CHAPTER IX

"Zaccheus he clum a treeHis Lord an' Master for to see;The limb did break an' he did fall,An' he didn't git to see his Lord at all."

Ump and I were seated by the wall, tilted back in the tavern-keeper's split-bottom chairs, while Jud leaned against the door.

The rhyme set the Parson's head to humming, and he began to pat his leg. Then he spied Jud. "Hey, there! Beelzebub," he roared, "can you dust the puncheons?"

"When the devil's a-fiddlin'," said Jud.

"Ho, the devil," hummed the Parson.

"As I set fiddlin' on a treeThe devil shot his gun at me.He missed my soul an' hit a limb,An' I don't give a damn for him."

He slapped his leg to emphasise the "damn." At this moment Roy came in with the two stone pitchers, handed one to Ump and put the other down by the boisterous Parson.

Peppers turned to him. "Got a fiddle?" he asked.

"I think there's an old stager about," said Roy.

"Bring her in," said Peppers. Then he seized the pitcher by its stone handle and raised it in the air. "Wine's a mocker," he began, "an' strong drink is ragin', but old Saint Paul said, 'A little for your stomach's sake.' Here's lookin' at you, Humpty Dumpty. May you grow until your ears drag the ground."

The hunchback lifted his pitcher. "Same to you, Parson," he said, "an' all your family." Then they thrust their noses into the stone pitchers. Peppers gulped a swallow, then he lowered his pitcher and looked at Ump.

"Humpty Dumpty," he said, speaking slowly and turning down his thumb as he spoke, "when you git your fall, it'll be another job for them king's horses."

"Parson," said Ump, "I know how to light."

"How?" said Peppers.

"Easy," said Ump.

Peppers roared. "You ain't learned it any too quick," he said. "What goes up, has got to come down, an' you're goin' up end over appetite."

"When do I hit the ground, Parson?" asked Ump, with his nose in the pitcher.

Peppers spread out two of his broad fingers. "To-day is to-day," he said, "an' to-morrow is to-morrow. Then—" But the cunning Marks was on his feet before the sentence was finished.

"Peppers," he snapped, "you clatter like a feed-cutter. What are you tryin' to say? Out with it. Let's hear it."

It was a bold effort to throw us off the scent. Peppers saw the lead, and for a moment he was sober.

"I was a-warnin' the lost sinner," he said, "like Jonah warned the sinners in Nineveh. I'm exhortin' him about the fall. Adam fell in the Garden of Eden." Then the leer came back into his face. "Ever hear of the Garden of Eden, Lemuel?"

"Yes," said Marks, glad to divert the dangerous drunkard.

"You ought," said Peppers. "Your grandpap was there, eatin' dirt an' crawlin' on his belly."

We roared, and while the tavern was still shaking with it, Roy came in carrying an old and badly battered fiddle under his arm. "Boys," he said timidly, "furse all you want to, but don't start nothin'." Then he gave the fiddle to Peppers, and came over to where we were seated. "Quiller," he said, "I reckon you all want a bite o' dinner."

I answered that we did. "Well," he apologised, "we didn't have your name in the pot, but we'll dish you up something, an' you can give it a lick an' a promise." Then he gathered up some empty dishes from a table and went out.

Peppers was thumping the fiddle strings with his thumb, and screwing up the keys. His sense of melody was in a mood to overlook many a defect, and he presently thrust the fiddle under his chin and began to saw it. Then he led off with a bellow,

"Come all ye merry maidens an' listen unto me."

But the old fiddle was unaccustomed to so vigorous a virtuoso, and its bridge fell with a bang. The Parson blurted an expletive, inflected like the profane. Then he straightened the bridge, gave the fiddle a tremendous saw, and resumed his bellow. But with the accident, his first tune had gone glimmering, and he dropped to another with the agility of an acrobat.

"In eighteen hundred an' sixty-fiveI thought I was quite lucky to find myself alive.I saddled up old Bald Face my business to pursue,An' I went to drivin' steers as I used for to do."

The fiddle was wofully out of tune, and it rasped and screeched and limped like a spavined colt, but the voice of Peppers went ahead with the bellow.

"But the stillhouse bein' close an' the licker bein' freeI took to the licker, an' the licker took to me.I took to the licker, till I reeled an' I fell,An' the whole cussed drove went a-trailin' off to hell."

Ump arose and waved his pitcher. "Hold up, Parson," he said. "Here's to them merry maids that got lost in the shuffle. 'Tain't like you to lose 'em."

The suggestion was timely. The song ran to fifty-nine verses, and no others printable.

Peppers dropped the fiddle and seized the pitcher. "Correct," he roared. "Here's to 'em. May the Lord bless 'em, an' bind 'em, an' tie their hands behind 'em, an' put 'em in a place where the devil can't find 'em."

"Nor you," mumbled Ump in the echo.

They drank, and the hunchback eyed his man over the rim of the pitcher. The throat of the Parson did not move. It was clear that Peppers had reached the danger line, and, what was fatal to the plan of Ump, he knew it. He was shamming. The eyes of the hunchback squinted an instant, and then hardened in his face.

He lowered his pitcher, took a step nearer to the table, and clashed it against the Parson's pitcher. "The last one," he said, "to Mister Ward, God bless 'im!"

It was plain that the hunchback having failed to drink Peppers maudlin, was now deliberately provoking a fight. The bloated face of the Parson grew purple.

"Woodford!" he roared.

"I said," repeated Ump slowly, "to Mister Ward. An' his enemies, may the devil fly away with 'em."

Peppers hurled down his pitcher, and it broke into a thousand pieces on the oak floor. I saw the hunchback's eyes blink. I saw Jud take a step towards Peppers, but he was too late. Lem Marks made a sign to Malan. The club-footed giant bounded on Peppers, pinned his arms to his sides, and lifting him from the table carried him toward the door. A fight in Roy's tavern was not a part of the plan of Hawk Rufe.

For a moment the Parson's rage choked him, and he fought and sputtered. Then he began to curse with terrible roaring oaths that came boiling up, oaths that would have awakened new echoes in the foul hold of any pirate ship that ever ran.

His bloodshot eyes rolled and glared at the hunchback over the woolly head of Malan. There seemed to be something in Ump's face that lashed the drunkard to a fury. I looked at Ump to see what it was, and unless I see the devil, I shall never see the like of that expression. It was the face of a perfectly cool imp.

Black Malan carried Peppers through the door as though he were a bushel of corn in a bag, and I marked the build of this powerful man. His neck had muscle creases like the folds on the neck of a muley bull. His shoulders were bigger than Jud's. His arms were not so long, but they were thicker, and his legs stood under him like posts. But he was slow, and he had but little light in his head. A tremendous animal was the club-footed Malan.

Lem Marks stopped at the door, fingered his hat and began to apologise. He was sorry Peppers was drunk, and we must overlook the vapourings of a drunkard. He wished us a pleasant journey.

"To the devil," added Ump when the door had closed on him.

We ate our dinner from the quaint old Dutch blue bowls, and the teacups with the queer kneeling purple cows on them. Then we went to feed the horses. Roy brought us a hickory split basket filled with white corn on the cob, and wiped out a long chestnut trough which lay by the roadside. We took the bits out of the horses' mouths, leaving the headstalls on them, and they fell to with the hearty impatience of the very hungry.

I have always liked to see a horse or an ox eat his dinner. Somehow it makes the bread taste better in one's own mouth. They look so tremendously content, provokingly so I used to think when I was little, especially the ox with the yoke banging his horns. I remember how I used to fill my pockets with "nubbins" and, holding one out to old Berry or some other patriarch of the work cattle, watch how he reached for it with his rough tongue, and how surprised he was when I snatched it away and put it back in my pocket, or gave it to him, and then thrust my finger against his jaw, pushing in his cheek so that he could not eat it. He would look so wofully hurt that I laughed with glee until old Jourdan came along, gathered me up under his arm, and carried me off kicking to the kingdom of old Liza.

My early experience with the horse was not so entirely satisfactory to my youthful worship. Somewhere on my shoulder to this day are the faint marks of teeth, set there long ago on a winter morning when I was taking liberties with the table etiquette of old Charity.

We lolled in the sunshine while the horses ate, Jud on his back by the nose of the Cardinal, his fingers linked under his head. I sat on the poplar horse-block with my hands around my knee, while Ump was in the road examining El Mahdi's feet. For once he had abandoned the Bay Eagle.

He rubbed the fetlocks, felt around the top of the hoofs with his finger, scraped away the clinging dirt with the point of a knife blade, and tried the firmness of each shoe-nail. Then he lifted the horse's foot, rested it on his knee, and began to examine the shoe as an expert might examine some intricate device.

Ump held that bad shoeing was the root of all evil. "Along comes a flat-nose," he would say, "with a barefooted colt, an' a gabbin', chuckle-headed blacksmith nails shoes on its feet, an' the flat-nose jumps on an' away he goes, hipety click, an' the colt interferes, an' the flat-nose begins a kickin' an' a cursin', an' then—" Here the hunchback's fingers began to twitch. "Somebody ought to come along an' grab the fool by the scruff of his neck an' kick him till he couldn't set in a saddle, an' then go back an' boot the sole-leather off the blacksmith."

I have seen the hunchback stop a stranger in the road and point out with indignation that the shoe on his horse was too short, or binding the hoof, or too heavy or too light, and then berate the stranger like a thief because he would not turn instantly and ride back to a smith-shop. And I have seen him sit over a blacksmith with his narrow face thrust up under the horse's belly, and put his finger on the place where every nail was to go in and the place where it was to come out, and growl and curse and wrangle, until, if I had been that smith, I should have killed him with a hammer.

But the hunchback knew what he was about. Ward said of Ump that, in his field, the land of the horse's foot, he was as much an expert as any professor behind his spectacles. His knowledge came from the observation of a lifetime, gathered by tireless study of every detail. Even now, when I see a great chemist who knows all about some drug; a great surgeon who knows all about the body of a man; or a great oculist who knows all about the human eye, I must class the hunchback with them.

Ump explored El Mahdi's shoes, pulled at the calks, picked at the nails, and prodded into the frog of the foot to see if there was any tendency to gravel. He found a left hind shoe that did not suit him, and put down the foot and wiped his hands on his breeches.

"Who shod this horse, Quiller?" he said.

"Dunk Hodge," I answered.

The hunchback made a gesture as of one offered information that is patent. "I know Dunk made the shoes," he said, "by the round corks. But they've been reset. Who reset 'em?"

"Dunk," said I.

"Not by a jugful!" responded Ump. "Old Dunk never reset 'em."

"I sent the horse to him," I said.

"I don't care a fiddler's damn where you sent the horse," replied the hunchback. "Dunk didn't drive them nails. They're beat over at the point instead of being clinched. It's a slut job."

"I expect," said Jud, "it was his ganglin' son-in-law, Ab."

"That's the laddiebuck," said Ump, "an' he ought to be withed. That hind shoe has pulled loose an' broke. We've got to git it put on."

"Then we shall have to try Christian," said I; "there's no other shop this side of the Stone Coal."

"I know it," mused Ump, "an' when he goes to the devil, flat-nosed niggers will never shovel dirt on a meaner dog."

Jud arose and began to bridle the Cardinal. "He's mighty triflin'," said he; "he uses store nails, an' he's too lazy to p'int 'em."

Now, to use the manufactured nail was brand enough in the Hills. But to drive it into a horse's foot without first testing the point was a piece of turpitude approaching the criminal.

"Well," said I, "he'll drive no nail into El Mahdi that isn't home-made and smooth."

"Then Ump 'ill have to stand over him," replied Jud.

"Damn it," cried the hunchback, striking his clenched right hand into the palm of his left, "ain't I stood over every one of the shirkin' pot-wallopers from the mountains to the Gauley an' showed him how to shoe a horse, an' told him over an' over just what to do an' how to do it, an' put my finger on the place? An' by God! The minute my back's turned, he'll lame a horse with a splintered nail, or bruise a frog with a pinchin' cork, or pare off the toe of the best mare that ever walked because he's too damn' lazy to make the shoe long enough."

Ump turned savagely and went around El Mahdi to the Bay Eagle, put the bit in her mouth and mounted the mare. I bridled El Mahdi and climbed into the saddle, and we rode out toward the Valley River, on the way but an hour ago taken by the lieutenants of Woodford. We had watched them from the tavern door, Peppers riding between the other two, rolling in his saddle and brandishing his fist. Both he and Malan rode the big brown cattle-horses of Woodford, while Lem Marks rode a bay Hambletonian, slim and nervous, with speed in his legs. The saddles were all black, long skirted, with one girth,—the Woodford saddles.

We followed in the autumn midday. It might have been a scene from some old-time romance—musketeers of the King and guards of his mighty Eminence setting out on a mission which the one master wished and the other wished not; or the iron lieutenants of Cromwell riding south in the wake of the cavaliers of Charles.

For romance, my masters, is no blear-eyed spinster mooning over the trumpery of a heyday that is gone, but a Miss Mischief offering her dainty fingers to you before the kiss of your grandfather's lips is yet dry on them. The damask petticoat, the powdered wig, and the coquettish little patch by her dimpled little mouth are off and into the garret, and she sweeps by in a Worth gown, or takes a fence on a thoroughbred, or waits ankle deep in the clover blossoms for some whistling lover, while your eyes are yet a-blinking.

The blacksmith-shop sat at a crossroads under a fringe of hickory trees that skirted a little hill-top. It was scarcely more than a shed, with a chimney, stone to the roof, and then built of sticks and clay. Out of this chimney the sparks flew when the smith was working, pitting the black shingle roof and searing the drooping leaves of the hickories. Around the shop was the characteristic flotsam, a cart with a mashed wheel, a plough with a broken mould-board, innumerable rusted tires, worn wagon-irons, and the other wreckage of this pioneer outpost of the mechanic.

At the foot of the hill as we came up, the Cardinal caught a stone between the calks of one of his hind shoes, and Jud got off to pry it out. Ump and I rode on to the shop and dismounted at the door. Old Christian was working at the forge welding a cart-iron, pulling the pole of his bellows, and pausing now and then to turn the iron in the glowing coals.

He was a man of middle size, perhaps fifty, bald, and wearing an old leather skull-cap pitted with spark holes. His nose was crooked and his eyes were set in toward it, narrow and close together. He wore an ancient leather apron, burned here and there and dirty, and his arms were bare to the elbows.

I led El Mahdi into the shop, and Christian turned when he heard us enter. "Can you tack on a shoe?" said I.

The smith looked us over, took his glowing iron from the forge, struck it a blow or two on the anvil, and plunged it sizzling into the tub of water that stood beside him. Then he came over to the horse. "Fore or hind?" he asked.

"Left hind," I answered; "it's broken."

He went to the corner of the shop and came back with his kit,—a little narrow wooden box on legs, with two places, one for nails and one for the shoeing tools, and a wooden rod above for handle and shoe-rack. He set the box beside him, took up the horse's foot, wiped it on his apron, and tried the shoe with his fingers. Then he took a pair of pincers out of his box, and catching one half of the broken shoe, gave it a wrench.

I turned on him in astonishment. "Stop," I cried, "you will tear the hoof."

"It'll pull loose," he mumbled.

Ump was at the door, tying the Bay Eagle. He came in when he heard me. "Christian," he said, "cut them nails."

The blacksmith looked up at him. "Who's shoein' this horse?" he growled.

The eyes of the hunchback began to snap. "You're a-doin' it," he said, "an' I'm tellin' you how."

"If I'm a doin' it," growled the blacksmith, "suppose you go to hell." And he gave the shoe another wrench.

I was on him in a moment, and he threw me off so that I fell across the shop against a pile of horseshoes. The hunchback caught up a sledge that lay by the door and threw it. Old Christian was on one knee. He dodged under the horse and held up the kit to ward off the blow. The iron nose of the sledge struck the box and crushed it like a shell, and, passing on, bounded off the steel anvil with a bang.

The blacksmith sprang out as the horse jumped, seized the hammer and darted at Ump. I saw the hunchback look around for a weapon. There was none, but he never moved. The next moment his head would have burst like a cracked nut, but in that moment a shadow loomed in the shop door. There was a mad rush like the sudden swoop of some tremendous hawk. The blacksmith was swept off his feet, carried across the shop, and flattened against the chimney of his forge. I looked on, half dazed by the swiftness of the thing. I did not see that it was Jud until old Christian was gasping under the falling mortar of his chimney, his feet dangling and his sooty throat caught in the giant's fingers, that looked like squeezing iron bolts. The staring eyes of the old man were glassy, his face was beginning to get black, his mouth opened, and his extended bare arm holding the hammer began to come slowly down.

It rested a moment on the giant's shoulder, then it bent at the elbow, the fingers loosed, and the hammer fell. Old Christian will never be nearer to the pit of his imperial master until he stumbles over its rim.

The hunchback glided by me and clapped his hand on Jud's shoulder. "Drop him," he cried.

The blood of the giant was booming. The desperate savage, passed sleeping from his father and his father's father, had awaked, and awaked to kill. I could read the sinister intent in the crouch of his shoulders.

The hunchback shook him. "Jud," he shouted, "Jud, drop him."

The giant turned his head, blinked his eyes for a moment like a man coming out of a sleep, and loosed his hand. The blacksmith slipped to the floor, but he could not stand when he reached it. His knees gave way. He caught the side of the leather bellows, and stumbling around it, sat down on the anvil wheezing like a stallion with the heaves.

Ump stooped and picked up the hammer. Then he turned to the puffing giant. "Jud," he said, "you ain't got sense enough to pour rain-water out of a boot."

"Why?" said Jud.

"Why?" echoed the hunchback, "why? Suppose you had wrung the old blatherskite's neck. How do you reckon we'd get a shoe on this horse?"

It has been suggested by the wise that perhaps every passing event leaves its picture on the nearest background, and may hereafter be reproduced by the ingenuity of man. If so, and if genius led us into this mighty gallery of the past, there is no one thing I would rather look at than the face of a youth who stood rubbing his elbows in the shop of old Christian, the blacksmith.

The slides of violent emotion, thrust in when unexpected, work such havoc in a child's face,—that window to the world which half our lives are spent in curtaining!

I wish to see the face of the lad only if the gods please. The canvas about it is all tolerably clear,—the smoke-painted shop, and the afternoon sun shining in to it through the window by the forge; and through the great cracks, vertical sheets of sunlight thrust, wherein the golden dust was dancing; the blacksmith panting on his anvil, his bare arms bowed, and his hands pressed against his body as though to help somehow to get the good air into his lungs, beads of perspiration creeping from under the leather cap and tracing white furrows down his sooty face; Jud leaning against the wall, and Ump squatting near El Mahdi. The horse was not frightened. He jumped to avoid the flying sledge. That was all. I cannot speak of the magnitude of his courage. I can only say that he had the sublime indifference of a Brahmin from the Ganges.

Presently the blacksmith had gotten the air in him, and he arose scowling, picked up his tongs, fished the cart-iron out of the water, thrust it into the coals and began to pump his bellows.

It was an invitation to depart and leave him to his own business. But it was not our intention to depart with a barefooted horse, even if the devil were the blacksmith.

"Christian," said Ump, "you're not through with this horse."

The blacksmith paid no attention. He pumped his bellows with his back toward us.

"Christian!" repeated the hunchback, and his voice was the ugliest thing I have ever heard. It was low and soft and went whistling through the shop. "Do you hear me, Christian?"

The smith turned like an animal that hears a hissing by his heels, threw the tongs on the floor, and glared at Ump. "I won't do it," he snarled.

"Easy, Christian," said the hunchback, with the same wheedling voice that came so strangely through his crooked mouth. "Think about it, man. The horse is barefoot. We should be much obliged to you."

I do not believe that this man was a coward. It was his boast that he could shoe anything that could walk into his shop, and he lived up to the boast. I give him that due, on my honour. Many a devil walked into that shop wearing the hoof and hide of a horse and came out with iron nailed on his feet; for example, horses like the Black Abbot that fought and screamed when we put a saddle on him first and rolled on the earth until he crushed the saddle-tree and the stirrups into splinters; and horses like El Mahdi that tried to kill the blacksmith as though he were an annoying fly. It was dangerous business, and I do not believe that old Christian was a coward.

But what show had he? An arm's length away was the powerful Jud whose hand had just now held the smith out over the corner of the world; and the hunchback squatted on the floor with the striking hammer in his long fingers, the red glint under his half-closed eyelids, and that dangerous purring speech in his mouth. What show had he?

The man looked up at the roof, blackened with the smoke of half a century, and then down at the floor, and the resolution died in his face. He gathered up his scattered tools and went over to the horse, lifted his foot, cut the nails, and removed the pieces of broken shoe.

Then he climbed on the anvil, and began to move the manufactured shoes that were set in rows along the rafters, looking for a size that would fit.

"Them won't do," said Ump. "You'll have to make a shoe, Christian."

The man got down without a word, seized a bar of iron and thrust it into the coals. Jud caught the pole of his bellows, and pumped it for him. The smith turned the iron in the coals. When it glowed he took it out, cut off the glowing piece on the chisel in his anvil, caught it up in a pair of tongs and thrust it back into the fire. Then he waited with his hands hanging idly while Jud pulled the pole of the old bellows until it creaked and groaned and the fire spouted sparks.

When the iron was growing fluffy white, the smith caught it up in his tongs, lifted it from the fire, flung off a shower of hissing sparks and began to hammer, drawing it out and beating it around the horn of the anvil until presently it became a rough flat shoe.

The iron was cooling, and he put it back into the coals. When it was hot again, he turned the calks, punched the nail holes and carried it glowing to where the horse stood, held it an instant to the hoof, noted the changes to be made, and thrust it back into the fire.

A moment later the hissing shoe was plunged into a tub of water by the anvil, and then thrown steaming to the floor. Ump picked it up, passed his finger over it and then set it against El Mahdi's foot. It was a trifle narrow at the heel, and Ump pitched it back to the smith, spreading his fingers to indicate the defect. Old Christian sprung the calks on the horn of the anvil, and returned the shoe. The hunchback thrust his hand between the calks, raised the shoe and squinted along its surface to see if it were entirely level. Then he nodded his head.

The blacksmith went over to the wall, and began to take down a paper box. The hunchback saw him and turned under the horse. "We can't risk a store nail," he said. "You'll have to make 'em."

For the first time the man spoke. "No iron," he answered.

Ump arose and began to look over the shop. Presently he found an old scythe blade and threw it to the smith. "That'll do," he said; "take the back."

Old Christian broke the strip of iron from the scythe blade and heating it in his forge, made the nails, hammering them into shape, and cutting them from the rod until he had a dozen lying by the anvil. When they were cool, he gathered them in his hand, smoothed the points, and went over to El Mahdi.

The old man lifted the horse's foot, and set it on his knee, and Ump arose and stood over him. Then he shod the horse as the hunchback directed, paring the hoof and setting the nails evenly through the outer rim, clipping the nail ends, and clinching them by doubling the cut points. Then he smoothed the hoof with his great file and the work was over.

We rode south along the ridge, leaving old Christian standing in his shop door, his face sullen and his grimy arms folded. I flung him a silver dollar, four times the price of the shoeing. It fell by the shop sill, and he lifted his foot and sent it spinning across the road into the bushes.

The road ran along the ridge. A crumbling rail fence laced with the vines of the poison ivy trailed beside it. In its corners stood the great mullein, and the dock, and the dead iron-weed. The hickories, trembling in their yellow leaves, loomed above the fringe of sugar saplings like some ancient crones in petticoats of scarlet. Sometimes a partridge ran for a moment through the dead leaves, and then whizzed away to some deeper tangle in the woods; now a grey squirrel climbed a shell-bark with the clatter of a carpenter shingling a roof, and sat by his door to see who rode by, or shouted his jeer, and, diving into his house, thrust his face out at the window. Sometimes, far beyond us, a pheasant walked across the road, strutting as straight as a harnessed brigadier,—an outlaw of the Hills who had sworn by the feathers on his legs that he would eat no bread of man, and kept the oath. Splendid freeman, swaggering like a brigand across the war-paths of the conqueror!

We were almost at the crown of the ridge when a brown flying-squirrel, routed from his cave in a dead limb by the hammering of a hungry woodpecker, stood for a moment blinking in the sunlight and then made a flying leap for an oak on the opposite side of the road; but his estimate was calculated on the moonlight basis, and he missed by a fraction of an inch and went tumbling head over heels into the weeds.

I turned to laugh at the disconcerted acrobat, when I caught through the leaves the glimpse of a horse approaching the blacksmith-shop from one of the crossroads. I called to my companions and we found a break in the woods where the view was clear. At half a mile in the transparent afternoon we easily recognised Lem Marks. He rode down to the shop and stopped by the door.

In a moment old Christian came out, stood by the shoulder of the horse and rested his hand on Marks' knee. It was strange familiarity for such an acrimonious old recluse, and even at the distance the attitude of Woodford's henchman seemed to indicate surprise.

They talked together for some little while, then old Christian waved his arm toward the direction we had taken and went into his shop, presently returning with some implements in his hand. We could not make out what they were. He handed them up to Marks, and the two seemed to discuss the matter, for after a time Marks selected one and held it out to old Christian. The smith took it, turned it over in his hand, nodded his head and went back into his shop, while Marks gathered up his reins and came after us in a slow fox trot.

We slipped over the ridge and then straightened in our saddles.

"Boys," said the hunchback, fingering the mane of the Bay Eagle, "that was a bad job. We ought to be a little more careful in the pickin' of enemies."

"Damn 'em," muttered Jud, "I wonder what mare's nest they're fixin'. I ought to 'a twisted the old buck's neck."

The hunchback leaned over his saddle and ran his fingers along the neck of the splendid mare. "Peace," he soliloquised, "is a purty thing." Then he turned to me with a bantering, quizzical light in his eyes.

"Quiller," he said, "don't you wish you had your dollar back in your pocket?"

"Why?" said I.

"It's like this," said he. "One time there was an' old miser, an' when he was a-dyin' the devil come, an' set down by the bed, an' the devil said, 'You've done a good deal of work for me, an' I reckon I ought to give you a lift if you need it. Now, then, if there's any little thing you want done, I'll look after it for you.' The miser said he'd like to have an iron fence round his grave, if the devil thought he could see to it without puttin' himself out any. The devil said it wouldn't be any trouble, an' then he counted off on his fingers the minutes the miser had to live, an' lit out.

"They buried the miser in a poor corner of the graveyard where there was nothin' but sinkfield an' sand briars, an' that night the devil went down to the blacksmith an' told him he wanted an iron fence put around the old feller's grave, an' to git it done before midnight. The blacksmith throwed his coat an' went to work like a whitehead, an' when twelve o'clock come he had the iron fence done an' a settin' around the miser's grave.

"Just as the clock struck, the devil come along, an' he said to the blacksmith, standin' there a-sweatin' like a colt, 'Well, I see you got her all up hunkey dorey.' 'Yes,' said the blacksmith, 'an' now I want my pay.' 'Let's see about that,' said the devil; 'did you do that job because you wanted to, or because you didn't want to?' The blacksmith didn't know what to say, so he hemmed and hawed, an' finally he says, 'Maybe I done it because I wanted to, an' maybe I done it because I didn't want to.' 'All right,' said the devil; 'if you done it because you wanted to, I don't owe you nothin', an' if you done it because you didn't want to, there ain't nothin' I can pay you.' An' he sunk in the ground, with his thumb to his nose an' his fingers a-wigglin' at the blacksmith."

I saw the application of the story. One could settle with money for labour when the labourer was free, but when the labourer was not free, when he had used his breath and his muscle under a master, money could make no final settlement.

Ugly accounts to run in a world where the scheme of things is eternally fair, and worse, maybe, if carried over for adjustment into the Court of Final Equity! The remark of Ump came back like a line of ancient wisdom, "Peace is a purty thing."

While men are going about with a bit of lens and a measure of acid, explaining the hidden things of this world, I should be very glad if they would explain why it is that the evening of an autumn day always recalls the lost Kingdom of the Little. The sun squinting behind the mountains, the blue haze deepening in the hollows of the hills, the cool air laden with faint odours from the nooks and corners of the world,—what have these to do with the land of the work-a-day?

Long and long ago in that other country it meant that the fairies were gathering under the hill for another raid on the province of the goblins across the sedge-fields; that the owls were going up on the ridges to whisper with the moon; that the elves one by one, in their quaint yellow coats, were stealing along under the oak trees on the trail of the wolf spider. But what can it mean in the grown-up country?

When the Golden Land is lost to us, when turning suddenly we find the enchanted kingdom vanished, do we give up the hope of finding it again? We know that it is somewhere across the world, and we ought to find it, and we know, too, that its out-country is like these October afternoons, and our hearts beat wildly for a moment, then the truth strikes and we see that this is not The Land.

But it brings the memory of the heyday of that other land, where, in my babyhood, like the kings of Bagdad, I had a hundred bay horses in their stables, each bridled with a coloured woollen string, and stalled in the palings of the garden, and each with his high-sounding name, and princely lineage, and his thrilling history, and where I had a thousand black cattle at pasture in the old orchard.

It might be that an ancient, passing, would not see the drove, because his eyes were hide-bound, but he would see me as I galloped along by the hot steers, and hear the shouting, and he could not doubt that they were there. I was tremendously busy in those earlier days. No cattle king of the Hills had one-half the wonderful business. I dropped to sleep in old Liza's arms with my mighty plans swimming in my head. I had long rides and many bunches of cattle to gather on to-morrow, and I must have a good night's rest.

Or I rode in Ward's arms, when he went to salt the cattle, and sat in the saddle while he threw the handfuls of salt on the weeds, and I noticed all the wonders of the land into which we came. I saw the golden-belted bee booming past on his mysterious voyage, and he was a pirate sailing the summer seas. I heard the buzzing curse of the bald hornet, and I wished him hard luck on his robbing raid. And the swarms of yellow butterflies were bands of stranger fairies travelling incognito. I knew what these fellows were about, but I said nothing. The ancients were good enough folk, but their idea of perspective was abominably warped. I gave them up pretty early.

The hills by the great Valley River are a quiet country, sodded deep, with here and there an open grove like those in which the dreamers wandered with a garland of meadowsweet, or the fauns piped when the world was young. Through them, now and then, a little stream goes laughing, fringed with bulrushes and beds of calamus and fragrant mint, a narrow stream that runs chuckling through the stiff sod and spreads dimpling over the road on a bed of white sand, for all the world like a dodging sprite of the wood who laughs suddenly in some sunlit corner.

We splashed through one of these little brooks as the sun was setting, and El Mahdi's feet sank in the white sand. I watched the crystal water go bubbling over his hoofs and then pour with a gush into the shoe tracks which held the print like a mould. We left a silver trail or, now when the sun was slanting, a golden trail, big with the air of enchanted ventures.

When we came on the brow of the hills flanking the approaches to the Valley River it was already night. The outlines of the far-off mountains were blending into one huge shadow. It was now the wall of the world, with no path for a human foot. The hills were a purple haze, the trees along their crests making fantastic pictures against the sky. Beyond the land of living men, it seemed, an owl hooted, and a belated dove called and called like a moaning spirit wandering in some lost tarn of the Styx.

We rode down to the bend of the Valley River over a stretch of sandy land pre-empted by the cinque-foil and the running brier, the country of the woodcock and the eccentric kildee. We could hear the low, sullen roar of the river sweeping north around this big bend, long before we came to it. Under the stars there is no greater voice of power. We rode side by side in the deepening twilight, making huge shadows on the crunching sand. Up to this hour it seemed to me that we had been idling through some long and pleasant ride, with the loom of evil afar off in the front. We had talked of peril merrily together, as men loitering in a tavern talk easily of the wars. But now in the night, under the spell of the booming water, the atmosphere of responsibility returned.

Ward was depending upon me and the two beside me. Woodford's men moved back yonder in the Hills, and maybe they moved out there beyond the water, and we could see nothing and hear nothing but the sand grinding under the iron of a horse's shoe. In the night the face of the Valley River was not a pleasant thing to see. It ran muddy and swift, even with its banks, a bed of water a quarter of a mile in width, its yellow surface gleaming now and then in the dim light of the evening like the belly of some great snake.

Standing on its bank we could see the other shore, a line of grey fog. The yellow tongues of the water lapped the bank, and crept muttering in among the willows, an ominous, hungry brood.

The roar of the river, now that one stood beside it, seemed not so great. It was dull, heavy, low pitched, as though the vast water growled comfortably. The rains in the mountains had filled the bed brimming like a cup, even in the drought of summer. The valley was wide and deep in this bend,—too wide and too deep to be crossed by the ordinary bridge,—so the early men had set up a sort of ferry when they first came to this water.

It was a rude makeshift, the old men said, two dugouts of poplar lashed together and paddled, a thing that would carry a man and his horse, or perhaps a yoke of oxen. Now, the ferry was more pretentious. A wire cable stretched across the river, fastened on the south bank to a post set deep in the earth, and flanked by an abutment of sandstone, and on the north bank wound round a huge elm that stood by the road within a dozen yards of the river.

On this cable the boat ran, fastened with wire ropes and two pulleys, a sort of long, flat barge that would carry thirty cattle. The spanning cable made a great curve down the river, so that the strength of the current was almost sufficient to force the barge across, striking it obliquely against the dip of the wire. How the current could be made to do this work was to me one of the mysteries, but it did do it, guided and helped by the ferrymen. I have wondered at it a hundred times as I sat under El Mahdi's nose with my feet dangling over the side of the boat.

We stopped on the slope where the boat landed.

Jud threw back his shoulders and shouted; and someone answered from the other side, "Who-ee!" a call that is said to reach farther than any other human sound. It came high up over the water, clear enough, but as from a great distance. There were no bells at the crossings in this land. Every man carried a voice in his throat that could reach half a mile to the grazing steers on the sodded knobs.

The two sons of old Jonas Horton maintained the ferry as their father had done before them. It was an inheritance, and it was something more than this. It was a trust, a family distinction, like a title,—something which they were born into, as a Hindoo is born into his father's trade. If they had been ousted from this ferry, they would have felt themselves as hopelessly wronged as the descendants of an old house driven from their baronial estate.

The two, Mart and Danel, lived with the mother, a flat, withered old woman, in a log house by the river. They were tall, raw-boned, serious men, rarely leaving the river, and at such times hurrying back uneasy. Their faces at the church or in the village were anxious, as of one who leaves his house closed with a fire roaring in the chimney; or better, perhaps, of some fearful child who has stolen away from his daily everlasting task. Sometimes the mother would say, "There is no meal in the barrel," or, "You're drinking the last of the coffee;" and they would look at each other across the table, troubled, as men dire beset called upon to decrease the forces of a garrison. Then one would set out with a bag on his shoulder, throwing his long body forward at each step and dangling his arms, hurrying as though he ought not to take the time.

Presently the boat crept towards us out of the water, swung down swiftly and ground its nose in the bank. The two ferrymen were bareheaded, in their brown homespun coats. They had possibly been at supper, and turned around on their bench to answer through the open door. They inquired if we all wished to be set over, and we rode on to the boat for answer. The man in the bow reached up and caught the cable with a sort of iron wrench, and began to pull. The other took a pole lying by the horses' feet, thrust it against the bank and forced the boat out into the water. Then he also took a wrench from his pocket, and when his brother, walking down the length of the barge from bow to stern, reached the end, he caught the cable and followed, so that the pull on the wire was practically continuous.

The warm south wind blew stiffly in our faces and the horses shifted their feet uneasily. If the Valley River was ugly from its bank it was uglier from its middle. It tugged at the boat as though with a thousand clinging fingers, and growled and sputtered, and then seemed to quit it for a moment and whisper around the oak boards like invisible conspirators taking counsel in a closet. A scholar on that water nursing his sallow face in the trough of his hand would have fallen a-brooding on the grim boatman crossing to the shore that none may leave, or the old woman of the Sanza, poling her ghostly, everlasting raft; and had he listened, he could have heard the baying of the three-mouthed hound arousing the wardens of the Vedic Underworld to their infernal watching by that water we all must cross.

I think the hunchback had no idea of the moods of nature; at any rate they never seemed to affect him. To him all water was something to drink or something to swim in, and the earth was good pasture or hard road to ride a horse over. The grasp of no agnostic was more cynical. He inquired if any of Woodford's men had crossed that day, and was answered that they had not.

Then he began to hum a hoary roundelay about the splendid audacity of old Mister Haystack and his questionable adventures, set to an unprintable refrain of "Winktum bolly mitch-a-kimo," or some such jumble of words. I have never heard this song in the mouth of any other man. He must have found it somewhere among the dusty trumpery of forgotten old folk-lyrics, and when he sang it one caught the force of the Hebraic simile about the crackling of thorns under a pot.

Jud laughed, and the hunchback piped a higher cackle and dangled his bridle rein. "Humph," he said, "maybe you don't like that song."

"It ain't the song," replied Jud.

"Maybe you don't like the way I sing it," said he.

"It might be different," said Jud.

"Well," said he, "it wouldn't mean different."

Here I took a hand in the dialogue. "What does it mean anyhow?" I said. "It's about the foolest song I ever heard."

"Quiller," replied the hunchback, propping his fist under his bony jaw, "you've heard tell of whistlin' to keep up your courage. Well, that song was made for them as can't whistle."

Jud turned in astonishment. "Afraid?" he said; "what are you afraid of?"

The hunchback leaned over as if about to impart a secret. "Ghosts!" he whispered. I laughed at the discomfiture of the giant, but Ump went on counterfeiting a deep and weird seriousness which, next to his singing, was about the most ludicrous thing in the world. "Ghosts, my laddiebuck. But not the white-sheeted lady that comes an' says, 'Foller me,' nor the spook that carries his head under his arm tied up in a tablecloth, but ghosts, my laddiebuck, that make tracks while they walk."

"I thought ghosts rode broomsticks," said Jud.

"Nary a broomstick," replied the hunchback. "When they are a-follerin' Mister Ward's drovers, it's a little too peaked for long ridin'."

Then he broke off suddenly and called to the ferryman. "Danel," he said, "how many cattle will this boat hold?"

"Big cattle or stockers?" inquired the man.

"Exporters," said Ump.

"Mart," called the brother, "can we carry thirty exporters?"

"Are they dehorned?" inquired Mart.

"Muley," said Ump.

"We can carry thirty muleys if they ain't nervous," replied the brother called Mart. "Are you gatherin' up some cattle for Mister Ward?"

"Yes," said Ump. "We'll be here early in the morning with six hundred, an' we want to git 'em set over as quick as you can. How long will it take?"

"Well," said Danel, "mighty nigh up till noon, I reckon. Do you mind, Mart, how long we were settin' over them Alkire cattle?"

"We begun in the morning, and we stopp'd for an afternoon bite. It took the butt end of the day," replied the brother.

We had now reached the south bank of the Valley River, and when the boat slipped up on the wet sod, we rode ashore, and turned into the pike that runs by the river bank. The ferrymen, with the characteristic hospitality of the Hills, requested us to dismount and share the evening meal, but we declined, urging the lateness of the hour.

Through the open door I could see the unfinished supper, the sweet corn-pone cut like a great cheese, the striped bacon, and the blue stone milk pitcher with its broken ears.

When I turned about in the saddle I found that El Mahdi had passed both of my companions who were stock still in the road a half-dozen paces behind me. I pulled him up and called to them, "What mare's nest have you found now?"

They replied that some horse had lately passed in a gallop. One could tell by the long jumping and the deep, ploughing hoof-prints. "Come on," said I, "Woodford's devils haven't crossed. What do we care?"

"But it's mighty big jumpin'," answered the hunchback.

"Maybe," I responded laughing, "the cow that jumped over the moon took a running start there."

"If she did," said Ump, "I'll just find out if any of the Hortons saw her goin'." Then he shouted, "Hey, Danel, who crossed ahead of us?"

The long bulk of the ferryman loomed in the door. "It was Twiggs," he answered.

I heard Jud cursing under his breath. Twiggs was the head groom of Cynthia Carper, and when he ran a horse like that the devil was to pay. I gripped the reins of El Mahdi's bridle until he began to rear.

"He must have been in a hurry," said Ump.

"'Pears like it," responded the boatman, turning back into his house. "He lit out pretty brisk."

Ump shook the reins of his bridle and went by me in a gallop. The Cardinal passed at my knee, and I followed, bending over to keep the flying sand out of my eyes.

The moon was rising, a red wheel behind the shifting fog. And under its soft light the world was a ghost land. We rode like phantoms, the horses' feet striking noiselessly in the deep sand, except where we threw the dead sycamore leaves. My body swung with the motions of the horse, and Ump and Jud might have been a part of the thing that galloped under their saddles.

The art of riding a horse cannot be learned in half a dozen lessons in the academy on the avenue. It does not lie in the crook of the knee, or the angle of the spine. It does not lie in the make of the saddle or the multiplicity of snaffle reins, nor does it lie in the thirty-nine articles of my lady's riding-master. But it is embraced in the grasp of one law that may be stated in a line, and perhaps learned in a dozen years,—be a part of the horse.

The mastery of an art—be it what you like—does but consist in the comprehension of its basic law. The appreciation of this truth is indispensable. It cannot avail to ape the manner of the initiate. I have seen dapper youths booted and spurred, riding horses in the park, rising to the trot and holding the ball of the foot just so on the iron of the stirrup, and if the horse had bent his body they would have gone sprawling into the bramble bushes. Yet these youngsters believed that they were riding like her Majesty's cavalry, the ogled gallants of every strolling lass.

I have seen begloved clubmen with an English accent worrying a good horse that they understood about as well as a problem in mechanics or any line of Horace. And I have seen my lady sitting a splendid mount, with the reins caught properly in her fingers and her back as straight as a whip-staff, and I would have wagered my life that every muscle in her little body was as rigid as a rock, and her knee as numb as the conscience of a therapeutist.

Look, if you please, at the mud-stained cavalryman who has lived his days and his nights in the saddle; or the cattle drover who has never had any home but this pigskin seat, and mark you what a part of the horse he is. Hark back to these models when you are listening to the vapourings of a riding-master lately expatriated from the stables of Sir Henry. To ride well is to recreate the fabulous centaur of Thessaly.

We raced over the mile of sand road in fewer minutes than it takes to write it down here. There was another factor, new come into the problem, and we meant to follow it close. Expedition has not been too highly sung. An esoteric novelist hath it that a pigmy is as good as a giant if he arrive in time.

At the end of this mile, below Horton's Ferry, the road forks, and there stands a white signboard with its arms crossed, proclaiming the ways to the travelling stranger. The cattle Ward had bought were in two droves. Four hundred were on the lands of Nicholas Marsh, perhaps three miles farther down the Valley River, and the remaining two hundred a mile or two south of the crossroads at David Westfall's.

Ump swung his horse around in the road at the forks. "Boys," he said, "we'll have to divide up. I'll go over to old Westfall's, an' you bring up the other cattle. I'll make King David help to the forks."

"What about Twiggs?" said I.

"To hell with Twiggs," said he. "If he gits in your way, throat him." Then he clucked to the Bay Eagle and rode over the hill, his humped back rising and falling with the gallop of the mare.

We slapped the reins on our horses' necks and passed on to the north, the horses nose to nose, and my stirrup leather brushing the giant's knee at every jump of El Mahdi. The huge Cardinal galloped in the moonlight like some splendid machine of bronze, never a misstep, never a false estimate, never the difference of a finger's length in the long, even jumps. It might have been the one-eyed Agib riding his mighty horse of brass, except that no son of a decadent Sultan ever carried the bulk of Orange Jud. And the eccentric El Mahdi! There was no cause for fault-finding on this night. He galloped low and easily, gathering his grey legs as gracefully as his splendid, nervous mother. I watched his mane fluttering in the stiff breeze, his slim ears thrust forward, the moon shining on his steel-blue hide. For once he seemed in sympathy with what I was about. Seemed, I write it, for it must have been a mistaken fancy. This splendid, indifferent rascal shared the sensations of no living man. Long and long ago he had sounded life and found it hollow. Still, as if he were a woman, I loved him for this accursed indifference. Was it because his emotions were so hopelessly inaccessible, or because he saw through the illusion we were chasing; or because—because—who knows what it was? We have no litmus-paper test for the charm of genius.

Under us the dry leaves crackled like twigs snapping in a fire, and the flying sand cut the bushes along the roadway like a storm of whizzing hailstones. In the wide water of the Valley River the moon flitted, and we led her a lively race. When I was little I had a theory about this moon. The old folks were all wrong about its uses. Lighting the night was a piece of incidental business. It was there primarily as a door into and out of the world. Through it we came, carried down from the hill-tops on the backs of the crooked men and handed over to the old black mammy who unwrapped us trembling by the firelight. Then we squalled lustily, and they said "A child is born."

When a man died, as we have a way of saying, he did but go back with these same crooked men through the golden door of the world. Had I not seen the moon standing with its rim on the eastern ridge of the Seely Hill when they found old Jerry Lance lying stone-dead in his house? And had I not predicted with an air of mysterious knowledge that Jourdan would recover when Red Mike threw him? The sky was moonless and he could not get out if he wished.

Besides there was a lot of mystery about this getting into the world. Often when I was little, I had questioned the elders closely about it, and their replies were vague, clothed in subtle and bedizzened generalities. They did not know, that was clear, and since they were so abominably evasive I was resolved to keep the truth locked in my own bosom and let them find out about it the best way they could. Once, in a burst of confidence I broached the subject to old Liza and explained my theory. She listened with a grave face and said that I had doubtless discovered the real truth of the matter, and I ought to explain it to a waiting world. But I took a different view, swore her to secrecy, and rode away on a peeled gum-stick horse named Alhambra, the Son of the Wind.

While the horses ran, I speculated on the possible mission of Twiggs, but I could find no light, except that, of course, it augured no good to us. I think Jud was turning the same problem, for once in a while I could hear him curse, and the name of Twiggs flitted among the anathemas. We had hoped for a truce of trouble until we came up to Woodford beyond the Valley River. But here was a minion of Cynthia riding the country like Paul Revere. My mind ran back to the saucy miss on the ridge of Thornberg's Hill, and her enigmatic advice, blurted out in a moment of pique. This Twiggs was colder baggage. But, Lord love me! how they both ran their horses!

Three miles soon slip under a horse's foot, and almost before we knew it we were travelling up to Nicholas Marsh's gate. Jud lifted the wooden latch and we rode down to the house. Ward said that Nicholas Marsh was the straightest man in all the cattle business, scrupulously clean in every detail of his trades. Many a year Ward bought his cattle without looking at a bullock of them. If Marsh said "Good tops and middlin' tails," the good ones of his drove were always first class and the bad ones rather above the ordinary. The name of Marsh was good in the Hills, and his word was good. I doubt me if a man can leave behind him a better fame than that.

The big house sat on a little knoll among the maples, overlooking the Valley River. The house was of grey stone, built by his father, and stood surrounded by a porch, swept by the maple branches and littered with saddles, saddle blankets, long rope halters, bridles, salt sacks, heavy leather hobbles, and all the work-a-day gear of a cattle grazier.

There was a certain air of strangeness in the way we were met at Nicholas Marsh's house. I do not mean inhospitality, rather the reverse, with a tinge of embarrassment, as of one entertaining the awkward guest. We were evidently expected, and a steaming supper was laid for us. Yet, when I sat at the table and Jud with his plate by the smouldering fire, we were not entirely easy. Marsh walked through the room, backward and forward, with his hands behind him, and a great lock of his iron-grey hair throwing shadows across his face. Now and then he put some query about the grass, or my brother's injury, or the condition of the road, and then turned about on his heel. His fine open face wore traces of annoyance. It was plain that there had been here some business not very pleasing to this honourable man. When I told him we had come for the cattle, the muscles of his jaw seemed to tighten. He stopped and looked me squarely in the face.

"Well, Quiller," he said, with what seemed to me to be unnecessary firmness, "I shall let you have them."

I heard Jud turn sharply in his chair.

"Let me have them? Is there any trouble about it?"

The man was clearly embarrassed. He bit his lip and twisted his neck around in his collar. "No," he said, hesitating in his speech, "there isn't any trouble. Still a man might demand the money at the scales. He would have a right to do that."

My pulse jumped. So this was one of their plans, those devils. And we had never a one of us dreamed of it. If the money were demanded at the scales it would mean delay, and delay meant that Woodford would win.

So this was Twiggs's part in the ugly work. No wonder he ran his horse. Trust a woman for jamming through the devil's business. Nothing but the good fibre of this honourable man had saved us. But Westfall! He was lighter stuff. How about Westfall?

I looked up sharply into the troubled face of the honest man.

"How about the other cattle," I faltered; "shall we get them?"

"Who went for them?" he asked.

"Ump," I replied; "he left us at the crossroads."

The man took his watch out of his pocket and studied for a moment. "Yes," he said, "you will get them."

It was put like some confident opinion based upon the arrival of an event.

"Mister Marsh," I said, "are you afraid of Ward? Isn't he good for the money?"

"Don't worry about that, my boy," he answered, taking up the candlestick, "I have said that you shall have the cattle, and you shall have them. Let me see about a bed for you."

Then he went out, closing the door after him.

I turned to Jud, and he pointed his finger to a letter lying on the mantelpiece. I arose and picked it up. It bore Cynthia's seal and was open.

Let us forgive little Miss Pandora. Old Jupiter ought to have known better. And the dimpled wife of Bluebeard! That forbidden door was so tremendously alluring!

I think I should have pulled the letter out of its envelope had I not feared that this man would return and find it in my fingers. I showed the seal to Jud and replaced it on the mantelpiece.

He slapped his leg. "Twiggs brought that," he said, "an' he's gone on to Westfall's. What does it say?"

"I didn't read it," I answered.

The man heaved his shoulders up almost to his ears. "Quiller," he said, "you can't root, if you have a silk nose."

I think I should have fallen, but at this moment Nicholas Marsh came back with his candle, and said we ought to sleep if we wished an early start in the morning. I followed him up the bare stairway to my room on the north side of the house. He placed the candlestick on the table, promised to call me early, then bade me good-night and went away.

I watched his broad back disappear in the shadow of the hall. Then I closed the door and latched it. Rigid honesty has its disadvantages. Here was a man almost persuaded to insist upon a right that was valid but unusual, and deeply worried because he had almost yielded to the urging. It takes good men to see the fine shades of such a thing.

There was a broad window in this room, with the bare limbs of the maples brushing against its casement. I looked out before I went to bed. Beyond the Valley River, great smoky shadows cloaked the hills, gilded along their borders by the rising moon; hills that sat muffled in the foldings of their robes, waiting for the end,—waiting for man to play out the game and quit, and the Great Manager to pull down his scenery.

I blew out the candle, and presently slept as one sleeps when he is young. Sometime in the night I sat bolt upright in the good bed to listen. I had heard,—or was I dreaming,—floating up from some far distance, the last faint echo of that voice of Parson Peppers.

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