V

"Curtains & Vallens for a Bed with Counterpane Head Cloth and Tester made of good yellow waterd worsted camlet with Triming well made and Bases if it be the Fashion. Send also of the Same Camlet & Triming as may be enough to make Cushions for the Chamber Chairs."A good fine large Chintz Quilt well made."A true Looking Glass of Black Walnut Frame of the Newest Fashion if the Fashion be good, as good as can be bought for five or six pounds."A second Looking Glass as good as can be bought for four or five pounds, same kind of frame."A Duzen of good Black Walnut Chairs fine Cane with a Couch."A Duzen of Cane Chairs of a Different Figure and a great Chair for a Chamber; all black Walnut."One bell-metal Skillet of two Quarts, one ditto one Quart."One good large Warming Pan bottom and cover fit for an Iron handle."Four pair of strong Iron Dogs with Brass heads about 5 or 6 shillings a pair."A Brass Hearth for a Chamber with Dogs Shovel Tongs & Fender of the newest Fashion (the Fire is to ly upon Iron)."A strong Brass Mortar That will hold about a Quart with a Pestle."Two pair of large Brass sliding Candlesticks about 4 shillings a Pair."Two pair of large Brass Candlesticks not sliding of the newest Fashion about 5 or 6 shillings a pair."Four Brass Snuffers with stands."Six small strong Brass Chafing dishes about 4 shillings apiece."One Brass basting Ladle; one larger Brass Ladle."One pair of Chamber Bellows with Brass Noses."One small hair Broom sutable to the Bellows."One Duzen of large hard-mettal Pewter Plates new fashion, weighing about fourteen pounds."One Duzen hard-mettal Pewter Porringers."Four Duzen of Small glass Salt Cellars of white glass; Smooth not wrought, and without a foot."A Duzen of good Ivory-hafted Knives and Forks."

"Curtains & Vallens for a Bed with Counterpane Head Cloth and Tester made of good yellow waterd worsted camlet with Triming well made and Bases if it be the Fashion. Send also of the Same Camlet & Triming as may be enough to make Cushions for the Chamber Chairs.

"A good fine large Chintz Quilt well made.

"A true Looking Glass of Black Walnut Frame of the Newest Fashion if the Fashion be good, as good as can be bought for five or six pounds.

"A second Looking Glass as good as can be bought for four or five pounds, same kind of frame.

"A Duzen of good Black Walnut Chairs fine Cane with a Couch.

"A Duzen of Cane Chairs of a Different Figure and a great Chair for a Chamber; all black Walnut.

"One bell-metal Skillet of two Quarts, one ditto one Quart.

"One good large Warming Pan bottom and cover fit for an Iron handle.

"Four pair of strong Iron Dogs with Brass heads about 5 or 6 shillings a pair.

"A Brass Hearth for a Chamber with Dogs Shovel Tongs & Fender of the newest Fashion (the Fire is to ly upon Iron).

"A strong Brass Mortar That will hold about a Quart with a Pestle.

"Two pair of large Brass sliding Candlesticks about 4 shillings a Pair.

"Two pair of large Brass Candlesticks not sliding of the newest Fashion about 5 or 6 shillings a pair.

"Four Brass Snuffers with stands.

"Six small strong Brass Chafing dishes about 4 shillings apiece.

"One Brass basting Ladle; one larger Brass Ladle.

"One pair of Chamber Bellows with Brass Noses.

"One small hair Broom sutable to the Bellows.

"One Duzen of large hard-mettal Pewter Plates new fashion, weighing about fourteen pounds.

"One Duzen hard-mettal Pewter Porringers.

"Four Duzen of Small glass Salt Cellars of white glass; Smooth not wrought, and without a foot.

"A Duzen of good Ivory-hafted Knives and Forks."

The floors of colonial houses were sometimes sanded, but were not carpeted, for a carpet in early days was not a floor covering, but the covering of a table or cupboard. In 1646 an inquiry was made into some losses on the wreck of the "Angel Gabriel." A servant took oath that Mr. John Coggeswell "had a Turkywork'd Carpet in old England which he commonly used to lay on his Parlour Table; and this Carpet was put aboard among my Maisters goods and came safe ashore to the best of my Remembrance." Another man testified that he did "frequentlie see a Turkey-work Carpet & heard them say it used to lay upon their Parlour Table." Dornix, arras, cloth, calico, and broadcloth carpets are named. Sewall tells of an "Irish stitch't hanging made a carpet of." Samuel Danforth gave, in 1661, a "Convenient Carpet for the table of the meeting house." In 1735, in the advertisement of the estate of Jonathan Barnard, "one handsome Large Carpet 9 Foot 0 inches by 6 foot 6 inches" was named. This was, I fancy, a floor covering. In theBoston Gazetteof November, 1748, "two large Matts for floors" were advertised—an exceptional instance in the use of the word mat. Large floor-carpets were advertised the following year, and in 1755 a "Variety of List Carpets wide & Narrow," and "Scotch Carpets for Stairs." In 1769 came "Persia Carpets 3 yards Wide." In 1772, in theBoston Evening Post, "A very Rich Wilton Carpet 18 ft by 13" was named. The following year "Painted Canvass Floor Cloth" was named. This was doubtless the "Oyl Cloth for Floors and Tables" of theyear 1762. Oilcloth had been known in England a century previously. What the "False Carpets" advertised on June 7, 1762, were I do not know.

The walls of the rooms were wainscoted and painted. Gurdon Saltonstall had on the walls of some of his state-rooms leathern hangings or tapestries. We find wealthy Sir William Pepperel sending to England, in 1737, the draught of a chamber he was furnishing, and writing, "Geet mock Tapestry or paint'd Canvass lay'd in Oyls for ye same and send me." In 1734 "Paper for Rooms," and a little later "Rolled Paper for Hanging of Rooms" were advertised in theBoston News Letter. "Statues on Paper" were soon sold, and "Architraves on Roll Paper" and "Landscape Paper." These old paper-hangings were of very heavy and strong materials, close-grained, firm and durable. The rooms of a few wealthy men were hung with heavy tapestries. The ceilings usually exposed to view the great summer-tree and cross rafters, sometimes rough-hewn and still showing the marks of the woodman's axe. But little decoration was seen overhead, even in the form of chandeliers; sometimes a candle beam bore a score of candles, or in some fine houses, such as the Storer mansion in Boston, great ornamental globes of glass hung from the summer-tree.

In the first log cabins oiled paper was placed in windows. We find more than one colonist writing to England for that semi-opaque window-setting. Soon glass windows, framed in lead, were sent from London and Liverpool and Bristol, ready for insertion inthe walls of houses; and at an early day sheets of glass came to Winthrop. We find, by Sewall's time, that the houses of well-to-do folk all had "quarrels of glass" set in windows.

The flight of time in New England houses was marked without doors by sun-dials; within, by noon-marks, hour-glasses, and rarely by clepsydras, or water-clocks.

The first mention, in New England records, of a clock is in Lechford's note-book. He states that in 1628 Joseph Stratton had of his brother a clock and watch, and that Joseph acknowledged this, but refused to pay for them and was sued for payment. Hence Lawyer Lechford's interest in the articles and mention of them. In 1640 Henry Parks, of Hartford, left a clock by will to the church. In the inventory of Thomas Coteymore, made in Charleston, in 1645, his clock is apprized at £1. In 1657 there was a town-clock in Boston and a man appointed to take care of it. In 1677 E. Needham, of Lynn, left a "striking clock, a Larum that does not strike and a watch," valued at £5—this in an estate of £1,117 total. Judge Sewall wrote, in 1687, "Got home rather before 12 Both by my Clock and Dial."

Clocks must have become rather plentiful in the early part of the following century, for in 1707 this advertisement appeared in theBoston News Letter:

"To all gentlemen and others: There is lately arrived in Boston by way of Pennsylvania a Clock maker. If any person or persons hath any occasions for new Clocks or tohave Old Ones turn'd into Pendulums, or any other thing either in making or mending, they can go to the Sign of the Clock and Dial on the South Side of the Town House."

"To all gentlemen and others: There is lately arrived in Boston by way of Pennsylvania a Clock maker. If any person or persons hath any occasions for new Clocks or tohave Old Ones turn'd into Pendulums, or any other thing either in making or mending, they can go to the Sign of the Clock and Dial on the South Side of the Town House."

In 1712, in November, appeared in theNews Letterthe advertisement of a man who "performed all sorts of New Clocks and Watch works, viz: 30 hour Clocks, Week Clocks, Month Clocks, Spring Table Clocks, Chime Clocks, quarter Clocks, quarter Chime Clocks, Church Clocks, Terret Clocks;" and on April 16, 1716, this notice appeared: "Lately come from London. A Parcel of very Fine Clocks. They go a week and repeat the hour when Pull'd. In Japan Cases or Wall Nutt."

By this time, in the inventory or "enroulment" of the estate of any person of note, we always find a clock mentioned. Increase Mather left to his son Cotton "one Pendilum Clock." Soon appear Japann'd clocks and Pullup Clocks. In theNew England Weekly Journalof October, 1732, the fourth prize in the Newport lottery was announced to be a clock worth £65. "A Handsome new Eight day Clock which shows the Moons Age, Strikes the Quarters on Six very Tunable Bells & is in a Good Japann'd Case in Imitation of Tortoise Shell & Gold."

This advertisement of Edmund Entwisle, in theBoston News Letterof November 18, 1742, proves, I think, that they had some very handsome clocks in those days:

"A Fine Clock. It goes 8 or 9 days with once winding up. And repeats the Hour it struck last when youpull it. The Dial is 13 inches on the Square & Arched with a SemiCircle on the Top round which is a strong Plate with this Motto (Time shews the Way of Lifes Decay) well engraved & silver'd, within the Motto Ring it shews from behind two Semispheres the Moons Increase & Decrease by two curious Painted Faces ornamented with Golden Stars between on a Blue Ground, and a white Circle on the Outside divided into Days figured at every Third, in which Divisions is shewn the Age by a fix't Index from the Top, as they pass by the great Circle is divided into three Concentrick Collums on the outmost of which it shews the Minute of each Hour and the Middlemost the Hours &c. the innermost is divided into 31 equal parts figur'd at every other on which is shewn the Day of the Month by a Hand from the Dial Plate as the Hour & Minute is, it also shews the Seconds as common & is ornamented with curious Engravings in a Most Fashionable Manner. The case is made of very Good Mohogony with Quarter Collums in the Body, broke in the Surface with Raised Pannels with Quarter Rounds burs Bands & Strings. The head is ornamented with Gilded Capitalls Bases & Frise with New fashion'd Balls compos'd of Mohogony with Gilt Leaves & Flowers."

"A Fine Clock. It goes 8 or 9 days with once winding up. And repeats the Hour it struck last when youpull it. The Dial is 13 inches on the Square & Arched with a SemiCircle on the Top round which is a strong Plate with this Motto (Time shews the Way of Lifes Decay) well engraved & silver'd, within the Motto Ring it shews from behind two Semispheres the Moons Increase & Decrease by two curious Painted Faces ornamented with Golden Stars between on a Blue Ground, and a white Circle on the Outside divided into Days figured at every Third, in which Divisions is shewn the Age by a fix't Index from the Top, as they pass by the great Circle is divided into three Concentrick Collums on the outmost of which it shews the Minute of each Hour and the Middlemost the Hours &c. the innermost is divided into 31 equal parts figur'd at every other on which is shewn the Day of the Month by a Hand from the Dial Plate as the Hour & Minute is, it also shews the Seconds as common & is ornamented with curious Engravings in a Most Fashionable Manner. The case is made of very Good Mohogony with Quarter Collums in the Body, broke in the Surface with Raised Pannels with Quarter Rounds burs Bands & Strings. The head is ornamented with Gilded Capitalls Bases & Frise with New fashion'd Balls compos'd of Mohogony with Gilt Leaves & Flowers."

I do not quite understand this description, and I know I could never have told the correct time by this clock, but surely it must have been very elegant and costly.

The earliest and most natural, as well as most plentiful, illuminating medium for the colonists was found in pine-knots. Wood says:

"Out of these Pines is gotten the Candlewood that is so much spoke of which may serve as a shift among poorefolks but I cannot commend it for Singular good because it is something sluttish dropping a pitchy kind of substance where it stands."

"Out of these Pines is gotten the Candlewood that is so much spoke of which may serve as a shift among poorefolks but I cannot commend it for Singular good because it is something sluttish dropping a pitchy kind of substance where it stands."

Higginson wrote in 1630, "Though New England has no tallow to make candles of yet by abundance of fish thereof it can afford oil for lamps."

Though lamps and "lamp yearne," or wicks, appear in many an early invoice, I cannot think that they were extensively used. Betty lamps were the earliest form. They were a shallow receptacle, usually of pewter, iron, or brass, circular or oval in shape, and occasionally triangular, and about two or three inches in diameter, with a projecting nose an inch or two long. When in use they were filled with tallow or grease, and a wick or piece of twisted rag was placed so that the lighted end could hang on the nose. Specimens can be seen at Deerfield Memorial Hall. I have one with a hook and chain by which to hang it up, and a handled hook attached with which to clean out the grease. These lamps were sometimes called "brown-bettys," or "kials," or "cruiseys." A phœbe lamp resembled a betty lamp, but had a shallow cup underneath to catch the dripping grease.

Soon candles were made by being run in moulds, or by a tedious process of dipping. The fragrant bayberry furnished a pale green wax, which Robert Beverly thus described in 1705:

"A pale brittle wax of a curious green color, which by refining becomes almost transparent. Of this theymake candles which are never greasy to the touch, nor melt with lying in the hottest weather; neither does the snuff of these ever offend the smell, like that of a tallow candle; but, instead of being disagreeable, if an accident puts a candle out, it yields a pleasant fragrancy to all that are in the room; insomuch that nice people often put them out on purpose to have the incense of the expiring snuff."

"A pale brittle wax of a curious green color, which by refining becomes almost transparent. Of this theymake candles which are never greasy to the touch, nor melt with lying in the hottest weather; neither does the snuff of these ever offend the smell, like that of a tallow candle; but, instead of being disagreeable, if an accident puts a candle out, it yields a pleasant fragrancy to all that are in the room; insomuch that nice people often put them out on purpose to have the incense of the expiring snuff."

The Abbé Robin and other travellers gave similar testimony. Bayberry wax was a standard farm production wherever bayberries grew, and was advertised in New England papers until this century. I entered within a year a single-storied house a few miles from Plymouth Rock, where an aged descendant of the Pilgrims earns her scanty spending-money by making "bayberry taller," and bought a cake and candles of the wax, made in precisely the method of her ancestors; and I too can add my evidence as to the pure, spicy perfume of this New England incense.

The growth of the whaling trade, and consequent use of spermaceti, of course increased the facilities for, and the possibilities of, house illumination. In 1686 Governor Andros petitioned for a commission for a voyage after "Sperma-Coeti Whales," but not till the middle of the following century did spermaceti become of common enough use to bring forth such notices as this, in theBoston Independent Advertiserof January, 1749:

"Sperma-Ceti Candles, exceeding all others for Beauty Sweetness of Scent when Extinguished. Duration beingmore than Double with Tallow Candles of Equal Size. Dimensions of Flame near 4 Times more. Emitting a Soft easy Expanding Light, bringing the object close to the Sight, rather than causing the Eye to trace after them, as all Tallow Candles do, from a Constant Dimnes which they produce. One of these Candles serves the use and purpose of 3 Tallow Candles, and upon the Whole are much pleasanter and cheaper."

"Sperma-Ceti Candles, exceeding all others for Beauty Sweetness of Scent when Extinguished. Duration beingmore than Double with Tallow Candles of Equal Size. Dimensions of Flame near 4 Times more. Emitting a Soft easy Expanding Light, bringing the object close to the Sight, rather than causing the Eye to trace after them, as all Tallow Candles do, from a Constant Dimnes which they produce. One of these Candles serves the use and purpose of 3 Tallow Candles, and upon the Whole are much pleasanter and cheaper."

These candles were placed in candle-beams—rude chandeliers of crossed sticks of wood or strips of metal with sockets; in sliding stands, in sconces, which were also called prongs or candle-arms. The latter appeared in the inventories of all genteel folk, and decorated the walls of all genteel parlors.

Candlesticks and snuffers were found in every house; the latter were called by various names, the word snit or snite being the most curious. It is from the old English snyten, to blow, and was originally a verb—to snite the candle, or put it out. In the inventory of property of John Gager, of Norwich, in 1703, appears "One Snit."

Snuffer-boats or slices were snuffer-trays. Another curious illuminating appurtenance was called a save-all or candle-wedge. It was a little frame of rings or cups with pins, by which our frugal ancestors held up the last dying bit of burning candle. They were sometimes of pewter with iron pins, sometimes wholly of brass or iron. They have nearly all disappeared since new and more extravagant methods of illumination prevail.

The argand lamps of Jefferson's invention and the various illuminating and heating contrivances of Count Rumford must have been welcome to the colonists.

The discomfort of a colonial house in winter-time has been ably set forth by Charles Francis Adams in his "Three Episodes of Massachusetts History." Down the great chimneys blew the icy blasts so fiercely that Cotton Mather noted on a January Sabbath, in 1697, as he shivered before "a great Fire, that the Juices forced out at the end of short billets of wood by the heat of the flame on which they were laid, yett froze into Ice on their coming out." Judge Sewall wrote, twenty years later, "An Extraordinary Cold Storm of Wind and Snow. Bread was frozen at Lords Table.... Though 'twas so Cold yet John Tuckerman was baptized. At six oclock my ink freezes so that I can hardly write by a good fire in my Wives Chamber"—and the pious man adds (we hope with truth) "Yet was very Comfortable at Meeting." Cotton Mather tells, in his pompous fashion, of a cold winter's day four years later. "Tis Dreadful cold, my ink glass in my standish is froze and splitt in my very stove. My ink in my pen suffers a congelation." If sitting-rooms were such refrigerators, we cannot wonder that the chilled colonists wished to sleep in beds close curtained with heavy woollen stuffs, or in slaw-bank beds by the kitchen fire.

The settlers builded as well as they knew to keep their houses warm; and while the vast and virgin forests supplied abundant and accessible wood forfuel, Governor Eaton's nineteen great fireplaces and Parson Davenport's thirteen, could be well filled; but by 1744 Franklin could write of these big chimneys as the "fireplace of our fathers;" for the forests had all disappeared in the vicinity of the towns, and the chimneys had shrunk in size. Sadly did the early settlers need warmer houses, for, as all antiquarian students have noted, in olden days the cold was more piercing, began to nip and pinch earlier in November, and lingered further into spring; winter rushed upon the settlers with heavier blasts and fiercer storms than we now have to endure. And, above all, they felt with sadder force "the dreary monotony of a New England winter, which leaves so large a blank, so melancholy a death-spot, in lives so brief that they ought to be all summer-time." Even John Adams in his day so dreaded the tedious bitter New England winter that he longed to hibernate like a dormouse from autumn to spring.

As the forests disappeared, sea-coal was brought over in small quantities, and stoves appeared for town use. By 1695 and 1700 we find Cotton Mather and Judge Sewall speaking of stoves and stove-rooms, and of chambers warmed by stoves. Ere that one John Clark had patented an invention for "saving and warming rooms," but we know nothing definite of its shape.

Dutch stoves and china stoves were the first to be advertised in New England papers; then "Philadelphia Fire Stoves"—what we now term Franklin grates. Wood was burned in these grates. We findclergymen, until after Revolutionary times, having sixty or eighty cords of hardwood given to them annually by the parish.

Around the great glowing fireplace in an old New England kitchen centred all of homeliness and comfort that could be found in a New England home. The very aspect of the domestic hearth was picturesque, and must have had a beneficent influence. In earlier days the great lug-pole, or, as it was called in England, the back-bar, stretched from ledge to ledge, or lug to lug, high up the yawning chimney, and held a motley collection of pot-hooks and trammels, of gib-crokes, twicrokes, and hakes, which in turn suspended at various heights over the fire, pots, and kettles and other cooking utensils. In the hearth-corners were displayed skillets and trivets, peels and slices, and on either side were chimney-seats and settles. Above—on the clavel-piece—were festooned strings of dried apples, pumpkins, and peppers.

The lug-pole, though made of green wood, sometimes became brittle or charred by too long use over the fire and careless neglect of replacement, and broke under its weighty burden of food and metal; hence accidents became so frequent, to the detriment of precious cooking utensils, and even to the destruction of human safety and life, that a Yankee invention of an iron crane brought convenience and simplicity, and added a new grace to the kitchen hearth.

The andirons added to the fireplace their homelycharm. Fire-dogs appear in the earliest inventories under many names of various spelling, and were of many metals—copper, steel, iron, and brass. Sometimes a fireplace had three sets of andirons of different sizes, to hold logs at different heights. Cob irons had hooks to hold a spit and dripping-pan. Sometimes the "Handirons" also had brackets. Creepers were low irons placed between the great fire-dogs. They are mentioned in many early wills and lists of possessions among items of fireplace furnishings, as, for instance, the list of Captain Tyng's furniture, made in Boston in 1653. The andirons were sometimes very elaborate, with claw feet, or cast in the figure of a negro, a soldier, or a dog.

In the Deerfield Memorial Hall there lives in perfection of detail one of these old fireplaces—a delight to the soul of the antiquary. Every homely utensil and piece of furniture, every domestic convenience and inconvenience, every home-made makeshift, every cumbrous and clumsy contrivance of the old-time kitchen here may be found, and they show to us, as in a living photograph, the home life of those olden days.

In the early days of the colonies doubtless the old Anglo-Saxon board laid on trestles was used for a dining-table instead of a table with a stationary top. "Table bords" appear in early New England wills, and "trestles" also. "Long tables" and "drawing tables" were next named. A "long table" was used as a dining-table, and, from the frequent appearance of two forms with it, was evidently used from both sides, and not in the ancient fashion of the diners sitting at one side only. A drawing-table was an extension-table; it could by an arrangement of drop leaves be doubled in length. A fine one can be seen in the rooms of the Connecticut Historical Society. Chair tables were the earliest example, in fact the prototype, of some of our modern extraordinary "combination" furniture. The tops were usually round, and occasionally large enough to be used as a dining-table, and when turned over by a hinge arrangement formed the back of the chair. "Hundred legged" tables had flaps at either end which turned down or were held up in place by a bracket composed of a number of turned perpendicular supports which gave to itthe name of "hundred legs." These tables were frequently very large; a portion of the top of one in the Connecticut Historical Society is seven feet four inches wide. Tea-tables came with tea; they were advertised in theBoston News Letterin 1712. Occasionally we find mention of a curious and unusual table, such as the one named in the effects of Sir Francis Bernard, which were sold September 11, 1770: "Three tables forming a horseshoe for the benefit of the Fire."

As a table was in early days a board, so a tablecloth was a board-cloth; and ere it was a tablecloth it was table-clothes. Cristowell Gallup, in 1655, had "1 Holland board-cloth;" and William Metcalf, in 1644, had a "diaper board-cloth." Another Boston citizen had "broad-clothes." Henry Webb, of Boston, named in his will, in 1660, his "beste Suite of Damask Table-cloath, Napkins & cupboard-cloath." Others had holland tablecloths and holland square cloths with lace on them. Arras tablecloths are also named in 1654, and cloths enriched with embroidery in colors. The witch Ann Hibbins had "1 Holland table cloth edged with blewe," worth twelve shillings; and a Hartford gentleman had, in 1689, a "table Cloth wrought with red." In 1728 "Hukkbuk Tabling" was advertised in theNew England Weekly Journal, but the older materials—damask, holland, and diaper—were universally used then, as now.

The colonists had plenty of napkins, as had all well-to-do and well-bred Englishmen at that date. Napkins appear in all the early inventories. In 1668the opulent Jane Humphreys, of Dorchester, left "two wrought Napkins with no lace around it," "half a duzzen of napkins," and "napkins wrought about and laced." In 1680 Robert Adams had six "diaper knapkins." Captain Tyng had in 1653 four dozen and a half of napkins, of which two dozen were of "layd worke." It has been said that these napkins were handkerchiefs, not table napkins; but I think the way they are classed in inventories does not so indicate. For instance, in the estate of Captain Corwin, a wealthy man, who died in Salem in 1685, was a "suit of Damask 1 Table cloth, 18 napkins, 1 Towel," valued at £8. Occasionally, however, they are specially designated as "pocket napkins," as in the estate of Elizabeth Cutter in 1663, where four are valued at one shilling.

Early English books on table manners, such as "The Babees Boke" and "The Boke of Nurture," though minute in detail, yet name no other table-furniture than cups, chafing-dishes, chargers, trenchers, salt-cellars, knives, and spoons. The table plenishings of the planters were somewhat more varied, but still simple; when our Pilgrim fathers landed at Plymouth, the collection of table-ware owned by the entire band was very meagre. With the exception of a few plate-silver tankards and drinking-cups, it was also very inexpensive. The silver was handsome and heavy, but items of silver in the earliest inventories are rare. By the beginning of the eighteenth century silver became plentiful, and the wills even of humble folk contain frequent mentions of it. Ministers, doctors, and magistrates had many handsome pieces. By the middle of the century a climax was reached, as in the possessions of Peter Faneuil, when pieces of furniture were of solid silver.

The salt-cellar was the focus of the old-time board. In earlier days, in England, to be seated above or below the salt plainly spoke the social standing of a guest. The "standing salt" was often the handsomest furnishing of the table, the richest piece of family plate. Comfort Starr, of Boston, had, in 1659, a "greate Siluer-gilt double Saltceller." Isaac Addington bequeathed by will his "Bigges Siluer Sewer & Salt." A sewer was a salver. As we note by the list of Judith Sewall's wedding furniture in 1720, standing salts were out of date, and "trencher salt-cellars" were in fashion. Four dozen was a goodly number, and evinced an intent of bounteous hospitality. These trencher-salts were of various shapes and materials: "round and oval pillar-cut Salts, Bonnet Salts, 3 Leg'd Salts," were all of glass; others were of pewter, china, hard metal, and silver.

The greater number of spoons owned by the colonists were of pewter or of alchymy—or alcamyne, ocamy, ocany, orkanie, alcamy, or occonie—a metal composed of pan-brass and arsenicum. The reference in inventories, enrolments, and wills, to spoons of these materials are so frequent, so ever-present, as to make citation superfluous. An evil reputation of poisonous unhealthfulness hung around the vari-spelled alchymy (perhaps it is only a gross libel of succeeding generations); but, harmful or harmless, alchymy, no matterhow spelt, disappears from use before Revolutionary times. Wooden spoons also are named. Silver spoons were not very plentiful. John Oxenbridge bequeathed thirteen spoons in 1673, and "one sweetmeat spoon," and "1 childs spoon which was mine in my infancy." Other pap-spoons and caudle-spoons are named in wills; marrow-spoons also, long and slender of bowl. The value of a dozen silver spoons was given in 1689 as £5 13s.6d.In succeeding years each genteel family owned silver spoons, frequently in large number; while one Boston physician, Dr. Cutter, had, in 1761, half a dozen gold teaspoons.

Forks, or "tines," for cooking purposes, and "prongs" or "grains" or "evils" for agricultural purposes, were imported at early dates; but I think Governor Winthrop had the first table-fork ever brought to America. In 1633, when forks were rare in England, he received a letter from E. Howes, saying that the latter had sent to him a "case contain containing an Irish skeayne or knife, a bodekyn & a forke for the useful applycation of which I leave to your discretion." I am strongly suspicious that Winthrop's discretion may not have been educated up to usefully applying the fork for feeding purposes at the table. In the inventory of the possessions of Antipas Boyes (made in 1669) a silver spoon, fork, and knife are mentioned. Dr. Lyon gives the names of seven New Englanders whose inventories date from 1671 to 1693, and who owned forks. In 1673 Parson Oxenbridge had "one forked spoon," and his widow had two silver forks. Iron forks were used in the kitchen,as is shown in the inventory of Zerubbabel Endicott in 1683. And three-tined iron forks were stuck into poor witch-ridden souls in Salem by William Morse—his Dæmon.

In 1718 Judge Sewall gave Widow Denison two cases with a knife and fork in each, "one Turtleshell tackling the other long with Ivory handles squar'd cost 4s.6d." In 1738 Peter Fanueil ordered one dozen silver forks from England, "with three prongs, with my arms cut upon them, made very neat and handsome." One Boston citizen had in 1719 six four-pronged forks, an early example of that fashion. In 1737 shagreen cases with ivory-handled forks were advertised; bone, japanned metal, wood, and horn handles also appeared—all, of course, with metal prongs. Sir Francis Bernard had in 1770 three cases of china-handled knives and forks, "with spoons to each," which must have formed a pretty table furnishing.

In many New England inventories of the seventeenth century, among personal belongings, appears the word taster. Thus in 1659 Richard Webb, of Boston, left by will "1 Silver Wine Taster;" and in 1673 John Oxenbridge had "1 Siluer Taster with a funnel." A taster was apparently a small cup. Larger drinking-cups of silver were called beakers, or tankards, beer-bowls, or wine-bowls. These latter vessels were made also of humbler metal. A sneaker was a small drinking-glass, used by moderate drinkers—sneak-cups they were called.

The Pilgrims may have had a few mugs and jugsof coarse earthen ware. A large invoice of Portuguese "road ware" was sent to the Maine settlers in 1634, and proved thoroughly unsuitable and undurable; but probably no china—not even Delft ware—came over on the Mayflower. For when the Pilgrims made their night trip through the Delft-producing cities, no such wares were seen on the tables of plebeian persons. Early mentions of china are in the estate of President John Davenport in 1648—"Cheney £5," and of Martha Coteymore in 1647.

Earthen ware, Green ware, Lisbon ware, Spanish platters, are mentioned in early inventories; but I am sure neither china ware nor earthen ware was plentiful in early days; nor was china much known till Revolutionary times.

The table furnishings of the New England planters consisted largely of wooden trenchers, and these trenchers were employed for many years. Sometimes they were simply square blocks of wood whittled out by hand. From a single trencher two persons—two children, or a man and wife—ate their meals. It was a really elegant household that furnished a trencher apiece for each diner. Trenchers were of quite enough account to be left by name in early wills, even in those of wealthy colonists. In 1689 "2 Spoons and 2 Trenchers" were appraised at six shillings. Miles Standish left twelve wooden trenchers when he died. Many gross of them were purchased for use at Harvard College. As late as May, 1775, I find "Wooden Trenchers" advertised among table furnishings, in theConnecticut Courant.

It was the same in Old England. J. Ward, writing in 1828 of the "Potter's Art," spoke thus of the humble boards of his youth:

"And there the trencher commonly was seenWith its attendant ample platter treen."

Until almost our own time trenchers were made in Vermont of the white, clean, hard wood of the poplar-tree, and were sold and used in country homes. Old wooden trenchers may be seen in Deerfield Memorial Hall. Bottles, noggins, cups, and lossets (flat dishes) of wood were also used at colonial boards.

The time when America was settled was the era when pewter ware had begun to take the place of wooden ware, just as the time of the Revolutionary War may be assigned to mark the victory of porcelain over pewter.

A set of pewter platters, or chargers and dishes, made what was called a "garnish" of pewter, and were a source of great pride to every colonial housewife, and much time and labor were devoted to polishing them until they shone like silver. Dingy pewter was fairly accounted a disgrace. The most accomplished Virginian gentleman of his day gave as a positive rule, in 1728, that "Pewter Bright" was the sign of a good housekeeper.

The trade of pewterer was a very influential and respectable one in New England as well as Old England. One of Boston's richest merchants, Henry Shrimpton, made large quantities of pewter ware forthe Massachusetts colonists. So proud was he of his business that in his later years of opulence he had a great kettle atop of his house, to indicate his past trade and means of wealth. Pewter and pewterers abounded until the vast increase of Oriental commerce brought the influx of Chinese porcelain to drive out the dull metal. Advertisements of pewter table utensils did not disappear, however, in New England newspapers until this century.

A universal table furnishing was—

"The porringers that in a rowHung high and made a glittering show."

When not in use porringers were hung by their pierced handles on hooks on the edge of the dresser-shelf, and, being usually of polished pewter or silver, indeed made a glittering show. Pewter porringers were highly prized. One family, in 1660, had seven, and another housewife boasted of nine. They were bequeathed in nearly all the early colonial wills. In 1673 John Oxenbridge left three silver porringers and his wife one silver pottinger; but pewter was the favorite metal. I do not find porringers ever advertised under that name in New England papers, though many were made as late as this century by New Haven, Providence, and Boston pewterers. Many bearing the stamps of these manufacturers have been preserved until the present day, seeming to have escaped the sentence of destruction apparently passed on other pewter utensils and articles of table-ware.Perhaps they have been saved because the little, shallow, graceful dishes, with flat pierced handle on one side, are really so pretty. The fish-tail handles are found on Dutch pewter. Silver porringers were made by all the silversmiths. Many still exist bearing the stamp of one honored maker, Paul Revere. Little earthen porringers of red pottery and tortoise-shell ware are also found, but are not plentiful.

A similar vessel, frequently handleless, was what was spelt, in various colonial documents, posned, possnet, posnett, porsnet, pocneit, posnert, possenette, postnett, and parsnett. It is derived from the Welshposned, a porringer or little dish. In 1641 Edward Skinner left a "Postnett" by will; this was apparently of pewter. In 1653 Governor Haynes, of Hartford, left an "Iron Posnet" by will. In the inventory of the estate of Robert Daniel, of Cambridge, in 1655, we learn that "a Little Porsenett" of his was worth five shillings. In 1693 Governor Caleb Carr, of Providence, bequeathed to his wife a "silver possnet & the cover belonging to it." By these records we see that posnets were of various metals, and sometimes had covers. I have found no advertisements of them in early American newspapers, even with all their varied array of utensils and vessels. I fancy the name fell quickly into disuse in this country. In Steele's time, in theTatler, he speaks of "a silver Posnet to butter eggs." I have heard the tiny little shallow pewter porringers, about two or three inches in diameter, with pierced handles, which are still found in New England, called posnets. They were in oldentimes used to heat medicine and to serve pap to infants. I have also been told that these little porringers were not posnets, but simply the samples of work made by apprentices in the pewterer's trade to show their skill and proficiency.

Tin vessels were exceedingly rare in the seventeenth century, either for table furnishings or for cooking utensils, and far from common in the succeeding one. John Wynter, of Richmond's Island, Maine, had a "tinninge basson & a tinninge platter" in 1638. In 1662 Isaac Willey, of New London, had "Tynen Pans & 1 Tynen Quart Pott;" and Zerubbabel Endicott, of Salem, had a "great tyn candlestick." By 1729, when Governor Burnet's effects were sold, we read of kitchen utensils of tin.

I do not think iron was in high favor among the colonists as a material for household utensils. It was not an iron age. They had iron pans, candlesticks, dishes, fire-dogs, and pots: the latter vessels were traded for vast and valuable tracts of land with the simple red men; but iron was not vastly in use. At an early date iron-foundries were established throughout New England, with, however, varying success.

Latten ware, which was largely composed of brass, appeared in various useful forms for table and culinary appointments. Hard-metal was a superior sort of pewter. Prince's metal (so called from Prince Rupert), a fine brass alloyed with copper and arsenicum, is occasionally named.

Leather, strangely enough, was also used on thetable in the form of bottles and drinking cups and jacks, which were pitchers or jugs of waxed leather, much used in ale-houses in the fourteenth and fifteenth century, and whose employment gave rise to the belief of the French that Englishmen drank their ale out of their boots. Endicott received of Winthrop one leathern jack worth one shilling and sixpence. I find leathern jacks, bottles, and cups named among the property of Connecticut colonists.

Nearly all the glass ware of the eighteenth century was of inferior quality, full of bubbles and defects. It was frequently fluted. Many pieces have been preserved that have been painted in vitrifiable colors, the designs are crude, the colors red, yellow, blue, and occasionally black or green. The transparent glass thus painted is said to be of Dutch manufacture. The opalized glass similarly decorated is Spanish. Drinking-glasses or flip-mugs seem to have been most common, or, at any rate, most largely preserved. The tradition attached to all the pieces of Spanish glass which I have found in New England homes is that they came from the Barbadoes. Bristol glass also was painted in colors, and came to this country, being advertised in theBoston News-Letter.

Glass bottles were frequently left by will in early days, being rare and valuable; but by newspaper days glass was imported in various shapes, and soon was plentiful enough. In 1773 we find this advertisement:

"Very rich Cut Glass Candlesticks, cut Glass sugar Boxes & Cream Potts, Wine, Wine & Water, and Beer Glasses with cut shanks, Jelly & Syllabub Glasses, Glass Salvers, also Cyder Glasses, Free Mason Glasses, Orange & Top Glasses, Glass Cans, Glass Cream Buckets and Crewits, Royal Arch Mason Glasses, Glass Pyramids with Jelly Glasses, Globe & Barrel Lamps, Double Flynt Wyn Glasses," &c.

"Very rich Cut Glass Candlesticks, cut Glass sugar Boxes & Cream Potts, Wine, Wine & Water, and Beer Glasses with cut shanks, Jelly & Syllabub Glasses, Glass Salvers, also Cyder Glasses, Free Mason Glasses, Orange & Top Glasses, Glass Cans, Glass Cream Buckets and Crewits, Royal Arch Mason Glasses, Glass Pyramids with Jelly Glasses, Globe & Barrel Lamps, Double Flynt Wyn Glasses," &c.

The most curious glass relics that are preserved are the flip-glasses or bumper-glasses; they are tumbler-shaped, and are frequently engraved or fluted. Some hold over a gallon.

The names of table furnishings varied somewhat in the eighteenth century. There were milk-pots, milk-ewers, milk-jugs, ere there were milk-pitchers; sugar-boxes, sugar-pots, sugar-basins, ere there were sugar-bowls; spoon-boats and spoon-basins ere there were spoon-holders. Terrines were imported about 1750. There were pickle-dishes and pickle-boats, twifflers, mint-stands and vegetable-basins.

One other appurtenance of a dining-room is found in all early inventories—a voider. Pewter voiders abounded and were advertised in newspapers, as were wicker and china voiders in 1740. The functions of a voider were somewhat those of a crumb-tray. They are thus given in Hugh Rhodes's "Boke of Nurture" in 1577:

"Wyth bones & voyd morsels fyll not thy trenchour, my friend, fullAvoyd them into a Voyder, no man will it anull.When meate is taken quyte awaye and Voyders in presencePut you your trenchour in the same and all your resydence.Take you with your napkin & knyfe the croms that are fore theeIn the Voyder your Napkin leave for it is curtesye."

There is a tradition of short commons, usually extending even to stories of starvation, in the accounts of all early settlements in new lands, and the records of the Pilgrims show no exception to the rule. These early planters went through a fiery furnace of affliction. The beef and pork brought with them became tainted, "their butter and cheese corrupted, their fish rotten." A scarcity of food lasted for three years, and there was little variety of fare, yet they were cheerful. Brewster, when he had naught to eat but clams, gave thanks that he was "permitted to suck of the abundance of the seas and the treasures hid in the sands." Cotton Mather says that Governor Winthrop, of the Bay settlement, was giving to a poor neighbor the last meal from his chest, when it was announced that the food-bearing Lion had arrived. The General Court thereat changed an appointed Fast Day to a Thanksgiving Day. By tradition—still commemorated at Forefathers' Dinner—the ration of Indian corn supplied to each person was at one time but five kernels.

Still there was always plenty of fish—the favoritefood of the English—and Squanto taught the colonists various Indian methods of catching the "treasures of the sea." With oysters and lobsters they were far from starvation. Higginson said of the latter shellfish, in 1630, "the least boy in the Plantation may both catch and eat what he will of them." He says that lobsters were caught weighing twenty-five pounds each, and that the abundance of other fish was beyond believing. Josselyn, in his "New England Rarities," enumerated two hundred and three varieties of fish; yet Tuckerman calls his list "a poor makeshift." The planters had plenty of implements with which to catch fish—"vtensils of the sea"—"quoils of rope and cable, rondes of twine, herring nets, seans, cod-lines and cod hookes, mackrill-lines, drails, spiller hooks, mussel-hooks, mackrill hooks, barbels, splitting knives, sharks hookes, basse-nettes, pues and gaffs, squid lines, yeele pots," &c. Josselyn also tells some very pretty ways of cooking fish, especially eels with herbs, showing that, like Poins, the colonists loved conger and fennel. Eels were roasted, fried, and boiled. Boiled "eals" were thus prepared:

"Boil them in half water half wine with the bottom of a manchet, a fagot of Parsly and a little Winter Savory, when they are boiled they take them out and break the bread in the broth and put in two or three spoonfuls of yest and a piece of sweet butter, pour to the eals laid upon sippets." Another way beloved by him was to stuff the eels with nutmeg and cloves, stick them with cloves, cook in wine, place on a chafing-dish, and garnish with lemons. This rich dish issomewhat overclouded by his suggestion that the eels be arranged in a wreath.

The frequent references to eels in early accounts prove that they were regarded, as Izaak Walton said, "a very dainty fish, the queen of palate-pleasure."

Next to fish, the early colonists found in Indian corn, or "Guinny wheat"—"Turkie wheat" one traveller called it—their most unfailing food-supply. Our first native poet wrote, in 1675, of what he called early days:

"The dainty Indian maize,Was eat with clamp-shells out of wooden trays."

Its abundance and adaptability did much to change the nature of their diet as well as to save them from starvation. The colonists learned from the Indians how to plant, nourish, harvest, grind, and cook it in many Indian ways, and in each way it formed a palatable food. The Indian pudding which they ate so constantly was made in Indian fashion and boiled in a bag. To the mush of Indian meal they gave the English name of hasty-pudding. Many of the foods made from maize retained the names given in the aboriginal tongues, such as hominy, suppawn, pone, samp, succotash; and doubtless the manner of cooking is wholly Indian. Hoe-cakes and ash-cakes were made by the squaws long before the landing of the Pilgrims. Roasting ears of green corn were made the foundation of a solemn Indian feast and also of a planters' frolic. It is curious to read Winthrop's careful explanation, that when corn is parched itturns entirely inside out, and is "white and floury within;" and to think that there ever was a time when pop-corn was a novelty to white children in New England.

Wood said thatsukquttahhashwas "seethed like beanes." Roger Williams said that "nassaump, which the English call Samp, is Indian corne beaten & boil'd and eaten hot or cold with milke or butter and is a diet exceeding wholesome for English bodies."Nocake, ornokick, Wood, in his "New England Prospects," thus defines: "Indian corn parched in the hot ashes, the ashes being sifted from it, it is afterward beaten to powder and put into a long leatherne bag trussed at their back like a knapsacke, out of which they take thrice three spoonsfulls a day." It was held to be wonderfully sustaining food in most condensed form. It was carried in a pouch, on long journeys, and mixed before eating with snow in winter and water in summer. Jonne-cake, or journey-cake, was also made from maize. For years the colonists pounded the corn in stone mortars, as did the Indians; then in wooden mortars with pestles. Then rude hand-mills were made—"quernes"—with upright shafts fixed immovably at the upper end, and fastened at the lower end near the outside edge of a flat, circular stone, which was made to revolve in a mortar. By turning the shaft with one hand, the corn could be supplied to the grinding-stone with the other. These hand-mills are sometimes still found in use as "samp-mills." Wind-mills and water-mills followed naturally in the train of the hand-mills.

Wheat but little availed for food in early days, being frequently blighted. Oats were raised in considerable quantity, a pill-corn or peel-corn or sil-pee variety. Josselyn, writing in 1671, gives a New England dish, which he says is as good as whitpot, made of oatmeal, sugar, spice, and a "pottle of milk;" a pottle was two quarts. At a somewhat later date the New Hampshire settlers had a popular oatmeal porridge, in which the oatmeal was sifted, left in water, and allowed to sour, then boiled to a jelly, and was called "sowens." It is still eaten in Northumberland.

By the strict laws made to govern bakers and the number of bake-shops that were licensed, and the sharp punishments for baking short weight, etc., it seems plain that New England housewives did little home baking in early days. The bread was doubtless of many kinds, as in England—simnels, cracknels, jannacks, cheat loaves, cocket-bread, wastel-bread, manchet, and buns. Pure wheaten loaves were not largely used as food—bread from corn meal dried quickly; hence rye meal was mixed with the corn, and "rye 'n' Injun" bread was everywhere eaten.

To the other bountiful companion food of corn, pumpkins, the colonists never turned very readily. Pompions they called them in "the times wherein old Pompion was a saint." Johnson, in his "Wonder-Working Providence," reproved them for making a jest of pumpkins, since they were so good and unfailing a food—"a fruit which theLord fed his people with till corn and cattle increased."

"We have pumpkins at morning and pumpkins at noon,If it were not for pumpkins we should be undone."

Pompions, and what Higginson called squantersquashes, Josselyn squontersquoshes, Roger Williams askutasquashes, Wood isquoukersquashes, and we clip to squashes, grew in vast plenty. The Indians dried the pompions on strings for winter use, as is still done in New England farm communities. Madam Knight had them frequently offered to her on her journey—"pumpkin sause" and "pumpkin bred." "We would have eat a morsel ourselves, but the Pumpkin & Indian-mixt bread had such an Aspect." Pumpkin bread is made in Connecticut to this day. For pumpkin "sause" we have a two-centuries-old receipt, which was given by Josselyn, in 1671, in his "New England Rarities," and called by him even at that day "an Ancient New England Standing-dish."


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