ByJULIA WARD HOWE.
"A memoir of the woman who first in New England took a position of moral and intellectual leadership, by the woman who wrote the Battle Hymn of the Republic, is a literary event of no common or transient interest. The Famous Women Series will have no worthier subject and no more illustrious biographer. Nor will the reader be disappointed,—for the narrative is deeply interesting and full of inspiration."—Woman's Journal."Mrs. Julia Ward Howe's biography ofMargaret Fuller, in the Famous Women Series of Messrs. Roberts Brothers, is a work which has been looked for with curiosity. It will not disappoint expectation. She has made a brilliant and an interesting book. Her study of Margaret Fuller's character is thoroughly sympathetic; her relation of her life is done in a graphic and at times a fascinating manner. It is the case of one woman of strong individuality depicting the points which made another one of the most marked characters of her day. It is always agreeable to follow Mrs. Howe in this; for while we see marks of her own mind constantly, there is no inartistic protrusion of her personality. The book is always readable, and the relation of the death-scene is thrillingly impressive."—Saturday Gazette."Mrs. Julia Ward Howe has retold the story of Margaret Fuller's life and career in a very interesting manner. This remarkable woman was happy in having James Freeman Clarke, Ralph Waldo Emerson, and William Henry Channing, all of whom had been intimate with her and had felt the spell of her extraordinary personal influence, for her biographers. It is needless to say, of course, that nothing could be better than these reminiscences in their way."—New York World."The selection of Mrs. Howe as the writer of this biography was a happy thought on the part of the editor of the series; for, aside from the natural appreciation she would have for Margaret Fuller, comes her knowledge of all the influences that had their effect on Margaret Fuller's life. She tells the story of Margaret Fuller's interesting life from all sources and from her own knowledge, not hesitating to use plenty of quotations when she felt that others, or even Margaret Fuller herself, had done the work better."—Miss Gilder, in Philadelphia Press.
"A memoir of the woman who first in New England took a position of moral and intellectual leadership, by the woman who wrote the Battle Hymn of the Republic, is a literary event of no common or transient interest. The Famous Women Series will have no worthier subject and no more illustrious biographer. Nor will the reader be disappointed,—for the narrative is deeply interesting and full of inspiration."—Woman's Journal.
"Mrs. Julia Ward Howe's biography ofMargaret Fuller, in the Famous Women Series of Messrs. Roberts Brothers, is a work which has been looked for with curiosity. It will not disappoint expectation. She has made a brilliant and an interesting book. Her study of Margaret Fuller's character is thoroughly sympathetic; her relation of her life is done in a graphic and at times a fascinating manner. It is the case of one woman of strong individuality depicting the points which made another one of the most marked characters of her day. It is always agreeable to follow Mrs. Howe in this; for while we see marks of her own mind constantly, there is no inartistic protrusion of her personality. The book is always readable, and the relation of the death-scene is thrillingly impressive."—Saturday Gazette.
"Mrs. Julia Ward Howe has retold the story of Margaret Fuller's life and career in a very interesting manner. This remarkable woman was happy in having James Freeman Clarke, Ralph Waldo Emerson, and William Henry Channing, all of whom had been intimate with her and had felt the spell of her extraordinary personal influence, for her biographers. It is needless to say, of course, that nothing could be better than these reminiscences in their way."—New York World.
"The selection of Mrs. Howe as the writer of this biography was a happy thought on the part of the editor of the series; for, aside from the natural appreciation she would have for Margaret Fuller, comes her knowledge of all the influences that had their effect on Margaret Fuller's life. She tells the story of Margaret Fuller's interesting life from all sources and from her own knowledge, not hesitating to use plenty of quotations when she felt that others, or even Margaret Fuller herself, had done the work better."—Miss Gilder, in Philadelphia Press.
ByHELEN ZIMMERN.
"This little volume shows good literary workmanship. It does not weary the reader with vague theories; nor does it give over much expression to the enthusiasm—not to say baseless encomium—for which too many female biographers have accustomed us to look. It is a simple and discriminative sketch of one of the most clever and lovable of the class at whom Carlyle sneered as 'scribbling women.'... Of Maria Edgeworth, the woman, one cannot easily say too much in praise. That home life, so loving, so wise, and so helpful, was beautiful to its end. Miss Zimmern has treated it with delicate appreciation. Her book is refined in conception and tasteful in execution,—all, in short, the cynic might say, that we expect a woman's book to be."—New York Tribune."It was high time that we should possess an adequate biography of this ornament and general benefactor of her time. And so we hail with uncommon pleasure the volume just published in the Roberts Brothers' series of Famous Women, of which it is the sixth. We have only words of praise for the manner in which Miss Zimmern has written her life of Maria Edgeworth. It exhibits sound judgment, critical analysis, and clear characterization.... The style of the volume is pure, limpid, and strong, as we might expect from a well-trained English writer."—Margaret J. Preston, in the Home Journal."We can heartily recommend this life of Maria Edgeworth, not only because it is singularly readable in itself, but because it makes familiar to readers of the present age a notable figure in English literary history, with whose lineaments we suspect most readers, especially of the present generation, are less familiar than they ought to be."—Eclectic."This biography contains several letters and papers by Miss Edgeworth that have not before been made public, notably some charming letters written during the latter part of her life to Dr. Holland and Mr. and Mrs. Ticknor. The author had access to a life of Miss Edgeworth written by her step-mother, as well as to a large collection of her private letters, and has therefore been able to bring forward many facts in her life which have not been noted by other writers. The book is written in a pleasant vein, and is altogether a delightful one to read."—Utica Herald.
"This little volume shows good literary workmanship. It does not weary the reader with vague theories; nor does it give over much expression to the enthusiasm—not to say baseless encomium—for which too many female biographers have accustomed us to look. It is a simple and discriminative sketch of one of the most clever and lovable of the class at whom Carlyle sneered as 'scribbling women.'... Of Maria Edgeworth, the woman, one cannot easily say too much in praise. That home life, so loving, so wise, and so helpful, was beautiful to its end. Miss Zimmern has treated it with delicate appreciation. Her book is refined in conception and tasteful in execution,—all, in short, the cynic might say, that we expect a woman's book to be."—New York Tribune.
"It was high time that we should possess an adequate biography of this ornament and general benefactor of her time. And so we hail with uncommon pleasure the volume just published in the Roberts Brothers' series of Famous Women, of which it is the sixth. We have only words of praise for the manner in which Miss Zimmern has written her life of Maria Edgeworth. It exhibits sound judgment, critical analysis, and clear characterization.... The style of the volume is pure, limpid, and strong, as we might expect from a well-trained English writer."—Margaret J. Preston, in the Home Journal.
"We can heartily recommend this life of Maria Edgeworth, not only because it is singularly readable in itself, but because it makes familiar to readers of the present age a notable figure in English literary history, with whose lineaments we suspect most readers, especially of the present generation, are less familiar than they ought to be."—Eclectic.
"This biography contains several letters and papers by Miss Edgeworth that have not before been made public, notably some charming letters written during the latter part of her life to Dr. Holland and Mr. and Mrs. Ticknor. The author had access to a life of Miss Edgeworth written by her step-mother, as well as to a large collection of her private letters, and has therefore been able to bring forward many facts in her life which have not been noted by other writers. The book is written in a pleasant vein, and is altogether a delightful one to read."—Utica Herald.
ByBERTHA THOMAS.
One volume. 16mo. Cloth. Price, $1.00
"Miss Thomas has accomplished a difficult task with as much good sense as good feeling. She presents the main facts of George Sand's life, extenuating nothing, and setting naught down in malice, but wisely leaving her readers to form their own conclusions. Everybody knows that it was not such a life as the women of England and America are accustomed to live, and as the worst of men are glad to have them live.... Whatever may be said against it, its result on George Sand was not what it would have been upon an English or American woman of genius."—New York Mail and Express."This is a volume of the 'Famous Women Series,' which was begun so well with George Eliot and Emily Brontë. The book is a review and critical analysis of George Sand's life and work, by no means a detailed biography. Amantine Lucile Aurore Dupin, the maiden, or Mme. Dudevant, the married woman, is forgotten in the renown of the pseudonym George Sand."Altogether, George Sand, with all her excesses and defects, is a representative woman, one of the names of the nineteenth century. She was great among the greatest, the friend and compeer of the finest intellects, and Miss Thomas's essay will be a useful and agreeable introduction to a more extended study of her life and works."—Knickerbocker."The biography of this famous woman, by Miss Thomas, is the only one in existence. Those who have awaited it with pleasurable anticipation, but with some trepidation as to the treatment of the erratic side of her character, cannot fail to be pleased with the skill by which it is done. It is the best production on George Sand that has yet been published. The author modestly refers to it as a sketch, which it undoubtedly is, but a sketch that gives a just and discriminating analysis of George Sand's life, tastes, occupations, and of the motives and impulses which prompted her unconventional actions, that were misunderstood by a narrow public. The difficulties encountered by the writer in describing this remarkable character are shown in the first line of the opening chapter, which says, 'In naming George Sand we name something more exceptional than even a great genius.' That tells the whole story. Misconstruction, condemnation, and isolation are the penalties enforced upon the great leaders in the realm of advanced thought, by the bigoted people of their time. The thinkers soar beyond the common herd, whose soul-wings are not strong enough to fly aloft to clearer atmospheres, and consequently they censure or ridicule what they are powerless to reach. George Sand, even to a greater extent than her contemporary, George Eliot, was a victim to ignorant social prejudices, but even the conservative world was forced to recognize the matchless genius of these two extraordinary women, each widely different in her character and method of thought and writing.... She has told much that is good which has been untold, and just what will interest the reader, and no more, in the same easy, entertaining style that characterizes all of these unpretentious biographies."—Hartford Times.
"Miss Thomas has accomplished a difficult task with as much good sense as good feeling. She presents the main facts of George Sand's life, extenuating nothing, and setting naught down in malice, but wisely leaving her readers to form their own conclusions. Everybody knows that it was not such a life as the women of England and America are accustomed to live, and as the worst of men are glad to have them live.... Whatever may be said against it, its result on George Sand was not what it would have been upon an English or American woman of genius."—New York Mail and Express.
"This is a volume of the 'Famous Women Series,' which was begun so well with George Eliot and Emily Brontë. The book is a review and critical analysis of George Sand's life and work, by no means a detailed biography. Amantine Lucile Aurore Dupin, the maiden, or Mme. Dudevant, the married woman, is forgotten in the renown of the pseudonym George Sand.
"Altogether, George Sand, with all her excesses and defects, is a representative woman, one of the names of the nineteenth century. She was great among the greatest, the friend and compeer of the finest intellects, and Miss Thomas's essay will be a useful and agreeable introduction to a more extended study of her life and works."—Knickerbocker.
"The biography of this famous woman, by Miss Thomas, is the only one in existence. Those who have awaited it with pleasurable anticipation, but with some trepidation as to the treatment of the erratic side of her character, cannot fail to be pleased with the skill by which it is done. It is the best production on George Sand that has yet been published. The author modestly refers to it as a sketch, which it undoubtedly is, but a sketch that gives a just and discriminating analysis of George Sand's life, tastes, occupations, and of the motives and impulses which prompted her unconventional actions, that were misunderstood by a narrow public. The difficulties encountered by the writer in describing this remarkable character are shown in the first line of the opening chapter, which says, 'In naming George Sand we name something more exceptional than even a great genius.' That tells the whole story. Misconstruction, condemnation, and isolation are the penalties enforced upon the great leaders in the realm of advanced thought, by the bigoted people of their time. The thinkers soar beyond the common herd, whose soul-wings are not strong enough to fly aloft to clearer atmospheres, and consequently they censure or ridicule what they are powerless to reach. George Sand, even to a greater extent than her contemporary, George Eliot, was a victim to ignorant social prejudices, but even the conservative world was forced to recognize the matchless genius of these two extraordinary women, each widely different in her character and method of thought and writing.... She has told much that is good which has been untold, and just what will interest the reader, and no more, in the same easy, entertaining style that characterizes all of these unpretentious biographies."—Hartford Times.
ByMATHILDE BLIND.
One vol. 16mo. Cloth. Price, $1.00.
"Messrs. Roberts Brothers begin a series of Biographies of Famous Women with a life of George Eliot, by Mathilde Blind. The idea of the series is an excellent one, and the reputation of its publishers is a guarantee for its adequate execution. This book contains about three hundred pages in open type, and not only collects and condenses the main facts that are known in regard to the history of George Eliot, but supplies other material from personal research. It is agreeably written, and with a good idea of proportion in a memoir of its size. The critical study of its subject's works, which is made in the order of their appearance, is particularly well done. In fact, good taste and good judgment pervade the memoir throughout."—Saturday Evening Gazette."Miss Blind's little book is written with admirable good taste and judgment, and with notable self-restraint. It does not weary the reader with critical discursiveness, nor with attempts to search out high-flown meanings and recondite oracles in the plain 'yea' and 'nay' of life. It is a graceful and unpretentious little biography, and tells all that need be told concerning one of the greatest writers of the time. It is a deeply interesting if not fascinating woman whom Miss Blind presents," says the New YorkTribune."Miss Blind's little biographical study of George Eliot is written with sympathy and good taste, and is very welcome. It gives us a graphic if not elaborate sketch of the personality and development of the great novelist, is particularly full and authentic concerning her earlier years, tells enough of the leading motives in her work to give the general reader a lucid idea of the true drift and purpose of her art, and analyzes carefully her various writings, with no attempt at profound criticism or fine writing, but with appreciation, insight, and a clear grasp of those underlying psychological principles which are so closely interwoven in every production that came from her pen."—Traveller."The lives of few great writers have attracted more curiosity and speculation than that of George Eliot. Had she only lived earlier in the century she might easily have become the centre of a mythos. As it is, many of the anecdotes commonly repeated about her are made up largely of fable. It is, therefore, well, before it is too late, to reduce the true story of her career to the lowest terms, and this service has been well done by the author of the present volume."—Philadelphia Press.
"Messrs. Roberts Brothers begin a series of Biographies of Famous Women with a life of George Eliot, by Mathilde Blind. The idea of the series is an excellent one, and the reputation of its publishers is a guarantee for its adequate execution. This book contains about three hundred pages in open type, and not only collects and condenses the main facts that are known in regard to the history of George Eliot, but supplies other material from personal research. It is agreeably written, and with a good idea of proportion in a memoir of its size. The critical study of its subject's works, which is made in the order of their appearance, is particularly well done. In fact, good taste and good judgment pervade the memoir throughout."—Saturday Evening Gazette.
"Miss Blind's little book is written with admirable good taste and judgment, and with notable self-restraint. It does not weary the reader with critical discursiveness, nor with attempts to search out high-flown meanings and recondite oracles in the plain 'yea' and 'nay' of life. It is a graceful and unpretentious little biography, and tells all that need be told concerning one of the greatest writers of the time. It is a deeply interesting if not fascinating woman whom Miss Blind presents," says the New YorkTribune.
"Miss Blind's little biographical study of George Eliot is written with sympathy and good taste, and is very welcome. It gives us a graphic if not elaborate sketch of the personality and development of the great novelist, is particularly full and authentic concerning her earlier years, tells enough of the leading motives in her work to give the general reader a lucid idea of the true drift and purpose of her art, and analyzes carefully her various writings, with no attempt at profound criticism or fine writing, but with appreciation, insight, and a clear grasp of those underlying psychological principles which are so closely interwoven in every production that came from her pen."—Traveller.
"The lives of few great writers have attracted more curiosity and speculation than that of George Eliot. Had she only lived earlier in the century she might easily have become the centre of a mythos. As it is, many of the anecdotes commonly repeated about her are made up largely of fable. It is, therefore, well, before it is too late, to reduce the true story of her career to the lowest terms, and this service has been well done by the author of the present volume."—Philadelphia Press.
ByANNE GILCHRIST.
One volume. 16mo. Cloth. Price, $1.00.
"The story of Mary Lamb has long been familiar to the readers of Elia, but never in its entirety as in the monograph which Mrs. Anne Gilchrist has just contributed to the Famous Women Series. Darkly hinted at by Talfourd in his Final Memorials of Charles Lamb, it became better known as the years went on and that imperfect work was followed by fuller and franker biographies,—became so well known, in fact, that no one could recall the memory of Lamb without recalling at the same time the memory of his sister."—New York Mail and Express."A biography of Mary Lamb must inevitably be also, almost more, a biography of Charles Lamb, so completely was the life of the sister encompassed by that of her brother; and it must be allowed that Mrs. Anne Gilchrist has performed a difficult biographical task with taste and ability.... The reader is at least likely to lay down the book with the feeling that if Mary Lamb is not famous she certainly deserves to be, and that a debt of gratitude is due Mrs. Gilchrist for this well-considered record of her life."—Boston Courier."Mary Lamb, who was the embodiment of everything that is tenderest in woman, combined with this a heroism which bore her on for a while through the terrors of insanity. Think of a highly intellectual woman struggling year after year with madness, triumphant over it for a season, and then at last succumbing to it. The saddest lines that ever were written are those descriptive of this brother and sister just before Mary, on some return of insanity, was to leave Charles Lamb. 'On one occasion Mr. Charles Lloyd met them slowly pacing together a little foot-path in Hoxton Fields, both weeping bitterly, and found, on joining them, that they were taking their solemn way to the accustomed asylum.' What pathos is there not here?"—New York Times."This life was worth writing, for all records of weakness conquered, of pain patiently borne, of success won from difficulty, of cheerfulness in sorrow and affliction, make the world better. Mrs. Gilchrist's biography is unaffected and simple. She has told the sweet and melancholy story with judicious sympathy, showing always the light shining through darkness."—Philadelphia Press.
"The story of Mary Lamb has long been familiar to the readers of Elia, but never in its entirety as in the monograph which Mrs. Anne Gilchrist has just contributed to the Famous Women Series. Darkly hinted at by Talfourd in his Final Memorials of Charles Lamb, it became better known as the years went on and that imperfect work was followed by fuller and franker biographies,—became so well known, in fact, that no one could recall the memory of Lamb without recalling at the same time the memory of his sister."—New York Mail and Express.
"A biography of Mary Lamb must inevitably be also, almost more, a biography of Charles Lamb, so completely was the life of the sister encompassed by that of her brother; and it must be allowed that Mrs. Anne Gilchrist has performed a difficult biographical task with taste and ability.... The reader is at least likely to lay down the book with the feeling that if Mary Lamb is not famous she certainly deserves to be, and that a debt of gratitude is due Mrs. Gilchrist for this well-considered record of her life."—Boston Courier.
"Mary Lamb, who was the embodiment of everything that is tenderest in woman, combined with this a heroism which bore her on for a while through the terrors of insanity. Think of a highly intellectual woman struggling year after year with madness, triumphant over it for a season, and then at last succumbing to it. The saddest lines that ever were written are those descriptive of this brother and sister just before Mary, on some return of insanity, was to leave Charles Lamb. 'On one occasion Mr. Charles Lloyd met them slowly pacing together a little foot-path in Hoxton Fields, both weeping bitterly, and found, on joining them, that they were taking their solemn way to the accustomed asylum.' What pathos is there not here?"—New York Times.
"This life was worth writing, for all records of weakness conquered, of pain patiently borne, of success won from difficulty, of cheerfulness in sorrow and affliction, make the world better. Mrs. Gilchrist's biography is unaffected and simple. She has told the sweet and melancholy story with judicious sympathy, showing always the light shining through darkness."—Philadelphia Press.
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WOMAN IN THE NINETEENTH CENTURY, and kindred papers relating to the Sphere, Condition, and Duties of Woman. Edited by her brother,Arthur B. Fuller, with an Introduction byHorace Greeley. In 1 vol. 16mo. $1.50.
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MEMOIRS OF MARGARET FULLER OSSOLI. ByRalph Waldo Emerson,William Henry Channing, andJames Freeman Clarke. With Portrait and Appendix. 2 vols. 16mo. $3.00.
Margaret Fullerwill be remembered as one of the "Great Conversers," the "Prophet of the Woman Movement" in this country, and her Memoirs will be read with delight as among the tenderest specimens of biographical writing in our language. She was never an extremist. She considered woman neither man's rival nor his foe, but his complement. As she herself said, she believed that the development of one could not be affected without that of the other. Her words, so noble in tone, so moderate in spirit, so eloquent in utterance, should not be forgotten by her sisters. Horace Greeley, in his introduction to her "Woman in the Nineteenth Century," says: "She was one of the earliest, as well as ablest, among American women to demand for her sex equality before the law with her titular lord and master. Her writings on this subject have the force that springs from the ripening of profound reflection into assured conviction. It is due to her memory, as well as to the great and living cause of which she was so eminent and so fearless an advocate, that what she thought and said with regard to the position of her sex and its limitations should be fully and fairly placed before the public." No woman who wishes to understand the full scope of what is called the woman's movement should fail to read these pages, and see in them how one woman proved her right to a position in literature hitherto occupied by men, by filling it nobly.The Story of this rich, sad, striving, unsatisfied life, with its depths of emotion and its surface sparkling and glowing, is told tenderly and reverently by her biographers. Their praise is eulogy, and their words often seem extravagant; but they knew her well, they spoke as they felt. The character that could awaken such interest and love surely is a rare one.pointing handThe above are uniformly bound in cloth, and sold separately or in sets.
Margaret Fullerwill be remembered as one of the "Great Conversers," the "Prophet of the Woman Movement" in this country, and her Memoirs will be read with delight as among the tenderest specimens of biographical writing in our language. She was never an extremist. She considered woman neither man's rival nor his foe, but his complement. As she herself said, she believed that the development of one could not be affected without that of the other. Her words, so noble in tone, so moderate in spirit, so eloquent in utterance, should not be forgotten by her sisters. Horace Greeley, in his introduction to her "Woman in the Nineteenth Century," says: "She was one of the earliest, as well as ablest, among American women to demand for her sex equality before the law with her titular lord and master. Her writings on this subject have the force that springs from the ripening of profound reflection into assured conviction. It is due to her memory, as well as to the great and living cause of which she was so eminent and so fearless an advocate, that what she thought and said with regard to the position of her sex and its limitations should be fully and fairly placed before the public." No woman who wishes to understand the full scope of what is called the woman's movement should fail to read these pages, and see in them how one woman proved her right to a position in literature hitherto occupied by men, by filling it nobly.
The Story of this rich, sad, striving, unsatisfied life, with its depths of emotion and its surface sparkling and glowing, is told tenderly and reverently by her biographers. Their praise is eulogy, and their words often seem extravagant; but they knew her well, they spoke as they felt. The character that could awaken such interest and love surely is a rare one.
pointing handThe above are uniformly bound in cloth, and sold separately or in sets.
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LETTERS HOME.From Colorado, Utah, and California. ByCaroline H. Dall: 12mo. $1.50.
"There is a freshness about her Diary that is not often met with in books of this sort, and a happy regard for the minor details which give color and character to descriptions of strange life and scenery," says the N.Y. Tribune.
"There is a freshness about her Diary that is not often met with in books of this sort, and a happy regard for the minor details which give color and character to descriptions of strange life and scenery," says the N.Y. Tribune.
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AN INLAND VOYAGE.ByRobert Louis Stevenson. 16mo. $1.00.
"Those who have read Mr. Stevenson's delightful 'Travels with a Donkey,' in which he told the story of a unique trip among the mountains of Southern France, will gladly welcome this bright account of a canoe voyage through the canals of Belgium, on the Sambre, and down the Oise. Unlike Captain Macgregor, of 'Rob Roy' fame, Mr. Stevenson does not make canoeing itself his main theme, but delights in charming bits of description that, in their close attention to picturesque detail, remind one of the work of a skilled 'genre' painter."—Good Literature.
"Those who have read Mr. Stevenson's delightful 'Travels with a Donkey,' in which he told the story of a unique trip among the mountains of Southern France, will gladly welcome this bright account of a canoe voyage through the canals of Belgium, on the Sambre, and down the Oise. Unlike Captain Macgregor, of 'Rob Roy' fame, Mr. Stevenson does not make canoeing itself his main theme, but delights in charming bits of description that, in their close attention to picturesque detail, remind one of the work of a skilled 'genre' painter."—Good Literature.
TRAVELS WITH A DONKEY IN THE CÉVENNES.
ByRobert Louis Stevenson. With Frontispiece illustration by Walter Crane. 16mo. $1.00.
"Charming, full of grace and humor and freshness,—such refined humor it is, too, and so evidently the work of a gentleman. What a happy knack he has of giving the taste of a landscape, or any out-door impression, in ten words!"
"Charming, full of grace and humor and freshness,—such refined humor it is, too, and so evidently the work of a gentleman. What a happy knack he has of giving the taste of a landscape, or any out-door impression, in ten words!"
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ROBERTS BROTHERS,Boston.