or lucky influence. The turtle-dove is the patron of lovers; the swallow will protect from fire any building where her nest is built; the stork performs a yearly pilgrimage to Mecca; while the halcyon carries the souls of the faithful to Paradise. Hence they feed and protect them both from religious motives and from gratitude, and in return the birds make a continual festival around their houses, on the water, and among the tombs. In every quarter of Stambul they soar and circle about, grazing against you in their noisy flights, and filling the entire city with something of the joyous freedom of the open country, constantly bringing up before one’s mind images of nature.

In no other city of Europe do the sites and monuments, either legendary or historical, act so forcibly upon the imagination as at Stambul, because in no other spot do they record events at once so recent and so picturesque. Elsewhere, in order to get away from the prose of modern every-day life, one is obliged to go back for several centuries; at Stambul a few years suffice. Legend, or what has allthe character and force of legend, dates from yesterday. It is not many years since, in the square of Et-Meidan, the celebrated massacre of the Janissaries took place; not many years since the waters of the Sea of Marmora cast up upon the banks of the imperial gardens those twenty sacks containing each the body of a beauty of Mustafa’s harem; not long since Brancovano’s family was executed in the Castle of the Seven Towers, or European ambassadors were pinioned between twokapuji-basciin the presence of the Grand Seigneur, upon whose half-averted countenance there glowed a mysterious light; or within the walls of the old Seraglio that life—so extraordinary—a mingling of horrors, love, and folly, ceased finally to exist, which now seems to belong to such a far-distant past. Wandering about the streets of Stambul and reflecting upon all these things, you cannot help a feeling of astonishment at the calm, cheerful aspect of the city, gay with color and vegetation. “Ah, traitoress!” you cry, “what have you done with all those mountains of heads, those lakes of blood? How is it possible that everything has been so cleverly concealed, so wiped out and obliterated, that not a trace remains?”

On the Bosphorus, beneath the Seraglio walls and just opposite Leander’s Tower, which rises from the water like a lover’s monument, you may still behold the inclined plane down which the bodies of the unfaithful beauties of the harem were rolled into thesea; in the middle of the Et-Meidan the serpentine column still bears witness to the force of Muhammad the Conqueror’s famous sabre; on the Mahmûd bridge the spot is still pointed out on which the fiery sultan annihilated at a single blow the adventurous dervish who had dared to fling an anathema in his face; in the Holy Well of the Balukli church the miraculous fish still swim about which foretold the fall of the City of the Palæologi; beneath the trees of the Sweet Waters of Asia you can visit those shady retreats where a dissolute sultana was wont to bestow upon the favorite of the hour that fatal love whose certain sequence was death. Every doorway, every tower, every mosque and park and open square, records some strange event—a tragedy, a love-story, a mystery, the absolutism of a padishah or the reckless caprice of a sultana; everything has a history of its own, and wherever you turn the near-by objects, the distant view, the balmy perfumed air, the silence, all unite to transport him whose mind is stored with these histories of the past out of himself, his era, and the city of to-day, so that not infrequently, when suddenly confronted with the suggestion that it is high time to think of returning to the hotel, he asks himself confusedly what it means, how can there be a “hotel.”

Serpentine Column of Delphi.

Serpentine Column of Delphi.

In those early days, fresh from reading masses ofOriental literature, I kept recognizing in the people I met on the streets famous personages who figure in the legends and history of the East: sometimes they answered so entirely to the picture I had drawn in my own mind of some celebrated character that I would find myself stopping short in the street to gaze after them. How often have I seized my friend’s arm, and, pointing out some passer-by, exclaimed, “There he goes, by Jove! Don’t you recognize him?” In the square of the Sultan Validéh I have many a time seen the gigantic Turk who hurled down rocks and stones upon the heads of Baglione’s soldiers before the walls of Nicea; near one of the mosques I came across Unm Dgiemil, the old witch of Mecca who sowed thorns and brambles in front of Mohammed’s house; coming out of the book bazâr one day, I ran against Digiemal-eddin, the great scholar of Brusa, who knew all the Arabian dictionary by heart, walking along with a volume tucked under his arm; I have passed close enough to Ayesha, the favorite wife of the Prophet, to receive a steady look from those eyes “like twin stars reflected in a well.” I recognized in the Et-Meidan the beautiful and unfortunate Greek killed at the foot of the serpentine column by a ball from the huge guns of Orban; turning a sharp corner of one of the narrow streets of Phanar, I found myself suddenly face to face with Kara-Abderrahman, the handsomest young Turk of the days of Orkhan; Ihave seen Coswa, Mohammed’s she-camel, and recognized Kara-bidut, Selim’s black charger; I have encountered poor Fighani, the poet, who was condemned to go about Stambul harnessed to an ass for having made Ibrahim’s grand vizier the subject of a lampoon; I saw in one of the cafés the unwieldy form of Soliman, the fat admiral, whom the united efforts of four powerful slaves could with difficulty drag up from his divan; and Ali, the grand vizier, who failed to find throughout all Arabia a horse fit to carry him; and Mahmûd Pasha, that ferocious Hercules who strangled Suleiman’s son; and, established before the entrance of the copyists’ bazâr near the Bayezid square, that stupid Ahmed II., who would say nothing all day but “Kosc! kosc!” (Very well! very well!) Every character in theThousand and One Nights—the Aladdins, the Zobeids, the Sinbads, the Gulnars, the old Jew dealers with their magic lamps and their enchanted carpets for sale—passed before me one after another like a procession of so many phantoms.

This is perhaps the very best period in which to study the dress of the Mussulman population of Constantinople. In the last generation, as will probably be the case in the next, it presented too uniform an appearance. You find it in a sort of transition stage, and presenting, consequently, awonderful variety of form and color. The steady advance of the reform party, the resistance of the conservative Turks, the uncertainty and vacillation of the great mass of the people, hesitating between the two extremes—every aspect, in short, of the conflict which is being waged between ancient and modern Turkey—is faithfully reflected in the dress of her people. The old-fashioned Turk still wears his turban, his caftan and sash, and the traditional yellow morocco slippers, and, if he is one of the more strict and precise kind, a veritable Turk of the old school, the turban will be of vast proportions. The reformed Turk wears a long black coat buttoned close up under the chin, and dark shoes and trousers, preserving nothing Turkish in his costume but the fez. Some among the younger and bolder spirits have even gone farther, and, discarding the black frock-coat, substitute for it an open cut-away, light trousers, fancy cravat and jewelry, and carry a cane, and a flower in the buttonhole. Between these and those, the wearers of the caftan and the wearers of the coat, there is a deep gulf fixed. They no longer have anything in common but the name of Turk, and are in reality two separate nations. He of the turban still believes implicitly in the bridge Sirat, finer than a hair, sharper than a cimeter, which leads to the infernal regions; he faithfully performs his ablutions at the appointed hours, and at sunset shuts himself into his house. He of the frock-coat, on the contrary,laughs at the Prophet, has his photograph taken, talks French, and spends his evening at the theatre. Between these two extremes are those who, having departed somewhat from the ancient dress of their countrymen, are still unwilling to Europeanize themselves altogether. Some of them, while wearing turbans, yet have them so exceedingly small that some day they can be quietly exchanged for the fez without creating too much scandal; others who still wear the caftan have already adopted the fez; others, again, conform to the general fashion of the ancient costume, but have left off the sash and slippers as well as the bright colors, and little by little will get rid of the rest as well. The women alone still adhere to their veils and the long mantles covering the entire person; but the veil has grown transparent, and not infrequently reveals the outline of a little hat and feathers, while the mantle as often as not conceals a Parisian costume of the latest mode. Every year a thousand caftans disappear to make room for as many black coats; every day sees the death of a Turk of the old school, the birth of one of the new. The newspaper replaces thetespi, the cigar the chibuk; wine is used instead of flavored water, carriages instead of thearabà; the French grammar supersedes the Arabian, the piano thetimbur; stone houses rise on the sites of wooden ones. Everything is undergoing change and transformation. At thepresent rate it may well be that in less than a century those who wish to find the traces of ancient Turkey will be obliged to seek for them in the remotest provinces of Asia Minor, just as we now look for ancient Spain in the most out-of-the-way villages of Andalusia.

Often, while gazing at Constantinople from the bridge of the Sultan Validéh, I would be confronted by the question, “What is to become of this city in one or two centuries, even if the Turks are not driven out of Europe?” Alas! there is but little doubt that the great holocaust of beauty at the hands of civilization will have been already accomplished. I can see that Constantinople of the future, that Oriental London, rearing itself in mournful and forbidding majesty upon the ruins of the most radiant city in the world. Her hills will be levelled, her woods and groves cut down, her many-colored houses razed to the ground; the horizon will be shut in on all sides by long rows of palatial dwellings, factories, and workshops, broken here and there by huge business-houses and pointed spires; long, straight streets will divide Stambul into ten thousand square blocks like a checker-board; telegraph-wires will interlace like some monster spider-web above the roofs of the noisy city; across the bridge of the Sultan Validéh will pour a black torrent ofstiff hats and caps; the mysterious retreats of the Seraglio will become a zoological garden, the Castle of the Seven Towers a penitentiary, the Hebdomon Palace a museum of natural history; everything will be solid, geometrical, useful, gray, hideous, and a thick black cloud of smoke will hide the blue Thracian heavens, to which no more ardent prayers will be addressed nor poets’ songs nor longing eyes of lovers. At such thoughts as these I could not help feeling my heart sink within me, but then quickly there came the consoling fancy that possibly—who knows?—some charming Italian bride of the next century, coming here on her wedding journey, may be heard to exclaim, “What a pity! what a dreadful pity it is that Constantinople has changed so from what it was at the period of that old torn book of the nineteenth century I found in the bottom of my grandmother’s clothes-press!”

In those coming days another feature of Constantinopolitan life will also have disappeared, which is now one of the most curious of her curiosities—the dogs. And, as this is a subject which really merits attention, I am going to devote some little space to it. Constantinople is one huge dog-kennel; every one can see this for himself as soon as he gets there. The dogs constitute a second population in the city, and, while they are less numerous than the first, theyare hardly less interesting as a study. Every one knows how the Turks love and protect them, but just why they do so is not so easy to decide. I could not, for my own part, make out whether it is because the Koran recommends all men to be merciful to animals, or because they are supposed, like certain birds, to bring good luck, or because the Prophet loved them, or because they figure in their sacred books, or because, as some insist, when Muhammad the Conqueror made his victorious entry into the city through the breach in the gate of St. Romanus he was accompanied by a following composed principally of dogs. Be this as it may, the fact remains that many Turks leave considerable sums at their death for their maintenance, and when Sultan Abdul-Mejid had them all transported to the island of Marmora the people murmured, so that they were brought back amid public rejoicings, and the government has not attempted to interfere with them since. At the same time, the dog, having been pronounced by the Koran to be an unclean animal, not one out of all the innumerable hordes which infest Constantinople has an owner; any Turk harboring one would consider his house defiled. They are associated together in a great republic of freebooters, without collars or masters or kennels or homes or laws. Their entire lives are passed in the streets. There, scratching out little dens for themselves, they sleep and eat, are born, nourish theiryoung, and die; and no one, at least in Stambul, interferes in the smallest degree with their occupations or their repose. They are the masters of the road. With us it is customary for the dogs to withdraw to allow horses and people to pass by. There it is quite different, people, camels, horses, donkeys, and vehicles making sometimes quite a considerable circuit in order not to disturb the dogs: sometimes in one of the most crowded quarters of Stambul four or five of them, curled up fast asleep directly in the middle of the street, will make the entire population turn out for half a day. And in Pera and Galata it is nearly as bad, only there it is done less out of respect for the dogs themselves than for their numbers. Were you to attempt to clear the road, you would have to keep up an uninterrupted series of blows and kicks from the moment you set out until your return. The utmost they will do voluntarily is, when they see a carriage and four coming like the wind down some level street, at the last moment, when there is no possible hope of its turning out and the horses’ hoofs are fairly grazing their backs, they will slowly and unwillingly drag themselves a couple of feet to one side, nicely calculating the least possible distance necessary to save their precious necks. Laziness is the distinguishing quality of the Constantinople dogs. They lie down in the middle of the street, five or six or a dozen of them in a row or group, curled up in such a manner as to look muchmore like heaps of refuse than living animals, and there they will sleep away the entire day, undisturbed by the din and clamor going on about them, and not rain or sun, wind or cold, has the least power to affect them. When it snows, they sleep under the snow; when it rains, they stay on until they are so completely covered with mud that when they finally get up they look like unfinished clay models of dogs, with nothing to indicate eyes, ears, or mouth.

The conditions of society, however, in Pera and Galata are not quite so favorable to the contemplative life as in Stambul, owing to the greater difficulty in obtaining food: in the latter place they liveen pension, while in the former they eatà la carte. They take the place of scavengers, falling with joy upon refuse which hogs would decline as food, willing, in fact, to eat pretty much everything short of stones. No sooner have they swallowed sufficient to sustain life than they compose themselves to slumber, and continue to sleep until aroused again by the pangs of hunger. And they almost always sleep in the same spot. The canine population of Constantinople is divided into settlements and quarters, just as the human population is. Every street and neighborhood is inhabited, or rather held possession of, by a certain number of dogs, the relatives and friends of one family, who never leave it themselves or allow strangers to comein. They have a sort of police force, with outposts and sentries, who go the rounds and act as scouts. Woe to that dog who, emboldened by hunger, dares to adventure his person across the boundaries of his neighbors’ territory! A crowd of infuriated curs give chase the instant his presence is discovered; if he is caught, they make short work of him; otherwise he is pursued as far as the confines of their own quarter, but no farther, as the enemy’s country is nearly always both feared and respected. It would be impossible to convey any just idea of the skirmishes and pitched battles which arise over a disputed bone, a reigning belle, or an infringement of territorial rights. Two dogs encounter one another; a dispute follows, and instantly reinforcements pour in from every street, lane, and alley; nothing can be seen but a confused, moving mass enveloped in clouds of dust, out of which there issues such a deafening hurlyburly of howls, yelps, and snarls as would crack the ear-drums even of a deaf man. At last the group breaks up again, and, as the dust subsides, the bodies of the fallen may be seen extended on the ground. Love-passages, jealousies, duels, bloodshed, broken limbs, and lacerated skins are the affairs of every hour. Occasionally they assemble in such noisy troops in front of some shop that the owner and his assistants are obliged, in the interests of trade, to arm themselves with stools and bars and sally forth in approved military style, taking theenemy by storm; and then there follows a pandemonium of howls, yells, and lamentations mingling with the sound of cracked heads and ribs, enough to fairly make the welkin ring. In Pera and Galata especially these wretched beasts are so ill treated, so accustomed to expect a blow whenever they see a stick, that at the mere sound of a cane or umbrella on the sidewalk they make preparations for flight: even when they seem to be fast asleep they frequently have the corner of one eye, just the point of a pupil, open, with which to watch attentively, for a quarter of an hour at a time, the slightest movement of some distant object bearing a resemblance, no matter how slight, to a stick. So unused are they to humane treatment that if you pat the head of one of them in passing, a dozen others come running up, fawning and gambolling and wagging their tails, to receive a like caress, and accompany the generous patron all the way to the end of the street, their eyes shining with joy and gratitude.

Group of Dogs.

Group of Dogs.

The condition of a dog in Pera and Galata is worse, all said, than that of a spider in Holland, and their’s is usually admitted to be the most persecuted race in all the animal kingdom. When one sees the existence led by these miserable dogs, it is impossible not to think that there must be for them, as well, some compensation in another world. Like everything else in Constantinople, the sight of them recalled an historical reminiscence, but in their caseit seemed like the bitterest irony to picture the life of Bayezid’s famous hunting-pack, who ran about the imperial forests of Olympia wearing purple trappings and collars set with pearls. What a contrast of social conditions! Their unfortunate state has no doubt a great deal to do with their hideous appearance, but, apart from that, they are almost all of the mastiff breed or wolf-dogs, bearing some resemblance to both foxes and wolves, or rather they do not bear a resemblance to anything, but are a horrible race of mongrels, spotted over with strange colors—about as large as the so-called butcher’s dog, and so thin that each rib can be counted twenty feet off. Most of them, moreover, have become so reduced in the course of a life of incessant warfare that if you did not see them moving about you would be apt to take them for the mutilated remains of dogs. You find them with their tails cut off, ears torn, with skinned backs, sides laid open, blind in one eye, lame in two legs, covered with wounds, devoured by flies, reduced to the last possible stages to which a living dog can be brought—veritable types of war, famine, and pestilence. The tail may be spoken of, in connection with them, as an article of luxury: rare is it, indeed, for a Constantinople dog to enjoy the possession of one for more than a couple of months, at most, of public life. Poor creatures! they would move a heart of stone to pity, and yet at times they are so grotesquely maimed and altered,you see them going along with such a singular gait, such odd, ungainly movements, that it is almost impossible not to laugh outright. And, after all, neither hunger nor blows, nor even warfare, constitutes their most serious trial, but a cruel custom which has prevailed for some time in Pera and Galata. Sometimes in the middle of the night the peaceful inhabitants of a quarter are aroused from their slumbers by a diabolical uproar: rushing to their windows, they behold a crowd of dogs leaping and dancing about in agony, bounding high in the air, striking their heads against the walls, or rolling over and over in the dust: presently the uproar subsides, and in the morning, by the early light, the street is seen all strewn with dead bodies. It is the doctor or apothecary of the quarter, who, being in the habit of studying at night, has distributed a handful of pills in order to obtain a fortnight’s quiet. Through these and other means it happens that there is some slight decrease in the number of dogs in Pera and Galata; but what does this avail, since at Stambul they are so rapidly on the increase that it is merely a question of time when the supply of food there will prove insufficient for their support, and colonists will be sent over to the other shore to supply the places of those families which have been exterminated and fill up all blanks caused by war, famine, or poison.

But there are other beings in Constantinople who arouse a far more profound sentiment of pity than the dogs. The eunuchs, who were first introduced among the Turks in spite of the clear and unmistakable voice of the Koran, which denounced this infamous form of degradation in no measured terms, continue to exist in defiance of recent legislation prohibiting the inhuman traffic, since stronger than either law or religion are the abominable thirst for gold which induces the crime and the cowardly egotism which derives advantage from it. These unfortunates are to be met at every street-corner, just as they are encountered on every page of history. In the background of every historical scene in Turkey may be traced one of these sinister forms grasping the threads of a conspiracy, laden with gold, or stained with blood—victim, favorite, or instrument of vengeance; if not openly formidable, secretly so; standing like a spectre in the shadow of the throne or blocking the approach to some mysterious doorway. And the same way in Constantinople: in the midst of a crowded bazâr, among the throng of pleasure-seekers at the Sweet Waters, beneath the columns of the mosques, beside the carriages, on the steamboats, in käiks, at all the festivals, wherever people are assembled together, one sees these phantoms of men, these melancholycountenances, like a dark shadow thrown across every aspect of gay Oriental life. With the decline of the absolutism of the Sultan their political power has waned, just as the relaxing of Oriental jealousy has diminished their importance in private life; the advantages they once enjoyed have consequently become greatly reduced, and it is only with considerable difficulty that they are now able to acquire sufficient wealth or power to in any measure compensate them for their misfortune. No Ghaznefér Aghà would now be forthcoming to submit voluntarily to mutilation in order to become chief of the white eunuchs; all those of the present day are unwilling victims, and victims who receive no adequate compensation. Bought or stolen as children in Abyssinia or Syria, about one in every three survives the infamous knife, to be sold in defiance of the law, and with a pretence of secresy far more revolting than if it were done openly. There is no need to have them pointed out: any one can recognize them at a glance. They are usually tall, fat, and flabby, with smooth, colorless faces, short waists, and long legs and arms. They wear fezzes, long black coats, and European trousers, and carry a whip made of hippopotamus skin, their badge of office, walking with long strides, and softly like big children. When on duty they accompany their mistresses on foot or horseback, sometimes preceding, sometimes following after, the carriage, eithersingly or in pairs, and looking around them with an ever-watchful eye, which, at the slightest suggestion of disrespect either by look or gesture on the part of a passer-by, becomes so full of angry menace as to send a cold chill down one’s backbone; but, except in some such case as this, they have either no expression at all or else an utter weariness of everything in the world. I cannot recollect ever having seen one of them laugh. Some among them, while very young, look fifty years old, and others, again, give one the impression of youths who have suddenly, in the course of a few hours, grown into old men; many of them, sleek, soft, and well-rounded, look like carefully-fattened animals. They wear fine clothing, and are as scrupulously neat and redolent of perfume as some vain young girl. There are men so heartless as to laugh in the faces of these unhappy creatures as they pass them on the street; possibly they imagine that, having been accustomed to it from infancy, they are unconscious or nearly so of the gulf which divides them from the rest of the human family. But it is perfectly well known that this is not the case; and, indeed, who, after giving the subject a moment’s thought, could suppose that it was? To belong to neither sex; to be merely the phantom of a man; to live in the midst of life, and yet not of it; to feel the billows of human passion surging all about you and be obliged to remain cold, impassive, unmoved, like a reef in the storm; tohave your very thoughts, the natural, promptings of your whole being, held in check by an iron band that no amount of virtuous effort on your part will ever avail to bend or break; to have constantly presented before your eyes a picture of happiness toward which all around you tends, the centre about which everything circulates, the illuminating cause of all the conditions of life, and to know yourself immeasurably far away in the outside darkness, in a cold immensity of space, like some wandering spirit accursed of God; and to be, moreover, yourself the guardian of that happiness in which you can never participate, the actual barrier which the jealousy of man has reared between his own felicity and the outside world, the bolt with which he makes fast his door, the cloth he uses to conceal his treasures; to be obliged to live in the very midst of that sensuous, perfumed existence of youth and beauty and enjoyment, with shame upon your brow and fury in your soul, despised, set aside, without name, without family, without a mother or so much as one tender memory, cut off from the common ties of nature and humanity,—who could doubt for one instant that theirs is a life of torment which the mind is powerless to grasp, like living with a dagger thrust into one’s heart?

And this outrage still continues: these unhappy creatures walk the streets of a European city, live among men, and, wonderful to relate, refrain fromtearing, biting, stabbing, spitting in the face of that cowardly humanity which dares to look them in the eye without either shame or pity, while it busies itself with international associations for the protection of dogs and cats! Their whole existence is nothing but a series of tortures: as soon as the women of the harem find that they are unwilling to connive at their intrigues, they look upon them as spies and jailers, and hate them accordingly, punishing them by every device of coquetry that lies in their power until they sometimes drive them quite beyond all bounds, as in the case of the poor black eunuch in theLettere persiane, who put his mistress in the bath. The very names they bear are a bitter irony, being called after flowers and perfumes, in allusion to the ladies whose guardians they are, aspossessors of hyacinths, guardians of lilies, custodians of roses and of violets. And sometimes, poor wretches! they fall in love and are jealous and chafe, and become shedders of blood, or, seeing that some ardent glance directed toward their lady is returned, they lose their heads altogether and strike, as happened once during the Crimean War, when a eunuch struck a French officer in the face, and had his own head cut open in consequence by the other’s sword. Who can tell what they suffer or how the mere sight of beauty must sometimes torture them, a caress enrage, a smile torment them, the sound of a kiss given and returned cause their hands to stealtoward the dagger’s hilt? It is hardly to be wondered at that in their great empty hearts little flourishes beside the cold passions of hate, revenge, and ambition; that they grow up embittered, cowardly, envious, and savage; that they have either the dumb, unreasoning devotion of an animal for their owners, or else are cunning and treacherous; or that, when they do get into power, they use it to revenge themselves upon mankind for the affront put upon them. The more desolate and isolated their lot, so much the more do they seem to feel a necessity for female companionship. Unable to be her lover, they seek to be the friend of woman. They even marry, sometimes choosing for their wives women who are pregnant, as Sunbullin, Ibrahim’s chief eunuch, did, so as to have a child to love as his own, or, like the head eunuch of Ahmed II., they have harems filled with virgins in order that they may enjoy the contemplation and society of female loveliness; others adopt young girls, so that in old age they may have a female breast upon which to recline and not go down to the grave ignorant of all tenderness and loving care, having had nothing all their lives but scorn and contempt, or at best indifference. It is not uncommon for those who have grown wealthy at court or in some princely establishment, where they have combined with the duties of chief eunuch those of intendant, to purchase in old age a pretty villa onthe Bosphorus, and there to pass the remainder of their days in feasting and gayety, seeking by these means to blot out the recollection of their misfortune.

Among all the various tales and anecdotes which were told me about these unfortunate beings one stands out with peculiar clearness in my memory. It was related by a young doctor of Pera in denial of the statement, sometimes made, that eunuchs do not suffer.

“One evening,” said he, “I was leaving the house of a wealthy Mussulman, one of whose four wives was ill with heart disease; it was my third visit, and on coming away, as well as on entering, I was always preceded by a tall eunuch who called aloud the customary warning, ‘Women, withdraw,’ in order that the ladies and female slaves might know that there was a man in the harem and keep out of sight. On reaching the courtyard the eunuch returned, leaving me to make my way out alone. On this occasion, just as I was about to open the door, I felt a light touch on my arm: turning around, I found, standing close by me, another eunuch, a good-looking youth of eighteen or twenty, who stood gazing silently at me, his eyes filled with tears. Finding that he did not speak, I asked him what I could do for him. He hesitated a moment, and then, clasping my hand convulsively in both of his, he said in a hoarse voice, in which there was a ring of despair, ‘Doctor, you know some remedy for everymalady; tell me, is there none for mine?’ I cannot express to you the effect those simple words produced upon me: I wanted to answer him, but my voice seemed to die away, and finally, not knowing what to do or say, I pulled the door open and fled. But all that night and for many days after I kept seeing his face and hearing those mournful words; and I can tell you that more than once I could feel the tears rising at the recollection.”

Philanthropists, journalists, ministers, ambassadors, and you, gentlemen, deputies to the Stambul Parliament and senators of the Crescent, raise an outcry in God’s name that this hideous ignominy, this black stain on the honor of mankind, may in the twentieth century be merely another dreadful memory like the Bulgarian atrocities.

Types of Turkish Soldiers.

Types of Turkish Soldiers.

Although I was fully aware before going to Constantinople that no traces of the magnificent army of former days were still to be seen, nevertheless, as soldiers are always a source of lively interest to me, I had no sooner arrived than I began to look about for them with eager curiosity. What I found, however, fell short of even what I had been led to expect. In place of the ancient costume, flowing, picturesque, and eminently warlike, they have adopted an ugly, forlorn uniform, consisting of red trousers, little scant jackets, stripes like a lackey’slivery, belts like those of college students, and on every head, from the Sultan’s down to the lowest man in the ranks, that miserable fez, which, besides being undignified and puerile, especially when perched on the head of a big, stout Mussulman, is the direct cause of any amount of ophthalmia and headache. The brilliancy of the Turkish army is lost, without any of that which belongs to the European military having been gained. The soldiers looked to me a mournful, half-hearted, dirty set of men. They may be brave, but they are certainly not impressive; and as to the nature of their training, one may form some idea of that from seeing officers and men employing their fingers in the street in place of handkerchiefs. One day I saw the soldier on guard at the bridge, where smoking is not allowed, bring this fact to the knowledge of a vice-consul by snatching the cigar out of his mouth; and on another occasion, in the mosque of the Dancing Dervishes, on the Rue de Pera, a soldier informed three Europeans that they were expected to uncover by knocking their hats off before my eyes: I knew very well that to raise a protesting voice on such occasions would mean nothing less than being seized and carried off bodily, like a bundle of old rags, to the guard-house. Hence throughout my entire stay at Constantinople my attitude toward the military was one of profound deference. On the other hand, one ceases to wonder at the uncouthness of the soldiersafter seeing what sort of people they are before donning the uniform. One day in Skutari a hundred or so recruits, probably brought from the interior of Asia Minor, passed close by me, and it was a sight which aroused both my compassion and my disgust. They looked like those terrible bandits of Hassin the Mad who passed through Constantinople toward the close of the sixteenth century on their way to die by the Austrian cannon on the plain of Pesth. I can see before me now their wild, sinister faces, rough shocks of hair, half-naked, tattooed bodies, and barbarous ornaments, and I seem to smell again the close, sickening odor, like that of wild animals’ dens, which they left behind them in the street. When the first news was brought of the massacres in Bulgaria, at once my thoughts turned to them. “My Skutari friends, beyond a doubt,” I said to myself. It is a fact, however, that they form the one solitary picturesque feature which I am able to recall of the Mussulman army.

O glorious pageant of Bayezid, of Suleiman, of Muhammad! could one but behold you just once from the walls of Stambul, drawn up in glittering array upon the plain of Daûd Pasha! Every time I passed the triumphal gate of Adrianapolis I would be haunted by this brilliant vision, and pause to gaze fixedly at the opening, as though expecting each moment to see the pasha quartermaster comeforth, heralding the approach of the imperial troops.

It was, in fact, the pasha quartermaster who marched at the head of the army, with two horse-tails, his insignia of rank, while behind him for a great distance flashed and glistened in the sunlight certain objects which were nothing less than the eight thousand brazen spoons fastened in the folds of the Janissaries’ turbans; in their midst could be seen the waving herons’ plumes and glittering armor of the colonels, followed by a crowd of servants laden with arms and provisions. Behind the Janissaries came a small troop of volunteers and pages dressed in silk, with iron mail, and shining head-pieces, accompanied by a band of music; after them, the cannoneers, with the cannon fastened together by means of metal chains; and then another small band of aghas, pages, chamberlains, and feudal soldiers, mounted on steeds with plumes and breast-plates. All of these were only the advance-guard, above whose closely-packed ranks floated thousands of brilliantly colored standards, waving horse-tails, and such a sea of lances, swords, bows, quivers, and arquebuses that it was not easy to distinguish the lines of swarthy faces burned by exposure in the Candian and Persian wars; accompanying them was the discordant sound of drum and flute, of trombone and kettledrum, mingling with the voices of the singers who escorted the Janissaries,and, with the rattle of arms, clanking of chains, and hoarse cries of Allah, forming a mighty roar, at once inspiriting and terrible, which could be heard from the Daûd Pasha camp to the other bank of the Golden Horn. O poets and painters, you who have dwelt with loving touch upon every picturesque detail of that vanished life of the Orient! come to my aid now, that together we may recall to life the Third Muhammad’s famous army and send it forth, brilliant and complete, from the ancient walls of Stambul.

Passed the advance-guard, we see another glittering body of troops. Is it the Sultan? No, as yet the deity has barely quitted his temple. This is only the favorite vizier’s retinue, consisting of forty aghas clad in sable, and mounted upon horses caparisoned with velvet and with silver bits in their mouths; behind them are a crowd of pages and gorgeous grooms, leading other forty horses by the bridle, with gilded harness, and laden with shields, maces, and cimeters.

Another troop advances. This is not the Sultan, either, but a body of state officials—the chief treasurer, members of the council, and the high dignitaries of the Seraglio—and with them a band of players and a throng of volunteers wearing purple caps decorated with birds’ wings and dressed in furs, scarlet silk, leopard skins, and Hungariankolpaks, armed with long lances entwined with silk and garlands of flowers.

Still another sparkling wave of horsemen pours out of the Adrianapolis gate, but it is not the Sultan yet. This is the train of the grand vizier. First comes a crowd of mounted arquebusiers,furieri, and aghas, all high in favor with the Grand Seigneur; after them forty aghas of the grand vizier, surrounded by a forest of twelve hundred bamboo lances, borne by twelve hundred pages, and then the forty pages of the grand vizier clad in orange color and armed with bows, their quivers richly ornamented with gold. Following them are two hundred more youths, divided into six bands, each band having a distinctive color, and, riding in their midst, the governors and relatives of the chief minister; after these come a throng of grooms, armor-bearers, employés, servants, pages, and aghas, wearing gold-embroidered garments, and a troop of standard-bearers carrying aloft a multitude of silken flags; and last thekiâya, minister of the interior, escorted by twelvesciau, or legal executioners, followed by the grand vizier’s band.

Another host pours out from the city-walls, and still it is not the Sultan, but a throng ofsciau,furieri, and underlings, gorgeously attired and forming the retinues of the jurisconsults, themollaandmuderri; close behind them are the head-masters of the falcon, vulture, hawk, and kite hunts, followed by aline of horsemen carrying on their saddles leopards trained for the chase, and a crowd of falconers, esquires, grooms with ferrets, standard-bearers, and drummers, and packs of caparisoned and bejewelled dogs.

Another brilliant concourse sweeps out: the crowds of spectators prostrate themselves. At last the Sultan? No, not yet. This is not the head of the army, but its heart, the holy flame of courage and religious enthusiasm, the sacred ark of the Mussulman, around which mountains of decapitated heads have been reared, torrents of human blood have flowed—the green ensign of the Prophet, the flag among flags, taken from its place in the mosque of Sultan Ahmed, and now floating in the midst of a ferocious mob of dervishes clad in lion and bear skins, a circle of rapt-looking preaching sheikhs in camel’s-hair cloaks, and two companies of emirs, descendants of the Prophet, wearing the green turban; all of whom together raise a hoarse clamor of shouts, prayers, shrill cries, and singing.

Another imposing troop of horsemen herald the approach, not of the Sultan yet, but of the judiciary, the judge of Constantinople and chief judge of Asia and Europe, whose enormous turbans may be seen towering above the heads of the sciau, who brandish their silver maces to clear a space for them through the crowd. With them ride the favorite vizier and vizier kaimakâm, their turbans decorated with silverstars and braided with gold; all the viziers of the Divan, before whom are borne horse-tails dyed with henné, attached to the ends of long red and blue poles; and last of all the military judges, followed by a train of attendants dressed in leopard skins and armed with lances—pages, armor-bearers, and sutlers.

The next company pours out, glittering, magnificent. Surely the Sultan? No—the grand vizier, wearing a purple caftan lined with sable and mounted upon a horse fairly covered with steel and gold, he is followed by a throng of attendants clad in red velvet, and a crowd of high dignitaries, and the lieutenant-generals of the Janissaries, among whom themuftisshine out like swans in the midst of a flock of peacocks; after these, between two lines of spearmen carrying gilded spears and two lines of archers with crescent-shaped plumes, come the gorgeous grooms of the Seraglio, leading by the bridle a long file of horses from Arabia, Turkestan, Persia, and Caramania, their saddles of velvet, reins gilded, stirrups chased, and trappings covered with silver spangles, and laden with shields and arms glittering with jewels; finally the two sacred camels are seen, bearing one the Koran, the other a fragment of the Kaaba.

The grand vizier’s retinue has passed, and a deafening clamor of drums and trumpets assails the ear. The spectators fly in every direction, cannonroar, a multitude of running footmen pour through the gate brandishing their cimeters, and here at last, in the midst of a thick forest of spears, plumes, and swords, the central point of those dazzling ranks of gold and silver head-pieces, beneath a cloud of waving satin banners, behold the Sultan of sultans, King of kings, the dispenser of thrones to the princes of the world, the shadow of God upon earth, emperor and sovereign lord of the White Sea and of the Black, of Rumelia and Anatolia, of the province of Salkadr, of Diarbekr, of Kurdistan, Aderbigian, Agiem, Sciam, Haleb, Egypt, Mecca, Medina, Jerusalem, the coasts of Arabia and Yemen, together with all the other dominions conquered by the arms of his mighty predecessors and august ancestors or subdued by his own flaming and triumphant sword. The solemn and imposing train sweeps slowly by. Now and again, the serried columns swaying a little to right or left, a glimpse is caught of the three jewelled plumes which surmount the turban of the deity, the serious, pallid countenance, the breast blazing with diamonds; then the ranks close in once more, the cavalcade passes on, the threatening cimeters are lowered, the bystanders raise their bowed heads, the vision disappears.

After the imperial retinue a crowd of court officials come, one carrying on his head the Sultan’s stool, another his sabre, another his turban, another his mantle, a fifth the silver coffee-pot, a sixth thegolden coffee-pot; then more troops of pages, and after them the white eunuchs; then three hundred mounted chamberlains in white caftans, and the hundred carriages of the harem with silvered wheels, drawn by oxen hung with garlands of flowers or horses with velvet trappings, and escorted by a troop of black eunuchs; then three hundred mules file by laden with baggage and treasures from the court; after them a thousand camels carrying water and a thousand dromedaries laden with provisions; next a crowd of miners, armorers, and workmen of various kinds from Stambul, accompanied by a rabble of buffoons and conjurers; and finally the bulk of the fighting ranks of the army—hordes of Janissaries, yellowsilidars, purpleazabs,spahiswith red ensigns, foreign cavalry with white standards, cannon that belch forth blocks of lead and marble, the feudal soldiery from three continents, barbarian volunteers from the outlying provinces of the empire, seas of flags, forests of plumes, torrents of turbans—an iron avalanche on its way to overrun Europe like a curse sent from God, in whose track will be found nothing but a desert strewn with smoking ruins and heaps of skulls.

Although at certain hours of the day Constantinople wears an air of bustle and activity, in reality it is probably the laziest city in Europe, and in thisrespect both Turk and Frank meet on common ground. Every one begins by getting up at the latest possible hour in the morning. Even in summer, at a time when our cities are up and doing from one end to the other Constantinople is still buried in slumber. It is difficult to find a shop open or so much as to procure a cup of coffee until the sun is well up in the heavens. Hotels, offices, bazârs, banks, all snore together in one joyous chorus, and nothing short of a cannon would arouse them. Then the holidays! The Turks keep Friday, the Jews Saturday, and the Christians Sunday, besides which regular weekly ones are all the feast-days of the innumerable saints of the Greek and Armenian calendars, which are scrupulously observed; and although all of these holidays are supposed to affect only certain parts of the community respectively, in reality they provide large numbers, with whom, properly speaking, they have nothing whatever to do, with an excuse for being idle. You can thus form some idea of the amount of work accomplished in the course of a week. There are some offices which are only open twenty-four hours in the seven days. Each day some one of the five nationalities who go to make up the population of Constantinople is rambling about over the big city with no other object in the world than to kill time. In this art, however, the Turk yields to none. He can make a cup of coffee, costing twosous, last half a day, and sit immovable for five hours at a stretch at the foot of a cypress tree in one of the innumerable cemeteries. His indolence is a thing absolute and complete, an inertia resembling death or sleep, in which all the faculties seem to be suspended—an utter absence of any sort of emotion, a phase of existence completely unknown among Europeans. Turks dislike so much as to have the idea of movement presented to their minds. At Stambul, for instance, where there are no public walks, it is extremely unlikely that the Turks would frequent them if there were: to go to a place designed expressly for the purpose of being walked about in would, to their way of thinking, resemble work entirely too much. They enter the nearest cemetery or turn down the first street they come to, and follow, without any objective point, wherever their legs or the windings of the path or the people ahead may lead them. A Turk rarely goes to any spot merely for the purpose of seeing it. There are those among them, living in Stambul, who have never been farther than Kassim Pasha; Mussulman gentlemen who have never gotten beyond the Isles of the Princes, where they happen to have a friend living, or their own villa on the Bosphorus. For them the height of bliss consists in complete inactivity of body and mind; hence they abandon to the restless Christian all those great industries which require care and thought and travelling about from oneplace to another, and content themselves with such small trades as can be conducted sitting down in the same spot, and where sight can almost take the place of speech. Labor, which with us governs and regulates all the conditions of life, is a thing of quite secondary importance there, subordinated to what is pleasant and convenient. We look upon repose as a necessary interruption to work, while to them work is merely a suspension of repose. The first object, at all costs, is to sleep, dream, and smoke for a certain number of hours out of the twenty-four; whatever time is left over may be employed in gaining one’s livelihood. Time, as understood by the Turks, signifies something altogether different from what it does to us. The hour, day, month, year, has not a hundredth part of the value there that it has in other parts of Europe. The very shortest period required by any official of the Turkish government in which to answer the simplest form of inquiry is two weeks. These people do not know what it is to desire to finish a thing for the mere pleasure of having done with it, and, with the single exception of the porters, one never sees a Turk employed on any business hurrying in the streets of Stambul. All walk with the same measured tread, as though their steps were regulated by the beat of a single drum. With us life is a seething torrent; with them, a sleeping pool.

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