(K. S.)
1A drawing of an Egyptian cithara, similar to the Leiden specimen, may be seen in Champollion,Monuments de l’Égypte et de la Nubie, ii. pl. 175.2See Plutarch,Apophthegm. Lacon.3Philostratus the Elder,Imagines, No. 10, “Amphion,” and Philostratus the Younger,Imagines, No. 7, “Orpheus,” p. 403.4Tibullus,Eleg.iii. 4. 39.5Le Antichità de Ercolano, vol. iii. p. 5.6Idem, vol. iv. p. 201.7Thomas Hope,Costumes of the Ancients, vol. ii. p. 193; also Edward Buhle,Die musikalischen Instrumente in den Miniaturen des frühen Mittelalters(Leipzig, 1903), frontispiece.8SeeDe Musica, ch. vi.9See Visconti,Museo Clementino, pl. 22, Erato’s cithara, and in the same work that of Apollo Citharoedus (fig. 3 above).10SeeOd.i. 153, 155;Il.xviii. 569-570. In Homer the form is alwaysκἰθαρις.11See Pausanias x. 7, § 4 et seq.12For a description of theNomos Pythikosin its relation to Greek music see Kathleen Schlesinger, “Researches into the Origin of the Organs of the Ancients,”Intern. Mus. Ges.Sbd. ii. (1901), 2, p. 177, and Strabo ix. p. 421.13For a discussion of this question see Kathleen Schlesinger,The Instruments of the Orchestra, part ii., and especially chapters on the cithara in transition during the middle ages, and the question of the origin of the Utrecht Psalter, in which the evolution of the cithara is traced at some length.
1A drawing of an Egyptian cithara, similar to the Leiden specimen, may be seen in Champollion,Monuments de l’Égypte et de la Nubie, ii. pl. 175.
2See Plutarch,Apophthegm. Lacon.
3Philostratus the Elder,Imagines, No. 10, “Amphion,” and Philostratus the Younger,Imagines, No. 7, “Orpheus,” p. 403.
4Tibullus,Eleg.iii. 4. 39.
5Le Antichità de Ercolano, vol. iii. p. 5.
6Idem, vol. iv. p. 201.
7Thomas Hope,Costumes of the Ancients, vol. ii. p. 193; also Edward Buhle,Die musikalischen Instrumente in den Miniaturen des frühen Mittelalters(Leipzig, 1903), frontispiece.
8SeeDe Musica, ch. vi.
9See Visconti,Museo Clementino, pl. 22, Erato’s cithara, and in the same work that of Apollo Citharoedus (fig. 3 above).
10SeeOd.i. 153, 155;Il.xviii. 569-570. In Homer the form is alwaysκἰθαρις.
11See Pausanias x. 7, § 4 et seq.
12For a description of theNomos Pythikosin its relation to Greek music see Kathleen Schlesinger, “Researches into the Origin of the Organs of the Ancients,”Intern. Mus. Ges.Sbd. ii. (1901), 2, p. 177, and Strabo ix. p. 421.
13For a discussion of this question see Kathleen Schlesinger,The Instruments of the Orchestra, part ii., and especially chapters on the cithara in transition during the middle ages, and the question of the origin of the Utrecht Psalter, in which the evolution of the cithara is traced at some length.
CITIUM(Gr.Kition), the principal Phoenician city in Cyprus, situated at the north end of modern Larnaca, on the bay of the same name on the S.E. coast of the island. Converging currents from E. and W. meet and pass seawards off Cape Kiti a few miles south, and greatly facilitated ancient trade. To S. and W. the site is protected by lagoons, the salt from which was one of the sources of its prosperity. The earliest remains near the site go back to the Mycenaean age (c. 1400-1100B.C.) and seem to mark an Aegean colony.1but in historic times Citium is the chief centre of Phoenician influence in Cyprus. That this was still a recent settlement in the 7th century is suggested by an allusion in a list of the allies of Assur-bani-pal of Assyria in 668B.C.to a King Damasu of Ķartihadasti (Phoenician for “New-town”), where Citium would be expected. A Phoenician dedication to “Baal of Lebanon” found here, and dated also to the 7th century, suggests that Citium may have belonged to Tyre. The biblical name Kittim, derived from Citium, is in fact used quite generally for Cyprus as a whole;2later also for Greeks and Romans in general.3The discovery here of an official monument of Sargon II. suggests that Citium was the administrative centre of Cyprus during the Assyrian protectorate (700-668B.C.).4During the Greek revolts of 500, 386 foll. and 352B.C., Citium led the side loyal to Persia and was besieged by an Athenian force in 449B.C.; its extensive necropolis proves that it remained a considerable city even after the Greek cause triumphed with Alexander. But like other cities of Cyprus, it suffered repeatedly from earthquake, and in medieval times when its harbour became silted the population moved to Larnaca, on the open roadstead, farther south. Harbour and citadel have now quite disappeared, the latter having been used to fill up the former shortly after the British occupation; some gain to health resulted, but an irreparable loss to science. Traces remain of the circuit wall, and of a sanctuary with copious terra-cotta offerings; the large necropolis yields constant loot to illicit excavation.
Bibliography.—W.H. Engel,Kypros(Berlin, 1841), (classical allusions); J.L. Myres,Journ. Hellenic Studies, xvii. 147 ff. (excavations);Cyprus Museum Catalogue(Oxford, 1899), p. 5-6; 153-155; Index (Antiquities); G.F. Hill,Brit. Mus. Cat. Coins of Cyprus(London, 1904), (Coins).
Bibliography.—W.H. Engel,Kypros(Berlin, 1841), (classical allusions); J.L. Myres,Journ. Hellenic Studies, xvii. 147 ff. (excavations);Cyprus Museum Catalogue(Oxford, 1899), p. 5-6; 153-155; Index (Antiquities); G.F. Hill,Brit. Mus. Cat. Coins of Cyprus(London, 1904), (Coins).
(J. L. M.)
1Cf. the name Kathian in a Ramessid list of cities of Cyprus, Oberhummer,Die Insel Cypern(Munich, 1903), p. 4.2Gen. x. 4; Num. xxiv. 24; Is. xxiii. 1, 12; Jer. ii. 10; Ezek. xxvii. 6.3Dan. xi. 30; I Macc. i. 1; viii. 5.4Schrader, “Die Sargonstele des Berliner Museums,” inAbh. d. k. Preuss. Akad. Wiss.(1881);Zur Geogr. d. assyr. Reiches(Berlin, 1890), pp. 337-344.
1Cf. the name Kathian in a Ramessid list of cities of Cyprus, Oberhummer,Die Insel Cypern(Munich, 1903), p. 4.
2Gen. x. 4; Num. xxiv. 24; Is. xxiii. 1, 12; Jer. ii. 10; Ezek. xxvii. 6.
3Dan. xi. 30; I Macc. i. 1; viii. 5.
4Schrader, “Die Sargonstele des Berliner Museums,” inAbh. d. k. Preuss. Akad. Wiss.(1881);Zur Geogr. d. assyr. Reiches(Berlin, 1890), pp. 337-344.
CITIZEN(a form corrupted in Eng., apparently by analogy with “denizen,” from O. Fr.citeain, mod. Fr.citoyen), etymologically the inhabitant of a city,citéorcivitas(seeCity), and in England the term still used primarily of persons possessing civic rights in a borough; thus used also of a townsman as opposed to a countryman. The more extended use of the word, however, corresponding tocivitas, gives “citizen” the meaning of one who is a constituent member of a state in international relations and as such has full national rights and owes a certain allegiance (q.v.) as opposed to an “alien”; in republican countries the term is then commonly employed as the equivalent of “subject” in monarchies of feudal origin. For the rules governing the obtaining of citizenship in this latter sense in the United States and elsewhere seeNaturalization.
CITOLE, also spelledSytole, Cythole, Gytolle, &c. (probably a Fr. diminutive form ofcithara, and not from Lat.cista, a box), an obsolete musical instrument of which the exact form is uncertain. It is frequently mentioned by poetical writers of the 13th to the 15th centuries, and is found in Wycliffe’s Bible (1360) in 2 Samuel vi. 5, “Harpis and sitols and tympane.” The Authorized Version has “psaltiries,” and the Vulgate “lyrae.” It has been supposed to be another name for the psaltery (q.v.), a box-shaped instrument often seen in the illuminated missals of the middle ages.
CITRIC ACID,Acidum citricum, orOxytricarballylic Acid, C3H4(OH) (CO·OH)3, a tetrahydroxytribasic acid, first obtained in the solid state by Karl Wilhelm Scheele, in 1784, from the juice of lemons. It is present also in oranges, citrons, currants, gooseberries and many other fruits, and in several bulbs and tubers. It is made on a large scale from lime or lemon juice, and also by the fermentation of glucose under the influence ofCitromycetes pfefferianus, C. glaberand other ferments. Lemon juice is fermented for some time to free it from mucilage, then boiledand filtered, and neutralized with powdered chalk and a little milk of lime; the precipitate of calcium citrate so obtained is decomposed with dilute sulphuric acid, the solution filtered, evaporated to remove calcium sulphate and concentrated, preferably in vacuum pans. The acid is thus obtained in colourless rhombic prisms of the composition C6H8O7+ H2O. Crystals of a different form are deposited from a strong boiling solution of the acid. About 20 gallons of lemon juice should yield about 10 lb of crystallized citric acid. The acid may also be prepared from the juice of unripe gooseberries. Calcium citrate must be manufactured with care to avoid an excess of chalk or lime, which would precipitate constituents of the juice that cause the fermentation of the citrate and the production of calcium acetate and butyrate.
The synthesis of citric acid was accomplished by L.E. Grimaux and P. Adam in 1881. Glycerin when treated with hydrochloric acid gives propenyl dichlorhydrin, which may be oxidized to s-dichloracetone. This compound combines with hydrocyanic acid to form a nitrile which hydrolyses to dichlor-hydroxy iso-butyric acid. Potassium cyanide reacts with this acid to form the corresponding dinitrile, which is converted by hydrochloric acid into citric acid. This series of operations proves the constitution of the acid. A. Haller and C.A. Held synthesized the acid from ethyl chlor-acetoacetate (from chlorine and acetoacetic ester) by heating with potassium cyanide and saponifying the resulting nitrile. The acetone dicarboxylic acid, CO(CH2CO2H)2, so obtained combines with hydrocyanic acid, and this product yields citric acid on hydrolysis.
Citric acid has an agreeable sour taste. It is soluble in ¾ths of its weight of cold, and in half its weight of boiling water, and dissolves in alcohol, but not in ether. At 150°C. it melts, and on the continued application of heat boils, giving off its water of crystallization. At 175° C. it is resolved into water and aconitic acid, C6H6O6, a substance found inEquisetum fluviatile, monks-hood and other plants. A higher temperature decomposes this body into carbon dioxide and itaconic acid, C5H6C4, which, again, by the expulsion of a molecule of water, yields citraconic anhydride, C5H4O3. Citric acid digested at a temperature below 40°C. with concentrated sulphuric acid gives off carbon monoxide and forms acetone dicarboxylic acid. With fused potash it forms potassium oxalate and acetate. It is a strong acid, and dissolved in water decomposes carbonates and attacks iron and zinc.
The citrates are a numerous class of salts, the most soluble of which are those of the alkaline metals; the citrates of the alkaline earth metals are insoluble. Citric acid, being tribasic, forms either acid monometallic, acid dimetallic or neutral trimetallic salts; thus, mono-, di- and tri-potassium and sodium citrates are known. On warming citric acid with an excess of lime-water a precipitate of calcium citrate is obtained which is redissolved as the liquid cools.
The impurities occasionally present in commercial citric acid are salts of potassium and sodium, traces of iron, lead and copper derived from the vessels used for its evaporation and crystallization, and free sulphuric, tartaric and even oxalic acid. Tartaric acid, which is sometimes present in large quantities as an adulterant in commercial citric acid, may be detected in the presence of the latter, by the production of a precipitate of acid potassium tartrate when potassium acetate is added to a cold solution. Another mode of separating the two acids is to convert them into calcium salts, which are then treated with a perfectly neutral solution of cupric chloride, soluble cupric citrate and calcium chloride being formed, while cupric tartrate remains undissolved. Citric acid is also distinguished from tartaric acid by the fact that an ammonia solution of silver tartrate produces a brilliant silver mirror when boiled, whereas silver citrate is reduced only after prolonged ebullition.
Citric acid is used in calico printing, also in the preparation of effervescing draughts, as a refrigerant and sialogogue, and occasionally as an antiscorbutic, instead of fresh lemon juice. In the form of lime juice it has long been known as an antidote for scurvy. Several of the citrates are much employed as medicines, the most important being the scale preparations of iron. Of these iron and ammonium citrate is much used as a haematinic, and as it has hardly any tendency to cause gastric irritation or constipation it can be taken when the ordinary forms of iron are inadmissible. Iron and quinine citrate is used as a bitter stomachic and tonic. In the blood citrates are oxidized into carbonates; they therefore act asremote alkalis, increasing the alkalinity of the blood and thereby the general rate of chemical change within the body (seeAcetic Acid).
CITRON, a species ofCitrus(C. medica), belonging to the tribeAurantieae, of the botanical natural order Rutaceae; the same genus furnishes also the orange, lime and shaddock. The citron is a small evergreen tree or shrub growing to a height of about 10 ft.; it has irregular straggling spiny branches, large pale-green broadly oblong, slightly serrate leaves and generally unisexual flowers purplish without and white within. The large fruit is ovate or oblong, protuberant at the tip, and from 5 to 6 in. long, with a rough, furrowed, adherent rind, the inner portion of which is thick, white and fleshy, the outer, thin, greenish-yellow and very fragrant. The pulp is sub-acid and edible, and the seeds are bitter. There are many varieties of the fruit, some of them of great weight and size. The Madras citron has the form of an oblate sphere; and in the “fingered citron” of China the lobes are separated into finger-like divisions formed by separation of the constituent carpels, as occurs sometimes in the orange.
The citron-tree thrives in the open air in China, Persia, the West Indies, Madeira, Sicily, Corsica, and the warmer parts of Spain and Italy; and in conservatories it is often to be seen in more northerly regions. Sir Joseph Hooker (Flora of British India, i. 514) regards it as a native of the valleys at the foot of the Himalaya, and of the Khasia hills and the Western Ghauts; Dr Bonavia, however, considers it to have originated in Cochin China or China, and to have been introduced into India, whence it spread to Media and Persia. It was described by Theophrastus as growing in Media, three centuries before Christ, and was early known to the ancients, and the fruit was held in great esteem by them; but they seem to have been acquainted with no other member of theAurantieae, the introduction of oranges and lemons into the countries of the Mediterranean being due to the Arabs, between the 10th and 15th centuries. Josephus tells us that “the law of the Jews required that at the feast of tabernacles every one should have branches of palm-tree and citron-tree” (Antiq.xiii. 13. 5); and the Hebrew wordtappuach, rendered “apples” and “apple-tree” in Cant. ii. 3, 5, Prov. xxv. 11, &c., probably signifies the citron-tree and its fruit. Oribasius in the 4th century describes the fruit, accurately distinguishing the three parts of it. About the 3rd century the tree was introduced into Italy; and, as Gallesio informs us, it was much grown at Salerno in the 11th century. In China citrons are placed in apartments to make them fragrant. The rind of the citron yields two perfumes,oil of cedraandoil of citron, isomeric with oil of turpentine; and when candied it is much esteemed as a dessert and in confectionery. The lemon (q.v.) is now generally regarded as a subspeciesLimonumofCitrus medica.
Oribasii Sardiani,Collectorum Medicinalium Libri XVII.i. 64 (De citrio); Gallesio,Traité du citrus(1811); Darwin,Animals and Plants under Domestication, i. 334-336 (1868); Brandis,Forest Flora of North-West and Central India, p. 51 (1874); E. Bonavia,The Cultivated Oranges and Lemons, &c., of India and Ceylon(1890).
Oribasii Sardiani,Collectorum Medicinalium Libri XVII.i. 64 (De citrio); Gallesio,Traité du citrus(1811); Darwin,Animals and Plants under Domestication, i. 334-336 (1868); Brandis,Forest Flora of North-West and Central India, p. 51 (1874); E. Bonavia,The Cultivated Oranges and Lemons, &c., of India and Ceylon(1890).
CITTADELLA, a town of Venetia, Italy, in the province of Padua, 20 m. N.W. by rail from the town of Padua; 160 ft. above sea-level. Pop. (1901) town, 3616; commune, 9686. The town was founded in 1220 by the Paduans to counterbalance the fortification of Castelfranco, 8 m. to the E., in 1218 by the Trevisans, and retains its well-preserved medieval walls, surrounded by a wet ditch. It was always a fortress of importance, and in modern times is a centre for the agricultural produce of the district, being the junction of the lines from Padua to Bassano and from Vicenza to Treviso.
CITTÀ DELLA PIEVE, a town and episcopal see of Umbria, Italy, in the province of Perugia, situated 1666 ft. above the sea,3 m. N.E. of its station on the railway between Chiusi and Orvieto. Pop. (1901) 8381. Etruscan tombs have been found in the neighbourhood, but it is not certain that the present town stands on an ancient site. It was the birthplace of the painter Pietro Vannucci (Perugino), and possesses several of his works, but none of the first rank.
CITTÀ DI CASTELLO, a town and episcopal see of Umbria, Italy, in the province of Perugia, 38 m. E. of Arezzo by rail (18 m. direct), situated on the left bank of the Tiber, 945 ft. above sea-level. Pop. (1901) of town, 6096; of commune, 26,885. It occupies, as inscriptions show, the site of the ancientTifernum Tiberinum, near which Pliny had a villa (Epist.v. 6; cf. H. Winnefeld inJahrbuch des deutschen archäologischen Instituts, vi. Berlin, 1891, 203), but no remains exist above ground. The town was devastated by Totila, but seems to have recovered. We find it under the name ofCastrum Felicitatisat the end of the 8th century. The bishopric dates from the 7th century. The town went through various political vicissitudes in the middle ages, being subject now to the emperor, now to the Church, until in 1468 it came under the Vitelli: but when they died out it returned to the allegiance of the Church. It is built in the form of a rectangle and surrounded by walls of 1518. It contains fine buildings of the Renaissance, especially the palaces of the Vitelli, and the cathedral, originally Romanesque. The 12th-century altar front of the latter in silver is fine. The Palazzo Comunale is of the 14th century. Some of Raphael’s earliest works were painted for churches in this town, but none of them remains there. There is, however, a small collection of pictures.
See Magherini Graziani,L’Arte a Città di Castello(1897).
See Magherini Graziani,L’Arte a Città di Castello(1897).
CITTÀ VECCHIA, orCittà Notabile, a fortified city of Malta, 7 m. W. of Valletta, with which it is connected by railway. Pop. (1901) 7515. It lies on high, sharply rising ground which affords a view of a large part of the island. It is the seat of a bishop, and contains an ornate cathedral, overthrown by an earthquake in 1693, but rebuilt, which is said by an acceptable tradition to occupy the site of the house of the governor Publius, who welcomed the apostle Paul. It contains some rich stalls of the 15th century and other objects of interest. In the rock beneath the city there are some remarkable catacombs in part of pre-Christian origin, but containing evidence of early Christian burial; and a grotto, reputed to have given shelter to the apostle, is pointed out below the church of San Paolo. Remains of Roman buildings have been excavated in the town. About 2 m. E. of the town is the residence of the English governor, known as the palace of S. Antonio; and at a like distance to the south is the ancient palace of the grand masters of the order of St John, with an extensive public garden called Il Boschetto. Città Vecchia was called Civitas Melita by the Romans and oldest writers, Medina (i.e.the city) by the Saracens, Notabile (locale notabile, et insigne coronae regiae, as it is called in a charter by Alphonso, 1428) under the Sicilian rule, and Città Vecchia (old city) by the knights. It was the capital of the island till its supersession by Valletta in 1570. (See alsoMalta.)
CITTERN(alsoCithern, Cithron, Cythren, Citharen, &c.; Fr.citre, cistre, cithre, guitare allemandeoranglaise; Ger.Cither, Zither (mit Hals, with neck); Ital.cetera, cetra), a medieval stringed instrument with a neck terminating in a grotesque and twanged by fingers or plectrum. The popularity of the cittern was at its height in England and Germany during the 16th and17th centuries. The cittern consisted of a pear-shaped body similar to that of the lute but with a flat back and sound-board joined by ribs. The neck was provided with a fretted finger-board; the head was curved and surmounted by a grotesque head of a woman or of an animal.1The strings were of wire in pairs of unisons, known as courses, usually four in number in England. A peculiarity of the cittern lay in the tuning of the courses, the third course known as bass being lower than the fourth styled tenor.
According to Vincentio Galilei (the father of the great astronomer) England was the birthplace of the cittern.2Several lesson books for this popular instrument were published during the 17th century in England. A very rare book (of which the British Museum does not possess a copy),The Cittharn Schoole, written by Anthony Holborne in 1597, is mentioned in Sir P. Leycester’s manuscript commonplace book3dated 1656, “For the little Instrument called aPsittyrneAnthony Holborne and Tho. Robinson were most famous of any before them and have both of them set out a booke of Lessons for this Instrument. Holborne has composed a Basse-parte for the Viole to play unto the Psittyrne with those Lessons set out in his booke. These lived about Anno Domini 1600.” Thomas Robinson’sNew Citharen Lessons with perfect tunings for the same from Foure course of strings to Fourteene course, &c. (printed London, 1609, by William Barley), contains illustrations of both kinds of instruments. The fourteen-course cittern was also known in England asBijuga; the seven courses in pairs were stretched over the finger-board, and the seven single strings, fastened to the grotesque head, were stretched as in the lyreà videalongside the neck; all the strings rested on the one flat bridge near the tail-piece. Robinson gives instructions for learning to play the cittern and for reading the tablature. John Playford’sMusick’s Delight on the Cithren(London, 1666) also contains illustrations of the instrument as well as of the viol da Gamba and Pochette; he claims to have revived the instrument and restored it to what it was in the reign of Queen Mary.
The cittern probably owed its popularity at this time to the ease with which it might be mastered and used to accompany the voice; it was one of four instruments generally found in barbers’ shops, the others being the gittern, the lute and the virginals. The customers while waiting took down the instrument from its peg and played a merry tune to pass the time.4We read that when Konstantijn Huygens came over to England and was received by James I. at Bagshot, he played to the king on the cittern (cithara), and that his performance was duly appreciated and applauded. He tells us that, although he learnt to play the barbiton in a few weeks with skill, he had lessons from a master for two years on the cittern.5On the occasion of a third visit he witnessed the performance of some fine musicians and was astonished to hear a lady, mother of twelve, singing in divine fashion, accompanying herself on the cittern; one of these artists he calls Lanivius, the British Orpheus, whose performance was really enchanting.
Michael Praetorius6gives various tunings for the cittern aswell as an illustration (sounded an octave higher than the notation).
During the 18th century the cittern, citra or English guitar, had twelve wire strings in six pairs of unisons tuned thus:
The introduction of the Spanish guitar, which at once leapt into favour, gradually displaced the English variety. The Spanish guitar had gut strings twanged by the fingers. The last development of the cittern before its disappearance was the addition of keys. The keyed cithara7was first made by Claus & Co. of London in 1783. The keys, six in number, were placed on the left of the sound-board, and on being depressed they acted on hammers inside the sound-chest, which rising through the rose sound-hole struck the strings. Sometimes the keys were placed in a little box right over the strings, the hammers striking from above. M.J.B. Vuillaume of Paris possessed an Italian cetera (not keyed) by Antoine Stradivarius,81700 (now in the Museum of the Conservatoire, Paris), with twelve strings tuned in pairs of unisons to E, D, G, B, C, A, which was exhibited in London in 1871.
The cittern of the 16th century was the result of certain transitions which took place during the evolution of the violin from the Greek kithara (seeCithara).
Genealogical Table of the Cittern.
The cittern has retained the following characteristics of the archetype. (1) The derivation of the name, which after the introduction of the bow was used to characterize various instruments whose strings were twanged by fingers or plectrum, such as the harp and the rotta (both known ascithara), the citola and the zither. In an interlinear Latin and Anglo-Saxon version of the Psalms, datedA.D.700 (Brit. Mus., Vesp. A. 1),citharais translatedcitran, from which it is not difficult to trace the Englishcithron, citteran, cittarn, of the 16th century. (2) The construction of the sound-chest with flat back and sound-board connected by ribs. The pear-shaped outline was possibly borrowed from the Eastern instruments, both bowed as the rebab and twanged as the lute, so common all over Europe during the middle ages, or more probably derived from thekitharaof the Greeks of Asia Minor, which had the corners rounded. These early steps in the transition from thecitharamay be seen in the miniatures of the Utrecht Psalter,9a unique and much-copied Carolingian MS. executed at Reims (9th century), the illustrations of which were undoubtedly adapted from an earlier psalter from the Christian East. The instruments which remained true to the prototype in outline as well as in construction and in the derivation of the name were the ghittern and the guitar, so often confused with the cittern. It is evident that the kinship of cittern and guitar was formerly recognized, for during the 18th century, as stated above, the cittern was known as the English guitar to distinguish it from the Spanish guitar. The grotesque head, popularly considered the characteristic feature of the cittern, was probably added in the 12th century at a time when this style of decoration was very noticeable in other musical instruments, such as the cornet orZinck, thePlaterspiel, the chaunter of the bagpipe, &c. The cittern of the middle ages was also to be found in oval shape. From the 13th century representations of the pear-shaped instrument abound in miniatures and carvings.10
A very clearly drawn cittern of the 14th century occurs in a MS. treatise on astronomy (Sloane MS. 3983, Brit. Mus.) translated from the Persian of Albumazar into Latin by Georgius Zothari Zopari Fenduli, priest and philosopher, with a prologue and numerous illustrations by his own hand; the cittern is here calledgigain an inscription at the side of the drawing.References to the cittern are plentiful in the literature of the 16th and 17th centuries. Robert Fludd11describes it thus: “Cistrona quae quatuor tantum chordas duplicatas habet easque cupreas et ferreas de quibus aliquid dicemus quo loco.” Others are given in theNew English Dictionary, “Cittern,” and in Godefroy’sDict. de l’anc. langue franç. du IXe au XVe siècle.
A very clearly drawn cittern of the 14th century occurs in a MS. treatise on astronomy (Sloane MS. 3983, Brit. Mus.) translated from the Persian of Albumazar into Latin by Georgius Zothari Zopari Fenduli, priest and philosopher, with a prologue and numerous illustrations by his own hand; the cittern is here calledgigain an inscription at the side of the drawing.
References to the cittern are plentiful in the literature of the 16th and 17th centuries. Robert Fludd11describes it thus: “Cistrona quae quatuor tantum chordas duplicatas habet easque cupreas et ferreas de quibus aliquid dicemus quo loco.” Others are given in theNew English Dictionary, “Cittern,” and in Godefroy’sDict. de l’anc. langue franç. du IXe au XVe siècle.
(K. S.)
1See Shakespeare,Love’s Labour’s Lost, act v. sc. 2, where Boyet compares the countenance of Holofernes to a cittern head; John Forde,Lovers’ Melancholy(1629), act ii. sc. 1, “Barbers shall wear thee on their citterns.”2Dialogo della musica(Florence, 1581), p. 147.3The musical extracts from the commonplace book were prepared by Dr Rimbault for the Early English Text Society. Holborne’s work is mentioned in hisBibliotheca Madrigaliana. The descriptive list of the musical instruments in use in England during Leycester’s lifetime (about 1656) has been extracted and published by Dr F.J. Furnivall, inCaptain Cox, his Ballads and Books, or Robert Laneham’s Letter(1575), (London, 1871), pp. 65-68.4See Knight’sLondon, i. 142.5SeeDe Vita propria sermonum inter liberos libri duo(Haarlem, 1817) and E. van der Straeten,La Musique aux Pays-Bas, ii. 348-35O.6Syntagma Musicum(1618). See also M. Mersenne,Harmonie universelle(Paris, 1636), livre ii. prop. xv., who gives different accordances.7See Carl Engel,Catalogueof the Exhibition of Ancient Musical Instruments (London, 1872), Nos. 289 and 290.8See note above. Illustration in A.J. Hipkins,Musical Instruments; Historic, Rare and Unique(Edinburgh, 1888).9For a résumé of the question of the origin of this famous psalter, and an inquiry into its bearing on the history of musical instruments with illustrations and facsimile reproductions, see Kathleen Schlesinger,The Instruments of the Orchestra, part ii. “The Precursors of the Violin Family,” pp. 127-166 (London, 1908-1909).10An oval cittern and a ghittern, side by side, occur in the beautiful 13th-century Spanish MS. known asCantigas de Santa Mariain the Escorial. For a fine facsimile in colours see marquis de Valmar,Real. Acad. Esq., publ. by L. Aguado (Madrid, 1889). Reproductions in black and white in Juan F. Riaño,Critical and Bibliog. Notes on Early Spanish Music(London, 1887). See also K. Schlesinger, op. cit. fig. 167, p. 223, also boat-shaped citterns, figs. 155 and 156, p. 197. Cittern with woman’s head, 15th century, on one of six bas-reliefs on the under parts of the seats of the choir of the Priory church, Great Malvern, reproduced in J. Carter’sAncient Sculptures, &c., vol. ii. pl. following p. 12. Another without a head, ibid. pl. following p. 16, from a brass monumental plate in St Margaret’s, King’s Lynn.11Historia utriusque Cosmi(Oppenheim, ed. 1617) i. 226.
1See Shakespeare,Love’s Labour’s Lost, act v. sc. 2, where Boyet compares the countenance of Holofernes to a cittern head; John Forde,Lovers’ Melancholy(1629), act ii. sc. 1, “Barbers shall wear thee on their citterns.”
2Dialogo della musica(Florence, 1581), p. 147.
3The musical extracts from the commonplace book were prepared by Dr Rimbault for the Early English Text Society. Holborne’s work is mentioned in hisBibliotheca Madrigaliana. The descriptive list of the musical instruments in use in England during Leycester’s lifetime (about 1656) has been extracted and published by Dr F.J. Furnivall, inCaptain Cox, his Ballads and Books, or Robert Laneham’s Letter(1575), (London, 1871), pp. 65-68.
4See Knight’sLondon, i. 142.
5SeeDe Vita propria sermonum inter liberos libri duo(Haarlem, 1817) and E. van der Straeten,La Musique aux Pays-Bas, ii. 348-35O.
6Syntagma Musicum(1618). See also M. Mersenne,Harmonie universelle(Paris, 1636), livre ii. prop. xv., who gives different accordances.
7See Carl Engel,Catalogueof the Exhibition of Ancient Musical Instruments (London, 1872), Nos. 289 and 290.
8See note above. Illustration in A.J. Hipkins,Musical Instruments; Historic, Rare and Unique(Edinburgh, 1888).
9For a résumé of the question of the origin of this famous psalter, and an inquiry into its bearing on the history of musical instruments with illustrations and facsimile reproductions, see Kathleen Schlesinger,The Instruments of the Orchestra, part ii. “The Precursors of the Violin Family,” pp. 127-166 (London, 1908-1909).
10An oval cittern and a ghittern, side by side, occur in the beautiful 13th-century Spanish MS. known asCantigas de Santa Mariain the Escorial. For a fine facsimile in colours see marquis de Valmar,Real. Acad. Esq., publ. by L. Aguado (Madrid, 1889). Reproductions in black and white in Juan F. Riaño,Critical and Bibliog. Notes on Early Spanish Music(London, 1887). See also K. Schlesinger, op. cit. fig. 167, p. 223, also boat-shaped citterns, figs. 155 and 156, p. 197. Cittern with woman’s head, 15th century, on one of six bas-reliefs on the under parts of the seats of the choir of the Priory church, Great Malvern, reproduced in J. Carter’sAncient Sculptures, &c., vol. ii. pl. following p. 12. Another without a head, ibid. pl. following p. 16, from a brass monumental plate in St Margaret’s, King’s Lynn.
11Historia utriusque Cosmi(Oppenheim, ed. 1617) i. 226.
CITY(through Fr.cité, from Lat.civitas). In the United Kingdom, strictly speaking, “city” is an honorary title, officially applied to those towns which, in virtue of some preeminence (e.g.as episcopal sees, or great industrial centres), have by traditional usage or royal charter acquired the right to the designation. In the United Kingdom the official style of “city” does not necessarily involve the possession of municipal power greater than those of the ordinary boroughs, nor indeed the possession of a corporation at all (e.g.Ely). In the United States and the British colonies, on the other hand, the official application of the term “city” depends on the kind and extent of the municipal privileges possessed by the corporations, and charters are given raising towns to the rank of cities. Both in France and England the word is used to distinguish the older and central nucleus of some of the large towns,e.g.theCitéin Paris, and the “square mile” under the jurisdiction of the lord mayor which is the “City of London.”
In common usage, however, the word implies no more than a somewhat vague idea of size and dignity, and is loosely applied to any large centre of population. Thus while, technically, the City of London is quite small, London is yet properly described as the largest city in the world. In the United States this use of the word is still more loose, and any town, whether technically a city or not, is usually so designated, with little regard to its actual size or importance.
It is clear from the above that the word “city” is incapable of any very clear and inclusive definition, and the attempt to show that historically it possesses a meaning that clearly differentiates it from “town” or “borough” has led to some controversy. As the translation of the Greekπόλιςor Latincivitasit involves the ancient conception of the state or “city-state,”i.e.of the state as not too large to prevent its government through the body of the citizens assembled in theagora, and is applied not to the place but to the whole body politic. From this conception both the word and its dignified connotation are without doubt historically derived. On the occupation of Gaul the Gallic states and tribes were calledcivitatesby the Romans,and subsequently the name was confined to the chief towns of the various administrative districts. These were also the seats of the bishops. It is thus affirmed that in France from the 5th to the 15th century the namecivitasorcitéwas confined to such towns as were episcopal sees, and Du Cange (Gloss.s.v.civitas) defines that word asurbs episcopalis, and states that other towns were termedcastraoroppida. How far any such distinction can be sharply drawn may be doubted. With regard to England no definite line can be drawn between those towns to which the namecivitasorcitéis given in medieval documents and those calledburgior boroughs (see J.H. Round,Feudal England, p. 338; F.W. Maitland,Domesday Book and After, p. 183). It was, however, maintained by Coke and Blackstone that a city is a town incorporate which is or has been the see of a bishop. It is true, indeed, that the actual sees in England all have a formal right to the title; the boroughs erected into episcopal sees by Henry VIII. thereby became “cities”; but towns such as Thetford, Sherborne and Dorchester are never so designated, though they are regularly incorporated and were once episcopal sees. On the other hand, it has only been since the latter part of the 19th century that the official style of “city” has, in the United Kingdom, been conferred by royal authority on certain important towns which were not episcopal sees, Birmingham in 1889 being the first to be so distinguished. It is interesting to note that London, besides 27 boroughs, now contains two cities, one (the City of London) outside, the other (the City of Westminster) included in the administrative county.
For the history of the origin and development of modern city government seeBoroughandCommune:Medieval.
For the history of the origin and development of modern city government seeBoroughandCommune:Medieval.
CIUDAD BOLÍVAR, an inland city and river port of Venezuela, capital of the state of Bolívar, on the right bank of the Orinoco river, 240 m. above its mouth. Pop. (1891) 11,686. It stands upon a small hill about 187 ft. above sea-level, and faces the river where it narrows to a width of less than half a mile. The city is largely built upon the hillside. It is the seat of the bishopric of Guayana (founded in 1790), and is the commercial centre of the great Orinoco basin. Among its noteworthy edifices are the cathedral, federal college, theatre, masonic temple, market, custom-house, and hospital. The mean temperature is 83°. The city has a public water-supply, a tramway line, telephone service, subfluvial cable communication with Soledad near the mouth of the Orinoco, where connexion is made with the national land lines, and regular steamship communication with the lower and upper Orinoco. Previous to the revolution of 1901-3 Ciudad Bolívar ranked fourth among the Venezuelan custom-houses, but the restrictions placed upon transit trade through West Indian ports have made her a dependency of the La Guaira custom-house to a large extent. The principal exports from this region include cattle, horses, mules, tobacco, cacáo, rubber, tonka beans, bitters, hides, timber and many valuable forest products. The town was founded by Mendoza in 1764 as San Tomás de la Nueva Guayana, but its location at this particular point on the river gave to it the popular name ofAngostura, the Spanish term for “narrows.” This name was used until 1849, when that of the Venezuelan liberator was bestowed upon it. Ciudad Bolívar played an important part in the struggle for independence and was for a time the headquarters of the revolution. The town suffered severely in the struggle for its possession, and the political disorders which followed greatly retarded its growth.
CIUDAD DE CURA, an inland town of the state of Aragua, Venezuela, 55 m. S.W. of Carácas, near the Lago de Valencia. Pop. (1891) 12,198. The town stands in a broad, fertile valley, between the sources of streams running southward to the Guárico river and northward to the lake, with an elevation above sea-level of 1598 ft. Traffic between Puerto Cabello and the Guárico plains has passed through this town since early colonial times, and has made it an important commercial centre, from which hides, cheese, coffee, cacao and beans are sent down to the coast for export; it bears a high reputation in Venezuela for commercial enterprise. Ciudad de Cura was founded in 1730, and suffered severely in the war of independence.
CIUDAD JUAREZ, formerlyEl Paso del Norte, a northern frontier town of Mexico, in the state of Chihuahua, 1223 m. by rail N.N.W. of Mexico City. Pop. (1895) 6917. Ciudad Juarez stands 3800 ft. above sea-level on the right bank of the Rio Grande del Norte, opposite the city of El Paso, Texas, with which it is connected by two bridges. It is the northern terminus of the Mexican Central railway, and has a large and increasing transit trade with the United States, having a custom-house and a United States consulate. It is also a military post with a small garrison. The town has a straggling picturesque appearance, a considerable part of the habitations being small adobe or brick cabins. In the fertile neighbouring district cattle are raised, and wheat, Indian corn, fruit and grapes are grown, wine and brandy being made. The town was founded in 1681-1682; its present importance is due entirely to the railway. It was the headquarters of President Juarez in 1865, and was renamed in 1885 because of its devotion to his cause.
CIUDAD PORFIRIO DIAZ, formerlyPiedras Negras, a northern frontier town of Mexico in the state of Coahuila, 1008 m. N. by W. from Mexico City, on the Rio Grande del Norte, 720 ft. above sea-level, opposite the town of Eagle Pass, Texas. Pop. (1900, estimate) 5000. An international bridge connects the two towns, and the Mexican International railway has its northern terminus in Mexico at this point. The town has an important transfer trade with the United States, and is the centre of a fertile district devoted to agriculture and stock-raising. Coal is found in the vicinity. The Mexican government maintains a custom-house and military post here. The town was founded in 1849.
CIUDAD REAL, a province of central Spain, formed in 1833 of districts taken from New Castile, and bounded on the N. by Toledo, E. by Albacete, S. by Jaen and Cordova and W. by Badajoz. Pop. (1900) 321,580; area, 7620 sq. m. The surface of Ciudad Real consists chiefly of a level or slightly undulating plain, with low hills in the north-east and south-west; but along the south-western frontier the Sierra de Alcudia rises in two parallel ridges on either side of the river Alcudia, and is continued in the Sierra Madrona on the east. The river Guadiana drains almost the entire province, which it traverses from east to west; only the southernmost districts being watered by tributaries of the Guadalquivir. Numerous smaller streams flow into the Guadiana, which itself divides near Herencia into two branches,—the northern known as the Giguela, the southern as the Zancara. The eastern division of Ciudad Real forms part of the region known as La Mancha, a flat, thinly-peopled plain, clothed with meagre vegetation which is often ravaged by locusts. La Mancha (q.v.) is sometimes regarded as coextensive with the whole province. Severe drought is common here, although some of the rivers, such as the Jabalon and Azuer, issue fully formed from the chalky soil, and from their very sources give an abundant supply of water to the numerous mills. Towards the west, where the land is higher, there are considerable tracts of forest.
The climate is oppressively hot in summer, and in winter the plains are exposed to violent and bitterly cold winds; while the cultivation of grain, the vine and the olive is further impeded by the want of proper irrigation, and the general barrenness of the soil. Large flocks of sheep and goats find pasture in the plains; and the swine which are kept in the oak and beech forests furnish bacon and hams of excellent quality. Coal is mined chiefly at Puertollano, lead in various districts, mercury at Almadén. There are no great manufacturing towns. The roads are insufficient and ill-kept, especially in the north-east where they form the sole means of communication; and neither the Guadiana nor its tributaries are navigable. The main railway from Madrid to Lisbon passes through the capital, Ciudad Real, and through Puertollano; farther east, the Madrid-Lináres line passes through Manzanares and Valdepeñas. Branch railways also connect the capital with Manzanares, and Valdepeñas with the neighbouring town of La Calzada.
The principal towns, Alcázar de San Juan (11,499), Almadén (7375), Almodóvar del Campo (12,525), Ciudad Real (15,255), Manzanares (11,229) and Valdepeñas (21,015), are described inseparate articles. Almagro (7974) and Daimiel (11,825), in the district of La Mancha known as the Campo de Calatrava, belonged in the later middle ages to the knightly Order of Calatrava, which was founded in 1158 to keep the Moors in check. Almagro was long almost exclusively inhabited by monks and knights, and contains several interesting churches and monasteries, besides the castle of the knights, now used as barracks. Almagro is further celebrated for its lace, Daimiel for its medicinal salts. Tomelloso (13,929) is one of the chief market towns of La Mancha. Education is very backward, largely owing to the extreme poverty which has frequently brought the inhabitants to the verge of famine. (See alsoCastile.)
CIUDAD REAL, the capital formerly of La Mancha, and since 1833 of the province described above; 107 m. S. of Madrid, on the Madrid-Badajoz-Lisbon and Ciudad Real-Manzanares railways. Pop. (1900) 15,255. Ciudad Real lies in the midst of a wide plain, watered on the north by the river Guadiana, and on the south by its tributary the Jabalon. Apart from the remnants of its 13th-century fortifications, and one Gothic church of immense size, built without aisles, the town contains little of interest; its public buildings—town-hall, barracks, churches, hospital and schools—being in no way distinguished above those of other provincial capitals. There are no important local manufactures, and the trade of the town consists chiefly in the weekly sales ofagricultruralproduce and live-stock. Ciudad Real was founded by Alphonso X. of Castile (1252-1284), and fortified by him as a check upon the Moorish power. Its original name ofVillarrealwas changed toCiudad Realby John VI. in 1420. During the Peninsular War a Spanish force was defeated here by the French, on the 27th of March 1809.
CIUDAD RODRIGO, a town of western Spain, in the province of Salamanca, situated 8 m. E. of the Portuguese frontier, on the right bank of the river Agueda, and the railway from Salamanca to Coimbra in Portugal. Pop. (1900) 8930. Ciudad Rodrigo is an episcopal see, and was for many centuries an important frontier fortress. Its cathedral dates from 1190, but was restored in the 15th century. The remnants of a Roman aqueduct, the foundations of a bridge across the Agueda, and other remains, seem to show that Ciudad Rodrigo occupies the site of a Roman settlement. It was founded in the 12th century by Count Rodrigo Gonzalez, from whom its name is derived. During the Peninsular War, it was captured by the French under Marshal Ney, in 1810; but on the 19th of January 1812 it was retaken by the British under Viscount Wellington, who, for this exploit, was created earl of Wellington, duke of Ciudad Rodrigo, and marquess of Torres Vedras, in Portugal.
CIVERCHIO, VINCENZO, an early 16th-century Italian painter, born at Crema. There are altar-pieces by him at Brescia, and at Crema the altar-piece at the duomo (1509). His “Birth of Christ” is in the Brera, Milan; and at Lovere are other of his works dating from 1539 and 1540.
CIVET, or properlyCivet-cat, the designation of the more typical representatives of the mammalian familyViverridae(seeCarnivora). Civets are characterized by the possession of a deep pouch in the neighbourhood of the genital organs, into which the substance known as civet is poured from the glands by which it is secreted. This fatty substance is at first semifluid and yellow, but afterwards acquires the consistency of pomade and becomes darker. It has a strong musky odour, exceedingly disagreeable to those unaccustomed to it, but “when properly diluted and combined with other scents it produces a very pleasing effect, and possesses a much more floral fragrance than musk, indeed it would be impossible to imitate some flowers without it.” The African civet (Viverra civetta) is from 2 to 3 ft. in length, exclusive of the tail, which is half the length of the body, and stands from 10 to 12 in. high. It is covered with long hair, longest on the middle line of the back, where it is capable of being raised or depressed at will, of a dark-grey colour, with numerous transverse black bands and spots. In habits it is chiefly nocturnal, and by preference carnivorous, feeding on birds and the smaller quadrupeds, in pursuit of which it climbs trees, but it is said also to eat fruits, roots and other vegetable matters. In a state of captivity the civet is never completely tamed, and only kept for the sake of its perfume, which is obtained in largest quantity from the male, especially when in good condition and subjected to irritation, being scraped from the pouch with a small spoon usually twice a week. The zibeth (Viverra zibetha) is a widely distributed species extending from Arabia to Malabar, and throughout several of the larger islands of the Indian Archipelago. It is smaller than the true civet, and wants the dorsal crest. In the wild state it does great damage among poultry, and frequently makes off with the young of swine and sheep. When hunted it makes a determined resistance, and emits a scent so strong as even to sicken the dogs, who nevertheless are exceedingly fond of the sport, and cannot be got to pursue any other game while the stench of the zibeth is in their nostrils. In confinement, it becomes comparatively tame, and yields civet in considerable quantity. In preparing this for the market it is usually spread out on the leaves of the pepper plant in order to free it from the hairs that have become detached from the pouch. On the Malabar coast this species is replaced byV. civettina. The small Indian civet or rasse (Viverricula malaccensis) ranges from Madagascar through India to China, the Malay Peninsula, and the islands of the Archipelago. It is almost 3 ft. long including the tail, and prettily marked with dark longitudinal stripes, and spots which have a distinctly linear arrangement. The perfume, which is extracted in the same way as in the two preceding species, is highly valued and much used by the Javanese. Although this animal is said to be an expert climber it usually inhabits holes in the ground. It is frequently kept in captivity in the East, and becomes tame. Fossil remains of extinct civets are found in the Miocene strata of Europe.
CIVIDALE DEL FRIULI(anc.Forum Iulii), a town of Venetia, Italy, in the province of Udine, 10 m. E. by N. by rail from the town of Udine; 453 ft. above sea-level. Pop. (1001) town, 4143; commune, 9061. It is situated on the river Natisone, which forms a picturesque ravine here. It contains some interesting relics of the art of the 8th century. The cathedral of the 15th century contains an octagonal marble canopy with sculptures in relief, with a font below it belonging to the 8th century, but altered later. The high altar has a fine silver altar front of 1185. The museum contains various Roman and Lombard antiquities, and valuable MSS. and works of art in gold, silver and ivory formerly belonging to the cathedral chapter. The small church of S. Maria in Valle belongs to the 8th century, and contains fine decorations in stucco which probably belong to the 11th or 12th century. The fine 15th-century Ponte del Diavolo leads to the church of S. Martino, which contains an altar of the 8th century with reliefs executed by order of the Lombard king Ratchis. At Cividale were born Paulus Diaconus, the historian of the Lombards in the time of Charlemagne, and the actress Adelaide Ristori (1822-1906).
The Roman town (amunicipium) of Forum Iulii was founded either by Julius Caesar or by Augustus, no doubt at the same time as the construction of the Via Iulia Augusta, which passed through Utina (Udine) on its way north. After the decay of Aquileia and Iulium Carnicum (Zuglio) it became the chief town of the district of Friuli and gave its name to it. The patriarchs of Aquileia resided here from 773 to 1031, when they returned to Aquileia, and finally in 1238 removed to Udine. This last change of residence was the origin of the antagonism between Cividale and Udine, which was only terminated by their surrender to Venice in 1419 and 1420 respectively.
CIVILIS, CLAUDIUS, or more correctly,Julius, leader of the Batavian revolt against Rome (A.D.69-70). He was twice imprisoned on a charge of rebellion, and narrowly escaped execution. During the disturbances that followed the death of Nero, he took up arms under pretence of siding with Vespasian and induced the inhabitants of his native country to rebel. The Batavians, who had rendered valuable aid under the early emperors, had been well treated in order to attach them to the cause of Rome. They were exempt from tribute, but were obliged to supply a large number of men for the army, and theburden of conscription and the oppressions of provincial governors were important incentives to revolt. The Batavians were immediately joined by several neighbouring German tribes, the most important of whom were the Frisians. The Roman garrisons near the Rhine were driven out, and twenty-four ships captured. Two legions under Mummius Lupercus were defeated at Castra Vetera (near the modern Xanten) and surrounded. Eight cohorts of Batavian veterans joined their countrymen, and the troops sent by Vespasian to the relief of Vetera threw in their lot with them. The result of these accessions to the forces of Civilis was a rising in Gaul. Hordeonius Flaccus was murdered by his troops (70), and the whole of the Roman forces were induced by two commanders of the Gallic auxiliaries—Julius Classicus and Julius Tutor—to revolt from Rome and join Civilis. The whole of Gaul thus practically declared itself independent, and the foundation of a new kingdom of Gaul was contemplated. The prophetess Velleda predicted the complete success of Civilis and the fall of the Roman Empire. But disputes broke out amongst the different tribes and rendered co-operation impossible; Vespasian, having successfully ended the civil war, called upon Civilis to lay down his arms, and on his refusal resolved to take strong measures for the suppression of the revolt. The arrival of Petillius Cerialis with a strong force awed the Gauls and mutinous troops into submission; Civilis was defeated at Augusta Treverorum (Trier, Trèves) and Vetera, and forced to withdraw to the island of the Batavians. He finally came to an agreement with Cerialis whereby his countrymen obtained certain advantages, and resumed amicable relations with Rome. From this time Civilis disappears from history.