AN ELEGY

EPITAPH ON EDWARD PURDON.Here lies poor Ned Purdon, from misery freed,Who long was a bookseller's hack:He led such a damnable life in this world,I don't think he'll wish to come back.

EPITAPH ON EDWARD PURDON.

Here lies poor Ned Purdon, from misery freed,Who long was a bookseller's hack:He led such a damnable life in this world,I don't think he'll wish to come back.

Here lies poor Ned Purdon, from misery freed,

Who long was a bookseller's hack:

He led such a damnable life in this world,

I don't think he'll wish to come back.

EPILOGUE,

SPOKEN BY MR. LEE LEWIS, IN THE CHARACTER OF HARLEQUIN, AT HIS BENEFIT.

Hold! Prompter, hold! a word before your nonsense:I'd speak a word or two, to ease my conscience.My pride forbids it ever should be saidMy heels eclipsed the honours of my head;That I found humour in a piebald vest,Or ever thought that jumping was a jest.[Takes off his mask.Whence, and what art thou, visionary birth?Nature disowns, and reason scorns, thy mirth;In thy black aspect every passion sleeps,The joy that dimples, and the woe that weeps.How hast thou fill'd the scene with all thy broodOf fools pursuing, and of fools pursued!Whose ins and outs no ray of sense discloses,Whose only plot it is to break our noses;Whilst from below the trap-door demons rise,And from above the dangling deities.And shall I mix in this unhallow'd crew?May rosin'd lightning blast me if I do!No—I will act—I'll vindicate the stage:Shakespeare himself shall feel my tragic rage.Off! off! vile trappings! a new passion reigns:The madd'ning monarch revels in my veins.Oh! for a Richard's voice to catch the theme,—"Give me another horse! bind up my wounds!—soft—'twas but a dream."Ay, 'twas but a dream, for now there's no retreating,If I cease Harlequin, I cease from eating.'Twas thus that Æsop's stag, a creature blameless,Yet something vain, like one that shall be nameless,Once on the margin of a fountain stood,And cavill'd at his image in the flood."The deuce confound," he cries, "these drumstick shanks,They never have my gratitude nor thanks;They're perfectly disgraceful! strike me dead;But for a head, yes, yes, I have a head:How piercing is that eye! how sleek that brow!My horns!—I'm told horns are the fashion now."Whilst thus he spoke, astonish'd, to his view,Near, and more near, the hounds and huntsmen drew;Hoicks! hark forward! came thundering from behind,He bounds aloft, outstrips the fleeting wind:He quits the woods, and tries the beaten ways;He starts, he pants, he takes the circling maze:At length, his silly head, so prized before,Is taught his former folly to deplore;Whilst his strong limbs conspire to set him free,And at one bound he saves himself—like me.

Hold! Prompter, hold! a word before your nonsense:

I'd speak a word or two, to ease my conscience.

My pride forbids it ever should be said

My heels eclipsed the honours of my head;

That I found humour in a piebald vest,

Or ever thought that jumping was a jest.

[Takes off his mask.

Whence, and what art thou, visionary birth?Nature disowns, and reason scorns, thy mirth;In thy black aspect every passion sleeps,The joy that dimples, and the woe that weeps.How hast thou fill'd the scene with all thy broodOf fools pursuing, and of fools pursued!Whose ins and outs no ray of sense discloses,Whose only plot it is to break our noses;Whilst from below the trap-door demons rise,And from above the dangling deities.And shall I mix in this unhallow'd crew?May rosin'd lightning blast me if I do!No—I will act—I'll vindicate the stage:Shakespeare himself shall feel my tragic rage.Off! off! vile trappings! a new passion reigns:The madd'ning monarch revels in my veins.Oh! for a Richard's voice to catch the theme,—"Give me another horse! bind up my wounds!—soft—'twas but a dream."Ay, 'twas but a dream, for now there's no retreating,If I cease Harlequin, I cease from eating.'Twas thus that Æsop's stag, a creature blameless,Yet something vain, like one that shall be nameless,Once on the margin of a fountain stood,And cavill'd at his image in the flood."The deuce confound," he cries, "these drumstick shanks,They never have my gratitude nor thanks;They're perfectly disgraceful! strike me dead;But for a head, yes, yes, I have a head:How piercing is that eye! how sleek that brow!My horns!—I'm told horns are the fashion now."Whilst thus he spoke, astonish'd, to his view,Near, and more near, the hounds and huntsmen drew;Hoicks! hark forward! came thundering from behind,He bounds aloft, outstrips the fleeting wind:He quits the woods, and tries the beaten ways;He starts, he pants, he takes the circling maze:At length, his silly head, so prized before,Is taught his former folly to deplore;Whilst his strong limbs conspire to set him free,And at one bound he saves himself—like me.

Whence, and what art thou, visionary birth?

Nature disowns, and reason scorns, thy mirth;

In thy black aspect every passion sleeps,

The joy that dimples, and the woe that weeps.

How hast thou fill'd the scene with all thy brood

Of fools pursuing, and of fools pursued!

Whose ins and outs no ray of sense discloses,

Whose only plot it is to break our noses;

Whilst from below the trap-door demons rise,

And from above the dangling deities.

And shall I mix in this unhallow'd crew?

May rosin'd lightning blast me if I do!

No—I will act—I'll vindicate the stage:

Shakespeare himself shall feel my tragic rage.

Off! off! vile trappings! a new passion reigns:

The madd'ning monarch revels in my veins.

Oh! for a Richard's voice to catch the theme,—

"Give me another horse! bind up my wounds!—soft—'twas but a dream."

Ay, 'twas but a dream, for now there's no retreating,

If I cease Harlequin, I cease from eating.

'Twas thus that Æsop's stag, a creature blameless,

Yet something vain, like one that shall be nameless,

Once on the margin of a fountain stood,

And cavill'd at his image in the flood.

"The deuce confound," he cries, "these drumstick shanks,

They never have my gratitude nor thanks;

They're perfectly disgraceful! strike me dead;

But for a head, yes, yes, I have a head:

How piercing is that eye! how sleek that brow!

My horns!—I'm told horns are the fashion now."

Whilst thus he spoke, astonish'd, to his view,

Near, and more near, the hounds and huntsmen drew;

Hoicks! hark forward! came thundering from behind,

He bounds aloft, outstrips the fleeting wind:

He quits the woods, and tries the beaten ways;

He starts, he pants, he takes the circling maze:

At length, his silly head, so prized before,

Is taught his former folly to deplore;

Whilst his strong limbs conspire to set him free,

And at one bound he saves himself—like me.

[Taking a jump through the stage door.

Interior scene of a haberdashery.

ON THE GLORY OF HER SEX, MRS. MARY BLAIZE.

Good people all, with one accord,Lament for Madam Blaize,Who never wanted a good word—From those who spoke her praise.The needy seldom pass'd her door,And always found her kind;She freely lent to all the poor—Who left a pledge behind.She strove the neighbourhood to pleaseWith manners wond'rous winning;And never follow'd wicked ways—Unless when she was sinning.At church, in silks and satins new,With hoop of monstrous size,She never slumber'd in her pew—But when she shut her eyes.Her love was sought, I do aver,By twenty beaux and more;The king himself has follow'd her—When she has walk'd before.But now, her wealth and finery fled,Her hangers-on cut short all;The doctors found, when she was dead—Her last disorder mortal.Let us lament in sorrow sore,For Kent Street well may say,That had she liv'd a twelvemonth more—She had not died to-day.

Good people all, with one accord,Lament for Madam Blaize,Who never wanted a good word—From those who spoke her praise.

Good people all, with one accord,

Lament for Madam Blaize,

Who never wanted a good word—

From those who spoke her praise.

The needy seldom pass'd her door,And always found her kind;She freely lent to all the poor—Who left a pledge behind.

The needy seldom pass'd her door,

And always found her kind;

She freely lent to all the poor—

Who left a pledge behind.

She strove the neighbourhood to pleaseWith manners wond'rous winning;And never follow'd wicked ways—Unless when she was sinning.

She strove the neighbourhood to please

With manners wond'rous winning;

And never follow'd wicked ways—

Unless when she was sinning.

At church, in silks and satins new,With hoop of monstrous size,She never slumber'd in her pew—But when she shut her eyes.

At church, in silks and satins new,

With hoop of monstrous size,

She never slumber'd in her pew—

But when she shut her eyes.

Her love was sought, I do aver,By twenty beaux and more;The king himself has follow'd her—When she has walk'd before.

Her love was sought, I do aver,

By twenty beaux and more;

The king himself has follow'd her—

When she has walk'd before.

But now, her wealth and finery fled,Her hangers-on cut short all;The doctors found, when she was dead—Her last disorder mortal.

But now, her wealth and finery fled,

Her hangers-on cut short all;

The doctors found, when she was dead—

Her last disorder mortal.

Let us lament in sorrow sore,For Kent Street well may say,That had she liv'd a twelvemonth more—She had not died to-day.

Let us lament in sorrow sore,

For Kent Street well may say,

That had she liv'd a twelvemonth more—

She had not died to-day.

EPIGRAM,ON A BEAUTIFUL YOUTH STRUCK BLIND BY LIGHTNING.

EPIGRAM,

ON A BEAUTIFUL YOUTH STRUCK BLIND BY LIGHTNING.

Sure 'twas by Providence design'd,Rather in pity than in hate,That he should be, like Cupid, blind,To save him from Narcissus' fate.

Sure 'twas by Providence design'd,

Rather in pity than in hate,

That he should be, like Cupid, blind,

To save him from Narcissus' fate.

EPILOGUETO "SHE STOOPS TO CONQUER."SPOKEN BY MRS. BULKLEY, IN THE CHARACTER OF MISS HARDCASTLE.

EPILOGUE

TO "SHE STOOPS TO CONQUER."

SPOKEN BY MRS. BULKLEY, IN THE CHARACTER OF MISS HARDCASTLE.

Well, having stoop'd to conquer with success,And gain'd a husband without aid from dress,Still, as a bar-maid, I could wish it too,As I have conquer'd him to conquer you:And let me say, for all your resolution,That pretty bar-maids have done execution.Our life is all a play, composed to please;"We have our exits and our entrances."The first act shows the simple country maid,Harmless and young, of everything afraid;Blushes when hired, and, with unmeaning action,"I hopes as how to give you satisfaction."Her second act displays a livelier scene,—The unblushing bar-maid of a country inn,Who whisks about the house, at market caters,Talks loud, coquets the guests, and scolds the waiters.Next the scene shifts to town, and there she soars,The chop-house toast of oglingconnoisseurs:On 'squires and cits she there displays her arts,And on the gridiron broils her lovers' hearts;And, as she smiles, her triumphs to complete,E'en common-councilmen forget to eat.The fourth act shows her wedded to the 'squire,And madam now begins to hold it higher;Pretends to taste, at operas criescaro!And quits her Nancy Dawson for Che Faro:Doats upon dancing, and, in all her pride,Swims round the room, the Heinelle of Cheapside;Ogles and leers with artificial skill,Till, having lost in age the power to kill,She sits all night at cards, and ogles at spadille.Such through our lives the eventful history—The fifth and last act still remains for me:The bar-maid now for your protection prays,Turns female barrister, and pleads for bays.

Well, having stoop'd to conquer with success,

And gain'd a husband without aid from dress,

Still, as a bar-maid, I could wish it too,

As I have conquer'd him to conquer you:

And let me say, for all your resolution,

That pretty bar-maids have done execution.

Our life is all a play, composed to please;

"We have our exits and our entrances."

The first act shows the simple country maid,

Harmless and young, of everything afraid;

Blushes when hired, and, with unmeaning action,

"I hopes as how to give you satisfaction."

Her second act displays a livelier scene,—

The unblushing bar-maid of a country inn,

Who whisks about the house, at market caters,

Talks loud, coquets the guests, and scolds the waiters.

Next the scene shifts to town, and there she soars,

The chop-house toast of oglingconnoisseurs:

On 'squires and cits she there displays her arts,

And on the gridiron broils her lovers' hearts;

And, as she smiles, her triumphs to complete,

E'en common-councilmen forget to eat.

The fourth act shows her wedded to the 'squire,

And madam now begins to hold it higher;

Pretends to taste, at operas criescaro!

And quits her Nancy Dawson for Che Faro:

Doats upon dancing, and, in all her pride,

Swims round the room, the Heinelle of Cheapside;

Ogles and leers with artificial skill,

Till, having lost in age the power to kill,

She sits all night at cards, and ogles at spadille.

Such through our lives the eventful history—

The fifth and last act still remains for me:

The bar-maid now for your protection prays,

Turns female barrister, and pleads for bays.

EPILOGUETO "THE GOOD-NATURED MAN."SPOKEN BY MRS. BULKLEY.

EPILOGUE

TO "THE GOOD-NATURED MAN."

SPOKEN BY MRS. BULKLEY.

As puffing quacks some caitiff wretch procureTo swear the pill, or drop, has wrought a cure;Thus, on the stage, our play-wrights still dependFor epilogues and prologues on some friend,Who knows each art of coaxing up the town,And make full many a bitter pill go down:Conscious of this, our bard has gone about,And teased each rhyming friend to help him out.An epilogue! things can't go on without it;It could not fail, would you but set about it:"Young man," cries one, (a bard laid up in clover,)"Alas! young man, my writing days are over;Let boys play tricks, and kick the straw, not I;Your brother doctor there, perhaps, may try,""What I! dear Sir," the doctor interposes;"What, plant my thistle, Sir, among his roses!No, no, I've other contests to maintain;To-night I heard our troops at Warwick-lane.Go ask your manager"—"Who, me! Your pardon,Those things are not our forte at Covent Garden."Our author's friends, thus placed at happy distance,Give him good words, indeed, but no assistance.As some unhappy wight, at some new play,At the pit door stands elbowing a way,While oft, with many a smile, and many a shrug,He eyes the centre, where his friends sit snug;His simpering friends, with pleasure in their eyes,Sink as he sinks, and as he rises rise:He nods, they nod; he cringes, they grimace;But not a soul will budge to give him place.Since, then, unhelp'd, our bard must now conform"To 'bide the pelting of this pitiless storm,"Blame where you must, be candid where you can,And be each critic theGood-natured Man.

As puffing quacks some caitiff wretch procure

To swear the pill, or drop, has wrought a cure;

Thus, on the stage, our play-wrights still depend

For epilogues and prologues on some friend,

Who knows each art of coaxing up the town,

And make full many a bitter pill go down:

Conscious of this, our bard has gone about,

And teased each rhyming friend to help him out.

An epilogue! things can't go on without it;

It could not fail, would you but set about it:

"Young man," cries one, (a bard laid up in clover,)

"Alas! young man, my writing days are over;

Let boys play tricks, and kick the straw, not I;

Your brother doctor there, perhaps, may try,"

"What I! dear Sir," the doctor interposes;

"What, plant my thistle, Sir, among his roses!

No, no, I've other contests to maintain;

To-night I heard our troops at Warwick-lane.

Go ask your manager"—"Who, me! Your pardon,

Those things are not our forte at Covent Garden."

Our author's friends, thus placed at happy distance,

Give him good words, indeed, but no assistance.

As some unhappy wight, at some new play,

At the pit door stands elbowing a way,

While oft, with many a smile, and many a shrug,

He eyes the centre, where his friends sit snug;

His simpering friends, with pleasure in their eyes,

Sink as he sinks, and as he rises rise:

He nods, they nod; he cringes, they grimace;

But not a soul will budge to give him place.

Since, then, unhelp'd, our bard must now conform

"To 'bide the pelting of this pitiless storm,"

Blame where you must, be candid where you can,

And be each critic theGood-natured Man.

Seated woman reading a book.

When lovely woman stoops to folly,And finds too late that men betray,What charm can soothe her melancholy,What art can wash her guilt away?The only art her guilt to cover,To hide her shame from every eye,To give repentance to her lover,And wring his bosom, is—to die.THE CLOWN'S REPLY.

When lovely woman stoops to folly,And finds too late that men betray,What charm can soothe her melancholy,What art can wash her guilt away?

When lovely woman stoops to folly,

And finds too late that men betray,

What charm can soothe her melancholy,

What art can wash her guilt away?

The only art her guilt to cover,To hide her shame from every eye,To give repentance to her lover,And wring his bosom, is—to die.

The only art her guilt to cover,

To hide her shame from every eye,

To give repentance to her lover,

And wring his bosom, is—to die.

THE CLOWN'S REPLY.

John Trott was desired by two witty peersTo tell them the reason why asses had ears."An't please you," quoth John, "I'm not given to letters,Nor dare I pretend to know more than my betters;Howe'er, from this time, I shall ne'er see your graces,As I hope to be saved!—without thinking on asses."

John Trott was desired by two witty peers

To tell them the reason why asses had ears.

"An't please you," quoth John, "I'm not given to letters,

Nor dare I pretend to know more than my betters;

Howe'er, from this time, I shall ne'er see your graces,

As I hope to be saved!—without thinking on asses."

SONG.The wretch condemn'd with life to part,Still, still on Hope relies;And every pang that rends the heartBids expectation rise.Hope, like the glimmering taper's light,Adorns and cheers the way;And still, as darker grows the night,Emits a brighter ray.STANZAS.Weeping, murmuring, complaining,Lost to every gay delight,Myra, too sincere for feigning,Fears th'approaching bridal night.Yet why impair thy bright perfection?Or dim thy beauty with a tear?Had Myra follow'd my direction,She long had wanted cause of fear.

SONG.

The wretch condemn'd with life to part,Still, still on Hope relies;And every pang that rends the heartBids expectation rise.

The wretch condemn'd with life to part,

Still, still on Hope relies;

And every pang that rends the heart

Bids expectation rise.

Hope, like the glimmering taper's light,Adorns and cheers the way;And still, as darker grows the night,Emits a brighter ray.

Hope, like the glimmering taper's light,

Adorns and cheers the way;

And still, as darker grows the night,

Emits a brighter ray.

STANZAS.

Weeping, murmuring, complaining,Lost to every gay delight,Myra, too sincere for feigning,Fears th'approaching bridal night.

Weeping, murmuring, complaining,

Lost to every gay delight,

Myra, too sincere for feigning,

Fears th'approaching bridal night.

Yet why impair thy bright perfection?Or dim thy beauty with a tear?Had Myra follow'd my direction,She long had wanted cause of fear.

Yet why impair thy bright perfection?

Or dim thy beauty with a tear?

Had Myra follow'd my direction,

She long had wanted cause of fear.

EPILOGUETO "SHE STOOPS TO CONQUER."INTENDED TO BE SPOKEN BY MRS. BULKLEY AND MISS CATLEY.

EPILOGUE

TO "SHE STOOPS TO CONQUER."

INTENDED TO BE SPOKEN BY MRS. BULKLEY AND MISS CATLEY.

EntersMrs. Bulkley,who curtsies very low as beginning to speak. Then entersMiss Catley,who stands full before her, and curtsies to the Audience.

MRS. BULKLEY.Hold, Ma'am, your pardon. What's your business here?MISS CATLEY.The Epilogue.MRS. BULKLEY.The Epilogue?MISS CATLEY.Yes, the Epilogue, my dear.MRS. BULKLEY.Sure you mistake, Ma'am. The Epilogue,Ibring it.MISS CATLEY.Excuse me, Ma'am. The author bidmesing it.Recitative.Ye beaux and belles, that form this splendid ring,Suspend your conversation while I sing.MRS. BULKLEY.Why, sure the girl's beside herself! an Epilogue of singing,A hopeful end, indeed, to such a blest beginning.Besides, a singer in a comic set—Excuse me, Ma'am, I know the etiquette.MISS CATLEY.What if we leave it to the house?MRS. BULKLEY.The house!—Agreed.MISS CATLEY.Agreed.MRS. BULKLEY.And she whose party's largest shall proceed.And first, I hope you'll readily agreeI've all the critics and the wits for me.They, I am sure, will answer my commands;Ye candid judging few, hold up your hands.What! no return? I find too late, I fear,That modern judges seldom enter here.MISS CATLEY.I'm for a different set:—Old men, whose trade isStill to gallant and dangle with the ladies.Recitative.Who mump their passion, and who, grimly smilingStill thus address the fair with voice beguiling.Air.—Cotillion.Turn, my fairest, turn, if everStrephon caught thy ravish'd eye.Pity take on your swain so clever,Who without your aid must die.Yes, I shall die, hu, hu, hu, hu!Yes, I must die, ho, ho, ho, ho!Da Capo.MRS. BULKLEY.Let all the old pay homage to your merit;Give me the young, the gay, the men of spirit.Ye travell'd tribe, ye macaroni train,Of French friseurs and nosegays justly vain,Who take a trip to Paris once a yearTo dress, and look like awkward Frenchmen here,—Lend me your hand: O fatal news to tell,Their hands are only lent to the Heinelle.MISS CATLEY.Ay, take your travellers—travellers indeed!Give me my bonny Scot, that travels from the Tweed.Where are the chiels?—Ah! ah, I well discernThe smiling looks of each bewitching bairn.Air.—A bonny young Lad is my Jocky.I sing to amuse you by night and by day,And be unco merry when you are but gay;When you with your bagpipes are ready to play,My voice shall be ready to carol awayWith Sandy, and Sawney, and Jockey,With Sawney, and Jarvie, and Jockey.MRS. BULKLEY.Ye gamesters, who, so eager in pursuit,Make but of all your fortune oneva toute:Ye jockey tribe, whose stock of words are few,"I hold the odds.—Done, done, with you, with you."Ye barristers, so fluent with grimace,"My Lord,—Your Lordship misconceives the case."Doctors, who cough and answer every misfortuner,"I wish I'd been called in a little sooner:"Assist my cause with hands and voices hearty,Come end the contest here, and aid my party.MISS CATLEY.Air.—BallinamonyYe brave Irish lads, hark away to the crack,Assist me, I pray, in this woful attack;For—sure I don't wrong you—you seldom are slack,When the ladies are calling, to blush and hang back.For you're always polite and attentive,Still to amuse us inventive,And death is your only preventive:Your hands and your voices for me.MRS. BULKLEY.Well, Madam, what if, after all this sparring,We both agree, like friends, to end our jarring?MISS CATLEY.And that our friendship may remain unbroken,What if we leave the Epilogue unspoken?MRS. BULKLEY.Agreed.MISS CATLEY.Agreed.MRS. BULKLEY.And now with late repentance,Un-epilogued the Poet waits his sentence.Condemn the stubborn fool who can't submitTo thrive by flattery, though he starves by wit.

MRS. BULKLEY.

Hold, Ma'am, your pardon. What's your business here?

MISS CATLEY.

The Epilogue.

MRS. BULKLEY.

The Epilogue?

MISS CATLEY.

Yes, the Epilogue, my dear.

MRS. BULKLEY.

Sure you mistake, Ma'am. The Epilogue,Ibring it.

MISS CATLEY.

Excuse me, Ma'am. The author bidmesing it.

Recitative.

Ye beaux and belles, that form this splendid ring,Suspend your conversation while I sing.

Ye beaux and belles, that form this splendid ring,

Suspend your conversation while I sing.

MRS. BULKLEY.

Why, sure the girl's beside herself! an Epilogue of singing,A hopeful end, indeed, to such a blest beginning.Besides, a singer in a comic set—Excuse me, Ma'am, I know the etiquette.

Why, sure the girl's beside herself! an Epilogue of singing,

A hopeful end, indeed, to such a blest beginning.

Besides, a singer in a comic set—

Excuse me, Ma'am, I know the etiquette.

MISS CATLEY.

What if we leave it to the house?

MRS. BULKLEY.

The house!—Agreed.

MISS CATLEY.

Agreed.

MRS. BULKLEY.

And she whose party's largest shall proceed.And first, I hope you'll readily agreeI've all the critics and the wits for me.They, I am sure, will answer my commands;Ye candid judging few, hold up your hands.What! no return? I find too late, I fear,That modern judges seldom enter here.

And she whose party's largest shall proceed.

And first, I hope you'll readily agree

I've all the critics and the wits for me.

They, I am sure, will answer my commands;

Ye candid judging few, hold up your hands.

What! no return? I find too late, I fear,

That modern judges seldom enter here.

MISS CATLEY.

I'm for a different set:—Old men, whose trade isStill to gallant and dangle with the ladies.

I'm for a different set:—Old men, whose trade is

Still to gallant and dangle with the ladies.

Recitative.

Who mump their passion, and who, grimly smilingStill thus address the fair with voice beguiling.

Who mump their passion, and who, grimly smiling

Still thus address the fair with voice beguiling.

Air.—Cotillion.

Turn, my fairest, turn, if everStrephon caught thy ravish'd eye.Pity take on your swain so clever,Who without your aid must die.Yes, I shall die, hu, hu, hu, hu!Yes, I must die, ho, ho, ho, ho!Da Capo.

Turn, my fairest, turn, if ever

Strephon caught thy ravish'd eye.

Pity take on your swain so clever,

Who without your aid must die.

Yes, I shall die, hu, hu, hu, hu!

Yes, I must die, ho, ho, ho, ho!

Da Capo.

MRS. BULKLEY.

Let all the old pay homage to your merit;Give me the young, the gay, the men of spirit.Ye travell'd tribe, ye macaroni train,Of French friseurs and nosegays justly vain,Who take a trip to Paris once a yearTo dress, and look like awkward Frenchmen here,—Lend me your hand: O fatal news to tell,Their hands are only lent to the Heinelle.

Let all the old pay homage to your merit;

Give me the young, the gay, the men of spirit.

Ye travell'd tribe, ye macaroni train,

Of French friseurs and nosegays justly vain,

Who take a trip to Paris once a year

To dress, and look like awkward Frenchmen here,—

Lend me your hand: O fatal news to tell,

Their hands are only lent to the Heinelle.

MISS CATLEY.

Ay, take your travellers—travellers indeed!Give me my bonny Scot, that travels from the Tweed.Where are the chiels?—Ah! ah, I well discernThe smiling looks of each bewitching bairn.

Ay, take your travellers—travellers indeed!

Give me my bonny Scot, that travels from the Tweed.

Where are the chiels?—Ah! ah, I well discern

The smiling looks of each bewitching bairn.

Air.—A bonny young Lad is my Jocky.

I sing to amuse you by night and by day,And be unco merry when you are but gay;When you with your bagpipes are ready to play,My voice shall be ready to carol awayWith Sandy, and Sawney, and Jockey,With Sawney, and Jarvie, and Jockey.

I sing to amuse you by night and by day,

And be unco merry when you are but gay;

When you with your bagpipes are ready to play,

My voice shall be ready to carol away

With Sandy, and Sawney, and Jockey,

With Sawney, and Jarvie, and Jockey.

MRS. BULKLEY.

Ye gamesters, who, so eager in pursuit,Make but of all your fortune oneva toute:Ye jockey tribe, whose stock of words are few,"I hold the odds.—Done, done, with you, with you."Ye barristers, so fluent with grimace,"My Lord,—Your Lordship misconceives the case."Doctors, who cough and answer every misfortuner,"I wish I'd been called in a little sooner:"Assist my cause with hands and voices hearty,Come end the contest here, and aid my party.

Ye gamesters, who, so eager in pursuit,

Make but of all your fortune oneva toute:

Ye jockey tribe, whose stock of words are few,

"I hold the odds.—Done, done, with you, with you."

Ye barristers, so fluent with grimace,

"My Lord,—Your Lordship misconceives the case."

Doctors, who cough and answer every misfortuner,

"I wish I'd been called in a little sooner:"

Assist my cause with hands and voices hearty,

Come end the contest here, and aid my party.

MISS CATLEY.

Air.—Ballinamony

Ye brave Irish lads, hark away to the crack,Assist me, I pray, in this woful attack;For—sure I don't wrong you—you seldom are slack,When the ladies are calling, to blush and hang back.For you're always polite and attentive,Still to amuse us inventive,And death is your only preventive:Your hands and your voices for me.

Ye brave Irish lads, hark away to the crack,

Assist me, I pray, in this woful attack;

For—sure I don't wrong you—you seldom are slack,

When the ladies are calling, to blush and hang back.

For you're always polite and attentive,

Still to amuse us inventive,

And death is your only preventive:

Your hands and your voices for me.

MRS. BULKLEY.

Well, Madam, what if, after all this sparring,We both agree, like friends, to end our jarring?

Well, Madam, what if, after all this sparring,

We both agree, like friends, to end our jarring?

MISS CATLEY.

And that our friendship may remain unbroken,What if we leave the Epilogue unspoken?

And that our friendship may remain unbroken,

What if we leave the Epilogue unspoken?

MRS. BULKLEY.

Agreed.

MISS CATLEY.

Agreed.

MRS. BULKLEY.

And now with late repentance,Un-epilogued the Poet waits his sentence.Condemn the stubborn fool who can't submitTo thrive by flattery, though he starves by wit.

And now with late repentance,

Un-epilogued the Poet waits his sentence.

Condemn the stubborn fool who can't submit

To thrive by flattery, though he starves by wit.

[Exeunt.

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