LITTLE, BROWN, AND COMPANY'S

"Whar y'u from, little stranger—little boy?Y'u was riding a cloud on that star-strewn plain,But y'u fell from the skies like a drop of rain,To this wo'ld of sorrow and long, long pain—Will y'u care fo' yo' motheh, lillie boy?"

"Whar y'u from, little stranger—little boy?Y'u was riding a cloud on that star-strewn plain,But y'u fell from the skies like a drop of rain,To this wo'ld of sorrow and long, long pain—Will y'u care fo' yo' motheh, lillie boy?"

Far off I could hear the footfall of a horse.

"When y'u grows, little varmint, lillie boy,Y'u'll be ridin' a hawss at yo' fatheh's side,With you' gun and yo' spurs and yo' haidstrong pride:Will y'u think of yo' home when the world rolls wide—Will y'u wish fo' yo' motheh, lillie boy?"

"When y'u grows, little varmint, lillie boy,Y'u'll be ridin' a hawss at yo' fatheh's side,With you' gun and yo' spurs and yo' haidstrong pride:Will y'u think of yo' home when the world rolls wide—Will y'u wish fo' yo' motheh, lillie boy?"

The horse was coming nearer up the drive.

"When y'u love in yo' manhood, little boy,When y'u dream of a girl who is angel fair,When the stars are her eyes, and the winds her hair,When the sun is her smile, and yo' heaven's there,Will y'u care fo' yo' motheh, lillie boy?"

"When y'u love in yo' manhood, little boy,When y'u dream of a girl who is angel fair,When the stars are her eyes, and the winds her hair,When the sun is her smile, and yo' heaven's there,Will y'u care fo' yo' motheh, lillie boy?"

The horseman, brought up half-rearing, stepped from the saddle, then threw his rein in the old range way, and Balshannon hurried to his wife.

Reissues of favorite copyrighted novels, fully illustrated (with few exceptions), and handsomely bound in cloth.

1. THE RAINBOW CHASERS. A Story of the Plains. ByJohn H. Whitson.

It presents with striking vividness a picture of the rise and fall of a boom town.—Boston Transcript.

2. FROM KINGDOM TO COLONY. ByMary Devereux.

It is many a long day since such a charming love story has been written.—Literary World.

3. THE SHADOW OF THE CZAR. ByJohn R. Carling.

An engrossing romance of the sturdy, wholesome sort, in which the action is never allowed to drag.—Boston Herald.

4. WHITE APRONS. ByMaud Wilder Goodwin.

Has the true qualities of historical romance, dramatic situation, and stirring incident, coupled with accuracy and literary charm.—Philadelphia Public Ledger.

5. A DREAM OF A THRONE. ByCharles Fleming Embree.

A powerful story, with constantly changing movement, strong color, and striking effects.—Philadelphia North American.

6. IN THE COUNTRY GOD FORGOT. ByFrances Charles.

The sky and the cacti and the droughts of Arizona are stamped in on the brain as one reads. The characters loom forcibly out of the arid air.—The Nation.

7. WITHOUT DOGMA. ByHenryk Sienkiewicz. Author of "Quo Vadis."

Intensely human, intellectually a masterpiece, and throughout entertains.—Philadelphia Telegraph.

8. A DETACHED PIRATE. ByHelen Milecete.

A charming young English woman is the self-styled pirate of this book.—The Outlook.

9. KISMET. ByJulia Fletcher(George Fleming).

It is so fresh and sweet and innocent and joyous, the dialogue is so natural and bright, the characters so keenly edged, and the descriptions so pathetic.—Extract from a letter.

10. A DAUGHTER OF NEW FRANCE. ByMary Catherine Crowley.

A strong, vivid romance, and has reproduced with rare skill the social atmosphere of the time, as well as the spirit of adventure that was in the air.—Brooklyn Eagle.

11. THE LOVE-LETTERS OF THE KING; or, The Life Romantic. ByRichard le Gallienne.

He possesses charm, sweetness, native poesy.—Chicago Evening Post.

12. WITH FIRE AND SWORD. ByHenryk Sienkiewicz. Translated by Jeremiah Curtin.

The only modern romance with which it can be compared for fire, sprightliness, rapidity of action, swift changes, and absorbing interest is "The Three Musketeers" of Dumas.—New York Tribune.

13. A MAID OF BAR HARBOR. ByHenrietta G. Rowe.

Mrs. Rowe writes of the country life, character and traditions, and dialect with the sure touch of the observer at first hand.—Providence Journal.

14. UP AND DOWN THE SANDS OF GOLD. ByMary Devereux.

The story is one of sunshine and shade, of smiles and tears.—Boston Transcript.

15. THE KING'S HENCHMAN. A Chronicle of the Sixteenth Century. ByWilliam Henry Johnson.

Mr. Johnson has caught the spirit of the period, and has painted in Henry of Navarre a truthful and memorable historical portrait.—The Mail and Express, New York.

16. WHEN THE GATES LIFT UP THEIR HEADS. A Story of the South in the Seventies. ByPayne Erskine.

A very remarkable story of the South after the war.—Boston Budget.

17. A ROSE OF NORMANDY. ByWilliam R. A. Wilson.

Stirs the blood, warms the heart, and holds the interest in a firm grip from beginning to end.—Chicago Tribune.

18. BARBARA, A WOMAN OF THE WEST. ByJohn H. Whitson.

A story original in ideas, clever in construction, and interesting to the last word.—New York World.

19. THE HEROINE OF THE STRAIT. ByMary Catherine Crowley.

A story of absorbing interest, told in a praiseworthy and skilful manner.—Current Literature.

20. LOVE THRIVES IN WAR. ByMary Catherine Crowley.

The author is saturated with the atmosphere of the time, and has told her story with zest and spirit. It is a picturesque, well-imagined tale.—New York Times Saturday Review.

21. A GIRL OF VIRGINIA. ByLucy M. Thruston.

The author has given us a picture of modern girlhood that goes straight to the heart and stays there.—New York Globe.

22. PAINTED SHADOWS. ByRichard le Gallienne.

Rich in poetic interpretation.—Boston Transcript.

23. THE VIKING'S SKULL. ByJohn R. Carling.

A capital tale of mystery and detection of crime. The ingenuity with which its intricacies are threaded is really wonderful.—New York Times.

24. SARAH TULDON. ByOrme Agnus.

A remarkable study of an English peasant girl of strong character who was developed into a fine, noble hearted, and generous woman.—Chicago Record-Herald.

25. THE SIEGE OF YOUTH. ByFrances Charles.

Of uncommon power. There is much bright and epigrammatic conversation. Among the notable good books of the year.—Argonaut, San Francisco.

26. HASSAN, A FELLAH. A Romance of Palestine. ByHenry Gillman.

It is romance of the strongest type. Many pages fairly glow with color.—Public Opinion.

27. THE WOLVERINE. ByAlbert L. Lawrence.

An uncommonly vivid and well sustained story of pioneer days in Michigan.—New York Globe.

28. CURLY. A Tale of the Arizona Desert. ByRoger Pocock.

The best cowboy story since "The Virginian."—The Outlook.

29. JUSTIN WINGATE, Ranchman. ByJohn H. Whitson.

An accurate and adequate picture of the Western life of the day.—New York Sun.

30. A KNOT OF BLUE. ByWilliam R. A. Wilson.

A strong, fanciful weaving together of incidents of adventure, intrigue, and gallantry.—New York World.

31. THE HEAD OF A HUNDRED. ByMaud Wilder Goodwin.

Charming for its sweetness and truth.—New York Times.

32. THE WEIRD PICTURE. ByJohn R. Carling.

Leads the reader through a maze of mystery and adventure.—Brooklyn Eagle.

33. A PRINCE OF LOVERS. BySir William Magnay.

A remarkable story of love, adventure, and intrigue.—Boston Transcript.

34. SWEET PEGGY. ByLinnie Sarah Harris.

A jolly, wholesome love story in the good old-fashioned manner.—Detroit Free Press.

35. JOURNEYS WITH DUMAS. The Speronara. ByAlexandre Dumas. Translated byKatharine Prescott Wormeley.

These pages simply teem with entertainment.—New York Evening Sun.

36. SIR CHRISTOPHER. ByMaud Wilder Goodwin.

One of the strongest and most wholesome romances ever brought forth from Maryland and Virginia.—Cleveland World.

37. FILE No. 113. ByEmile Gaboriau. Translated byGeorge Burnham Ives.

A masterpiece of its kind, one of the best detective stories ever written.—New York Tribune.

38. MY LADY CLANCARTY. ByMary Imlay Taylor.

A wholesome, vigorous, stirring, refreshing tale.—Chicago Record-Herald.

39. WHERE THE TIDE COMES IN. ByLucy M. Thruston.

A novel of dramatic force, with a good plot.—New York Times.


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