Modelling,301,304Mosaics, Byzantine,47,299Mouldings, Attitude of,148Bolection,152Decorated Gothic,64Decoration of,143Drawn Metal,155Employment of,147Jacobean,97Pointed Gothic,61Plaster,153Pottery,154Profiles of,138Purpose of,139Repoussé,157Rolled Metal,155Spun Metal,157Turned Wood,153Wood Panel,149Muses,328Mythology, Origin of,312Scandinavian,317Myths, Nature,312Season,314Sun,315Nature, Myths,312Study,355Natural Attraction,288Natural Suggestion,353Phenomena, Belief in,315Needlework,296Newgate Prison,136Nimbus, The,340Noon,318Numbers, Belief in,328Oppenord, Giles Marie,111Order, 160Order, Doric,161Ionic,163Corinthian,163Originality,1Ornament, Roman,39Byzantine,45Romanesque,50Pointed Gothic,63Decorated Gothic,65Perpendicular Gothic,69French Renaissance,88English “88,91Later English “118Louis XVI,134Empire,135Outline, Drawing,254PaintedDecoration, Roman,39Renaissance,82,294Painted Furniture,126Palazzo, Pitti,77Strozzi,77Palladio,78,81Pan,339Panels, Treatment of,236Juxtaposition,238The Composing Lines,241Grouping and Massing,242Division of,242Pantheon, Rome,36Passion, Symbols of the,345Pastoral Staff,344Parthenon,30Perugino,83Peruzzi, Baldazzare,79Pineau, Nicholas,111Piers, Gothic,60Pinturrichio,83Potters, Elementary,9Pottery, Ancient,8Greek,34Predestination,319Prehistoric Workers,9Personal Production,10Primitive Essays,8Requirements,11Prohibition,324Propitiation,320Raffaelle,79Realism,255Régence,111Relief Work, Treatment of,293,301Reproduction Processes,304Drawing for,359Riesener,133Rococo,111Romano Giulio,83Rosette, The,270SacredTrees and Flowers,329Sacrifice,321Sansovino (Jacopo Tatti)80Sarto, Andrea del,86Scamozzi, Vincenzo,81Sceptre, The,341Scroll, The,266Season Myths,314Secular Symbols,347Serlio,78,87Shells, Symbolism of,345Sheraton,127Sirens, The,338Social Conditions, Early,11Sodoma (Gian Antonio Bazzi)83Somerset House,136Soufflet,110Spires, Pointed Gothic,64Decorated Gothic,66Classic,116Spiritual Belief, Early,323St. Geneviéve (Pantheon)110George, Bloomsbury,115Mark, Library of,81Martin in the Fields,115Mary le Strand,115Mary, Woolnoth,115Paul, Covent Garden,103Peter’s, Rome,78Stephen’s, Walbrook,116Standards,246Starts in Ornament,276Stencilled Work,295Strapwork,87Structural Design,363Style,16Phases in,18“ “ Gothic,60Sun Myths,315Signs,340Supports,246Surface Interest,294Symbols of the Evangelists,331Symbolic Ornament,310Taboo,322Taste,6Tatti,80Technical Considerations,292Tendrils,271Textiles, Printed and Woven,296, 361Thorpe, Thomas,91Thyrsus, The,342Time, Symbols of,346Torches,346Torrigiano,89Totemism,336Tracery,61Pointed,63,64,68Tracings,368Trident, The,343Triforium,53,60,67Trinity College, Cambridge,116Trinity, Symbols of the,341Triton,339Trophies,347Tuileries, The,87Udine, Giovanni da,83Undulate, Line or Stem,230,266Vaga, Pierino del,83Vase, Greek,29,258Forms and Decoration,248Vase, Stretch out and Segments,250Vault, The,20,36,53Treatment of,224Vaulting, Fan,68Veneer,298Venetian, Renaissance,80Versailles, Palace of,106Vesica Piscis, The,340Vignola,78,80,87,159Vinci, Leonardo da,86Volute, The,175Wallpaper,290,362Whitehall, Banqueting House,103Windows, Glazing of,47,67Pointed Gothic,61Decorated Gothic,64Perpendicular Gothic,68Domestic,73,74Jacobean,98Treatment of,213Winds Personified,319Wood, Inlay,297Treatment of,289Wren, Sir Christopher,81,114,137