Chapter 2

"In sixty days, by order of the sceptre loving Emperor,Konstantinos the Eparch added wall to wall."

"In sixty days, by order of the sceptre loving Emperor,Konstantinos the Eparch added wall to wall."

"In sixty days, by order of the sceptre loving Emperor,

Konstantinos the Eparch added wall to wall."

A Latin inscription makes the same record almost in the words of the contemporary chronicler Marcellinus Comes—

"Theodosii jussis gemino nec mense peractoConstantinus ovans haec moenia firma locavitTam cito quam stabilem Pallas vix conderet arcem."

"Theodosii jussis gemino nec mense peractoConstantinus ovans haec moenia firma locavitTam cito quam stabilem Pallas vix conderet arcem."

"Theodosii jussis gemino nec mense peracto

Constantinus ovans haec moenia firma locavit

Tam cito quam stabilem Pallas vix conderet arcem."

This addition was a new wall, in front of that of Anthemius, with 192 towers, and a moat without, forming tiers of defence. It was this magnificent series of bulwarks which, in the words of the historian of the walls, "so long as ordinary courage survived and the modes of ancient warfare were not superseded, made Constantinople impregnable, and behind which civilisation defied the assaults of barbarism for a thousand years."[5]

Theodosius II. reigned till 450. The later part of his reign was disturbed by the Nestorian controversy, inwhich the bishop of Constantinople himself involved the Church. The denial by this prelate of the title Theotokos (Mother of God) to the Blessed Virgin Mary was no obscure attack upon the reality of the Incarnation as the Church had always received it; and the people of the city as well as the clergy received the new teaching with disgust. Eastern and Western bishops united against the heresy, and in 431 the third General Council of the Church at Ephesus condemned it and its author, and again defined the Catholic faith. The party of Nestorius was not suppressed, though he was himself deposed, and in the sixth century it became the great agent of Christian missions in the East.

Hardly was this false teaching rejected before a new heresy arose. Eutyches, a monk of Constantinople, denied the existence of two natures in Christ, and after a dispute which shook the Church for twenty years his teaching was at last condemned by the fourth General Council, which met at Chalcedon, just across the Bosphorus. The Council also emphasised the importance of the position now held by the New Rome by enacting that it should be "magnified in ecclesiastical matters even like the elder imperial Rome, as being next to it." This rule was accepted by the Emperor Marcian, and the power it gave to consecrate the metropolitans of Thrace, Asia, and Pontus was supported by the State as a badge of supremacy. The emperors who followed Marcian were all more or less concerned in the theological strife which the opinions of Eutyches had raised. The Monophysites, as the party which rejected the decisions of Chalcedon came to be called, was constantly rising into power in the Court. The imperial crown was worn in turn by four adventurers, who deposed prelates and attempted to reconcile parties at their will. In 482 the Emperor Zeno, with theadvice of the patriarch Acacius, put forth theHenoticon(form of union), which was intended to reconcile the Monophysites to the Catholic Church. The controversy was far from stilled by this inept document; and when in 484, Felix, the pope of Rome, with other Western bishops, wrote to the patriarch Acacius, declaring him deposed from his office, and separated from the communion of the faithful, a schism was caused in Constantinople itself. While the majority of the clergy and people treated the Roman decree with contempt, some of the monks, and especially the Akoimetai (an order which kept up perpetual worship by succession of worshippers, and thus received the name of "sleepless"), refused communion with their own patriarch. The Henoticon had divided the Church. The patriarchates of Antioch and Alexandria were Monophysite; Jerusalem and Constantinople were orthodox.

The reign of Anastasius, the son-in-law of Leo, whose wife was the widow of his predecessor Zeno, was regarded by the orthodox as an era of persecution. Himself a man of piety and virtue, he was greeted by the people in the Circus on his accession with the cry, "Reign as you have lived!" He added to the defences of the city a great wall stretching from the Marmora to the Euxine, some thirty-five miles from Constantinople; but he unhappily turned to theology, and widened the gulf which the Henoticon had made between the Emperors and the Church. In November 512, the streets again ran with blood shed by the people for the cause of religious truth. Amid these years stained by crime and folly, the imperial city was again and again in danger from external as well as internal foes. At the beginning of the reign of Anastasius the Isaurians who had been driven from the city rebelled, and forfive years there was war, ended only when, in 498, Isaurian captives were led in triumph through the streets. Eleven years before, Theodoric the Goth had stood before the gates, but turned back from the massive strength which he could not overthrow. He was now ruler of Italy. And even in the East, Huns, Romans and Goths again and again threatened the capital. Anastasius dabbled in theology to the end, made overtures to Pope Hormisdas which came to nothing, and died at the age of eighty-eight, regretted by none.

He was succeeded by an illiterate but honest Thracian soldier, Justin. Orthodox and straightforward, he was welcomed by the people as a saviour and a second Constantine. Under his rule peace was made with the orthodox West, and the Church again had rest.

With the death of Justin, 527, we reach the second great epoch of the history of the imperial city. Constantinople before the days of Justinian, when Theodoric, about 461, was sent as a hostage to the Imperial Court,et quia puerulus elegans erat meruit gratiam imperialem habere, was the most glorious city of Europe. Jordanes, the historian of the Goths, tells how he marvelled at the wondrous sight. "Lo! now I behold," said he, "what I have often heard, but have never believed, the glory of so great a city!" Then turning his eyes this way and that, beholding the situation of the city and the concourse of ships, how he marvels at the long perspective of lofty walls. Then he sees the multitude of various nations like the stream flowing forth from one fountain which has been fed by many springs; then he beholds the soldiers in ordered ranks. "A god," said he, "without doubt a god upon earth is the Emperor of this realm, and whoso lifts his hand against him, that man's blood be on hisown head." Thus the barbarian may well have spoken when he had his first sight of the majesty of the Empire and its civilization in its Eastern home.

YERI BATAN SERAI (CISTERN)

YERI BATAN SERAI (CISTERN)

Within a few years there was a great change. Earthquakes, rebellions, fires, compelled the rebuilding of a great part of Constantinople, and Justinian the Great, lawyer, theologian and organiser of victory, left monuments as enduring in architecture as in the other spheres of his activity. With the exception of the churches of S. John of the Studium and S. Irene, and the walls of Theodosius, there are to-day no great works of the Christian period, save a very few of the later Emperors, remaining in Constantinople except those which Justinian built. His architects created the Byzantine style which reached its magnificent completion in S. Sophia. The finest of the cisterns which astonish the traveller to-day are the work of his age; and as we walk by the splendid walls thatextend from the Marmora to the Golden Horn, it is along his triumphal way that we tread. The first book of the "Aedifices" of Procopius, written to commemorate his achievements in building, is even now a handbook in little to the glories of Constantinople.

Leaving to our description of the city the still standing work of the great Emperor, we must here shortly sketch the reign which was for nine centuries the most glorious memory of the Eastern Empire. Born in 482 or 483, Justinian was the son of a Dardanian peasant, and was born at Scupi (Üsküp), "at the crossing-point of great natural routes across the western part of the Illyrian peninsula." When his uncle Justin raised himself to the throne in 518 he was sent for and trained to succeed to, if not already to exercise, supreme power. So long as Justin lived Justinian was his chief adviser. When Vitalian, the orthodox Goth, whose troops in the neighbourhood of the city seemed to threaten the new dynasty, was murdered in the palace, it was Justinian, for whose concern in the crime no valid evidence has been produced, who rose to the highest place in military as well as civil affairs. In 523 he married the beautiful Theodora, whose earlier life has been covered with shame by historians whose veracity is open at least to suspicion. She is described by the bitter Procopius as everything that is vile; it is probably true that her youth was disreputable; but it is certain that she made the noblest atonement for the past by the charity and piety of her later life and by the courage and wisdom which were of profit even to the Empire.[6]Of her beauty there is no doubt. Small, pale as marble, but with brilliant eyes, the bitterest ofher enemies describes her; and when he uses the language of compliment he declares of the statue erected in her honour by the baths of Arcadius that "the face is beautiful but falls short of the beauty of the Empress, since it is utterly impossible for any mere human workmen to express her loveliness." Four years after the marriage, which was one of unbroken affection till the Empress died in 548, Justinian was associated with his uncle on the imperial throne. On April 1, 527, he became sole Emperor, and he reigned till 565.

Constantinople under Justinian became again the centre of Christian Europe. But before his power was fully established it was threatened by the gravest of the great insurrections with which the populace showed its independence and its fickle levity. The sedition arose in the Circus, and it was long the fashion to believe that Constantinople was ruled entirely under the sway of the factions of the Hippodrome. A more critical investigation has shown that the demes (δῆμοι) or parties were organised bodies intimately connected with the court and the municipality. The demes had two parts, military under democrats, and civil, or political, under demarchs. The heads of each faction were officers of the court and the army, and the demes were fully organised for military purposes. Not only were they, as we have seen, intrusted with the building of the wall, but they provided, under the Emperor Maurice, troops for the guarding of the long walls; and Justinian himself, at the end of his reign, used them in a similar way. It was to the demes, one writer seems to show, that Justin owed his throne. But while their military and political importance is now fully recognised, we are still without an explanation of how they became connected with the parties and colours of the Circus.

However that may be, we find in the reign of Justinian two large Circus parties, the Blues and the Greens, with whom were merged as sub-divisions the Reds and the Whites, who organised the races and had so much liberty allowed them by the laws, that they were able to defy emperors and set public order at defiance. But the madness of their riot was not without a method. To the demes or factions were allowed privileges which seemed the last relics of the ancient freedom of the Greek cities. "In the sixth century," says Professor Bury, "the outbreaks of the demes represent a last struggle for municipal independence, on which it is the policy of imperial absolutism to encroach. The power of the demarchs had to give way to the control of the præfects of the city."

THE IMPERIAL QUARTER

THE IMPERIAL QUARTER

On January 13, 532, there began an insurrection called ever after the "Nika" (conquer), from thewatchwords of the insurgents, which threatened the imperial throne, and went nigh to destroy the whole city. The præfect of the city led to execution some criminals belonging to both parties, three days before. The Greens, during the celebration of public games in the Hippodrome on Sunday, January 11, appealed to the Emperor against Calapodius, the imperial minister, and the most extraordinary dialogue occurred. "Be silent, Jews, Samaritans and Manichæans," cried Justinian'smandator, uttering imperial commands, but they renewed their complaints, and finally passed into insults, calling the Emperor tyrant and murderer. Justinian determined to show his indifference to the mob by the execution that night of criminals of both factions. Two were rescued, and the two factions determined to procure their pardon, and on the 13th, when the great games took place, they appealed to Justinian, but in vain. The two demes then declared themselves united, and having no answer from the præfect whose house they surrounded, they set fire to the prætorium, and then in the night spread the fire over the imperial quarter. The portico of the Palace, the Baths of Xeuxippus, the Senate-house, and the wooden church of S. Sophia were set on fire. Next morning they marched to the Palace and demanded the dismissal of the unpopular ministers. Justinian was about to yield, and indeed had given the order, when the insurgents determined to depose him. Anastasius had left three nephews, Probus, Hypatius and Pompeius. Failing to find the first the mob burned his house. The two other brothers remained in safety in the palace. Next day the greatest general of the age, Belisarius, who had but recently returned from a victorious campaign against the Persians, sallied forth from the palace with a body of barbarian troops, Goths and Heruls—for the garrison of the city could not betrusted—and fierce fighting occurred for two days in the streets. The clergy did their utmost to restore peace, but were utterly unheeded, and in the evening of the 16th the Church of S. Irene, built by Constantine, was burnt, though not to the ground, and the Hospice of Samson, which stood between it and S. Sophia, were also destroyed. On the 17th, Saturday, the fire spread still further, and almost all the centre of the city was reduced to ashes. At night Justinian determined to give up Hypatius and Pompeius to the mob, hoping no doubt that if they were conspiring against him they would be less dangerous outside than within the palace. In spite of their reluctance he drove them forth to their own houses. Next day, early on the Sunday morning, the Emperor himself went down to the Hippodrome and made what was little better than an abject submission. He swore on the gospels to forgive all that had been done, if order were now restored. "The blame is not yours but all mine. For the punishment of my sins I did not grant your requests when first you spoke to me in this place." Some cried out that he swore falsely, and no heed was taken of his words. A few hours later Hypatius was proclaimed Emperor, and as the mob surrounded the palace it seemed that there was nothing for the Emperor but flight. It was then, when Justinian was ready to yield and cross the Bosphorus to the safety of Chalcedon, that Theodora showed herself worthy of the purple. "No time is this," she cried, "to ask whether a woman should be bold before men or valiant when men are afraid. They who are in extremest peril must think of nothing but how best to meet what lies before them. To fly, if ever it be expedient, would now not be so, I declare, even if it preserved us. For a man born into this light not to die is impossible; but for one who has been Emperor to become an exile isnot to be endured. Let me never come to be without this purple robe nor live that day when men shall cease to call me their sovereign Lady. If you, Emperor, wish to escape, it is no hard matter. Here is the sea, and there lie the ships. But consider whether you may not one day wish that you had exchanged your mean safety for a glorious death. For me I love the ancient saying, 'How brave a sepulchre a kingdom is!'"

Thus Theodora proved herself fit mate for a Cæsar, and worthy of her crown; and those who had counselled flight now found courage to resist. While Justinian's men planned an attack, the followers of Hypatius agreed upon delay, and he himself sent, it would seem, to make peace with the Emperor. As his messenger went, he was told that the Cæsar had fled, and then the unhappy pretender took upon him the dignity of Emperor. In a few hours Belisarius led his troops upon the multitude assembled in the Hippodrome, and before nightfall they forced their way in with fire and sword, and of all the citizens gathered in the Circus not one left it alive. Justinian was not told till too late that Hypatius had been willing to submit. The two brothers were dragged out with contumely, and the next morning before daylight they fell under the swords of the barbarian soldiers. The Emperor, it is said, would have spared them, but Theodora, "swearing by God and by him, urged him to have them killed." Zachariah of Mitylene says that more than 80,000 persons perished in the riot.

At midday on Monday, January 19, Constantinople was at peace; but it was in ruins. Three distinct conflagrations had reduced the grandest monuments of the city of Constantine to ashes. On the first two days of the riot all the buildings of the Augusteum were destroyed, and with them S. Sophia, the "GreatChurch," only its baptistery, it would seem, being saved. Two days later the buildings north-west of S. Sophia were in flames, and among them the Hospice for poor and sick folk, "founded in ancient times by a holy man whose name was Samson," and Constantine's Church of S. Irene. On the 17th the buildings round the Mesê, the street which connected the forum of Constantine with the Augusteum, and the "great porticoes leading up to the agora named from Constantine, and many houses of rich men, and large property, were burned." Thus, a great part of what had been the first Byzantium, which was adorned with the finest buildings of Constantine, was utterly destroyed. To one who saw the blackened ruins, they seemed like the masses of molten lava round the crater of a volcano. To Justinian, already a great law-giver, came the task of building anew the imperial city.

THE BURNT COLUMN

THE BURNT COLUMN

The Emperor began at once with the rebuilding of the Great Church of the Divine Wisdom. On the 23rd of February the work was begun: on December 26, 537, the new church was dedicated. "The procession," says Theophanes, who wrote from older materials in the eighth century, "started from thechurch of the Anastasia," where S. Gregory of Nazianzus had long preached to the men of Byzantium, "Menas, the patriarch, sitting in the royal chariot, and the King walking with the people." In 558 the eastern part of the dome with the apse was destroyed by an earthquake and was rebuilt. Agathias, a contemporary historian, thus describes the building and the restoration:

"Now the former church having been burnt by the angry mob, Justinian built it up again from the foundations, as great, and more beautiful and wonderful, and this most beautiful design was adorned with much precious metal. He built it in a round form, with burnt brick and lime. It was bound together here and there with iron; but they avoided the use of wood, so that it should no more be easily burnt. Now Anthemius was the man who devised and worked at every part. And when by the earthquake the middle part of the roof and the higher parts had been destroyed, the Emperor made it stronger, and raised it to a great height. Anthemius was then dead, but the young man Isidorus and the other craftsmen, turning over in their minds the earlier design, and comparing what had fallen with what remained, estimated where the error lay, and of what kind it was. They determined to leave the eastern and western arches as they were. But of the northern and southern they brought towards the inside that portion of the building which was upon the curve. And they made these arches wider, so as to be more in harmony with the others, thus making the equilateral symmetry more perfect. In this way they were able to cover the measurelessness of the empty space, and to take off some of its extent to form an oblong design. And again, they wrought that which rose up above it in the middle, whether cycle or hemisphere or whatever other name it may becalled. And this also became more straightforward and of a better curve, in every part agreeing with the line; and at the same time not so wide but higher, so that it did not affright the spectators as before, but was set much more strong and safe."

S. SOPHIA AND THE MINISTRY OF JUSTICE FROM THE SEA

S. SOPHIA AND THE MINISTRY OF JUSTICE FROM THE SEA

A more minute account of the work must be reserved till we pass from history to description. Here we have only to summarise and characterise the work of the great architects whom Justinian employed to rebuild his city. The opportunity was a great one. Constantinople was now the centre of the civilised world. Thither came in the sixth century a crowd as motley as thosegathered together on the day of Pentecost, or as may be seen now on the bridge of Galata. Men of Mesopotamia and Syria, Persians, Greeks from the islands and the Peloponnese, men of Sicily and Africa, Alexandrines and Palestinian Jews, met with the Roman and with the barbarian subjects of the now again undivided empire.

Of this vast gathering of the nations Byzantine art was the result and the reflexion. But adaptive as it was of every influence that came before the eyes of its great masters, it was, above all, like the city where it reached its highest glory, pre-eminently religious and Christian. The new style has been called "historical-dogmatic," and indeed it combined in a marvellous manner the traditions of different races under the uniting power of the Catholic faith.

The genius which gave to the Byzantine architecture its completed glory was that of Anthemius of Tralles, of whose skill contemporary writers write in enthusiastic applause. His works, says Agathias, "even if nothing were said about them, would suffice of themselves to win for him an everlasting glory in the memory of man as long as they stand and endure."

The characteristics of the art of Anthemius at its highest development may be seen to-day in Constantinople. There are few churches earlier than his time still standing. Among these may be the semi-basilican S. Thekla and S. Theodore of Tyrone, and certainly are S. John of the Studium and S. Irene. The last was rebuilt by Justinian immediately after the Nika insurrection in 532, but it belongs to the earlier style. Similar to it was the church of S. Peter and S. Paul, now destroyed, but of which some beautiful marble capitals lie in the sea close to the palace of Hormisdas. Later came the still standing church of S. Sergius and S. Bacchus, called by the people "little S. Sophia," builtabout 527 by Justinian himself. This prepares the way for almost every feature which appears developed and completed in the great S. Sophia itself. The two most striking characteristics of the new style are the impost capital and the merging of subsidiary spaces in one central building.

The impost capital is probably first seen in the great cistern, also of Justinian's day. I may here repeat what I have said elsewhere.[7]

"Strygowski[8]regards this impost-capital as the work of the builder of the great cistern, who he thinks may have been Anthemius, here proving his fitness for the great work of S. Sophia. It was, he shows, an architectural revolution. The capital, with undercut volutes, was suitable for a straight architrave, but not for the arch. Hence a piece was inserted to transfer the weight from the angles to the centre. The Theodosian age used an inserted impost. The constructive activity of the age of Justinian produced the impost-capital.

As to design, the capitals lying neglected about the city, together with thosein situin the churches and cisterns, furnish a perfect museum of the types with which others, dispersed over the whole area of the empire, agree in the minutest particulars of design and workmanship. The acanthus leaves, so familiar through all the work of the centuries—from the Golden Gate (388) onward, and the portico to S. John of the Studium a century later—assume the beautiful "windblown" design in the ruins near the "Rose Mosque."[9]

The second feature is the arrangement which unites the longitudinal with the central building and makesthe whole effect of the interior of one piece by relating every piece of work, pillar, arch, semi-dome, to the one vast central dome which crowns the whole. From without, but more clearly from within, the architecture of S. Sophia is seen to form one entire and perfect whole. It is impossible to conceive it deprived of a single feature without the sacrifice of the whole. To mutilate would be to destroy.

Seen then in its grandeur at S. Sophia the work of Justinian changed the appearance of the whole city. Procopius in hisAedificesrecords what was when he wrote in 558, a complete list of what had been built in the reign. Everywhere there were arising, as though by an enchanter's wand, palaces, churches, baths, aqueducts, great cisterns supported on exquisitely carved columns, new markets, houses for the great nobles, barracks, hospitals, convents. The splendour and beauty of the new city, its richness of decoration, marbles, statuary, mosaics, struck all beholders with amaze. The chroniclers, who in other times would have been satisfied to tell of military successes and court intrigues, now tell of measurements and designs, and collect lists of gems and splendours of decoration. The reign of Justinian, in spite of many foreign dangers, and oppression at home, is the most magnificent period of early Byzantine history; and the magnificence seemed to be expressed in the buildings of Constantinople.

When Procopius in hisÆdificeshas told of the glories of S. Sophia, he goes on to speak of the Augusteum and its statues. Chiefest among them, one of Justinian himself as Achilles. Then S. Irene, then the churches of the Blessed Virgin at the Blachernae and at Balukli beyond the triumphal way. Church after church follows in his tale, and chief among them those which the mariner sees as he sails up the GoldenHorn. "As to the other buildings, it would be hard to name them all." The Hospice of Samson rose again from its ruins, probably close by where the gate of the old Seraglio now stands. The baths of Xeuxippus, which lasted down to the time of Mohammed the Conqueror, with the other buildings near the Augusteum and the forum of Constantine, were restored. "In addition to this he rebuilt and added great magnificence to the house named after Hormisdas, which stands close to the palace, to which he joined it,"—that pathetic ruin whose broken wall hangs over the Marmora to-day. When the eulogist comes to the palace itself, words fail him to repeat its glories, the pictures, mosaics, marbles, that combine to make the walls glitter as with life. After works of beauty come those of use, and the cisterns receive as much praise as works more brilliant yet hardly more beautiful.

It is buildings such as these that enable us to see what Justinian was to the capital of his Empire. Every year it seemed that new victories and new conversions were increasing the power of the Empire and the Church. While Belisarius reconquered Italy and made the name of the Cæsar again honoured at Rome and Ravenna, ended the cruel rule of the Vandals in Africa and Sicily, crushed the Goths of Spain, and kept the strong Persian prince at bay on the eastern frontier of the empire, Christian missions spread the faith of the orthodox Church to the Caucasus and the Sudan. Again and again did processions of returning warriors pass along the triumphal way, but the Emperor alone entered by the Golden Gate. It was in the Hippodrome that Belisarius celebrated his triumph over the Vandals. It was nigh six hundred years, Procopius thought, since any had had the same. But Belisarius walked with a proud humilityfrom his own house to the Hippodrome, and thence from his own tent to the imperial throne. The rich spoils that were spread out were the treasures of all the years of Vandal conquest, and among them some of the vessels that Titus had brought from the temple at Jerusalem and Generic the Vandal conqueror had taken from Rome. These Justinian gave to churches in the Holy City. As the captives were led up to the imperial throne all eyes were fixed on the Vandal chief, Gelimer, wearing the purple, as in mockery, with his kindred about him, "himself the tallest and most beautiful of the Vandals." As he walked up to the throne he looked up, and uttering no lament for his fallen state, said with the poet's simple feeling, "Vanity of vanities." They stripped him of his robe and made him fall on his face before the Emperor. Beside him knelt his conqueror, and supplicated for his pardon, and the day was crowned by generosity such as the Emperor loved to show and the people to applaud.

THE GOLDEN GATE

THE GOLDEN GATE

Such scenes became familiar to the people as theyears of victory rolled on. They saw, too, Belisarius, drawn through the streets in his chariot by the captives of his wars, when he received the dignity of Patrician. The empire of Justinian, based upon the old laws which he collected and enlarged, cherishing the traditions of old Rome, was eager to revive every glory of former days. "And then," says Procopius, who himself the bitterest of satirists of the present, looked not unkindly on the past, "men saw things long forgotten thus renewed by time." But the picture, brilliant though it was, was not unclouded. The city of the Cæsars was again and again threatened by barbarians and struck by the visitation of God. In 542 Constantinople was devastated by a terrible pestilence, the bubonic plague, that has lost none of its terrors in fifteen hundred years. For four months it raged, and at its height Procopius declares that as many as ten thousand perished in a day. It spared no constitution and no age, and God alone could be the cause of it. Justinian, who was one of the few who recovered, was assiduous in charitable aid; but the loss to the city could hardly be conceived—no trades, no shops, says the recorder of many horrors, remained, and "many for fear leaving their bad courses, consecrated themselves to God, and many when the danger was passed fell to their old despising of God again."

After plagues came famines and earthquakes, and in the last year of the reign, the dread army of the Huns, under Zabergan, drew nigh even to the walls of Constantinople, murdering and ravaging as they came. Hastily the treasures of the church northwards of the city were brought for safety within the walls, and Belisarius in old age again came forward to save the empire. It was his last victory, and seven years later he passed away, honoured and beloved. The Emperor himself died but a few weeks later in November565. The glories of the reign had passed away before the aged ruler laid down his power; but he left a reconquered Empire and a capital that was the wonder of the world.

He left too a memory as a theologian, which the church for some centuries continued specially to honour in her most solemn service. Justinian, the legislator, the builder and the organizer of victory, seemed to the vision of Dante to dwell like the sun in perpetual light.

Sì come'l sol, che si cela egli stessiPer troppa luce, quando il caldo ha roseLe temperanze de' vapori spessi;Per più letizia sì mi si nascoseDento al suo raggio la figura santa.

Sì come'l sol, che si cela egli stessiPer troppa luce, quando il caldo ha roseLe temperanze de' vapori spessi;Per più letizia sì mi si nascoseDento al suo raggio la figura santa.

Sì come'l sol, che si cela egli stessi

Per troppa luce, quando il caldo ha rose

Le temperanze de' vapori spessi;

Per più letizia sì mi si nascose

Dento al suo raggio la figura santa.

To this aspect of his life we can give here but little attention; but it is not to be doubted that it was as a theologian that the men of his Constantinople heard most of their ruler's doings. Far into the dark hours, says the chronicler of his reign, he sat writing the theological treatises which expressed the teaching of the Church; night after night he would study in his library the writings of the Fathers, and the Sacred Scriptures, with some learned prelates or monks at hand, that he might discuss with them the questions as they rose before his mind. From the time of his predecessor he had been engaged in corresponding with Popes on theological points, and when he became sole ruler he determined once for all to settle the side issues which depended on the great Monophysite contest. Edict after edict, letter after letter, treatises closely argued and tightly packed with patristic and scriptural learning, and even hymns, showed the restless activity of the imperial theologian. When in 535 Anthemius of Trebizond was made Patriarch of Constantinople, and when Pope Agapetus came on a mission from theGothic King Theodahad, the discussion of articles of the faith brought the deposition of the patriarch as a monophysite, and the succession of Mennas, head of the hospice of Samson. Then came the conflict with the Origenists, which led indirectly to the controversy of "the Three Chapters" and the session of the Fifth General Council. Of this it were here a weariness to tell. Let it suffice to say that on May 5, 553, the Council met in the southern gallery of the great Church of the Divine Wisdom. The Pope himself was at Constantinople but he would not attend the sessions. He was lodged at first in the royal palace of Placidia at the eastern end of the promontory, beyond S. Irene, looking over the sea to Asia and the churches of Chalcedon. Then he fled by night to cross the Bosphorus and took refuge in the Church of S. Euphemia at Chalcedon where a hundred years before the council had sat. Embassies crossed and recrossed the sea; even the great general Belisarius was an envoy, but Vigilius, when the Council met, refused to join it, to speak, or to vote: and the Council made short work of the foolish, bombastic, hesitating pontiff. It condemned those who refused to receive its decisions and struck Vigilius out of the diptychs on which were inscribed the names of those prayed for at the Eucharist.

But if there was no Roman patriarch present, there was the new patriarch of Constantinople, Eutychius, and the patriarchs of Alexandria and Antioch, while he of Jerusalem sent proxies. To the decisions of the council a hundred and sixty-four signatures were affixed. Theologians still contest as to whether it was a free and open council; but it was accepted beyond question, though after some years, by the whole Church. It did its work: it safeguarded the Catholic faith by stripping bare the meaning of statements which indirectly attacked the Divine and Human Natures of theIncarnate Son. It condemned these subtle suggestions, and it preserved to the Church the real Christ of Whom she had learned.

These theological questions stand out, it may seem to some to-day, too boldly in the history of the New Rome: but they know little of the capital of the East who do not know how close to its life lie these matters of dogma and definition. The very tradesmen at their work talked of them, as they talked in the time of Gregory; and there was nothing which the crowds who thronged the markets and the basilicas in the days of Justinian more readily or more constantly discussed. Constantinople in these first centuries of her life had the theological interest closest to her heart; as the years went on the needs of defence brought the military interest to the top.

The city in Justinian's days was rich and full of bread. All the glory of the world seemed there to be gathered together, and with it the vice, which stern laws and the charitable institutions, founded by the imperial sovereigns, endeavoured as best they could to conquer or to heal. The thronged markets sold every kind of goods, for commerce or luxury. The monks who brought the silkworm from China to the Emperor's court enabled him to found an industry which added greatly to resources of his empire and the prosperity of his people. The mosaics, which glittered on the walls of the churches, were made by skilled artists in the city itself—carved work, images (the icons which the Greek Church has never ceased to love), jewellery, beautifully wrought, were among the manufactures of the great trading centre of the East; and the military engines for which the Eastern army was renowned were made within the walls of the capital itself. The pages of Procopius and Agathias, of Lydus and John of Ephesus, show a busy hurrying life, elaborate administrativearrangements, official classes greedy and exclusive, popular agitations hasty and fickle, an accumulating luxury with all its accompaniments of oppression, avarice, and vulgar show. The millionaires of the sixth century, with their gout, their costly equipages, and their summer palaces on the Bosphorus or at Chalcedon, were a prominent feature in the life of the great city. Beside them were the dusky traders from the far East, the hordes of bearded monks ever ready to join in the logical squabbles or take part in popular riots, and the silent barbarian soldiers, opening wondering eyes on the disputes and the splendours of the imperial city, and prompt at the word of command to dethrone emperors or massacre their foes. In such a city it would have been strange if there were order or peace; and indeed the constant complaint of the chroniclers is of nobles, clerics and artizans, whom it was impossible to restrain. Yet amid this scene of confusion at any moment the imperial power might show itself with arbitrary and brutal abruptness. When a servant maid by mischance spat on the robe of the dead Empress Eudocia as it was carried to the tomb she was executed immediately and without protest.

3. From Justin II. to the Latin Conquest.

In 565 Justinian died, and the glory of his reign set in a dull glow that heralded storms. Justin II., his nephew, was a tyrant and a madman, but it was power which brought out his tyranny and his madness. When he came to the throne he spoke mildly and well. He made profession of orthodoxy in S. Sophia; he was raised on the imperial shield in the palace; he promised in the Hippodrome to pay the debts of the dead Emperor. They were strange scenes, such as the people of Byzantium often saw, and strangest of all to our minds is that which shows the citizens inthe place of public games clamouring before the imperial throne for the payment of debts of Justinian.

Constantinople is still the same. Even when it looks cowed, it has still its impudence and its determination to criticise. Justin's doings were watched and mocked at, as if he had been the humblest tradesman, by the city jesters. He built a golden chamber in the palace by the sea: he set up a pillar to record his virtues, and then some one affixed a tablet on it:

Build, build aloft thy pillar,And raise it vast and high;Then mount and stand upon it,Soar proudly in the sky;East, south and north, and westward,Wherever thou shalt gaze,Nought shalt thou see but ruins,The work of thine own days.

Build, build aloft thy pillar,And raise it vast and high;Then mount and stand upon it,Soar proudly in the sky;East, south and north, and westward,Wherever thou shalt gaze,Nought shalt thou see but ruins,The work of thine own days.

Build, build aloft thy pillar,

And raise it vast and high;

Then mount and stand upon it,

Soar proudly in the sky;

East, south and north, and westward,

Wherever thou shalt gaze,

Nought shalt thou see but ruins,

The work of thine own days.

Meanwhile the barbarians were coming nearer to the Empire. The Avars demanded tribute, and the Turks, a name that was so soon to be a familiar terror, sent envoys to the Cæsar's court. The enemies, it might seem, were already closing in when Justin became a lunatic, bursting into mad fits of rage, and drawn about the palace in a toy cart, while the "whole senate and city" knew of the sad fate of their Emperor. Sophia, his wife, had all the masterful genius of her aunt Theodora. It was she who gave the rule to Tiberius II., under whom the empire steadily decayed. Maurice, his successor, was a severe ruler, whom the people learned to hate. When at last his reign ended in a revolution and a flight, it was the people of Constantinople, the demes and the factions of the Circus, who gave him to death, and placed the imperial crown on the head of Phocas, his successor.

While Constantinople thus dethroned and set up the civil rulers of the Empire, it was claiming for itspatriarch the highest position in the Church. When at the beginning of the sixth century the patriarch John had signed the formula drawn up by Pope Hormisdas, he repudiated any claim to superiority on the part of the old Rome: the two cities and the two Sees he declared were one. As early as 518 the patriarch of Constantinople called himself "universal bishop": in 595 the great Pope Gregory, who had himself, as a papal envoy, seen the greatness of the Eastern See, vigorously protested, to the Emperor Maurice, against the assumption to the title. But while the patriarchs used the title in no exclusive sense, they were determined, as they are determined to-day, to assert the independence of their See and its equality with that of Rome.

Ecclesiastical independence did not preserve the Empire from political weakness. Phocas was soon seen to be worse than Maurice, and one conspiracy after another was begun in the Hippodrome and ended by a massacre in the streets. The Green faction in the Circus called the Emperor a drunkard and a madman to his face. Famine and pestilence ravaged the crowded city, and when Heraclius, already a renowned general, brought his fleet up the Hellespont and anchored at the Golden Horn the collapse of the power of Phocas was immediate, and a new Emperor was crowned in the great church of the "Capital of the World." The reign of Heraclius, gallant man though he was, began in almost unbroken disaster, and when in 615 Jerusalem fell into the hands of the Persians it seemed that the end was at hand. In the next year, as had already happened under Phocas, a Persian army encamped at Chalcedon. When negotiations were in vain, when Heraclius had even formed the idea of transferring the seat of Empire from Constantinople to Carthage, and had only abandoned it afterhis preparations were far advanced, when the terror and indignation of the people forced him to take oath before the patriarch in S. Sophia that he would never leave "the Queen of Cities," at length the courage of the empire awoke, the nobles sacrificed their wealth and the churches their treasures, the fleet utterly destroyed that of the Persians, and Heraclius delivered the city and the empire by a march as brilliant as it was daring. Leading five thousand veterans across Asia Minor and through the mountains he "penetrated into the heart of Persia and recalled the armies of the great king to the defence of their bleeding country." After three campaigns he returned in triumph and entered, as no Emperor since Theodosius the Great had done, by the Golden Gate.

In his absence thirty thousand Avars, who had swept over the Balkan provinces like a devouring flame, broke through the great wall and encamped under the very walls of the city itself. Churches in the suburbs were burnt to the ground and the famous Church of the Theotokos in Blachernae was on the point of being destroyed, when some panic caused the Avar horsemen to retire. The danger was too obvious for the warning to be neglected, and the Senate, which had refused with contumely the offers of the barbarian leaders, allies of the Persian King, drove back the enemy and immediately increased the fortifications by a new wall. This splendid barrier, magnificent to-day in its ruins, stretched from the enclosure outside the palace of Blachernae, at the foot of the sixth hill, to the Golden Horn. It is flanked by three hexagonal towers.

A year later, in 627, the Emperor, who dreaded even the sight of the sea, crossed the Bosphorus by a bridge of boats, decked with branches of trees to imitate a forest. Landing north of the city he marchedinland and crossed the valley at the head of the Golden Horn—below the "Sweet Waters of Europe"—by a bridge made by Justinian nearly opposite the end of the walls. So along the triumphal way he went, past the new walls that have ever since borne his name, and entered by the Golden Gate, the Emperor who had vanquished the Persians, saved his empire, and brought back the greatest of all relics, the sacred wood of the true Cross, which S. Helena, the mother of Constantine, had found on Calvary.

But Heraclius was not to triumph unchecked. The fatal temptation of theological strife conquered even the conqueror of the Persians, and the beginning of the Monothelite controversy dates from theEkthesisof Sergius the patriarch, a document which, if it were intended to make peace, certainly provoked, war that was not ended, though its area was defined, by the decision of the Fourth General Council, which met at Constantinople in 680, and condemned those who denied that Christ had two wills, human and divine.

The dreary years of the latter half of the seventh century may be rapidly summarised. Constantinople saw the settlement of barbarians, Slaves and Balgars, almost at its gates. Emperor succeeded emperor without anyone appearing who was worthy to be the heir of Heraclius. At length in 672 the Saracens, who had long devastated Asia, brought a fleet up the Hellespont and besieged the city. Their total defeat by Constantine IV., whom his people nicknamed Pogonatus (the bearded), was the greatest triumph of the Christian powers against the infidel; it was won, it is said, by the newly-discovered "Greek fire," so long to be the terror of the foes of the Empire. Constantinople proved herself the bulwark of Europe against the infidel. The nations of the West sent their envoys to applaud. Six hundred years later another Constantinewas to fall, when his city was at length captured by the followers of Mohammed.

Justinian II., the son of Constantine Pogonatus, was a great builder like his namesake, whom probably he sought to imitate; but in character he was far from resembling the builder of S. Sophia. In the inimitable phrases of Gibbon, "The name of a triumphant law-giver was dishonoured by the vices of a boy.... His passions were strong; his understanding was feeble; and he was intoxicated with a foolish pride that his birth had given him the command of millions, of whom the smallest community would not have chosen him for their local magistrate. His favourite ministers were two beings the least susceptible of human sympathy, an eunuch and a monk; to the one he abandoned a palace, to the other the finances; the former corrected the Emperor's mother with a scourge, the latter suspended the insolvent tributaries, with their heads downwards, over a slow and smoky fire. Since the days of Commodus and Caracalla, the cruelty of the Roman princes had most commonly been the effect of their fear; but Justinian, who possessed some vigour of character, enjoyed the sufferings and braved the revenge of his subjects about ten years, till the measure was full of his crimes and of their patience."

The attempt to banish a popular general whom he had long imprisoned was the occasion of a revolt which cast the Emperor from the throne; and the hippodrome saw again an act of tragic vengeance, when the tongue and nose of the fallen Cæsar were slit in the presence of the people who had borne with him too long.


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