A Day of Difficulties
All were in their seats and the teacher had called a class. CarltHomer came in.
"You're ten minutes late," said the teacher.
"I have fifteen cows to milk," the boy answered.
"Where do you live?"
"'Bout a mile from here, on the Beach Plains."
"What time do you begin milking?"
"'Bout seven o'clock."
"I'll go to-morrow morning and help you," said the teacher. "We must be on time—that's a necessary law of the school."
At a quarter before seven in the morning, Sidney Trove presented himself at the Homers'. He had come to help with the milking, but found there were only five cows to milk.
"Too bad your father lost so many cows—all in a day," said he."It's a great pity. Did you lose anything?"
"No, sir."
"Have you felt to see?"
The boy put his hand in his pocket.
"Not there—it's an inside pocket, way inside o' you. It's where you keep your honour and pride."
"Wal," said the boy, his tears starting, "I'm 'fraid I have."
"Enough said—good morning," the teacher answered as he went away.
One morning a few days later the teacher opened his school with more remarks.
"The other day," said he, "I spoke of a thing it was very necessary for us to learn. What was it?"
"To obey," said a youngster.
"Obey what?" the teacher inquired.
"Law," somebody ventured.
"Correct; we're studying law—every one of us—the laws of grammar, of arithmetic, of reading, and so on. We are learning to obey them. Now I am going to ask you what is the greatest law in the world?"
There was a moment of silence. Then the teacher wrote these words in large letters on the blackboard; "Thou shalt not lie."
"There is the law of laws," said the teacher, solemnly. "Better never have been born than not learn to obey it. If you always tell the truth, you needn't worry about any other law. Words are like money—some are genuine, some are counterfeit. If a man had a bag of counterfeit money and kept passing it, in a little while nobody would take his money. I knew a man who said he killed four bears at one shot. There's some that see too much when they're looking over their own gun-barrels. Don't be one of that kind. Don't ever kill too many bears at a shot."
After that, in the Linley district, a man who lied was said to be killing too many bears at a shot.
Good thoughts spread with slow but sure contagion. There were some who understood the teacher. His words went home and far with them, even to their graves, and how much farther who can say? They went over the hills, indeed, to other neighbourhoods, and here they are, still travelling, and going now, it may be, to the remotest corners of the earth. The big boys talked about this matter of lying and declared the teacher was right.
"There's Tunk Hosely," said Sam Price. "Nobody'd take his word for nuthin'."
"'Less he was t' say he was a fool out an' out," another boy suggested.
"Dunno as I'd b'lieve him then," said Sam. "Fer I'd begin t' think he knew suthin'."
A little girl came in, crying, one day.
"What is the trouble?" said the teacher, tenderly, as he leaned over and put his arm around her.
"My father is sick," said the child, sobbing.
"Very sick?" the teacher inquired.
For a moment she could not answer, but stood shaken with sobs.
"The doctor says he can't live," said she, brokenly.
A solemn stillness fell in the little schoolroom. The teacher lifted the child and held her close to his broad breast a moment.
"Be brave, little girl," said he, patting her head gently."Doctors don't always know. He may be better to-morrow."
He took the child to her seat, and sat beside her and whispered a moment, his mouth close to her ear. And what he said, none knew, save the girl herself, who ceased to cry in a moment but never ceased to remember it.
A long time he sat, with his arm around her, questioning the classes. He seemed to have taken his place between her and the dark shadow.
Joe Beach had been making poor headway in arithmetic.
"I'll come over this evening, and we'll see what's the trouble.It's all very easy," the teacher said.
He worked three hours with the young man that evening, and filled him with high ambition after hauling him out of his difficulty.
But of all difficulties the teacher had to deal with, Polly Vaughn was the greatest. She was nearly perfect in all her studies, but a little mischievous and very dear to him. "Pretty;" that is one thing all said of her there in Faraway, and they said also with a bitter twang that she loved to lie abed and read novels. To Sidney Trove the word "pretty" was inadequate. As to lying abed and reading novels, he was free to say that he believed in it.
"We get very indignant about slavery in the south," he used to say; "but how about slavery on the northern farms? I know people who rise at cock-crow and strain their sinews in heavy toil the livelong day, and spend the Sabbath trembling in the lonely shadow of the Valley of Death. I know a man who whipped his boy till he bled because he ran away to go fishing. It's all slavery, pure and simple."
"In the sweat of thy face shalt thou eat bread till thou return unto the ground," said Ezra Tower.
"If God said it, he made slaves of us all," said young Trove. "When I look around here and see people wasted to the bone with sweat and toil, too weary often to eat the bread they have earned, when I see their children dying of consumption from excess of labour and pork fat, I forget the slaves of man and think only of these wretched slaves of God."
But Polly was not of them the teacher pitied. She was a bit discontented; but surely she was cheerful and well fed. God gave her beauty, and the widow saw it, and put her own strength between the curse and the child. Folly had her task every day, but Polly had her way, also, in too many things, and became a bit selfish, as might have been expected. But there was something very sweet and fine about Polly. They were plain clothes she wore, but nobody save herself and mother gave them any thought. Who, seeing her big, laughing eyes, her finely modelled face, with cheeks pink and dimpled, her shapely, white teeth, her mass of dark hair, crowning a form tall and straight as an arrow, could see anything but the merry-hearted Polly?
"Miss Vaughn, you will please remain a few moments after school," said the teacher one day near four o'clock. Twice she had been caught whispering that day, with the young girl who sat behind her. Trove had looked down, stroking his little mustache thoughtfully, and made no remark. The girl had gone to work, then, her cheeks red with embarrassment.
"I wish you'd do me a favour, Miss Polly," said the teacher, when they were alone.
She blushed deeply, and sat looking down as she fussed with her handkerchief. She was a bit frightened by the serious air of that big young man.
"It isn't much," he went on. "I'd like you to help me teach a little. To-morrow morning I shall make a map on the blackboard, and while I am doing it I'd like you to conduct the school. When you have finished with the primer class I'll be ready to take hold again."
She had a puzzled look.
"I thought you were going to punish me," she answered, smiling.
"For what?" he inquired.
"Whispering," said she.
"Oh, yes! But you have read Walter Scott, and you know ladies are to be honoured, not punished. I shouldn't know how to do such a thing. When you've become a teacher you'll see I'm right about whispering. May I walk home with you?"
Polly had then a very serious look. She turned away, biting her lip, in a brief struggle for self-mastery.
"If you care to," she whispered.
They walked away in silence.
"Do you dance?" she inquired presently.
"No, save attendance on your pleasure," said he. "Will you teach me?"
"Is there anything I can teach you?" She looked up at him playfully.
"Wisdom," said he, quickly, "and how to preserve blueberries, and make biscuit like those you gave us when I came to tea. As to dancing, well—I fear 'I am not shaped for sportive tricks.'"
"If you'll stay this evening," said she, "we'll have some more of my blueberries and biscuit, and then, if you care to, we'll try dancing."
"You'll give me a lesson?" he asked eagerly.
"If you'd care to have me."
"Agreed; but first let us have the blueberries and biscuit," said he, heartily, as they entered the door. "Hello, Mrs. Vaughn, I came over to help you eat supper. I have it all planned. Paul is to set the table, I'm to peel the potatoes and fry the pork, Polly is to make the biscuit and gravy and put the kettle on. You are to sit by and look pleasant."
"I insist on making the tea," said Mrs. Vaughn, with amusement.
"Shall we let her make the tea?" he asked, looking thoughtfully atPolly.
"Perhaps we'd better," said she, laughing.
"All right; we'll let her make the tea—we don't have to drink it."
"You," said the widow, "are like Governor Wright, who said to Mrs. Perkins, 'Madam, I will praise your tea, but hang me if I'll drink it.'"
"I'm going to teach the primer class in the morning," said Polly, as she filled the tea-kettle.
"Look out, young man," said Mrs. Vaughn, turning to the teacher."In a short time she'll be thinking she can teach you."
"I get my first lesson to-night," said the young man. "She's to teach me dancing."
"And you've no fear for your soul?"
"I've more fear for my body," said he, glancing down upon his long figure. "I've never lifted my feet save for the purpose of transportation. I'd like to learn how to dance because Deacon Tower thinks it wicked and I've learned that happiness and sin mean the same thing in his vocabulary."
"I fear you're a downward and backsliding youth," said the widow.
"You know what Ezra Tower said of Ebenezer Fisher, that he was 'one o' them mush-heads that didn't believe in hell'? Are you one o' that kind?" Proclaimers of liberal thought were at work there in the north.
"Since I met Deacon Tower I'm sure it's useful and necessary. He's got to have some place for his enemies. If it were not for hell, the deacon would be miserable here and, maybe, happy hereafter."
"It's a great hope and comfort to him," said the widow, smiling.
"Well, God save us all!" said Trove, who had now a liking for both the phrase and philosophy of Darrel. They had taken chairs at the table.
"Tom," said he, "we'll pause a moment, while you give us the fourth rule of syntax."
"Correct," said he, heartily, as the last word was spoken. "Now let us be happy."
"Paul," said the teacher, as he finished eating, "what is the greatest of all laws?"
"Thou shalt not lie," said the boy, promptly.
"Correct," said Trove; "and in the full knowledge of the law, I declare that no better blueberries and biscuit ever passed my lips."
Supper over, Polly disappeared, and young Mr. Trove helped with the dishes. Soon Polly came back, glowing in her best gown and slippers.
"Why, of all things! What a foolish child!" said her mother. For answer Polly waltzed up and down the room, singing gayly.
She stopped before the glass and began to fuss with her ribbons.The teacher went to her side.
"May I have the honour, Miss Vaughn," Said he, bowing politely."Is that the way to do?"
"You might say, 'Will you be my pardner,'" said she, mimicking the broad dialect of the region.
"I'll sacrifice my dignity, but not my language," said he. "Let us dance and be merry, for to-morrow we teach."
"If you'll watch my feet, you'll see how I do it," said she; and lifting her skirt above her dainty ankles, glided across the floor on tiptoe, as lightly as a fawn at play. But Sidney Trove was not a graceful creature. The muscles on his lithe form, developed in the school of work or in feats of strength at which he had met no equal, were untrained in all graceful trickery. He loved dancing and music and everything that increased the beauty and delight of life, but they filled him with a deep regret of his ignorance.
"Hard work," said he, breathing heavily, "and I don't believe I'm having as much fun as you are."
The small company of spectators had been laughing with amusement.
"Reminds me of a story," said the teacher. "'What are all the animals crying about?' said one elephant to another. 'Why, don't you know?—it's about the reindeer,' said the other elephant; 'he's dead. Never saw anything so sad in my life. He skipped so, and made a noise like that, and then he died.' The elephant jumped up and down, trying the light skip of the reindeer and gave a great roar for the bleat of the dying animal, 'What,' said the first elephant, 'did he skip so, and cry that way?' And he tried it. 'No, not that way but this way,' said the other; and he went through it again. By this time every animal in the show had begun to roar with laughter. 'What on earth are you doing?' said the rhinoceros. 'It's the way the reindeer died,' said one of the elephants.
"'Never saw anything so funny,' said the rhinoceros; 'if the poor thing died that way, it's a pity he couldn't repeat the act.'
"'This is terrible,' said the zebra, straining at his halter. 'The reindeer is dead, and the elephants have gone crazy.'"
"Sidney Trove," said the teacher, as he was walking away that evening, "you'll have to look out for yourself. You're a teacher and you ought to be a man—you must be a man or I'll have nothing more to do with you."
Amusement and Learning
There was much doing that winter in the Linley district. They were a month getting ready for the school "exhibition." Every home in the valley and up Cedar Hill rang with loud declamations. The impassioned utterances of James Otis, Daniel Webster, and Patrick Henry were heard in house, and field, and stable. Every evening women were busy making costumes for a play, while the young rehearsed their parts. Polly Vaughn, editor of a paper to be read that evening, searched the countryside for literary talent. She found a young married woman, who had spent a year in the State Normal School, and who put her learning at the service of Polly, in a composition treating the subject of intemperance. Miss Betsey Leech sent in what she called "a piece" entitled "Home." Polly, herself, wrote an editorial on "Our Teacher," and there was hemming and hawing when she read it, declaring they all had learned much, even to love him. Her mother helped her with the alphabetical rhymes, each a couplet of sentimental history, as, for example:—
"A is for Alson, a jolly young man,He'll marry Miss Betsey, they say, if he can."
They trimmed the little schoolhouse with evergreen and erected a small stage, where the teacher's desk had been. Sheets were hung, for curtains, on a ten-foot rod.
A while after dark one could hear a sound of sleigh-bells in the distance. Away on drifted pike and crossroad the bells began to fling their music. It seemed to come in rippling streams of sound through the still air, each with its own voice. In half an hour countless echoes filled the space between them, and all were as one chorus, wherein, as it came near, one could distinguish song and laughter.
Young people from afar came in cutters and by the sleigh load; those who lived near, afoot with lanterns. They were a merry company, crowding the schoolhouse, laughing and whispering as they waited for the first exhibit. Trove called them to order and made a few remarks.
"Remember," said he, "this is not our exhibition. It is only a sort of preparation for one we have planned. In about twenty years the Linley School is to give an exhibition worth seeing. It will be, I believe, an exhibition of happiness, ability, and success on the great stage of the world. Then I hope to have on the programme speeches in Congress, in the pulpit, and at the bar. You shall see in that play, if I mistake not, homes full of love and honour, men and women of fair fame. It may be you shall see, then, some whose names are known and honoured of all men."
Each performer quaked with fear, and both sympathy and approval were in the applause. Miss Polly Vaughn was a rare picture of rustic beauty, her cheeks as red as her ribbons, her voice low and sweet. Trove came out in the audience for a look at her as she read. Ringing salvos of laughter greeted the play and stirred the sleigh-bells on the startled horses beyond the door. The programme over, somebody called for Squire Town, a local pettifogger, who flung his soul and body into every cause. He often sored his knuckles on the court table and racked his frame with the violence of his rhetoric. He had a stock of impassioned remarks ready for all occasions.
He rose, walked to the centre of the stage, looked sternly at the people, and addressed them as "Fellow Citizens." He belaboured the small table; he rose on tiptoe and fell upon his heels; often he seemed to fling his words with a rapid jerk of his right arm as one hurls a pebble. It was all in praise of his "young friend," the teacher, and the high talent of Linley School.
The exhibition ended with this rare exhibit of eloquence. Trove announced the organization of a singing-school for Monday evening of the next week, and then suppressed emotion burst into noise. The Linley school-house had become as a fount of merry sound in the still night; then the loud chorus of the bells, diminishing as they went away, and breaking into streams of music and dying faint in the far woodland.
One Nelson Cartright—a jack of all trades they called him—was the singing-master. He was noted far and wide for song and penmanship. Every year his intricate flourishes in black and white were on exhibition at the county fair.
"Wal, sir," men used to say thoughtfully, "ye wouldn't think he knew beans. Why, he's got a fist bigger'n a ham. But I tell ye, let him take a pen, sir, and he'll draw a deer so nat'ral, sir, ye'd swear he could jump over a six-rail fence. Why, it is wonderful!"
Every winter he taught the arts of song and penmanship in the four districts from Jericho to Cedar Hill. He sang a roaring bass and beat the time with dignity and precision. For weeks he drilled the class on a bit of lyric melody, of which a passage is here given:—
"One, two, three, ready, sing," he would say, his ruler cutting the air, and all began:—
Listen to the bird, and the maid, and the bumblebee,Tra, la la la la, tra, la la la la,Joyfully we'll sing the gladsome melody,Tra, la, la, la, la.
The singing-school added little to the knowledge or the cheerfulness of that neighbourhood. It came to an end the last day of the winter term. As usual, Trove went home with Polly. It was a cold night, and as the crowd left them at the corners he put his arm around her.
"School is over," said she, with a sigh, "and I'm sorry."
"For me?" he inquired.
"For myself," she answered, looking down at the snowy path.
There came a little silence crowded with happy thoughts.
"At first, I thought you very dreadful," she went on, looking up at him with a smile. He could see her sweet face in the moonlight and was tempted to kiss it.
"Why?"
"You were so terrible," she answered. "Poor Joe Beach! It seemed as if he would go through the wall."
"Well, something had to happen to him," said the teacher.
"He likes, you now, and every one likes you here. I wish we could have you always for a teacher."
"I'd be willing to be your teacher, always, if I could only teach you what you have taught me."
"Oh, dancing," said she, merrily; "that is nothing. I'll give you all the lessons you like."
"No, I shall not let you teach me that again," said he.
"Why?"
"Because your pretty feet trample on me."
Then came another silence.
"Don't you enjoy it?" she asked, looking off at the stars.
"Too much." said he. "First, I must teach you something—if I can."
He was ready for a query, if it came, but she put him off.
"I intend to be a grand lady," said she, "and, if you do not learn, you'll never be able to dance with me."
"There'll be others to dance with you," said he. "I have so much else to do."
"Oh, you're always thinking about algebra and arithmetic and those dreadful things," said she.
"No, I'm thinking now of something very different."
"Grammar, I suppose," said she, looking down.
"Do you remember the conjugations?"
"Try me," said she.
"Give me the first person singular, passive voice, present tense, of the verb to love."
"I am loved," was her answer, as she looked away.
"And don't you know—I love you," said he, quickly.
"That is the active voice," said she, turning with a smile.
"Polly," said he, "I love you as I could love no other in the world."
He drew her close, and she looked up at him very soberly.
"You love me?" she said in a half whisper.
"With all my heart," he answered. "I hope you will love me sometime."
Their lips came together.
"I do not ask you, now, to say that you love me," said the young man. "You are young and do not know your own heart."
She rose on tiptoe and fondly touched his cheek with her fingers.
"But I do love you," she whispered.
"I thank God you have told me, but I shall ask you for no promise. A year from now, then, dear, I shall ask you to promise that you will be my wife sometime."
"Oh, let me promise now," she whispered.
"Promise only that you will love me if you see none you love better."
They were slowly nearing the door. Suddenly she stopped, looking up at him.
"Are you sure you love me?" she asked.
"Yes," he whispered.
"Sure?"
"As sure as I am that I live."
"And will love me always?"
"Always," he answered.
She drew his head down a little and put her lips to his ear. "ThenI shall love you always," she whispered.
Mrs. Vaughn, was waiting for them at the fireside. They sat talking a while.
"You go off to bed, Polly," said the teacher, presently. "I've something to say, and you're not to hear it."
"I'll listen," said she, laughing.
"Then we'll whisper," Trove answered.
"That isn't fair," said she, with a look of injury, as she held the candle. "Besides, you don't allow it yourself."
"Polly ought to go away to school," said he, after Polly had gone above stairs. "She's a bright girl."
"And I so poor I'm always wondering what'll happen to-morrow," said Mrs. Vaughn. "The farm has a mortgage, and it's more than I can do to pay the interest. Some day I'll have to give it up."
"Perhaps I can help you," said the young man, feeling the fur on his cap.
There was an awkward silence.
"Fact is," said the young man, a bit embarrassed, "fact is, I lovePolly."
In the silence that followed Trove could hear the tick of his watch.
"Have ye spoken to her?" said the widow, with a serious look.
"I've told her frankly to-night that I love her," said he. "I couldn't help it, she was so sweet and beautiful."
"If you couldn't help it, I don't see how I could," said she. "But Polly's only a child. She's a big girl, I know, but she's only eighteen."
"I haven't asked her for any promise. It wouldn't be fair. She must have a chance to meet other young men, but, sometime, I hope she will be my wife."
"Poor children!" said Mrs. Vaughn, "you don't either of you know what you're doing."
He rose to go.
"I was a little premature," he added, "but you mustn't blame me. Put yourself in my place. If you were a young man and loved a girl as sweet as Polly and were walking home with her on a moonlit night—"
"I presume there'd be more or less love-making," said the widow. "She is a pretty thing and has the way of a woman. We were speaking of you the other day, and she said to me: 'He is ungrateful. You can teach the primer class for him, and be so good that you feel perfectly miserable, and give him lessons in dancing, and put on your best clothes, and make biscuit for him, and then, perhaps, he'll go out and talk with the hired man.' 'Polly,' said I, 'you're getting to be very foolish.' 'Well, it comes so easy,' said she. 'It's my one talent'"
At the Theatre of the Woods
Next day Trove went home. He took with him many a souvenir of his first term, including a scarf that Polly had knit for him, and the curious things he took from the Frenchman Leblanc, and which he retained partly because they were curious and partly because Mrs. Leblanc had been anxious to get rid of them. He soon rejoined his class at Hillsborough, having kept abreast of it in history and mathematics by work after school and over the week's end. He was content to fall behind in the classics, for they were easy, and in them his arrears gave him no terror. Walking for exercise, he laid the plan of his tale and had written some bits of verse. Of an evening he went often to the Sign of the Dial, and there read his lines and got friendly but severe criticism. He came into the shop one evening, his "Horace" under his arm.
"'Maecenas, atavis, edite regibus'" Trove chanted, pausing to recall the lines.
The tinker turned quickly. "'O et presidium et duice decus meum,'" he quoted, never stopping until he had finished She ode.
"Is there anything you do not know?" Trove inquired.
"Much," said the tinker, "including the depth o' me own folly. A man that displays knowledge hath need o' more."
Indeed, Trove rarely came for a talk with Darrel when he failed to discover something new in him—a further reach of thought and sympathy or some unsuspected treasure of knowledge. The tinker loved a laugh and would often search his memory for some phrase of bard or philosopher apt enough to provoke it. Of his great store of knowledge he made no vainer use.
Trove had been overworking; and about the middle of June they went for a week in the woods together. They walked to Allen's the first day, and, after a brief visit there, went off in the deep woods, camping on a pond in thick-timbered hills. Coming to the lilied shore, they sat down a while to rest. A hawk was sailing high above the still water. Crows began to call in the tree-tops. An eagle sat on a dead pine at the water's edge and seemed to be peering down at his own shadow. Two deer stood in a marsh on the farther shore, looking over at them. Near by were the bones of some animal, and the fresh footprints of a painter. Sounds echoed far in the hush of the unbroken wilderness.
"See, boy," said Darrel, with a little gesture of his right hand, "the theatre o' the woods! See the sloping hills, tree above tree, like winding galleries. Here is a coliseum old, past reckoning. Why, boy, long before men saw the Seven Hills it was old. Yet see how new it is—how fresh its colour, how strong its timbers! See the many seats, each with a good view, an' the multitude o' the people, yet most o' them are hidden. Ten thousand eyes are looking down upon us. Tragedies and comedies o' the forest are enacted here. Many a thrilling scene has held the stage—the spent deer swimming for his life, the painter stalking his prey or leaping on it."
"Tis a cruel part," said Trove. "He is the murderer of the play.I cannot understand why there are so many villains in its cast,Both the cat and the serpent baffle me."
"Marry, boy, the world is a great school—an' this little drama o' the good God is part of it," said Darrel. "An' the play hath a great moral—thou shalt learn to use thy brain or die. Now, there be many perils in this land o' the woods—so many that all its people must learn to think or perish by them. A pretty bit o' wisdom it is, sor. It keeps the great van moving—ever moving, in the long way to perfection. Now, among animals, a growing brain works the legs of its owner, sending them far on diverse errands until they are strong. Mind thee, boy, perfection o' brain and body is the aim o' Nature. The cat's paw an' the serpent's coil are but the penalties o' weakness an' folly. The world is for the strong. Therefore, God keep thee so, or there be serpents will enter thy blood an' devour thee—millions o' them."
"And what is the meaning of this law?"
"That the weak shall not live to perpetuate their kind," said Darrel. "Every year there is a tournament o' the sparrows. Which deserves the fair—that is the question to be settled. Full tilt they come together, striking with lance and wing. Knight strives with knight, lady with lady, and the weak die. Lest thou forget, I'll tell thee a tale, boy, wherein is the great plan. The queen bee—strongest of all her people—is about to marry.[1] A clear morning she comes out o' the palace gate—her attendants following. The multitude of her suitors throng the vestibule; the air, now still an' sweet, rings with the sound o' fairy timbrels. Of a sudden she rises into the blue sky, an' her suitors follow. Her swift wings cleave the air straight as a plummet falls. Only the strong may keep in sight o' her; bear that in mind, boy. Her suitors begin to fall wearied. Higher an' still higher the good queen wings her way. By an' by, of all that began the journey, there is but one left with her, an' he the strongest of her people. An' they are wed, boy, up in the sun-lit deep o' heaven. So the seed o' life is chosen, me fine lad."
[1 In behalf of Darrel, the author makes acknowledgment of his indebtedness to M. Maurice Maeterlinck for an account of the queen's flight in his interesting "Life of the Bee."]
They sat a little time in silence, looking at the shores of the pond.
"Have ye never felt the love passion?" said Darrel.
"Well, there's a girl of the name of Polly," Trove answered.
"Ah, Polly! she o' the red lip an' the dark eye," said Darrel, smiling. "She's one of a thousand." He clapped his hand upon his knee, merrily, and sang a sentimental couplet from an old Irish ballad.
"Have ye won her affection, boy?" he added, his hand on the boy's arm.
"I think I have."
"God love thee! I'm glad to hear it," said the old man. "She is a living wonder, boy, a living wonder, an' had I thy youth I'd give thee worry."
"Since her mother cannot afford to do it, I wish to send her away to school," said Trove.
"Tut, tut, boy; thou hast barely enough for thy own schooling."
"I've eighty-two dollars in my pocket," said Trove, proudly. "I do not need it. The job in the mill—that will feed me and pay my room rent, and my clothes will do me for another year."
"On me word, boy; I like it in thee," said Darrel; "but surely she would not take thy money."
"I could not offer it to her, but you might go there, and perhaps she would take it from you."
"Capital!" the tinker exclaimed. "I'll see if I can serve thee. Marry, good youth, I'll even give away thy money an' take credit for thy benevolence. Teacher, philanthropist, lover—I believe thou'rt ready to write."
"The plan of my first novel is complete," said Trove. "That poor thief,—he shall be my chief character,—the man of whom you told me."
"Poor man! God make thee kind to him," said the tinker. "An' thou'rt willing, I'll hear o' him to-night. When the firelight flickers,—that is the time, boy, for tales."
They built a rude lean-to, covered with bark, and bedded with fragrant boughs. Both lay in the firelight, Darrel smoking his pipe, as the night fell.
"Now for thy tale," said the tinker.
The tale was Trove's own solution of his life mystery, shrewdly come to, after a long and careful survey of the known facts. And now, shortly, time was to put the seal of truth upon it, and daze him with astonishment, and fill him with regret of his cunning. It should be known that he had never told Darrel or any one of his coming in the little red sleigh.
He lay thinking for a time after the tinker spoke. Then he began:—
"Well, the time is 1833, the place a New England city on the sea. Chapter I: A young woman is walking along a street, with a child sleeping in her arms. She is dark-skinned,—a Syrian. It is growing dusk; the street is deserted, save by her and two sailors, who are approaching her. They, too, are Syrians. One seems to strike her,—it is mere pretence, however,—and she falls. The other seizes the child, who, having been drugged, is still asleep. A wagon is waiting near. They drive away hurriedly, their captive under a blanket. The kidnappers make for the woods in New Hampshire. Officers of the law drive them far. They abandon their horse, tramping westward over trails in the wilderness, bearing the boy in a sack of sail-cloth, open at the top. They had guns and killed their food as they travelled. Snow came deep; by and by game was scarce and they had grown weary of bearing the boy on their backs. One waited in the woods with the little lad while the other went away to some town or city for provisions. He came back, hauling them in a little sleigh. It was much like those made for the delight of the small boy in every land of snow. It had a box painted red and two bobs and a little dashboard. They used it for the transportation of boy and impedimenta. In the deep wilderness beyond the Adirondacks they found a cave in one of the rock ledges. They were twenty miles from any post-office but shortly discovered one. Letters in cipher were soon passing between them and their confederates. They learned there was no prospect of getting the ransom. He they had thought rich was not able to raise the money they required or any large sum. Two years went by, and they abandoned hope. What should they do with the boy? One advised murder, but the other defended him. It was unnecessary, he maintained, to kill a mere baby, who knew not a word of English, and would forget all in a month. And murder would only increase their peril. Now eight miles from their cave was the cabin of a settler. They passed within a mile of it on their way out and in. They had often met the dog of the settler roving after small game—a shepherd, trustful, affectionate, and ever ready to make friends. One day they captured the dog and took him to their cave. They could not safely be seen with the boy, so they planned to let the dog go home with him in the little red sleigh. Now the settler's cabin was like that of my father, on the shore of a pond. It was round, as a cup's rim, and a mile or so in diameter. Opposite the cabin a trail came to the water's edge, skirting the pond, save in cold weather, when it crossed the ice. They waited for a night when their tracks would soon disappear. Then, having made a cover of the sail-cloth sack in which they had brought the boy, and stretched it on withes, and made it fast to the sleigh box, they put the sleeping boy in the sleigh, with hot stones wrapped in paper, and a robe of fur, to keep him warm, hitched the dog to it, and came over hill and trail, to the little pond, a while after midnight. Here they buckled a ring of bells on the dog's neck and released him. He made for his home on the clear ice; the bells and his bark sounding as he ran. They at the cabin heard him coming and opened their door to dog and traveller. So came my hero in a little red sleigh, and was adopted by the settler and his wife, and reared by them with generous affection. Well, he goes to school and learns rapidly, and comes to manhood. It's a pretty story—that of his life in the big woods. But now for the love tale. He meets a young lady—sweet, tender, graceful, charming."
"A moment," said Darrel, raising his hand. "Prithee, boy, ring down the curtain for a brief parley. Thou say'st they were Syrians—they that stole the lad. Now, tell me, hast thou reason for that?"
"Ample," said Trove. "When they took him out of the sleigh the first words he spoke were "Anah jouhan." He used them many times, and while he forgot they remembered them. Now "Anah jouhan" is a phrase of the Syrian tongue, meaning 'I am hungry.'"
"Very well!" said the old man, with emphasis, "and sailors—that is a just inference. It was a big port, and far people came on the four winds. Very well! Now, for the young lady. An' away with thy book unless I love her."
"She is from life—a simple-hearted girl, frank and beautiful and—" Trove hesitated, looking into the dying fire.
"Noble, boy, make sure o' that, an' nobler, too, than girls are apt to be. If Emulation would measure height with her, see that it stand upon tiptoes."
"So I have planned. The young man loves her. She is in every thought and purpose. She has become as the rock on which his hope is founded. Now he loves honour, too, and all things of good report. He has been reared a Puritan. By chance, one day, it comes to him that his father was a thief."
The boy paused. For a moment they heard only the voices of the night.
"He dreaded to tell her," Trove continued; "yet he could not ask her to be his wife without telling. Then the question, Had he a right to tell?—for his father had not suffered the penalty of the law and, mind you, men thought him honest."
"'Tis just," said Darrel; "but tell me, how came he to know his father was a thief?"
"That I am thinking of, and before I answer, is there more you can tell me of him or his people?"
Darrel rose; and lighting a torch of pine, stuck it in the ground. Then he opened his leathern pocket-book and took out a number of cuttings, much worn, and apparently from old newspapers. He put on his glasses and began to examine the cuttings.
"The other day," said he, "I found an account of his mother's death. I had forgotten, but her death was an odd tragedy."
And the tinker began reading, slowly, as follows:—
"'She an' her mother—a lady deaf an' feeble—were alone, saving the servants in a remote corner o' the house. A sound woke her in the still night. She lay a while listening. Was it her husband returning without his key? She rose, feeling her way in the dark and trembling with the fear of a nervous woman. Descending stairs, she came into a room o' many windows. The shades were up, an' there was dim moon-light in the room. A door, with panels o' thick glass, led to the garden walk. Beyond it were the dark forms of men. One was peering in, his face at a panel, another kneeling at the lock. Suddenly the door opened; the lady fell fainting with a loud cry. Next day the kidnapped boy was born.'"
Darrel stopped reading, put the clipping into his pocket-book, and smothered the torch.
"It seems the woman died the same day," said he.
"And was my mother," the words came in a broken voice.
Half a moment of silence followed them. Then Darrel rose slowly, and a tremulous, deep sigh came from the lips of Trove.
"Thy mother, boy!" Darrel whispered.
The fire had burnt low, and the great shadow of the night lay dark upon them. Trove got to his feet and came to the side of Darrel.
"Tell me, for God's sake, man, tell me where is my father," said he.
"Hush, boy! Listen. Hear the wind in the trees?" said Darrel.
There was a breath of silence broken by the hoot of an owl and the stir of high branches. "Ye might as well ask o' the wind or the wild owl," Darrel said. "I cannot tell thee. Be calm, boy, and say how thou hast come to know."
Again they sat down together, and presently Trove told him of those silent men who had ever haunted the dark and ghostly house of his inheritance.
"'Tis thy mother's terror,—an' thy father's house,—I make no doubt," said Darrel, presently, in a deep voice. "But, boy, I cannot tell any man where is thy father; not even thee, nor his name, nor the least thing, tending to point him out, until—until I am released o' me vow. Be content; if I can find the man, ere long, thou shalt have word o' him."
Trove leaned against the breast of Darrel, shaking with emotion.His tale had come to an odd and fateful climax.
The old man stroked his head tenderly.
"Ah, boy," said he, "I know thy heart. I shall make haste—I promise thee, I shall make haste. But, if the good God should bring thy father to thee, an' thy head to shame an' sorrow for his sin, forgive him, in the name o' Christ, forgive him. Ay, boy, thou must forgive all that trespass against thee."
"If I ever see him, he shall know I am not ungrateful," said the young man.
A while past twelve o'clock, those two, lying there in the firelight, thinking, rose like those startled in sleep. A mighty voice came booming over the still water and echoed far and wide. Slowly its words fell and rang in the great, silent temple of the woods:—
"'Though I speak with the tongues of men and of angels, and have not charity, I am become as sounding brass, or a tinkling cymbal.
"'And though I have the gift of prophecy, and understand all mysteries, and all knowledge; and though I have all faith, so that I could remove mountains, and have not charity, I am nothing.
"'And though I bestow all my goods to feed the poor, and though I give my body to be burned, and have not charity, it profiteth me nothing.
"'Charity suffereth long, and is kind; charity envieth not; charity vaunteth not itself; is not puffed up,
"'Doth not behave itself unseemly, seeketh not her own, is not easily provoked, thinketh no evil;
"'Beareth all things, believeth all things, hopeth all things, endureth all things.
"'Charity never faileth: but whether there be prophecies, they shall fail; whether there be tongues, they shall cease; whether there be knowledge, it shall vanish away.'"
As the last words died away in the far woodland, Trove and Darrel turned, wiping their eyes in silence. That flood of inspiration had filled them. Big thoughts had come drifting down with its current. They listened a while, but heard only the faint crackle of the fire.
"Strange!" said Trove, presently.
"Passing strange, and like a beautiful song," said Darrel.
"It may be some insane fanatic."
"Maybe, but he hath the voice of an angel," said the old man.
They passed a sleepless night and were up early, packing to leave the woods. Darrel was to go in quest of the boy's father. Within a week he felt sure he should be able to find him.
They skirted the pond, crossing a long ridge on its farther shore. At a spring of cool water in a deep ravine they halted to drink and rest. Suddenly they heard a sound of men approaching; and when the latter had come near, a voice, deep, vibrant, and musical as a harp-string, in these lines of Hamlet:—
"'Why right; you are i' the right;And so without more circumstance at all,I hold it fit that we shake hands and part;You as your business and desire shall point you;For every man has business and desireSuch as it is; and for mine own partLook you, I'll go pray.'"
Then said Darrel, loudly:—
"'These are but wild and whirling words, my lord.'"
Two men, a guide in advance, came along the trail—one, a most impressive figure, tall, erect, and strong; its every move expressing grace and power.
Again the deep music of his voice, saying:—
"'I'm sorry they offend you heartily; yes, faith, heartily.'"
And Darrel rejoined, his own rich tone touching the note of melancholy in the other:—
"'There's no offence, my lord.'"
"'What Horatio is this?" the stranger inquired, offering his hand."A player?"
"Ay, as are all men an' women," said Darrel, quickly. "But I, sor, have only a poor part. Had I thy lines an' makeup, I'd win applause."
The newcomers sat down, the man who had spoken removing his hat. Curly locks of dark hair, with now a sprinkle of silver in them, fell upon his brows. He had large brown eyes, a mouth firm and well modelled, a nose slightly aquiline, and wore a small, dark imperial—a mere tuft under his lip.
"Well, Colonel, you have paid me a graceful compliment," said he.
"Nay, man, do not mistake me rank," said Darrel.
"Indeed—what is it?"
"Friend," he answered, quickly. "In good company there's no higher rank. But if ye think me unworthy, I'll be content with 'Mister.'"
"My friend, forgive me," said the stranger, approaching Darrel. "Murder and envy and revenge and all evil are in my part, but no impertinence."
"I know thy rank, sor. Thou art a gentleman," said Darrel. "I've seen thee 'every inch a king.'"
Darrel spoke to the second period in that passage of Lear, the majesty and despair of the old king in voice and gesture. The words were afire with feeling as they came off his tongue, and all looked at him with surprise.
"Ah, you have seen me play it," said the stranger. "There's no other Lear that declares himself with that gesture."
"It is Edwin Forrest," said Darrel, as the stranger offered his hand.
"The same, and at your service," the great actor replied. "And mayI ask who are you?"
"Roderick Darrel, son of a wheelwright on the river Bann, once a fellow of infinite jest, believe me, but now, alas! like the skull o' Yorick in the churchyard."
"The churchyard'" said Forrest, thoughtfully. "That to me is the saddest of all scenes. When it's over and I leave the stage, it is to carry with me an awe-inspiring thought of the end which is coming to all."
He crumbled a lump of clay in his palm.
"Dust!" he whispered, scattering it in the air.
"Think ye the dust is dead? Nay, man; a mighty power is in it," said Darrel. "Let us imagine thee dead an' turned to clay. Leave the clay to its own law, sor, an' it begins to cleanse an' purge itself. Its aim is purity, an' it never wearies. Could I live long enough, an' it were under me eye, I'd see the clay bleaching white with a wonderful purity. Then, slowly, it would begin to come clear, an' by an' by it would be clearer an' lovelier than a drop o' dew at sunrise. Lo and behold! the clay has become a sapphire. So, sor, in the waters o' time God washes the great world. In every grain o' dust the law is written, an' I may read the destiny o' the nobler part in the fate o' the meaner.
"'Imperious Forrest, dead an' turned to clay,Might stop a hole to keep despair away.'"
"Delightful and happy man! I must know you better," said the great tragedian. "May I ask, sir, what is your calling?"
"I, sor, am a tinker o' clocks."
"A tinker of clocks!" said the other, looking at him thoughtfully."I should think it poorly suited to your talents."
"Not so. I've only a talent for happiness an' good company."
"And you find good company here?"
"Yes; bards, prophets, an' honest men. They're everywhere."
"Tell me," said Forrest, "were you not some time a player?"
"Player of many parts, but all in God's drama—fool, servant of a rich man, cobbler, clock tinker, all in the coat of a poor man. Me health failed me, sor, an' I took to wandering in the open air. Ten years ago in the city of New York me wife died, since when I have been tinkering here in the edges o' the woodland, where I have found health an' friendship an' good cheer. Faith, sor, that is all one needs, save the company o' the poets.
"'I pray an' sing an' tell old tales an' laughAt gilded butterflies, an' hear poor roguesTalk o' court news.'"
Trove had missed not a word nor even a turn of the eye in all that scene. After years of acquaintance with the tinker he had not yet ventured a question as to his life history. The difference of age and a certain masterly reserve in the old gentleman had seemed to discourage it. A prying tongue in a mere youth would have met unpleasant obstacles with Darrel. Never until that day had he spoken freely of his past in the presence of the young man.
"I must see you again," said the tragedian, rising. "Of those parts I try to play, which do you most like?"
"St. Paul," said Darrel, quickly. "Last night, sor, in this great theatre, we heard the voice o' the prophet. Ah, sor, it was like a trumpet on the walls of eternity. I commend to thee the part o' St. Paul. Next to that—of all thy parts, Lear."
"Lear?" said Forrest, rising. "I am to play it this autumn. Come, then, to New York. Give me your address, and I'll send for you."
"Sor," said Darrel, thoughtfully, "I can give thee much o' me lovebut little o' me time. Nay, there'd be trouble among the clocks.I'd be ashamed to look them in the face. Nay,—I thank thee,—butI must mind the clocks."
The great player smiled with amusement.
"Then," said he, "I shall have to come and see you play your part.Till then, sir, God give you happiness."
"Once upon a time," said Darrel, as he held the hand of the player, "a weary traveller came to the gate o' Heaven, seeking entrance.
"'What hast thou in thy heart?' said the good St. Peter.
"'The record o' great suffering an' many prayers,' said the poor man. 'I pray thee now, give me the happiness o' Heaven.'
"'Good man, we have none to spare,' said the keeper. 'Heaven hath no happiness but that men bring. It is a gift to God and comes not from Him. Would ye take o' that we have an' bring nothing? Nay, go back to thy toil an' fill thy heart with happiness, an' bring it to me overflowing. Then shalt thou know the joy o' paradise. Remember, God giveth counsel, but not happiness.'"
"If I only had your wisdom," said Forrest, as they parted.
"Ye'd have need o' more," the tinker answered.
Trove and Darrel walked to the clearing above Faraway. At a corner on the high hills, where northward they could see smoke and spire of distant villages, each took his way,—one leading to Hillsborough, the other to Allen's.
"Good-by; an' when I return I hope to bear the rest o' thy tale," said Darrel, as they parted.
"Only God is wise enough to finish it," said the young man.
"'Well, God help us; 'tis a world to see,'" Darrel quoted, waving his hand. "If thy heart oppress thee, steer for the Blessed Isles."
Robin's Inn
A big maple sheltered the house of the widow Vaughn. After the noon hour of a summer day its tide of shadow began flowing fathoms deep over house and garden to the near field, where finally it joined the great flood of night. The maple was indeed a robin's inn at some crossing of the invisible roads of the air. Its green dome towered high above and fell to the gable end of the little house. Its deep and leafy thatch hid every timber of its frame save the rough column. Its trunk was the main beam, each limb a corridor, each tier of limbs a floor, and branch rose above branch like steps in a stairway. Up and down the high dome of the maple were a thousand balconies overlooking the meadow.
From its highest tier of a summer morning the notes of the bobolink came rushing off his lyre, and farther down the golden robin sounded his piccolo. But, chiefly, it was the home and refuge of the familiar red-breasted robin. The inn had its ancient customs. Each young bird, leaving his cradle, climbed his own stairway till he came out upon a balcony and got a first timid look at field and sky. There he might try his wings and keep in the world he knew by using bill and claw on the lower tiers.
At dawn the great hall of the maple rang with music, for every lodger paid his score with song. Therein it was ever cool, and clean, and shady, though the sun were hot. Its every nook and cranny was often swept and dusted by the wind. Its branches leading up and outward to the green wall were as innumerable stairways. Each separate home was out on rocking beams, with its own flicker of sky light overhead. For a time at dusk there was a continual flutter of weary wings at the lower entrance, a good night twitter, and a sound of tiny feet climbing the stairways in that gloomy hall. At last, there was a moment of gossip and then silence on every floor. There seemed to be a night-watch in the lower hall, and if any green young bird were late and noisy going up to his home, he got a shaking and probably lost a few feathers from the nape of his neck. Long before daybreak those hungry, half-clad little people of the nests began to worry and crowd their mothers. At first, the old birds tried to quiet them with caressing movements, and had, at last, to hold their places with bill and claw. As light came an old cock peered about him, stretched his wings, climbed a stairway, and blew his trumpet on the outer wall. The robin's day had begun.
Mid-autumn, when its people shivered and found fault and talked of moving, the maple tried to please them with new and brighter colours—gold, with the warmth of summer in its look; scarlet, suggesting love and the June roses. Soon it stood bare and deserted. Then what was there in the creak-and-whisper chorus of the old tree for one listening in the night? Belike it might be many things, according to the ear, but was it not often something to make one think of that solemn message: "Man that is born of a woman is of few days and full of trouble"? They who lived in that small house under the tree knew little of all that passed in the big world. Trumpet blasts of fame, thunder of rise and downfall, came faintly to them. There the delights of art and luxury were unknown. Yet those simple folk were acquainted with pleasure and even with thrilling and impressive incidents. Field and garden teemed with eventful life and hard by was the great city of the woods.