I did as he directed, and having explained to the surgeon the nature of the document, I put the pen in Paton's hand; but was obliged to guide his hand with my own in order to make an intelligible signature. The surgeon signed below, and Paton seemed satisfied. He closed his eyes; his sufferings appeared to be very slight. But, even while I was looking at him, a change came over his face—a deadly change. His eyes opened; they were no longer bright, but sunken and dull. He gave me a dusky look—whether of rage, of fear, or of entreaty, I could not tell. His lips parted, and a voice made itself audible; not like his own voice, but husky and discordant. "I'm going," it said. "But look out for me…. Do it yourself!"
"Der Herr ist todt" (the man is dead), said the surgeon the next minute.
It was true. Paton had gone out of this life at an hour's warning. What purpose or desire his last words indicated, there was nothing to show. He was dead; and yet I could hardly believe that it was so. He had been so much alive; so full of schemes and enterprises. Nothing now was left but that crushed and haggard figure, stiffening on the bed; nothing, at least, that mortal senses could take cognizance of. It was a strange thought.
Paton's funeral took place a few days afterward. I returned from the graveyard weary in body and mind. At the door of the house stood the portier, who nodded to me, and said,
"A very sad thing to happen, worthy sir; but so it is in the world. Of all the occupants of this house, one would have said the one least likely to be dead to-day was Herr Jeffries. Heh! if I had been the good Providence, I would have made away with the old gentleman of theétagebelow, who is of no use to anybody."
This, for lack of a better, was Paton's funeral oration. I climbed the three flights of stairs and let myself into our apartment—mine exclusively now. The place was terribly lonely; much more so than if Paton had been alive anywhere in the world. But he was dead; and, if his own philosophy were true, he was annihilated. But it was not true! How distinct and minute was my recollection of him—his look, his gestures, the tones of his voice. I could almost see him before me; my memory of him dead seemed clearer than when he was alive. In that invisible world of the mind was he not living still, and perhaps not far away.
I sat down at the table where he had been wont to work, and unlocked the drawers in which he kept his papers. These, or some of them, I took out and spread before me. But I found it impossible, as yet, to concentrate my attention upon them; I pushed back my chair, and, rising, went to the piano. Here I remained for perhaps a couple of hours, striking the vague chords that echo wandering thoughts. I was trying to banish this haunting image of Paton from my mind, and at length I partly succeeded.
All at once, however, the impression of him (as I may call it) came back with a force and vividness that startled me. I stopped playing, and sat for a minute perfectly still. I felt that Paton was in the room; that if I looked round I should see him. I however restrained myself from looking round with all the strength of my will—wherefore I know not. What I felt was not fear, but the conviction that I was on the brink of a fearful and unprecedented experience—an experience that would not leave me as it found me. This strange struggle with myself taxed all my powers; the sweat started out on my forehead. At last the moment came when I could struggle no longer. I laid my hand on the keyboard, and pushed myself round on the stool. There was a momentary dazzle before my eyes, and after that I saw plainly. My hand, striking the keys, had produced a jarring discord; and while this was yet tingling in my ears, Paton, who was sitting in his old place at the table, with his back toward me, faced about in his chair, and his eyes met mine. I thought he smiled.
My excitement was past, and was succeeded by a dead calm. I examined him critically. His appearance was much the same as when in life; nay, he was even more like himself than before. The subtle or crafty expression which had always been discernible in his features was now intensified, and there was something wild and covertly fierce in the shining of his gray eyes, something that his smile was unable to disguise. What was human and genial in my former friend had passed away, and what remained was evil—the kind of evil that I now perceived to have been at the base of his nature. It was a revelation of character terrible in its naked completeness. I knew at a glance that Paton must always have been a far more wicked man that I had ever imagined; and in his present state all the remains of goodness had been stripped away, and nothing but wickedness was left.
I felt impelled, by an impulse for which I could not account, to approach the table and examine the papers once more; and now it entered into my mind to perceive a certain method and meaning in them that had been hidden from me before. It was as though I were looking at them through Paton's intelligence, and with his memory. He had in some way ceased to be visible to me; but I became aware that he wished me to sit down in his chair, and I did so. Under his guidance, and in obedience to a will that seemed to be my own, and yet was in direct opposition to my real will, I began a systematic study of the papers. Paton, meanwhile, remained close to me, though I could no longer see him; but I felt the gaze of his fierce, shining eyes, and his crafty, evil smile. I soon obtained a tolerable insight into what the papers meant, and what was the scheme in which Paton had been so much absorbed at the time of his death, and which he had been so loath to abandon.
It was a wicked and cruel scheme, worked out to the smallest particular. But, though I understood its hideousness intellectually, it aroused in mo no corresponding emotion; my sensitiveness to right arid wrong seemed stupefied or inoperative. I could say, "This is wicked," but I could not awaken in myself a horror of committing the wickedness; and, moreover, I knew that, if the influence Paton was able to exercise over me continued, I must in due time commit it.
Presently I became aware, or, to speak more accurately, I seemed to remember, that there was something in Paton's room which it was incumbent on me to procure. I went thither, lifted up a corner of the rag between the bed and the stove, and beheld, in an aperture in the floor, of the existence of which I had till now known nothing, the antique poisoned dagger that Paton had showed me a few weeks before, and which I had not seen since then. I brought it back to the sitting-room, put it in a drawer of the table, and locked the drawer, at the same time making a mental note to the effect that I should reopen the drawer at a certain hour of the night and take the dagger out. All this while Paton was close at hand, though not visible to sight; but I had a sort of inner perception of his presence and movements. All at once, at about the hour of sunset, I saw him again; he moved toward the looking-glass at the narrow end of the room, laid his hand upon one of the pilasters, glanced at me over his shoulder, and immediately seemed to stoop down. As I sat, the edge of the table hid him from sight. I stood up and looked across. He was not there; and a kind of reaction of my nerves informed me that he was gone absolutely, for the time.
This reaction produced a lassitude impossible to describe; it was overpowering, and I had no choice but to yield to it. I dropped back in my chair, leaned forward on the table, and instantly fell into a heavy sleep, or stupor.
I awoke abruptly, with a sensation as if a hand had been laid on my shoulder. It was night, and I knew that the hour I had noted in my mind was at hand. I opened the drawer and took out the dagger, which I put in my pocket. The house was quite silent. A shiver passed through me. I was aware that Paton was standing at the narrow end of the room, waiting for me: Yes—there he was, or the impression of him in my brain—what did it matter? I arose mechanically and walked toward him. He had no need to direct me: I knew all there was to do, and how to do it. I knelt on the floor, laid my shoulder against the pilaster, and pushed it laterally. It moved aside on a pivot, disclosing an iron ring let into the floor. I laid hold of this ring, and lifted. A section of the floor came up, and I saw a sort of ladder descending perpendicularly into darkness. Down the ladder Paton went, and I followed him. Arrived at the bottom, I turned to the left, led by an instinct or a fascination; passed along a passage barely wide enough to admit me, until I came against a smooth, hard surface. I passed my hand over it until I touched a knob or catch, which I pressed, and the surface gave way before me like a door. I stumbled forward, and found myself in a room of what was doubtless Herr Kragendorf's apartment. A keen, cold air smote against my face; and with it came a sudden influx of strength and self-possession. I felt that, for a moment at least, the fatal influence of Paton upon me was broken. But what was that sound of a struggle—those cries and gasps, that seemed to come from an adjoining room?
I sprang forward, opened a door, and beheld a tall old man, with white hair and beard, in the grasp of a ruffian whom I at once recognized as the portier. A broken window showed how he had effected his entrance. One hand held the old man by the throat; in the other was a knife, which he was prevented from using by a young woman, who had flung herself upon him in such a way as to trammel his movements. In another moment, however, he would have shaken her off.
But that moment was not allowed him. I seized him with a strength that amazed myself—a strength which never came upon me before or since. The conflict lasted but a breath or two; I hurled him to the floor, and, as he fell, his right arm was doubled under him, and the knife which he held entered his back beneath the left shoulder-blade. When I rose up from the whirl and fury of the struggle, I saw the old man reclining exhausted on the bosom of the girl. I knew him, despite his white hair and beard. And the face that bent so lovingly above him was the face that had looked into mine that night on the street—the face of the blue-eyed maiden—of a younger and a lovelier Juliet! As I gazed, there came a thundering summons at the door, and the police entered.
* * * * *
My poor uncle Körner had not prospered after his great stroke of roguery. His wife had died of a broken heart, after giving birth to a daughter, and his stolen riches had vanished almost as rapidly as they were acquired. He had at last settled down with his daughter in this old house. The treasure in the leathern bag, though a treasure to him, was not of a nature to excite general cupidity. It consisted, not of precious stones, but of relics of his dead wife—her rings, a lock of her hair, her letters, a miniature of her in a gold case. These poor keepsakes, and his daughter, had been the only solace of his lonely and remorseful life.
It was uncertain whether Paton and the portier had planned the robbery together, or separately, and in ignorance of each other's purpose. Nor can I tell whether my disembodied visitor came to me with good or with evil intent. Wicked spirits, even when they seem to have power to carry out their purposes, are perhaps only permitted to do so, so far as is consistent with an overruling good of which they know nothing. Certainly, if I had not descended the secret passage, Körner would have been killed, and perhaps my Juliet likewise—the mother of my children. But should I have been led on to stab him myself, with the poisoned dagger, had the portier not been there? Juliet smiles and says No, and I am glad to agree with her. But I have never since then found that anniversary upon me, without a shudder of awe, and a dark thought of Paton Jeffries.