THE GOTHS AND HUNS.

"Spain gives uspride—which Spain to all the earthMay largely give, nor fear herself a dearth!"—Churchill.

"Spain gives uspride—which Spain to all the earthMay largely give, nor fear herself a dearth!"—Churchill.

Philip the Third was a weak bigot, who suffered himself to be governed by his ministers. A patriot wished to open his eyes, but he could not pierce through the crowds of his flatterers; besides that the voice of patriotism heard in a corrupted court would have become a crime never pardoned. He found, however, an ingenious manner of conveying to him his censure. He caused to be laid on his table, one day, a letter sealed, which bore this address—"To the King of Spain, Philip the Third, at present in the service of the Duke of Lerma."

In a similar manner, Don Carlos, son to Philip the Second, made a book with empty pages, to contain the voyages of his father, which bore this title—"The great and admirable Voyages of the King Mr. Philip." All these voyages consisted in going to the Escurial from Madrid, and returning to Madrid from the Escurial. Jests of this kind at length cost him his life.

The terrific honours which these ferocious nations paid to their deceased monarchs are recorded in history, by the interment of Attila, king of the Huns, and Alaric, king of the Goths.

Attila died in 453, and was buried in the midst of a vast champaign in a coffin which was inclosed in one of gold, another of silver, and a third of iron. With the body were interred all the spoils of the enemy, harnesses embroidered with gold and studded with jewels, rich silks, and whatever they had taken most precious in the palaces of the kings they had pillaged; and that the place of his interment might for ever remain concealed, the Huns deprived of life all who assisted at his burial!

The Goths had done nearly the same for Alaric in 410, at Cosença, a town in Calabria. They turned aside the river Vasento; and having formed a grave in the midst of its bed where its course was most rapid, they interred this king with prodigious accumulations of riches. After having caused the river to reassume its usual course, they murdered, without exception, all those who had been concerned in digging this singular grave.

The vicar of Bray, in Berkshire, was a papist under the reign of Henry the Eighth, and a Protestant under Edward the Sixth; he was a papist again under Mary, and once more became a Protestant in the reign of Elizabeth.[59]When this scandal to the gown was reproached for his versatility of religious creeds, and taxed for being a turncoat and an inconstant changeling, as Fuller expresses it, he replied, "Not so neither; for if I changed my religion, I am sure I kept true to my principle; which is, to live and die the vicar of Bray!"

This vivacious and reverend hero has given birth to a proverb peculiar to this county, "The vicar of Bray will be vicar of Bray still." But how has it happened that thisvicarshould be so notorious, and one in much higher rank, acting the same part, should have escaped notice? Dr.Kitchen, bishop of Llandaff, from an idle abbot under Henry VIII. was made a busy bishop; Protestant under Edward, he returned to his old master under Mary; and at last took the oath of supremacy under Elizabeth, and finished as a parliament Protestant. A pun spread the odium of his name; for they said that he had always loved theKitchenbetter than theChurch!

It may be recorded as a species of Puritanic barbarism, that no later than the year 1757, a man of genius was persecuted because he had written a tragedy which tended by no means to hurt the morals; but, on the contrary, by awakening the piety of domestic affections with the nobler passions, would rather elevate and purify the mind.

When Home, the author of the tragedy of Douglas, had it performed at Edinburgh, some of the divines, his acquaintance, attending the representation, the clergy, with the monastic spirit of the darkest ages, published a paper, which I abridge for the contemplation of the reader, who may wonder to see such a composition written in the eighteenth century."

"On Wednesday, February the 2nd, 1757, the Presbytery of Glasgow came to the following resolution. They having seen a printed paper, intituled, 'An admonition and exhortation of the reverend Presbytery of Edinburgh;' which, among otherevilsprevailing, observing the followingmelancholybutnotoriousfacts: that one who is a minister of the church of Scotland didhimselfwrite and composea stage-play, intituled, 'The tragedy of Douglas,' and got it to be acted at the theatre of Edinburgh; and that he with several other ministers of the church were present; andsomeof themoftener than once, at the acting of the said play before a numerous audience. The presbytery beingdeeply affectedwith this new and strange appearance, do publish these sentiments," &c. Sentiments with which I will not disgust the reader; butwhich they appear not yet to have purified and corrected, as they have shown in the case of Logan and other Scotchmen, who have committed the crying sin of composing dramas!

M. Morin, in the Memoirs of the French Academy, has formed a little history of Poverty, which I abridge.

The writers on the genealogies of the gods have not noticed the deity of Poverty, though admitted as such in the pagan heaven, while she has had temples and altars on earth. The allegorical Plato has pleasingly narrated, that at the feast which Jupiter gave on the birth of Venus, Poverty modestly stood at the gate of the palace to gather the fragments of the celestial banquet; when she observed the god of riches, inebriated with nectar, roll out of the heavenly residence, and passing into the Olympian Gardens, throw himself on a vernal bank. She seized this opportunity to become familiar with the god. The frolicsome deity honoured her with his caresses; and from this amour sprung the god of Love, who resembles his father in jollity and mirth, and his mother in his nudity. The allegory is ingenious. The union of poverty with riches must inevitably produce the most delightful of pleasures.

The golden age, however, had but the duration of a flower; when it finished, Poverty began to appear. The ancestors of the human race, if they did not meet her face to face, knew her in a partial degree; the vagrant Cain encountered her. She was firmly established in the patriarchal age. We hear of merchants who publicly practised the commerce of vending slaves, which indicates the utmost degree of poverty. She is distinctly marked by Job: this holy man protests, that he had nothing to reproach himself with respecting the poor, for he had assisted them in their necessities.

In the scriptures, legislators paid great attention to their relief. Moses, by his wise precautions, endeavoured to soften the rigours of this unhappy state. The division of lands, by tribes and families; the septennial jubilees; the regulation to bestow at the harvest-time a certain portion of all the fruits of the earth for those families who were in want; and the obligation of his moral law to love one's neighbour as one'sself; were so many mounds erected against the inundations of poverty. The Jews under their Theocracy had few or no mendicants. Their kings were unjust; and rapaciously seizing on inheritances which were not their right, increased the numbers of the poor. From the reign of David there were oppressive governors, who devoured the people as their bread. It was still worse under the foreign powers of Babylon, of Persia, and the Roman emperors. Such were the extortions of their publicans, and the avarice of their governors, that the number of mendicants dreadfully augmented; and it was probably for that reason that the opulent families consecrated a tenth part of their property for their succour, as appears in the time of the evangelists. In the preceding ages no more was given, as their casuists assure us, than the fortieth or thirtieth part; a custom which this singular nation still practise. If there are no poor of their nation where they reside, they send it to the most distant parts. The Jewish merchants make this charity a regular charge in their transactions with each other; and at the close of the year render an account to the poor of their nation.

By the example of Moses, the ancient legislators were taught to pay a similar attention to the poor. Like him, they published laws respecting the division of lands; and many ordinances were made for the benefit of those whom fires, inundations, wars, or bad harvests had reduced to want. Convinced thatidlenessmore inevitably introduced poverty than any other cause, it was rigorously punished; the Egyptians made it criminal, and no vagabonds or mendicants were suffered under any pretence whatever. Those who were convicted of slothfulness, and still refused to labour for the public when labour was offered to them, were punished with death. The famous Pyramids are the works of men who otherwise had remained vagabonds and mendicants.

The same spirit inspired Greece. Lycurgus would not have in his republic eitherpoororrich: they lived and laboured in common. As in the present times, every family has its stores and cellars, so they had public ones, and distributed the provisions according to the ages and constitutions of the people. If the same regulation was not precisely observed by the Athenians, the Corinthians, and the other people of Greece, the same maxim existed in full force against idleness.

According to the laws of Draco, Solon, &c., a conviction of wilful poverty was punished with the loss of life. Plato, more gentle in his manners, would have them only banished. He calls them enemies of the state; and pronounces as a maxim, that where there are great numbers of mendicants, fatal revolutions will happen; for as these people have nothing to lose, they plan opportunities to disturb the public repose.

The ancient Romans, whose universal object was the public prosperity, were not indebted to Greece on this head. One of the principal occupations of their censors was to keep a watch on the vagabonds. Those who were condemned as incorrigible sluggards were sent to the mines, or made to labour on the public edifices. The Romans of those times, unlike the present race, did not consider thefar nienteas an occupation; they were convinced that their liberalities were ill-placed in bestowing them on such men. The little republics of thebeesand theantswere often held out as an example; and the last particularly, where Virgil says, that they have elected overseers who correct the sluggards:

"—— Pars agmina cogunt,Castigantque moras."

"—— Pars agmina cogunt,Castigantque moras."

And if we may trust the narratives of our travellers, thebeaverspursue this regulation more rigorously and exactly than even these industrious societies. But their rigour, although but animals, is not so barbarous as that of the ancient Germans; who, Tacitus informs us, plunged the idlers and vagabonds in the thickest mire of their marshes, and left them to perish by a kind of death which resembled their inactive dispositions.

Yet, after all, it was not inhumanity that prompted the ancients thus severely to chastise idleness; they were induced to it by a strict equity, and it would be doing them injustice to suppose, that it was thus they treated thoseunfortunate poor, whose indigence was occasioned by infirmities, by age, or unforeseen calamities. Every family constantly assisted its branches to save them from being reduced to beggary; which to them appeared worse than death. The magistrates protected those who were destitute of friends, or incapable of labour. When Ulysses was disguised as a mendicant, and presented himself to Eurymachus, this prince observing him, to be robust and healthy, offered to give him employment, orotherwise to leave him to his ill fortune. When the Roman Emperors, even in the reigns of Nero and Tiberius, bestowed their largesses, the distributors were ordered to exempt those from receiving a share whose bad conduct kept them in misery; for that it was better the lazy should die with hunger than be fed in idleness.

Whether the police of the ancients was more exact, or whether they were more attentive to practise the duties of humanity, or that slavery served as an efficacious corrective of idleness; it clearly appears how small was the misery, and how few the numbers of their poor. This they did, too, without having recourse to hospitals.

At the establishment of Christianity, when the apostles commanded a community of wealth among their disciples, the miseries of the poor became alleviated in a greater degree. If they did not absolutely live together, as we have seen religious orders, yet the wealthy continually supplied their distressed brethren: but matters greatly changed under Constantine. This prince published edicts in favour of those Christians who had been condemned in the preceding reigns to slavery, to the mines, to the galleys, or prisons. The church felt an inundation of prodigious crowds of these miserable men, who brought with them urgent wants and corporeal infirmities. The Christian families were then not numerous; they could not satisfy these claimants. The magistrates protected them: they built spacious hospitals, under different titles, for the sick, the aged, the invalids, the widows, and orphans. The emperors, and the most eminent personages, were seen in these hospitals, examining the patients; they assisted the helpless; they dressed the wounded. This did so much honour to the new religion, that Julian the Apostate introduced this custom among the pagans. But the best things are continually perverted.

These retreats were found insufficient. Many slaves, proud of the liberty they had just recovered, looked on them as prisons; and, under various pretexts, wandered about the country. They displayed with art the scars of their former wounds, and exposed the imprinted marks of their chains. They found thus a lucrative profession in begging, which had been interdicted by the laws. The profession did not finish with them: men of an untoward, turbulent, and licentious disposition, gladly embraced it. It spread so wide that the succeeding emperors were obliged to institute new laws; andindividuals were allowed to seize on these mendicants for their slaves and perpetual vassals: a powerful preservative against this disorder. It is observed in almost every part of the world but ours; and prevents that populace of beggary which disgraces Europe. China presents us with a noble example. No beggars are seen loitering in that country. All the world are occupied, even to the blind and the lame; and only those who are incapable of labour live at the public expense. What is donetheremay also be performedhere. Instead of that hideous, importunate, idle, licentious poverty, as pernicious to the police as to morality, we should see the poverty of the earlier ages, humble, modest, frugal, robust, industrious, and laborious. Then, indeed, the fable of Plato might be realised: Poverty might be embraced by the god of Riches; and if she did not produce the voluptuous offspring of Love, she would become the fertile mother of Agriculture, and the ingenious parent of the Arts and Manufactures.

A Rabbin once told me an ingenious invention, which in the Talmud is attributed to Solomon.

The power of the monarch had spread his wisdom to the remotest parts of the known world. Queen Sheba, attracted by the splendour of his reputation, visited this poetical king at his own court; there, one day to exercise the sagacity of the monarch, Sheba presented herself at the foot of the throne: in each hand she held a wreath; the one was composed of natural, and the other of artificial, flowers. Art, in the labour of the mimetic wreath, had exquisitely emulated the lively hues of nature; so that, at the distance it was held by the queen for the inspection of the king, it was deemed impossible for him to decide, as her question imported, which wreath was the production of nature, and which the work of art. The sagacious Solomon seemed perplexed; yet to be vanquished, though in a trifle, by a trifling woman, irritated his pride. The son of David, he who had written treatises on the vegetable productions "from the cedar to the hyssop," to acknowledge himself outwitted by a woman, with shreds of paper and glazed paintings! The honour of the monarch's reputation for divine sagacity seemed diminished, and thewhole Jewish court looked solemn and melancholy. At length an expedient presented itself to the king; and one it must be confessed worthy of the naturalist. Observing a cluster of bees hovering about a window, he commanded that it should be opened: it was opened; the bees rushed into the court, and alighted immediately on one of the wreaths, while not a single one fixed on the other. The baffled Sheba had one more reason to be astonished at the wisdom of Solomon.

This would make a pretty poetical tale. It would yield an elegant description, and a pleasing moral; thatthe beeonlyrestson the natural beauties, and neverfixeson thepainted flowers, however inimitably the colours may be laid on. Applied to theladies, this would give it pungency. In the "Practical Education" of the Edgeworths, the reader will find a very ingenious conversation founded on this story.

Oldham, in his "Satires upon the Jesuits," a work which would admit of a curious commentary, alludes to their "lying legends," and the innumerable impositions they practised on the credulous. I quote a few lines in which he has collected some of those legendary miracles, which I have noticed in the articleLegends, and the amours of the Virgin Mary are detailed in that onReligious Nouvellettes.

Tell, howblessed Virginto come down was seen,Like play-house punk descending in machine,How she writbillet-douxandlove-discourse,Madeassignations,visits, andamours;How hosts distrest, hersmockforbannerwore,Which vanquished foes!—— howfishin conventicles met,Andmackerelwere withbait of doctrinecaught:How cattle have judicious hearers been!—Howconsecrated hiveswith bells were hung,Andbeeskept mass, and holyanthems sung!Howpigsto th'rosarykneel'd, andsheepwere taughtTo bleatTe DeumandMagnificat;Howfly-flap, of church-censure houses ridOf insects, which atcurse of fryardied.Howferrying cowlsreligious pilgrims boreO'er waves, without the help of sail or oar;Howzealous crabthesacred imagebore,And swam a catholic to the distant shore.With shams like these the giddy rout mislead,Their folly and their superstition feed.

Tell, howblessed Virginto come down was seen,Like play-house punk descending in machine,How she writbillet-douxandlove-discourse,Madeassignations,visits, andamours;How hosts distrest, hersmockforbannerwore,Which vanquished foes!—— howfishin conventicles met,Andmackerelwere withbait of doctrinecaught:How cattle have judicious hearers been!—Howconsecrated hiveswith bells were hung,Andbeeskept mass, and holyanthems sung!Howpigsto th'rosarykneel'd, andsheepwere taughtTo bleatTe DeumandMagnificat;Howfly-flap, of church-censure houses ridOf insects, which atcurse of fryardied.Howferrying cowlsreligious pilgrims boreO'er waves, without the help of sail or oar;Howzealous crabthesacred imagebore,And swam a catholic to the distant shore.With shams like these the giddy rout mislead,Their folly and their superstition feed.

All these are allusions to the extravagant fictions in the "Golden Legend." Among other gross impositions to deceive the mob, Oldham likewise attacks them for certain publications on topics not less singular. The tales he has recounted, Oldham says, are only baits for children, like toys at a fair; but they have their profounder and higher matters for the learned and inquisitive. He goes on:—

One undertakes by scales of miles to tellThe bounds, dimensions, and extent of HELL;How many German leagues that realm contains!How many chaldrons Hell each year expendsIn coals for roasting Hugonots and friends!Another frights the rout with useful storiesOf wild chimeras, limbos—PURGATORIES—Where bloated souls in smoky durance hung,Like a Westphalia gammon or neat's tongue,To be redeem'd with masses and a song.—SatireIV.

One undertakes by scales of miles to tellThe bounds, dimensions, and extent of HELL;How many German leagues that realm contains!How many chaldrons Hell each year expendsIn coals for roasting Hugonots and friends!Another frights the rout with useful storiesOf wild chimeras, limbos—PURGATORIES—Where bloated souls in smoky durance hung,Like a Westphalia gammon or neat's tongue,To be redeem'd with masses and a song.—SatireIV.

The readers of Oldham, for Oldham must ever have readers among the curious in our poetry, have been greatly disappointed in the pompous edition of a Captain Thompson, which illustrates none of his allusions. In the above lines Oldham alludes to some singular works.

Treatises and topographical descriptions of HELL, PURGATORY, and even HEAVEN, were once the favourite researches among certain zealous defenders of the Romish Church, who exhausted their ink-horns in building up a Hell to their own taste, or for their particular purpose.[60]We have a treatise of Cardinal Bellarmin, a Jesuit, onPurgatory; he seems to have the science of a surveyor among all the secret tracks and the formidable divisions of "the bottomless pit."

Bellarmin informs us that there are beneath the earth four different places, or a profound place divided into four parts. The deepest of these places isHell; it contains all the souls of the damned, where will be also their bodies after the resurrection, and likewise all the demons. The place nearestHellisPurgatory, where souls are purged, or rather where they appease the anger of God by their sufferings. He says that the same fires and the same torments are alike in both theseplaces, the only difference betweenHellandPurgatoryconsisting in their duration. Next toPurgatoryis thelimboof thoseinfantswho die without having received the sacrament; and the fourth place is thelimboof theFathers; that is to say, of thosejust menwho died before the death of Christ. But since the days of the Redeemer, this last division is empty, like an apartment to be let. A later catholic theologist, the famous Tillemont, condemnsall the illustrious pagansto theeternal torments of Hell? because they lived before the time of Jesus, and therefore could not be benefited by the redemption! Speaking of young Tiberius, who was compelled to fall on his own sword, Tillemont adds, "Thus by his own hand he ended his miserable life,to begin another, the misery of which will never end!" Yet history records nothing bad of this prince. Jortin observes that he added thisreflectionin his later edition, so that the good man as he grew older grew more uncharitable in his religious notions. It is in this manner too that the Benedictine editor of Justin Martyr speaks of the illustrious pagans. This father, after highly applauding Socrates, and a few more who resembled him, inclines to think that they are not fixed inHell. But the Benedictine editor takes great pains to clear the good father from the shameful imputation of supposing that avirtuous pagan might be savedas well as a Benedictine monk! For a curious specimen of thisodium theologicum, see the "Censure" of the Sorbonne on Marmontel's Belisarius.

The adverse party, who were either philosophers or reformers, received all such information with great suspicion. Anthony Cornelius, a lawyer in the sixteenth century, wrote a small tract, which was so effectually suppressed, as a monster of atheism, that a copy is now only to be found in the hands of the curious. This author ridiculed the absurd and horrid doctrine ofinfant damnation, and was instantly decried as an atheist, and the printer prosecuted to his ruin! Cælius Secundus Curio, a noble Italian, published a treatiseDe Amplitudine beati Regni Dei, to prove thatHeavenhas more inhabitants thanHell,—or, in his own phrase, that theelectare more numerous than thereprobate. However we may incline to smile at these works, their design was benevolent. They were the first streaks of the morning light of the Reformation. Even such works assisted mankind to examine more closely, and hold in greater contempt, the extravagant and pernicious doctrines of the domineering papistical church.

The character of Bruyère's "Absent Man" has been translated in the Spectator, and exhibited on the theatre. It is supposed to be a fictitious character, or one highly coloured. It was well known, however, to his contemporaries, to be the Count de Brancas. The present anecdotes concerning the same person were unknown to, or forgotten by, Bruyère; and are to the full as extraordinary as those which characteriseMenalcas, or the Absent Man.

The count was reading by the fireside, but Heaven knows with what degree of attention, when the nurse brought him his infant child. He throws down the book; he takes the child in his arms. He was playing with her, when an important visitor was announced. Having forgot he had quitted his book, and that it was his child he held in his hands, he hastily flung the squalling innocent on the table.

The count was walking in the street, and the Duke de la Rochefoucault crossed the way to speak to him.—"God bless thee, poor man!" exclaimed the count. Rochefoucault smiled, and was beginning to address him:—"Is it not enough," cried the count, interrupting him, and somewhat in a passion; "is it not enough that I have said, at first, I have nothing for you? Such lazy vagrants as you hinder a gentleman from walking the streets." Rochefoucault burst into a loud laugh, and awakening the absent man from his lethargy, he was not a little surprised, himself, that he should have taken his friend for an importunate mendicant! La Fontaine is recorded to have been one of the most absent men; and Furetière relates a most singular instance of this absence of mind. La Fontaine attended the burial of one of his friends, and some time afterwards he called to visit him. At first he was shocked at the information of his death; but recovering from his surprise, observed—"True! true! I recollect I went to his funeral."

We have heard of many curious deceptions occasioned by the imitative powers of wax-work. A series of anatomical sculptures in coloured wax was projected by the Grand Duke ofTuscany, under the direction of Fontana. Twenty apartments have been filled with those curious imitations. They represent in every possible detail, and in each successive stage of denudation, the organs of sense and reproduction; the muscular, the vascular, the nervous, and the bony system. They imitate equally well the form, and more exactly the colouring, of nature than injected preparations; and they have been employed to perpetuate many transient phenomena of disease, of which no other art could have made so lively a record.[61]

There is a species of wax-work, which, though it can hardly claim the honours of the fine arts, is adapted to afford much pleasure—I mean figures of wax, which may be modelled with great truth of character.

Menage has noticed a work of this kind. In the year 1675, the Duke de Maine received a gilt cabinet, about the size of a moderate table. On the door was inscribed, "The Apartment of Wit." The inside exhibited an alcove and a long gallery. In an arm-chair was seated the figure of the duke himself, composed of wax, the resemblance the most perfect imaginable. On one side stood the Duke de la Rochefoucault, to whom he presented a paper of verses for his examination. M. de Marsillac, and Bossuet bishop of Meaux, were standing near the arm-chair. In the alcove, Madame de Thianges and Madame de la Fayette sat retired, reading a book. Boileau, the satirist, stood at the door of the gallery, hindering seven or eight bad poets from entering. Near Boileau stood Racine, who seemed to beckon to La Fontaine to come forwards. All these figures were formed of wax; and this philosophical baby-house, interesting for the personages it imitated, might induce a wish in some philosophers to play once more with one.

There was lately an old canon at Cologne who made a collection of small wax models of characteristic figures, such as personifications of Misery, in a haggard old man with a scanty crust and a brown jug before him; or of Avarice, in a keen-looking Jew miser counting his gold: which were done with such a spirit and reality that a Flemish painter, a Hogarth or Wilkie, could hardly have worked up thefeelingof the figure more impressively. "All these were done with truth and expression which I could not have imagined the wax capable of exhibiting," says the lively writer of "An Autumn near the Rhine." There is something very infantine in this taste; but I lament that it is very rarely gratified by such close copiers of nature as was this old canon of Cologne.

All the world have heard of thesestatues: they have served as vehicles for the keenest satire in a land of the most uncontrolled despotism. Thestatue of Pasquin(from whence the wordpasquinade) and that ofMarforioare placed in Rome in two different quarters.Marforiois an ancientstatueofMars, found in theForum, which the people have corrupted intoMarforio.Pasquinis a marblestatue, greatly mutilated, supposed to be the figure of a gladiator.[62]To one or other of thesestatues, during the concealment of the night, are affixed those satires or lampoons which the authors wish should be dispersed about Rome without any danger to themselves. WhenMarforiois attacked,Pasquincomes to his succour; and whenPasquinis the sufferer, he finds inMarforioa constant defender. Thus, by a thrust and a parry, the most serious matters are disclosed: and the most illustrious personages are attacked by their enemies, and defended by their friends.

Misson, in his Travels in Italy, gives the following account of the origin of the name of the statue ofPasquin:—

A satirical tailor, who lived at Rome, and whose name wasPasquin, amused himself by severe raillery, liberally bestowed on those who passed by his shop; which in time became the lounge of the newsmongers. The tailor had precisely the talents to head a regiment of satirical wits; and had he had time topublish, he would have been the Peter Pindar of his day; but his genius seems to have been satisfied to rest cross-legged on his shopboard. When any lampoons or amusing bon-mots were current at Rome, they were usually called, from his shop,pasquinades. After his death, this statue of an ancient gladiator was found under the pavement of his shop. It was soon set up, and by universal consent was inscribed with his name; and they still attempt to raise him from the dead, and keep the caustic tailor alive, in the marble gladiator of wit.

There is a very rare work, with this title:—"Pasquillorum Tomi Duo;" the first containing the verse, and the second the prose pasquinades, published at Basle, 1544. The rarity of this collection of satirical pieces is entirely owing to the arts of suppression practised by the papal government. Sallengre, in his literary Memoirs, has given an account of this work; his own copy had formerly belonged to Daniel Heinsius, who, in verses written in his hand, describes its rarity and the price it too cost:—

Roma meos fratres igni dedit, unica PhœnixVivo, aureisque venio centum Heinsio.

Roma meos fratres igni dedit, unica PhœnixVivo, aureisque venio centum Heinsio.

"Rome gave my brothers to the flames, but I survive a solitary Phœnix. Heinsius bought me for a hundred golden ducats."

"Rome gave my brothers to the flames, but I survive a solitary Phœnix. Heinsius bought me for a hundred golden ducats."

This collection contains a great number of pieces composed at different times, against the popes, cardinals, &c. They are not, indeed, materials for the historian, and they must be taken with grains of allowance. We find sarcastic epigrams on Leo X., and the infamous Lucretia, daughter of Alexander VI.: even the corrupt Romans of the day were capable of expressing themselves with the utmost freedom. Of Alexander VI. we have an apology for his conduct:

Vendit Alexander claves, altaria, Christum;Emerat ille prius, vendere jure potest."Alexandersellsthe keys, the altars, and Christ;As heboughtthem first, he had a right tosell them!"

Vendit Alexander claves, altaria, Christum;Emerat ille prius, vendere jure potest.

"Alexandersellsthe keys, the altars, and Christ;As heboughtthem first, he had a right tosell them!"

On Lucretia:—

Hoc tumulo dormit Lucretia nomine, sed reThais; Alexandri filia, sponsa, nurus!

Hoc tumulo dormit Lucretia nomine, sed reThais; Alexandri filia, sponsa, nurus!

"Beneath this stone sleeps Lucretia by name, but by nature Thais; the daughter, the wife, and the daughter-in-law of Alexander!"

"Beneath this stone sleeps Lucretia by name, but by nature Thais; the daughter, the wife, and the daughter-in-law of Alexander!"

Leo X. was a frequent butt for the arrows of Pasquin:—

Sacra sub extremâ, si forte requiritis, horâCur Leo non potuit sumere; vendiderat.

Sacra sub extremâ, si forte requiritis, horâCur Leo non potuit sumere; vendiderat.

"Do you ask why Leo did not take the sacrament on his death-bed?—How could he? He had sold it!"

"Do you ask why Leo did not take the sacrament on his death-bed?—How could he? He had sold it!"

Many of these satirical touches depend on puns. Urban VII., one of theBarberinifamily, pillaged the Pantheon of brass to make cannon,[63]on which occasion Pasquin was made to say:—

Quod non feceruntBarbariRomæ, fecitBarberini.

Quod non feceruntBarbariRomæ, fecitBarberini.

On Clement VII., whose death was said to be occasioned by the prescriptions of his physician:—

Curtius occidit Clementem; Curtius auroDonandus, per quem publica parta salus.

Curtius occidit Clementem; Curtius auroDonandus, per quem publica parta salus.

"Dr. Curtius has killed the pope by his remedies; he ought to be remunerated as a man who has cured the state."

"Dr. Curtius has killed the pope by his remedies; he ought to be remunerated as a man who has cured the state."

The following, on Paul III., are singular conceptions:—

Papa Medusæum caput est, coma turba Nepotum;Perseu cæde caput, Cæsaries periit.

Papa Medusæum caput est, coma turba Nepotum;Perseu cæde caput, Cæsaries periit.

"The pope is the head of Medusa; the horrid tresses are his nephews; Perseus, cut off the head, and then we shall be rid of these serpent-locks."

"The pope is the head of Medusa; the horrid tresses are his nephews; Perseus, cut off the head, and then we shall be rid of these serpent-locks."

Another is sarcastic—

Ut canerent data multa olim sunt Vatibus æra:Ut taceam, quantum tu mihi, Paule, dabis?

Ut canerent data multa olim sunt Vatibus æra:Ut taceam, quantum tu mihi, Paule, dabis?

"Heretofore money was given to poets that they might sing: how much will you give me, Paul, to be silent?"

"Heretofore money was given to poets that they might sing: how much will you give me, Paul, to be silent?"

This collection contains, among other classes, passages from the Scriptures which have been applied to the court of Rome; to different nations and persons; and one of "Sortes Virgilianæ per Pasquillum collectæ,"—passages from Virgilfrequently happily applied; and those who are curious in the history of those times will find this portion interesting. The work itself is not quite so rare as Daniel Heinsius imagined; the price might now reach from five to ten guineas.[64]

These satirical statues are placed at opposite ends of the town, so that there is always sufficient time to make Marforio reply to the gibes and jeers of Pasquin in walking from one to the other. They are an ingenious substitute for publishing to the world, what no Roman newspaper would dare to print.

The ladies in Japan gild their teeth; and those of the Indies paint them red. The pearl of teeth must be dyed black to be beautiful in Guzerat. In Greenland the women colour their faces with blue and yellow. However fresh the complexion of a Muscovite may be, she would think herself very ugly if she was not plastered over with paint. The Chinese must have their feet as diminutive as those of the she-goat; and to render them thus, their youth is passed in tortures. In ancient Persia an aquiline nose was often thought worthy of the crown; and if there was any competition between two princes, the people generally went by this criterion of majesty. In some countries, the mothers break the noses of their children; and in others press the head between two boards, that it may become square. The modern Persians have a strong aversion to red hair: the Turks, on the contrary, are warm admirers of it. The female Hottentot receives from the hand of her lover, not silks nor wreaths of flowers, but warm guts and reeking tripe, to dress herself with enviable ornaments.

In China, small round eyes are liked; and the girls are continually plucking their eye-brows, that they may be thin and long. The Turkish women dip a gold brush in the tincture of a black drug, which they pass over their eye-brows. It is too visible by day, but looks shining by night. They tinge their nails with a rose-colour. An African beauty must have small eyes, thick lips, a large flat nose, and a skin beautifully black. The Emperor of Monomotapa wouldnot change his amiable negress for the most brilliant European beauty.

An ornament for the nose appears to us perfectly unnecessary. The Peruvians, however, think otherwise; and they hang on it a weighty ring, the thickness of which is proportioned by the rank of their husbands. The custom of boring it, as our ladies do their ears, is very common in several nations. Through the perforation are hung various materials; such as green crystal, gold, stones, a single and sometimes a great number of gold rings.[65]This is rather troublesome to them in blowing their noses; and the fact is, as some have informed us, that the Indian ladies never perform this very useful operation.

The female head-dress is carried in some countries to singular extravagance. The Chinese fair carries on her head the figure of a certain bird. This bird is composed of copper or of gold, according to the quality of the person; the wings spread out, fall over the front of the head-dress, and conceal the temples. The tail, long and open, forms a beautiful tuft of feathers. The beak covers the top of the nose; the neck is fastened to the body of the artificial animal by a spring, that it may the more freely play, and tremble at the slightest motion.

The extravagance of the Myantses is far more ridiculous than the above. They carry on their heads a slight board, rather longer than a foot, and about six inches broad; with this they cover their hair, and seal it with wax. They cannot lie down, or lean, without keeping the neck straight; and the country being very woody, it is not uncommon to find them with their head-dress entangled in the trees. Whenever they comb their hair, they pass an hour by the fire in melting the wax; but this combing is only performed once or twice a year.

The inhabitants of the land of Natal wear caps or bonnets, from six to ten inches high, composed of the fat of oxen. They then gradually anoint the head with a purer grease, which mixing with the hair, fastens thesebonnetsfor their lives.

Erasmus, in his Age of Religious Revolution, expressed an alarm, which in some shape has been since realized. He strangely, yet acutely observes, that "literaturebegan to make a great and happy progress; but," he adds, "I fear two things—that the study ofHebrewwill promoteJudaism, and the study ofphilologywill revive PAGANISM." He speaks to the same purpose in the Adages, c. 189, as Jortin observes. Blackwell, in his curious Life of Homer, after showing that the ancient oracles were the fountains of knowledge, and that the votaries of thegodofDelphihad their faith confirmed by the oracle's perfect acquaintance with the country, parentage, and fortunes of the suppliant, and many predictions verified; that besides all this, the oracles that have reached us discover a wide knowledge of everything relating to Greece;—this learned writer is at a loss to account for a knowledge that he thinks has something divine in it: it was a knowledge to be found nowhere in Greece but among theOracles. He would account for this phenomenon by supposing there existed a succession of learned men devoted to this purpose. He says, "Either we must admit the knowledge of the priests, or turnconverts to the ancients, and believe in theomniscience of Apollo, which in this age I know nobody in hazard of." Yet, to the astonishment of this writer, were he now living, he would have witnessed this incredible fact! Even Erasmus himself might have wondered.

We discover the origin of MODERN PLATONISM, as it may be distinguished, among the Italians. About the middle of the fifteenth century, some time before the Turks had become masters of Constantinople, a great number of philosophers flourished.Gemisthus Plethowas one distinguished by his genius, his erudition, and his fervent passion forplatonism. Mr. Roscoe notices Pletho: "His discourses had so powerful an effect upon Cosmo de' Medici, who was his constant auditor, that he established an academy at Florence, for the sole purpose of cultivating this new and more elevated species of philosophy." The learned Marsilio Ficino translated Plotinus, that great archimage ofplatonic mysticism. Such were Pletho's eminent abilities, that in his old age those whom his novel system had greatly irritated either feared orrespected him. He had scarcely breathed his last when they began to abuse Plato and our Pletho. The following account is written by George of Trebizond.

"Lately has risen amongst us a second Mahomet: and this second, if we do not take care, will exceed in greatness the first, by the dreadful consequences of his wicked doctrine, as the first has exceeded Plato. A disciple and rival of this philosopher in philosophy, in eloquence, and in science, he had fixed his residence in the Peloponnese. His common name wasGemisthus, but he assumed that ofPletho. Perhaps Gemisthus, to make us believe more easily that he was descended from heaven, and to engage us to receive more readily his doctrine and his new law, wished to change his name, according to the manner of the ancient patriarchs, of whom it is said, that at the time the name was changed they were called to the greatest things. He has written with no vulgar art, and with no common elegance. He has given new rules for the conduct of life, and for the regulation of human affairs; and at the same time has vomited forth a great number of blasphemies against the Catholic religion. He was so zealous a platonist that he entertained no other sentiments than those of Plato, concerning the nature of the gods, souls, sacrifices, &c. I have heard him myself, when we were together at Florence, say, that in a few years all men on the face of the earth would embrace with one common consent, and with one mind, a single and simple religion, at the first instructions which should be given by a single preaching. And when I asked him if it would be the religion of Jesus Christ, or that of Mahomet? he answered, 'Neither one nor the other; but athird, which will not greatly differ frompaganism.' These words I heard with so much indignation, that since that time I have always hated him: I look upon him as a dangerous viper; and I cannot think of him without abhorrence."

The pious writer might have been satisfied to have bestowed a smile of pity or contempt.

When Pletho died, full of years and honours, the malice of his enemies collected all its venom. This circumstance seems to prove that his abilities must have been great indeed, to have kept such crowds silent. Several Catholic writers lament that his book was burnt, and regret the loss of Pletho's work; which, they say, was not designed to subvert the Christian religion, but only to unfold the system of Plato,and to collect what he and other philosophers had written on religion and politics.

Of his religious scheme, the reader may judge by this summary account. The general title of the volume ran thus:—"This book treats of the laws of the best form of government, and what all men must observe in their public and private stations, to live together in the most perfect, the most innocent, and the most happy manner." The whole was divided into three books. The titles of the chapters where paganism was openly inculcated are reported by Gennadius, who condemned it to the flames, but who has not thought proper to enter into the manner of his arguments. The extravagance of this new legislator appeared, above all, in the articles which concerned religion. He acknowledges a plurality of gods: some superior, whom he placed above the heavens; and the others inferior, on this side the heavens. The first existing from the remotest antiquity; the others younger, and of different ages. He gave a king to all these gods, and he called him ΖΕΥΣ, orJupiter; as the pagans named this power formerly. According to him, the stars had a soul; the demons were not malignant spirits; and the world was eternal. He established polygamy, and was even inclined to a community of women. All his work was filled with such reveries, and, with not a few impieties, which my pious author has not ventured to give.

What were the intentions of Pletho? If the work was only an arranged system of paganism, or the platonic philosophy, it might have been an innocent, if not a curious volume. He was learned and humane, and had not passed his life entirely in the solitary recesses of his study.

To strain human curiosity to the utmost limits of human credibility, amodern Plethohas risen in Mr.Thomas Taylor, who, consonant to the platonic philosophy in the present day, religiously professespolytheism! At the close of the eighteenth century, be it recorded, were published many volumes, in which the author affects to avow himself a zealous Platonist, and asserts that he can prove that the Christian religion is "a bastardized and barbarous Platonism." The divinities of Plato are the divinities to be adored, and we are to be taught to call God, Jupiter; the Virgin, Venus; and Christ, Cupid! The Iliad of Homer allegorised, is converted into a Greek bible of the arcana of nature! Extraordinary as this literary lunacy may appear, we must observe, that itstands not singular in the annals of the history of the human mind. The Florentine Academy, which Cosmo founded, had, no doubt, some classical enthusiasts; but who, perhaps, according to the political character of their country, were prudent and reserved. The platonic furor, however, appears to have reached other countries. In the reign of Louis XII., a scholar named Hemon de la Fosse, a native of Abbeville, by continually reading the Greek and Latin writers, became mad enough to persuade himself that it was impossible that the religion of such great geniuses as Homer, Cicero, and Virgil was a false one. On the 25th of August, 1503, being at church, he suddenly snatched the host from the hands of the priest, at the moment it was raised, exclaiming—"What! always this folly!" He was immediately seized. In the hope that he would abjure his extravagant errors, they delayed his punishment; but no exhortation or entreaties availed. He persisted in maintaining that Jupiter was the sovereign God of the universe, and that there was no other paradise than the Elysian fields. He was burnt alive, after having first had his tongue pierced, and his hand cut off. Thus perished an ardent and learned youth, who ought only to have been condemned as a Bedlamite.

Dr. More, the most rational of our modern Platonists, abounds, however, with the most extravagant reveries, and was inflated with egotism and enthusiasm, as much as any of his mystic predecessors. He conceived that he communed with the Divinity itself! that he had been shot as a fiery dart into the world, and he hoped he had hit the mark. He carried his self-conceit to such extravagance, that he thought his urine smelt like violets, and his body in the spring season had a sweet odour; a perfection peculiar to himself. These visionaries indulge the most fanciful vanity.

The "sweet odours," and that of "the violets," might, however, have been real—for they mark a certain stage of the disease of diabetes, as appears in a medical tract by the elder Dr. Latham.

A volume on this subject might be made very curious and entertaining, for our ancestors were not less vacillating, and perhaps more capriciously grotesque, though with infinitely less taste, than the present generation. Were a philosopherand an artist, as well as an antiquary, to compose such a work, much diversified entertainment, and some curious investigation of the progress of the arts and taste, would doubtless be the result; the subject otherwise appears of trifling value; the very farthing pieces of history.

The origin of many fashions was in the endeavour to conceal some deformity of the inventor: hence the cushions, ruffs, hoops, and other monstrous devices. If a reigning beauty chanced to have an unequal hip, those who had very handsome hips would load them with that false rump which the other was compelled by the unkindness of nature to substitute. Patches were invented in England in the reign of Edward VI. by a foreign lady, who in this manner ingeniously covered a wen on her neck. Full-bottomed wigs were invented by a French barber, one Duviller, whose name they perpetuated, for the purpose of concealing an elevation in the shoulder of the Dauphin. Charles VII. of France introduced long coats to hide his ill-made legs. Shoes with very long points, full two feet in length, were invented by Henry Plantagenet, Duke of Anjou, to conceal a large excrescence on one of his feet. When Francis I. was obliged to wear his hair short, owing to a wound he received in the head, it became a prevailing fashion at court. Others, on the contrary, adapted fashions to set off their peculiar beauties: as Isabella of Bavaria, remarkable for her gallantry, and the fairness of her complexion, introduced the fashion of leaving the shoulders and part of the neck uncovered.

Fashions have frequently originated from circumstances as silly as the following one. Isabella, daughter of Philip II. and wife of the Archduke Albert, vowed not to change her linen till Ostend was taken; this siege, unluckily for her comfort, lasted three years; and the supposed colour of the archduchess's linen gave rise to a fashionable colour, hence calledl'Isabeau, or the Isabella; a kind of whitish-yellow-dingy. Sometimes they originate in some temporary event; as after the battle of Steenkirk, where the allies wore large cravats, by which the French frequently seized hold of them, a circumstance perpetuated on the medals of Louis XIV., cravats were called Steenkirks; and after the battle of Ramilies, wigs received that denomination.

Thecourt, in all ages and in every country, are the modellers of fashions; so that all the ridicule, of which these are so susceptible, must fall on them, and not upon their servile imitators thecitizens. This complaint is made even so far back as in 1586, by Jean des Caures, an old French moralist, who, in declaiming against the fashions of his day, notices one, of the ladies carryingmirrors fixed to their waists, which seemed to employ their eyes in perpetual activity. From this mode will result, according to honest Des Caures, their eternal damnation. "Alas! (he exclaims) in what an age do we live: to see such depravity which we see, that induces them even to bring into church thesescandalous mirrors hanging about their waists! Let all histories, divine, human, and profane, be consulted; never will it be found that these objects of vanity were ever thus brought into public by the most meretricious of the sex. It is true, at present none but the ladies of the court venture to wear them; but long it will not be beforeevery citizen's daughterand everyfemale servant, will have them!" Such in all times has been the rise and decline of fashion; and the absurd mimicry of thecitizens, even of the lowest classes, to their very ruin, in straining to rival thenewest fashion, has mortified and galled the courtier.

On this subject old Camden, in his Remains, relates a story of a trick played off on a citizen, which I give in the plainness of his own venerable style. Sir Philip Calthrop purged John Drakes, theshoemaker of Norwich, in the time of King Henry VIII. of theproud humourwhich ourpeople have to be of the gentlemen's cut. This knight bought on a time as much fine French tawny cloth as should make him a gown, and sent it to the taylor's to be made. John Drakes, a shoemaker of that town, coming to this said taylor's, and seeing the knight's gown cloth lying there, liking it well, caused the taylor to buy him as much of the same cloth and price to the same intent, and further bade him tomake it of the same fashion that the knight would have his made of. Not long after, the knight coming to the taylor's to take measure of his gown, perceiving the like cloth lying there, asked of the taylor whose it was? Quoth the taylor, it is John Drakes' theshoemaker, who will have itmade of the self-same fashion that yours is made of! 'Well!' said the knight, 'in good time be it! I will have mine madeas full of cuts as thy shears can make it.' 'It shall be done!' said the taylor; whereupon, because the time drew near, he made haste to finish both their garments. John Drakes had notime to go to the taylor's till Christmas-day, for serving his customers, when he hoped to have worn his gown; perceiving the same to befull of cutsbegan to swear at the taylor, for the making his gown after that sort. 'I have done nothing,' quoth the taylor, 'but that you bid me; for as Sir Philip Calthrop's garment is, even so I have made yours!' 'By my latchet!' quoth John Drakes, 'I will never wear gentlemen's fashions again!'

Sometimes fashions are quite reversed in their use in one age from another. Bags, when first in fashion in France, were only wornen déshabillé; in visits of ceremony, the hair was tied by a riband and floated over the shoulders, which is exactly reversed in the present fashion. In the year 1735 the men had no hats but a little chapeau de bras; in 1745 they wore a very small hat; in 1755 they wore an enormous one, as may be seen in Jeffrey's curious "Collection of Habits in all Nations." Old Puttenham, in "The Art of Poesie," p. 239, on the present topic gives some curious information. "Henry VIII. caused his own head, and all his courtiers, to bepolledand hisbeardto becut short;before that timeit was thoughtmore decent, both for old men and young, to beall shaven, and wearelong haire, either rounded or square. Nowagain at this time(Elizabeth's reign), the young gentlemen of the court havetaken up the long hairetrayling on their shoulders, and think this more decent; for what respect I would be glad to know."

When the fair sex were accustomed to behold their lovers with beards, the sight of a shaved chin excited feelings of horror and aversion; as much indeed as, in this less heroic age, would a gallant whose luxuriant beard should


Back to IndexNext