FOOTNOTES:[1]The twentieth part of a cubit; Florentine measure.
[1]The twentieth part of a cubit; Florentine measure.
[1]The twentieth part of a cubit; Florentine measure.
Monday, 20th.
The whole city is in a tumult over the Carnival, which is nearing its close. In every square rise booths of mountebanks and jesters; and we have under our windows a circus-tent, in which a little Venetian company, with five horses, is giving a show. The circus is in the centre of the square; and in one corner there are three very large vans in which the mountebanks sleep and dress themselves,—three small houses on wheels, with their tiny windows, and a chimney in each of them, which smokes continually; and between window and window the baby’s swaddling-bands are stretched. There is one woman who is nursing a child, who prepares the food, and dances on the tight-rope. Poor people! The wordmountebankis spoken as though it were an insult; but they earn their living honestly, nevertheless, by amusing all the world—and how they work! All day long they run back and forth between the circus-tent and the vans, in tights, in all this cold; they snatch a mouthful or two in haste, standing, between two performances; and sometimes, when they get their tent full, a wind arises, wrenches away the ropes and extinguishes the lights, and then good by to the show! They are obliged to return the money, and to work the entire night at repairing their booth. There are two lads who work; and my father recognized the smallest one as he was traversing the square; and he is the son of the proprietor, the same one whom we saw perform tricks on horseback last year in a circus on the Piazza Vittorio Emanuele. And he has grown; hemust be eight years old: he is a handsome boy, with a round and roguish face, with so many black curls that they escape from his pointed cap. He is dressed up like a harlequin, decked out in a sort of sack, with sleeves of white, embroidered with black, and his slippers are of cloth. He is a merry little imp. He charms every one. He does everything. We see him early in the morning, wrapped in a shawl, carrying milk to his wooden house; then he goes to get the horses at the boarding-stable on the Via Bertola. He holds the tiny baby in his arms; he transports hoops, trestles, rails, ropes; he cleans the vans, lights the fire, and in his leisure moments he always hangs about his mother. My father is always watching him from the window, and does nothing but talk about him and his family, who have the air of nice people, and of being fond of their children.
One evening we went to the circus: it was cold; there was hardly any one there; but the little harlequin exerted himself greatly to cheer those few people: he executed precarious leaps; he caught hold of the horses’ tails; he walked with his legs in the air, all alone; he sang, always with a smile constantly on his handsome little brown face. And his father, who had on a red vest and white trousers, with tall boots, and a whip in his hand, watched him: but it was melancholy. My father took pity on him, and spoke of him on the following day to Delis the painter, who came to see us. These poor people were killing themselves with hard work, and their affairs were going so badly! The little boy pleased him so much! What could be done for them? The painter had an idea.
“Write a fine article for theGazette,” he said: “you know how to write well: relate the miraculousthings which the little harlequin does, and I will take his portrait for you. Everybody reads theGazette, and people will flock thither for once.”
And thus they did. My father wrote a fine article, full of jests, which told all that we had observed from the window, and inspired a desire to see and caress the little artist; and the painter sketched a little portrait which was graceful and a good likeness, and which was published on Saturday evening. And behold! at the Sunday performance a great crowd rushed to the circus. The announcement was made:Performance for the Benefit of the Little Harlequin, as he was styled in theGazette. The circus was crammed; many of the spectators held theGazettein their hands, and showed it to the little harlequin, who laughed and ran from one to another, perfectly delighted. The proprietor was delighted also. Just fancy! Not a single newspaper had ever done him such an honor, and the money-box was filled. My father sat beside me. Among the spectators we found persons of our acquaintance. Near the entrance for the horses stood the teacher of gymnastics—the one who has been with Garibaldi; and opposite us, in the second row, was the little mason, with his little round face, seated beside his gigantic father; and no sooner did he catch sight of me than he made a hare’s face at me. A little further on I espied Garoffi, who was counting the spectators, and calculated on his fingers how much money the company had taken in. On one of the chairs in the first row, not far from us, there was also poor Robetti, the boy who saved the child from the omnibus, with his crutches between his knees, pressed close to the side of his father, the artillery captain, who kept one hand on his shoulder. The performance began. The little harlequinaccomplished wonders on his horse, on the trapeze, on the tight-rope; and every time that he jumped down, every one clapped their hands, and many pulled his curls. Then several others, rope-dancers, jugglers, and riders, clad in tights, and sparkling with silver, went through their exercises; but when the boy was not performing, the audience seemed to grow weary. At a certain point I saw the teacher of gymnastics, who held his post at the entrance for the horses, whisper in the ear of the proprietor of the circus, and the latter instantly glanced around, as though in search of some one. His glance rested on us. My father perceived it, and understood that the teacher had revealed that he was the author of the article, and in order to escape being thanked, he hastily retreated, saying to me:—
“Remain, Enrico; I will wait for you outside.”
After exchanging a few words with his father, the little harlequin went through still another trick: erect upon a galloping horse, he appeared in four characters—as a pilgrim, a sailor, a soldier, and an acrobat; and every time that he passed near me, he looked at me. And when he dismounted, he began to make the tour of the circus, with his harlequin’s cap in his hand, and everybody threw soldi or sugar-plums into it. I had two soldi ready; but when he got in front of me, instead of offering his cap, he drew it back, gave me a look and passed on. I was mortified. Why had he offered me that affront?
The performance came to an end; the proprietor thanked the audience; and all the people rose also, and thronged to the doors. I was confused by the crowd, and was on the point of going out, when I felt a touch on my hand. I turned round: it was the little harlequin, with his tiny brown face and his black curls,who was smiling at me; he had his hands full of sugar-plums. Then I understood.
“Will you accept these sugar-plums from the little harlequin?” said he to me, in his dialect.
I nodded, and took three or four.
“Then,” he added, “please accept a kiss also.”
“Give me two,” I answered; and held up my face to him. He rubbed off his floury face with his hand, put his arm round my neck, and planted two kisses on my cheek, saying:—
“There! take one of them to your father.”
Tuesday, 21st.
What a sad scene was that which we witnessed to-day at the procession of the masks! It ended well; but it might have resulted in a great misfortune. In the San Carlo Square, all decorated with red, white, and yellow festoons, a vast multitude had assembled; masks of every hue were flitting about; cars, gilded and adorned, in the shape of pavilions; little theatres, barks filled with harlequins and warriors, cooks, sailors, and shepherdesses; there was such a confusion that one knew not where to look; a tremendous clash of trumpets, horns, and cymbals lacerated the ears; and the masks on the chariots drank and sang, as they apostrophized the people in the streets and at the windows, who retorted at the top of their lungs, and hurled oranges and sugar-plums at each other vigorously; and above the chariots and the throng, as far as the eye could reach, one could see banners fluttering, helmets gleaming, plumes waving, gigantic pasteboardheads moving, huge head-dresses, enormous trumpets, fantastic arms, little drums, castanets, red caps, and bottles;—all the world seemed to have gone mad. When our carriage entered the square, a magnificent chariot was driving in front of us, drawn by four horses covered with trappings embroidered in gold, and all wreathed in artificial roses, upon which there were fourteen or fifteen gentlemen masquerading as gentlemen at the court of France, all glittering with silk, with huge white wigs, a plumed hat, under the arm a small-sword, and a tuft of ribbons and laces on the breast. They were very gorgeous. They were singing a French canzonette in concert and throwing sweetmeats to the people, and the people clapped their hands and shouted. Suddenly, on our left, we saw a man lift a child of five or six above the heads of the crowd,—a poor little creature, who wept piteously, and flung her arms about as though in a fit of convulsions. The man made his way to the gentlemen’s chariot; one of the latter bent down, and the other said aloud:—
“Take this child; she has lost her mother in the crowd; hold her in your arms; the mother may not be far off, and she will catch sight of her: there is no other way.”
The gentleman took the child in his arms: all the rest stopped singing; the child screamed and struggled; the gentleman removed his mask; the chariot continued to move slowly onwards. Meanwhile, as we were afterwards informed, at the opposite extremity of the square a poor woman, half crazed with despair, was forcing her way through the crowd, by dint of shoves and elbowing, and shrieking:—
“Maria! Maria! Maria! I have lost my littledaughter! She has been stolen from me! They have suffocated my child!” And for a quarter of an hour she raved and expressed her despair in this manner, straying now a little way in this direction, and then a little way in that, crushed by the throng through which she strove to force her way.
The gentleman on the car was meanwhile holding the child pressed against the ribbons and laces on his breast, casting glances over the square, and trying to calm the poor creature, who covered her face with her hands, not knowing where she was, and sobbed as though she would break her heart. The gentleman was touched: it was evident that these screams went to his soul. All the others offered the child oranges and sugar-plums; but she repulsed them all, and grew constantly more convulsed and frightened.
“Find her mother!” shouted the gentleman to the crowd; “seek her mother!” And every one turned to the right and the left; but the mother was not to be found. Finally, a few paces from the place where the Via Roma enters the square, a woman was seen to rush towards the chariot. Ah, I shall never forget that! She no longer seemed a human creature: her hair was streaming, her face distorted, her garments torn; she hurled herself forward with a rattle in her throat,—one knew not whether to attribute it to either joy, anguish, or rage,—and darted out her hands like two claws to snatch her child. The chariot halted.
“Here she is,” said the gentleman, reaching out the child after kissing it; and he placed her in her mother’s arms, who pressed her to her breast like a fury. But one of the tiny hands rested a second longer in the hands of the gentleman; and the latter, pulling off of his right hand a gold ring set with a large diamond,and slipping it with a rapid movement upon the finger of the little girl, said:—
“Take this; it shall be your marriage dowry.”
The mother stood rooted to the spot, as though enchanted; the crowd broke into applause; the gentleman put on his mask again, his companions resumed their song, and the chariot started on again slowly, amid a tempest of hand-clapping and hurrahs.
Thursday, 24th.
The master is very ill, and they have sent in his stead the master of the fourth grade, who has been a teacher in the Institute for the Blind. He is the oldest of all the instructors, with hair so white that it looks like a wig made of cotton, and he speaks in a peculiar manner, as though he were chanting a melancholy song; but he does it well, and he knows a great deal. No sooner had he entered the schoolroom than, catching sight of a boy with a bandage on his eye, he approached the bench, and asked him what was the matter.
“Take care of your eyes, my boy,” he said to him. And then Derossi asked him:—
“Is it true, sir, that you have been a teacher of the blind?”
“Yes, for several years,” he replied. And Derossi said, in a low tone, “Tell us something about it.”
The master went and seated himself at his table.
Coretti said aloud, “The Institute for the Blind is in the Via Nizza.”
“You say blind—blind," said the master, “as youwould say poor or ill, or I know not what. But do you thoroughly comprehend the significance of that word? Reflect a little. Blind! Never to see anything! Not to be able to distinguish the day from night; to see neither the sky, nor sun, nor your parents, nor anything of what is around you, and which you touch; to be immersed in a perpetual obscurity, and as though buried in the bowels of the earth! Make a little effort to close your eyes, and to think of being obliged to remain forever thus; you will suddenly be overwhelmed by a mental agony, by terror; it will seem to you impossible to resist, that you must burst into a scream, that you must go mad or die. But, poor boys! when you enter the Institute of the Blind for the first time, during their recreation hour, and hear them playing on violins and flutes in all directions, and talking loudly and laughing, ascending and descending the stairs at a rapid pace, and wandering freely through the corridors and dormitories, you would never pronounce these unfortunates to be the unfortunates that they are. It is necessary to observe them closely. There are lads of sixteen or eighteen, robust and cheerful, who bear their blindness with a certain ease, almost with hardihood; but you understand from a certain proud, resentful expression of countenance that they must have suffered tremendously before they became resigned to this misfortune.
“There are others, with sweet and pallid faces, on which a profound resignation is visible; but they are sad, and one understands that they must still weep at times in secret. Ah, my sons! reflect that some of them have lost their sight in a few days, some after years of martyrdom and many terrible chirurgical operations, and that many were born so,—born into anight that has no dawn for them, that they entered into the world as into an immense tomb, and that they do not know what the human countenance is like. Picture to yourself how they must have suffered, and how they must still suffer, when they think thus confusedly of the tremendous difference between themselves and those who see, and ask themselves, ‘Why this difference, if we are not to blame?’
“I who have spent many years among them, when I recall that class, all those eyes forever sealed, all those pupils without sight and without life, and then look at the rest of you, it seems impossible to me that you should not all be happy. Think of it! there are about twenty-six thousand blind persons in Italy! Twenty-six thousand persons who do not see the light—do you understand? An army which would employ four hours in marching past our windows.”
The master paused. Not a breath was audible in all the school. Derossi asked if it were true that the blind have a finer sense of feeling than the rest of us.
The master said: “It is true. All the other senses are finer in them, because, since they must replace, among them, that of sight, they are more and better exercised than they are in the case of those who see. In the morning, in the dormitory, one asks another, ‘Is the sun shining?’ and the one who is the most alert in dressing runs instantly into the yard, and flourishes his hands in the air, to find out whether there is any warmth of the sun perceptible, and then he runs to communicate the good news, ‘The sun is shining!’ From the voice of a person they obtain an idea of his height. We judge of a man’s soul by his eyes; they, by his voice. They remember intonations and accents for years. They perceive if there is morethan one person in a room, even if only one speaks, and the rest remain motionless. They know by their touch whether a spoon is more or less polished. Little girls distinguish dyed wools from that which is of the natural color. As they walk two and two along the streets, they recognize nearly all the shops by their odors, even those in which we perceive no odor. They spin top, and by listening to its humming they go straight to it and pick it up without any mistake. They trundle hoop, play at ninepins, jump the rope, build little houses of stones, pick violets as though they saw them, make mats and baskets, weaving together straw of various colors rapidly and well—to such a degree is their sense of touch skilled. The sense of touch is their sight. One of their greatest pleasures is to handle, to grasp, to guess the forms of things by feeling them. It is affecting to see them when they are taken to the Industrial Museum, where they are allowed to handle whatever they please, and to observe with what eagerness they fling themselves on geometrical bodies, on little models of houses, on instruments; with what joy they feel over and rub and turn everything about in their hands, in order to see how it is made. They call thisseeing!”
Garoffi interrupted the teacher to inquire if it was true that blind boys learn to reckon better than others.
The master replied: “It is true. They learn to reckon and to write. They have books made on purpose for them, with raised characters; they pass their fingers over these, recognize the letters and pronounce the words. They read rapidly; and you should see them blush, poor little things, when they make a mistake. And they write, too, without ink. They write on a thick and hard sort of paper with a metal bodkin, which makes a great many little hollows, grouped according to a special alphabet; these little punctures stand out in relief on the other side of the paper, so that by turning the paper over and drawing their fingers across these projections, they can read what they have written, and also the writing of others; and thus they write compositions: and they write letters to each other. They write numbers in the same way, and they make calculations; and they calculate mentally with an incredible facility, since their minds are not diverted by the sight of surrounding objects, as ours are. And if you could see how passionately fond they are of reading, how attentive they are, how well they remember everything, how they discuss among themselves, even the little ones, of things connected with history and language, as they sit four or five on the same bench, without turning to each other, and converse, the first with the third, the second with the fourth, in a loud voice and all together, without losing a single word, so acute and prompt is their hearing.
“And they attach more importance to the examinations than you do, I assure you, and they are fonder of their teachers. They recognize their teacher by his step and his odor; they perceive whether he is in a good or bad humor, whether he is well or ill, simply by the sound of a single word of his. They want the teacher to touch them when he encourages and praises them, and they feel of his hand and his arms in order to express their gratitude. And they love each other and are good comrades to each other. In play time they are always together, according to their wont. In the girls’ school, for instance, they form into groups according to the instrument on which they play,—violinists, pianists, and flute-players,—and they neverseparate. When they have become attached to any one, it is difficult for them to break it off. They take much comfort in friendship. They judge correctly among themselves. They have a clear and profound idea of good and evil. No one grows so enthusiastic as they over the narration of a generous action, of a grand deed.”
Votini inquired if they played well.
“They are ardently fond of music," replied the master. “It is their delight: music is their life. Little blind children, when they first enter the Institute, are capable of standing three hours perfectly motionless, to listen to playing. They learn easily; they play with fire. When the teacher tells one of them that he has not a talent for music, he feels very sorrowful, but he sets to studying desperately. Ah! if you could hear the music there, if you could see them when they are playing, with their heads thrown back a smile on their lips, their faces aflame, trembling with emotion, in ecstasies at listening to that harmony which replies to them in the obscurity which envelops them, you would feel what a divine consolation is music! And they shout for joy, they beam with happiness when a teacher says to them, “You will become an artist.” The one who is first in music, who succeeds the best on the violin or piano, is like a king to them; they love, they venerate him. If a quarrel arises between two of them, they go to him; if two friends fall out, it is he who reconciles them. The smallest pupils, whom he teaches to play, regard him as a father. Then all go to bid him good night before retiring to bed. And they talk constantly of music. They are already in bed, late at night, wearied by study and work, and half asleep, and still they are discussing, in a low tone, operas, masters, instruments, and orchestras. It is so great a punishment for them to be deprived of the reading, or lesson in music, it causes them such sorrow that one hardly ever has the courage to punish them in that way. That which the light is to our eyes, music is to their hearts.”
Derossi asked whether we could not go to see them.
“Yes,” replied the teacher; “but you boys must not go there now. You shall go there later on, when you are in a condition to appreciate the whole extent of this misfortune, and to feel all the compassion which it merits. It is a sad sight, my boys. You will sometimes see there boys seated in front of an open window, enjoying the fresh air, with immovable countenances, which seem to be gazing at the wide green expanse and the beautiful blue mountains which you can see; and when you remember that they see nothing—that they will never see anything—of that vast loveliness, your soul is oppressed, as though you had yourselves become blind at that moment. And then there are those who were born blind, who, as they have never seen the world, do not complain because they do not possess the image of anything, and who, therefore, arouse less compassion. But there are lads who have been blind but a few months, who still recall everything, who thoroughly understand all that they have lost; and these have, in addition, the grief of feeling their minds obscured, the dearest images grow a little more dim in their minds day by day, of feeling the persons whom they have loved the most die out of their memories. One of these boys said to me one day, with inexpressible sadness, ‘I should like to have my sight again, only for a moment, in order to see mamma’s face once more, for I no longer rememberit!’ And when their mothers come to see them, the boys place their hands on her face; they feel her over thoroughly from brow to chin, and her ears, to see how they are made, and they can hardly persuade themselves that they cannot see her, and they call her by name many times, to beseech her that she will allow them, that she will make them see her just once. How many, even hard-hearted men, go away in tears! And when you do go out, your case seems to you to be the exception, and the power to see people, houses, and the sky a hardly deserved privilege. Oh! there is not one of you, I am sure, who, on emerging thence, would not feel disposed to deprive himself of a portion of his own sight, in order to bestow a gleam at least upon all those poor children, for whom the sun has no light, for whom a mother has no face!”
Saturday, 25th.
Yesterday afternoon, on coming out of school, I went to pay a visit to my sick master. He made himself ill by overworking. Five hours of teaching a day, then an hour of gymnastics, then two hours more of evening school, which is equivalent to saying but little sleep, getting his food by snatches, and working breathlessly from morning till night. He has ruined his health. That is what my mother says. My mother was waiting for me at the big door; I came out alone, and on the stairs I met the teacher with the black beard—Coatti,—the one who frightens every one and punishes no one. He stared at me with wide-open eyes, and made his voice like that of a lion, in jest, butwithout laughing. I was still laughing when I pulled the bell on the fourth floor; but I ceased very suddenly when the servant let me into a wretched, half-lighted room, where my teacher was in bed. He was lying in a little iron bed. His beard was long. He put one hand to his brow in order to see better, and exclaimed in his affectionate voice:—
“Oh, Enrico!”
I approached the bed; he laid one hand on my shoulder and said:—
“Good, my boy. You have done well to come and see your poor teacher. I am reduced to a sad state, as you see, my dear Enrico. And how fares the school? How are your comrades getting along? All well, eh? Even without me? You do very well without your old master, do you not?”
I was on the point of saying “no”; he interrupted me.
“Come, come, I know that you do not hate me!” and he heaved a sigh.
I glanced at some photographs fastened to the wall.
“Do you see?” he said to me. “All of them are of boys who gave me their photographs more than twenty years ago. They were good boys. These are my souvenirs. When I die, my last glance will be at them; at those roguish urchins among whom my life has been passed. You will give me your portrait, also, will you not, when you have finished the elementary course?” Then he took an orange from his nightstand, and put it in my hand.
“I have nothing else to give you,” he said; “it is the gift of a sick man.”
I looked at it, and my heart was sad; I know not why.
“Attend to me,” he began again. “I hope to get over this; but if I should not recover, see that you strengthen yourself in arithmetic, which is your weak point; make an effort. It is merely a question of a first effort: because sometimes there is no lack of aptitude; there is merely an absence of a fixed purpose—of stability, as it is called.”
But in the meantime he was breathing hard; and it was evident that he was suffering.
“I am feverish,” he sighed; “I am half gone; I beseech you, therefore, apply yourself to arithmetic, to problems. If you don’t succeed at first, rest a little and begin afresh. And press forward, but quietly without fagging yourself, without straining your mind. Go! My respects to your mamma. And do not mount these stairs again. We shall see each other again in school. And if we do not, you must now and then call to mind your master of the third grade, who was fond of you.”
I felt inclined to cry at these words.
“Bend down your head,” he said to me.
I bent my head to his pillow; he kissed my hair. Then he said to me, “Go!” and turned his face towards the wall. And I flew down the stairs; for I longed to embrace my mother.
Saturday, 25th.
I was watching you from the window this afternoon, when you were on your way home from the master’s; you came in collision with a woman. Take more heed to your manner of walking in the street. There are duties to be fulfilled even there. If you keep your steps and gestureswithin bounds in a private house, why should you not do the same in the street, which is everybody’s house. Remember this, Enrico. Every time that you meet a feeble old man, a poor person, a woman with a child in her arms, a cripple with his crutches, a man bending beneath a burden, a family dressed in mourning, make way for them respectfully. We must respect age, misery, maternal love, infirmity, labor, death. Whenever you see a person on the point of being run down by a vehicle, drag him away, if it is a child; warn him, if he is a man; always ask what ails the child who is crying all alone; pick up the aged man’s cane, when he lets it fall. If two boys are fighting, separate them; if it is two men, go away: do not look on a scene of brutal violence, which offends and hardens the heart. And when a man passes, bound, and walking between a couple of policemen, do not add your curiosity to the cruel curiosity of the crowd; he may be innocent. Cease to talk with your companion, and to smile, when you meet a hospital litter, which is, perhaps, bearing a dying person, or a funeral procession; for one may issue from your own home on the morrow. Look with reverence upon all boys from the asylums, who walk two and two,—the blind, the dumb, those afflicted with the rickets, orphans, abandoned children; reflect that it is misfortune and human charity which is passing by. Always pretend not to notice any one who has a repulsive or laughter-provoking deformity. Always extinguish every match that you find in your path; for it may cost some one his life. Always answer a passer-by who asks you the way, with politeness. Do not look at any one and laugh; do not run without necessity; do not shout. Respect the street. The education of a people is judged first of all by their behavior on the street. Where you find offences in the streets, there you will find offences in the houses. And study the streets; study the city in which you live. If you were to be hurled far away from it to-morrow, you would be glad to have it clearly present in your memory, to be able to traverse it all again in memory. Your own city, and your little country—that which has been for so many years your world; whereyou took your first steps at your mother’s side; where you experienced your first emotions, opened your mind to its first ideas; found your first friends. It has been a mother to you: it has taught you, loved you, protected you. Study it in its streets and in its people, and love it; and when you hear it insulted, defend it.Thy Father.
I was watching you from the window this afternoon, when you were on your way home from the master’s; you came in collision with a woman. Take more heed to your manner of walking in the street. There are duties to be fulfilled even there. If you keep your steps and gestureswithin bounds in a private house, why should you not do the same in the street, which is everybody’s house. Remember this, Enrico. Every time that you meet a feeble old man, a poor person, a woman with a child in her arms, a cripple with his crutches, a man bending beneath a burden, a family dressed in mourning, make way for them respectfully. We must respect age, misery, maternal love, infirmity, labor, death. Whenever you see a person on the point of being run down by a vehicle, drag him away, if it is a child; warn him, if he is a man; always ask what ails the child who is crying all alone; pick up the aged man’s cane, when he lets it fall. If two boys are fighting, separate them; if it is two men, go away: do not look on a scene of brutal violence, which offends and hardens the heart. And when a man passes, bound, and walking between a couple of policemen, do not add your curiosity to the cruel curiosity of the crowd; he may be innocent. Cease to talk with your companion, and to smile, when you meet a hospital litter, which is, perhaps, bearing a dying person, or a funeral procession; for one may issue from your own home on the morrow. Look with reverence upon all boys from the asylums, who walk two and two,—the blind, the dumb, those afflicted with the rickets, orphans, abandoned children; reflect that it is misfortune and human charity which is passing by. Always pretend not to notice any one who has a repulsive or laughter-provoking deformity. Always extinguish every match that you find in your path; for it may cost some one his life. Always answer a passer-by who asks you the way, with politeness. Do not look at any one and laugh; do not run without necessity; do not shout. Respect the street. The education of a people is judged first of all by their behavior on the street. Where you find offences in the streets, there you will find offences in the houses. And study the streets; study the city in which you live. If you were to be hurled far away from it to-morrow, you would be glad to have it clearly present in your memory, to be able to traverse it all again in memory. Your own city, and your little country—that which has been for so many years your world; whereyou took your first steps at your mother’s side; where you experienced your first emotions, opened your mind to its first ideas; found your first friends. It has been a mother to you: it has taught you, loved you, protected you. Study it in its streets and in its people, and love it; and when you hear it insulted, defend it.
Thy Father.
Thursday, 2d.
Lastnight my father took me to see the evening schools in our Baretti schoolhouse, which were all lighted up already, and where the workingmen were already beginning to enter. On our arrival we found the head-master and the other masters in a great rage, because a little while before the glass in one window had been broken by a stone. The beadle had darted forth and seized a boy by the hair, who was passing; but thereupon, Stardi, who lives in the house opposite, had presented himself, and said:—
“This is not the right one; I saw it with my own eyes; it was Franti who threw it; and he said to me, ‘Woe to you if you tell of me!’ but I am not afraid.”
Then the head-master declared that Franti should be expelled for good. In the meantime I was watching the workingmen enter by twos and threes; and more than two hundred had already entered. I have never seen anything so fine as the evening school. There were boys of twelve and upwards; bearded men who were on their way from their work, carrying their books and copy-books; there were carpenters, engineers with black faces, masons with hands white with plaster, bakers’ boys with their hair full of flour; andthere was perceptible the odor of varnish, hides, fish, oil,—odors of all the various trades. There also entered a squad of artillery workmen, dressed like soldiers and headed by a corporal. They all filed briskly to their benches, removed the board underneath, on which we put our feet, and immediately bent their heads over their work.
Some stepped up to the teachers to ask explanations, with their open copy-books in their hands. I caught sight of that young and well-dressed master “the little lawyer,” who had three or four workingmen clustered round his table, and was making corrections with his pen; and also the lame one, who was laughing with a dyer who had brought him a copy-book all adorned with red and blue dyes. My master, who had recovered, and who will return to school to-morrow, was there also. The doors of the schoolroom were open. I was amazed, when the lessons began, to see how attentive they all were, and how they kept their eyes fixed on their work. Yet the greater part of them, so the head-master said, for fear of being late, had not even been home to eat a mouthful of supper, and they were hungry.
But the younger ones, after half an hour of school, were falling off the benches with sleep; one even went fast asleep with his head on the bench, and the master waked him up by poking his ear with a pen. But the grown-up men did nothing of the sort; they kept awake, and listened, with their mouths wide open, to the lesson, without even winking; and it made a deep impression on me to see all those bearded men on our benches. We also ascended to the story floor above, and I ran to the door of my schoolroom and saw in my seat a man with a big mustache and a bandaged hand, whomight have injured himself while at work about some machine; but he was trying to write, though very, very slowly.
But what pleased me most was to behold in the seat of the little mason, on the very same bench and in the very same corner, his father, the mason, as huge as a giant, who sat there all coiled up into a narrow space, with his chin on his fists and his eyes on his book, so absorbed that he hardly breathed. And there was no chance about it, for it was he himself who said to the head-master the first evening he came to the school:—
“Signor Director, do me the favor to place me in the seat of 'my hare’s face.’” For he always calls his son so.
My father kept me there until the end, and in the street we saw many women with children in their arms, waiting for their husbands; and at the entrance a change was effected: the husbands took the children in their arms, and the women made them surrender their books and copy-books; and in this wise they proceeded to their homes. For several minutes the street was filled with people and with noise. Then all grew silent, and all we could see was the tall and weary form of the head-master disappearing in the distance.
Sunday, 5th.
It was what might have been expected. Franti, on being expelled by the head-master, wanted to revenge himself on Stardi, and he waited for Stardi at a corner, when he came out of school, and when the latter was passing with his sister, whom he escorts every day from an institution in the Via Dora Grossa.My sister Silvia, on emerging from her schoolhouse, witnessed the whole affair, and came home thoroughly terrified. This is what took place. Franti, with his cap of waxed cloth canted over one ear, ran up on tiptoe behind Stardi, and in order to provoke him, gave a tug at his sister’s braid of hair,—a tug so violent that it almost threw the girl flat on her back on the ground. The little girl uttered a cry; her brother whirled round; Franti, who is much taller and stronger than Stardi, thought:—
“He’ll not utter a word, or I’ll break his skin for him!”
But Stardi never paused to reflect, and small and ill-made as he is, he flung himself with one bound on that big fellow, and began to belabor him with his fists. He could not hold his own, however, and he got more than he gave. There was no one in the street but girls, so there was no one who could separate them. Franti flung him on the ground; but the other instantly got up, and then down he went on his back again, and Franti pounded away as though upon a door: in an instant he had torn away half an ear, and bruised one eye, and drawn blood from the other’s nose. But Stardi was tenacious; he roared:—
“You may kill me, but I’ll make you pay for it!” And down went Franti, kicking and cuffing, and Stardi under him, butting and lungeing out with his heels. A woman shrieked from a window, “Good for the little one!” Others said, “It is a boy defending his sister; courage! give it to him well!” And they screamed at Franti, “You overbearing brute! you coward!” But Franti had grown ferocious; he held out his leg; Stardi tripped and fell, and Franti on top of him.
“Surrender!”—“No!”—“Surrender!”—“No!” and in a flash Stardi recovered his feet, clasped Franti by the body, and, with one furious effort, hurled him on the pavement, and fell upon him with one knee on his breast.
“Ah, the infamous fellow! he has a knife!” shouted a man, rushing up to disarm Franti.
But Stardi, beside himself with rage, had already grasped Franti’s arm with both hands, and bestowed on the fist such a bite that the knife fell from it, and the hand began to bleed. More people had run up in the meantime, who separated them and set them on their feet. Franti took to his heels in a sorry plight, and Stardi stood still, with his face all scratched, and a black eye,—but triumphant,—beside his weeping sister, while some of the girls collected the books and copy-books which were strewn over the street.
“Bravo, little fellow!” said the bystanders; “he defended his sister!”
But Stardi, who was thinking more of his satchel than of his victory, instantly set to examining the books and copy-books, one by one, to see whether anything was missing or injured. He rubbed them off with his sleeve, scrutinized his pen, put everything back in its place, and then, tranquil and serious as usual, he said to his sister, “Let us go home quickly, for I have a problem to solve.”
Monday, 6th.
This morning big Stardi, the father, came to wait for his son, fearing lest he should again encounter Franti. But they say that Franti will not be seen again, because he will be put in the penitentiary.
There were a great many parents there this morning. Among the rest there was the retail wood-dealer, the father of Coretti, the perfect image of his son, slender, brisk, with his mustache brought to a point, and a ribbon of two colors in the button-hole of his jacket. I know nearly all the parents of the boys, through constantly seeing them there. There is one crooked grandmother, with her white cap, who comes four times a day, whether it rains or snows or storms, to accompany and to get her little grandson, of the upper primary; and she takes off his little cloak and puts it on for him, adjusts his necktie, brushes off the dust, polishes him up, and takes care of the copy-books. It is evident that she has no other thought, that she sees nothing in the world more beautiful. The captain of artillery also comes frequently, the father of Robetti, the lad with the crutches, who saved a child from the omnibus, and as all his son’s companions bestow a caress on him in passing, he returns a caress or a salute to every one, and he never forgets any one; he bends over all, and the poorer and more badly dressed they are, the more pleased he seems to be, and he thanks them.
At times, however, sad sights are to be seen. A gentleman who had not come for a month because one of his sons had died, and who had sent a maidservant for the other, on returning yesterday and beholding the class, the comrades of his little dead boy, retired into a corner and burst into sobs, with both hands before his face, and the head-master took him by the arm and led him to his office.
There are fathers and mothers who know all their sons’ companions by name. There are girls from the neighboring schoolhouse, and scholars in the gymnasium, who come to wait for their brothers. There isone old gentleman who was a colonel formerly, and who, when a boy drops a copy-book or a pen, picks it up for him. There are also to be seen well-dressed men, who discuss school matters with others, who have kerchiefs on their heads, and baskets on their arm, and who say:—
“Oh! the problem has been a difficult one this time.”—“That grammar lesson will never come to an end this morning!”
And when there is a sick boy in the class, they all know it; when a sick boy is convalescent, they all rejoice. And this morning there were eight or ten gentlemen and workingmen standing around Crossi’s mother, the vegetable-vender, making inquiries about a poor baby in my brother’s class, who lives in her court, and who is in danger of his life. The school seems to make them all equals and friends.
Wednesday, 8th.
I witnessed a touching scene yesterday afternoon. For several days, every time that the vegetable-vender has passed Derossi she has gazed and gazed at him with an expression of great affection; for Derossi, since he made the discovery about that inkstand and prisoner Number 78, has acquired a love for her son, Crossi, the red-haired boy with the useless arm; and he helps him to do his work in school, suggests answers to him, gives him paper, pens, and pencils; in short, he behaves to him like a brother, as though to compensate him for his father’s misfortune, which has affected him, although he does not know it.
The vegetable-vender had been gazing at Derossifor several days, and she seemed loath to take her eyes from him, for she is a good woman who lives only for her son; and Derossi, who assists him and makes him appear well, Derossi, who is a gentleman and the head of the school, seems to her a king, a saint. She continued to stare at him, and seemed desirous of saying something to him, yet ashamed to do it. But at last, yesterday morning, she took courage, stopped him in front of a gate, and said to him:—
“I beg a thousand pardons, little master! Will you, who are so kind to my son, and so fond of him, do me the favor to accept this little memento from a poor mother?” and she pulled out of her vegetable-basket a little pasteboard box of white and gold.
Derossi flushed up all over, and refused, saying with decision:—
“Give it to your son; I will accept nothing.”
The woman was mortified, and stammered an excuse:—
“I had no idea of offending you. It is only caramels.”
But Derossi said “no,” again, and shook his head. Then she timidly lifted from her basket a bunch of radishes, and said:—
“Accept these at least,—they are fresh,—and carry them to your mamma.”
Derossi smiled, and said:—
“No, thanks: I don’t want anything; I shall always do all that I can for Crossi, but I cannot accept anything. I thank you all the same.”
“But you are not at all offended?” asked the woman, anxiously.
Derossi said “No, no!” smiled, and went off, while she exclaimed, in great delight:—
“Oh, what a good boy! I have never seen so fine and handsome a boy as he!”
And that appeared to be the end of it. But in the afternoon, at four o’clock, instead of Crossi’s mother, his father approached, with that gaunt and melancholy face of his. He stopped Derossi, and from the way in which he looked at the latter I instantly understood that he suspected Derossi of knowing his secret. He looked at him intently, and said in his sorrowful, affectionate voice:—
“You are fond of my son. Why do you like him so much?”
Derossi’s face turned the color of fire. He would have liked to say: “I am fond of him because he has been unfortunate; because you, his father, have been more unfortunate than guilty, and have nobly expiated your crime, and are a man of heart.” But he had not the courage to say it, for at bottom he still felt fear and almost loathing in the presence of this man who had shed another’s blood, and had been six years in prison. But the latter divined it all, and lowering his voice, he said in Derossi’s ear, almost trembling the while:—
“You love the son; but you do not hate, do not wholly despise the father, do you?”
“Ah, no, no! Quite the reverse!” exclaimed Derossi, with a soulful impulse. And then the man made an impetuous movement, as though to throw one arm round his neck; but he dared not, and instead he took one of the lad’s golden curls between two of his fingers, smoothed it out, and released it; then he placed his hand on his mouth and kissed his palm, gazing at Derossi with moist eyes, as though to say that this kiss was for him. Then he took his son by the hand, and went away at a rapid pace.
Monday, 13th.
The little boy who lived in the vegetable-vender’s court, the one who belonged to the upper primary, and was the companion of my brother, is dead. Schoolmistress Delcati came in great affliction, on Saturday afternoon, to inform the master of it; and instantly Garrone and Coretti volunteered to carry the coffin. He was a fine little lad. He had won the medal last week. He was fond of my brother, and he had presented him with a broken money-box. My mother always caressed him when she met him. He wore a cap with two stripes of red cloth. His father is a porter on the railway. Yesterday (Sunday) afternoon, at half-past four o’clock, we went to his house, to accompany him to the church.
They live on the ground floor. Many boys of the upper primary, with their mothers, all holding candles, and five or six teachers and several neighbors were already collected in the courtyard. The mistress with the red feather and Signora Delcati had gone inside, and through an open window we beheld them weeping. We could hear the mother of the child sobbing loudly. Two ladies, mothers of two school companions of the dead child, had brought two garlands of flowers.
Exactly at five o’clock we set out. In front went a boy carrying a cross, then a priest, then the coffin,—a very, very small coffin, poor child!—covered with a black cloth, and round it were wound the garlands of flowers brought by the two ladies. On the black cloth, on one side, were fastened the medal and honorable mentions which the little boy had won in the course ofthe year. Garrone, Coretti, and two boys from the courtyard bore the coffin. Behind the coffin, first came Signora Delcati, who wept as though the little dead boy were her own; behind her the other schoolmistresses; and behind the mistresses, the boys, among whom were some very little ones, who carried bunches of violets in one hand, and who stared in amazement at the bier, while their other hand was held by their mothers, who carried candles. I heard one of them say, “And shall I not see him at school again?”
When the coffin emerged from the court, a despairing cry was heard from the window. It was the child’s mother; but they made her draw back into the room immediately. On arriving in the street, we met the boys from a college, who were passing in double file, and on catching sight of the coffin with the medal and the schoolmistresses, they all pulled off their hats.
Poor little boy! he went to sleep forever with his medal. We shall never see his red cap again. He was in perfect health; in four days he was dead. On the last day he made an effort to rise and do his little task in nomenclature, and he insisted on keeping his medal on his bed for fear it would be taken from him. No one will ever take it from you again, poor boy! Farewell, farewell! We shall always remember thee at the Baretti School! Sleep in peace, dear little boy!
To-day has been more cheerful than yesterday. The thirteenth of March! The eve of the distribution of prizes at the Theatre Vittorio Emanuele, the greatest and most beautiful festival of the whole year! Butthis time the boys who are to go upon the stage and present the certificates of the prizes to the gentlemen who are to bestow them are not to be taken at haphazard. The head-master came in this morning, at the close of school, and said:—
“Good news, boys!” Then he called, “Coraci!” the Calabrian. The Calabrian rose. “Would you like to be one of those to carry the certificates of the prizes to the authorities in the theatre to-morrow?” The Calabrian answered that he should.
“That is well," said the head-master; “then there will also be a representative of Calabria there; and that will be a fine thing. The municipal authorities are desirous that this year the ten or twelve lads who hand the prizes should be from all parts of Italy, and selected from all the public school buildings. We have twenty buildings, with five annexes—seven thousand pupils. Among such a multitude there has been no difficulty in finding one boy for each region of Italy. Two representatives of the Islands were found in the Torquato Tasso schoolhouse, a Sardinian, and a Sicilian; the Boncompagni School furnished a little Florentine, the son of a wood-carver; there is a Roman, a native of Rome, in the Tommaseo building; several Venetians, Lombards, and natives of Romagna have been found; the Monviso School gives us a Neapolitan, the son of an officer; we furnish a Genoese and a Calabrian,—you, Coraci,—with the Piemontese: that will make twelve. Does not this strike you as nice? It will be your brothers from all quarters of Italy who will give you your prizes. Look out! the whole twelve will appear on the stage together. Receive them with hearty applause. They are only boys, but they represent the country just as though they weremen. A small tricolored flag is the symbol of Italy as much as a huge banner, is it not?
“Applaud them warmly, then. Let it be seen that your little hearts are all aglow, that your souls of ten years grow enthusiastic in the presence of the sacred image of your fatherland.”
Having spoken thus, he went away, and the master said, with a smile, “So, Coraci, you are to be the deputy from Calabria.”
And then all clapped their hands and laughed; and when we got into the street, we surrounded Coraci, seized him by the legs, lifted him on high, and set out to carry him in triumph, shouting, “Hurrah for the Deputy of Calabria!” by way of making a noise, of course; and not in jest, but quite the contrary, for the sake of making a celebration for him, and with a good will, for he is a boy who pleases every one; and he smiled. And thus we bore him as far as the corner, where we ran into a gentleman with a black beard, who began to laugh. The Calabrian said, “That is my father.” And then the boys placed his son in his arms and ran away in all directions.