SeeŒuvres politiques de Charlotte Corday(Caen, 1863; some letters and anAdresse aux Français amis des lois el de la paix), with a supplement printed in the same year; Louvet de Couvrai,Mémoires(ed. Aulard, Paris, 1889); Alphonse Esquiros,Charlotte Corday(2nd ed., 2 vols., Paris, 1841); Cheron de Villiers,Marie Anne Charlotte Corday(Paris, 1865); Casimir Périer, “La Jeunesse de Charlotte Corday” (Revue des deux mondes, 1862); C. Vatel,Dossiers du procès criminel de Charlotte de Corday ... extraits des archives impériales(Paris, 1861), andDossier historique de Charlotte Corday(Paris, 1872); Austin Dobson,Four Frenchwomen(London, 1890); A. Ducos,Les Trois Girondines, Mme Roland, Charlotte Corday ...(Paris, 1896); Dr Cabanès, “La vraie Charlotte Corday,” inLe Cabinet secret de l’histoire(4 vols., 1897-1900). Her tragic history was the subject of two anonymous tragedies,Charlotte Corday(1795), said to be by the Conventional F. J. Gamon, andCharlotte Corday(Caen, 1797), neither of which have any merit; another by J. B. Salles is published by C. Vatel inCharlotte de Corday et les Girondins(1864-1872). See further bibliographical articles in M. Tourneux,Bibl. de l’hist. de Paris ...(vol. iv., 1906), and in theBibliographie des femmes célèbres(3 vols., Turin and Rome, 1892-1905); and also E. Defrance,Charlotte Corday et la mort de Marat(1909).
SeeŒuvres politiques de Charlotte Corday(Caen, 1863; some letters and anAdresse aux Français amis des lois el de la paix), with a supplement printed in the same year; Louvet de Couvrai,Mémoires(ed. Aulard, Paris, 1889); Alphonse Esquiros,Charlotte Corday(2nd ed., 2 vols., Paris, 1841); Cheron de Villiers,Marie Anne Charlotte Corday(Paris, 1865); Casimir Périer, “La Jeunesse de Charlotte Corday” (Revue des deux mondes, 1862); C. Vatel,Dossiers du procès criminel de Charlotte de Corday ... extraits des archives impériales(Paris, 1861), andDossier historique de Charlotte Corday(Paris, 1872); Austin Dobson,Four Frenchwomen(London, 1890); A. Ducos,Les Trois Girondines, Mme Roland, Charlotte Corday ...(Paris, 1896); Dr Cabanès, “La vraie Charlotte Corday,” inLe Cabinet secret de l’histoire(4 vols., 1897-1900). Her tragic history was the subject of two anonymous tragedies,Charlotte Corday(1795), said to be by the Conventional F. J. Gamon, andCharlotte Corday(Caen, 1797), neither of which have any merit; another by J. B. Salles is published by C. Vatel inCharlotte de Corday et les Girondins(1864-1872). See further bibliographical articles in M. Tourneux,Bibl. de l’hist. de Paris ...(vol. iv., 1906), and in theBibliographie des femmes célèbres(3 vols., Turin and Rome, 1892-1905); and also E. Defrance,Charlotte Corday et la mort de Marat(1909).
CORDELIERS, CLUB OF THE,orSociety of the Friends of the Rights of Man and of the Citizen, a popular society of the French Revolution. It was formed by the members of the district of the Cordeliers, when the Constituent Assembly suppressed the 60 districts of Paris to replace them with 48 sections (21st of May 1790). It held its meetings at first in the church of the monastery of the Cordeliers,—the name given in France to the Franciscan Observantists,—now the Dupuytren museum of anatomy in connexion with the school of medicine. From 1791, however, the Cordeliers met in a hall in the rue Dauphine. The aim of the society was to keep an eye on the government; its emblem on its papers was simply an open eye. It sought as well to encourage revolutionary measures against the monarchy and the old régime, and it was it especially which popularized the motto “Liberty, Equality, Fraternity.” It took an active part in the movement against the monarchy of the 20th of June and the 10th of August 1792; but after that date the more moderate leaders of the club, Danton, Fabre d’Eglantine, Camille Desmoulins, seem to have ceased attending, and the “enragés” obtained control, such as J. R. Hébert, F. N. Vincent, C. P. H. Ronsin and A. F. Momoro. Its influence was especially seen in the creation of the revolutionary army destined to assure provisions for Paris, and in the establishment of the worship of Reason. The Cordeliers were combated by those revolutionists who wished to end the Terror, especially by Danton, and by Camille Desmoulins in his journalLe Vieux Cordelier. The club disowned Danton and Desmoulins and attacked Robespierre for his “moderation,” but the new insurrection which it attempted failed, and its leaders were guillotined on the 24th of March 1794, from which date nothing is known of the club. We know little of its composition.
The papers emanating from the Cordeliers are enumerated in M. Tourneux,Bibliographie de l’histoire de Paris pendant la Révolution(1894), i. (on the trial of the Hebertists) Nos. 4204-4210, ii. Nos. 9795-9834 and 11,813. See also A. Bougeart,Les Cordeliers, documents pour servir à l’histoire de la Révolution(Caen, 1891); G. Lenotre,Paris révolutionnaire(Paris, 1895); G. Tridon,Les Hébertists, plainte contre une calomnie de l’histoire(Paris, 1864). The last-named author was condemned to four months’ prison; his work was reprinted in 1871. The inventory of the pictures found in 1790 in the monastery of the Cordeliers was published by J. Guiffrey inNouvelles archives de l’art français, viii., 2nd series, iii. (1880).
The papers emanating from the Cordeliers are enumerated in M. Tourneux,Bibliographie de l’histoire de Paris pendant la Révolution(1894), i. (on the trial of the Hebertists) Nos. 4204-4210, ii. Nos. 9795-9834 and 11,813. See also A. Bougeart,Les Cordeliers, documents pour servir à l’histoire de la Révolution(Caen, 1891); G. Lenotre,Paris révolutionnaire(Paris, 1895); G. Tridon,Les Hébertists, plainte contre une calomnie de l’histoire(Paris, 1864). The last-named author was condemned to four months’ prison; his work was reprinted in 1871. The inventory of the pictures found in 1790 in the monastery of the Cordeliers was published by J. Guiffrey inNouvelles archives de l’art français, viii., 2nd series, iii. (1880).
(R. A.*)
CORDERIUS,the Latinized form of name used byMathurin Cordier(c. 1480-1564), French schoolmaster, a native of Normandy or Perche. He possessed special tact and liking for teaching children, and taught first at Paris, where Calvin was among his pupils, and, after a number of changes, finally at Geneva, where he died on the 8th of September 1564. He wrote several books for children; the most famous is hisColloquia(Colloquiorum scholasticorum libri quatuor), which has passed through innumerable editions, and was used in schools for three centuries after his time. He also wrote:Principia Latine loquendi scribendique, sive selecta quaedam ex Epistolis Ciceronis;De corrupti sermonis apud Gallos emendatione et Latine loquendi Ratione;De syllabarum quantitate;Conciones sacrae viginti sex Galliae;Catonis disticha de moribus(with Latin and French translation);Remontrances et exhortations au roi et aux grands de son royaume.
See monograph by E. A. Berthault,De M. Corderio et creatis apud Protestantes litterarum studiis(1875).
See monograph by E. A. Berthault,De M. Corderio et creatis apud Protestantes litterarum studiis(1875).
CORDES,a town of southern France, in the department of Tarn, 15 m. N.W. of Albi by road. Pop. (1906) 1619. Cordes, which covers the summit and slopes of an isolated hill, was a bastide founded by Raymond VII., count of Toulouse, in the first half of the 13th century. It preserves its medieval aspect to a remarkable degree, a large number of houses of the 13th and 14th centuries, with decorated fronts, forming its chief attraction. A church of the same periods and remains of the original ramparts are also to be seen.
CORDILLERA,a Spanish term for a range or chain of mountains, derived from the Old Spanishcordilla, the diminutive ofcuerda, a cord or rope. The name was first given to the Andes ranges of South America,Las Cordilleras de los Andes, and applied to the extension of the system into Mexico. In North America the parallel ranges of mountains running between and including the Rocky Mountains and the Sierra Nevada are known as the “Cordilleras,” and that part of the western continent crossed by them has been termed the “Cordilleran region.” Although the name has been applied to the eastern mountain system of Australia, the word is not, outside America, used as a generic term for parallel ranges of mountains.
CORDITE,the name given to the smokeless propellant in use in the British army and navy. The material is produced in the form of cylindrical rods or strings of varying thicknesses by pressing the material, whilst in a soft and pasty state, through dies or perforations in a steel plate by hydraulic or screw pressure, hence the name cordite. The thickness or size of the rods varies from about 1 mm. diameter to 5 or more mm. according to the nature of the charge for which it is intended. The smallest diameter is used for revolver cartridge and the largest for heavy guns. When first devised by the Ordnance Committee, presided over by Sir Frederick Abel, in 1891, this explosive consisted of 58% of nitro-glycerin, 37% of gun-cotton, and 5% of mineral jelly. This variety is now known as Cordite Mark 1. At the present time a modification is made which contains gun-cotton 65%, nitro-glycerin 30%, and mineral jelly 5%. This is known as Cordite M.D. The advantages of Cordite M.D. over Mark 1 are slightly reduced rate of burning, higher velocities and more regular pressure in the gun, and lower temperature.
Cordite of either mark is a perfectly waterproof substance, containing only traces of water remaining from the manufacturing processes. It has a density of about 1.56 at the ordinary temperature (15° C.), and, as its coefficient of expansion is small, this density does not change to any serious extent under climatic temperature variations. A rod may be bent to a moderate extent without breaking, and Cordite M.D. especially shows considerable elasticity. It can be impressed by the nail and cut with a knife, but is not in the least sticky, nor does the nitro-glycerin exude to any appreciable extent. It can be obtained in a finely-divided state by scraping with a sharp knife, or on a new file, or by grinding in a mill, such as a coffee-mill, but can scarcely be pounded in a mortar. Cordite is of a brownish colour in mass, but is much paler when finely ground or scraped. The rods easily become electrified by gentle friction with a dry substance. Like all colloidal substances it is an exceedingly bad conductor of heat. A piece ignited in air burns with a yellowish flame. With the smaller sizes, about 2 mm. diameter or less, this flame may be blown out, and the rod will continue to burn in a suppressed manner without actual flame, fumes containing oxides of nitrogen being emitted. Temperature appears to have an effect on the rate of burning. When much cooled it certainly burns more slowly than when at the ordinary air temperature, and is also more difficult to ignite. Rods of moderate thickness, say from 5 mm. diameter, will continue to burn under water if first ignited in air and the burning portion slowly immersed. The end of a rod of cordite may be struck a moderately heavy blow on an anvil without exploding or igniting. The rod will first flatten out. Asharpblow will then detonateor explode the portion immediately under the hammer, the remainder of the rod remaining quite intact. Bullets may be fired through a bundle or package of cordite without detonating or inflaming it. This is of course a valuable quality. The exact temperature at which substances ignite or take fire is in all cases difficult to determine with any exactness. Cordite is notinstantlyignited on contact with a flame such as that of a candle, because, perhaps, of the condensation of some moisture from the products of burning of the candle upon it. A blow-pipe flame or a red-hot wire is more rapid in action. The ignition temperature may be somewhere in the region of 180° C.
All the members of this class of explosive when kept for some time at (for them) moderately high temperatures, such as the boiling-point of water (100° C.), show signs of decomposition; oxides of nitrogen are liberated, and some complex oxidation processes are started. Carefully prepared gun-cotton and nitro-glycerin will, however, withstand this temperature for a long time without serious detriment, excepting that nitro-glycerin is slightly volatilized. When incorporated in cordite, however, the nitro-glycerin appears to be much less volatile than when free at this temperature. Under reduced pressure (3 or 4 in. only of mercury instead of 30) it is possible to distil away a considerable amount of nitro-glycerin from cordite at 100° C. It is very doubtful whether at ordinary temperatures and pressures any nitro-glycerin whatever evaporates.
Cordite may be kept in contact with clean, dry metals, wood, paper, and a number of ordinary substances without deterioration. In contact with damp and easily oxidizable metals all the substances of the gun-cotton class are liable to a slight local action, but the colloid nature, and probably also the contained mineral jelly, protect cordite considerably in these circumstances. Ammonia has a deleterious action, but even this proceeds but slowly. Cordite does not appear to change when kept under water.
The manufacturing processes comprise: drying the gun-cotton and nitro-glycerin; melting and filtering the mineral jelly; weighing and mixing the nitro-glycerin with the gun-cotton; moistening this mixture with acetone until it becomes a jelly; and then incorporating in a special mixing mill for about three hours, after which the weighed amount of mineral jelly is added and the incorporation continued for about one hour or until judged complete. The incorporating or mixing machine is covered as closely as possible to prevent too great evaporation of the very volatile acetone. Before complete incorporation the mixture is termed, in the works, “paste,” and, when finally mixed, “dough.”
The right consistency having been produced, the material is placed in a steel cylinder provided with an arrangement of dies or holes of regulated size at one end, and a piston or plunger at the other. The plunger is worked either by hydraulic power or by a screw (driven from ordinary shafting). Before reaching and passing through the holes in the die, the material is filtered through a disk of fine wire gauze to retain any foreign substances, such as sand, bits of wood or metal, or unchanged fibres of cellulose, &c., which might choke the dies or be otherwise dangerous. The material issues from the cylinders in the form of cord or string of the diameter of the holes of the die. The thicker sizes are cut off, as they issue, into lengths (of about 3 ft.), it being generally arranged that a certain number of these—say ten—should have, within narrow limits, a definite weight. The small sizes, such as those employed for rifle cartridges, are wound on reels or drums, as the material issues from the press cylinders, in lengths of many yards.
Some of the solvent or gelatinizing material (acetone) is lost during the incorporating, and more during the pressing process and the necessary handling, but much still remains in the cordite at this stage. It is now dried in heated rooms, where it is generally spread out on shelves, a current of air passing through carrying the acetone vapour with it. In the more modern works this air current is drawn, finally, through a solution of a substance such as sodium bisulphite; a fixed compound is thus formed with the acetone, which by suitable treatment may be recovered. The time taken in the drying varies with the thickness of the cordite from a few days to several weeks. For several reasons it is desirable that this process should go on gradually and slowly.
After drying, all the various batches of cordite of the same size are carefully “blended,” so that any slight differences in the manufacture of one batch or one day’s output may be equalized as much as possible. Slight differences may arise from the raw materials, cotton waste or glycerin, or in the making of these into gun-cotton or nitro-glycerin respectively. To help in controlling the blending, each “make” of gun-cotton and nitro-glycerin is “marked” or numbered, and carries its mark to the cordite batch of which it is an ingredient. The history of each box of large-sized or reel of small-sized cordite is therefore known up to the operation of blending and packing. The final testing is by firing proofs, as in the case of the old gunpowders.
The gun-cotton employed for cordite is made in the usual way (seeGun-Cotton), with the exception of treating with alkali. It is also after complete washing with water gently pressed into small cylinders (about 3 in. diameter and 4 in. high) whilst wet, and these are carefully dried before the nitro-glycerin is added. The pressure applied is only sufficient to make the gun-cotton just hold together so that it is easily mixed with the nitro-glycerin. The mineral jelly or vaseline is obtained at a certain stage of distillation of petroleum, and is a mixture of hydrocarbons, paraffins, olefines and some other unsaturated hydrocarbons, possibly aromatic, which no doubt play a very important part as preservatives in cordite.
The stability of cordite, that is, its capability of keeping without chemical or ballistic changes, is judged of by certain “heat tests.” The Abel heat test consists in subjecting a weighed quantity, 2 grams, of the finely divided cordite contained in a test tube, to a temperature of 70° C. maintained constant by a water bath. The test tube is about 6×¾ in., and dips into the water sufficiently to immerse about 2 in., viz. the part containing the cordite. In the upper free portion a piece of filter-paper impregnated with a mixture of potassium iodide and starch paste is suspended by a platinum wire from the stopper of the tube. A portion of the test paper is moistened with a solution of glycerin to render it more sensitive than the dry part. A faint brown colour appearing on the moistened portion indicates that some oxides of nitrogen have been evolved from the cordite. This brown tint is compared with a standard, and the time taken before the standard tint appears is noted. The time fixed upon as a test of relative stability is an arbitrary one determined by examination of well-known specimens. Should the cordite or other explosive contain traces of mercury salts, such as mercuric chloride, which is sometimes added as a preservative, this test is rendered nugatory, and no coloration may appear (or only after a long exposure), although the sample may be of indifferent stability. It is now customary to examine specially for mercury, either by heating the explosive in contact with gold leaf or silver foil, or by burning the substance and examining the flame in the spectroscope.
The method of examination known as the vacuum silvered vessel process is probably not interfered with by the presence of very small quantities of mercury. It consists in heating 50 grams of the finely divided explosive in a Dewar’s silvered vacuum glass bulb to a rigidly constant temperature of 80° C. for many hours. A sensitive thermometer having its bulb immersed in the centre of the cordite shows when the temperature rises above 80°. Such a rise indicates internal oxidation or decomposition of the explosive; it is accompanied by an evolution of nitrogen dioxide, NO2, the depth of colour of which is noted through a side tube attached to the bulb. As all explosives of this class would in time decompose sufficiently to give these indications, time periods or limits have been fixed at which an appreciable and definite rise in temperature and production of red fumes indicate relative stability or instability.
(W. R. E. H.)
CÓRDOBA, GONZALO FERNANDEZ DE(1453-1515), Spanish general and statesman, usually spoken of by the Italianized form of his Christian name asGonsalvo de Córdoba, or as “theGreat Captain,” was the second son of Don Pedro Fernandez de Córdoba, count of Aguilar, and of his wife Elvira de Herrera, who belonged to the family of Enriquez, the hereditary admirals of Castile, a branch of the royal house. Gonzalo was born at Montilla near the city of Córdova (Cordoba) on the 16th of March 1453. The father died when he and his elder brother, Don Alonso, were mere boys. The counts of Aguilar carried on an hereditary feud with the rival house of Cabra, and the children were carried by their vassals into the faction fights of the two families. As a younger son Gonzalo had his fortune to make, but he was generously aided by the affection of his elder brother, who was very wealthy. War and service in the king’s court offered the one acceptable career outside the church to a gentleman of his birth.
He was first attached to the household of Don Alphonso, the king’s brother, and upon his death devoted himself to Isabella, afterwards the queen. During the civil war, and the conflict with Portugal which disturbed the first years of her reign, he fought under the grand master of Santiago, Alonso de Cardenas. After the battle of Albuera, the grand master gave him especial praise, saying that he could always see Gonzalo to the front because he was conspicuous by the splendour of his armour. Indeed the future Great Captain, who, as a general, was above all things astute and patient, could, and habitually did, display the most reckless personal daring, going into a fight as if he loved it, and having a shrewd sense that a reputation for intrepidity, a free-handed profusion, and the personal magnificence which strikes the eye, would secure him the devotion of his soldiers. During the ten years’ war for the conquest of Granada he completed his apprenticeship under his brother, the count of Aguilar, the grand master of Santiago, and the count of Tendilla, of whom he always spoke as his masters. It was a war of surprises and defences of castles or towns, of skirmishes, and of ambuscades in the defiles of the mountains. The military engineer and the “guerrillero” were about equally employed. Gonzalo’s most distinguished single feat was the defence of the advanced post of Illora, but he commanded the queen’s escort when she wished to take a closer view of Granada, and he beat back a sortie of the Moors under her eyes. When Granada surrendered, he was one of the officers chosen to arrange the capitulation, and on the peace he was rewarded by a grant of land.
So far he was only known as an able subordinate, but his capacity could not be hidden from such an excellent judge of character as Isabella, to whom as a woman he appealed by a chivalrous union of devotion and respect. When, therefore, the Catholic sovereigns decided to support the Aragonese house of Naples against Charles VIII. of France, Gonzalo was chosen by the influence of the queen, and in preference to older men, to command the Spanish expedition. It was in Italy that he won the title of the Great Captain; Guicciardini says that it was given him by the customary arrogance of the Spaniards, but it was certainly accepted as just by all the soldiers of the time of whatever nationality. A detailed account of his campaigns cannot be given here. He held the command in Italy twice. In 1495 he was sent with a small force of little more than five thousand men to aid Ferdinand of Naples to recover his kingdom, and he returned home after achieving success, in 1498. After a brief interval of service against the conquered Moors who had risen in revolt, he returned to Italy in 1501. Ferdinand of Spain had entered into his iniquitous compact with Louis XII. of France for the spoliation and division of the kingdom of Naples. The Great Captain was chosen to command the Spanish part of this robber coalition. As general and as viceroy of Naples he remained in Italy till 1507. During his first command he was mostly employed in Calabria in mountain warfare which bore much resemblance to his former experience in Granada. There was, however, a material difference in the enemy. The French forces, commanded by the Scotsman Stuart d’Aubigny, consisted largely of Swiss pikemen, and of their own men-at-arms. With his veterans of the Granadine war, foot soldiers armed with sword and buckler, or arquebuses and crossbows, and light cavalry, trained to unsleeping vigilance, capable of long marches, and of an endurance unparalleled among the soldiers of the time, he could carry on a guerrillero warfare which wore down his opponents, who suffered far more than the Spaniards from the heat. But he saw clearly that this was not enough. His experience in Seminara showed him that something more was wanted on the battlefield. The action was lost mainly because King Ferdinand, disregarding the advice of Gonzalo, persisted in fighting a pitched battle with inferior numbers, some of whom were untrustworthy Neapolitans. The Spanish foot behaved excellently, but the result showed that in the open field their loose formation and their swords put them at a disadvantage as against a charge of heavy cavalry or pikemen. Gonzalo therefore introduced a much more strict formation, and adopted the pike as the weapon of a part of his foot. The division of the Spanish infantry into the “battle” or main central body of pikemen, and the wings (alas) of “shot” to be employed in outflanking the enemy, was primarily due to the Great Captain.
The French were expelled by 1498 without another battle. When the Great Captain reappeared in Italy he had first to perform the congenial task of driving the Turk from Cephalonia, then to aid in robbing the king of Naples, Frederick, brother of his old ally Ferdinand. When the king of Naples had been despoiled, the French and Spaniards quarrelled over the booty. The Great Captain now found himself with a much outnumbered army in the presence of the French. The war was divided into two phases very similar to one another. During the end of 1502 and the early part of 1503 the Spaniards stood at bay in the entrenched camp at Barletta near the Ofanto on the shores of the Adriatic. He resolutely refused to be tempted into battle either by the taunts of the French or the discontent of his own soldiers. Meanwhile he employed the Aragonese partisans in the country, and flying expeditions of his own men, to harass the enemy’s communications. When he was reinforced, and the French committed the mistake of scattering their forces too much to secure supplies, he took the offensive, pounced on the enemy’s depot of provisions at Cerignola, took a strong position, threw up hasty field works, and strengthened them with a species of wire entanglements. The French made a headlong front attack, were repulsed, assailed in flank, and routed. The later operations on the Garigliano were very similar, and led to the total expulsion of the French from Naples. Gonzalo remained as governor of Naples till 1507. But he had become too great not to arouse the jealousy of such a typical king of the Renaissance as Ferdinand the Catholic. The death of the queen in 1504 had deprived him of a friend, and it must be allowed that he was profuse in rewarding his captains and his soldiers out of the public treasury. Ferdinand loaded him with titles and fine words, but recalled him so soon as he could, and left him unemployed till his death on the 2nd of December 1515.
The Great Captain is sometimes spoken of as the first of modern generals. The expression is uncritical, for modern generalship arose from many sides, but he was emphatically a general. There is much in his methods which bears a curious likeness to those of the duke of Wellington; Barletta, for instance, has a distinct resemblance to the Torres Vedras campaign, and the battle on the Garigliano to Assaye. As an organizer he founded the Spanish infantry of the 16th and 17th centuries, and he gave the best proof of his influence by forming a school of officers. The best generals of Charles V. were either the pupils of the Great Captain or were trained by them.
There is no life of Gonzalo de Córdoba written by a scholar who was also a good judge of war. The dullCronica del Gran Capitangives the bare events of his campaigns rather wearisomely but fully. Paulus Govius,Vitae illustrium virorum, translated by Domenichi (Florence, 1550), is elegant and very readable. Don José Quintana includes him in hisEspañoles celebres(Rivadeneyra Biblioteca de autores españoles, vol. xix., Madrid, 1846-1880); and Prescott collected the authorities, and made good use of them in hisFerdinand and Isabella. See also P. du Poncet,Histoire de Gonsalve de Cordoue(Paris, 1714). TheGonsalve de Cordoue, ou Grenade reconquiseof Florian (Paris, 1791) is a romance.
There is no life of Gonzalo de Córdoba written by a scholar who was also a good judge of war. The dullCronica del Gran Capitangives the bare events of his campaigns rather wearisomely but fully. Paulus Govius,Vitae illustrium virorum, translated by Domenichi (Florence, 1550), is elegant and very readable. Don José Quintana includes him in hisEspañoles celebres(Rivadeneyra Biblioteca de autores españoles, vol. xix., Madrid, 1846-1880); and Prescott collected the authorities, and made good use of them in hisFerdinand and Isabella. See also P. du Poncet,Histoire de Gonsalve de Cordoue(Paris, 1714). TheGonsalve de Cordoue, ou Grenade reconquiseof Florian (Paris, 1791) is a romance.
(D. H.)
CÓRDOBA,a large central province of the Argentine Republic, bounded N. by Santiago del Estero, E. by Santa Fé, S. by Buenos Aires and La Pampa, W. by San Luis and Rioja, and N.W. byCatamarca. Pop. (1895) 351,223; (1904, estimate) 465,464; area, 62,160 sq. m. The greater part of the province belongs to the pampas, though less fertile and grassy than the plains farther E. and S. It likewise includes large saline and swampy areas. The N.W. part of the province is traversed by an isolated mountain system made up of the Córdoba, Pocho and Ischilin sierras, which extend for a distance of some 200 m. in a N. and S. direction. These ranges intercept the moist winds from the Atlantic, and receive on their eastern slopes an abundant rainfall, which gives them a strikingly verdant appearance in comparison with the surrounding plains. West and N.W. of the sierras are extensive saline basins called Las Salinas Grandes, which extend into the neighbouring provinces and are absolutely barren. In the N.E. the land is low and swampy; here are the large saline lagoons of Mar Chiquita and Los Porongos. The principal rivers, which have their sources in the sierras and flow eastward, are the Primero and Segundo, which flow north-easterly into the lacustrine basin of Mar Chiquita; the Tercero and Quarto, which unite near the Santa Fé frontier to form the Carcaraña, a tributary of the Paraná; and the Quinto, which flows south-easterly into the swamps of the Laguna Amarga in the S. part of the province. Countless small streams also descend the eastern slopes of the sierras and are lost in the great plains. The eastern districts are moderately fertile, and are chiefly devoted to cattle-breeding, though cereals are also produced. In the valleys and well-watered foothills of the sierras, however, cereals, alfalfa and fruit are the principal products. The rainfall is limited throughout the province, and irrigation is employed in but few localities. The mineral resources include gold, silver, copper, lead and iron, but mining is carried on only to a very limited extent. Salt and marble are also produced. Córdoba is traversed by several railway lines—those running westward from Buenos Aires and Rosario to Mendoza and the Chilean frontier, those connecting the city of Córdoba with the same cities, and with Tucuman on the N. and Catamarca and Rioja on the N.W. The chief towns are Córdoba, the capital, Rio Quarto, Villa Maria, an important railway centre 82 m. S.E. of Córdoba, and Cruz del Eje on the W. slopes of the sierras, 110 m. N.W. of Córdoba.
CÓRDOBA,a city in the central part of the Argentine Republic, capital of the above province, on the Rio Primero, 435 m. by rail N.W. of Buenos Aires by way of Rosario, 246 m. from the latter. Pop. (1895) 42,783—the suburbs having 11,679 more—(1905, estimate) 60,000. The city is connected by railway with Buenos Aires and Rosario, and with the capitals of all the surrounding provinces. Córdoba stands on a high eastward-sloping plain called the “Altos,” 1240 ft. above sea-level, and is built in a broad river bottom washed out by periodical inundations and the action of the rains on the alluvial banks. The inundations have been brought under control by the construction of barriers and dams, but the banks are constantly broken down. The city is regularly laid out, and contains many fine edifices and dwellings. Several suburban settlements surround the city, the more important of which are served by the urban tramway lines. The streets are lighted by gas and electricity, and an excellent telephone service is maintained. The noteworthy public buildings include the cathedral, a handsome edifice curiously oriental in appearance, a massive old Jesuit church with a ceiling of richly carved and gilded cedar, the old university, founded in 1613, which still occupies the halls built by the Jesuits around a large quadrangle, the fine oldcabildo, or government house, of Moorish appearance, and the national observatory on thebarrancaoverlooking the city. There are, also, two national normal schools, a national college, an episcopal seminary, an endowed Carmelite orphanage, a national meteorological station, a national academy of sciences, and a good public library. Among the attractive features of the city is an alameda of about six acres, within which is a square artificial lake of 4 acres, surrounded by shrubbery and shaded walks; the alameda dates from the time when the Jesuits ruled the city, and to them also are due the tiled baths, supplied with running water. A short avenue connects the alameda with the principalplaza, a pretty garden and promenade. The water supply of Córdoba is derived from the Rio Primero, 12 m. above the city, where an immense dam (Dique San Roque), one of the largest of its kind in South America, has been built across the river valley. This dam also serves to irrigate the valley below, and to furnish power for the electric plant which provides Córdoba with light and electric power. In and about the city there are several industrial establishments which have sprung into existence since the opening of the first railway in 1870. The surrounding country is irrigated and well cultivated, and produces an abundance of fruit and vegetables.
The city was founded in 1573 by Luis Geronimo de Cabrera and was for a long time distinguished for its learning and piety. It was the headquarters of the Jesuits in this part of South America for two centuries, and for a time the capital of the Spanishintendenciaof Tucuman. The expulsion of the Jesuits in 1767 proved to be a serious blow to the academic reputation of the city, from which it did not recover until 1870, when President Sarmiento engaged some eminent scientific men from Europe to teach modern science in the university.
CÓRDOBA,a town of the state of Vera Cruz, Mexico, 55 m. W.S.W. of the port of Vera Cruz, in a highly fertile valley, near the volcano of Orizaba, and 2880 ft. above sea-level. Pop. (1895) 7974. The surrounding district produces sugar, tobacco and coffee, Córdoba being one of the principal coffee-producing centres of Mexico. It also manufactures cotton and woollen fabrics. The town is regularly laid out and built of stone, and contains several handsome edifices, chief of which is the old cathedral. Córdoba was a town of considerable importance in colonial times, but fell into decay after the revolution. The railway from Vera Cruz to Mexico, which passes through it, and the development of coffee production, have helped the city to recover a part of its lost trade.
CORDON(a French derivative ofcorde, cord), a word used in many applications of its meaning of “line” or “cord,” and particularly of a cord of gold or silver lace worn in military and other uniforms. The word is especially used of the sash or ribbon worn by members of an order of knighthood, crossing from one shoulder to the opposite hip. Thecordon bleu, the sky-blue ribbon of the knight’s grand cross of the order of the Holy Spirit, the highest order of the Bourbon kings of France, was, like the “blue ribbon” of the English Garter, taken as a type of the highest reward or prize to which any one can attain (see alsoCookery). In heraldry, “cordons” are the ornamental cords which, with the hats to which they are attached, ensign the shields of arms of certain ecclesiastical dignitaries; they are interlaced to form a mesh or network and terminate in rows of tassels. A cardinal’s cordon isguleswith five rows of fifteen tassels, an archbishop’svertwith four rows of ten, and a bishop’s alsovert, with three rows of six. In architecture a “cordon” is a projecting band of stone along the outside of a building, a string-course. The word is frequently used in a transferred sense of a line of posts or stations to guard an enclosed area from unauthorized passage, e.g. a military or police cordon, and especially a sanitary cordon, a line of posts to prevent communication from or with an area infected with disease.
CORDOVA(Span.Córdoba), an inland province of southern Spain, bounded on the N.E. by Ciudad Real, E. by Jaén, S.E. by Granada, S. by Málaga, S.W. and W. by Seville, and N.W. by Badajoz. Pop. (1900) 455,859; area, 5299 sq. m. The river Guadalquivir divides the province into two very dissimilar portions. On the right bank is the mountainous region of the Sierra Morena, less peopled and fertile than the left bank, with its great plains (La Campiña) and slightly undulating country towards the south and south-east, where the surface again becomes mountainous with the outlying ridges of the Sierra Nevada. The Guadalquivir, flowing from E.N.E. to W.S.W., waters the richest districts of Cordova, and has many tributaries, notably the Bembezar, Guadiato and Guadamellato, on the right, and the Genil and Guadajoz on the left. The northern districts (Los Pedroches) are drained by several small tributaries of the Guadiana. The climate is much varied. Snow is to be foundfor months on the highest peaks of the mountains; mild temperature in the plains, except in the few torrid summer months, when rain seldom falls. The peasantry are chiefly occupied in various branches of husbandry; sheep-farming and the culture of the olive employ large numbers. The agricultural wealth of Cordova is, however, not fully exploited, owing to the conservatism and backward education of the peasantry. There are no great manufacturing towns, but mining is an industry of some importance. In 1903 coal was obtained in considerable quantities in the Belmez district; argentiferous lead and zinc near Pozoblanco and elsewhere; iron ore at Luque, near Baena. A small amount of bismuth is also obtained. Mining is facilitated by a fairly complete and well-kept system of communication by road and railway. The main line Madrid-Lináres-Seville follows the Guadalquivir valley throughout the province, passing through the capital, Cordova. Here it meets the line from Almorchón, on the north, to Málaga, on the south, which has three important branches—Belmez-Fuente del Arco, Cordova-Utrera, and Puente Genil-Jaén. After the capital, the principal towns are Aguilar de la Frontera (13,236), Baena (14,539), Cabra (13,127), Fuente Ovejuna (11,777), Lucena (21,179), Montilla (13,603), Montoro (14,581), Pozoblanco (12,792), Priego de Cordoba (16,904) and Puente Genil (12,956). These are described under separate headings. Other towns of less importance are Adamuz (6974), Belalcázar (7682), Belmez (8978), Bujalance (10,756), Castro del Río (11,821), Hinojosa del Duque (10,673), Palma del Río (7914), Rute (10,740) and Villafranca de Córdoba (9771).
CORDOVA(Span.Córdoba; Lat.Corduba), the capital of the Spanish province of Cordova, on the southern slopes of the Sierra de Cordova, and the right bank of the river Guadalquivir. Pop. (1900) 58,275. At Cordova the Madrid-Seville railway meets the branch line from Almorchón to Málaga. The city is an episcopal see. Few fragments remain of its Moorish walls, which were erected on Roman foundations and enclosed a very wide area, now largely occupied by garden-ground cleared from the ruins of ancient buildings. On the outskirts are many modern factories in striking contrast with the surrounding orange, lemon and olive plantations, and with the pastures which belong to the celebrated Cordovan school of bull-fighting. Nearer the centre the streets are for the most part narrow and crooked. Almost every building, however, is profusely covered with whitewash, and thus there is little difference on the surface between the oldest and the most modern houses. The southern suburb communicates with the town by means of a bridge of sixteen arches across the river, exhibiting the usual combination of Roman and Moorish masonry and dominated at the one end by an elevated statue of the patron saint, St Raphael, whose effigy is to be seen in various other quarters of the city. The most important of the public buildings are the cathedral, the old monastic establishments, the churches, the bishop’s palace, the city hall, the hospitals and the schools and colleges, including the academy for girls founded in 1590 by Bishop Pacheco of Cordova, which is empowered to grant degrees. The Alcázar, or royal palace, stands on the south-west amid the gardens laid out by its builder, the caliph Abd-ar-Rahman III. (912-961). Its older parts are in ruins, and even the so-called New Alcázar, erected by Alphonso XI. of Castile in 1328, and long used as the offices of the Holy Inquisition, has only one wing in good repair, which serves as a prison.
But the glory of Cordova, surpassing all its other Moorish or Christian buildings, is themezquita, or mosque, now a cathedral, but originally founded on the site of a Roman temple and a Visigothic church by Abd-ar-Rahman I. (756-788), who wished to confirm the power of his caliphate by making its capital a great religious centre. Immigration from all the lands of Islam soon rendered a larger mosque necessary, owing to the greatly increased multitude of worshippers, and, by orders of Abd-ar-Rahman II. (822-852) and Al-Hakim II. (961-976), the original size was doubled. After various minor additions, Al-Mansur, the vizier of the caliph Hisham II. (976-1009), again enlarged theZeca, or House of Purification, as the mosque was named, to twice its former size, rendering it the largest sacred building of Islam, after the Kaaba at Mecca. The ground plan of the completed mosque forms a rectangle, measuring 570 ft. in length and 425 in breadth, or little less than St Peter’s in Rome. About one-third of this area is occupied by the courtyard, and the cloisters which surround it on the north, west and east. The exterior, with the straight lines of its square buttress towers, has a heavy and somewhat ungainly appearance; but the interior is one of the most beautiful specimens of Moorish architecture. Passing through a grand courtyard about 500 ft. in length, shady with palm and cypress and orange trees and watered by five fountains, the visitor enters on the south a magnificent and bewildering labyrinth of pillars in which porphyry, jasper and many-coloured marbles are boldly combined. Part came from the spoils of Nîmes or Narbonne, part from Seville or Tarragona, some from the older ruins of Carthage, and others as a present to Abd-ar-Rahman I. from the East Roman emperor Leo IV., who sent also from Constantinople his own skilled workmen, with 16 tons of tesserae for the mosaics. Originally of different heights, the pillars have been adjusted to their present standard of 12 ft. either by being sunk into the soil or by the addition of Corinthian capitals. Twelve hundred was the number of the columns in the original building, but many have been destroyed. The pillars divide the area of the building from north to south, longitudinally into nineteen and transversely into twenty-nine aisles—each row supporting a tier of open Moorish arches of the same height (12 ft.) with a third and similar tier superimposed upon the second. The full height of the ceiling is thus about 35 ft. The Moorish character of the building was unfortunately impaired in the 16th century by the formation in the interior of acrucero, or high altar and cruciform choir, by the addition of numerous chapels along the sides of the vast quadrangle, and by the erection of a belfry 300 ft. high in room of the old minaret. Thecruceroin itself is no disgrace to the architect Hernan Ruiz, but every lover of art must sympathize with the rebuke administered by the emperor Charles V. (1500-1558) to the cathedral authorities: “You have built here what could have been built as well anywhere else; and you have destroyed what was unique in the world.” Magnificent, indeed, as the cathedral still is, it is almost impossible to realize what the mosque must have been when the worshippers thronged through its nineteen gateways of bronze, and its 4700 lamps, fed with perfumed oil, illuminated its brilliant aisles. Of the exquisite elaboration bestowed on the more sacred portions abundant proof is afforded by the thirdMihrab, or prayer-recess, a small 10th-century chapel, heptagonal in shape, roofed with a single shell-like block of snow-white marble, and inlaid with Byzantine mosaics of glass and gold.
Cordova was celebrated in the time of the Moors for its silversmiths, who are said to have come originally from Damascus; and it exported a peculiar kind of leather which took its name from the city, whence is derived the wordcordwainer. Fine silver filigree ornaments are still produced; and Moorish work in leather is often skilfully imitated, although this handicraft almost disappeared in the 15th century. The chief modern industries of Cordova are distillation of spirits and the manufacture of woollen, linen and silken goods.
Corduba, probably of Carthaginian origin, was occupied by the Romans under Marcus Marcellus in 152 B.C.. and shortly afterwards became the first Romancoloniain Spain. From the large number of men of noble rank among the colonists, the city obtained the title ofPatricia; and to this day the Cordovese pride themselves on the purity and antiquity of their descent. In the 1st century B.C. Cordova aided the sons of Pompey against Caesar; but after the battle of Munda, in 45 B.C., it fell into the hands of Caesar, who avenged the obstinacy of its resistance by massacring 20,000 of the inhabitants. Under Augustus, if not before, it became a municipality, and was the capital of the thoroughly Romanized province of Baetica. In the lifetime of Strabo, however (c. 63 B.C.-A.D. 21), it still ranked as the largest city of Spain. Its prosperity was due partly to its position on the Baetis, and on the Via Augusta, the great commercial road from northern Spain built by Augustus, and partlyto its proximity to mines and rich grazing and grain-producing districts. Hosius, its bishop, presided over the first council of Nicaea in 345; and its importance was maintained by the Visigothic kings, whose rule lasted from the 5th to the beginning of the 8th century. Under the Moors, Cordova was at first an appanage of the caliphate of Damascus; but after 756 Abd-ar-Rahman I. made it the capital of Moorish Spain, and the centre of an independent caliphate (seeAbd-ar-Rahman). It reached its zenith of prosperity in the middle of the 10th century, under Abd-ar-Rahman III. At his death, it is recorded by native chroniclers, probably with Arabic exaggeration, that Cordova contained within its walls 200,000 houses, 600 mosques, 900 baths, a university, and numerous public libraries; whilst on the bank of the Guadalquivir, under the power of its monarch, there were eight cities, 300 towns and 12,000 populous villages. A period of decadence began in 1016, owing to the claims of the rival dynasties which aimed at succeeding to the line of Abd-ar-Rahman; the caliphate never won back its position, and in 1236 Cordova was easily captured by Ferdinand III. of Castile. The substitution of Spanish for Moorish supremacy rather accelerated than arrested the decline of art, industry and population; and in the 19th century Cordova never recovered from the disaster of 1808, when it was stormed and sacked by the French. Few cities of Spain, however, can boast of so long a list of illustrious natives in the Moorish and Roman periods, and even, to a less extent, in modern times. It was the birthplace of the rhetorician Marcus Annaeus Seneca, and his more famous son Lucius (c. 3 B.C.-A.D. 65); of the poet Lucan (A.D. 39-65); of the philosophers Averroes (1126-1198) and Maimonides (1135-1204); of the Spanish men of letters Juan de Mena (c. 1411-1456), Lorenzo de Sepúlveda (d. 1574) and Luis de Gongora y Argote (1561-1627); and the painters Pablo de Céspedes (1538-1608) and Juan de Valdés Leal (1630-1691). The celebrated captain Gonzalo Fernandez de Córdoba (q.v.), the conqueror of Naples (1495-1498), was born in the neighbouring town of Montilla.