The Mountain That Watched
THE MOUNTAIN THAT WATCHED
“INthe beginning” ... “The heavens and the earth” ...“Let there be light” ...After all we can’t improve on GenesisAfter all we can’t improve on GenesisFor the condensed beginning of a tale!But earth is much more earth, and heaven much more heavenWhen it’s our own old Mountain, touching skyLike this, right up in the middle of the island,Than when it’s a mountain range across the oceans.That’s to my way of thinking anyhow.Mountain and city ... Edinburgh now ... but that’s another’s story ...Sonnet form!And now ... to mine, to-day.To-day! To-day is written in curling smokeBefore the Mountain, dumb above the city ...Our Mountain ... trying to make us understand,By secret code, sign language ... what you will.Rustling of leaves—Pale green, dark amber, scarlet, crimsoning brown—Deep coloured sighs and long deep breaths of earth—Rustling of leaves—“In the beginning”—The river, the island, and the rustling leaves,Arrows and mating and life and birth and death,Silence and solitude;But always the Mountain, touching cold blue skyWhen the white men landed in their little boats,When holy dreaming men and women came,And built their funny little forts and towers,And sacred shrines,And made a new-world city.And all the while the Mountain watched and watched.Dirt? Well you certainly can’t expect a city’s docks,or a great station at an entrance port,to be like a Quaker meeting-houseon a seventh-day noon.Docks! There’s a magical word! Not unpoeticallet me tell you, if you’ll only close your eyesand use that “inward eye” your Wordsworth usedfor daffodils. My God! you’d think he had secured that “eye”to be hereafter used for “daffodils,” and “solitude” and “thrills,”exclusively!Come now! Just try it on for once to-daywith river docks filled with the motley throng ...old world and new.Deep searching eyes that seek the “golden West”—wild eyes that hold the primal hunger lure,young eyes that hold the secrets of the dawn,sad eyes that hold the fury of the night—We’ll have to stand the dirty docks I think,and the crowded station—holding a daffodil to your nose to smellyou’ll soon forget the nose and the daffodil!What’s that you’re murmuring?“It’s all like a magic casement opening outon perilous seas....” Bless you for those kind words!Though that’s John Keats that sees our docks—not you!Wait just a moment—here is something nowthat’s well worth watching! It’s the Jewish New Year,and those are orthodox Jews who have come downto cast their sins away in running water.Mumbling in their beards ... from books, and some from memory ...punctilious enough they are ...shaking their overcoats ... (those two men, look!)Into deep river ... old Father St. Lawrence running to the sea.Old men, believers—and a few young ones too.You see? Turn round and look at the motor cars.Look at that old old woman from the slums—Grandmother of Isaac and Jacob and Abraham—Look at her! Carefully shake, shake, shake, old Mother!Strong, wrinkled, kindly face—those toil-worn hands—Come, let us try the “inward eye” again....Verily—see! Her sins do drop and float away from heron the dirty oily water—little sinsthat float like tiny, bright-red maple leavescast from a lusty old tree in the Fall.She’s known the life of the full ripe seasons through ...carefully and punctiliously shake, shake, shake!Let us go too from the docks with lightened hearts,groping our way on upward through the slums.Listen to the lilt and whimsical chatteringof alien tongues.“And have not charity”—“Through a glass darkly” ... see?We’ve dropped our classic daffodils and trodupon them! But we’ve really seen—something.To-day.What else does the Mountain see?Churches! Hotels! Domes, palaces and towers,Steep hilly streets, shops, hovels, factories.Limestone tradition!Romance! Romance! Raw gold!Merry-men, jesters, in a surging crowdmingling with Holy Folk—Miracles, shrines, and glorious, honest doubts—raw gold, black, red,—new thoughts breed sacraments—white dreams and tawny sins—the half-good, the half-bad—Humanity!Groping humanity—Who judges? How? Or why?The Mountain watches.Snow-dusted silent streets. The midnight mass—with quiet thronging worshippers that passfrom darkness into glimmering ecstasies.—Another mood ...The blizzard—The swirling wall-like drifts, while through the streetsthe snow-ploughs move like huge primeval beastsglutted with power;wallowing through the mists of drifting powdery particles,ploughing the snow.The Mountain watches and possesses nowa festival afternoon of sparkling white,pierced by the thrilling flights of vivid glancing skis—pierced by the shooting downward in death-like dive,of flat toboggans on the mountain slide.Impertinence the Mountain tolerates!The flashing facets of an ice palacereared in a square beside a towering church of massive stone,for half a continent to gaze upon if it so desires,and feast between whiles.(“H-mmm—Good advertising this—Hush! Watch your step! Deliver the goods!”)Ah well—Mount Royal, graven on a “souvenir!”The Mountain watches.“Truly an ice palace is a beautiful thing—a fairy tale!”“You poets are so fantastic!” “You should worry!”“My word I’m nearly dead for tea!” “Do hurry!”“Ice plants for making artificial ice”—“Efficiency”—“Gold seal—good jazz”“The cafeterias are the thing to-day—take up your trayand walk!”“What blasphemy!”“Ice plants for making artificial ice”“Fine bargain furs there if you’ve got the price”“Gods! what a day!”Then much the same in French—the rapid glancing tongue.“Day uttereth speech” indeed.“Night sheweth knowledge.”The Mountain watches.Night! Zero night—like a dense black velvet skindrawn tightly over the city;and lights pricking, pricking, pricking—like fiery pin-points in a million eyesbehind black skins, blazing with jungle light ...a gay old city is sinister at night.Rustling and creaking of black naked branchesOn the old Mountain—Stark twisted branches black against the snowSnapping and crackling of frost-tortured trees—Rustling—Something has happened! The Mountain almost seems to tremble.Down its sides rush the melting snows in torrents;tumbling, tumultuous, most untidy riversthrough icy blackened parapets that still stand.Washing day for the Mountain!Ah but wait!—Silver-green city in a rosy mist—Spring dawn!—As Life has waked with a soft stirringOf pouting leafy lipsAnd curling velvet finger-tips,Through all the ages while the Mountain watched.Rustling of leaves—Silver-green, rose-red, amber, scarlet, brown—Deep coloured sighs and long deep breaths of earth—Rustling of leaves—Against my hand a little crumbling dustIs softly blown—Before my eyes a glory—sunset? Dawn?And in my ears a great triumphant song—Is it a song?Or but the quiet breathing of a childWho holds its coloured toys and drifts to sleep?The Mountain watches and is very still.
“INthe beginning” ... “The heavens and the earth” ...“Let there be light” ...After all we can’t improve on GenesisAfter all we can’t improve on GenesisFor the condensed beginning of a tale!But earth is much more earth, and heaven much more heavenWhen it’s our own old Mountain, touching skyLike this, right up in the middle of the island,Than when it’s a mountain range across the oceans.That’s to my way of thinking anyhow.Mountain and city ... Edinburgh now ... but that’s another’s story ...Sonnet form!And now ... to mine, to-day.To-day! To-day is written in curling smokeBefore the Mountain, dumb above the city ...Our Mountain ... trying to make us understand,By secret code, sign language ... what you will.Rustling of leaves—Pale green, dark amber, scarlet, crimsoning brown—Deep coloured sighs and long deep breaths of earth—Rustling of leaves—“In the beginning”—The river, the island, and the rustling leaves,Arrows and mating and life and birth and death,Silence and solitude;But always the Mountain, touching cold blue skyWhen the white men landed in their little boats,When holy dreaming men and women came,And built their funny little forts and towers,And sacred shrines,And made a new-world city.And all the while the Mountain watched and watched.Dirt? Well you certainly can’t expect a city’s docks,or a great station at an entrance port,to be like a Quaker meeting-houseon a seventh-day noon.Docks! There’s a magical word! Not unpoeticallet me tell you, if you’ll only close your eyesand use that “inward eye” your Wordsworth usedfor daffodils. My God! you’d think he had secured that “eye”to be hereafter used for “daffodils,” and “solitude” and “thrills,”exclusively!Come now! Just try it on for once to-daywith river docks filled with the motley throng ...old world and new.Deep searching eyes that seek the “golden West”—wild eyes that hold the primal hunger lure,young eyes that hold the secrets of the dawn,sad eyes that hold the fury of the night—We’ll have to stand the dirty docks I think,and the crowded station—holding a daffodil to your nose to smellyou’ll soon forget the nose and the daffodil!What’s that you’re murmuring?“It’s all like a magic casement opening outon perilous seas....” Bless you for those kind words!Though that’s John Keats that sees our docks—not you!Wait just a moment—here is something nowthat’s well worth watching! It’s the Jewish New Year,and those are orthodox Jews who have come downto cast their sins away in running water.Mumbling in their beards ... from books, and some from memory ...punctilious enough they are ...shaking their overcoats ... (those two men, look!)Into deep river ... old Father St. Lawrence running to the sea.Old men, believers—and a few young ones too.You see? Turn round and look at the motor cars.Look at that old old woman from the slums—Grandmother of Isaac and Jacob and Abraham—Look at her! Carefully shake, shake, shake, old Mother!Strong, wrinkled, kindly face—those toil-worn hands—Come, let us try the “inward eye” again....Verily—see! Her sins do drop and float away from heron the dirty oily water—little sinsthat float like tiny, bright-red maple leavescast from a lusty old tree in the Fall.She’s known the life of the full ripe seasons through ...carefully and punctiliously shake, shake, shake!Let us go too from the docks with lightened hearts,groping our way on upward through the slums.Listen to the lilt and whimsical chatteringof alien tongues.“And have not charity”—“Through a glass darkly” ... see?We’ve dropped our classic daffodils and trodupon them! But we’ve really seen—something.To-day.What else does the Mountain see?Churches! Hotels! Domes, palaces and towers,Steep hilly streets, shops, hovels, factories.Limestone tradition!Romance! Romance! Raw gold!Merry-men, jesters, in a surging crowdmingling with Holy Folk—Miracles, shrines, and glorious, honest doubts—raw gold, black, red,—new thoughts breed sacraments—white dreams and tawny sins—the half-good, the half-bad—Humanity!Groping humanity—Who judges? How? Or why?The Mountain watches.Snow-dusted silent streets. The midnight mass—with quiet thronging worshippers that passfrom darkness into glimmering ecstasies.—Another mood ...The blizzard—The swirling wall-like drifts, while through the streetsthe snow-ploughs move like huge primeval beastsglutted with power;wallowing through the mists of drifting powdery particles,ploughing the snow.The Mountain watches and possesses nowa festival afternoon of sparkling white,pierced by the thrilling flights of vivid glancing skis—pierced by the shooting downward in death-like dive,of flat toboggans on the mountain slide.Impertinence the Mountain tolerates!The flashing facets of an ice palacereared in a square beside a towering church of massive stone,for half a continent to gaze upon if it so desires,and feast between whiles.(“H-mmm—Good advertising this—Hush! Watch your step! Deliver the goods!”)Ah well—Mount Royal, graven on a “souvenir!”The Mountain watches.“Truly an ice palace is a beautiful thing—a fairy tale!”“You poets are so fantastic!” “You should worry!”“My word I’m nearly dead for tea!” “Do hurry!”“Ice plants for making artificial ice”—“Efficiency”—“Gold seal—good jazz”“The cafeterias are the thing to-day—take up your trayand walk!”“What blasphemy!”“Ice plants for making artificial ice”“Fine bargain furs there if you’ve got the price”“Gods! what a day!”Then much the same in French—the rapid glancing tongue.“Day uttereth speech” indeed.“Night sheweth knowledge.”The Mountain watches.Night! Zero night—like a dense black velvet skindrawn tightly over the city;and lights pricking, pricking, pricking—like fiery pin-points in a million eyesbehind black skins, blazing with jungle light ...a gay old city is sinister at night.Rustling and creaking of black naked branchesOn the old Mountain—Stark twisted branches black against the snowSnapping and crackling of frost-tortured trees—Rustling—Something has happened! The Mountain almost seems to tremble.Down its sides rush the melting snows in torrents;tumbling, tumultuous, most untidy riversthrough icy blackened parapets that still stand.Washing day for the Mountain!Ah but wait!—Silver-green city in a rosy mist—Spring dawn!—As Life has waked with a soft stirringOf pouting leafy lipsAnd curling velvet finger-tips,Through all the ages while the Mountain watched.Rustling of leaves—Silver-green, rose-red, amber, scarlet, brown—Deep coloured sighs and long deep breaths of earth—Rustling of leaves—Against my hand a little crumbling dustIs softly blown—Before my eyes a glory—sunset? Dawn?And in my ears a great triumphant song—Is it a song?Or but the quiet breathing of a childWho holds its coloured toys and drifts to sleep?The Mountain watches and is very still.
“INthe beginning” ... “The heavens and the earth” ...“Let there be light” ...After all we can’t improve on GenesisAfter all we can’t improve on GenesisFor the condensed beginning of a tale!But earth is much more earth, and heaven much more heavenWhen it’s our own old Mountain, touching skyLike this, right up in the middle of the island,Than when it’s a mountain range across the oceans.That’s to my way of thinking anyhow.Mountain and city ... Edinburgh now ... but that’s another’s story ...Sonnet form!And now ... to mine, to-day.To-day! To-day is written in curling smokeBefore the Mountain, dumb above the city ...Our Mountain ... trying to make us understand,By secret code, sign language ... what you will.
“INthe beginning” ... “The heavens and the earth” ...
“Let there be light” ...
After all we can’t improve on Genesis
After all we can’t improve on Genesis
For the condensed beginning of a tale!
But earth is much more earth, and heaven much more heaven
When it’s our own old Mountain, touching sky
Like this, right up in the middle of the island,
Than when it’s a mountain range across the oceans.
That’s to my way of thinking anyhow.
Mountain and city ... Edinburgh now ... but that’s another’s story ...
Sonnet form!
And now ... to mine, to-day.
To-day! To-day is written in curling smoke
Before the Mountain, dumb above the city ...
Our Mountain ... trying to make us understand,
By secret code, sign language ... what you will.
Rustling of leaves—Pale green, dark amber, scarlet, crimsoning brown—Deep coloured sighs and long deep breaths of earth—Rustling of leaves—
Rustling of leaves—
Pale green, dark amber, scarlet, crimsoning brown—
Deep coloured sighs and long deep breaths of earth—
Rustling of leaves—
“In the beginning”—The river, the island, and the rustling leaves,Arrows and mating and life and birth and death,Silence and solitude;But always the Mountain, touching cold blue skyWhen the white men landed in their little boats,When holy dreaming men and women came,And built their funny little forts and towers,And sacred shrines,And made a new-world city.And all the while the Mountain watched and watched.
“In the beginning”—
The river, the island, and the rustling leaves,
Arrows and mating and life and birth and death,
Silence and solitude;
But always the Mountain, touching cold blue sky
When the white men landed in their little boats,
When holy dreaming men and women came,
And built their funny little forts and towers,
And sacred shrines,
And made a new-world city.
And all the while the Mountain watched and watched.
Dirt? Well you certainly can’t expect a city’s docks,or a great station at an entrance port,to be like a Quaker meeting-houseon a seventh-day noon.
Dirt? Well you certainly can’t expect a city’s docks,
or a great station at an entrance port,
to be like a Quaker meeting-house
on a seventh-day noon.
Docks! There’s a magical word! Not unpoeticallet me tell you, if you’ll only close your eyesand use that “inward eye” your Wordsworth usedfor daffodils. My God! you’d think he had secured that “eye”to be hereafter used for “daffodils,” and “solitude” and “thrills,”exclusively!Come now! Just try it on for once to-daywith river docks filled with the motley throng ...old world and new.Deep searching eyes that seek the “golden West”—wild eyes that hold the primal hunger lure,young eyes that hold the secrets of the dawn,sad eyes that hold the fury of the night—We’ll have to stand the dirty docks I think,and the crowded station—holding a daffodil to your nose to smellyou’ll soon forget the nose and the daffodil!What’s that you’re murmuring?“It’s all like a magic casement opening outon perilous seas....” Bless you for those kind words!Though that’s John Keats that sees our docks—not you!Wait just a moment—here is something nowthat’s well worth watching! It’s the Jewish New Year,and those are orthodox Jews who have come downto cast their sins away in running water.Mumbling in their beards ... from books, and some from memory ...punctilious enough they are ...shaking their overcoats ... (those two men, look!)Into deep river ... old Father St. Lawrence running to the sea.Old men, believers—and a few young ones too.You see? Turn round and look at the motor cars.Look at that old old woman from the slums—Grandmother of Isaac and Jacob and Abraham—Look at her! Carefully shake, shake, shake, old Mother!Strong, wrinkled, kindly face—those toil-worn hands—Come, let us try the “inward eye” again....Verily—see! Her sins do drop and float away from heron the dirty oily water—little sinsthat float like tiny, bright-red maple leavescast from a lusty old tree in the Fall.She’s known the life of the full ripe seasons through ...carefully and punctiliously shake, shake, shake!Let us go too from the docks with lightened hearts,groping our way on upward through the slums.Listen to the lilt and whimsical chatteringof alien tongues.“And have not charity”—“Through a glass darkly” ... see?We’ve dropped our classic daffodils and trodupon them! But we’ve really seen—something.To-day.What else does the Mountain see?Churches! Hotels! Domes, palaces and towers,Steep hilly streets, shops, hovels, factories.Limestone tradition!Romance! Romance! Raw gold!Merry-men, jesters, in a surging crowdmingling with Holy Folk—Miracles, shrines, and glorious, honest doubts—raw gold, black, red,—new thoughts breed sacraments—white dreams and tawny sins—the half-good, the half-bad—Humanity!Groping humanity—Who judges? How? Or why?The Mountain watches.
Docks! There’s a magical word! Not unpoetical
let me tell you, if you’ll only close your eyes
and use that “inward eye” your Wordsworth used
for daffodils. My God! you’d think he had secured that “eye”
to be hereafter used for “daffodils,” and “solitude” and “thrills,”
exclusively!
Come now! Just try it on for once to-day
with river docks filled with the motley throng ...
old world and new.
Deep searching eyes that seek the “golden West”—
wild eyes that hold the primal hunger lure,
young eyes that hold the secrets of the dawn,
sad eyes that hold the fury of the night—
We’ll have to stand the dirty docks I think,
and the crowded station—
holding a daffodil to your nose to smell
you’ll soon forget the nose and the daffodil!
What’s that you’re murmuring?
“It’s all like a magic casement opening out
on perilous seas....” Bless you for those kind words!
Though that’s John Keats that sees our docks—not you!
Wait just a moment—here is something now
that’s well worth watching! It’s the Jewish New Year,
and those are orthodox Jews who have come down
to cast their sins away in running water.
Mumbling in their beards ... from books, and some from memory ...
punctilious enough they are ...
shaking their overcoats ... (those two men, look!)
Into deep river ... old Father St. Lawrence running to the sea.
Old men, believers—and a few young ones too.
You see? Turn round and look at the motor cars.
Look at that old old woman from the slums—
Grandmother of Isaac and Jacob and Abraham—
Look at her! Carefully shake, shake, shake, old Mother!
Strong, wrinkled, kindly face—those toil-worn hands—
Come, let us try the “inward eye” again....
Verily—see! Her sins do drop and float away from her
on the dirty oily water—little sins
that float like tiny, bright-red maple leaves
cast from a lusty old tree in the Fall.
She’s known the life of the full ripe seasons through ...
carefully and punctiliously shake, shake, shake!
Let us go too from the docks with lightened hearts,
groping our way on upward through the slums.
Listen to the lilt and whimsical chattering
of alien tongues.
“And have not charity”—“Through a glass darkly” ... see?
We’ve dropped our classic daffodils and trod
upon them! But we’ve really seen—something.
To-day.
What else does the Mountain see?
Churches! Hotels! Domes, palaces and towers,
Steep hilly streets, shops, hovels, factories.
Limestone tradition!
Romance! Romance! Raw gold!
Merry-men, jesters, in a surging crowd
mingling with Holy Folk—
Miracles, shrines, and glorious, honest doubts—
raw gold, black, red,—
new thoughts breed sacraments—
white dreams and tawny sins—
the half-good, the half-bad—Humanity!
Groping humanity—
Who judges? How? Or why?
The Mountain watches.
Snow-dusted silent streets. The midnight mass—with quiet thronging worshippers that passfrom darkness into glimmering ecstasies.—Another mood ...The blizzard—The swirling wall-like drifts, while through the streetsthe snow-ploughs move like huge primeval beastsglutted with power;wallowing through the mists of drifting powdery particles,ploughing the snow.The Mountain watches and possesses nowa festival afternoon of sparkling white,pierced by the thrilling flights of vivid glancing skis—pierced by the shooting downward in death-like dive,of flat toboggans on the mountain slide.Impertinence the Mountain tolerates!
Snow-dusted silent streets. The midnight mass—
with quiet thronging worshippers that pass
from darkness into glimmering ecstasies.—
Another mood ...
The blizzard—
The swirling wall-like drifts, while through the streets
the snow-ploughs move like huge primeval beasts
glutted with power;
wallowing through the mists of drifting powdery particles,
ploughing the snow.
The Mountain watches and possesses now
a festival afternoon of sparkling white,
pierced by the thrilling flights of vivid glancing skis—
pierced by the shooting downward in death-like dive,
of flat toboggans on the mountain slide.
Impertinence the Mountain tolerates!
The flashing facets of an ice palacereared in a square beside a towering church of massive stone,for half a continent to gaze upon if it so desires,and feast between whiles.(“H-mmm—Good advertising this—Hush! Watch your step! Deliver the goods!”)Ah well—Mount Royal, graven on a “souvenir!”The Mountain watches.“Truly an ice palace is a beautiful thing—a fairy tale!”“You poets are so fantastic!” “You should worry!”“My word I’m nearly dead for tea!” “Do hurry!”“Ice plants for making artificial ice”—“Efficiency”—“Gold seal—good jazz”“The cafeterias are the thing to-day—take up your trayand walk!”“What blasphemy!”“Ice plants for making artificial ice”“Fine bargain furs there if you’ve got the price”“Gods! what a day!”Then much the same in French—the rapid glancing tongue.“Day uttereth speech” indeed.“Night sheweth knowledge.”The Mountain watches.Night! Zero night—like a dense black velvet skindrawn tightly over the city;and lights pricking, pricking, pricking—like fiery pin-points in a million eyesbehind black skins, blazing with jungle light ...a gay old city is sinister at night.
The flashing facets of an ice palace
reared in a square beside a towering church of massive stone,
for half a continent to gaze upon if it so desires,
and feast between whiles.
(“H-mmm—Good advertising this—
Hush! Watch your step! Deliver the goods!”)
Ah well—Mount Royal, graven on a “souvenir!”
The Mountain watches.
“Truly an ice palace is a beautiful thing—a fairy tale!”
“You poets are so fantastic!” “You should worry!”
“My word I’m nearly dead for tea!” “Do hurry!”
“Ice plants for making artificial ice”—“Efficiency”—
“Gold seal—good jazz”
“The cafeterias are the thing to-day—
take up your tray
and walk!”
“What blasphemy!”
“Ice plants for making artificial ice”
“Fine bargain furs there if you’ve got the price”
“Gods! what a day!”
Then much the same in French—the rapid glancing tongue.
“Day uttereth speech” indeed.
“Night sheweth knowledge.”
The Mountain watches.
Night! Zero night—
like a dense black velvet skin
drawn tightly over the city;
and lights pricking, pricking, pricking—
like fiery pin-points in a million eyes
behind black skins, blazing with jungle light ...
a gay old city is sinister at night.
Rustling and creaking of black naked branchesOn the old Mountain—Stark twisted branches black against the snowSnapping and crackling of frost-tortured trees—Rustling—
Rustling and creaking of black naked branches
On the old Mountain—
Stark twisted branches black against the snow
Snapping and crackling of frost-tortured trees—
Rustling—
Something has happened! The Mountain almost seems to tremble.Down its sides rush the melting snows in torrents;tumbling, tumultuous, most untidy riversthrough icy blackened parapets that still stand.Washing day for the Mountain!Ah but wait!—Silver-green city in a rosy mist—Spring dawn!—As Life has waked with a soft stirringOf pouting leafy lipsAnd curling velvet finger-tips,Through all the ages while the Mountain watched.
Something has happened! The Mountain almost seems to tremble.
Down its sides rush the melting snows in torrents;
tumbling, tumultuous, most untidy rivers
through icy blackened parapets that still stand.
Washing day for the Mountain!
Ah but wait!—
Silver-green city in a rosy mist—Spring dawn!—
As Life has waked with a soft stirring
Of pouting leafy lips
And curling velvet finger-tips,
Through all the ages while the Mountain watched.
Rustling of leaves—Silver-green, rose-red, amber, scarlet, brown—Deep coloured sighs and long deep breaths of earth—Rustling of leaves—
Rustling of leaves—
Silver-green, rose-red, amber, scarlet, brown—
Deep coloured sighs and long deep breaths of earth—
Rustling of leaves—
Against my hand a little crumbling dustIs softly blown—Before my eyes a glory—sunset? Dawn?And in my ears a great triumphant song—Is it a song?Or but the quiet breathing of a childWho holds its coloured toys and drifts to sleep?
Against my hand a little crumbling dust
Is softly blown—
Before my eyes a glory—sunset? Dawn?
And in my ears a great triumphant song—
Is it a song?
Or but the quiet breathing of a child
Who holds its coloured toys and drifts to sleep?
The Mountain watches and is very still.
The Mountain watches and is very still.