The Project Gutenberg eBook ofDrolls From Shadowland

The Project Gutenberg eBook ofDrolls From ShadowlandThis ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online atwww.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.Title: Drolls From ShadowlandAuthor: J. H. PearceRelease date: May 2, 2008 [eBook #25307]Most recently updated: January 3, 2021Language: EnglishCredits: Produced by Juliet Sutherland, Emmy and the OnlineDistributed Proofreading Team at https://www.pgdp.net*** START OF THE PROJECT GUTENBERG EBOOK DROLLS FROM SHADOWLAND ***

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online atwww.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Drolls From ShadowlandAuthor: J. H. PearceRelease date: May 2, 2008 [eBook #25307]Most recently updated: January 3, 2021Language: EnglishCredits: Produced by Juliet Sutherland, Emmy and the OnlineDistributed Proofreading Team at https://www.pgdp.net

Title: Drolls From Shadowland

Author: J. H. Pearce

Author: J. H. Pearce

Release date: May 2, 2008 [eBook #25307]Most recently updated: January 3, 2021

Language: English

Credits: Produced by Juliet Sutherland, Emmy and the OnlineDistributed Proofreading Team at https://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK DROLLS FROM SHADOWLAND ***

The Man who could talk with the BirdsDROLLSFROM SHADOWLANDBYJ. H. PEARCEAuthor of "Esther Pentreath," "Inconsequent Lives,""Jaco Treloar," &c.NEW YORKMACMILLAN AND CO.1893.All rights reserved.

PAGEThe Man who Coined his Blood into Gold1An Unexpected Journey15The Man who could Talk with the Birds27The Pursuit39A Pleasant Entertainment49The Man who Desired to be a Tree61The Man who Had Seen73The Unchristened Child85The Man who Met Hate95The Haunted House109Gifts and Awards119Friend or Foe?133The Fields of Amaranth145The Comedy of a Soul155

Theyoke of Poverty galled him exceedingly, and he hated his taskmistress with a most rancorous hatred.

As he climbed up or down the dripping ladders, descending from sollar to sollar towards the level where he worked, he would set his teeth grimly that he might not curse aloud—an oath underground being an invitation to the Evil One—but in his heart the muffled curses were audible enough. And when he was at work in the dreary level, with the darknesslying on his shoulder like a hand, and the candles shining unsteadily through the gloom, like little evil winking eyes, he brooded so moodily over his bondage to Poverty, that he desired to break from it at any cost.

"I'd risk a lem for its weight in gowld: darned ef I wedn'!" he muttered savagely, as he dug at the stubborn rock with his pick.

He could hear the sounds of blasting in other levels—the explosions travelling to him in a muffled boom—and above him, for he was working beneath the bed of the ocean, he could faintly distinguish the grinding of the sea as the huge waves wallowed and roared across the beach.

"I'm sick to death o' this here life," he grumbled; "I'd give a haand or a' eye for a pot o' suvrins. Iss, I'd risk morethan that," he added darkly: letting the words ooze out as if under his breath.

At that moment his pick detached a piece of rock which came crashing down on the floor of the level, splintering into great jagged fragments as it fell.

He started back with an exclamation of uncontrollable surprise. The falling rock had disclosed the interior of a cavern whose outlines were lost in impenetrable gloom, but which here and there in a vague fashion, as it caught the light of the candle flickering in his hat, seemed to sparkle as if its walls were crusted with silver.

"Lor' Jimmeny, this es bra' an' queer!" he gasped.

As he leaned on his pick, peering into the cavern with covetous eyes, but with a wildly-leaping heart, he was aware of anodd movement among the shadows which were elusively outlined by the light of his dip.

It was almost as though some of them had an independent individuality, and could have detached themselves from their roots if they wished.

It was certain a squat, hump-backed blotch, that was sprawling blackly beside a misshapen block, was either wriggling on the floor as if trying to stand upright . . . or else there was something wrong with his eyes.

He stared at the wavering gloom in the cavern, with its quaint, angular splashes of glister, where heads of quartz and patches of mundic caught the light from the unsteady flame of the candle, and presently he wascertainthat the shadows were alive.

Most of all he was sure that the little hump-backed oddity had risen to its feet and was a veritable creature: an actual uncouth, shambling grotesque, instead of a mere flat blotch of shadow.

Up waddled the little hump-back to the hole in the wall where Joel stood staring, leaning on his pick.

"What can I do for'ee, friend?" he asked huskily: his voice sounding faint, hoarse, and muffled, as if it were coming from an immense distance, or as if the squat little frame had merely borrowed it for the nonce.

Joel stared at the speaker, with his lower jaw dropping.

"What can I do for'ee, friend?" asked the hump-back; peering at the grimy, half-naked miner, with his little ferrety eyes glowing luminously.

Joel moistened his lips with his tongue before he answered. "Nawthin', plaise, sir," he gasped out, quakingly.

"Nonsense, my man!" said the hump-back pleasantly, rubbing his hands cheerfully together as he spoke. And Joel noticed that the fingers, though long and skinny—almost wrinkled and lean enough, in fact, to pass for claws—were adorned with several sparkling rings. "Nonsense, my man! I'm your friend—if you'll let me be. O never mind my hump, if it's that that's frightening you, I got that through a fall a long while ago," and the lean brown face puckered into a smile. "Come! In what way can I oblige'ee, friend? I can grant you any wish you like. Say the word—and it's done! Just think what you could do if you had heaps of money, now—piles of suvrins in that owld chest in yourbedroom, instead o' they paltry two-an'-twenty suvrins which you now got heeded away in the skibbet."

Joel stared at the speaker with distended eyes: the great beads of perspiration gathering on his forehead.

"How ded'ee come to knaw they was there?" he asked.

"I knaw more than that," said the hump-back, laughing. "I could tell'ee a thing or two, b'leeve, if I wanted to. I knaw tin,[A]cumraade, as well as the next." And with that he began to chuckle to himself.

"Wedn'ee like they two-an'-twenty suvrins in the skibbet made a hunderd-an'-twenty?"asked the hump-back insinuatingly.

"Iss, by Gosh, I should!" said Joel.

"Then gi'me your haand on it, cumraade; an' you shall have 'em!"

"Here goes, then!" said Joel, thrusting out his hand.

The hump-back seized the proffered hand in an instant, covering the grimy fingers with his own lean claws.

"Oh, le'go!le'go!" shouted Joel.

The hump-back grinned; his black eyes glittering.

"I waan't be niggardly to'ee, cumraade," said he. "Every drop o' blood you choose to shed for the purpose shall turn into a golden suvrin for'ee—there!"

"Darn'ee! thee ben an' run thy nails in me—see!"

And Joel shewed a drop of blood oozing from his wrist.

"Try the charm, man! Wish! Hold un out, an' say,Wan!"

Joel held out his punctured wrist mechanically.

"Wan!"

There was a sudden gleam—and down dropped a sovereign: a bright gold coin that rang sharply as it fell.

"Try agen!" said the hump-back, grinning delightedly.

Joel stooped first to pick up the coin, and bit it eagerly.

"Ay, good Gosh! 'tes gowld, sure 'nuff!"

"Try agen!" said the hump-back "Make up a pile!"

Joel held out his wrist and repeated the formula.

"Wan!"

And another coin clinked at his feet.

"I needn' wait no longer, s'pose?" said the hump-back.

"Wan!" cried Joel. And a third coin dropped.

He leaned on his pick and kept coining his blood eagerly, till presently there was quite a little pile at his feet.

The hump-back watched him intently for a time: but Joel appeared to be oblivious of his presence; and the squat little figure stealthily disappeared.

The falling coins kept chiming melodiously, till presently the great stalwart miner had to lean against the wall of the level to support himself. So tired as he was, he had never felt before. But give over his task he either could not, or would not. The chink of the gold-pieces he must hear if he died for it. He looked down at them greedily. "Wan! . . . Wan! . . . Wan! . . ."

Presently he tottered, and fell over on his heap.

At that same moment the halting little hump-back stole out from the shadows immediately behind him, and leaned over Joel, rubbing his hands gleefully.

"I must catch his soul," said the little black man.

And with that he turned Joel's head round sharply, and held his hand to the dying man's mouth.

Just then there fluttered up to Joel's lips a tiny yellow flame, which, for some reason or other, seemed as agitated as if it had a human consciousness. One might almost have imagined it perceived the little hump-back, and knew full well who and what he was.

But there on Joel's lips the flame hung quivering. And now a deeper shadow fell upon his face.

Surely the tiny thing shuddered with horror as the hump-back's black paws closed upon it!

But, in any case, it now was safely prisoned. And the little black man laughed long and loudly.

"Not so bad a bargain after all!" chuckled he.

FOOTNOTE:[A]To "knaw tin" is among the miners of Cornwall a sign of, and a colloquial euphemism for,cleverness.

[A]To "knaw tin" is among the miners of Cornwall a sign of, and a colloquial euphemism for,cleverness.

[A]To "knaw tin" is among the miners of Cornwall a sign of, and a colloquial euphemism for,cleverness.

Theperformance was over: the curtain had descended and the spectators had dispersed.

There had been a slight crush at the doors of the theatre, and what with the abrupt change from the pleasant warmth and light of the interior to the sharp chill of the night outside, Preston shivered, and a sudden weakness smote him at the joints.

The crowd on the pavement in front of the theatre melted away with unexampled rapidity, in fact, seemed almost towaver and disappear as if themise en scènehad changed in some inexplicable way.

A hansom drove up, and Preston stepped into it heavily, glancing drowsily askance at the driver as he did so.

Seated up there, barely visible in the gloom, the driver had an almost grisly aspect, humped with waterproof capes, and with such a lean, white face. Preston, as he glanced at him, shivered again.

The trap-door above him opened softly, and the colourless face peered down at him curiously.

"Where to, sir?" asked the hollow voice.

Preston leaned back wearily. "Home," he replied.

It did not strike him as anything strange or unusual, that the driver askedno questions but drove off without a word. He was very weary, and he wanted to rest.

The sleepless hum of the city was abidingly in his ears, and the lamps that dotted the misty pavements stared at him blinkingly all along the route. The tall black buildings rose up grimly into the night; the faces that flitted to and fro along the pavements, kept ever sliding past him, melting into the darkness; and the cabs and 'buses, still astir in the streets, had a ghostly air as they vanished in the gloom.

Preston lay back, weary in every joint, a drowsy numbness settling on his pulse. He had faith in his driver: he would bring him safely home.

Presently they were at one of the wharves beside the river: Preston couldhear the gurgle of the water around the piles.

Not this way had he ever before gone homeward. He looked out musingly on the swift, black stream.

"Just in time: we can go down with the tide," said a voice.

Preston would have uttered some protest, but this sluggishness overpowered him: it was as if he could neither lift hand nor foot. The inertia of indifference had penetrated into his bones.

Presently he was aware that he had entered a barge that lay close against the wharf, heaving on the tide. And, as if it were all a piece of the play, the lean old driver, with his dead-white face, had the oars in his hands and stood quietly facing him, guiding the dark craft down the stream.

The panorama of the river-bank kept changing and shifting in the most inexplicable manner, and Preston was aware of a crowd of pictures ever coming and going before his eyes: as if some subtle magician, standing behind his shoulder, were projecting for him, on the huge black screen of night, the most marvellous display of memories he had ever contemplated. For they were all memories, or blends of memories, that now rose here on the horizon of his consciousness. There was nothing new in essentials presented to him: but the grouping was occasionally novel to a fault.

The dear old home—the dear old folks! Green hills, with the little white-washed cottage in a dimple of them, and in the foreground the wind-fretted plain of the sea. The boyish games—marbles andhoop-trundling—and the coming home at dusk to the red-lighted kitchen, where the mother had the tea ready on the table and the sisters sat at their knitting by the fire.

The dear, dear mother! how his pulse yearned towards her! there were tears in his eyes as he thought of her now. Yet, all the same, the quiet of his pulse was profound.

And there was the familiar scenery of his daily life: the ink-stained desks, the brass rails for the books, the ledgers and bank-books, and the files against the walls; and the faces of his fellow-clerks (even the office boy) depicted here before him to the very life.

The wind across the waters blew chilly in his face: he shivered, a numbness settling in his limbs.

His sweet young wife, so loving andgentle—how shamefully he had neglected her, seeking his own pleasure selfishly—there she sat in the familiar chair by the fireside with dear little Daisy dancing on her knee. What a quiet, restful interior it was! He wondered: would they miss him much if he were dead? . . . Above all, would little Daisy understand what it meant when some one whispered to her "favee is dead"?

The wavering shadows seemed to thicken around the boat. And the figure at the oars—how lean and white it was: and yet it seemed a good kind of fellow, too, he thought. Preston watched it musingly as the stream bore them onward: the rushing of the water almost lulling him to sleep.

Were they sweeping outward, then, to the unknown sea?

It was an unexpected journey. . . . And he had asked to be takenhome!

Presently the air grew full of shapes: shadowy shapes with mournful faces; shapes that hinted secrets, with threatenings in their eyes.

If a man's sins, now, should take to themselves bodies, would it not be in some such guise as this they would front and affright him at dead of night?

Preston shivered, sitting there like a mere numb lump.

How much of his wrong-doing is forgiven to a man—and how much remembered against him in the reckoning?

How awful this gruesome isolation was becoming!

Was it thus a man went drifting up to God?

The figure at the oars was crooningsoftly. It was like the lullaby his mother used to sing to him when he was a child.

There was a breath of freer air—humanity lay behind them—they were alone with Nature on the vast, dim sea.

The numbness crept to the roots of his being. He had no hands to lift; he had no feet to move. His heart grew sluggish: there was a numbness in his brain.

Death stood upright now in the bow before him: and in the east he was aware of a widening breadth of grey.

Would the blackness freshen into perfect day for him . . . or would the night lie hopelessly on him for ever? . . .

The figure drew near—and laid its hand across his eyes. . . .

"Thrown out of the hansom, and thewheels went over him, sir. He was dead in less than five minutes, I should think."

"Cover his face . . . and break it gently to his wife."

Wanceupon a time there was a youngster in Zennor who was all'ys geekin'[B]into matters that warn't no use in the world. Some do say 'a was cliver, too, weth it all, an' cut out that there mermaid in the church[C]what the folks do come frommiles round to see. Anyway, 'a warn't like 'es brawthers an' sesters, an' 'es folks dedn' knaw what to maake of un, like.

Well, wan day when 'a was wand'rin' about, down to Nancledrea or some such plaace, 'a got 'mong lots o' trees an' bushes an' heerd the cuckoos callin' to ayche awther, an' awther kinds o' birds what was singin' or talkin,' an' all as knawin' as humans, like. So no rest now cud 'a git, poor chuckle-head! for wantin' to larn to spayke weth they.

Well, it warn't long arter that 'a was geekin' as usual round some owld ruined crellas[D]up to Choon, when 'a seed a man weth a long white beard settin' on wan o' the burrows[E]on the hillthat are 'longside that owld Quoit[F]up there.

'A was a bowldish piece o' goods, was the youngster, simmin'ly, for 'a dedn' mind the stranyer a dinyun,[G]though 'awaslike an owld black witch,[H]they do say. Anyhow, the two beginned jawin' together, soon got thick as Todgy an' Tom. An' by-an'-by the stranyer wormed out of un how 'a was all'ys troubled in 'es mind 'cause 'a cudn' onderstaand what the birds was sayin'.

"I'd give anything in the world," says the bucca-davy,[I]"ef I cud onnly larn to spayke weth they."

"Aw, es it so, me dear," said the stranyer: "well, I'll tayche'ee to talk to they, sure 'nuff, ef thee'll come up to that owld Quoit weth me."

"What must I pay'ee?" axed the youngster, bowld-like. For he'd heerd o' cureyus bargains o' this kind, an' 'a dedn' want to risk 'es sawl.

"Nawthin'! Nawthin', me dear!" said the stranyer. "I shall git paid for't in a way o' me awn."

Well, the end of it was, accordin' to the story, that the youngster 'greed to go 'long weth un: so up the two of 'em went to the Quoit.

When they come up to un the stones seemed to oppen, an' they went inside an' found un like a house. But that was hunderds o' years ago. The owld Quoit now es more like a crellas, though 'a still got a bra' gayte rock for a roof.

Anyhow, they went in, 'cordin' to the story; an' there they lived for a number o' years.

But, somehow, when they was wance got in, the youngster cudn' git out agen nohow. 'A cud geek through the cracks, an' see the country an' the people, but the stones wedn' oppen, an' 'a cudn' git out.

But the owld black witch keeped 'es promise to un, an' tayched un all that 'a wanted to knaw.

The craws that croaked on the Quoit in the sunshine, an' the sparrers an' wagtails an' awther kinds o' birds that comeflittin' round an' cheepin' to ayche awther, the owld witch tayched un ('cordin' to the story) to onderstaand everything any of 'em said.

Well, at laast 'a got so cliver, ded the youngster, that there warn't no bird but what 'a cud talk to; from the owld black raven, wha's all'ys cryin' "corpse!" to the putty li'l robins what wedn' hurt a worm.

But aw! lor' Jimmeny! warn't 'a disappointed when 'a found what 'a'd ben so hankerin' arter warn't wuth givin' a snail's shill to knaw.

He'd ben thinkin', 'fore 'a cud onderstaand them, that what they'd be talkin' about to ayche awther wed be somethin' cureyus an' mighty cliver, all sorts o' strange owld saycrets, s'pose. But 'a found, when 'a come to spayke their language, that instead o' tellin' 'bouthaypes o' treasures, an' hunted housen, an' owld queer ways, they was all the time talkin' 'bout their mait or their nestes, an' awther silly jabber like that.

So 'a was mighty disappointed, an' got very law-sperrited, though 'a dedn' like to confess it to the witch.

An' now, thinks the youngster, he'd like to go home agen: an' shaw off 'fore the nayburs, s'pose.

"Well, thee cust go," says the owld witch, grinnin'.

"An' what must I pay'ee for taychin' me?" says the youngster.

"Nawthin', sonny! Nawthin' at all!" says the witch. "I shall git me reward in a way o' me awn."

An' weth that 'a bust out laughin' agen.

Well, anyway, the lad, accordin' to thestory, wished un "good-bye," an' trudged off home.

But aw! poor dear! when 'a got to Zennor 'a nigh 'pon brok 'es heart weth grief.

He'd ben livin' all alone weth the owld black witch, an' 'a hadn' took no note of what was passin', an' 'a thought 'a was still a youngster, simmin'ly: 'stead o' which 'a was graw'd to an owld, owld man, weth no more pith in 'es bones than a piskey; an' 'a cud hardly manage to crawl to Zennor, 'a was so owld an' palchy[J], an' nigh 'pon blind.

An', wust of all, when 'a got to Zennor everywan who knaw'd un was dead an' gone! 'Es faather an' mawther was upin the churchyard, an' 'a hadn' got a single friend in the world!

So because 'a was so owld an' terrible palchy, an' hadn' got nowan to taake no int'rest in un, through never havin' took no int'rest in nowan, they was obliged to put un up to Maddern Union; an' there 'a lingered, owld an' toatlish,[K]'tell 'a died at laast a lone owld man.

FOOTNOTES:[B]Prying.[C]The mermaid, with glass and comb and with the tail of a fish, which is carved on a bench-end in Zennor church.[D]Ancient hut-dwellings.[E]Barrows.[F]Cromlech. The term is derived from the legendary belief that these rude megalithic monuments were used by the giants when playing quoits.[G]A little bit, in the least.[H]In Cornwallwitchis both masculine and feminine. Theblackwitch exercises the most potent magic; thewhitewitch being vastly inferior in power.[I]Fool.[J]Weak.[K]Silly.

[B]Prying.

[B]Prying.

[C]The mermaid, with glass and comb and with the tail of a fish, which is carved on a bench-end in Zennor church.

[C]The mermaid, with glass and comb and with the tail of a fish, which is carved on a bench-end in Zennor church.

[D]Ancient hut-dwellings.

[D]Ancient hut-dwellings.

[E]Barrows.

[E]Barrows.

[F]Cromlech. The term is derived from the legendary belief that these rude megalithic monuments were used by the giants when playing quoits.

[F]Cromlech. The term is derived from the legendary belief that these rude megalithic monuments were used by the giants when playing quoits.

[G]A little bit, in the least.

[G]A little bit, in the least.

[H]In Cornwallwitchis both masculine and feminine. Theblackwitch exercises the most potent magic; thewhitewitch being vastly inferior in power.

[H]In Cornwallwitchis both masculine and feminine. Theblackwitch exercises the most potent magic; thewhitewitch being vastly inferior in power.

[I]Fool.

[I]Fool.

[J]Weak.

[J]Weak.

[K]Silly.

[K]Silly.

Itbegan when I was a lad at the country day-school, struggling to hold my own among the scholars in my class.

If I could only always be perfect in my lessons, and among the foremost (if not the first) in the examinations; then, at least, I thought, I should see Her face to face.

But these good things befell me—possibly undeservedly—and though I swelled beneath my coat with inward satisfaction,Shewas still far off: a phantom on the hills.

Then it struck me that if I went to dear Mother Nature she would tell me of this daughter of hers—so enchanting, yet so shy—and I might even one day surprise Her on the hill-slopes, or meet Her as She wandered among the green, winding lanes.

So I presently became a haunter of the tree-clad valleys, of the prattling brooks with the meadowsweet drooping over them, and of the lone, bleak hills where the great wind growled.

Many mornings did I steal out long before the sunrise in order to watch the stars die out in the dawning and the red bars glow in the palpitating east. And when, standing among the firs in the windy plantation, I saw the huge sun rear its head and flood the world with splendour, and heard the birds sing jubilantly, almost breathless with delight, I have fancied I felt the breath ofthe Beloved One on my cheek and Her heart beating wildly and tremulously against my own. But it was only fancy. Presently the singing dwindled and became fainter: the air grew hot beneath the aromatic fir-boughs: and when, in the distance, the flood of dazzling sunlight dashed redly on the window-panes of the village cottages, I knew I must descend from the haunted hill-top and return to the more prosaic details of life. If She had flown past me, brushing me with Her garments in passing, I had not yet discovered Her as a possession that I could grasp.

Then I said to myself, I shall find Her among my girl-friends: among their rustling garments I shall hearHergarments rustle; and from among the laughing eyes with which they bewilderme, I shall no doubt be able to single outHers.

I chose the pleasantest of the maidens who fluttered through my world; and I knew her beautiful, and I believed her to be true. But that old clown Circumstance was piping in the market-place, shewing his cheap-jack wares to catch the fancies of the maidens, and my sweetheart, caught in the excitement of the moment, presently paid down for one of his flashy baubles no less a price than her own young heart.

Then I said, I will look abroad in the market-place myself. Through the clatter of feet and the babble of many voices, I may perhaps catch a whisper, a hint of Her presence. Possibly She may love the eager haunts of men even more than She loves the silent haunt of the wood-doveand the great wide moors where the kite circles slowly. I will move among my fellows and will search for Her there.

But the market-place with its thud, thud, thud of many feet, and its clatter of vehicles, and its buzz of many voices, was a busy spot, and the pleasures were very cheap ones: and not here could I manage to get a glimpse of Her face.

I looked in the shops, and I stood beside the hawkers, and I listened to the sellers and gossiped with those who bought; but the noise, and the heat, and the dust that rose so thickly, were more than I had bargained for, and I felt lonely and disillusioned: so I very lamely turned my back on it all, and went away feeling that I should never find Her there.

Then I built for myself a study intowhich I gathered covetously the most perfect vintage of the human intellect—the ripest fruit our wise race has garnered during all the years it has been harvesting from time. And here I sat me down waiting for my Belovèd. She will surely show Her face to me here, said I.

The wind rattled the casement; the lamp-flame shook tremulously; and the fire burned cheerfully in the grotesque-tiled grate. I could hear the rain viciously swishing against the window-panes and gurgling unmelodiously through the gutters and from the pipes, but She whom I desired came not to keep me company.

For all the feast I have gathered for us, and for all the comfort I have secured forHer, She holds aloof, and I have never seen Her yet.

And sometimes now I fancy that possibly I may never see Her: but that one day, when I am lying in my coffin, She will press Her lips to mine—and I shall never know.

"I havehere," said the Showman, "the most interesting entertainment to be witnessed on earth! Walk up! walk up, and judge for yourselves!" And with that he beat the drum and blew shrilly on the pipes.

The music travelled to the ears of his audience with a difference: or so it seemed to them, as they stood before the booth. Some heard in it, through the discordant hubbub of the fair, the rattle of vehicles and the tramp of feet in the busy thoroughfares of a great city; for others, it was thewhistling of birds in the hedgerows; and to some, like the restless pulsations of the sea. To each, according to his memories and his mood. But the music of the Showman was a single tune for all.

"Walk up! walk up!" bawled the grey-coated Showman, blowing at the pipes and pounding on the drum.

"Darned if I wouldn't go in, if I had the brass!" quoth a lean, unshaven, shabby-looking man, who stood in front of the booth with his hands in his pockets.

"I'll stand treat, if you like!" cried a sunken-eyed young woman, whose cheap and much-bedraggled finery matched aptly enough with her wan and haggard countenance. It was the impulse of a moment, but she was the puppet of impulse and danced on the wires at the slightest touch of chance.

"Right you are!" cried the man.

And they mounted the steps together.

"It's like going up to the altar, isn't it?" giggled the woman to her companion.

"More like going up to the gallows," growled the man.

The Showman rattled the coins as he pocketed them, and flinging aside the canvas admitted them to the booth.

The interior was enveloped in a dim obscurity; hardly deep enough to be counted as darkness, but oppressive enough to slow the pulses of both. There was, however, at one end of the booth a large disc projected on the obscurity: a pale, empty, weirdly-lighted circle, which they stared at dumbly, with wonder in their eyes.

"Is this some darned fool's joke?" growled the man.

"Hush!" said the woman, "the entertainment has commenced."

And, true enough, the disc at which they had been staring had already a stirring, as of life, across its surface.

They were aware of a couple of enthralling faces fronting them side by side on the disc.

One was a woman's face, exquisitely beautiful, with soft blue eyes, full of the most charming gaiety, and with lips as sweetly winsome as a child's: the other was a man's face, proud and handsome, the mouth set firmly, the eyes full of thought.

"Such a face I had dreamed of as my own," sighed the woman.

"So I had imagined I might have been," mused the man.

And then the scenes on the disc began to wax and dwindle rapidly; like the momentary clinging, and as rapid vanishing, of breath across a mirror of polished steel.

There was a vague fluttering and interchange of images; an elusive, intangible influx of suggestions, and an equally dreamy efflux of the same.

A young girl growing into beautiful womanhood, well-dressed, shapely, sought eagerly in marriage, admired by the opposite sex, and envied by her own. Then a woman in the prime of her powers of enjoyment—with her charms undiminished and her wishes ripened—wedded, and successfully shaping her life: a woman blessed greatly, and very happy.

And side by side with these dream-fancies, or imaginings, went those of ayoung man facing the world gallantly; surmounting every obstacle easily, and conquering hearts as if by a spell. There was success for him in every scene on which he entered: he was proud and admired, and very haughty, and very rich.

Presently, as if through some dexterous sleight of hand, the pictures of his wooing blended waveringly and dimly with the pictures which emerged for the bedraggled woman who stood beside the loafer in front of the disc.

In the church, when the wedding-march was being played, and in the vignettes of domestic happiness that ensued, the faces and scenes mysteriously coalesced.

For the two spectators, who watched the shifting pictures breathlessly, there were no longer four figures in the scene, but only two.

"Some such future I had imagined for myself," the man muttered.

And the woman mused amazedly: "These were day-dreams of my own."

The disc became obscured, as if their eyes were blurred mistily.

The woman gulped down something: and the man clenched his teeth.

There was a sudden exquisite clarity in the pictures. They were looking at a cluster of white-washed cottages, with tall thatched roofs and with great stone chimneys: a lonely little hamlet drowsing in the sun. White-winged ducks were quacking in the roadway, a grey-coated donkey was grazing beside a hedge, and the threadlets of smoke, that mounted lazily above the roofs, rose up into a sky of the most exquisite purity, spacious, high, and cloudlessly blue. And again there was only one scene for them both.

"My God, that is where I was born!" groaned the man.

"That's my mother's cottage!" sobbed the woman, and wept aloud.

Then came rural scenes of almost every character, with a lad and a girl moving flittingly through them—laughing and kissing in the lanes among the brambles, drifting together everywhere, sweethearting through it all.

"Are you Nelly King, then?" asked the man, hoarsely.

"And you . . . you are Stephen Laity, are you not?"

"If we could both die here and now!" cried the man.

Then the pictures for a while grew blurred and confused, till presently they shewed the gas-lighted streets of London. . . .

"My God, I will see no more!" cried the girl. And she shudderingly held her hand before her eyes.

"Nor I, either!" cried the man, with an oath.

"However much you close your eyes," said the Showman, "you will cancel nothing of the pictures on the screen."

But they had turned and fled even while he was speaking.

"Even in the fair the pictures will pursue you!" said the stern-visaged Showman, following them with his eyes.


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