CHAPTER XXII.

"Miggie, Miggie," she cried, "wake up. You scare me, you look so white and stiff. Please open your eyes, darling, just a little ways, so Nina'll know that you ain't dead. Oh, Arthur, she is DEAD!" and Nina shrieked aloud, when, opening herself the lids, she saw the dull, fixed expression of the glassy eye.

Laying her back upon the grass, she crept to Arthur's side, and tried to rouse him, saying imploringly, "Miggie's dead, Arthur; Miggie's dead. There is blood all over her face. It's on me, too, look," and she held before him her fingers, covered with a crimson stain. Even this did not move him; he only kissed the tiny hand wet with Edith's blood, and whispered to her, "Richard."

It was enough. Nina comprehended his meaning at once; and when next he looked about him she was flying like a deer across the fields to Collingwood, leaving him alone with Edith. From where he sat he could see her face, and its corpse-like pallor chilled him with horror. He must go to her. It would be long ere Nina guided the blind man to the spot, and, exerting all his strength, he tottered to the brook, filled his hat with water, and crawling, rather than walking, to Edith's side, dashed it upon her head, washing the stains of blood, away, and forcing back the life so nearly gone. Gradually the eyes unclosed, and looked into his with a glance so full of love. tenderness, reproach, and cruel disappointment, that he turned away, for he could not meet that look.

The blood from the wound upon the forehead was flowing freely now, and faint from its loss, Edith sank again into a state of unconsciousness, while Arthur, scarcely knowing what he did, crept away to a little distance, where, leaning against a tree, he sat insensible as it were, until the sound of footsteps roused him, and he saw Nina coming, holding fast to the blind man's wrist, and saying to him encouragingly,

"We are almost there. I see her dress now by the bank. Wake up,Miggie; we're coming—Richard and I. Don't you hear me, Miggie?"

* * * * * *

Victor had been sent to the village upon an errand for Richard, who was sitting in his arm-chair, just where Edith had left him an hour before, dozing occasionally, as was his custom after dinner, and dreaming of his singing bird.

"Little rose-bud," he whispered to himself. "It's strange no envious, longing eyes have sought her out as yet, and tried to win her from me. There's St. Claire—cannot help admiring her, but thus far he's been very discreet, I'm sure. Victor would tell me if he saw any indications of his making love to Edith."

Deluded Richard! Victor Dupres kept his own counsel with regard toEdith and the proprietor of Grassy Spring; and when questioned byhis master, as he sometimes was, he always answered, "Monsieur St.Claire does nothing out of the way."

So Richard, completely blinded, trusted them both, and had no suspicion of the scene enacted that afternoon in the Deering Woods. Hearing a swift footstep coming up the walk, he held his breath to listen, thinking it was Edith, but a moment only sufficed to tell it was Nina. With a rapid, bounding tread she entered the library, and gliding to his side, startled him with, "Come, quick, Miggie's dead—dead in the Deering Woods!"

For an instant Richard's brain reeled, and rings of fire danced before his sightless eyes; then, remembering the nature of the one who had brought to him this news, hope whispered that it might not be so bad, and this it was which buoyed him up and made him strong to follow his strange guide.

* * * * * *

Down the lane, across the road, and over the fields Nina led him, bareheaded as he was, and in his thin-soled, slippers, which were torn against the briers and stones, for in her haste Nina did not stop to choose the smoothest path, and Richard was too intent on Edith to heed the roughness of the way. Many questions be asked her as to the cause of the accident, but she told him nothing save that "Miggie was talking and fell down dead." She did not mention Arthur, for, fancying that he had in some way been the cause of the disaster, she wished to shield him from all censure, consequently Richard had no idea of the crushed, miserable wretch leaning against the sycamore and watching him as he came up. He only heard Nina's cry, "Wake up, Miggie, Richard's here!"

It needed more than that appeal, however, to rouse the unconscious girl, and Richard, as he felt her cold, clammy flesh, wept aloud, fearing lest she were really dead. Eagerly he felt for her heart, knowing then that she still lived.

"Edith, darling, speak to me," and he chafed her nerveless hands, bidding Nina bring him water from the brook.

Spying Arthur's hat Nina caught it up, when the thought entered her mind, "He'll wonder whose this is." Then with a look of subtle cunning, she stole up behind the blind man, and placing the hat suddenly upon his head, withdrew it as quickly, saying, "I'll get it in this, shan't I?"

Richard was too much excited to know whether he had worn one hat or a dozen, and he answered her at once, "Use it of course."

The cold water brought by Nina roused Edith once more, and with a sigh she lay back on Richard's bosom, so trustfully, so confidingly, that Arthur, looking on, foresaw what the future would bring, literally giving her up then and there to the blind man, who, as if accepting the gift, hugged her fondly to him and said aloud, "I thank the good Father for restoring to me my Edith."

She suffered him to caress her as much as he liked, and offered no remonstrance when lifting her in his strong arms, he bade Nina lead him back to Collingwood. Like a weary child Edith rested her head upon his shoulder, looking behind once, and regarding Arthur with a look he never forgot, even when the darkness in which he now was groping had passed away, and the full daylight was shining o'er him. Leading Richard to a safe distance, Nina bade him wait a moment while she went back for something she had forgotten—then hastening to Arthur's side she wound her arms around his neck, smoothed his hair, kissed his lips, and said to him so low that Richard could not hear,

"NINA won't desert you. She'll come to you again, when she getsMiggie home. You did do it, didn't you? but Nina'll never tell."

Kissing him once more, she bounded away, and with feelings of anguish which more than compensated for his error, Arthur looked after them as they moved slowly across the field, Richard sometimes tottering beneath his load, which, nevertheless, he would not release, and Nina, holding to his arm, telling him where to go, and occasionally glancing backward toward the spot where Arthur sat, until the night shadows were falling, and he shivered with the heavy dew. Nina did not return, and thinking that she would not, he started for home, never knowing how he reached there, or when; only this he knew, no one suspected him of being in the Deering Woods when Edith Hastings was attacked with that strange fainting fit. Thanks for this to little Nina, who, returning as she had promised, found the forgotten HAT still dripping with water, and hiding it beneath her shawl, carried it safely to Grassy Spring, where it would betray no one.

Death brooded over Collingwood, and his black wing beat clamorously against the windows of the room to which, on that fearful night, Richard had borne his fainting burden, and where for days and weeks she lay so low that with every coming morning the anxious villagers listened for the first stroke of the bell which should tell that Edith was dead. Various were the rumors concerning the cause of her illness, all agreeing upon one point, to wit, that she had fainted suddenly in the woods with Nina, and in falling, had received a deep gash upon her forehead. This it was which made her crazy, the people said, and the physician humored the belief, although with his experience he knew there was some secret sorrow preying upon that young mind, the nature of which he could not easily guess. It never occurred to him that it was in any way associated with Arthur St. Claire, whose heart- broken expression told how much he suffered, and how dear to him was the delirious girl, who never breathed his name, or gave token that she knew of his existence. Every morning, regularly he rung the Collingwood bell, which was always answered by Victor, between whom and himself there was a tacit understanding, perceptible in the fervent manner with which the faithful valet's hand was pressed whenever the news was favorable. He did not venture into her presence, though repeatedly urged to do so by Grace, who mentally accused him of indifference toward Edith. Alas, she knew not of the nightly vigils kept by the wretched man, when with dim eye and throbbing head he humbled himself before his Maker, praying to be forgiven for the sorrow he had wrought, and again wrestling in agony for the young girl, whose sick room windows he could see, watching the livelong night the flickering of the lamp, and fancying he could tell from its position, if any great change occurred in her.

Richard was completely crushed, and without noticing any one he sat hour after hour, day after day, night after night, always in one place, near the head of the bed, his hands folded submissively together, and his sightless eyes fixed upon the pillow, where he knew Edith was, with a hopeless, subdued expression touching to witness. He did not weep, but his dry, red eyes, fastened always upon the same point, told of sealed fountains where the hot tears were constantly welling up, and failing to find egress without, fell upon the bruised heart, which blistered and burned beneath their touch, but felt no relief. It was in vain they tried to persuade him to leave the room; he turned a deaf ear to their entreaties, and the physician was beginning to fear for his reason, when crazy Nina came to his aid, and laying her moist hand upon his said to him, not imploringly, but commandingly, "Come with me."

There was a moment's hesitation, and then Richard followed her out into the open air, sitting where she bade him sit, and offering no resistance when she perched herself upon his knee and passed her arm around his neck.

"Make him cry, can't you? That will do him good," whisperedVictor, who had come out with them.

Nina knew that better than himself. SHE remembered the time when the sight of Edith had wrung from her torrents of tears, cooling her burning brow, and proving a blessed relief, the good effects of which were visible yet. And now it was her task to make the blind man cry. She recognized something familiar in the hard, stony expression of his face, something which brought back the Asylum, with all its dreaded horrors. She had seen strong men there look just as he was looking. Dr. Griswold had called them crazy, and knowing well what that word implied she would save Richard from so sad a fate.

"It will be lonesome for you when Miggie's gone," she said, as a prelude, to the attempt; "lonesomer than it has ever been before; and the nights will be so dark, for when the morning comes there'll be no Miggie here. She will look sweetly in her coffin, but you can't see her, can you? You can FEEL how beautiful she is, perhaps; and I shall braid her hair just as she used to wear it."

There was a perceptible tremor in Richard's frame, and perceiving it, Nina continued quickly,

"We shall never forget her, shall we? and we'll often fancy we hear her singing through the halls, even though we know she's far away heading the choir in Heaven. That will be a pleasanter sound, won't it, than the echo of the bell when the villagers count the eighteen strokes and a half, and know it tolls for Miggie? The hearse wheels, too—how often we shall hear them grinding through the gravel, as they will grind, making a little track when they come up, and a deeper one when they go away, for they'll carry Miggie then."

"Oh, Nina! hush, hush! No, no!" and Richard's voice was choked with tears, which ran over his face like rain.

Nina had achieved her object, and, with a most satisfied expression she watched him as he wept. Her's was a triple task, caring for Richard, caring for Arthur, and caring for Edith, but most faithfully did she perform it. Every day, when the sun was low in the western sky, she stole away to Grassy Spring, speaking blessed words of comfort to the despairing Arthur, who waited for her coming as for the visit of an angel. She was dearer to him now since he had confessed his sin to Edith, and could she have been restored to reason he would have compelled himself to make her his wife in reality as well as in name. She was a sweet creature, he knew; and he always caressed her with unwonted tenderness ere he sent her back to the sick room, where Edith ever bemoaned her absence, missing her at once, asking for pretty Nina, with the golden hair. She apparently did not remember that Nina stood between herself and Arthur St. Claire, or, if she did, she bore no malice for the patient, all-enduring girl who nursed her with so much care, singing to her the plaintive German air once sung to Dr. Griswold, and in which Edith would often join, taking one part, while Nina sang the other; and the members of the household, when they heard the strange melody, now swelling load and full, as some fitful fancy took possession of the crazy vocalists, and now sinking to a plaintive wail, would shudder, and turn aside to weep, for there was that in the music which reminded them of the hearse wheels grinding down the gravel, and of the village bell giving the eighteen strokes. Sometimes, for nearly a whole night those songs of the olden time would echo through the house, and with each note she sang the fever burned more fiercely in Edith's veins, and her glittering black eyes flashed with increased fire, while her fingers clutched at her tangled hair, as if they thus would keep time to the thrilling strain. Her hair troubled her, it was so heavy, so thick, so much in her way, and when she manifested a propensity to relieve herself of the burden by tearing it from the roots the physician commanded them to cut away those beautiful shining braids, Edith's crowning glory.

It was necessary, he said, and the sharp, polished scissors were ready for the task, when Nina, stepping in between them and the blue-black locks, saved the latter from the nurse's barbaric hand. She remembered well when her own curls had fallen one by one beneath the shears of an unrelenting nurse, and she determined at all hazards to spare Edith from a like fancied indignity.

"Miggie's hair shall not be harmed," she said, covering with her apron the wealth of raven tresses. "I can keep her from pulling it. I can manage her;" and the sequel proved that she was right.

It was a singular power that blue-eyed blonde possessed over the dark-eyed brunette, who became at last as obedient to Nina's will as Nina once had been to her's, and it was amusing to watch Nina flitting about Edith, now reasoning with, now coaxing, and again threatening her capricious patient, who was sure eventually to do as she was bidden.

Only once while the delirium lasted did Edith refer to Arthur, and then she said reproachfully, "Oh, Nina, what made him do so?"

They were alone, and bending over her, Nina replied, "I am so sorry, Miggie, and I'll try to have the ugly thing SCRATCHED OUT."

This idea once fixed in Nina's mind could not easily be dislodged, and several times she went to Richard, asking him to SCRATCH IT OUT! Wishing to humor her as far as possible he always answered that he would if he knew what she meant. Nina felt that she must not explain, and with vigilant cunning she studied how to achieve her end without betraying Arthur. It came to her one night, and whispering to Edith, "I am going to get it fixed," she glided from the room and sought the library where she was sure of finding Richard. It was nearly eleven o'clock, but he had not yet retired, and with his head bent forward he sat in his accustomed place, the fire-light shining on his face, which had grown fearfully haggard and white within the last two weeks. He heard Nina's step, and knowing who it was, asked if Edith were worse.

"No," returned Nina, "she'll live, too, If you'll only scratch it out."

He was tired of asking what she meant, and he made no answer. But Nina was too intent upon other matters to heed his silence. Going to his secretary she arranged materials for writing, and then taking his hand, said, in the commanding tone she used toward Edith when at all refractory, "Come and write. 'Tis the only chance of saving her life."

"Write what?" he asked, as he rose from his chair and suffered her to lead him to the desk.

He had written occasionally since his blindness, but it was not a frequent thing, and his fingers closed awkwardly about the pen she placed in his hand. Feeling curious to know the meaning of all this, he felt for the paper and then said to her,

"I am ready for you to dictate."

But dictation was no part of Nina's intentions. The lines traced upon that sheet would contain a secret which Richard must not know; and with a merry laugh, as she thought how she would cheat him, she replied,

"No, SIR. Only Miggie and I can read what you write. Nina will guide your hand and trace the words."

Dipping the pen afresh into the ink, she bade him take it, and grasping his fingers, guided them while they wrote as follows;

"That last was my name," interrupted Richard, who was rewarded by a slight pull of the hair, as Nina said,

"Hush, be quiet."

A great blot now came after the "Harrington," and wiping it up with the unresisting Richard's coat sleeve, Nina continued:

She was not sure whether "swear" or "declare" would be the more proper word, and she questioned Richard, who decided upon "swear" as the stronger of the two, and she went on:

"As true as you live you can't SEE?" she asked, looking curiously into the sightless eyes.

"No; I can't see," was the response, and satisfied that she was safe, Nina made him write,

Nina didn't know what, but remembering a phrase she had often heard used, and thinking it might be just what was needed, she said,

"Does 'NULL AND VOID' mean 'SCRATCHED OUT?'"

"Yes," he answered, smiling in spite of himself, and Nina added with immense capitals,

"—NULL AND VOID," to what she had already written.

"I reckon it will be better to have your name," she said, and the cramped fingers were compelled to add: "RICHARD HARRINGTON, COLLINGWOOD, November 25th 18—"

"There!" and Nina glanced with an unusual amount of satisfaction at the wonderful hieroglyphics which covered nearly an entire page of foolscap, so large were the letters and so far apart the words. "That'll cure her, sure," and folding it up, she hastened back to Edith's chamber.

Old Rachel watched that night, but Nina had no difficulty in coaxing her from the room, telling her she needed sleep, and Miggie was so much more quiet when alone with her. Rachel knew this was true, and after an hour or so withdrew to another apartment, leaving Edith alone with Nina. For a time Edith slept quietly, notwithstanding that Nina rattled the spoons and upset a chair hoping thus to wake her.

Meanwhile Richard's curiosity had been thoroughly roused with regard to the SCRATCHING OUT, and knowing Victor was still up, he summoned him to his presence, repeating to him what had just occurred and saying, "If you find that paper read it. It is surely right for me to know what I have written."

"Certainly," returned Victor, bowing himself from the room.

Rightly guessing that Nina would read it aloud to Edith, he resolved to be within hearing distance, and when he heard Rachel leave the chamber he drew near the door, left ajar for the purpose of admitting fresher air. From his position he saw that Edith was asleep, while Nina, with the paper clasped tightly in her hand, sat watching her. Once the latter thought she heard a suspicious sound, and stealing to the door she looked up and down the hall where a lamp was burning, showing that it was empty.

"It must have been the wind," she said, resuming her seat by the bedside, while Victor Dupres, gliding from the closet where he had taken refuge, stood again at his former post, waiting for that deep slumber to end.

"Nina, are you here?" came at last from the pale lips, and the bright, black eyes unclosed looking wistfully about the room.

Silent and motionless Victor stood, while Nina, bending over Edith, answered, "Yes, Miggie, I am here, and I've brought you something to make you well. HE wrote it—Richard did—just now, in the library. Can you see if I bring the lamp?" and thrusting the paper into Edith's hands she held the lamp close to her eyes.

"You havn't strength, have you?" she continued, as Edith paid no heed. "Let me do it for you," and taking the crumpled sheet, she read in tones distinct and dear:

Slowly a faint color deepened on Edith's cheek, a soft lustre was kindled in her eye, and the great tears dropped from her long lashes. Her intellect was too much clouded for her to reason clearly upon anything, and she did not, for a moment, doubt the validity of what she heard. Richard could annul the marriage if he would, she was sure, and now that he had done so, the bitterness of death was past,—the dark river forded, and she was saved. Nina had steered the foundering bark into a calm, quiet sea, and exulting in her good work, she held Edith's head upon her bosom, and whispered to her of the joyous future when she would live with Arthur.

As a child listens to an exciting tale only comprehends in part, so Edith listened to Nina, a smile playing about her mouth and dancing in her eyes, which at last, as the low voice ceased, closed languidly as did the soft blue orbs above them, and when the grey dawn stole into the room it found them sleeping in each other's arms,—the noble-hearted Nina who had virtually given up her husband and the broken-hearted Edith who had accepted him. They made a beautiful tableau, and Victor for a time stood watching them, wiping the moisture from his own eyes, and muttering to himself, "Poor Edith, I understand it now, and pity you so much. But your secret is safe. Not for worlds would I betray that blessed angel, Nina." Then, crossing the hall with a cautious tread, he entered his own apartment and sat down to THINK.

Victor Dupres knew WHAT HAD BEEN SCRATCHED OUT!

It was late the next morning, ere Nina and Edith awoke from that long sleep, which proved so refreshing to the latter, stilling her throbbing pulse, cooling her feverish brow, and subduing the wild look of her eyes, which had in them the clear light of reason. Edith was better. She would live, the physician said, feeling a glow of gratified vanity as he thought how that last dose of medicine, given as an experiment, and about which he had been so doubtful, had really saved her life. She would have died without it, he knew, just as Mrs. Matson, who inclined to homoeopathic principles, knew her patient would have died if she had not slily thrown it in the fire, substituting in its stead sweetened water and pills of bread.

Victor and Nina, too, had their theory with regard to the real cause of Edith's convalescence, but each kept his own counsel, Victor saying to Richard when questioned as to whether he had read the paper or not,

"No, Miss Nina keeps it clutched tightly in her hand, as if suspecting my design."

In the course of the day, however, Nina relaxed her vigilance, and Victor, who was sent up stairs with wood, saw the important document lying upon the hearth rug, where Nina had unconsciously dropped it.

"It's safer with me," he thought, and picking it up, he carried it to his own apartment, locking it in his trunk where he knew no curious eyes would ever find it.

In her delight at Edith's visible improvement, Nina forgot the paper for a day or two, and when at last she did remember it, making anxious inquiries for it, Mrs. Matson, who was not the greatest stickler for the truth, pacified her by saying she had burned up a quantity of waste papers scattered on the floor, and presumed this was among them. As Nina cared for nothing save to keep the SCRATCHING OUT from every one except those whom it directly concerned, she dismissed the subject from her mind, and devoted herself with fresh energy to Edith, who daily grew better.

She had not seen Arthur since that night in the Deering Woods, neither did she wish to see him. She did not love him now, she said; the shock had been so great as to destroy the root of her affections, and no excuse he could offer her would in the least palliate his sin. Edith was very harsh, very severe toward Arthur. She should never go to Grassy Spring again, she thought; never look upon his face unless he came to Collingwood, which she hoped he would not do, for an interview could only be painful to them both. She should tell him how deceived she was in him, and Edith's cheeks grew red, and her eyes unusually bright, as she mentally framed the speech she should make to Arthur St. Claire, if ever they did meet. Her excitement was increasing, when Nina came in, and tossing bonnet and shawl on the floor, threw herself upon the foot of the bed, and began to cry, exclaiming between each sob,

"Nina can't go! Nina won't go, and leave you here alone! I told him so the vile boy, but he wouldn't listen, and Soph is packing my trunks. Oh, Miggie, Miggie! how can I go without you? I shall tear again, and be as bad as ever."

"What do you mean?" asked Edith, "Where are you going, and why?"

Drying her tears, Nina, in her peculiar way, related how "Arthur wouldn't believe it was scratched out; Richard couldn't do such a thing, he said; nobody could do it, but a divorce, and Arthur wouldn't submit to that. He loves me better, than he used to do," she said; "and he talked a heap about how he'd fix up Sunny Bank. Then he asked me how I liked the name of Nina St. Claire.IHATE IT!" and the blue eyes flashed as Edith had never seen them flash before. "I won't be his wife! I'd forgotten all what it was that happened that night until he told it to you in the woods. Then it came back to me, and I remembered how we went to Richard, because he was most blind, and did not often come to Geneva. That was Sarah Warren's plan I believe, but my head has ached and whirled so since that I most forget. Only this I know, nothing ever came of it; and over the sea I loved Charlie Hudson, and didn't love Arthur. But, Miggie he's been so good to me so like my mother. He's held me in his arms a heap of nights when the fire was in my brain; and once, Miggie, he held me so long, and I tore so awfully, that he fainted, and Dr. Griswold cried, and said, 'Poor Arthur; poor boy!' That's whenIBIT HIM!—bit Arthur, Miggie, right on his arm, because he wouldn't let me pull his hair. Dr. Griswold shook me mighty hard, but Arthur never said a word. He only looked at me so sorry, so grieved like, that I came out of my tantrum, and kissed the place. I've kissed it ever so many times since then, and Arthur knows I'm sorry. I ain't a fit wife for him. I don't blame him for wanting you. I can't see the WRONG, but it's because I'm so thick-headed, I suppose! I wish I wasn't!" And fixing her gaze upon the window opposite, Nina seemed to be living over the past, and trying to arrange the events of her life in some clear, tangible form.

Gradually as she talked Edith had softened toward Arthur—poor Arthur, who had borne so much. She might, perhaps, forgive him, but to FORGET was impossible. She had suffered too much at his hands for that, and uttering a faint moan as she thought how all her hopes of happiness were blasted, she turned on her pillow just as Nina, coming out of her abstracted fit, said to her,

"Did I tell you we are going to Florida—Arthur and I—going back to our old home, in two or three days, Arthur says it is better so. Old scenes may cure me."

Alas, for poor human nature. Why did Edith's heart throb so painfully, as she thought of Nina cured, and taken to Arthur's bosom as his wife. She knew SHE could not be that wife, and only half an hour before she had said within herself, "IHATE HIM." Now, however, she was conscious of a strong unwillingness to yield to another the love lost to her forever, and covering her head with the sheet, she wept to think how desolate her life would be when she knew that far away, in the land of flowers, Arthur was learning to forget her and bestowing his affection upon restored, rational Nina.

"Why do you cry?" asked Nina, whose quick ear detected the stifled sobs. "Is it because we are going? I told him you would, when he bade me come and ask if you would see him before he goes."

"Did he—did he send me that message?" and the Edith, who wouldn't for the world meet Arthur St. Claire again, uncovered her face eagerly. "Tell him to come to-morrow at ten o'clock. I am the strongest then; and Nina, will you care if I ask you to stay away? I'd rather see him alone."

Edith's voice faltered as she made this request, but Nina received it in perfect good faith, answering that she would remain at home.

"I must go now," she added. "He's waiting for me, and I do so hope you'll coax him to stay here. I hate old Florida."

Edith however felt that it was better for them both to part. She had caught a glimpse of her own heart, and knew that its bleeding fibres still clung to him, and still would cling till time and absence had healed the wound.

"I will be very cold and indifferent to-morrow," she said to herself, when after Nina's departure, she lay, anticipating the dreaded meeting and working herself up to such a pitch of excitement that the physician declared her symptoms worse, asking who had been there, and saying no one must see her, save the family, for several days.

The doctor's word was law at Collingwood, and with sinking spirits Edith heard Richard in the hall without, bidding Mrs. Matson keep every body from the sick room for a week. Even Nina was not to be admitted, for it was clearly proved that her last visit had made Edith worse. What should she do? Arthur would be gone ere the week went by, and she MUST see him. Suddenly Victor came into her mind. She could trust him to manage it, and when that night, while Mrs. Matson was at her tea he came up as usual with wood, she said to him, "Victor, shut the door so no one can hear, and then come close to me."

He obeyed, and standing by her bedside waited for her to speak.

"Victor, Mr. St. Claire is going to Florida in a day or two. I've promised to see him to-morrow at ten o'clock, and Richard says no one can come in here, but I must bid Arthur good-bye and Nina, too. Can't you manage it, Victor?"

"Certainly," returned Victor, who, better than any one else knew his own power over his master. "You shall see Mr. St. Claire, and see him alone."

Victor had not promised more than be felt able to perform, and when at precisely ten o'clock next day the door bell rang, he hastened to answer the summons, admitting Arthur, as he had expected.

"I called to see Miss Hastings," said Arthur, "I start for Florida to-morrow, and would bid her good-bye."

Showing him into the parlor, Victor sought Richard's presence, and by a few masterly strokes of policy and well-worded arguments, obtained his consent for Arthur to see Edith just a few moments.

"It was too bad to send him away without even a good-bye, when she had esteemed him so highly as a teacher," Richard said, unwittingly repeating Victor's very words—that a refusal would do her more injury than his seeing her could possibly do. "I'll go with him. Where is he?" he asked, rising to his feet.

"Now, I wouldn't if I was you. Let him talk with her alone. Two excite her a great deal more than one, and he may wish to say some things concerning Nina which he does not care for any one else to hear. There is a mystery about HER, you know."

Richard did not know, but he suffered himself to be persuaded, and Victor returned to Arthur, whom be conducted in triumph to the door of Edith's chamber. She heard his well known step. She knew that he was coming, and the crimson spots upon her cheeks told how much she was excited. Arthur did not offer to caress her—he dared not do that now—but be knelt by her side, and burying his face in her pillow, said to her,

"I have come for your forgiveness, Edith. I could not go without it. Say that I am forgiven, and it will not be so hard to bid you farewell forever."

Edith meant to be very cold, but her voice was choked as she replied,

"I can forgive you, Arthur, but to forget is harder far. And still even that might be possible were I the only one whom you have wronged; but Nina—how could you prove so faithless to your marriage vow?"

"Edith," and Arthur spoke almost sternly. "You would not have me live with Nina as she is now."

"No, no," she moaned, "not as she is now, but years ago. Why didn't you acknowledge her as your wife, making the best of your misfortune. People would have pitied you so much, and I—oh, Arthur, the world would not then have been so dark, so dreary for me. Why did you deceive me, Arthur? It makes my heart ache so hard."

"Oh, Edith, Edith, you drive me mad," and Arthur took in his the hand which all the time had unconsciously been creeping toward him. "I was a boy, a mere boy, and Nina was a little girl. We thought it would be romantic, and were greatly influenced by Nina's room-mate, who planned the whole affair. I told you once how Nina wept, pleading with her father to let her stay in Geneva, but I have not told you that she begged of me to tell him all, while I unhesitatingly refused. I knew expulsion from College would surely be the result, and I was far too ambitious to submit to this degradation when it could be avoided. You know of the gradual change in our feelings for each other, know what followed her coming home, and you can perhaps understand how I grew so morbidly sensitive to anything concerning her, and so desirous to conceal my marriage from every one. This, of course, prompted me to keep her existence a secret as long as possible, and, in my efforts to do so, I can see now that I oftentimes acted the part of a fool. If I could live over the past again I would proclaim from the housetops that Nina was my wife. I love her with a different love since I told you all. She is growing fast into my heart, and I have hopes that a sight of her old home, together with the effects of her native air, will do her good. Griswold always said it would, and preposterous as it seems, I have even dared to dream of a future, when Nina will be in a great measure restored to reason."

"If she does, Arthur, what then?" and, in her excitement, Edith raised herself in bed, and sat looking at him with eyes which grew each moment rounder, blacker, brighter, but had in them, alas, no expression of joy; and when in answer to her appeal, Arthur said,

"I shall make her my wife," she fell back upon her pillow, uttering a moaning cry, which to the startled Arthur sounded like,

"No, no! no, no! not your wife."

"Edith," and rising to his feet Arthur stood with folded arms, gazing pityingly upon her, himself now the stronger of the two. "Edith, you, of all others, must not tempt me to fall. You surely will counsel me to do right! Help me! oh, help me! I am so weak, and I feel my good resolutions all giving way at sight of your distress! If it will take one iota from your pain to know that Nina shall never be my acknowledged wife, save as she is now, I will swear to you that, were her reason ten times restored, she shall not; But, Edith, don't, don't make me swear it. I am lost, lost if you do. Help me to do right, won't you, Edith?"

He knelt beside her again, pleading with her not to tempt him from the path in which he was beginning to walk; and Edith, as she listened, felt the last link, which bound her to him, snapping asunder. For a moment she HAD wavered; had shrank from the thought that any other could ever stand to him in the relation she once had hoped to stand; but that weakness was over, and while chiding herself for it, she hastened to make amends.

Turning her face toward him, and laying both her hands on his bowed head, she said,

"May the Good Father bless you, Arthur, even as you prove true to Nina. I have loved you, more than you will ever know, or I can ever tell, and my poor, bruised heart clings to you still with a mighty grasp. It is so hard to give you up, but it is right. I shall think of you often in your beautiful Southern home, praying always that God will bless you and forgive you at the last, even as I forgive you. And now farewell, MY Arthur, I once fondly hoped to call you, but mine no longer—NINA'S Arthur—go."

She made a gesture for him to leave her, but did not unclose her eyes. She could not look upon him, find know it was the last, last time, but she offered no remonstrance when he left, upon her lips a kiss so full of hopeless and yearning tenderness that it burned there many a day after he was gone. She heard him turn away, heard him cross the floor, knew he paused upon the threshold, and still her eye-lids never opened, though the hot tears rained over her face in torrents.

"The sweetest joy I have ever known was my love for you, Edith Hastings," he whispered, and then the door was closed between them.

Down the winding stairs he went, Edith counting every step, for until all sound of him had ceased she could not feel that they were parted forever. The sounds did cease at last, he had bidden Richard a calm good-bye, had said good-bye to Victor, and now he was going from the house. He would soon be out of sight, and with an intense desire to stamp his image upon her mind just as he was now, the changed, repentant Arthur, Edith arose, and tottering to the window, looked after him, through blinding tears, as he passed slowly from her sight, and then crawling, rather than walking back to her bed, she wept herself to sleep.

It was a heavy, unnatural slumber, and when she awoke from it, the fever returned with redoubted violence, bringing her a second time so near the gates of death that Arthur St. Claire deferred his departure for several days, and Nina became again the nurse of the sick room. But all in vain were her soft caresses and words of love. Edith was unconscious of everything, and did not even know when Nina's farewell kiss was pressed upon her lips and Nina's gentle hands smoothed her hair for the last time. A vague remembrance she had of an angel flitting around the room, a bright-haired seraph, who held her up from sinking in the deep, dark river, pointing to the friendly shore where life and safety lay, and this was all she knew of a parting which had wrung tears from every one who witnessed it, for there was something wonderfully touching in the way the crazy Nina bade adieu to "Miggie," lamenting that she must leave her amid the cold northern hills, and bidding her come to the southland, where the magnolias were growing and flowers were blossoming all the day long. Seizing the scissors, which lay upon the stand, she severed one of her golden curls, and placing it on Edith's pillow, glided from the room, followed by the blessing of those who had learned to love the beautiful little girl as such as she deserved to be loved.

* * * * * *

One by one the grey December days went by, and Christmas fires were kindled on many a festal hearth. Then the New Year dawned upon the world, and still the thick, dark curtains shaded the windows of Edith's room. But there came a day at last, a pleasant January day, when the curtains were removed, the blinds thrown open, and the warm sunlight came in shining upon Edith, a convalescent. Very frail and beautiful she looked in her crimson dressing gown, and her little foot sat loosely in the satin slipper, Grace Atherton's Christmas gift. The rich lace frill encircling her throat was fastened with a locket pin of exquisitely wrought gold, in which was encased a curl of soft, yellow hair, Nina's hair, a part of the tress left on Edith's pillow. This was Richard's idea,—Richard's New Year's gift to his darling; but Richard was not there to share in the general joy.

Just across the hall, in a chamber darkened as hers had been, he was lying now, worn out with constant anxiety and watching. When Nina left, his prop was gone, and the fever which had lain in wait for him so long, kindled within his veins a fire like to that which had burned in Edith's, but his strong, muscular frame met it fiercely, and the danger had been comparatively slight.

All this Grace told to Edith on that morning when she was first suffered to sit up, and asked why Richard did not come to share her happiness, for in spite of one's mental state, the first feeling of returning health is one of joy. Edith felt it as such even though her heart was so sore that every beat was painful. She longed to speak of Grassy Spring, but would not trust herself until Victor, reading her feelings aright, said to her with an assumed indifference, "Mr. St. Claire's house is shut up, all but the kitchen and the negro apartments. They are there yet, doing nothing and having a good time generally."

"And I have had a letter from Arthur," chimed in Mrs. Atherton, while the eyes resting on Victor's face turned quickly to hers. "They reached Sunny Bank in safety, he and Nina, and Soph."

"And Nina," Edith asked faintly, "how is she?"

"Improving, Arthur thinks, though she misses you very much."

Edith drew a long, deep sigh, and when next she spoke, she said,"Take me to the window, please, I want to see the country."

In an instant, Victor, who knew well what she wanted, took her in his arms, and carrying her to the window, set her down in the chair which Grace brought for her; then, as if actuated by the same impulse, both left her and returned to the fire, while she looked across the snow-clad fields to where Grassy Spring reared its massive walls, now basking in the winter sun. It was a mournful pleasure to gaze at that lonely building, with its barred doors, its closed shutters, and the numerous other tokens it gave of being nearly deserted. There was no smoke curling from the chimneys, no friendly door opened wide, no sweet young face peering from the iron lattice of the Den, no Arthur, no Nina there. Nothing but piles of snow upon the roof, snow upon the window-sills, snow upon the doorsteps, snow upon the untrodden walk, snow on the leafless elms, standing there so bleak and brown. Snow everywhere, as cold, as desolate as Edith's heart, and she bade Victor take her back again to the warm grate where she might perhaps forget how gloomy and sad, and silent, was Grassy Spring.

"Did I say anything when I was delirious—anything I ought not to have said?" she suddenly asked of Grace; and Victor, as if she had questioned him, answered quickly,

"Nothing, nothing—all is safe."

Like a flash of lightning, Grace Atherton's eyes turned upon him, while he, guessing her suspicions, returned her glance with one as strangely inquisitive as her own.

"Mon Dieu! I verily believe she knows," he muttered, as he left the room, and repairing to his own, dived to the bottom of his trunk, to make sure that he still held in his possession the paper on which it had been "scratched out."

That night as Grace Atherton took her leave of Edith, she bent over the young girl, and whispered in her ear,

"I know it all. Arthur told me the night before he left. God pity you, Edith! God pity you!"

Edith was nineteen. She was no longer the childish, merry-hearted maiden formerly known as Edith Hastings. Her cruel disappointment had ripened her into a sober, quiet woman, whose songs were seldom heard in the halls of Collingwood, and whose bounding steps had changed into a slower, more measured tread.

Still, there was in her nature too much of life and vigor to be crushed out at once, and oftentimes it flashed up with something of its olden warmth, and the musical laugh fell again on Richard's listening ear. He knew she was changed, but he imputed it all to her long, fearful sickness; when the warm summer days came back, she would be as gay as ever, he thought, or if she did not he would in the autumn take her to FLORIDA, to visit Nina, for whom he fancied she might be pining. Once he said as much to her, but his blindness was a shield between them, and he did not see the sudden paling of her cheek and quivering of her lip.

Alas, for Richard, that he walked in so great a darkness. Hour by hour, day by day, had his love increased for the child of his adoption, until now she was a part of his very life, pervading every corner and crevice of his being. He only lived for her, and in his mighty love, he became selfishly indifferent to all else around him. Edith was all he cared for;—to have her with him;—to hear her voice,—to know that she was sitting near,—that by stretching forth his hand he could lay it on her head, or feel her beautiful cheeks,—this was his happiness by day, and when at night he parted unwillingly from her, there was still a satisfaction in knowing that he should meet her again on the morrow,—in thinking that she was not far away—that by stepping across the hall and knocking at her door he could hear her sweet voice saying to him,

"What is it, Richard?"

He liked to have her call him Richard, as she frequently did. It narrowed the wide gulf of twenty-one years between them, bringing him nearer to her, so near, in fact, that bridal veils and orange wreaths now formed a rare loveliness walked ever at his side; clothed in garments such as the mistress of Collingwood's half million ought to wear, and this maiden was Edith—the Edith who, on her nineteenth birth-day, sat in her own chamber devising a thousand different ways of commencing a conversation which she meant to have with her guardian, the subject of said conversation being no less a personage than Grace Atherton. Accidentally Edith had learned that not the Swedish baby's mother but Grace Elmendorff had been the lady who jilted Richard Harrington and that, repenting bitterly of her girlish coquetry, Mrs. Atherton would now gladly share the blind man's lot, and be to him what she had not been to her aged, gouty lord. Grace did not say all this to Edith, it is true, but the latter read as much in the trembling voice and tearful eyes with which Grace told the story of her early love, and to herself she said, "I will bring this matter about. Richard often talks of her to me, asking if she has faded, and why she does not come more frequently to Collingwood. I will speak to him at the very first opportunity, and will tell him of my mistake, and ask him who Eloise Temple's mother was, and why he was so much interested in her."

With this to engross her mind and keep it from dwelling too much upon the past, Edith became more like herself than she had been since that dreadful scene in the Deering woods. Even her long neglected piano was visited with something of her former interest, she practising the songs which she knew Grace could sing with her, and even venturing upon two or three duets, of which Grace played one part. It would be so nice, she thought, to have some female in the house besides old Mrs. Matson, and she pictured just how Grace would look in her white morning gowns, with her blue eyes and chestnut curls, presiding at the breakfast table and handling the silver coffee urn much more gracefully than she could do.

It was a pleasant picture of domestic bliss which Edith drew that April morning, and it brought a glow to her cheeks, whence the roses all had fled. Once, indeed, as she remembered what Arthur had said concerning Richard's probable intentions, and what she had herself more than half suspected, she shuddered with fear lest by pleading for Grace, she should bring a fresh trial to herself. But no, whatever Richard might once have thought of her, his treatment now was so fatherly that she had nothing to fear, and with her mind thus at ease Edith waited rather impatiently until the pleasant April day drew to its close. Supper was over, the cloth removed, Victor gone to an Ethiopian concert, Mrs. Matson knitting in her room, Sarah, the waiting-maid, reading a yellow covered novel, and Richard sitting alone in his library.

Now was Edith's time if ever, and thrusting the worsted work she was crocheting into her pocket, she stepped to the library door and said pleasantly "You seem to be in a deep study. Possibly you don't want me now?"

"Yes, I do," he answered quickly. "I always want you."

"And can always do without me, too, I dare say," Edith rejoined playfully, as she took her seat upon a low ottoman, near him.

"No, I couldn't," and Richard sighed heavily. "If I had not you I should not care to live. I dreamed last night that you were dead, that you died while I was gone, and I dug you up with my own hands just to look upon your face again. I always see you in my sleep. I am not blind then, and when a face fairer, more beautiful than any of which the poets ever sang flits before me, I whisper to myself, 'that's Edith,—that's my daylight.'"

"Oh, mistaken man," Edith returned, laughingly, "how terribly you would be disappointed could you be suddenly restored to sight and behold the long, lank, bony creatureIknow as Edith Hastings— low forehead, turned-up nose, coarse, black hair, all falling out, black eyes, yellowish black skin, not a particle of red in it—the fever took that away and has not brought it back. Positively, Richard, I'm growing horridly ugly. Even my hair, which I'll confess I did use to think was splendid, is as rough as a chestnut burr. Feel for yourself if you don't believe me," and she laid his hand upon her hair, which, though beautiful and abundant, still was quite uneven and had lost some of its former satin gloss.

Richard shook his head. Edith's description of her personal appearance made not a particle of difference with him. She might not, perhaps, have recovered her good looks, but she would in time. She was improving every day, and many pronounced her handsomer than before her sickness, for where there had been, perhaps, a superabundance of color and health there was now a pensive, subdued beauty, preferred by some to the more glowing, dashing style which had formerly distinguished Edith Hastings from every one else in Shannondale. Something like this he said to her, but Edith only laughed and continued her crocheting, wondering how she should manage to introduce Grace Atherton. It was already half-past eight, Victor might soon be home, and if she spoke to him that night she must begin at once. Clearing her throat and making a feint to cough, she plunged abruptly into the subject by saying, "Richard, why have you never married? Didn't you ever see anybody you loved well enough?"

Richard's heart gave one great throb and then grew still, for Edith had stumbled upon the very thing uppermost in his mind. What made her? Surely, there was a Providence in it. 'Twas an omen of good, boding success to his suit, and after a moment he replied,

"Strange that you and I should both be thinking of matrimony. Do you know that my dreaming you were dead is a sign that you will soon be married?"

"I, Mr. Harrington!" and Edith started quickly. "The sign is not true. I shall never marry, never. I shall live here always, if you'll let me, but I do want you to have a wife. You will be so much happier, I think. Shall I propose one for you?"

"Edith," Richard answered, "sit close to me while I tell you of one I once wished to make my wife."

Edith drew nearer to him, and he placed upon her head the hands which were cold and clammy as if their owner were nerving himself for some mighty effort.

"Edith, in my early manhood I loved a young girl, and I thought my affection returned, but a wealthier, older man came between us, and she chose his riches in preference to walking in my shadow, for such she termed my father."

"But she's repented, Mr. Harrington—she surely has," and Edith dropped her work in her earnestness to defend Grace Atherton. "She is sorry for what she made you suffer; she has loved you through all, and would be yours now if you wish it, I am sure. You DO wish it, Richard. You will forgive Grace Atherton," and in her excitement Edith knelt before him, pleading for her friend.

Even before he answered her she knew she pleaded in vain, but she was not prepared for what followed the silence Richard was first to break.

"Grace Atherton can never be to me more than what she is, a tried, respected friend. My boyish passion perished long ago, and into my later life another love has crept, compared with which my first was as the darkness to the full noonday. I did not think to talk of this to-night, but something compels me to do so—tells me the time has come, and Edith, you must hear me before you speak, but sit here where I can touch you, and when I'm through if what I've said meets with a responsive chord, lay your hand in mine, and I shall know the nature of your answer."

It was coming now—the scene which Arthur foresaw when, sitting in the Deering woods, with life and sense crushed out, he gave his Edith up to one more worthy than himself. It was the foreshadowing of the "SACRIFICE," the first step taken toward it, and as one who, seeing his destiny wrapping itself about him fold on fold, sits down stunned and powerless, so Edith sat just where he bade her sit, and listened to his story.

"Years ago, Edith, a solitary, wretched man I lived in my dark world alone, weary of life, weary of every thing, and in my weariness I was even beginning to question the justice of my Creator for having dealt so harshly with me, when one day a wee little singing bird, whose mother nest had been made desolate, fluttered down at my feet, tired like myself, and footsore even with the short distance it had come on life's rough journey. There was a note in the voice of this sinking bird which spoke to me of the past, and so my interest grew in the helpless thing until at last it came to nestle at my side, not timidly, for such was not its nature, but as if it had a right to be there—a right to be caressed and loved as I caressed and loved it, for I did learn to love it, Edith, so much, oh, so much, and the sound of its voice was sweeter to me than the music of the Swedish nightingale, who has filled the world with wonder.

"Years flew by, and what at first had been a tiny fledgling, became a very queen of birds, and the blind man's heart throbbed with pride when he heard people say of his darling that she was marvellously fair. He knew it was not for him to look upon her dark, rich, glowing beauty, but he stamped her features upon his mind in characters which could not be effaced, and always in his dreams her face sat on his pillow, watching while be slept, and when he woke bent over him, whispering, 'Poor blind man,' just as the young bird had whispered ere it's home was in his bosom.

"Edith, that face is always with me, and should it precede me to the better land, I shall surely know it from all the shining throng. I shall know my singing bird, which brought to our darkened household the glorious daylight, just as Arthur St. Claire said she would when he asked me to take her."

From the ottoman where Edith sat there came a low, choking sound, but it died away in her throat, and with her hands locked so firmly together that the taper nails made indentation in the tender flesh, she listened, while Richard continued:

"It is strange no one has robbed me of my gem. Perhaps they spared me in their pity for my misfortune. At all events, no one has come between us, not even Arthur St. Claire, who is every way a desirable match for her."

Again that choked, stifled moan, and a ring of blood told where the sharp nail had been, but Edith heeded nothing save Richard's voice, saying to her,

"You have heard of little streams trickling from the heart of some grim old mountain, growing in size and strength as they advanced, until at last they became a mighty river, whose course nothing could impede, Such, Edith, is my love for that singing bird. Little by little, inch by inch, it has grown in its intensity until there is not a pulsation of my being which does not bear with it thoughts of her. But my bird is young while I am old. Her mate should be one on whose head the summer dews are resting, one more like Arthur St Claire, and not an owl of forty years growth like me; but she has not chosen such an one, and hope has whispered to the tough old owl that his bright-eyed dove might be coaxed into his nest; might fold her wings there forever, nor seek to fly away. If this COULD be, Edith. Oh, if this could be, I'd guard that dove so tenderly that not a feather should be ruffled, and the winds of heaven should not blow too roughly on my darling. I'd line her cage all over with gold and precious stones, but the most costly gem of all should be the mighty unspeakable love I'd bear to her. Aye, that I do bear her now, Edith,—my daylight, my life. You surely comprehend me; tell me, then, can all this be? Give me the token I desire."

He stretched out his groping hand, which swayed back and forth in the empty air, but felt the clasp of no soft fingers clinging to it, and a wistful, troubled look settled upon the face of the blind man, just as a chill of fear was settling upon his heart.

"Edith, darling, where are you?" and his hand sought the ottoman where she had been, but where she was not now.

Noiselessly, as he talked, she had crept away to the lounge in the corner, where she crouched like a frightened deer, her flush creeping with nervous terror, and her eyes fastened upon the man who had repeated her name, asking where she was.

"Here, Richard," she answered at last, her eyelids involuntarily closing when she saw him rising, and knew he was coming toward her.

She had forgotten her promise to Arthur that she would not answer Richard "No," should he ask her to be his wife; that, like Nina's "scratching out," was null and void, and when he knelt beside her, she said half bitterly,

"It must not be; THE SINGING BIRD CANNOT MATE WITH THE OWL!"

Instantly there broke from the blind man's lips a cry of agony so pitiful, so reproachful in its tone, that Edith repented her insulting words, and winding her arms around his neck, entreated his forgiveness for having so cruelly mocked him..

"You called yourself so first," she sobbed, "or I should not have thought of it. Forgive me. Richard, I didn't mean it. I could not thus pain the noblest, truest friend I ever had. Forgive your singing bird. She surely did not mean it," and Edith pressed her burning cheeks against his own.

What was it she did not mean? That it could not be, or that he was an owl? He asked himself this question many times during the moment of silence which intervened; then as he felt her still clinging to him, his love for her rolled back upon him with overwhelming force, and kneeling before her as the slave to his master, he pleaded with her again to say IT COULD BE, the great happiness he had dared to hope for.

"Is there any other man whom my darling expects to marry?" he asked, and Edith was glad he put the question in this form, as without prevarication she could promptly answer,

"No, Richard, there is none."

"Then you may learn to love me," Richard said. "I can wait, I can wait; but must it be very long? The days will be so dreary, and I love you so much that I am lost if you refuse. Don't make my darkness darker, Edith."

He laid his head upon her lap, still kneeling before her, the iron-willed man kneeling to the weak young girl, whose hands were folded together like blocks of lead, and gave him back no answering caress, only the words,

"Richard, I can't. It's too sudden. I have thought of you always as my elder brother, Be my brother, Richard. Take me as your sister, won't you?"

"Oh, I want you for my wife," and his voice was full of pleading pathos. "I want you in my bosom, I need you there, darling. Need some one to comfort me. I've suffered so much, for your sake, too. Oh, Edith, my early manhood was wasted; I've reached the autumn time, and the gloom which wrapped me then in its black folds lies around me still, and will you refuse to throw over my pathway a single ray of sunlight? No, no, Edith, you won't, you can't. I've loved you too much. I've lost too much. I'm growing old—and—oh, Birdie, Birdie, I'M BLIND! I'M BLIND!"

She did not rightly interpret his suffering FOR HER SAKE. She thought he meant his present pain, and she sought to soothe him as best she could without raising hopes which never could be realized. He understood her at last; knew the heart he offered her was cast back upon him, and rising from his kneeling posture, he felt his way back to his chair, and burying his head upon a table standing near, sobbed as Edith had never heard man sob before, not even Arthur St. Claire, when in the Deering Woods he had rocked to and fro in his great agony. Sobs they were which seemed to rend his broad chest asunder, and Edith stopped her ears to shut out the dreadful sound.

But hark, what is it he is saying? Edith fain would know, and listening intently, she hears him unconsciously whispering to himself; "OH, EDITH, WAS IT FOR THIS THATISAVED YOU FROM THE RHINE, PERILING MY LIFE AND LOSING MY EYESIGHT? BETTER THAT YOU HAD DIED IN THE DEEP WATERS THAN THATISHOULD MEET THIS HOUR OF ANGUISH."

"Richard, Richard!" and Edith nearly screamed as she flew across the floor. Lifting up his head she pillowed it upon her bosom, and showering kisses upon his quivering lips, said to him, "Tell me— tell me, amIthat Swedish baby,Ithat Eloise Temple?"

He nodded in reply, and Edith continued: "the child for whose sake you were made blind! Why have you not told me before? I could not then have wounded you so cruelly. How can I show my gratitude? I am not worthy of you, Richard; not worthy to bear your name, much less to be your bride, but such as I am take me. I cannot longer refuse. Will you, Richard? May I be your wife?"

She knelt before HIM now; hers was the supplicating posture, and when he shook his head, she continued,

"You think it a sudden change, and so it is, but I mean it. I'm in earnest, I do love you, dearly, oh, so dearly, and by and by I shall love you a great deal more. Answer me—may I be your wife?"

It was a terrible temptation, and Richard Harrington reeled from side to side like a broken reed, while his lips vainly essayed to speak the words his generous nature bade them speak. He could not see the eagerness of the fair young face upturned to his—the clear, truthful light shining in Edith's beautiful dark eyes, telling better than words could tell that she was sincere in her desire to join her sweet spring life with his autumn days. He could not see this, else human flesh had proved too weak to say what he did say at last.

"No, my darling, I cannot accept a love born of gratitude and nothing more. You remember a former conversation concerning this Eloise when you told me you were glad you were not she, as in case you were you should feel compelled to be grateful, or something like that, where as you would rather render your services to me from love. Edith, that remark prevented me from telling you then that you were Eloise, the Swedish mother's baby."

Never before had the words "that Swedish mother" touched so tender a chord in Edith's heart as now, and forgetting every thing in her intense desire to know something of her own early history, she exclaimed, "You knew my mother, Richard. You have heard her voice, seen her face; now tell me of her, please. Where is she? And Marie, too, for there was a Marie. Let's forget all that's been said within the last half hour. Let's begin anew, making believe it's yesterday instead of now, and, when the story is ended, ask me again if the singing bird can mate with the eagle. The grand, royal eagle, Richard, is the best similitude for you," and forcing herself to sit upon his knee, she put her arms around his neck bidding him again tell her of her mother.

With the elastic buoyancy of youth Edith could easily shake off the gloom which for a few brief moments had shrouded her like a pall, but not so with Richard. "The singing-bird must not mate with the owl," rang continually in his ears. It was her real sentiment he knew, and his heart ached so hard as he thought how he had staked his all on her and lost it.

"Begin," she said, "Tell me where you first met my mother."

Richard heaved a sigh which smote heavily on Edith's ear, for she guessed of what he was thinking, and she longed to reassure him of her intention to be his sight hereafter, but he was about to speak and she remained silent.

"Your mother," he said "was a Swede by birth, and her marvellous beauty first attracted your father, whose years were double her own."

"I'm so glad," interrupted Edith, "As much as twenty-one years older, wasn't he?"

"More than that," answered Richard, a half pleased, half bitter smile playing over his dark face, "Forgive me, darling, but I'm afraid he was not as good a man as he should have been, or as kind to his young wife. When I first saw her she lived in a cottage alone, and he was gone. She missed him sadly, and her sweet voice seemed full of tears as she sang her girl baby to sleep. You have her voice, Edith, and its tones came back to me the first time I ever heard you speak. But I was telling of your father. He was dissipated, selfish and unprincipled,—affectionate and kind to Petrea one day, cold, hard and brutal the next. Still she loved him and clung to him, for he was the father of her child. You were a beautiful little creature, Edith, and I loved you so much that when I knew you had fallen from a bluff into the river, I unhesitatingly plunged after you."

"I remember it," cried Edith, "I certainly do, or else it was afterwards told to me so often that it seems a reality."

"The latter is probably the fact," returned Richard. "You were too young to retain any vivid recollections of that fall."

Still Edith persisted that she did remember the face of a little girl in the water as she looked over the rock, and of bending to touch the arm extended toward her. She remembered Bingen, too, with its purple grapes; else why had she been haunted all her life with vine-clad hills and plaintive airs.

"Your mother sang to you the airs, while your nurse, whose name I think was Marie, told you of the grapes growing on the hills," said Richard. "She was a faithful creature, greatly attached to your mother, but a bitter foe of your father. I was too much absorbed in the shadow stealing over me to pay much heed to my friends, and after they left Germany I lost sight of them entirely, nor dreamed that the little girl who came to me that October morning was my baby Eloise. Your voice always puzzled me, and something I overheard you saying to Grace one day about your mysterious hauntings of the past, together with an old song of Petrea's which you sang, gave me my first suspicion as to who you were, and decided me upon that trip to New York. Going first to the Asylum of which you were once an inmate, I managed after much diligent inquiry to procure the address of the woman who brought you there when you were about three years old. I had but little hope of finding her, but determining to persevere I sought out the humble cottage in the suburbs of the city. It was inhabited by an elderly woman who denied all knowledge of Edith Hastings until told that I was Richard Harrington. Then her manner changed at once, and to my delight I heard that she was Marie's sister. She owned the cottage, had lived there more than twenty years, and saw your mother die. Petrea, it seems, had left her husband, intending to return to Sweden, but sickness overtook her and she died in New York, committing you to the faithful Marie's care in preference to your father's. Such was her dread of him that she made Marie swear to keep your existence a secret from him, lest he should take you back to a place where she had been so wretched and where all the influences, she thought, were bad. She would rather you should be poor, she said, than to be brought up by him, and as a means of eluding discovery, she said you should not bear his name, and with her dying tears she baptised you Edith Hastings. After her decease Marie wrote to him that both of you were dead, and he came on at once, seemed very penitent and sorry when it was too late."

"Where was his home?" Edith asked eagerly; and Richard replied,

"That is one thing I neglected to enquire, but when I met him inEurope I had the impression that it was in one of the Western orSouth-western states."

"Is he still alive?" Edith asked again, a daughter's love slowly gathering in her heart in spite of the father's cruelty to the mother.


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