II

Make way, O bud, make way,Burst open thy heart and make way.The opening spirit has overtaken thee,Canst thou remain a bud any longer?

Make way, O bud, make way,Burst open thy heart and make way.The opening spirit has overtaken thee,Canst thou remain a bud any longer?

One day, in a small village in Bengal, an ascetic woman from the neighbourhood came to see me. She had the name "Sarva-khepi" given to her by the village people, the meaning of which is "the woman who is mad about all things." She fixed her star-like eyes upon my face and startled me with the question, "When are you coming to meet me underneath the trees?" Evidently she pitied me who lived (according to her) prisoned behind walls, banished away from the great meeting-place of the All, where she had her dwelling. Just at that moment my gardener came with his basket, and when the woman understood that the flowers in the vase on my table were going to be thrown away, to make place for the fresh ones, she looked pained and said to me, "You are always engaged reading and writing; you do not see." Then she took the discarded flowers in her palms, kissed them and touched them with her forehead, and reverently murmured to herself, "Beloved of my heart." I felt that this woman, in her direct vision of the infinite personality in the heart of all things, truly represented the spirit of India.

In the same village I came into touch with some Baül singers. I had known them by their names, occasionally seen them singing and begging in the street, and so passed them by, vaguely classifying them in my mind under the general name of Vairâgis, or ascetics.

The time came when I had occasion to meet with some members of the same body and talk to them about spiritual matters. The first Baül song, which I chanced to hear with any attention, profoundly stirred my mind. Its words are so simple that it makes me hesitate to render them in a foreign tongue, and set them forward for critical observation. Besides, the best part of a song is missed when the tune is absent; for thereby its movement and its colour are lost, and it becomes like a butterfly whose wings have been plucked.

The first line may be translated thus: "Where shall I meet him, the Man of my Heart?" This phrase, "the Man of my Heart," is not peculiar to this song, but is usual with the Baül sect. It means that, for me, the supreme truth of all existence is in the revelation of the Infinite in my own humanity.

"The Man of my Heart," to the Baül, is like a divine instrument perfectly tuned. He givesexpression to infinite truth in the music of life. And the longing for the truth which is in us, which we have not yet realised, breaks out in the following Baül song:

Where shall I meet him, the Man of my Heart?He is lost to me and I seek him wandering from land to land.I am listless for that moonrise of beauty,which is to light my life,which I long to see in the fulness of vision, in gladness of heart.

Where shall I meet him, the Man of my Heart?He is lost to me and I seek him wandering from land to land.

I am listless for that moonrise of beauty,which is to light my life,which I long to see in the fulness of vision, in gladness of heart.

The name of the poet who wrote this song was Gagan. He was almost illiterate; and the ideas he received from his Baül teacher found no distraction from the self-consciousness of the modern age. He was a village postman, earning about ten shillings a month, and he died before he had completed his teens. The sentiment, to which he gave such intensity of expression, is common to most of the songs of his sect. And it is a sect, almost exclusively confined to that lower floor of society, where the light of modern education hardly finds an entrance, while wealth and respectability shun its utter indigence.

In the song I have translated above, the longing of the singer to realise the infinite in his own personality is expressed. This has to be done daily by its perfect expression in life, inlove. For the personal expression of life, in its perfection, is love; just as the personal expression of truth in its perfection is beauty.

In the political life of the modern age the idea of democracy has given mankind faith in the individual. It gives each man trust in his own possibilities, and pride in his humanity. Something of the same idea, we find, has been working in the popular mind of India, with regard to its religious consciousness. Over and over again it tries to assert, not only that God isforeach of us, but also that God isineach of us. These people have no special incarnations in their simple theology, because they know that God is special to each individual. They say that to be born a man is the greatest privilege that can fall to a creature in all the world. They assert that gods in Paradise envy human beings. Why? Because God's will, in giving his love, finds its completeness in man's will returning that love. Therefore Humanity is a necessary factor in the perfecting of the divine truth. The Infinite, for its self-expression, comes down into the manifoldness of the Finite; and the Finite, for its self-realisation, must rise into the unity of the Infinite. Then only is the Cycle of Truth complete.

The dignity of man, in his eternal right of Truth, finds expression in the following song, composed, not by a theologian or a man of letters, but by one who belongs to that ninety per cent of the population of British India whose education has been far less than elementary, in fact almost below zero:

My longing is to meet you in play of love, my Lover;But this longing is not only mine, but also yours.For your lips can have their smile, and your fluteits music, only in your delight in my love;and therefore you are importunate, even as I am.

My longing is to meet you in play of love, my Lover;But this longing is not only mine, but also yours.For your lips can have their smile, and your fluteits music, only in your delight in my love;and therefore you are importunate, even as I am.

If the world were a mere expression of formative forces, then this song would be pathetic in its presumption. But why is there beauty at all in creation—the beauty whose only meaning is in a call that claims disinterestedness as a response? The poet proudly says: "Your flute could not have its music of beauty if your delight were not in my love. Your power is great—and there I am not equal to you—but it lies even in me to make you smile, and if you and I never meet, then this play of love remains incomplete."

If this were not true, then it would be an utter humiliation to exist at all in this world. If it were solelyourbusiness to seek theLover, andhisto keep himself passively aloof in the infinity of his glory, or actively masterful only in imposing his commands upon us, then we should dare to defy him, and refuse to accept the everlasting insult latent in the one-sided importunity of a slave. And this is what the Baül says—he who, in the world of men, goes about singing for alms from door to door, with his one-stringed instrument and long robe of patched-up rags on his back:

I stop and sit here on the road. Do not ask me to walk farther.If your love can be complete without mine, let me turn back from seeing you.I have been travelling to seek you, my friend, for long;Yet I refuse to beg a sight of you, if you do not feel my need.I am blind with market dust and midday glare,and so wait, my heart's lover, in hopes that your own lovewill send you to find me out.

I stop and sit here on the road. Do not ask me to walk farther.If your love can be complete without mine, let me turn back from seeing you.I have been travelling to seek you, my friend, for long;Yet I refuse to beg a sight of you, if you do not feel my need.I am blind with market dust and midday glare,and so wait, my heart's lover, in hopes that your own lovewill send you to find me out.

The poet is fully conscious that his value in the world's market is pitifully small; that he is neither wealthy nor learned. Yet he has his great compensation, for he has come close to his Lover's heart. In Bengal the women bathing in the river often use their overturned water jars to keep themselves floating when they swim, and the poet uses this incident for his simile:

It is lucky that I am an empty vessel,For when you swim, I keep floating by your side.Your full vessels are left on the empty shore, they are for use;But I am carried to the river in your arms, and I danceto the rhythm of your heart-throbs and heaving of the waves.

It is lucky that I am an empty vessel,For when you swim, I keep floating by your side.Your full vessels are left on the empty shore, they are for use;But I am carried to the river in your arms, and I danceto the rhythm of your heart-throbs and heaving of the waves.

The great distinguished people of the world do not know that these beggars—deprived of education, honour, and wealth—can, in the pride of their souls, look down upon them as the unfortunate ones, who are left on the shore for their worldly uses, but whose life ever misses the touch of the Lover's arms.

The feeling that man is not a mere casual visitor at the palace-gate of the world, but the invited guest whose presence is needed to give the royal banquet its sole meaning, is not confined to any particular sect in India. Let me quote here some poems from a mediæval poet of Western India—Jnândâs—whose works are nearly forgotten, and have become scarce from the very exquisiteness of their excellence. In the following poem he is addressing God's messenger, who comes to us in the morning light of our childhood, in the dusk of our day's end, and in the night's darkness:

Messenger, morning brought you, habited in gold.After sunset, your song wore a tune of ascetic grey, and then came night.Your message was written in bright letters across the black.Why is such splendour about you, to lure the heart of one who is nothing?

Messenger, morning brought you, habited in gold.After sunset, your song wore a tune of ascetic grey, and then came night.Your message was written in bright letters across the black.Why is such splendour about you, to lure the heart of one who is nothing?

This is the answer of the messenger:

Great is the festival hall where you are to be the only guest.Therefore the letter to you is written from sky to sky,And I, the proud servant, bring the invitation with all ceremony.

Great is the festival hall where you are to be the only guest.Therefore the letter to you is written from sky to sky,And I, the proud servant, bring the invitation with all ceremony.

And thus the poet knows that the silent rows of stars carry God's own invitation to the individual soul.

The same poet sings:

What hast thou come to beg from the beggar, O King of Kings?My Kingdom is poor for want of him, my dear one, and I wait for him in sorrow.How long will you keep him waiting, O wretch,who has waited for you for ages in silence and stillness?Open your gate, and make this very moment fit for the union.

What hast thou come to beg from the beggar, O King of Kings?My Kingdom is poor for want of him, my dear one, and I wait for him in sorrow.

How long will you keep him waiting, O wretch,who has waited for you for ages in silence and stillness?Open your gate, and make this very moment fit for the union.

It is the song of man's pride in the value given to him by Supreme Love and realised by his own love.

The Vaishnava religion, which has become the popular religion of India, carries the same message: God's love finding its finality in man's love. According to it, the lover, man, is the complement of the Lover, God, in the internallove drama of existence; and God's call is ever wafted in man's heart in the world-music, drawing him towards the union. This idea has been expressed in rich elaboration of symbols verging upon realism. But for these Baüls this idea is direct and simple, full of the dignified beauty of truth, which shuns all tinsels of ornament.

The Baül poet, when asked why he had no sect mark on his forehead, answered in his song that the true colour decoration appears on the skin of the fruit when its inner core is filled with ripe, sweet juice; but by artificially smearing it with colour from outside you do not make it ripe. And he says of his Guru, his teacher, that he is puzzled to find in which direction he must make salutation. For his teacher is not one, but many, who, moving on, form a procession of wayfarers.

Baüls have no temple or image for their worship, and this utter simplicity is needful for men whose one subject is to realise the innermost nearness of God. The Baül poet expressly says that if we try to approach God through the senses we miss him:

Bring him not into your house as the guest of your eyes;but let him come at your heart's invitation.Opening your doors to that which is seen only, is to lose it.

Bring him not into your house as the guest of your eyes;but let him come at your heart's invitation.Opening your doors to that which is seen only, is to lose it.

Yet, being a poet, he also knows that the objects of sense can reveal their spiritual meaning only when they are not seen through mere physical eyes:

Eyes can see only dust and earth,But feel it with your heart, it is pure joy.The flowers of delight blossom on all sides, in every form,but where is your heart's thread to weave them in a garland?

Eyes can see only dust and earth,But feel it with your heart, it is pure joy.The flowers of delight blossom on all sides, in every form,but where is your heart's thread to weave them in a garland?

These Baüls have a philosophy, which they call the philosophy of the body; but they keep its secret; it is only for the initiated. Evidently the underlying idea is that the individual's body is itself the temple, in whose inner mystic shrine the Divine appears before the soul, and the key to it has to be found from those who know. But as the key is not for us outsiders, I leave it with the observation that this mystic philosophy of the body is the outcome of the attempt to get rid of all the outward shelters which are too costly for people like themselves. But this human body of ours is made by God's own hand, from his own love, and even if some men, in the pride of their superiority, may despise it, God finds his joy in dwelling in others of yet lower birth. It is a truth easier of discovery by these people of humble origin than by men of proud estate.

The pride of the Baül beggar is not in his worldly distinction, but in the distinction that God himself has given to him. He feels himself like a flute through which God's own breath of love has been breathed:

My heart is like a flute he has played on.If ever it fall into other hands,—let him fling it away.My lover's flute is dear to him.Therefore, if to-day alien breath have entered it and sounded strange notes,Let him break it to pieces and strew the dust with them.

My heart is like a flute he has played on.If ever it fall into other hands,—let him fling it away.My lover's flute is dear to him.Therefore, if to-day alien breath have entered it and sounded strange notes,Let him break it to pieces and strew the dust with them.

So we find that this man also has his disgust of defilement. While the ambitious world of wealth and power despises him, he in his turn thinks that the world's touch desecrates him who has been made sacred by the touch of his Lover. He does not envy us our life of ambition and achievements, but he knows how precious his own life has been:

I am poured forth in living notes of joy and sorrow by your breath.Morning and evening, in summer and in rains, I am fashioned to music.Yet should I be wholly spent in some flight of song,I shall not grieve, the tune is so precious to me.

I am poured forth in living notes of joy and sorrow by your breath.Morning and evening, in summer and in rains, I am fashioned to music.Yet should I be wholly spent in some flight of song,I shall not grieve, the tune is so precious to me.

Our joys and sorrows are contradictory when self separates them in opposition. But for theheart in which self merges in God's love, they lose their absoluteness. So the Baül's prayer is to feel in all situations—in danger, or pain, or sorrow—that he is in God's hands. He solves the problem of emancipation from sufferings by accepting and setting them in a higher context:

I am the boat, you are the sea, and also the boatman.Though you never make the shore, though you let me sink,why should I be foolish and afraid?Is the reaching the shore a greater prize than losing myselfwith you?If you are only the haven, as they say, then what is the sea?Let it surge and toss me on its waves, I shall be content.I live in you, whatever and however you appear.Save me or kill me as you wish, only never leave me inothers' hands.

I am the boat, you are the sea, and also the boatman.Though you never make the shore, though you let me sink,why should I be foolish and afraid?Is the reaching the shore a greater prize than losing myselfwith you?If you are only the haven, as they say, then what is the sea?Let it surge and toss me on its waves, I shall be content.I live in you, whatever and however you appear.Save me or kill me as you wish, only never leave me inothers' hands.

It is needless to say, before I conclude, that I had neither the training nor the opportunity to study this mendicant religious sect in Bengal from an ethnological standpoint. I was attracted to find out how the living currents of religious movements work in the heart of the people, saving them from degradation imposed by the society of the learned, of the rich, or of the high-born; how the spirit of man, by making use even of its obstacles, reaches fulfilment, led thither, not by the learned authorities in thescriptures, or by the mechanical impulse of the dogma-driven crowd, but by the unsophisticated aspiration of the loving soul. On the inaccessible mountain peaks of theology the snows of creed remain eternally rigid, cold, and pure. But God's manifest shower falls direct on the plain of humble hearts, flowing there in various channels, even getting mixed with some mud in its course, as it is soaked into the underground currents, invisible, but ever-moving.

I can think of nothing better than to conclude my paper with a poem of Jnândâs, in which the aspiration of all simple spirits has found a devout expression:

I had travelled all day and was tired; then I bowed my headtowards thy kingly court still far away.The night deepened, a longing burned in my heart.Whatever the words I sang, pain cried through them—foreven my songs thirsted—O my Lover, my Beloved, my Best in all the world.When time seemed lost in darkness,thy hand dropped its sceptre to take up the lute andstrike the uttermost chords;And my heart sang out,O my Lover, my Beloved, my Best in all the world.Ah, who is this whose arms enfold me?Whatever I have to leave, let me leave; and whatever Ihave to bear, let me bear.Only let me walk with thee,O my Lover, my Beloved, my Best in all the world.Descend at whiles from thy high audience hall, come downamid joys and sorrows.Hide in all forms and delights, in love,And in my heart sing thy songs,—O my Lover, my Beloved, my Best in all the world.

I had travelled all day and was tired; then I bowed my headtowards thy kingly court still far away.The night deepened, a longing burned in my heart.Whatever the words I sang, pain cried through them—foreven my songs thirsted—O my Lover, my Beloved, my Best in all the world.

When time seemed lost in darkness,thy hand dropped its sceptre to take up the lute andstrike the uttermost chords;And my heart sang out,O my Lover, my Beloved, my Best in all the world.

Ah, who is this whose arms enfold me?Whatever I have to leave, let me leave; and whatever Ihave to bear, let me bear.Only let me walk with thee,O my Lover, my Beloved, my Best in all the world.Descend at whiles from thy high audience hall, come downamid joys and sorrows.Hide in all forms and delights, in love,And in my heart sing thy songs,—O my Lover, my Beloved, my Best in all the world.

FOOTNOTES:[1]Outlines of Mahâyâna Buddhism, by Dr. D. T. Suzuki.

[1]Outlines of Mahâyâna Buddhism, by Dr. D. T. Suzuki.

[1]Outlines of Mahâyâna Buddhism, by Dr. D. T. Suzuki.

Itis not always a profound interest in man that carries travellers nowadays to distant lands. More often it is the facility for rapid movement. For lack of time and for the sake of convenience we generalise and crush our human facts into the packages within the steel trunks that hold our travellers' reports.

Our knowledge of our own countrymen and our feelings about them have slowly and unconsciously grown out of innumerable facts which are full of contradictions and subject to incessant change. They have the elusive mystery and fluidity of life. We cannot define to ourselves what we are as a whole, because we know too much; because our knowledge is more than knowledge. It is an immediate consciousness of personality, any evaluation of which carries some emotion, joy or sorrow, shame or exaltation.But in a foreign land we try to find our compensation for the meagreness of our data by the compactness of the generalisation which our imperfect sympathy itself helps us to form. When a stranger from the West travels in the Eastern world he takes the facts that displease him and readily makes use of them for his rigid conclusions, fixed upon the unchallengeable authority of his personal experience. It is like a man who has his own boat for crossing his village stream, but, on being compelled to wade across some strange watercourse, draws angry comparisons as he goes from every patch of mud and every pebble which his feet encounter.

Our mind has faculties which are universal, but its habits are insular. There are men who become impatient and angry at the least discomfort when their habits are incommoded. In their idea of the next world they probably conjure up the ghosts of their slippers and dressing-gowns, and expect the latchkey that opens their lodging-house door on earth to fit their front door in the other world. As travellers they are a failure; for they have grown too accustomed to their mental easy-chairs, and in their intellectual nature love home comforts,which are of local make, more than the realities of life, which, like earth itself, are full of ups and downs, yet are one in their rounded completeness.

The modern age has brought the geography of the earth near to us, but made it difficult for us to come into touch with man. We go to strange lands and observe; we do not live there. We hardly meet men: but only specimens of knowledge. We are in haste to seek for general types and overlook individuals.

When we fall into the habit of neglecting to use the understanding that comes of sympathy in our travels, our knowledge of foreign people grows insensitive, and therefore easily becomes both unjust and cruel in its character, and also selfish and contemptuous in its application. Such has, too often, been the case with regard to the meeting of Western people in our days with others for whom they do not recognise any obligation of kinship.

It has been admitted that the dealings between different races of men are not merely between individuals; that our mutual understanding is either aided, or else obstructed, by the general emanations forming the social atmosphere. These emanations are our collectiveideas and collective feelings, generated according to special historical circumstances.

For instance, the caste-idea is a collective idea in India. When we approach an Indian who is under the influence of this collective idea, he is no longer a pure individual with his conscience fully awake to the judging of the value of a human being. He is more or less a passive medium for giving expression to the sentiment of a whole community.

It is evident that the caste-idea is not creative; it is merely institutional. It adjusts human beings according to some mechanical arrangement. It emphasises the negative side of the individual—his separateness. It hurts the complete truth in man.

In the West, also, the people have a certain collective idea that obscures their humanity. Let me try to explain what I feel about it.

Lately I went to visit some battlefields of France which had been devastated by war. The awful calm of desolation, which still bore wrinkles of pain—death-struggles stiffened into ugly ridges—brought before my mind the visionof a huge demon, which had no shape, no meaning, yet had two arms that could strike and break and tear, a gaping mouth that could devour, and bulging brains that could conspire and plan. It was a purpose, which had a living body, but no complete humanity to temper it. Because it was passion—belonging to life, and yet not having the wholeness of life—it was the most terrible of life's enemies.

Something of the same sense of oppression in a different degree, the same desolation in a different aspect, is produced in my mind when I realise the effect of the West upon Eastern life—the West which, in its relation to us, is all plan and purpose incarnate, without any superfluous humanity.

I feel the contrast very strongly in Japan. In that country the old world presents itself with some ideal of perfection, in which man has his varied opportunities of self-revelation in art, in ceremonial, in religious faith, and in customs expressing the poetry of social relationship. There one feels that deep delight of hospitality which life offers to life. And side by side, in the same soil, stands the modern world, which is stupendously big and powerful, but inhospitable. It has no simple-hearted welcome forman. It is living; yet the incompleteness of life's ideal within it cannot but hurt humanity.

The wriggling tentacles of a cold-blooded utilitarianism, with which the West has grasped all the easily yielding succulent portions of the East, are causing pain and indignation throughout the Eastern countries. The West comes to us, not with the imagination and sympathy that create and unite, but with a shock of passion—passion for power and wealth. This passion is a mere force, which has in it the principle of separation, of conflict.

I have been fortunate in coming into close touch with individual men and women of the Western countries, and have felt with them their sorrows and shared their aspirations. I have known that they seek the same God, who is my God—even those who deny Him. I feel certain that, if the great light of culture be extinct in Europe, our horizon in the East will mourn in darkness. It does not hurt my pride to acknowledge that, in the present age, Western humanity has received its mission to be the teacher of the world; that her science, through the mastery of laws of nature, is to liberate human souls from the dark dungeon of matter. For this very reason I have realised all the morestrongly, on the other hand, that the dominant collective idea in the Western countries is not creative. It is ready to enslave or kill individuals, to drug a great people with soul-killing poison, darkening their whole future with the black mist of stupefaction, and emasculating entire races of men to the utmost degree of helplessness. It is wholly wanting in spiritual power to blend and harmonise; it lacks the sense of the great personality of man.

The most significant fact of modern days is this, that the West has met the East. Such a momentous meeting of humanity, in order to be fruitful, must have in its heart some great emotional idea, generous and creative. There can be no doubt that God's choice has fallen upon the knights-errant of the West for the service of the present age; arms and armour have been given to them; but have they yet realised in their hearts the single-minded loyalty to their cause which can resist all temptations of bribery from the devil? The world to-day is offered to the West. She will destroy it, if she does not use it for a great creation of man. The materials for such a creation are in the hands of science; but the creative genius is in Man's spiritual ideal.

When I was young a stranger from Europe came to Bengal. He chose his lodging among the people of the country, shared with them their frugal diet, and freely offered them his service. He found employment in the houses of the rich, teaching them French and German, and the money thus earned he spent to help poor students in buying books. This meant for him hours of walking in the mid-day heat of a tropical summer; for, intent upon exercising the utmost economy, he refused to hire conveyances. He was pitiless in his exaction from himself of his resources, in money, time, and strength, to the point of privation; and all this for the sake of a people who were obscure, to whom he was not born, yet whom he dearly loved. He did not come to us with a professional mission of teaching sectarian creeds; he had not in his nature the least trace of that self-sufficiency of goodness, which humiliates by gifts the victims of its insolent benevolence. Though he did not know our language, he took every occasion to frequent our meetings and ceremonies; yet he was always afraid of intrusion,and tenderly anxious lest he might offend us by his ignorance of our customs. At last, under the continual strain of work in an alien climate and surroundings, his health broke down. He died, and was cremated at our burning-ground, according to his express desire.

The attitude of his mind, the manner of his living, the object of his life, his modesty, his unstinted self-sacrifice for a people who had not even the power to give publicity to any benefaction bestowed upon them, were so utterly unlike anything we were accustomed to associate with the Europeans in India, that it gave rise in our mind to a feeling of love bordering upon awe.

We all have a realm, a private paradise, in our mind, where dwell deathless memories of persons who brought some divine light to our life's experience, who may not be known to others, and whose names have no place in the pages of history. Let me confess to you that this man lives as one of those immortals in the paradise of my individual life.

He came from Sweden, his name was Hammargren. What was most remarkable in the event of his coming to us in Bengal was the fact that in his own country he had chanced to read some works of my great countryman, RamMohan Roy, and felt an immense veneration for his genius and his character. Ram Mohan Roy lived in the beginning of the last century, and it is no exaggeration when I describe him as one of the immortal personalities of modern time. This young Swede had the unusual gift of a far-sighted intellect and sympathy, which enabled him even from his distance of space and time, and in spite of racial differences, to realise the greatness of Ram Mohan Roy. It moved him so deeply that he resolved to go to the country which produced this great man, and offer her his service. He was poor, and he had to wait some time in England before he could earn his passage money to India. There he came at last, and in reckless generosity of love utterly spent himself to the last breath of his life, away from home and kindred and all the inheritances of his motherland. His stay among us was too short to produce any outward result. He failed even to achieve during his life what he had in his mind, which was to found by the help of his scanty earnings a library as a memorial to Ram Mohan Roy, and thus to leave behind him a visible symbol of his devotion. But what I prize most in this European youth, who left no record of his life behind him, is not the memoryof any service of goodwill, but the precious gift of respect which he offered to a people who are fallen upon evil times, and whom it is so easy to ignore or to humiliate. For the first time in the modern days this obscure individual from Sweden brought to our country the chivalrous courtesy of the West, a greeting of human fellowship.

The coincidence came to me with a great and delightful surprise when the Nobel Prize was offered to me from Sweden. As a recognition of individual merit it was of great value to me, no doubt; but it was the acknowledgment of the East as a collaborator with the Western continents, in contributing its riches to the common stock of civilisation, which had the chief significance for the present age. It meant joining hands in comradeship by the two great hemispheres of the human world across the sea.

To-day the real East remains unexplored. The blindness of contempt is more hopeless than the blindness of ignorance; for contempt kills the light which ignorance merely leaves unignited. The East is waiting to be understoodby the Western races, in order not only to be able to give what is true in her, but also to be confident of her own mission.

In Indian history, the meeting of the Mussulman and the Hindu produced Akbar, the object of whose dream was the unification of hearts and ideals. It had all the glowing enthusiasm of a religion, and it produced an immediate and a vast result even in his own lifetime.

But the fact still remains that the Western mind, after centuries of contact with the East, has not evolved the enthusiasm of a chivalrous ideal which can bring this age to its fulfilment. It is everywhere raising thorny hedges of exclusion and offering human sacrifices to national self-seeking. It has intensified the mutual feelings of envy among Western races themselves, as they fight over their spoils and display a carnivorous pride in their snarling rows of teeth.

We must again guard our minds from any encroaching distrust of the individuals of a nation. The active love of humanity and the spirit of martyrdom for the cause of justice and truth which I have met with in the Western countries have been a great lesson and inspiration to me. I have no doubt inmy mind that the West owes its true greatness, not so much to its marvellous training of intellect, as to its spirit of service devoted to the welfare of man. Therefore I speak with a personal feeling of pain and sadness about the collective power which is guiding the helm of Western civilisation. It is a passion, not an ideal. The more success it has brought to Europe, the more costly it will prove to her at last, when the accounts have to be rendered. And the signs are unmistakable, that the accounts have been called for. The time has come when Europe must know that the forcible parasitism which she has been practising upon the two large Continents of the world—the two most unwieldy whales of humanity—must be causing to her moral nature a gradual atrophy and degeneration.

As an example, let me quote the following extract from the concluding chapter ofFrom the Cape to Cairo, by Messrs. Grogan and Sharp, two writers who have the power to inculcate their doctrines by precept and example. In their reference to the African they are candid, as when they say, "We have stolen his land. Now we must steal his limbs." These two sentences, carefully articulated, with a smack of enjoyment,have been more clearly explained in the following statement, where some sense of that decency which is the attenuated ghost of a buried conscience, prompts the writers to use the phrase "compulsory labour" in place of the honest word "slavery"; just as the modern politician adroitly avoids the word "injunction" and uses the word "mandate." "Compulsory labour in some form," they say, "is the corollary of our occupation of the country." And they add: "It is pathetic, but it is history," implying thereby that moral sentiments have no serious effect in the history of human beings.

Elsewhere they write: "Either we must give up the country commercially, or we must make the African work. And mere abuse of those who point out the impasse cannot change the facts. We must decide, and soon. Or rather the white man of South Africa will decide." The authors also confess that they have seen too much of the world "to have any lingering belief that Western civilisation benefits native races."

The logic is simple—the logic of egoism. But the argument is simplified by lopping off the greater part of the premise. For these writers seem to hold that the only importantquestion for the white men of South Africa is, how indefinitely to grow fat on ostrich feathers and diamond mines, and dance jazz dances over the misery and degradation of a whole race of fellow-beings of a different colour from their own. Possibly they believe that moral laws have a special domesticated breed of comfortable concessions for the service of the people in power. Possibly they ignore the fact that commercial and political cannibalism, profitably practised upon foreign races, creeps back nearer home; that the cultivation of unwholesome appetites has its final reckoning with the stomach which has been made to serve it. For, after all, man is a spiritual being, and not a mere living money-bag jumping from profit to profit, and breaking the backbone of human races in its financial leapfrog.

Such, however, has been the condition of things for more than a century; and to-day, trying to read the future by the light of the European conflagration, we are asking ourselves everywhere in the East: "Is this frightfully overgrown power really great? It can bruise us from without, but can it add to our wealth of spirit? It can sign peace treaties, but can it give peace?"

It was about two thousand years ago that all-powerful Rome in one of its eastern provinces executed on a cross a simple teacher of an obscure tribe of fishermen. On that day the Roman governor felt no falling off of his appetite or sleep. On that day there was, on the one hand, the agony, the humiliation, the death; on the other, the pomp of pride and festivity in the Governor's palace.

And to-day? To whom, then, shall we bow the head?

Kasmai devaya havisha vidhema?(To which God shall we offer oblation?)

Kasmai devaya havisha vidhema?(To which God shall we offer oblation?)

We know of an instance in our own history of India, when a great personality, both in his life and voice, struck the keynote of the solemn music of the soul—love for all creatures. And that music crossed seas, mountains, and deserts. Races belonging to different climates, habits, and languages were drawn together, not in the clash of arms, not in the conflict of exploitation, but in harmony of life, in amity and peace. That was creation.

When we think of it, we see at once what the confusion of thought was to which the Western poet, dwelling upon the differencebetween East and West, referred when he said, "Never the twain shall meet." It is true that they are not yet showing any real sign of meeting. But the reason is because the West has not sent out its humanity to meet the man in the East, but only its machine. Therefore the poet's line has to be changed into something like this:

Man is man, machine is machine,And never the twain shall wed.

Man is man, machine is machine,And never the twain shall wed.

You must know that red tape can never be a common human bond; that official sealing-wax can never provide means of mutual attachment; that it is a painful ordeal for human beings to have to receive favours from animated pigeonholes, and condescensions from printed circulars that give notice but never speak. The presence of the Western people in the East is a human fact. If we are to gain anything from them, it must not be a mere sum-total of legal codes and systems of civil and military services. Man is a great deal more to man than that. We have our human birthright to claim direct help from the man of the West, if he has anything great to give us. It must come to us, not through mere facts in a juxtaposition, but through thespontaneous sacrifice made by those who have the gift, and therefore the responsibility.

Earnestly I ask the poet of the Western world to realise and sing to you with all the great power of music which he has, that the East and the West are ever in search of each other, and that they must meet not merely in the fulness of physical strength, but in fulness of truth; that the right hand, which wields the sword, has the need of the left, which holds the shield of safety.

The East has its seat in the vast plains watched over by the snow-peaked mountains and fertilised by rivers carrying mighty volumes of water to the sea. There, under the blaze of a tropical sun, the physical life has bedimmed the light of its vigour and lessened its claims. There man has had the repose of mind which has ever tried to set itself in harmony with the inner notes of existence. In the silence of sunrise and sunset, and on star-crowded nights, he has sat face to face with the Infinite, waiting for the revelation that opens up the heart of all that there is. He has said, in a rapture of realisation:

"Hearken to me, ye children of the Immortal, who dwell in the Kingdom of Heaven.I have known, from beyond darkness, the Supreme Person, shining with the radiance of the sun."

The man from the East, with his faith in the eternal, who in his soul had met the touch of the Supreme Person—did he never come to you in the West and speak to you of the Kingdom of Heaven? Did he not unite the East and the West in truth, in the unity of one spiritual bond between all children of the Immortal, in the realisation of one great Personality in all human persons?

Yes, the East did once meet the West profoundly in the growth of her life. Such union became possible, because the East came to the West with the ideal that is creative, and not with the passion that destroys moral bonds. The mystic consciousness of the Infinite, which she brought with her, was greatly needed by the man of the West to give him his balance.

On the other hand, the East must find her own balance in Science—the magnificent gift that the West can bring to her. Truth has its nest as well as its sky. That nest is definite in structure, accurate in law of construction; and though it has to be changed and rebuilt over and over again, the need of it is never-endingand its laws are eternal. For some centuries the East has neglected the nest-building of truth. She has not been attentive to learn its secret. Trying to cross the trackless infinite, the East has relied solely upon her wings. She has spurned the earth, till, buffeted by storms, her wings are hurt and she is tired, sorely needing help. But has she then to be told that the messenger of the sky and the builder of the nest shall never meet?

Whereverman meets man in a living relationship, the meeting finds its natural expression in works of art, the signatures of beauty, in which the mingling of the personal touch leaves its memorial.

On the other hand, a relationship of pure utility humiliates man—it ignores the rights and needs of his deeper nature; it feels no compunction in maltreating and killing things of beauty that can never be restored.

Some years ago, when I set out from Calcutta on my voyage to Japan, the first thing that shocked me, with a sense of personal injury, was the ruthless intrusion of the factories for making gunny-bags on both banks of the Ganges. The blow it gave to me was owing to the precious memory of the days of my boyhood, when the scenery of this river was the only great thing nearmy birthplace reminding me of the existence of a world which had its direct communication with our innermost spirit.

Calcutta is an upstart town with no depth of sentiment in her face and in her manners. It may truly be said about her genesis:—In the beginning there was the spirit of the Shop, which uttered through its megaphone, "Let there be the Office!" and there was Calcutta. She brought with her no dower of distinction, no majesty of noble or romantic origin; she never gathered around her any great historical associations, any annals of brave sufferings, or memory of mighty deeds. The only thing which gave her the sacred baptism of beauty was the river. I was fortunate enough to be born before the smoke-belching iron dragon had devoured the greater part of the life of its banks; when the landing-stairs descending into its waters, caressed by its tides, appeared to me like the loving arms of the villages clinging to it; when Calcutta, with her up-tilted nose and stony stare, had not completely disowned her foster-mother, rural Bengal, and had not surrendered body and soul to her wealthy paramour, the spirit of the ledger, bound in dead leather.

But as an instance of the contrast of thedifferent ideal of a different age, incarnated in the form of a town, the memory of my last visit to Benares comes to my mind. What impressed me most deeply, while I was there, was the mother-call of the river Ganges, ever filling the atmosphere with an "unheard melody," attracting the whole population to its bosom every hour of the day. I am proud of the fact that India has felt a most profound love for this river, which nourishes civilisation on its banks, guiding its course from the silence of the hills to the sea with its myriad voices of solitude. The love of this river, which has become one with the love of the best in man, has given rise to this town as an expression of reverence. This is to show that there are sentiments in us which are creative, which do not clamour for gain, but overflow in gifts, in spontaneous generosity of self-sacrifice.

But our minds will nevermore cease to be haunted by the perturbed spirit of the question, "What about gunny-bags?" I admit they are indispensable, and am willing to allow them a place in society, if my opponent will only admit that even gunny-bags should have their limits, and will acknowledge the importance of leisure to man, with space for joy and worship, and ahome of wholesale privacy, with associations of chaste love and mutual service. If this concession to humanity be denied or curtailed, and if profit and production are allowed to run amuck, they will play havoc with our love of beauty, of truth, of justice, and also with our love for our fellow-beings. So it comes about that the peasant cultivators of jute, who live on the brink of everlasting famine, are combined against, and driven to lower the price of their labours to the point of blank despair, by those who earn more than cent per cent profit and wallow in the infamy of their wealth. The facts that man is brave and kind, that he is social and generous and self-sacrificing, have some aspect of the complete in them; but the fact that he is a manufacturer of gunny-bags is too ridiculously small to claim the right of reducing his higher nature to insignificance. The fragmentariness of utility should never forget its subordinate position in human affairs. It must not be permitted to occupy more than its legitimate place and power in society, nor to have the liberty to desecrate the poetry of life, to deaden our sensitiveness to ideals, bragging of its own coarseness as a sign of virility. The pity is that when in the centre of our activities we acknowledge, by some proudname, the supremacy of wanton destructiveness, or production not less wanton, we shut out all the lights of our souls, and in that darkness our conscience and our consciousness of shame are hidden, and our love of freedom is killed.

I do not for a moment mean to imply that in any particular period of history men were free from the disturbance of their lower passions. Selfishness ever had its share in government and trade. Yet there was a struggle to maintain a balance of forces in society; and our passions cherished no delusions about their own rank and value. They contrived no clever devices to hoodwink our moral nature. For in those days our intellect was not tempted to put its weight into the balance on the side of over-greed.

But in recent centuries a devastating change has come over our mentality with regard to the acquisition of money. Whereas in former ages men treated it with condescension, even with disrespect, now they bend their knees to it. That it should be allowed a sufficiently large place in society, there can be no question; but it becomes an outrage when it occupies those seats which are specially reserved for the immortals, by bribing us, tampering with our moral pride, recruiting the best strength ofsociety in a traitor's campaign against human ideals, thus disguising, with the help of pomp and pageantry, its true insignificance. Such a state of things has come to pass because, with the help of science, the possibilities of profit have suddenly become immoderate. The whole of the human world, throughout its length and breadth, has felt the gravitational pull of a giant planet of greed, with concentric rings of innumerable satellites, causing in our society a marked deviation from the moral orbit. In former times the intellectual and spiritual powers of this earth upheld their dignity of independence and were not giddily rocked on the tides of the money market. But, as in the last fatal stages of disease, this fatal influence of money has got into our brain and affected our heart. Like a usurper, it has occupied the throne of high social ideals, using every means, by menace and threat, to seize upon the right, and, tempted by opportunity, presuming to judge it. It has not only science for its ally, but other forces also that have some semblance of religion, such as nation-worship and the idealising of organised selfishness. Its methods are far-reaching and sure. Like the claws of a tiger's paw, they are softly sheathed. Itsmassacres are invisible, because they are fundamental, attacking the very roots of life. Its plunder is ruthless behind a scientific system of screens, which have the formal appearance of being open and responsible to inquiries. By whitewashing its stains it keeps its respectability unblemished. It makes a liberal use of falsehood in diplomacy, only feeling embarrassed when its evidence is disclosed by others of the trade. An unscrupulous system of propaganda paves the way for widespread misrepresentation. It works up the crowd psychology through regulated hypnotic doses at repeated intervals, administered in bottles with moral labels upon them of soothing colours. In fact, man has been able to make his pursuit of power easier to-day by his art of mitigating the obstructive forces that come from the higher region of his humanity. With his cult of power and his idolatry of money he has, in a great measure, reverted to his primitive barbarism, a barbarism whose path is lit up by the lurid light of intellect. For barbarism is the simplicity of a superficial life. It may be bewildering in its surface adornments and complexities, but it lacks the ideal to impart to it the depth of moral responsibility.

Society suffers from a profound feeling of unhappiness, not so much when it is in material poverty as when its members are deprived of a large part of their humanity. This unhappiness goes on smouldering in the subconscious mind of the community till its life is reduced to ashes or a sudden combustion is produced. The repressed personality of man generates an inflammable moral gas deadly in its explosive force.

We have seen in the late war, and also in some of the still more recent events of history, how human individuals freed from moral and spiritual bonds find a boisterous joy in a debauchery of destruction. There is generated a disinterested passion of ravage. Through such catastrophe we can realise what formidable forces of annihilation are kept in check in our communities by bonds of social ideas; nay, made into multitudinous manifestations of beauty and fruitfulness. Thus we know that evils are, like meteors, stray fragments of life, which need the attraction of some great ideal in order to be assimilated with the wholesomeness of creation.The evil forces are literally outlaws; they only need the control and cadence of spiritual laws to change them into good. The true goodness is not the negation of badness, it is in the mastery of it. Goodness is the miracle which turns the tumult of chaos into a dance of beauty.

In modern society the ideal of wholeness has lost its force. Therefore its different sections have become detached and resolved into their elemental character of forces. Labour is a force; so also is Capital; so are the Government and the People; so are Man and Woman. It is said that when the forces lying latent in even a handful of dust are liberated from their bond of unity, they can lift the buildings of a whole neighbourhood to the height of a mountain. Such disfranchised forces, irresponsible free-booters, may be useful to us for certain purposes, but human habitations standing secure on their foundations are better for us. To own the secret of utilising these forces is a proud fact for us, but the power of self-control and the self-dedication of love are truer subjects for the exultation of mankind. The genii of the Arabian Nights may have in their magic their lure and fascination for us. But the consciousness of God is of another order, infinitely moreprecious in imparting to our minds ideas of the spiritual power of creation. Yet these genii are abroad everywhere; and even now, after the late war, their devotees are getting ready to play further tricks upon humanity by suddenly spiriting it away to some hill-top of desolation.

We know that when, at first, any large body of people in their history became aware of their unity, they expressed it in some popular symbol of divinity. For they felt that their combination was not an arithmetical one; its truth was deeper than the truth of number. They felt that their community was not a mere agglutination but a creation, having upon it the living touch of the infinite Person. The realisation of this truth having been an end in itself, a fulfilment, it gave meaning to self-sacrifice, to the acceptance even of death.

But our modern education is producing a habit of mind which is ever weakening in us the spiritual apprehension of truth—the truth of a person as the ultimate reality of existence. Science has its proper sphere in analysing this world as a construction, just as grammar has itslegitimate office in analysing the syntax of a poem. But the world, as a creation, is not a mere construction; it too is more than a syntax. It is a poem, which we are apt to forget when grammar takes exclusive hold of our minds.

Upon the loss of this sense of a universal personality, which is religion, the reign of the machine and of method has been firmly established, and man, humanly speaking, has been made a homeless tramp. As nomads, ravenous and restless, the men from the West have come to us. They have exploited our Eastern humanity for sheer gain of power. This modern meeting of men has not yet received the blessing of God. For it has kept us apart, though railway lines are laid far and wide, and ships are plying from shore to shore to bring us together.

It has been said in the Upanishads:


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