Sing aloud his praise rehearseWho hath made the Universe.He the boundlesse Heavens has spreadAll the vitall Orbs has kned;He that onOlympushighTends his flocks with watchfull eye,And this eye has multiplideMidst each flock for so reside.Thus as round about they strayToucheth each with out-stretch’d ray,Nimbly they hold on their way,Shaping out their Night and Day.Never slack they; none respires,Dancing round their Centrall fires.In due order as they moveEcho’s sweet be gently droveThorough Heavens vast Hollownesse,Which unto all corners presse:Musick that the heart ofJoveMoves to joy and sportfull love;Fills the listning saylers earesRiding on the wandering Sphears.Neither Speech nor Language isWhere their voice is not transmisse.God is Good, is Wise, is Strong,Witnesse all the creature-throng,Is confess’d by every Tongue.All things back from whence they sprong,As the thankfull Rivers payWhat they borrowed of the Sea.Now my self I do resigne,Take me whole I all am thine.Save me, God! from Self-desire,Deaths pit, dark Hells raging fire,Envy, Hatred, Vengeance, Ire.Let not Lust my soul bemire.Quit from these thy praise I’ll sing,Loudly sweep the trembling string.Bear a part, O Wisdomes sonnes!Free’d from vain Relligions.Lo! from farre I you salute,Sweetly warbling on my Lute.Indie,Egypt,Arabie,Asia,Greece, andTartarie,Carmel-tracts, andLebanonWith theMountainsof theMoon,from whence muddieNiledoth runne,Or whereever else you won;Breathing in one vitall aire,One we are though distant farre.Rise at once lett’s sacrificeOdours sweet perfume the skies.See how Heavenly lightning firesHearts inflam’d with high aspires!All the substance of our soulsUp in clouds of Incense rolls.Leave we nothing to our selvesSave a voice, what need we els!Or an hand to wear and tireOn the thankfull Lute or Lyre.Sing aloud his praise rehearseWho hath made the Universe.
Sing aloud his praise rehearse
Who hath made the Universe.
He the boundlesse Heavens has spread
All the vitall Orbs has kned;
He that onOlympushigh
Tends his flocks with watchfull eye,
And this eye has multiplide
Midst each flock for so reside.
Thus as round about they stray
Toucheth each with out-stretch’d ray,
Nimbly they hold on their way,
Shaping out their Night and Day.
Never slack they; none respires,
Dancing round their Centrall fires.
In due order as they move
Echo’s sweet be gently drove
Thorough Heavens vast Hollownesse,
Which unto all corners presse:
Musick that the heart ofJove
Moves to joy and sportfull love;
Fills the listning saylers eares
Riding on the wandering Sphears.
Neither Speech nor Language is
Where their voice is not transmisse.
God is Good, is Wise, is Strong,
Witnesse all the creature-throng,
Is confess’d by every Tongue.
All things back from whence they sprong,
As the thankfull Rivers pay
What they borrowed of the Sea.
Now my self I do resigne,
Take me whole I all am thine.
Save me, God! from Self-desire,
Deaths pit, dark Hells raging fire,
Envy, Hatred, Vengeance, Ire.
Let not Lust my soul bemire.
Quit from these thy praise I’ll sing,
Loudly sweep the trembling string.
Bear a part, O Wisdomes sonnes!
Free’d from vain Relligions.
Lo! from farre I you salute,
Sweetly warbling on my Lute.
Indie,Egypt,Arabie,
Asia,Greece, andTartarie,
Carmel-tracts, andLebanon
With theMountainsof theMoon,
from whence muddieNiledoth runne,
Or whereever else you won;
Breathing in one vitall aire,
One we are though distant farre.
Rise at once lett’s sacrifice
Odours sweet perfume the skies.
See how Heavenly lightning fires
Hearts inflam’d with high aspires!
All the substance of our souls
Up in clouds of Incense rolls.
Leave we nothing to our selves
Save a voice, what need we els!
Or an hand to wear and tire
On the thankfull Lute or Lyre.
Sing aloud his praise rehearse
Who hath made the Universe.
Where available, Project Gutenberg e-text numbers are included as links.
1948-194916.Henry Nevil Payne,The Fatal Jealousie(1673).18.Anonymous, “Of Genius,” inThe Occasional Paper, Vol. III, No. 10 (1719), and Aaron Hill, Preface toThe Creation(1720).1949-195019.Susanna Centlivre,The Busie Body(1709).20.Lewis Theobald,Preface to the Works of Shakespeare(1734).22.Samuel Johnson,The Vanity of Human Wishes(1749), and twoRamblerpapers (1750).23.John Dryden,His Majesties Declaration Defended(1681).1950-195126.Charles Macklin,The Man of the World(1792).1951-195231.Thomas Gray,An Elegy Wrote in a Country Churchyard(1751), andThe Eton College Manuscript.1952-195341.Bernard Mandeville,A Letter to Dion(1732).
16.Henry Nevil Payne,The Fatal Jealousie(1673).
18.Anonymous, “Of Genius,” inThe Occasional Paper, Vol. III, No. 10 (1719), and Aaron Hill, Preface toThe Creation(1720).
19.Susanna Centlivre,The Busie Body(1709).
20.Lewis Theobald,Preface to the Works of Shakespeare(1734).
22.Samuel Johnson,The Vanity of Human Wishes(1749), and twoRamblerpapers (1750).
23.John Dryden,His Majesties Declaration Defended(1681).
26.Charles Macklin,The Man of the World(1792).
31.Thomas Gray,An Elegy Wrote in a Country Churchyard(1751), andThe Eton College Manuscript.
41.Bernard Mandeville,A Letter to Dion(1732).
Here as in e-texts 29237 and 29684 (from the same year), one or two pages from the list of titles in print appear to be missing. The same list should be present in any Augustan Reprint from a later year.
1962-196398.Select Hymns Taken Out of Mr. Herbert’s Temple(1697).1963-1964104. Thomas D’Urfey,Wonders in the Sun: or, The Kingdom of the Birds(1706).1964-1965110.John Tutchin,Selected Poems(1685-1700).111. Anonymous,Political Justice(1736).112. Robert Dodsley,An Essay on Fable(1764).113. T. R.,An Essay Concerning Critical and Curious Learning(1698).114.Two Poems Against Pope: Leonard Welsted,One Epistle to Mr. A. Pope(1730), and Anonymous,The Blatant Beast(1742).1965-1966115. Daniel Defoe and others,Accounts of the Apparition of Mrs. Veal.116.Charles Macklin,The Covent Garden Theatre(1752).117.SirRogerL’Estrange,Citt and Bumpkin(1680).118. Henry More,Enthusiasmus Triumphatus(1662).119. Thomas Traherne,Meditations on the Six Days of the Creation(1717).120.Bernard Mandeville,Aesop Dress’d or a Collection of Fables(1704).1966-1967122.James MacPherson,Fragments of Ancient Poetry(1760).123.Edmond Malone,Cursory Observations on the Poems Attributed to Mr. Thomas Rowley(1782).124.Anonymous,The Female Wits(1704).125.Anonymous,The Scribleriad(1742). Lord Hervey,The Difference Between Verbal and Practical Virtue(1742).126.Le Lutrin: an Heroick Poem, Written Originally in French by Monsieur Boileau: Made English by N. O.(1682).
98.Select Hymns Taken Out of Mr. Herbert’s Temple(1697).
104. Thomas D’Urfey,Wonders in the Sun: or, The Kingdom of the Birds(1706).
110.John Tutchin,Selected Poems(1685-1700).
111. Anonymous,Political Justice(1736).
112. Robert Dodsley,An Essay on Fable(1764).
113. T. R.,An Essay Concerning Critical and Curious Learning(1698).
114.Two Poems Against Pope: Leonard Welsted,One Epistle to Mr. A. Pope(1730), and Anonymous,The Blatant Beast(1742).
115. Daniel Defoe and others,Accounts of the Apparition of Mrs. Veal.
116.Charles Macklin,The Covent Garden Theatre(1752).
117.SirRogerL’Estrange,Citt and Bumpkin(1680).
118. Henry More,Enthusiasmus Triumphatus(1662).
119. Thomas Traherne,Meditations on the Six Days of the Creation(1717).
120.Bernard Mandeville,Aesop Dress’d or a Collection of Fables(1704).
122.James MacPherson,Fragments of Ancient Poetry(1760).
123.Edmond Malone,Cursory Observations on the Poems Attributed to Mr. Thomas Rowley(1782).
124.Anonymous,The Female Wits(1704).
125.Anonymous,The Scribleriad(1742). Lord Hervey,The Difference Between Verbal and Practical Virtue(1742).
126.Le Lutrin: an Heroick Poem, Written Originally in French by Monsieur Boileau: Made English by N. O.(1682).
Subsequent publications may be checked in the annual prospectus.
Publications #1 through 90, of the first fifteen years of Augustan Reprint Society, are available in bound units at $14.00 per unit of six from:
Publications in print are available at the regular membership rate of $5.00 yearly. Prices of single issues may be obtained upon request.
General Editors: George Robert Guffey, University of California, Los Angeles;Maximillian E. Novak, University of California, Los Angeles; Robert Vosper, William Andrews Clark Memorial Library.Corresponding Secretary: Mrs. Edna C. Davis, William Andrews Clark Memorial Library.
The Society’s purpose is to publish reprints (usually facsimile reproductions) of rare seventeenth and eighteenth century works. All income of the Society is devoted to defraying costs of publication and mailing.
Correspondence concerning memberships in the United States and Canada should be addressed to the William Andrews Clark Memorial Library, 2520 Cimarron St., Los Angeles, California. Correspondence concerning editorial matters may be addressed to any of the general editors at the same address. Manuscripts of introductions should conform to the recommendations of the MLAStyle Sheet. The membership fee is $5.00 a year in the United States and Canada and 30/— in Great Britain and Europe. British and European prospective members should address B. H. Blackwell, Broad Street, Oxford, England. Copies of back issues in print may be obtained from the Corresponding Secretary.
127-128.Charles Macklin,A Will and No Will, or a Bone for the Lawyers(1746).The New Play Criticiz’d, or The Plague of Envy(1747). Introduction by Jean B. Kern.129.Lawrence Echard, Prefaces toTerence’s Comedies(1694) andPlautus’s Comedies(1694). Introduction by John Barnard.130.Henry More,Democritus Platonissans(1646). Introduction by P. G. Stanwood.131.John Evelyn,The History of . . . Sabatai Sevi . . . The Suppos’d Messiah of the Jews(1669). Introduction by Christopher W. Grose.132.Walter Harte,An Essay on Satire, Particularly on the Dunciad(1730). Introduction by Thomas B. Gilmore.
127-128.Charles Macklin,A Will and No Will, or a Bone for the Lawyers(1746).The New Play Criticiz’d, or The Plague of Envy(1747). Introduction by Jean B. Kern.
129.Lawrence Echard, Prefaces toTerence’s Comedies(1694) andPlautus’s Comedies(1694). Introduction by John Barnard.
130.Henry More,Democritus Platonissans(1646). Introduction by P. G. Stanwood.
131.John Evelyn,The History of . . . Sabatai Sevi . . . The Suppos’d Messiah of the Jews(1669). Introduction by Christopher W. Grose.
132.Walter Harte,An Essay on Satire, Particularly on the Dunciad(1730). Introduction by Thomas B. Gilmore.
Next in the series of special publications by the Society will be a volume including Elkanah Settle’sThe Empress of Morocco(1673) with five plates;Notes and Observations on the Empress of Morocco(1674) by John Dryden, John Crowne and Thomas Shadwell;Notes and Observations on the Empress of Morocco Revised(1674) by Elkanah Settle; andThe Empress of Morocco. A Farce(1674) by Thomas Duffet, with an Introduction by Maximillian E. Novak. Already published in this series are reprints of John Ogilby’sThe Fables of Aesop Paraphras’d in Verse(1668), with an Introduction by Earl Miner and John Gay’sFables(1727, 1738), with an Introduction by Vinton A. Dearing. Publication is assisted by funds from the Chancellor of the University of California, Los Angeles. Price to members of the Society, $2.50 for the first copy and $3.25 for additional copies. Price to non-members, $4.00.
Make check or money order payable toThe Regents of the University of California.
Spelling and LanguageThe author used a number of forms that were unusual or archaic even in 1646, and might be mistaken for typographical errors:ne(conjunction)wonstay, dwell(like Germanwohnen)eatheasy, light; alsouneathWords in-en, especially verbs:aboven,amazen,been(infinitive),causen,standen,withouten...Both occurrences of the name “DesCartes” or “DesChartes” are at line break; the hyphen has been omitted conjecturally. In general, spellings that appear more than once, such as “Psyc-” for “Psych-”, were assumed to be intentional. In corrections, the word “invisible” means that the letter is absent but there is an appropriately sized blank space.Greek diacritics were consistently printed over the first vowel of an initial diphthong. This has been silently regularized.PaginationDemocritus PlatonissansandCupids Conflictwere each paginated from 1; other parts of the original have no visible page numbers. Individual missing numbers may have been too near the margin to be included in the facsimile. Folio numbers (signatures) are continuous for the whole text. Gaps in the sequence represent blank pages, except that A was probably a half-octavo (4 leaves instead of 8).
The author used a number of forms that were unusual or archaic even in 1646, and might be mistaken for typographical errors:
ne(conjunction)wonstay, dwell(like Germanwohnen)eatheasy, light; alsouneath
ne(conjunction)
wonstay, dwell(like Germanwohnen)
eatheasy, light; alsouneath
Words in-en, especially verbs:
aboven,amazen,been(infinitive),causen,standen,withouten...
Both occurrences of the name “DesCartes” or “DesChartes” are at line break; the hyphen has been omitted conjecturally. In general, spellings that appear more than once, such as “Psyc-” for “Psych-”, were assumed to be intentional. In corrections, the word “invisible” means that the letter is absent but there is an appropriately sized blank space.
Greek diacritics were consistently printed over the first vowel of an initial diphthong. This has been silently regularized.
Democritus PlatonissansandCupids Conflictwere each paginated from 1; other parts of the original have no visible page numbers. Individual missing numbers may have been too near the margin to be included in the facsimile. Folio numbers (signatures) are continuous for the whole text. Gaps in the sequence represent blank pages, except that A was probably a half-octavo (4 leaves instead of 8).