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She calls James, which was a butler. James, he buttles me into a bathroom the like o' which I never seen afore, and then he buttles me into a suit o' somebody's clothes and into a room at the top o' the house next to his'n, and then he comes back and buttles a comb and brush at me. James was the most mournful-looking fat man I ever seen, and he says that account of me not being respectable I will have my meals alone in the kitchen after the servants has eat.
The first thing I knowed I been in that house more'n a week. I eat and I slept and I smoked and I kind of enjoyed not worrying about things fur a while. The only oncomfortable thing about being the perfessor's guest was Miss Estelle. Soon's she found out I was a agnostic she took charge o' my intellectuals and what went into 'em, and she makes me read things and asts me about 'em, and she says she is going fur to reform me. And whatever brand o' disgrace them there agnostics really is I ain't found out to this day, having come acrost the word accidental.
Biddy Malone, which was the kitchen mechanic, she says the perfessor's wife's been over to her mother's while this smallpox has been going on, and they is a nurse in the house looking after Miss Margery, the little kid that's sick. And Biddy, she says if she was Mrs. Booth she'd stay there, too. They's been some talk, anyhow, about Mrs. Booth and a musician feller around that there town. But Biddy, she likes Mrs. Booth, and even if it was true, which it ain't Biddy says, who could of blamed her? Fur things ain't joyous around that house the last year, since Miss Estelle's come there to live. The perfessor, he's so full of scientifics he don't know nothing with no sense to it, Biddy says. He's got more money'n you can shake a stick at, and he don't have to do no work, nor never has, and his scientifics gets worse and worse every year. But while scientifics is worrying to the nerves of a fambly, and while his labertory often makes the house smell like a sick drug store has crawled into it and died there, they wouldn't of been no serious row on between the perfessor and his wife, notallthe time, if it hadn't of been fur Miss Estelle. She has jest natcherally made herself boss of that there house, Biddy says, and she's a she-devil. Between all them scientifics and Miss Estelle things has got where Mrs. Booth can't stand 'em much longer.
I didn't blame her none fur getting sore on her job, neither. You can't expect a woman that's purty, and knows it, and ain't no more'n thirty-two or three, and don't look it, to be serious intrusted in mummies and pickled snakes and chemical perfusions, notallthe time. Mebby when Mrs. Booth would ast him if he was going to take her to the opery that night the perfessor would look up in an absent-minded sort of way and ast her did she know them Germans had invented a new germ? It wouldn't of been so bad if the perfessor had picked out jest one brand of scientifics and stuck to that reg'lar. Mrs. Booth could of got use to anyonekind. But mebby this week the perfessor would be took hard with ornithography and he'd go chasing humming-birds all over the front yard, and the next he'd be putting gastronomy into William's breakfast feed.
They was always a row on over them kids, which they hadn't been till Miss Estelle come. Mrs. Booth, she said they could kill their own selves, if they wanted to, him and Miss Estelle, but she had more right than any one else to say what went into William's and Margery's digestive ornaments, and she didn't want 'em brung up scientific nohow, but jest human. But Miss Estelle's got so she runs that hull house now, and the perfessor too, but he don't know it, Biddy says, and her a-saying every now and then it was too bad Frederick couldn't of married a noble woman who would of took a serious intrust in his work. The kids don't hardly dare to kiss their ma in front of Miss Estelle no more, on account of germs and things. And with Miss Estelle taking care of their religious organs and their intellectuals and the things like that, and the perfessor filling them up on new invented feeds, I guess they never was two kids got more education to the square inch, outside and in. It hadn't worked none on Miss Margery yet, her being younger, but William Dear he took it hard and serious, and it made bumps all over his head, and he was kind o' pale and spindly. Every time that kid cut his finger he jest natcherally bled scientifics. One day I says to Miss Estelle, says I:
“It looks to me like William Dear is kind of peaked.” She looks worried and she looks mad fur me lipping in, and then she says mebby it is true, but she don't see why, because he is being brung up like he orter be in every way and no expense nor trouble spared.
“Well,” says I, “what a kid about that size wants to do is to get out and roll around in the dirt some, and yell and holler.”
She sniffs like I wasn't worth taking no notice of. But it kind o' soaked in, too. She and the perfessor must of talked it over. Fur the next day I seen her spreading a oilcloth on the hall floor. And then James comes a buttling in with a lot of sand what the perfessor has baked and made all scientific down in his labertory. James, he pours all that nice, clean dirt onto the oilcloth and then Miss Estelle sends fur William Dear.
“William Dear,” she says, “we have decided, your papa and I, that what you need is more romping around and playing along with your studies. You ought to get closer to the soil and to nature, as is more healthy for a youth of your age. So for an hour each day, between your studies, you will romp and play in this sand. You may begin to frolic now, William Dear, and then James will sweep up the dirt again for to-morrow's frolic.”
But William didn't frolic none. He jest looked at that dirt in a sad kind o' way, and he says very serious but very decided:
“Aunt Estelle, I shallnotfrolic.” And they had to let it go at that, fur he never would frolic none, neither. And all that nice clean dirt was throwed out in the back yard along with the unscientific dirt.
One night when I've been there more'n a week, and am getting kind o' tired staying in one place so long, I don't want to go to bed after I eats, and I gets a-holt of some of the perfessor's cigars and goes into the lib'ary to see if he's got anything fit to read. Setting there thinking of the awful remarkable people they is in this world I must of went to sleep. Purty soon, in my sleep, I hearn two voices. Then I waked up sudden, and still hearn 'em, low and quicklike, in the room that opens right off of the lib'ary with a couple of them sliding doors like is onto a box car. One voice was a woman's voice, and it wasn't Miss Estelle's.
“But Imustsee them before we go, Henry,” she says.
And the other was a man's voice and it wasn't no one around our house.
“But, my God,” he says, “suppose you get it yourself, Jane!”
I set up straight then, fur Jane was the perfessor's wife's first name.
“You mean supposeyouget it,” she says. I like to of seen the look she must of give him to fit in with the way she says thatyou. He didn't say nothing, the man didn't; and then her voice softens down some, and she says, low and slow: “Henry, wouldn't you love me if Ididget it? Suppose it marked and pitted me all up?”
“Oh, of course,” he says, “of course I would. Nothing can change the way I feel.Youknow that.” He said it quick enough, all right, jest the way they does in a show, but it soundedtoo muchlike it does on the stage to of suited me ifI'd been her. I seen folks overdo them little talks before this.
I listens some more, and then I sees how it is. This is that musician feller Biddy Malone's been talking about. Jane's going to run off with him all right, but she's got to kiss the kids first. Women is like that. They may hate the kids' pa all right, but they's dad-burned few of 'em don't like the kids. I thinks to myself: “It must be late. I bet they was already started, or ready to start, and she made him bring her here first so's she could sneak in and see the kids. She jest simply couldn't get by. But she's taking a fool risk, too. Fur how's she going to see Margery with that nurse coming and going and hanging around all night? And even if she tries jest to see William Dear it's a ten to one shot he'll wake up and she'll be ketched at it.”
And then I thinks, suppose sheisketched at it? What of it? Ain't a woman got a right to come into her own house with her own door key, even if they is a quarantine onto it, and see her kids? And if she is ketched seeing them, how would any one know she was going to run off? And ain't she got a right to have a friend of hern and her husband's bring her over from her mother's house, even if it is a little late?
Then I seen she wasn't taking no great risks neither, and I thinks mebby I better go and tell that perfessor what is going on, fur he has treated me purty white. And then I thinks: “I'll be gosh-derned if I meddle. So fur as I can see that there perfessor ain't getting fur from what's coming to him, nohow. And as furher, you got to let some people find out what they want fur theirselves. Anyhow, where doIcome in at?”
But I want to get a look at her and Henry, anyhow. So I eases off my shoes, careful-like, and I eases acrost the floor to them sliding doors, and I puts my eye down to the little crack. The talk is going backward and forward between them two, him wanting her to come away quick, and her undecided whether to risk seeing the kids. And all the time she's kind o' hoping mebby she will be ketched if she tries to see the kids, and she's begging off fur more time ginerally.
Well, sir, I didn't blame that musician feller none when I seen her. She was a peach.
And I couldn't blame her so much, neither, when I thought of Miss Estelle and all them scientifics of the perfessor's strung out fur years and years world without end.
Yet, when I seen the man, I sort o' wished she wouldn't. I seen right off that Henry wouldn't do. It takes a man with a lot of gumption to keep a woman feeling good and not sorry fur doing it when he's married to her. But it takes a man with twicet as much to make her feel right when they ain't married. This feller wears one of them little, brown, pointed beards fur to hide where his chin ain't. And his eyes is too much like a woman's. Which is the kind that gets the biggest piece of pie at the lunch counter and fergits to thank the girl as cuts it big. She was setting in front of a table, twisting her fingers together, and he was walking up and down. I seen he was mad and trying not to show it, and I seen he was scared of the smallpox and trying not to show that, too. And jest about that time something happened that kind o' jolted me.
They was one of them big chairs in the room where they was that has got a high back and spins around on itself. It was right acrost from me, on the other side of the room, and it was facing the front window, which was a bow window. And that there chair begins to turn, slow and easy. First I thought she wasn't turning. Then I seen she was. But Jane and Henry didn't. They was all took up with each other in the middle of the room, with their backs to it.
Henry is a-begging of Jane, and she turns a little more, that chair does. Will she squeak, I wonders?
“Don't you be a fool, Jane,” says the Henry feller.
Around she comes three hull inches, that there chair, and nary a squeak.
“A fool?” asts Jane, and laughs. “And I'm not a fool to think of going with you at all, then?”
That chair, she moved six inches more and I seen the calf of a leg and part of a crumpled-up coat tail.
“But Iamgoing with you, Henry,” says Jane. And she gets up jest like she is going to put her arms around him.
But Jane don't. Fur that chair swings clear around and there sets the perfessor. He's all hunched up and caved in and he's rubbing his eyes like he's jest woke up recent, and he's got a grin onto his face that makes him look like his sister Estelle looks all the time.
“Excuse me,” says the perfessor.
They both swings around and faces him. I can hear my heart bumping. Jane never says a word. The man with the brown beard never says a word. But if they felt like me they both felt like laying right down there and having a fit. They looks at him and he jest sets there and grins at them.
But after a while Jane, she says:
“Well, now youknow!What are you going to do about it?”
Henry, he starts to say something too. But—
“Don't start anything,” says the perfessor to him. “Youaren't going to do anything.” Or they was words to that effect.
“Professor Booth,” he says, seeing he has got to say something or else Jane will think the worse of him, “I am—”
“Keep still,” says the perfessor, real quiet. “I'll tend to you in a minute or two.Youdon't count for much. This thing is mostly between me and my wife.”
When he talks so decided I thinks mebby that perfessor has got something into him besides science after all. Jane, she looks kind o' surprised herself. But she says nothing, except:
“What are you going to do, Frederick?” And she laughs one of them mean kind of laughs, and looks at Henry like she wanted him to spunk up a little more, and says: “Whatcanyou do, Frederick?”
Frederick, he says, not excited a bit:
“There's quite a number of things Icoulddo that would look bad when they got into the newspapers. But it's none of them, unless one of you forces me to it.” Then he says:
“Youdidwant to see the children, Jane?”
She nodded.
“Jane,” he says, “can't you see I'm the better man?”
The perfessor, he was woke up after all them years of scientifics, and he didn't want to see her go. “Look at him,” he says, pointing to the feller with the brown beard, “he's scared stiff right now.”
Which I would of been scared myself if I'd a-been ketched that-a-way like Henry was, and the perfessor's voice sounding like you was chopping ice every time he spoke. I seen the perfessor didn't want to have no blood on the carpet without he had to have it, but I seen he was making up his mind about something, too. Jane, she says:
“Youa better man?You? You think you've been a model husband just because you've never beaten me, don't you?”
“No,” says the perfessor, “I've been a blamed fool all right. I've been a worse fool, maybe, than if Ihadbeaten you.” Then he turns to Henry and he says:
“Duels are out of fashion, aren't they? And a plain killing looks bad in the papers, doesn't it? Well, you just wait for me.” With which he gets up and trots out, and I hearn him running down stairs to his labertory.
Henry, he'd ruther go now. He don't want to wait. But with Jane a-looking at him he's shamed not to wait. It's his place to make some kind of a strong action now to show Jane he is a great man. But he don't do it. And Jane is too much of a thoroughbred to show him she expects it. And me, I'm getting the fidgets and wondering to myself, “What is that there perfessor up to now? Whatever it is, it ain't like no one else. He is looney, that perfessor is. And she is kind o' looney, too. I wonder if they is any one that ain't looney sometimes?” I been around the country a good 'eal, too, and seen and hearn of some awful remarkable things, and I never seen no one that wasn't more or less looney when thesearch us the femmcomes into the case. Which is a Dago word I got out'n a newspaper and it means: “Who was the dead gent's lady friend?” And we all set and sweat and got the fidgets waiting fur that perfessor to come back.
Which he done with that Sister Estelle grin onto his face and a pill box in his hand. They was two pills in the box. He says, placid and chilly:
“Yes, sir, duels are out of fashion. This is the age of science. All the same, the one that gets her has got to fight for her. If she isn't worth fighting for, she isn't worth having. Here are two pills. I made 'em myself. One has enough poison in it to kill a regiment when it gets to working well—which it does fifteen minutes after it is taken. The other one has got nothing harmful in it. If you get the poison one, I keep her. If I get it, you can have her. Only I hope you will wait long enough after I'm dead so there won't be any scandal around town.”
Henry, he never said a word. He opened his mouth, but nothing come of it. When he done that I thought I hearn his tongue scrape agin his cheek on the inside like a piece of sand-paper. He was scared, Henry was.
“Butyouknow which is which,” Jane sings out. “The thing's not fair!”
“That is the reason my dear Jane is going to shuffle these pills around each other herself,” says the perfessor, “and then pick out one for him and one for me.Youdon't know which is which, Jane. And as he is the favourite, he is going to get the first chance. If he gets the one I want him to get, he will have just fifteen minutes to live after taking it. In that fifteen minutes he will please to walk so far from my house that he won't die near it and make a scandal. I won't have a scandal without I have to. Everything is going to be nice and quiet and respectable. The effect of the poison is similar to heart failure. No one can tell the difference on the corpse. There's going to be no blood anywhere. I will be found dead in my house in the morning with heart failure, or else he will be picked up dead in the street, far enough away so as to make no talk.” Or they was words to that effect.
He is rubbing it in considerable, I thinks, that perfessor is. I wonder if I better jump in and stop the hull thing. Then I thinks: “No, it's between them three.” Besides, I want to see which one is going to get that there loaded pill. I always been intrusted in games of chancet of all kinds, and when I seen the perfessor was such a sport, I'm sorry I been misjudging him all this time.
Jane, she looks at the box, and she breathes hard and quick.
“I won't touch 'em,” she says. “I refuse to be a party to any murder of that kind.”
“Huh? You do?” says the perfessor. “But the time when you might have refused has gone by. You have made yourself a party to it already. You're really themainparty to it.
“But do as you like,” he goes on. “I'm giving him more chance than I ought to with those pills. I might shoot him, and I would, and then face the music, if it wasn't for mixing the children up in the scandal, Jane. If you want to see him get a fair chance, Jane, you've got to hand out these pills, one to him and then one to me.Youmust kill one or the other of us, or elseI'll kill himthe other way. Andyouhad better pick one out for him, becauseIknow which is which. Or else let him pick one out for himself,” he says.
Henry, he wasn't saying nothing. I thought he had fainted. But he hadn't. I seen him licking his lips. I bet Henry's mouth was all dry inside.
Jane, she took the box and she went round in front of Henry and she looked at him hard. She looked at him like she was thinking: “Fur God's sake, spunk up some, and take one if itdoeskill you!” Then she says out loud: “Henry, if you die I will die, too!”
And Henry, he took one. His hand shook, but he took it out'n the box. If she had of looked like that at me mebby I would of took one myself. Fur Jane, she was a peach, she was. But I don't know whether I would of or not. When she makes that brag about dying, I looked at the perfessor. What she said never fazed him. And I thinks agin: “Mebby I better jump in now and stop this thing.” And then I thinks agin: “No, it is between them three and Providence.” Besides, I'm anxious to see who is going to get that pill with the science in it. I gets to feeling jest like Providence hisself was in that there room picking out them pills with his own hands. And I was anxious to see what Providence's ideas of right and wrong was like. So fur as I could see they was all three in the wrong, but if I had of been in there running them pills in Providence's place I would of let them all off kind o' easy.
Henry, he ain't eat his pill yet. He is jest looking at it and shaking. The perfessor pulls out his watch and lays it on the table.
“It is a quarter past eleven,” he says. “Mr. Murray, are you going to make me shoot you, after all? I didn't want a scandal,” he says. “It's for you to say whether you want to eat that pill and get your even chance, or whether you want to get shot. The shooting method is sure, but it causes talk. These pills won'twhich?”
And he pulls a revolver. Which I suppose he had got that too when he went down after them pills.
Henry, he looks at the gun.
Then he looks at the pill.
Then he swallers the pill.
The perfessor puts his gun back into his pocket, and then he puts his pill into his mouth. He don't swaller it. He looks at the watch, and he looks at Henry.
“Sixteen minutes past eleven,” he says. “At exactly twenty-nine minutes to twelve Mr. Murray will be dead. I got the harmless one. I can tell by the taste.”
And he put the pieces out into his hand, to show that he has chewed his'n up, not being willing to wait fifteen minutes fur a verdict from his digestive ornaments. Then he put them pieces back into his mouth and chewed 'em up and swallered 'em down like he was eating cough drops.
Henry has got sweat breaking out all over his face, and he tries to make fur the door, but he falls down onto a sofa.
“This is murder,” he says, weak-like. And he tries to get up again, but this time he falls to the floor in a dead faint.
“It's a dern short fifteen minutes,” I thinks to myself. “That perfessor must of put more science into Henry's pill than he thought he did fur it to of knocked him out this quick. It ain't skeercly three minutes.”
When Henry falls the woman staggers and tries to throw herself on top of him. The corners of her mouth was all drawed down, and her eyes was turned up. But she don't yell none. She can't. She tries, but she jest gurgles in her throat. The perfessor won't let her fall acrost Henry. He ketches her. “Sit up, Jane,” he says, with that Estelle look onto his face, “and let us have a talk.”
She looks at him with no more sense in her face than a piece of putty has got. But she can't look away from him.
And I'm kind o' paralyzed, too. If that feller laying on the floor had only jest kicked oncet, or grunted, or done something, I could of loosened up and yelled, and I would of. I jestneededto fetch a yell. But Henry ain't more'n dropped down there till I'm feeling jest like he'dalwaysbeen there, and I'dalwaysbeen staring into that room, and the last word any one spoke was said hundreds and hundreds of years ago.
“You're a murderer,” says Jane in a whisper, looking at the perfessor in that stare-eyed way. “You're amurderer,” she says, saying it like she was trying to make herself feel sure he really was one.
“Murder!” says the perfessor. “Did you think I was going to run any chances for a pup like him? He's scared, that's all. He's just fainted through fright. He's a coward. Those pills were both just bread and sugar. He'll be all right in a minute or two. I've just been showing you that the fellow hasn't got nerve enough nor brains enough for a fine woman like you, Jane,” he says.
Then Jane begins to sob and laugh, both to oncet, kind o' wild like, her voice clucking like a hen does, and she says:
“It's worse then, it's worse! It's worse for me than if it were a murder! Some farces can be more tragic than any tragedy ever was,” she says. Or they was words to that effect.
And if Henry had of been really dead she couldn't of took it no harder than she begun to take it now when she saw he was alive, but jest wasn't no good. But I seen she was taking on fur herself now more'n fur Henry. Doctor Kirby always use to say women is made unlike most other animals in many ways. When they is foolish about a man they can stand to have that man killed a good 'eal better than to have him showed up ridiculous right in front of them. They will still be crazy about the man that is dead, even if he was crooked. But they don't never forgive the fellow that lets himself be made a fool and lets them look foolish, too. And when the perfessor kicks Henry in the ribs, and Henry comes to and sneaks out, Jane, she never even turns her head and looks at him.
“Jane,” says the perfessor, when she quiets down some, “you have a lot o' things to forgive me. But do you suppose I have learned enough so that we can make a go of it if we start all over again?”
But Jane she never said nothing.
“Jane,” he says, “Estelle is going back to New England, as soon as Margery gets well, and she will stay there for good.”
Jane, she begins to take a little intrust then.
“Did Estelle tell you so?” she asts.
“No,” says the perfessor. “Estelle doesn't know it yet. I'm going to break the news to her in the morning.”
But Jane still hates him. She's making herself hate him hard. She wouldn't of been a human woman if she had let herself be coaxed up all to oncet. Purty soon she says: “I'm tired.” And she went out looking like the perfessor was a perfect stranger. She was a peace, Jane was.
After she left, the perfessor set there quite a spell and smoked. And he was looking tired out, too. They wasn't no mistake about me. I was jest dead all through my legs.
Iwas down in the perfessor's labertory one day, and that was a queer place. They was every kind of scientifics that has ever been discovered in it. Some was pickled in bottles and some was stuffed and some was pinned to the walls with their wings spread out. If you took hold of anything, it was likely to be a skull and give you the shivers or some electric contraption and shock you; and if you tipped over a jar and it broke, enough germs might get loose to slaughter a hull town. I was helping the perfessor to unpack a lot of stuff some friends had sent him, and I noticed a bottle that had onto it, blowed in the glass:
“That's funny,” says I, out loud.
“What is?” asts the perfessor.
I showed him the bottle and told him how I was named after the company that made 'em. He says to look around me. They is all kinds of glassware in that room—bottles and jars and queer-shaped things with crooked tails and noses—and nigh every piece of glass the perfessor owns is made by that company.
“Why,” says the perfessor, “their factory is in this very town.”
And nothing would do fur me but I must go and see that factory. I couldn't till the quarantine was pried loose from our house. But when it was, I went down town and hunted up the place and looked her over.
It was a big factory, and I was kind of proud of that. I was glad she wasn't no measly, little, old-fashioned, run-down concern. Of course, I wasn't really no relation to it and it wasn't none to me. But I was named fur it, too, and it come about as near to being a fambly as anything I had ever had or was likely to find. So I was proud it seemed to be doing so well.
I thinks as I looks at her of the thousands and thousands of bottles that has been coming out of there fur years and years, and will be fur years and years to come. And one bottle not so much different from another one. And all that was really knowed about me was jest the name on one out of all them millions and millions of bottles. It made me feel kind of queer, when I thought of that, as if I didn't have no separate place in the world any more than one of them millions of bottles. If any one will shut his eyes and say his own name over and over agin fur quite a spell, he will get kind of wonderized and mesmerized a-doing it—he will begin to wonder who the dickens he is, anyhow, and what he is, and what the difference between him and the next feller is. He will wonder why he happens to be himself and the next fellerhimself. He wonders where himself leaves off and the rest of the world begins. I been that way myself—all wonderized, so that I felt jest like I was a melting piece of the hull creation, and it was all shifting and drifting and changing and flowing, and not solid anywhere, and I could hardly keep myself from flowing into it. It makes a person feel awful queer, like seeing a ghost would. It makes him feel likehewasn't no solider than a ghost himself. Well, if you ever done that and got that feeling, youknowwhat I mean. All of a sudden, when I am trying to take in all them millions and millions of bottles, it rushed onto me, that feeling, strong. Thinking of them bottles had somehow brung it on. The bigness of the hull creation, and the smallness of me, and the gait at which everything was racing and rushing ahead, made me want to grab hold of something solid and hang on.
I reached out my hand, and it hit something solid all right. It was a feller who was wheeling out a hand truck loaded with boxes from the shipping department. I had been standing by the shipping department door, and I reached right agin him.
He wants to know if I am drunk or a blanked fool. So after some talk of that kind I borrows a chew of tobacco of him and we gets right well acquainted.
I helped him finish loading his wagon and rode over to the freight depot with him and helped him unload her. Lifting one of them boxes down from the wagon I got such a shock I like to of dropped her.
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Fur she was marked so many dozen, glass, handle with care, and she was addressed to Dr. Hartley L. Kirby, Atlanta, Ga.
I managed to get that box onto the platform without busting her, and then I sets down on top of her awful weak.
“What's the matter?” asts the feller I was with.
“Nothing,” says I.
“You look sick,” he says. And Iwasfeeling that-a-way.
“Mebby I do,” says I, “and it's enough to shake a feller up to find a dead man come to life sudden like this.”
“Great snakes, no!” says he, looking all around, “where?”
But I didn't stop to chew the rag none. I left him right there, with his mouth wide open, staring after me like I was crazy. Half a block away I looked back and I seen him double over and slap his knee and laugh loud, like he had hearn a big joke, but what he was laughing at I never knew.
I was tickled. Tickled? Jest so tickled I was plumb foolish with it. The doctor was alive after all—I kept saying it over and over to myself—he hadn't drownded nor blowed away. And I was going to hunt him up.
I had a little money. The perfessor had paid it to me. He had give me a job helping take care of his hosses and things like that, and wanted me to stay, and I had been thinking mebby I would fur a while. But not now!
I calkelated I could grab a ride that very night that would put me into Evansville the next morning. I figgered if I ketched a through freight from there on the next night I might get where he was almost as quick as them bottles did.
I didn't think it was no use writing out my resignation fur the perfessor. But I got quite a bit of grub from Biddy Malone to make a start on, fur I didn't figger on spending no more money than I had to on grub. She asts me a lot of questions, and I had to lie to her a good deal, but I got the grub. And at ten that night I was in an empty bumping along south, along with a cross-eyed feller named Looney Hogan who happened to be travelling the same way.
Riding on trains without paying fare ain't always the easy thing it sounds. It is like a trade that has got to be learned. They is different ways of doing it. I have done every way frequent, except one. That I give up after trying her two, three times. That is riding the rods down underneath the cars, with a piece of board put acrost 'em to lay yourself on.
I never want to goanywheresagin bad enough to ride the rods.
Because sometimes you arrive where you are going to partly smeared over the trucks and in no condition fur to be made welcome to our city, as Doctor Kirby would say. Sometimes you don't arrive. Every oncet in a while you read a little piece in a newspaper about a man being found alongside the tracks, considerable cut up, or laying right acrost them, mebby. He is held in the morgue a while and no one knows who he is, and none of the train crew knows they has run over a man, and the engineer says they wasn't none on the track. More'n likely that feller has been riding the rods, along about the middle of the train. Mebby he let himself go to sleep and jest rolled off. Mebby his piece of board slipped and he fell when the train jolted. Or mebby he jest natcherally made up his mind he rather let loose and get squashed then get any more cinders into his eyes. Riding the blind baggage or the bumpers gives me all the excitement I wants, or all the gambling chancet either; others can have the rods fur all of me. And theyissome people ackshally says they likes 'em best.
A good place, if it is winter time, is the feed rack over a cattle car, fur the heat and steam from all them steers in there will keep you warm. But don't crawl in no lumber car that is only loaded about half full, and short lengths and bundles of laths and shingles in her; fur they is likely to get to shifting and bumping. Baled hay is purty good sometimes. Myself, not being like these bums that is too proud to work, I have often helped the fireman shovel coal and paid fur my ride that-a-way. But an empty, fur gineral purposes, will do about as well as anything.
This feller Looney Hogan that was with me was a kind of a harmless critter, and he didn't know jest where he was going, nor why. He was mostly scared of things, and if you spoke to him quick he shivered first and then grinned idiotic so you wouldn't kick him, and when he talked he had a silly little giggle. He had been made that-a-way in a reform school where they took him young and tried to work the cussedness out'n him by batting him around. They worked it out, and purty nigh everything else along with it, I guess. Looney had had a pardner whose name was Slim, he said; but a couple of years before Slim had fell overboard off'n a barge up to Duluth and never come up agin. Looney knowed Slim was drownded all right, but he was always travelling around looking at tanks and freight depots and switch shanties, fur Slim's mark to be fresh cut with a knife somewheres, so he would know where to foller and ketch up with him agin. He knowed he would never find Slim's mark, he said, but he kept a-looking, and he guessed that was the way he got the name of Looney.
Looney left me at Evansville. He said he was going east from there, he guessed. And I went along south. But I was hindered considerable, being put off of trains three or four times, and having to grab these here slow local freights between towns all the way down through Kentuckey. Anywheres south of the Ohio River and east of the Mississippi River trainmen is grouchier to them they thinks is bums than north of it, anyhow. And in some parts of it, if a real bum gets pinched, heaven help 'im, fur nothing else won't.
One night, between twelve and one o'clock, I was put off of a freight train fur the second time in a place in the northern part of Tennessee, right near the Kentuckey line. I set down in a lumber yard near the railroad track, and when she started up agin I grabbed onto the iron ladder and swung myself aboard. But the brakeman was watching fur me, and clumb down the ladder and stamped on my fingers. So I dropped off, with one finger considerable mashed, and set down in that lumber yard wondering what next.
It was a dark night, and so fur as I could see they wasn't much moving in that town. Only a few places was lit up. One was way acrost the town square from me, and it was the telephone exchange, with a man operator reading a book in there. The other was the telegraph room in the depot about a hundred yards from me, and they was only two fellers in it, both smoking. The main business part of the town was built up around the square, like lots of old-fashioned towns is, and they was jest enough brightness from four, five electric lights to show the shape of the square and be reflected from the windows of the closed-up stores.
I knowed they was likely a watchman somewheres about, too. I guessed I wouldn't wander around none and run no chances of getting took up by him. So I was getting ready to lay down on top of a level pile of boards and go to sleep when I hearn a curious kind of noise a way off, like it must be at the edge of town.
It sounded like quite a bunch of cattle might shuffling along a dusty road. The night was so quiet you could hear things plain from a long ways off. It growed a little louder and a little nearer. And then it struck a plank bridge somewheres, and come acrost it with a clatter. Then I knowed it wasn't cattle. Cows and steers don't make that cantering kind of noise as a rule; they trot. It was hosses crossing that bridge. And they was quite a lot of 'em.
As they struck the dirt road agin, I hearn a shot. And then another and another. Then a dozen all to oncet, and away off through the night a woman screamed.
I seen the man in the telephone place fling down his book and grab a pistol from I don't know where. He stepped out into the street and fired three shots into the air as fast as he could pull the trigger. And as he done so they was a light flashed out in a building way down the railroad track, and shots come answering from there. Men's voices began to yell out; they was the noise of people running along plank sidewalks, and windows opening in the dark. Then with a rush the galloping noise come nearer, come closet; raced by the place where I was hiding, and nigh a hundred men with guns swept right into the middle of that square and pulled their hosses up.
Iseen the feller from the telephone exchange run down the street a little ways as the first rush hit the square, and fire his pistol twice. Then he turned and made fur an alleyway, but as he turned they let him have it. He throwed up his arms and made one long stagger, right acrost the bar of light that streamed out of the windows, and he fell into the shadder, out of sight, jest like a scorched moth drops dead into the darkness from a torch.
Out of the middle of that bunch of riders come a big voice, yelling numbers, instead of men's names. Then different crowds lit out in all directions—some on foot, while others held their hosses—fur they seemed to have a plan laid ahead.
And then things began to happen. They happened so quick and with such a whirl it was all unreal to me—shots and shouts, and windows breaking as they blazed away at the store fronts all around the square—and orders and cuss-words ringing out between the noise of shooting—and those electric lights shining on them as they tossed and trampled, and showing up masked faces here and there—and pounding hoofs, and hosses scream—like humans with excitement—and spurts of flame squirted sudden out of the ring of darkness round about the open place—and a bull-dog shut up in a store somewheres howling himself hoarse—and white puffs of powder smoke like ghosts that went a-drifting by the lights—it was all unreal to me, as if I had a fever and was dreaming it. That square was like a great big stage in front of me, and I laid in the darkness on my lumber pile and watched things like a show—not much scared because itwasso derned unreal.
From way down along the railroad track they come a sort of blunted roar, like blasting big stumps out—and then another and another. Purty soon, down that way, a slim flame licked up the side of a big building there, and crooked its tongue over the top. Then a second big building right beside it ketched afire, and they both showed up in their own light, big and angry and handsome, and the light showed up the men in front of 'em, too—guarding 'em, I guess, fur fear the town would get its nerve and make a fight to put 'em out. They begun to light the whole town up as light as day, and paint a red patch onto the sky, that must of been noticed fur miles around. It was a mighty purty sight to see 'em burn. The smoke was rolling high, too, and the sparks flying and other things in danger of ketching, and after while a lick of smoke come drifting up my way. I smelt her. It was tobacco burning in them warehouses.
But that town had some fight in her, in spite of being took unexpected that-a-way. It wasn't no coward town. The light from the burning buildings made all the shadders around about seem all the darker. And every once in a while, after the surprise of the first rush, they would come thin little streaks of fire out of the darkness somewheres, and the sound of shots. And then a gang of riders would gallop in that direction shooting up all creation. But by the time the warehouses was all lit up so that you could see they was no hope of putting them out the shooting from the darkness had jest about stopped.
It looked like them big tobacco warehouses was the main object of the raid. Fur when they was burning past all chancet of saving, with walls and floors a-tumbling and crashing down and sending up great gouts of fresh flame as they fell, the leader sings out an order, and all that is not on their hosses jumps on, and they rides away from the blaze. They come across the square—not galloping now, but taking it easy, laughing and talking and cussing and joking each other—and passed right by my lumber pile agin and down the street they had come. You bet I laid low on them boards while they was going by, and flattened myself out till I felt like a shingle.
As I hearn their hoof-sounds getting farther off, I lifts up my head agin. But they wasn't all gone, either. Three that must of been up to some pertic'ler deviltry of their own come galloping acrost the square to ketch up with the main bunch. Two was quite a bit ahead of the third one, and he yelled to them to wait. But they only laughed and rode harder.
And then fur some fool reason that last feller pulled up his hoss and stopped. He stopped in the road right in front of me, and wheeled his hoss acrost the road and stood up in his stirrups and took a long look at that blaze. You'd 'a' said he had done it all himself and was mighty proud of it, the way he raised his head and looked back at that town. He was so near that I hearn him draw in a slow, deep breath. He stood still fur most a minute like that, black agin the red sky, and then he turned his hoss's head and jabbed him with his stirrup edge.
Jest as the hoss started they come a shot from somewheres behind me. I s'pose they was some one hid in the lumber piles, where the street crossed the railway, besides myself. The hoss jumped forward at the shot, and the feller swayed sideways and dropped his gun and lost his stirrups and come down heavy on the ground. His hoss galloped off. I heard the noise of some one running off through the dark, and stumbling agin the lumber. It was the feller who had fired the shot running away. I suppose he thought the rest of them riders would come back, when they heard that shot, and hunt him down.
I thought they might myself. But I laid there, and jest waited. If they come, I didn't want to be found running. But they didn't come. The two last ones had caught up with the main gang, I guess, fur purty soon I hearn them all crossing that plank bridge agin, and knowed they was gone.
At first I guessed the feller on the ground must be dead. But he wasn't, fur purty soon I hearn him groan. He had mebby been stunned by his fall, and was coming to enough to feel his pain.
I didn't feel like he orter be left there. So I clumb down and went over to him. He was lying on one side all kind of huddled up. There had been a mask on his face, like the rest of them, with some hair onto the bottom of it to look like a beard. But now it had slipped down till it hung loose around his neck by the string. They was enough light to see he wasn't nothing but a young feller. He raised himself slow as I come near him, leaning on one arm and trying to set up. The other arm hung loose and helpless. Half setting up that-away he made a feel at his belt with his good hand, as I come near. But that good arm was his prop, and when he took it off the ground he fell back. His hand come away empty from his belt.
The big six-shooter he had been feeling fur wasn't in its holster, anyhow. It had fell out when he tumbled. I picked it up in the road jest a few feet from his shot-gun, and stood there with it in my hand, looking down at him.
“Well,” he says, in a drawly kind of voice, slow and feeble, but looking at me steady and trying to raise himself agin, “yo' can finish yo' little job now—yo' shot me from the darkness, and now yo' done got my pistol. I reckon yo' better shootagin.”
“I don't want to rub it in none,” I says, “with you down and out, but from what I seen around this town to-night I guess you and your own gang got nogreatobjections to shooting from the dark yourselves.”
“Why don't yo' shoot then?” he says. “It most suttinly isyo' turn now.” And he never batted an eye.
“Bo,” I says, “you got nerve. Ilikeyou, Bo. I didn't shoot you, and I ain't going to. The feller that did has went. I'm going to get you out of this. Where you hurt?”
“Hip,” he says, “but that ain't much. The thing that bothers me is this arm. It's done busted. I fell on it.”
I drug him out of the road and back of the lumber pile I had been laying on, and hurt him considerable a-doing it.
“Now,” I says, “what can I do fur you?”
“I reckon yo' better leave me,” he says, “without yo' want to get yo'self mixed up in all this.”
“If I do,” I says, “you may bleed to death here: or anyway you would get found in the morning and be run in.”
“Yo' mighty good to me,” says he, “considering yo' are no kin to this here part of the country at all. I reckon by yo' talk yo' are one of them damn Yankees, ain't yo'?”
In Illinoise a Yankee is some one from the East, but down South he is anybody from north of the Ohio, and though that there war was fought forty years ago some of them fellers down there don't know damn and Yankee is two words yet. But shucks!—they don't mean no harm by it! So I tells him I am a damn Yankee and asts him agin if I can do anything fur him.
“Yes,” he says, “yo' can tell a friend of mine Bud Davis has happened to an accident, and get him over here quick with his wagon to tote me home.”
I was to go down the railroad track past them burning warehouses till I come to the third street, and then turn to my left. “The third house from the track has got an iron picket fence in front of it,” says Bud, “and it's the only house in that part of town which has. Beauregard Peoples lives there. He is kin to me.”
“Yes,” I says, “and Beauregard is jest as likely as not going to take a shot out of the front window at me, fur luck, afore I can tell him what I want. It seems to be a kind of habit in these here parts to-night—I'm getting homesick fur Illinoise. But I'll take a chancet.”
“He won't shoot,” says Bud, “if yo' go about it right. Beauregard ain't going to be asleep with all this going on in town to-night. Yo' rattle on the iron gate and he'll holler to know what yo' all want.”
“If he don't shoot first,” I says.
“When he hollers, yo' cry back at him yo' have found hisOld Dead Hossin the road. It won't hurt to holler that loud, and that will make him let you within talking distance.”
“His olddead hoss?”
“Yo' don't need to know what that is.Hewill.” And then Bud told me enough of the signs and words to say, and things to do, to keep Beauregard from shooting—he said he reckoned he had trusted me so much he might as well go the hull hog. Beauregard, he says, belongs to them riders too; they have friends in all the towns that watches the lay of the land fur them, he says.
I made a long half-circle around them burning buildings, keeping in the dark, fur people was coming out in bunches, now that it was all over with, watching them fires burning, and talking excited, and saying the riders should be follered—only not follering.
I found the house Bud meant, and they was a light in the second-story window. I rattled on the gate. A dog barked somewheres near, but I hearn his chain jangle and knowed he was fast, and I rattled on the gate agin.
The light moved away from the window. Then another front window opened quiet, and a voice says:
“Doctor, is that yo' back agin?”
“No,” I says, “I ain't a doctor.”
“Stay where you are, then.I got you covered.”
“I am staying,” I says, “don't shoot.”
“Who are yo'?”
“A feller,” I says, kind of sensing his gun through the darkness as I spoke, “who has found yourold dead hossin the road.”
He didn't answer fur several minutes. Then he says, using the wordsdead hossas Bud had said he would.
“Adead hossis fitten fo' nothing but to skin.”
“Well,” I says, using the words fur the third time, as instructed, “it is adead hossall right.”
I hearn the window shut and purty soon the front door opened.
“Come up here,” he says. I come.
“Who rode that hoss yo' been talking about?” he asts.
“One of theSilent Brigade,” I tells him, as Bud had told me to say. I give him the grip Bud had showed me with his good hand.
“Come on in,” he says.
He shut the door behind us and lighted a lamp agin. And we looked each other over. He was a scrawny little feller, with little gray eyes set near together, and some sandy-complected whiskers on his chin. I told him about Bud, and what his fix was.
“Damn it—oh, damn it all,” he says, rubbing the bridge of his nose, “I don't see how onairthI kin do it. My wife's jest had a baby. Do yo' hear that?”
And I did hear a sound like kittens mewing, somewheres up stairs. Beauregard, he grinned and rubbed his nose some more, and looked at me like he thought that mewing noise was the smartest sound that ever was made.
“Boy,” he says, grinning, “bo'n five hours ago. I've done named him Burley—after the tobaccer association, yo' know. Yes,sir, Burley Peoples is his name—and he shore kin squall, the derned little cuss!”
“Yes,” I says, “you better stay with Burley. Lend me a rig of some sort and I'll take Bud home.”
So we went out to Beauregard's stable with a lantern and hitched up one of his hosses to a light road wagon. He went into the house and come back agin with a mattress fur Bud to lie on, and a part of a bottle of whiskey. And I drove back to that lumber pile. I guess I nearly killed Bud getting him into there. But he wasn't bleeding much from his hip—it was his arm was giving him fits.
We went slow, and the dawn broke with us four miles out of town. It was broad daylight, and early morning noises stirring everywheres, when we drove up in front of an old farmhouse, with big brick chimbleys built on the outside of it, a couple of miles farther on.