19. Antiquities.

Both in 1715 and in 1745 the county was suspected of showing sympathy with the exiled Stuarts. But when in the former year the Duke of Ormond, with a small party of French soldiers, appeared in a war-ship off Brixham, expecting to be welcomed by the Devonshire Jacobites, he met with no encouragement.

Several episodes in the history of Devonshire are associated with the French war of the close of the eighteenth and the beginning of the nineteenth centuries. In 1797 a French squadron, afterwards captured by Admiral Bridport, sank the fishing-boats in Ilfracombe harbour. A few years later, in 1809, Princetown was built for the reception of the rougher class of French prisoners of war, and during the five years that followed 12,679 Frenchmen and Americans were confined there, while many others were billeted at Okehampton, Ashburton, Tavistock, and Moreton Hampstead. The Princetown buildings were afterwards disused—except for a short occupation by a naphtha company—until 1850, when they were converted into a prison for convicts.

It was at this period that Torquay came into note, having become a place of residence for the families of naval officers serving on men-of-war anchored in Torbay. In Torbay, too, was enacted what may be called the last scene of the war. For it was here, on the 24th of July, 1815, that Napoleon was brought a prisoner. And here he remained, except for a few days spent in Plymouth Sound, until the 11th of August, when he was taken to St Helena.

To the archaeologist and the antiquarian Devonshire is one of the most interesting counties in England. With the exception of Cornwall no other district is so rich in relics of the ancient inhabitants of Britain; and it was from the caves of this county that Pengelly obtained that clear evidence of the extreme antiquity of man in this island which proved that he lived here, unnumbered ages back, when such animals as the cave-lion, thehyaena, and the mammoth ran wild in what we now call England.

Palaeolithic Flint Implement

Palaeolithic Flint Implement(From Kent's Cavern)

The people who inhabited Britain before the coming of the Romans are said to have belonged to the Stone Age, the Bronze Age, or the Iron Age, according to the material which they used for their tools and weapons; and the first of these epochs is further divided into the Earlier and the Later Stone Ages, or the Palaeolithic and the Neolithic Periods. The implements of the former were very roughly fashioned of chipped, unpolished flint; those of the latter were more skilfully made, and were sometimes very highly finished.

Relics of all these periods have been found in Devonshire, but it is not always possible to say to which age a particular weapon or implement belongs. The use of flint for arrow-heads, for example, certainly continued long after the invention of bronze; and bronze was employed, especially for ornaments, long after iron had come into regular use.

Traces of Palaeolithic man are nowhere common, and they are rare in Devonshire; but they have been found, in the shape of massive tools of roughly chipped flint, in Kent's Cavern near Torquay, in the Cattedown Cave, now destroyed, near Plymouth, and in the river-drift near Axminster. Very fine examples have been obtained from a ballast-pit at Broome.

Remains belonging to the Neolithic Age, on the other hand, are not only much more abundant, but are of greater variety, showing an advance in knowledge of the arts of life, and they include not only axe-heads,spear-points, and arrow-tips of flint, in some cases beautifully finished, but weapons and ornaments of bone and horn, rude pottery, spindle-whorls, and even primitive musical instruments. No traces of the dwellings of the people of this age, except as regards the caves that sheltered some of them and their predecessors of the earlier time, have yet been found, nor of their graves, if we except the Spinster's Rock, two miles west of Drewsteignton. This is a dolmen consisting of three huge stones, on which rests a still larger block, twelve feet long and estimated at sixteen tons in weight; it doubtless was a Neolithic burying-place.

Dolmen near Drewsteignton

Dolmen near Drewsteignton

Relics of the Bronze Age are far more abundant,and they form, indeed, the chief archaeological feature of Devonshire. Dartmoor in particular, chiefly perhaps because its great upland wilderness has never been broken up by the plough, is dotted all over with remains of primitive Bronze Age dwellings, sometimes standing alone, sometimes grouped in villages and surrounded by a wall, and also with many stone circles, tumuli, kistvaens, menhirs, and rows of upright stones. It is, moreover, intersected by a network of ancient trackways, linking settlement to settlement.

Palstave of the Bronze Age

Palstave of the Bronze Age(In Exeter Museum)

The best example of an early Bronze Age village is Grimspound, eight miles north-east of Princetown. It consists of twenty-four round huts made of stone slabs set on end and standing about three feet above ground, scattered over a space of about four acres, surrounded by a nearly circular double wall, from nine to fourteen feet thick, and about five feet high, built of blocks of granite, some of which are tons in weight. Half the huts contain fire-hearths, which have been much used; and a good many have raised stone benches, from eight inches to afoot high. Except that the roofs, which were no doubt made of poles and thatch, have disappeared, these primitive dwellings, of which there are hundreds on Dartmoor, are probably much in the same condition as when they were inhabited, perhaps 2000 years ago. It has been suggested that Grimspound, like many ancient camps or hill-forts, was a place of refuge in times of danger, rather than a permanently occupied fortress.

Fernworthy Circle, near Chagford

Fernworthy Circle, near Chagford

The objects found in these and similar dwellings consist of flint implements, pottery—some of it decorated—spindle-whorls, and cooking-stones such as are still in use among the Eskimo. So far, no fragment of metal of any kind has been discovered, from which it might, perhaps, have been inferred that the huts were the workof a race unacquainted with the use of metal. But the pottery so closely resembles that found in the burial-mounds of the Bronze Age that archaeologists are satisfied that the dwellings belong to that period.

Hurston Stone Alignment

Hurston Stone Alignment

Other remarkable monuments are the stone circles, or upright, unhewn blocks of granite arranged in rings, of which there are many on Dartmoor, and of which some of the finest are the Grey Wethers near Post Bridge, and similar structures near Chagford and on Langstone Moor; the avenues or alignments, consistingof rows of stones set up in straight lines, as at Merivale Bridge, Hurston, and Challacombe; and the menhirs, which are single stones, sometimes twelve feet high, of which the best are at Drizlecombe, at Merivale, and on Langstone Moor.

Triple Stone Row and Circle near Headlands, Dartmoor

Triple Stone Row and Circle near Headlands, Dartmoor

It is probable that these structures were connected with primitive forms of worship, but Sir Norman Lockyer has endeavoured to show, in one of the most fascinating chapters of archaeological research, that the circles and avenues, and the monoliths or menhirs connected with them, were in all probability set up as rough astronomical instruments for observing the rising of the sun or ofparticular stars, in order to regulate the true length of the year. It is even possible, he contends, to form some idea of the date of their erection. Thus the two avenues at Merivale were probably laid out at different times, one about 1610B.C., and the other about 1420B.C., in order to watch the sunrise in May, which was then regarded as the first month of the year; while the avenues at Challacombe, among the most remarkable of all the monuments, are probably of far older date, perhaps 3500B.C., and seem to have been arranged for the observation of sunrise in November, a month long accepted by some Celtic tribes as marking the beginning of the year.

Kistvaens, of which nearly 100 have been found, almost all of them on Dartmoor, are small stone burial chambers, generally used for the reception of the burnt ashes of the dead, probably in many instances originally covered with earth, and made of four slabs of granite set on edge, forming a sort of vault, with another and more massive stone laid on the top. Specially good examples have been found at Fernworthy, on Lakehead Hill, and at Plymouth. The most remarkable kistvaen—belonging, however, to a later period, when burial had displaced cremation—was that discovered on Lundy, containing a human skeleton eight feet two inches in length.

Tumuli or burial mounds, called cairns when they are made of small stones, and barrows when they are merely piles of earth, are to be seen in all parts of Devonshire, especially on high ground, sometimes alone, sometimes in groups of from two to ten or twelve, andalways round. No long barrows have been discovered in the county.

The men of the Bronze Age reached a much higher stage of civilisation than their stone-using predecessors, and very fine examples of their bronze swords, daggers, spear-heads and axes; of their pottery, some of it finely decorated; and of their ornaments, including beads of shale and clay and amber, and an amber dagger-hilt with studs of gold, have been found at various places in Devonshire.

Relics that can be attributed with certainty to the prehistoric Iron Age are rare, partly, no doubt, because iron so quickly rusts away. Some very remarkable remains of this period were however found on Stamford Hill near Plymouth, during the construction of a fort, when the workmen dug into an ancient burial-ground, in which, in addition to human bones, were discovered red, black, and yellow pottery, mirrors and finger rings of bronze, fragments of beautiful amber-tinted glass, and some much-corroded cutting-instruments of iron. In the old camp called Holne Chase Castle, a man digging out a rabbit came upon about a dozen bars of rusty iron, two feet long, nearly two inches broad, and a quarter of an inch thick, which although at first mistaken, as has been the case elsewhere, for unfinished sword-blades, were subsequently identified as specimens of the iron currency-bars which passed as money among the ancient Britons. British coins of gold, silver, and copper have been found in several places, particularly at Exeter and at Mount Batten near Plymouth. The commonest are of what isknown as the Channel Islands type, bearing the effigy of a horse rudely imitated from the Macedonian stater, and probably struck about 200B.C.

A special feature of the prehistoric antiquities of Devonshire is the great number of camps or hill-forts, of which there are more than 140; some in the heart of the county, some on the coast, often on prominent headlands, and some along the lines of division between this and the adjoining shires; showing in many instances great military skill and knowledge both in construction and in the choice of good, defensive sites. Two of the most remarkable of the many strongholds, both near Honiton, are the great encampment of Dumpdon and the magnificently planned fortress of Hembury—a monument of military skill. Another fine example is Hawkesdown, the strongest of the chain of border forts—of which Membury and Musbury are two important links—built along the river Axe as defences against the ancient inhabitants of Dorsetshire. One of the largest and most elaborate of all is Clovelly Dykes, twenty acres in extent, and defended by from three to five lines of intricate earthworks. Another remarkable fort, and the largest in the county, is Milber Down, two miles south-east of Newton Abbot.

Bronze Centaur forming the Head of a Roman Standard

Bronze Centaur forming the Head of a Roman Standard(Found at Sidmouth)

There is no real clue to the makers of these fortresses. Roman coins have been found in several of them, but there is not one which competent authorities attribute to the Romans, and it is probable that they were built by British tribes during the ages of Bronze and of Iron, but perhaps chiefly by the Gaels or Goidels.A few of them have played a part in modern history. Cadbury, for instance, was occupied by Fairfax in 1645; and in 1688 the Prince of Orange parked his artillery in the great fort of Milber Down, a camp which it is thought was not only occupied but adapted by the Romans.

The Romans, as was pointed out in the previous chapter, left comparatively few traces in Devonshire; and at only twelve spots in the county have Roman relics other than coins been discovered. At Exeter, the only town where there seems to have been continuous occupation, there have been found the foundations of the city walls, a bath, several tesselated pavements—one of which has been relaid in the hall of the police-court, on the spot where it was discovered—statuettes in bronze and in stone, engraved gems, lamps—one encrusted with lizards, toads, and newts—many pieces of finely decorated Samian pottery, and great numbers of coins. The finest mosaic pavement was that found at Uplyme, on the site of one of the only two known Roman villas in the county. Coins have been dug up in many places. Considerable hoards have been discovered at Compton Gifford, Holcombe, Tiverton, and Widworthy. The largest, however, was at Kingskerswell, where 2000 were found together. Perhaps the most remarkable Roman relic was a bronze object found on the beach at Sidmouth, believed to be the head of a standard, and representing Chiron the Centaur carrying Achilles.

Except as regards coins, of which great numbers are in existence, especially, as has been stated, in the Royal Museum at Stockholm, few antiquities that can be ascribed to the Saxons have been found in Devonshire. One remarkable relic, now in the British Museum, was a bronze sword-hilt, dug up in Exeter in 1833, finely ornamented with key-pattern, and inscribedLEOFRIC·ME·FEC(IT). Part of the lettering is inverted,a fact which at first entirely disguised the real words. One of the treasures of Exeter Cathedral is an Old English manuscript headed "A Mycel Englisc Bok," placed in the Chapter Library by Leofric, who in 1050 was bishop of the diocese. It contains some of the work of Cynewulf and his school. One poem has been thus translated:

"To the Frisian wifecomes a dear welcome guest;the keel is at rest;his vessel is come;her husband is home;her own cherished lordshe leads to the board;his wet weeds she wrings;dry garments she brings.Ah, happy is hewhom, home from the seahis true love awaits."

"To the Frisian wifecomes a dear welcome guest;the keel is at rest;his vessel is come;her husband is home;her own cherished lordshe leads to the board;his wet weeds she wrings;dry garments she brings.Ah, happy is hewhom, home from the seahis true love awaits."

Saxon Sword-hilt

Saxon Sword-hilt

A Norman relic of the highest interest is the Exeter Domesday Book, also preserved in the Chapter Library,describing in greater detail than is given by the Winchester Survey, especially as regards live stock, the five counties of Devon, Cornwall, Dorset, Somerset, and Wiltshire. Among many points of difference between the two books is that where the more general survey gives the letters T.R.E., fortempore regis Edwardi, meaning that such were the facts in the time of Edward the Confessor, the Exeter Book uses the phrase "eadie qarex·E·f·u·&·m·" foreâ die qua Rex Edwardus fuit vivus et mortuus, that is to say, "on the day when King Edward was alive and dead," meaning the day he died, which was the 6th of January, 1066. It is worthy of note that, with one exception, the Devonshire Hundreds were the same in 1086, the supposed year of the completion of the Survey, as they are in our time.

Scattered up and down over Devonshire are many old stone crosses, some in churchyards or by the wayside, probably intended as preaching places, and some standing on the open moor as marks of boundary or of lines of ancient roadway, a few of them bearing brief inscriptions or traces of decoration. Fine examples are those of Addiscot, Helliton, Mary Tavy, and South Zeal, the last-named of which has been restored, and measures, with its steps, eighteen feet in height; the Merchant's Cross near Meavy, the tallest on Dartmoor; the very ancient Coplestone Cross, once decorated with interlaced Celtic ornament, standing where three parishes meet, and named in an Anglo-Saxon charter of 974; and the Nun's or Siward's Cross, inscribed on one side(SI)WARD, and on the otherBOC LOND, set up in the twelfth century tomark the boundary between the royal forest and the property of Buckland Abbey.

With these may be mentioned the inscribed stones of Lustleigh, Stowford, Tiverton, and Fardel—the latter now removed. The last-named, and one of the three Tiverton examples, bear inscriptions in Ogham or Irish runic characters.

Cyclopean Bridge, Dartmoor

Cyclopean Bridge, Dartmoor.

Among the features of Dartmoor are the so-called "clapper bridges," made of great blocks of unhewn stone. Their date and their builders are matters of conjecture. If, as has been said, they were meant for pack-horse traffic, they may be at least as old as the time of the Norman Conquest, for packhorses are mentioned in the Exeter Domesday. There are fine examples at Dartmeet, Bellaford, and near Scaurhill Circle. But the moststriking and perhaps the most ancient is that at Post Bridge, in which two of the stones are fifteen feet long.

The idea has long been abandoned that Logan or rocking stones were the work of man, or that the rock basins which are found on the top of some of the Dartmoor tors had anything to do with Druidical ceremonies. Both are now recognised as of natural origin. But it may here be noted that the largest of the Devonshire Logans is the Rugglestone, at Widecombe, estimated at from 100 to 150 tons, but it can no longer be moved. The largest that will still rock is one of about fifty tons weight at Smallacombe. The largest of the many rock basins, which vary from a few inches to five feet or more, are on Heltor and Kestor.

The ecclesiastical buildings of Devonshire,—its magnificent cathedral, which is without doubt the finest example of the Decorated style in all England; its many noble churches, some of which, specially remarkable for their interest and beauty, are situated in remote and thinly-peopled rural parishes; and, in a minor degree, the picturesque fragments of its ruined abbeys—form altogether one of the most striking features of the county. Speaking generally, it may be said that Devonshire churches, as a whole, are remarkable for their interiors, very many of them containing beautiful wood-work, especially rood-screens, and finely-carved stone pulpits, to which, in manyinstances, the addition of gold and colour has lent a still more striking and even gorgeous effect. Some of the exteriors also are very beautiful; but, on the other hand, many of them, partly on account of the intractable nature of the stone of which they were built, are simple and even severe in character. As might be expected, the material varies with the geological formation. Thus, many churches were built of grey limestone. In East Devon much use was made of flints and of freestone from Beer. Round Exeter and Crediton volcanic tufa was often employed, particularly in vaulting. The use of Old Red Sandstone and even of granite greatly affected the style, which in buildings of those difficult materials is plain and with little ornament.

A large proportion of the churches of Devonshire were more or less rebuilt during the Perpendicular period, that is, between 1377 and 1547; but many, probably even the majority of them, contain features of earlier dates, in a few cases going as far back as Saxon times. Some have been skilfully restored. But in too many cases the work of renewal was carried out in an age when church architecture was imperfectly understood, and when the value of old and beautiful, even if time-worn, details was not sufficiently appreciated; and it is unfortunately true that, in order to accomplish needless or barbarous alterations, many interesting features were ruthlessly swept away.

Norman Doorway, Axminster Church

Norman Doorway, Axminster Church

The oldest existing work is the Saxon masonry in the bases of some of the central Norman towers—those of Branscombe, Axminster, and Colyton, for example, and in the crypt of Sidbury. No church is wholly or even largely Norman; but the transeptal towers of Exeter Cathedral are of this period, as are the towers of South Brent, Ilfracombe, and Aveton Gifford, in addition to those named above. There are also fine Norman doorways at Paignton, Kelly, Axminster, Hartland, Bishop's Teignton, and elsewhere. In at least a hundred churches, most of which probably possess no other feature of the time, there are Norman fonts, of which the most remarkable are those at Hartland, Alphington, and Bradsworthy. The font in Dolton church is believed to be Saxon.

Ottery St Mary Church

Ottery St Mary Church

Perhaps the best examples of Early English architecture are to be seen in the aisles and transeptal towers—the latter imitated from those of Exeter Cathedral—of the very beautiful church of Ottery St Mary, the finest andmost interesting church in Devon. The plain little building on Brent Tor, one of the smallest of churches, measuring only forty feet by fourteen, is probably all Early English. The churches of Sampford Peverell, Haccombe, and Aveton Gifford are almost entirely of this period, as are the transepts and central tower of Combe Martin and the tower of Buckfastleigh, which carries one of the few spires in the county.

Decorated Window, Exeter Cathedral

Decorated Window, Exeter Cathedral

The Decorated style is not so well represented as regards the number of examples. But to this period belongs almost the whole of Exeter Cathedral, a great part of the beautiful church of Tavistock, and the nave, chancel, and Lady-chapel of Ottery St Mary. There isalso good work of this style at Beer Ferris, Plympton, and Denbury.

So many Devonshire churches, as already remarked, were rebuilt in Tudor times that the majority of the ecclesiastical buildings in the county appear to belong to the Perpendicular period. There is very beautiful Perpendicular work in the church of Tiverton, whose south front and chapel were decorated by their founder, a wool-merchant named Greenway, with very elaborate carvings, some symbolic of his trade, and some representing scenes from the life of Christ. Other notable churches mainly of this period—to name a few only out of a multitude of examples—are those of Crediton, Hartland, Plymptree, Awliscombe, Kenton, Harberton, Dartmouth, and Buckland Monachorum.

To the Perpendicular period belong the finest of the Devonshire towers, which as a rule, however, owing in many instances to the absence or to the poorness of buttresses and pinnacles, lack the majesty of those which are so striking a feature of the ecclesiastical architecture of Somerset. There is a group of three towers in near neighbourhood, assigned by tradition to the same architect, and known as Length, Strength and Beauty, at Bishop's Nympton, South Molton, and Chittlehampton, respectively; and the last of these, a magnificent piece of architecture, is the most beautiful specimen of an enriched tower in Devonshire. Other very fine towers are those of Cullompton, Chumleigh, Berrynarbor, Arlington, Kentisbury, and Combe Martin. The tower of Colyton is unique in character, being crowned by an octagonallantern supported by slender flying buttresses. There are not now many spires in Devonshire, but there are fine examples at Modbury—which tapers the whole way up—and at Barnstaple, both of the sixteenth century; and there are others at Braunton, Brushford, and West Worlington. One of the towers of Ottery St Mary carries a spire, the other is without.

One of the special characteristics of Devonshire churches is their woodwork, their roofs and bench-ends, their pulpits—although some of the best of these are of stone—and, above all, their rood-screens. The last-named are among the finest in the kingdom, and are not rivalled even in Norfolk and Suffolk.

There are good timber roofs at Cullompton, Widecombe, South Tawton, Hartland, Ashburton, Chittlehampton, Sampford Courtenay, and Hatherleigh. The bench-ends at Abbotsham, Ilsington, Ashton, Mortehoe, Tawstock, Braunton, Monksleigh, Frithelstock, East Budleigh, and Combe-in-Teignhead are specially fine. The seventeenth century seats at Cruwys Morchard are inscribed with the farm names of the parish.

Rood-screens, which are here the most remarkable feature of the Perpendicular period, are very numerous in Devonshire. Although many have disappeared, having been removed or broken up, there are still some 150 in more or less perfect condition. So many of them, moreover, are of such truly exquisite workmanship that it is difficult to say which are the most beautiful. The material, in the majority of cases, is wood, perhaps because of the scarcity of tractable stone—elaborately carved, andvery often splendidly decorated with gold and colour. There are, however, magnificent screens of stone in Exeter Cathedral and in the churches of Totnes and Awliscombe.

Rood Screen and Pulpit, Harberton Church

Rood Screen and Pulpit, Harberton Church

It is probable that most of the screens were the work of native craftsmen, but there are some whose style shows distinct signs of foreign influence. The beautiful screen at Harberton, for example, suggests Spanish work or influence, that of Colebrook French, that of Kenton Flemish, and that of Swymbridge Italian. While by far the greater number are of the Perpendicular period, that of Washfield is Jacobean, and that of Cruwys Morchard is Georgian. It is perhaps generally considered that the magnificent screen at Kenton is the finest of all; but it has a goodmany rivals which closely approach it in beauty of design and in excellence of workmanship. Other splendid specimens, all of them of great beauty, are those at Kentisbere, Hartland, Hemyock, Swymbridge, Kingsnympton, Dartmouth, Honiton, Holbeton, Tawstock, Lustleigh, Lapford, Pinhoe, and Uffculme. The last-named, which measures sixty-seven feet, is the longest, and that at Welcombe is believed to be the oldest, in the county.

Carved pulpits are another special feature of Devonshire churches. The finest stone pulpit, which is at Harberton, contains, like the beautiful examples at South Molton and Chittlehampton, full-length figures in panels. Other good stone pulpits are at Pilton, Totnes, Paignton, Dartmouth and elsewhere. Two particularly fine carved oaken pulpits are those of Hartland and Kenton, the latter of which is very richly decorated with gold and colour. There are also good specimens at East Allington, Tor Bryan, Ipplepen, and Holne.

Ancient stained glass is very rare in Devon, much having been destroyed by Puritan fanatics. The best which has survived is at Doddiscombeleigh, where there are four very beautiful windows. There is also very good glass at Cheriton Bishop and Budleigh; and some less striking but noteworthy examples may be seen at Ashton, Christow, Cadbury, Manaton, Atherington and other places. The great east window in Exeter Cathedral contains some very fine coloured glass, and there are a few remains in some of the clerestory windows.

Among the very striking recumbent effigies of warriorsand churchmen and great ladies to be found in our churches there are some not to be surpassed in England; and the magnificent examples in Exeter Cathedral, in particular, afford most valuable chronological studies both of costume and of carving. Among the finest of those in the cathedral are the splendid thirteenth century alabaster effigy of Bishop Bronescombe, the fourteenth century mail-clad figures of Humphrey de Bohun and Sir Richard Stapledon, and the sixteenth century effigy of Bishop Hugh Oldham. Perhaps the grandest of those in parish churches, to name a few only out of many, are the fourteenth century effigies of Sir Otho Grandisson and his wife at Ottery St Mary, and the seventeenth century figures of Denys Rolle and his wife at Bicton. Other fine effigies are at Paignton, Broadclyst, Landkey, Tawstock, Haccombe, and Horwood and the Seymour tomb at Berry Pomeroy.

Our county is rich also in monumental brasses, most of which date from the fifteenth and sixteenth centuries. Among the finest are the splendid triple-canopied fifteenth century brasses in the church of St Saviour, Dartmouth, in memory of Sir John Hawley and his two wives, the fifteenth century brass of Sir Nicholas Carew in Exeter Cathedral, which is a wonderful representation of the military costume of the period, and the fine sixteenth century brass at Tiverton, in memory of John and Joan Greenway. Other good brasses are in Exeter Cathedral and in the churches of Stoke-in-Teignhead, Stoke Fleming, Clovelly, Braunton, Haccombe, and Clyst St George.

Many of the churches, that of Pilton, for example, have specially musical peals of bells; and there are very old bells at Ogwell, Abbot's Beckington, Alverdiscott and Hittesleigh. At the latter place is the most ancient bell in the county.

The Seymour Tomb, Berry Pomeroy Church

The Seymour Tomb, Berry Pomeroy Church

By far the most important and remarkable ecclesiastical building in Devonshire is Exeter Cathedral, which, although not one of the largest or—externally, at any rate—one of the most majestic cathedrals in this country, is without doubt the most beautiful example in all England of the Decorated style of architecture. It is built of Beer stone; a material which when first quarried is white and easily worked, but which, in this case, is now dark and crumbling with age.

The two features which specially distinguish this from all other cathedrals are its transeptal towers, of which the only other English example is at Ottery St Mary; and the great length of its roof, which extends unbroken over nave and choir.

The exterior is further remarkable for the statuary on its west front with its figures of kings and knights, saints and angels; for its flying buttresses and its richly carved pinnacles. And the interior, which has been called the finest in Europe, is distinguished for the beautiful tracery of its many Decorated windows, the elaborate details of its side-chapels; its episcopal throne, more than fifty feet high, a marvel of wood-carving, without a rival in the island; its noble screen, one of the best in a county particularly rich in screens; its ancient and quaintly-carved misereres, the earliest in England; its fourteenth century minstrels' gallery, the most nearly perfect known; its long stretch of stone vaulted roof, the longest of the kind in existence; its clustered columns; its richly yet delicately carved bosses and finely sculptured corbels; its many monuments and recumbent effigies of knights in armour and of bishops in their robes of office; and, generally, by the wonderful uniformity and symmetry of its design.

Exeter Cathedral, West Front

Exeter Cathedral, West Front

The cathedral is the work of many hands. Hardly one of its long line of bishops but has left his mark upon it. But that it is an architectural masterpiece is due in the first place to the genius of one man, and in the second place to the wisdom of his successors in faithfully carrying out his original design.

The cathedral stands on the site of a Saxon church, of which no trace remains; and of the Norman edifice which succeeded it little is left but the two transeptal towers. These towers, the northern of which has been much altered, and now has strongly-marked Perpendicular characters, were built by Bishop Warelwast (1107-1136), the son of William the Conqueror's sister; and Bishop Marshall (1194-1206), brother of that Earl of Pembroke who helped Henry II in the conquest of Ireland, finished the building in the Norman style. But it was Bishop Quivil (1280-1291) who planned the reconstruction of the whole cathedral in the Decorated style, with the exception of the towers, and himself began the transformation, rebuilding the transepts, the Lady-chapel, and part of the nave. And although the work extended over more than a hundred years after Quivil's time, and was continued far into the Perpendicular period, the architecture was not altered, and there are few features in the building which are not in keeping with the bishop's first design. The magnificent Perpendicular eastern windowis filled with beautiful glass of the previous period, and it is believed that its tracery also was originally of the Decorated style.

The Nave, Exeter Cathedral

The Nave, Exeter Cathedral

Of the bishops who succeeded Quivil, Stapledon (1308-1326), a statesman as well as a prelate and an architect, murdered in Cheapside by ruffian partisans of the She-Wolf of France, carried out some of the finest work in the building, including the rood-screen, the episcopal throne, and the stone sedilia. Last of the great builders was Bishop Grandisson (1327-1369), who, in his long tenure of the see, completed and finally consecrated the cathedral, to which, however, some details were added by those who followed him. Bishop Brantyngham (1370-1394), for instance, finished the west front, the great eastwindow, and the cloisters—destroyed by the Puritans and only recently rebuilt. There have been two main restorations of the cathedral; one in 1662, and one between 1870 and 1877, when the reredos and other features were added.

The chapter-house, which is an exception in style to the rest of the building, its lower part being Early English, and its upper part Perpendicular, contains part of the cathedral library. The rest of the 15,000 volumes of books, together with some very valuable manuscripts, including the Exeter Domesday Book, Leofric's Book of Saxon Poetry, and the original charter signed by Edward the Confessor, Earl Godwin, Harold and Tostig, authorising the removal of the see from Crediton to Exeter are preserved in the Chapter Library.

In the north transept of the cathedral are the dials of an ancient and curious clock, believed to have been set up early in the reign of Edward III, although its movement has been renewed. It sounds the hours and the curfew on Great Peter, a ponderous bell in the tower above it. The peal of ten bells in the southern tower is the heaviest in England.

At many points in Devonshire may be seen the ruins of monasteries, priories, and nunneries which were closed by order of Henry VIII. Almost all of them have suffered so severely from decay, or perhaps even more from having been used as quarries, that in a great many instances only a few fragments of ruin remain of what, in their time, were large and magnificent buildings.

These monastic houses were originally founded asplaces to which people might retreat who wished to retire from the world, and to lead simple lives of holiness, benevolence, and poverty, serving God and benefiting their fellows. For a time the inmates did all these things. As long as they were poor they were a blessing to the countries where they lived. They preached to the people, they taught in schools, tended the poor and the sick, practised agriculture and many useful arts, such as the construction of clocks, keeping alive such learning as there was, and making beautiful manuscript copies of the Bible and of the works of classical writers which otherwise would have been lost. But when they grew rich they became idle, careless, and ignorant, and their lives too often a scandal to the world. Henry VIII, as the result of a commission which he sent round to enquire into their condition, decided to suppress them. The houses were closed, their inmates were scattered, their estates were sold for trifling sums or given to the king's favourites, while part of their vast wealth was used in founding grammar-schools.

The richest monastic house in the county was the Cistercian Priory of Plympton, of which little now remains beyond the refectory and the kitchen. Of the Benedictine monastery of Tavistock, an establishment second in wealth only to Plympton, the gateway, a porch, and two towers alone are left. The remains of the Norbertine abbey of Torre consist chiefly of the refectory, a gate-house, and the fine building known as the Spanish Barn, from a tradition that Spanish prisoners of war were confined in it.

The two Cistercian houses of Buckfast and Buckland are specially interesting. The ruins of the former, which was a very ancient and very rich establishment, whose last abbot attained his office as a reward for having helped to capture Tyndale, were bought in 1882 by a community of French monks, who have rebuilt much of the abbey in the original style. Part of Buckland Abbey, which had been converted into a dwelling-house in Henry VIII's time, was bought and rebuilt by Sir Francis Drake. Several relics of Drake are preserved here, and the house, with its fine cedars and stately tulip trees, is one of the most picturesque buildings in Devon. Hartland Abbey, originally founded, like Buckfast, in Saxon times, has also been converted into a dwelling-house, into which were built the Early English cloisters. At Leigh, nearChristow, are the very picturesque remains—a fine gate-house, the refectory, and the dormitory—of a small cell connected with Buckland Abbey.

Buckland Abbey

Buckland Abbey

Other monastic remains, mostly in a fragmentary condition, are those at Polsloe (Benedictine nuns), Denbury (Benedictine cell connected with Tavistock), Newenham and Dunkeswell (both Cistercian), Cornworthy (Augustinian nuns), and Frithelstock (a house of Augustinian canons).

As has already been pointed out, there were in Devonshire a very great number of primitive castles or fortresses, generally on the tops of hills, and consisting simply of enclosures surrounded by ramparts of earth or of loose stones. After the Norman Conquest castles of a very different type, strongly built of stone, were erected in our county, as in many other parts of England, partly by order of the king himself, and partly by his knights and nobles, who found it necessary to defend themselves against the Saxons, of whose lands they had taken possession. By the end of the reign of King Stephen, after less than ninety years of Norman rule, there were 1115 such strongholds in England.

The early Norman castle consisted, as a rule, of a single three-storied tower with walls of great thickness. But at a later period, after the experience gained in the Crusades, and in consequence of the introduction ofpowerful engines capable of throwing great stones against a besieged fortress, military architecture became much more elaborate.

The castles of the Middle Ages, which sometimes occupied a space of many acres, were usually built on high ground, or close to a river or the sea-shore, and were almost always surrounded by a ditch or moat, which, if possible, was filled with water. Inside the moat was a high and very thick wall, generally with towers at intervals, especially at the corners, with a parapet to shelter the men fighting on the top of it, and with spaces called embrasures through which they could shoot arrows at the enemy. The principal gate was strongly defended by covering towers, and above it were holes through which melted lead, or boiling water, or hot pitch or sand could be thrown on the besiegers. The doorway was reached by a drawbridge, raised and lowered by chains, and was closed by a heavy door, or a strong grating called a portcullis. Smaller gates were the postern and the sally-port.

The space inside the outer wall was known as the outer bailey, inside which was another wall, also with towers and a gate, within which were dwellings and store-houses. This was the inner bailey; and within it was the most important part of the fortress, the high tower called the keep—a building of several floors, with walls 15 or even 20 feet thick—the last place of retreat when the rest of the castle was taken. On the ground floor, which had no windows, were the well, sometimes of immense depth, the dungeon, and the store-rooms.On the next floor, which was lighted by narrow loop-holes, were the soldiers' quarters. On upper floors were the chapel and the apartments of the governor and his family.

There were nearly twenty Norman and mediaeval castles in Devonshire, few of them large or elaborate from the military point of view, and some, perhaps even the majority of them, insignificant in size and simple in style. Of some of these twenty strongholds no trace remains. Almost all, of which anything survives, are ruinous and uninhabitable. And although a few have been partially restored and are now occupied as dwelling-houses, only one, that of Powderham, retains its ancient dignity, after continuous occupation that has lasted for nearly six centuries. Comparatively little is known of the history of these castles; but many of them have been the scenes of fighting, especially in Norman times, in the reign of Henry VIII and during the Civil War.

One of the most famous and at the same time one of the oldest of Devonshire castles, is that of Exeter, called Rougemont from the colour of the rock on which it stands, built in 1067 by William the Conqueror on the site of an earlier fortress constructed by Athelstan, destroyed by Sweyn, and restored by Cnut and Edward the Confessor. Its first Norman governor was Baldwin de Brioniis, the Conqueror's nephew by marriage. It, or the city round it, has sustained many sieges; by the Saxons, by the sons of Harold, by King Stephen, by the Yorkists, by rebel armies, by Royalists and Parliamentarians, but it was ruinous even when Fairfax capturedExeter in 1646. A mere fragment, consisting chiefly of the gateway tower, is all that now remains of it.

The picturesque ruins of Okehampton Castle, built, it is believed, in the thirteenth century, partly of water-worn stones from the river below, and dismantled by order of Henry VIII, stand in a strong position above the West Okement, and include the remains of many rooms and of a great banqueting hall. A French prisoner of war has left a Latin inscription cut in one of the stones.

The remains of the ancient castle of Berry Pomeroy—founded, as some think, in the reign of William I—the most picturesque ruin in Devonshire, standing on a rocky eminence surrounded by dense woods three miles north-east of Totnes, consist principally of two towers, and of the gate-house and the chapel, whose fine masonry, much of which is thirteenth century work, is overgrown with moss and ivy. Inside the original building stands a very large but unfinished mansion, of great magnificence, begun by Lord Seymour, to whom, when Sir Thomas Pomeroy was deprived of his estates because of his share in the Commotion of 1549, the castle was given. The property still belongs to the Duke of Somerset, and has thus been in the hands of only two families since the Norman Conquest.

Compton Castle, about two miles west of Torquay, a very strongly fortified manor-house of the early fifteenth century built on the site of a castle of William I's time, is specially interesting from its association with Sir Humphrey Gilbert. It is now occupied as a farm. Nearness to the sea, and the consequent danger from the raids of foreign invaders, led to the strength of its defences. The building, which is large and picturesque, includes a number of ancient features, especially the chapel and two gateways.


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