PROPOSED MEMORIAL TO DRUMMOND OF HAWTHORNDEN.[4]
It is two centuries and a half since Drummond of Hawthornden died; but he is still one of the most interesting figures in Scottish history. “A genius the most polite and verdant that ever the Scottish nation produced” was the character given of him in 1656 by Milton’s nephew and pupil, Edward Phillips, in the preface to a collective edition of Drummond’s poems brought out in London that year under Phillips’s editorial care. Very possibly the words are Milton’s own; for Phillips derived his notions of poetry from Milton, and there is other evidence of Milton’s familiarity with the poetry of Drummond. At all events the words are singularly exact for their purpose. They imply, it is true, an imperfect recollection, if not a total ignorance, of the previous wealth of Scottish poetry, represented in such predecessors of Drummond as Barbour, James I., Henryson, Dunbar, Gavin Douglas, and Sir David Lindsay; but, even had Phillips’s recollection of these been clearer and stronger than it was, his selection of the words “polite” and “verdant” as descriptive of those characteristics of Drummond’s genius which were surest to strike Englishmen would not have been so much amiss, while for the range of Scottish time actually within Phillips’s retrospect at the moment the wording of the eulogy was perfect.
The famous series of the older Scottish poets had come to an end on the death of Lindsay just before the Reformation; and from that time it seemed as if the Literary Muses had all but vanished from Scotland, dispossessed and superseded by quite another order of Muses, if that name can be stretched so as anyhow to include them,—the rougher and angrier Muses of vexed national questions, and especially of the Kirk Controversy. Call them Muses or what else you will, they were very momentous powers, and he is but a feeble Scot who will speak of them with contumely, or will ignore the great effects for Scotland and for all Britain that came out of their turmoil. Not the less it is depressing to Scottish patriotism nowadays to remember how long the turmoil lasted, how all-engrossing it was, and how much of native faculty and aspiration of the finer, deeper, and quieter sorts it must have stifled and extinguished. For the first twenty years after the Reformation there is the compensation, indeed, of the oratory and pre-eminent prose energy of Knox, and of the great literary fame and exquisite Latinity of Buchanan; but from the year 1580 onwards till 1725, or thereabouts, what a long tract of sterility in the literary annals of Scotland! Through that century and a half England prodigiously surpassed her former self, first astonishing the world by the outburst of her Elizabethan splendours, and then continuing the astonishment by the rich and varied literary activity of three succeeding ages, the latest of which was that of the Queen Anne wits. Scotland, on the other hand, had sunk incredibly below the promise ofherformer self. The Scottish pre-Reformation poets had been comparable, or more than comparable, with the very best of their English coevals, Chaucer alone deducted;but, when the literary historian, leaving the crowded series of lustrous names, from those of Spenser, Bacon, and Shakespeare at one end, to those of Dryden and Pope at the other, which represent the literature of South Britain between 1580 and 1725, seeks in North Britain for equivalents, what does he find? No equivalents in the highest degree; but, at the utmost, if he mixes any strictness of conscience with his kindliness, only such an exception here and there to the general sterility that, if it is of the racy vernacular sort, it can be noted apart with pleasure on that account, or, if it is cognate with anything in the English series, it can be moved along that series till the proper interstice is found into which it can be fitted.
One indubitable exception, the exception in chief, was Drummond of Hawthornden. Born amid a people almost wholly absorbed in their Kirk controversy, it had somehow happened that here was one Scot whose ideal of life differed from the common. Of a meditative and philosophical temperament from his boyhood, a lover of books, art, and music, and with his tastes in such matters educated by foreign travel and by a familiarity with the recent English Elizabethan literature which must have been then excessively rare in North Britain, he had no sooner become Laird of Hawthornden by his father’s death in 1610 than, abjuring all other occupations, he schemed out for himself that life of studious leisure which suited him best, and for which there could not, in all Scotland, have been a more beautiful home than the leafy dell of his lairdship and habitation:—
“Dear wood, and you, sweet solitary place,Where from the vulgar I estranged live.”
“Dear wood, and you, sweet solitary place,Where from the vulgar I estranged live.”
“Dear wood, and you, sweet solitary place,Where from the vulgar I estranged live.”
“Dear wood, and you, sweet solitary place,
Where from the vulgar I estranged live.”
Here, accordingly, it was that, between 1610, when hewas in his twenty-fifth year, and 1625, when he was in his fortieth, he wrote at intervals, and uniformly in that southern English which he foresaw was thenceforward to be the general literary tongue of the British Islands, most of the poems by which he is now remembered. The quantity altogether was not large, and the pieces were all short individually; but the quality was genuine. No such poetry of artist-like delight in beauty of scenery, the soft and luscious in colour, form, language, and sound, pervaded at the same time by such a fine and high vein of pensive reflectiveness, had appeared in Scotland for many a day. This was at once recognised among his own countrymen; but the poems, or the rumour of them, went beyond Scotland. Before the close of the reign of the Scottish King James in England, Drummond was certainly the one man living in Scotland who was thought of by the London men of letters round the Court of that King as belonging, by right of real merit, to the poetic brotherhood of the reign. A London Scot or two, it is true, having the advantages of proximity and of Court connection, did divide with Drummond the applauses of the London circle of critics for Scottish merit in English verse-making; but, if the vote had been seriously taken, it was to Drummond that the competent judges would have sent the laurel. Hence, indeed, some of the most memorable incidents in Drummond’s biography. Hence it was that the Elizabethan veteran Michael Drayton entered into such loving correspondence with him, addressing him “my dear, noble Drummond”; hence it was that, when any eminent Londoner chanced to make a tour in Scotland, he was sure to seek an introduction to Drummond; and hence thatimmortal visit of the great Ben Jonson himself, when he was Drummond’s guest in Hawthornden for a whole week in the winter of 1618–9, entertained Drummond with all the gossip of London for thirty years back, stunned him with loud talk about everything, and drank an immensity of his wine. Phillips’s encomium of 1656, when Drummond had been seven years dead, only expressed, one can see, an opinion already formed while Drummond was still alive, and in the prime of his manhood.
The encomium included, or ought to have included, more than Drummond’s performances in verse. His fine and verdant genius is no less discernible in his prose writings. His little essay entitled “A Cypress Grove” is a piece of prose so superlatively excellent that one wonders how it should be so little known,—why, in fact, it should not have had a prominent place in all professed collections of the flowers of English seventeenth-century prose. For high-toned philosophic thoughtfulness, ingenuity of artistic phantasy, musical beauty of style, and perfection of literary taste and finish, there is nothing superior, of the same length, if anything quite equal, in all Sir Thomas Browne, or in all Jeremy Taylor. That essay was published in 1623, as an adjunct to one of his volumes of poems; and, though there is a good deal of other and later prose from Drummond, it is mainly of a character less readable now, and less acceptable in some quarters where it may still receive attention. For thequæstiones vexatædid at last coil themselves round Drummond, and in his later years, in his own despite, he had to become a polemical politician. King James had been succeeded by King Charles; on the 23d of July 1637 Jenny Geddes hurled her stool in St. Giles’s; andScotland then passed into that trebly troubled period of her always troubled history which, commencing with her own defiance to Charles and Laud in her National Scottish Covenant, and proceeding thence to her alliance with the English Parliamentarians in the Solemn League and Covenant, includes Montrose’s brief year of Royalist outblaze and anti-Covenanting triumph, and all the rest of the chequered sequel till the English Republicans brought Charles to the block. No Scot through that long agony was permitted to be neutral; if any one had tried, he would have been torn from his retirement, and obliged to declare himself. Drummond did declare himself, and it was on what was then, and still is, among his countrymen, the unpopular side. In a series of prose tracts, circulated surreptitiously, some of them of the nature of satirical squibs, he advocated views of Scottish politics which were very much those of Montrose and the Hamiltons. Even where this may be remembered, in a general way, to his discredit now, there is much, however, in the tracts themselves to arrest the unfavourable judgment and turn it into respect. Their literary ability and clever wit may count for little with those who resent their purport; but there are passages of high-minded and eloquent earnestness that must startle any reader in such a context. While inculcating upon his countrymen an effete and impracticable political philosophy of passive obedience, and while indicating a preference on Drummond’s own part for something of that florid Anglican ecclesiasticism against which his countrymen were fighting, he flings out to the right and to the left remonstrances much needed on both sides, and especially a doctrine of religious toleration far beyond the apprehension ofeither, or of the time generally. Laud he virtually shoves aside as an interloper; and, on the whole, the substance of the tracts, in one of the two directions to which they were addressed, is like a message to Charles that he had been unfortunately wrong in his Scottish policy from the first, inasmuch as Scotland always had been Scotland, was Scotland still, and could not be drilled by any mortal force against her own will into anything else. Here, in fact, Drummond reveals his very heart. A disciple though he was of the English Elizabethans in literature, deploring the low condition of Scottish literature in comparison, and practising in his own writings the accepted book-English of the south, he was yet thoroughly a Scot by his strongest personal and private affections. No Scot of his generation more fond of the antiquities and legends of his country, or more learned in that kind of lore; his chief pastime all through his life was in researches into Scottish records and family genealogies back to Malcolm Canmore and beyond; and his special recreation amid the troublesome party-pamphleteering of his later years was the composition of hisHistory of the Five Jameses. This was not published till some years after his death, and, though of some interest as a specimen of the silvering effect of his ornate English upon very savage matters, is the poorest of all his writings in respect of real worth. But what of that other relic of Drummond, if it be really his, which did not come to light till thirty years after his decease, and then in the surprising form of a piece of broad Fifeshire farce in dog-Latin hexameters, entitledPolemo-Middinia inter Vitarvam et Nebernam,—i.e.“The Midden-Fecht between Tarvet and Newbarns”? If that reallyisDrummond’s (which ispossible, or even probable, though not absolutely certain), it is one excellent feather more in his cap. It would be proof positive that the stately and pensive Laird of Hawthornden was a typical Scot also, no less than Dunbar and Lindsay before him, or Burns after him, in the Scottish faculty of uproarious fun, and could give and take, when he chose, with any Newhaven fishwife, or any Gilmerton carter, in their own roughest vocabulary.
The tradition of Drummond has come down pretty vividly from his own time to the present. This, however, is perhaps less due to continued acquaintance with his writings than to certain aiding circumstances. Few names of literary celebrity, as Charles Lamb used to remark, are so delightful to pronounce as “Drummond of Hawthornden”; and in England, so far as Drummond has been kept in mind at all, it seems to have been chiefly by this conserving efficacy of his gracefully-sounding name. In Scotland, and especially in the vicinity of Edinburgh, the aids in recollecting him have been of a stronger kind:—
“Who knows not Melville’s beechy grove,And Roslin’s rocky glen,Dalkeith, which all the virtues love,And classic Hawthornden?”
“Who knows not Melville’s beechy grove,And Roslin’s rocky glen,Dalkeith, which all the virtues love,And classic Hawthornden?”
“Who knows not Melville’s beechy grove,And Roslin’s rocky glen,Dalkeith, which all the virtues love,And classic Hawthornden?”
“Who knows not Melville’s beechy grove,
And Roslin’s rocky glen,
Dalkeith, which all the virtues love,
And classic Hawthornden?”
When Scott wrote these lines, ninety-one years ago, the reputation of the valley of the Esk for scenic beauty and picturesqueness, and the fashion of holiday peregrinations to it, on that account and on account of the attractions of its historical associations, by the citizens of Edinburgh or by tourists visiting Edinburgh, had already been fully formed. The reputation and the fashion have been kept up ever since, and Drummond’s memory has had the benefit. Whateverthe other attractions of the valley of the Esk and its neighbourhood, the twin pre-eminence among them has belonged to Roslin and Hawthornden; and hence it has happened that hundreds and thousands who had never read a line of Drummond’s, and knew but vaguely in what century he lived, have looked admiringly at the cliff-socketed and quaintly gabled and turreted edifice, partly built by himself and partly of more ruinous antiquity, where he had his dwelling, have walked round it in the grounds where he once walked, have descended as he used to descend into the leafy dell of the river beneath, and so have taken into their minds some image of the man by the memory of whom the place has been consecrated.
Hawthornden is in the parish of Lasswade; and it is in the churchyard of Lasswade, two miles from the Hawthornden mansion, that one sees the bit of old masonry, called the Drummond Aisle, and once a portion of the church itself, within which is Drummond’s grave. Did he foresee that this would be his resting-place, or was he only writing metaphorically, when he penned the lines, now perhaps the most frequently quoted piece of his verse, giving instructions for his epitaph? His most intimate friend and correspondent through his life was Sir William Alexander of Menstrie, eventually Earl of Stirling and Secretary of State for Scotland,—one of those London Scots above mentioned who divided for a while with Drummond in London literary circles the palm of the primacy in Scoto-British poetry. There was no jealousy between them on that account; on the contrary, Alexander, as a man of high Court influence, regarded himself as standing in a relation of patronage to Drummond, while Drummond, acknowledging this relation, and proud of it, looked upto Alexander and admired him hugely. Their friendship, nevertheless, was as close and affectionate as ever bound two men together, and in their letters to each other they always, to signify this, called themselves, in the fashion of the pastoralists, Alexis and Damon. Well, it was in the year 1621, or thereabouts, that Drummond, then only about thirty-five years of age, but hardly recovered from a severe illness which had brought him to the doors of death and left him in a mood of melancholy depression, sent a sonnet to Alexander, containing these lines:—
“Amidst thy sacred cares and courtly toils,Alexis, when thou shalt hear wandering fameTell death hath triumphed o’er my mortal spoils,And that on earth I am but a sad name,If thou e’er held me dear, by all our love,By all that bliss, those joys, Heaven here us gave,I conjure thee, and by the Maids of Jove,To carve this short remembrance on my grave:—‘Here Damon lies, whose songs did sometime graceThe murmuring Esk: may roses shade the place!’”
“Amidst thy sacred cares and courtly toils,Alexis, when thou shalt hear wandering fameTell death hath triumphed o’er my mortal spoils,And that on earth I am but a sad name,If thou e’er held me dear, by all our love,By all that bliss, those joys, Heaven here us gave,I conjure thee, and by the Maids of Jove,To carve this short remembrance on my grave:—‘Here Damon lies, whose songs did sometime graceThe murmuring Esk: may roses shade the place!’”
“Amidst thy sacred cares and courtly toils,Alexis, when thou shalt hear wandering fameTell death hath triumphed o’er my mortal spoils,And that on earth I am but a sad name,If thou e’er held me dear, by all our love,By all that bliss, those joys, Heaven here us gave,I conjure thee, and by the Maids of Jove,To carve this short remembrance on my grave:—‘Here Damon lies, whose songs did sometime graceThe murmuring Esk: may roses shade the place!’”
“Amidst thy sacred cares and courtly toils,
Alexis, when thou shalt hear wandering fame
Tell death hath triumphed o’er my mortal spoils,
And that on earth I am but a sad name,
If thou e’er held me dear, by all our love,
By all that bliss, those joys, Heaven here us gave,
I conjure thee, and by the Maids of Jove,
To carve this short remembrance on my grave:—
‘Here Damon lies, whose songs did sometime grace
The murmuring Esk: may roses shade the place!’”
In the memorial to Drummond now proposed by the influential committee of which Lord Melville is chairman it is intended that this instruction shall be obeyed as faithfully as possible. The bushing of roses round the grave was but a wish, and a bushing of roses round the Drummond Aisle in Lasswade Churchyard is unfortunately not practicable in that situation. But there may be some decoration of the little aisle containing the grave; and on the wall, whether in the interior or outside, there may be a medallion of Drummond or other commemorative sculpture, with room for his own words of epitaph. That, most properly, is to be the first object, the primary object, of the committee that has been formed for the promotion of the memorial.Should the amount of the subscriptions, however, permit something more, the precise form of the addition may be matter for consideration. Should there be a bust or other piece of monumental sculpture besides that which is to decorate the sepulchre at Lasswade, surely Edinburgh is the place for that supplement, and, within Edinburgh, perhaps St. Giles’s Cathedral. For was not Drummond one of the earliest alumni of Edinburgh University; was not his donation of books to the University, which is still kept apart in the University Library under the name of The Drummond Collection, a special testimony of his regard and affection for the University in its infancy, and for the whole city; all through the years of his residence at Hawthornden must not the seven miles of road between Hawthornden and Edinburgh have been his most familiar ride or walk; every other week must he not have been actually in Edinburgh for hours and days together, visiting his Edinburgh relatives and friends, seen in colloquy with some of them on the causey of the old High Street near St. Giles’s Church, and known to have his favourite lounge in that street in the shop of Andro Hart, bookseller and publisher, just opposite the Cross?
Although the increase among us of late of the practice of such commemorative tributes to eminent personages of the past has provoked cynical criticism in some quarters, it is really one of the creditable signs of our time. The more numerous the objects of interest to any nation in its own history, or in history generally, in times preceding the bustle of the present, the richer the mind of that nation, and the higher its capabilities. Even the range of time to which it will go back for worthy objects of interest must count forsomething in the reckoning. The recent is only the departing present, and has so left its residues in the present, whether of admirations or of animosities, that participation in testimonies of regard for public men remembered as having recently moved amidst us signifies little more with many than sensitiveness to the common duties of present social life, or sometimes even of present political partisanship. To be susceptible of the commemorative instinct with respect to objects and persons removed from ourselves by a generation or two, or a century or two, is a rarer thing, and implies a larger and finer endowment of historical knowledge and feeling.