His correspondence (ed. P. Burmann, 1697) is the most important authority for the events of Gude’s life, besides containing valuable information on the learning of the times. See also J. Moller,Cimbria literata, iii., and C. Bursian inAllgemeine deutsche Biographie, x.
His correspondence (ed. P. Burmann, 1697) is the most important authority for the events of Gude’s life, besides containing valuable information on the learning of the times. See also J. Moller,Cimbria literata, iii., and C. Bursian inAllgemeine deutsche Biographie, x.
GUDEMAN, ALFRED(1862- ), American classical scholar, was born in Atlanta, Georgia, on the 26th of August 1862. He graduated at Columbia University in 1883 and studied under Hermann Diels at the University of Berlin. From 1890 to 1893 he was reader in classical philology at Johns Hopkins University, from 1893 to 1902 professor in the University of Pennsylvania, and from 1902 to 1904 professor in Cornell University. In 1904 he became a member of the corps of scholars preparing the WölfflinThesaurus linguae Latinae—a unique distinction for an American Latinist, as was the publication of his critical edition, with German commentary, of Tacitus’Agricolain 1902 by the Weidmannsche Buchhandlung of Berlin. He wroteLatin Literature of the Empire(2 vols.,Prose and Poetry, 1898-1899), aHistory of Classical Philology(1902) andSources of Plutarch’s Life of Cicero(1902); and edited Tacitus’Dialogus de oratoribus(text with commentary, 1894 and 1898) andAgricola(1899; withGermania, 1900), and Sallust’sCatiline(1903).
GUDGEON(Gobio fluviatilis), a small fish of the Cyprinid family. It is nearly related to the barbel, and has a small barbel or fleshy appendage at each corner of the mouth. It is thegobioneof Italy,goujonof France (whence adapted in M. English asgojon), andGrässlingorGründlingof Germany. Gudgeons thrive in streams and lakes, keeping to the bottom, and seldom exceeding 8 in. in length. In China and Japan there are varieties differing only slightly from the common European type.
GUDRUN(Kudrun), a Middle High German epic, written probably in the early years of the 13th century, not long after theNibelungenlied, the influence of which may be traced upon it. It is preserved in a single MS. which was prepared at the command of Maximilian I., and was discovered as late as 1820 in the Castle of Ambras in Tirol. The author was an unnamed Austrian poet, but the story itself belongs to the cycle of sagas, which originated on the shores of the North Sea. The epic falls into three easily distinguishable parts—the adventures of King Hagen of Ireland, the romance of Hettel, king of the Hegelingen, who woos and wins Hagen’s daughter Hilde, and lastly, the more or less parallel story of how Herwig, king of Seeland, wins, in opposition to her father’s wishes, Gudrun, the daughter of Hettel and Hilde. Gudrun is carried off by a king of Normandy, and her kinsfolk, who are in pursuit, are defeated in a great battle on the island of Wülpensand off the Dutch coast. The finest parts of the epic are those in which Gudrun, a prisoner in the Norman castle, refuses to become the wife of her captor, and is condemned to do the most menial work of the household. Here, thirteen years later, Herwig and her brother Ortwin find her washing clothes by the sea; on the following day they attack the Norman castle with their army and carry out the long-delayed retribution.
The epic ofGudrunis not unworthy to stand beside the greaterNibelungenlied, and it has been aptly compared with it as theOdysseyto theIliad. Like theOdyssey, Gudrun is an epic of the sea, a story of adventure; it does not turn solely round the conflict of human passions; nor is it built up round one all-absorbing, all-dominating idea like theNibelungenlied. Scenery and incident are more varied, and the poet has an opportunity for a more lyric interpretation of motive and character.Gudrunis composed in stanzas similar to those of theNibelungenlied, but with the essential difference that the last line of each stanza is identical with the others, and does not contain the extra accented syllable characteristic of theNibelungenmetre.
Gudrunwas first edited by von der Hagen in vol. i. of hisHeldenbuch(1820). Subsequent editions by A. Ziemann and A. J. Vollmer followed in 1837 and 1845. The best editions are those by K. Bartsch (4th ed., 1880), who has also edited the poem for Kürschner’sDeutsche Nationalliteratur(vol. 6, 1885), by B. Symons (1883) and by E. Martin (2nd ed., 1901). L. Ettmüller first applied Lachmann’s ballad-theory to the poem (1841), and K. Müllenhoff (Kudrun, die echten Teile des Gedichts, 1845) rejected more than three-quarters of the whole as “not genuine.” There are many translations of the epic into modern German, the best known being that of K. Simrock (15th ed., 1884). A translation into English by M. P. Nichols appeared at Boston, U.S.A., in 1889.See K. Bartsch,Beiträge zur Geschichte und Kritik der Kudrun(1865); H. Keck,Die Gudrunsage(1867); W. Wilmanns,Die Entwickelung der Kudrundichtung(1873); A. Fécamp,Le Poème de Gudrun, ses origines, sa formation et son histoire(1892); F. Panzer,Hilde-Gudrun(1901). For later versions and adaptations of the saga see O. Benedict,Die Gudrunsage in der neueren Literatur(1902.)
Gudrunwas first edited by von der Hagen in vol. i. of hisHeldenbuch(1820). Subsequent editions by A. Ziemann and A. J. Vollmer followed in 1837 and 1845. The best editions are those by K. Bartsch (4th ed., 1880), who has also edited the poem for Kürschner’sDeutsche Nationalliteratur(vol. 6, 1885), by B. Symons (1883) and by E. Martin (2nd ed., 1901). L. Ettmüller first applied Lachmann’s ballad-theory to the poem (1841), and K. Müllenhoff (Kudrun, die echten Teile des Gedichts, 1845) rejected more than three-quarters of the whole as “not genuine.” There are many translations of the epic into modern German, the best known being that of K. Simrock (15th ed., 1884). A translation into English by M. P. Nichols appeared at Boston, U.S.A., in 1889.
See K. Bartsch,Beiträge zur Geschichte und Kritik der Kudrun(1865); H. Keck,Die Gudrunsage(1867); W. Wilmanns,Die Entwickelung der Kudrundichtung(1873); A. Fécamp,Le Poème de Gudrun, ses origines, sa formation et son histoire(1892); F. Panzer,Hilde-Gudrun(1901). For later versions and adaptations of the saga see O. Benedict,Die Gudrunsage in der neueren Literatur(1902.)
GUÉBRIANT, JEAN BAPTISTE BUDES,Comte de(1602-1643), marshal of France, was born at Plessis-Budes, near St Brieuc, of an old Breton family. He served first in Holland, and in the Thirty Years’ War he commanded from 1638 to 1639 the French contingent in the army of his friend Bernard of Saxe-Weimar, distinguishing himself particularly at the siege of Breisach in 1638. Upon the death of Bernard he received the command of his army, and tried, in conjunction with J. Baner (1596-1641), the Swedish general, a bold attack upon Regensburg (1640). His victories of Wolfenbüttel on the 29th of June 1641 and of Kempen in 1642 won for him the marshal’s bâton. Having failed in an attempt to invade Bavaria in concert with Torstensson he seized Rottweil, but was mortally wounded there on the 17th of November 1643.
A biography was published by Le Laboureur,Histoire du mareschal de Guébriant, in 1656. See A. Brinzinger inWürttembergische Vierteljahrschrift für Landesgeschichte(1902).
A biography was published by Le Laboureur,Histoire du mareschal de Guébriant, in 1656. See A. Brinzinger inWürttembergische Vierteljahrschrift für Landesgeschichte(1902).
GUELDER ROSE,so called from Guelderland, its supposed source, termed also marsh elder, rose elder, water elder (Ger.Wasserholder,Schneeball; Fr.viorne-obier,l’obier d’Europe), known botanically asViburnum Opulus, a shrub or small tree of the natural order Caprifoliaceae, a native of Britain, and widely distributed in the temperate and colder parts of Europe, Asia and North America. It is common in Ireland, but rare in Scotland. In height it is from 6 to 12 ft., and it thrives best in moist situations. The leaves are smooth, 2 to 3 in. broad, with 3 to 5 unequal serrate lobes, and glandular stipules adnate to the stalk. In autumn the leaves change their normal bright green for a pink or crimson hue. The flowers, which appear in June and July, are small, white, and arranged in cymes 2 to 4 in. in diameter. The outer blossoms in the wild plant have an enlarged corolla, ¾ in. in diameter, and are devoid of stamens or pistils; in the common cultivated variety all the flowers are sterile and the inflorescence is globular, hence the term “snowball tree” applied to the plant, the appearance of which at the time of flowering has been prettily described by Cowper in hisWinter Walk at Noon. The guelder rose bears juicy, red, elliptical berries,1⁄3in. long, which ripen in September, and contain each a single compressed seed. In northern Europe these are eaten, and in Siberia, after fermentation with flour, they are distilled for spirit. The plant has, however, emetic, purgative and narcotic properties; and Taylor (Med. Jurisp.i. 448, 2nd ed., 1873) has recorded an instance of the fatal poisoning of a child by the berries. Both they and the bark contain valerianic acid. The woody shoots of the guelder rose are manufactured into various small articles in Sweden and Russia. Another member of the genus,Viburnum,Lantana, wayfaring tree, is found in dry copses and hedges in England, except in the north.
GUELPH,a city of Ontario, Canada, 45 m. W. of Toronto, on the river Speed and the Grand Trunk and Canadian Pacific railways. Pop. (1901) 11,496. It is the centre of a fine agricultural district, and exports grain, fruit and live-stock in large quantities. It contains, in addition to the county and municipal buildings, the Ontario Agricultural College, which draws students from all parts of North and South America. The river affords abundant water-power for flour-mills, saw-mills, woollen-mills and numerous factories, of which agricultural implements, sewing machines and musical instruments are the chief.
GUELPHS AND GHIBELLINES.These names are doubtless Italianized forms of the German words Welf and Waiblingen, although one tradition says that they are derived from Guelph and Gibel, two rival brothers of Pistoia. Another theory derives Ghibelline from Gibello, a word used by the Sicilian Arabs to translate Hohenstaufen. However, a more popular story tells how, during a fight around Weinsberg in December 1140 between the German king Conrad III. and Welf, count of Bavaria, a member of the powerful family to which Henry the Lion, duke of Saxony and Bavaria, belonged, the soldiers of the latter raised the cry “Hie Welf!” to which the king’s troops replied with “Hie Waiblingen!” this being the name of one of Conrad’s castles. But the rivalry between Welf and Hohenstaufen, of which family Conrad was a member, was anterior to this event, and had been for some years a prominent fact in the history of Swabia and Bavaria, although its introduction into Italy—in a slightly modified form, however—only dates from the time of the Italian expeditions of the emperor Frederick I. It is about this time that the German chronicler, Otto of Freising, says, “Duae in Romano orbe apud Galliae Germaniaeve fines famosae familiae actenus fuere, una Heinricorum de Gueibelinga, alia Guelforum de Aldorfo, altera imperatores, altera magnos duces producere solita.” Chosen German king in 1152, Frederick was not only the nephew and the heir of Conrad, he was related also to the Welfs; yet, although his election abated to some extent the rivalry between Welf and Hohenstaufen in Germany, it opened it upon a larger and fiercer scale in Italy.
During the long and interesting period covered by Frederick’s Italian campaigns, his enemies, prominent among whom were the cities of the Lombard League, became known as Welfs, or Guelphs, while his partisans seized upon the rival term ofWaiblingen, or Ghibelline, and the contest between these two parties was carried on with a ferocity unknown even to the inhabitants of southern Germany. The distracted state of northern Italy, the jealousies between various pairs of towns, the savage hatred between family and family, were some of the causes which fed this feud, and it reached its height during the momentous struggle between Frederick II. and the Papacy in the 13th century. The story of the contest between Guelph and Ghibelline, however, is little less than the history of Italy in the middle ages. At the opening of the 13th century it was intensified by the fight for the German and imperial thrones between Philip, duke of Swabia, a son of Frederick I., and the Welf, Otto of Brunswick, afterwards the emperor Otto IV., a fight waged in Italy as well as in Germany. Then, as the heir of Philip of Swabia and the rival of Otto of Brunswick, Frederick II. was forced to throw himself into the arms of the Ghibellines, while his enemies, the popes, ranged themselves definitely among the Guelphs, and soon Guelph and Ghibelline became synonymous with supporter of pope and emperor.
After the death of Frederick II. in 1250 the Ghibellines looked for leadership to his son and successor, the German king, Conrad IV., and then to his natural son, Manfred, while the Guelphs called the French prince, Charles of Anjou, to their aid. But the combatants were nearing exhaustion, and after the execution of Conradin, the last of the Hohenstaufen, in 1268, this great struggle began to lose force and interest. Guelph and Ghibelline were soon found representing local and family rather than papal and imperial interests; the names were taken with little or no regard for their original significance, and in the 15th century they began to die out of current politics. However, when Louis XII. of France conquered Milan at the beginning of the 16th century the old names were revived; the French king’s supporters were called Guelphs and the friends of the emperor Maximilian I. were referred to as Ghibellines.
The feud of Guelph and Ghibelline penetrated within the walls of almost every city of northern Italy, and the contest between the parties, which practically makes the history of Florence during the 13th century, is specially noteworthy. First one side and then the other was driven into exile; the Guelph defeat at the battle of Monte Aperto in 1260 was followed by the expulsion of the Ghibellines by Charles of Anjou in 1266, and on a smaller scale a similar story may be told of many other cities (seeFlorence).
The Guelph cause was buttressed by an idea, yet very nebulous, of Italian patriotism. Dislike of the German and the foreigner rather than any strong affection for the Papacy was the feeling which bound the Guelph to the pope, and so enabled the latter to defy the arms of Frederick II. The Ghibelline cause, on the other hand, was aided by the dislike of the temporal power of the pope and the desire for a strong central authority. This made Dante a Ghibelline, but the hopes of this party, kindled anew by the journey of Henry VII. to Italy in 1310, were extinguished by his departure. J. A. Symonds thus describes the constituents of the two parties: “The Guelph party meant the burghers of the consular Communes, the men of industry and commerce, the upholders of civil liberty, the friends of democratic expansion. The Ghibelline party included the naturalized nobles, the men of arms and idleness, the advocates of feudalism, the politicians who regarded constitutional progress with disfavour. That the banner of the church floated over the one camp, while the standard of the empire rallied to itself the hostile party, was a matter of comparatively superficial moment.” In another passage the same writer thus describes the sharp and universal division between Guelph and Ghibelline: “Ghibellines wore the feathers in their caps upon one side, Guelphs upon the other. Ghibellines cut fruit at table crosswise, Guelphs straight down ... Ghibellines drank out of smooth and Guelphs out of chased goblets. Ghibellines wore white and Guelphs red roses.” It is interesting to note that while Dante was a Ghibelline, Petrarch was a Guelph.
See J. A. Symonds,The Renaissance in Italy, vol. i. (1875).
See J. A. Symonds,The Renaissance in Italy, vol. i. (1875).
GUENEVERE(Lat.Guanhumara; Welsh,Gwenhwyfar; O. Eng.Gaynore), in Arthurian romance the wife of King Arthur. Geoffrey of Monmouth, who calls her Guanhumara, makes her a Roman lady, but the general tradition is that she was of Cornish birth and daughter to King Leodegrance. Wace, who, while translating Geoffrey, evidently knew, and used, popular tradition, combines these two, asserting that she was of Roman parentage on the mother’s side, but cousin to Cador of Cornwall by whom she was brought up. The tradition relating to Guenevere is decidedly confused and demands further study. The Welsh triads know no fewer than three Gwenhwyfars; Giraldus Cambrensis, relating the discovery of the royal tombs at Glastonbury, speaks of the body found as that of Arthur’s second wife; the proseMerlingives Guenevere a bastard half-sister of the same name, who strongly resembles her; and theLancelotrelates how this lady, trading on the likeness, persuaded Arthur that she was the true daughter of Leodegrance, and the queen the bastard interloper. This episode of the false Guenevere is very perplexing.
To the majority of English readers Guenevere is best known in connexion with her liaison with Lancelot, a story which, in the hands of Malory and Tennyson, has assumed a form widely different from the original conception, and at once more picturesque and more convincing. In the French romances Lancelot is a late addition to the Arthurian cycle, his birth is not recorded till long after the marriage of Arthur and Guenevere, and he is at least twenty years the junior of the queen. The relations between them are of the most conventional and courtly character, and are entirely lacking in the genuine dramatic passion which marks the love story of Tristan and Iseult. TheLancelot-Guenevereromance took form and shape in the artificial atmosphere encouraged by such patronesses of literature as Eleanor of Aquitaine and her daughter Marie, Comtesse de Champagne (for whom Chrétien de Troyes wrote hisChevalier de la Charrette), and reflects the low social morality of a time when love between husband and wife was declared impossible. But though Guenevere has changed her lover, the tradition of her infidelity is of much earlier date and formed a part of the primitive Arthurian legend. Who the original lover was is doubtful; theVita Gildaerelates how she was carried off by Melwas, king of Aestiva Regis, to Glastonbury, whither Arthur, at the head of an army, pursued the ravisher. A fragment of a Welsh poem seems to confirm this tradition, which certainly lies at the root of her later abduction by Meleagaunt. In theLanzeletof Ulrich von Zatzikhoven the abductor is Falerîn. The story in these forms represents an other-world abduction. A curious fragment of Welsh dialogues, printed by Professor Rhys in hisStudies on the Arthurian Legend, appears to represent Kay as the abductor. In the pseudo-Chronicles and the romances based upon them the abductor is Mordred, and in the chronicles there is no doubt that the lady was no unwilling victim. On the final defeat of Mordred she retires to a nunnery, takes the veil, and is no more heard of. Wace says emphatically—
Ne fu oie ne véue,Ne fu trovée, ne séuePor la vergogne del mesfaitEt del pecié qu ele avoit fait(11. 13627-30).
Ne fu oie ne véue,
Ne fu trovée, ne séue
Por la vergogne del mesfait
Et del pecié qu ele avoit fait(11. 13627-30).
Layamon, who in his translation of Wace treats his original much as Wace treated Geoffrey, says that there was a tradition that she had drowned herself, and that her memory and that of Mordred were hateful in every land, so that none would offer prayer for their souls. On the other hand certain romances,e.g.thePerceval, give her an excellent character. The truth is probably that the tradition of his wife’s adultery and treachery was a genuine part of the Arthurian story, which, neglected for a time, was brought again into prominence by the social conditions of the courts for which the later romances were composed; and it is in this later and conventionalized form that the tale has become familiar to us (see alsoLancelot).
SeeStudies on the Arthurian Legendby Professor Rhys;The Legend of Sir Lancelot, Grimm Library, xii., Jessie L. Weston;Der Karrenritter, ed. Professor Foerster.
SeeStudies on the Arthurian Legendby Professor Rhys;The Legend of Sir Lancelot, Grimm Library, xii., Jessie L. Weston;Der Karrenritter, ed. Professor Foerster.
(J. L. W.)
GUENON(from the French, = one who grimaces, hence an ape), the name applied by naturalists to the monkeys of the African genusCercopithecus, the Ethiopian representative of the Asiatic macaques, from which they differ by the absence of a posterior heel to the last molar in the lower jaw.
GUÉRET,a town of central France, capital of the department of Creuse, situated on a mountain declivity 48 m. N.E. of Limoges on the Orleans railway. Pop. (1906), town, 6042; commune (including troops, &c.), 8058. Apart from the Hôtel des Monneyroux (used as prefecture), a picturesque mansion of the 15th and 16th centuries, with mansard roofs and mullioned windows, Guéret has little architectural interest. It is the seat of a prefect and a court of assizes, and has a tribunal of first instance, a chamber of commerce and lycées and training colleges, for both sexes. The industries include brewing, saw-milling, leather-making and the manufacture of basket-work and wooden shoes, and there is trade in agricultural produce and cattle. Guéret grew up round an abbey founded in the 7th century, and in later times became the capital of the district of Marche.
GUEREZA,the native name of a long-tailed, black and white Abyssinian monkey,Colobus guereza(orC. abyssinicus), characterized by the white hairs forming a long pendent mantle. Other east African monkeys with a similar type of colouring, which, together with the wholly black west AfricanC. satanas, collectively constitute the subgenusGuereza, may be included under the same title; and the name may be further extended to embrace all the African thumbless monkeys of the genusColobus. These monkeys are the African representatives of the Indo-Malay langurs (Semnopithecus), with which they agree in their slender build, long limbs and tail, and complex stomachs, although differing by the rudimentary thumb. The members of the subgenusGuerezapresent a transition from a wholly black animal (C. satanas) to one (C. caudatus) in which the sides of the face are white, and the whole flanks, as well as the tail, clothed with a long fringe of pure white hairs.
GUERICKE, HEINRICH ERNST FERDINAND(1803-1878), German theologian, was born at Wettin in Saxony on the 25th of February 1803 and studied theology at Halle, where he was appointed professor in 1829. He greatly disliked the union between the Lutheran and the Reformed churches, which had been accomplished by the Prussian government in 1817, and in 1833 he definitely threw in his lot with the Old Lutherans. In 1835 he lost his professorship, but he regained it in 1840. Among his works were a Life ofAugust Hermann Francke(1827, Eng. trans. 1837),Church History(1833, Eng. trans. by W. T. Shedd, New York, 1857-1863),Allgemeine christliche Symbolik(1839). In 1840 he helped to found theZeitschrift für die gesammte lutherische Theologie und Kirche, and he died at Halle on the 4th of February 1878.
GUERICKE, OTTO VON(1602-1686), German experimental philosopher, was born at Magdeburg, in Prussian Saxony, on the 20th of November 1602. Having studied law at Leipzig, Helmstadt and Jena, and mathematics, especially geometry and mechanics, at Leiden, he visited France and England, and in 1636 became engineer-in-chief at Erfurt. In 1627 he was elected alderman of Magdeburg, and in 1646 mayor of that city and a magistrate of Brandenburg. His leisure was devoted to scientific pursuits, especially in pneumatics. Incited by the discoveries of Galileo, Pascal and Torricelli, he attempted the creation of a vacuum. He began by experimenting with a pump on water placed in a barrel, but found that when the water was drawn off the air permeated the wood. He then took a globe of copper fitted with pump and stopcock, and discovered that he could pump out air as well as water. Thus he became the inventor of the air-pump (1650). He illustrated his discovery before the emperor Ferdinand III. at the imperial diet which assembled at Regensburg in 1654, by the experiment of the “Magdeburg hemispheres.” Taking two hollow hemispheres of copper, the edges of which fitted nicely together, he exhausted the air from between them by means of his pump, and it is recorded that thirty horses, fifteen back to back, were unable to pull them asunder until the air was readmitted. Besides investigating other phenomena connected with a vacuum, he constructed an electrical machine which depended on the excitation of a rotating ball of sulphur; and he made successful researches in astronomy, predicting the periodicity of the return of comets. In 1681 he gave up office, and retired to Hamburg, where he died on the 11th of May 1686.
His principal observations are given in his work,Experimenta nova, ut vocant, Magdeburgica de vacuo spatio(Amsterdam, 1672). He is also the author of aGeschichte der Belagerung und Eroberung von Magdeburg. See F. W. Hoffmann,Otto von Guericke(Magdeburg, 1874).
His principal observations are given in his work,Experimenta nova, ut vocant, Magdeburgica de vacuo spatio(Amsterdam, 1672). He is also the author of aGeschichte der Belagerung und Eroberung von Magdeburg. See F. W. Hoffmann,Otto von Guericke(Magdeburg, 1874).
GUÉRIDON,a small table to hold a lamp or vase, supported by a tall column or a human or mythological figure. This piece of furniture, often very graceful and elegant, originated in France towards the middle of the 17th century. In the beginning the table was supported by a negro or other exotic figure, and there is some reason to believe that it took its name from the generic appellation of the young African groom or “tiger,” who was generally called “Guéridon,” or as we should say in English “Sambo.” The swarthy figure and brilliant costume of the “Moor” when reproduced in wood and picked out in colours produced a very striking effect, and when a small table was supported on the head by the upraised hands the idea of passive service was suggested with completeness. The guéridon is still occasionally seen in something approaching its original form; but it had no sooner been introduced than the artistic instinct of the French designer and artificer converted it into a far worthier object. By the death of Louis XIV. there were several hundreds of them at Versailles, and within a generation or two they had taken an infinity of forms—columns, tripods, termini and mythological figures. Some of the simpler and more artistic forms were of wood carved with familiar decorative motives and gilded. Silver, enamel, and indeed almost any material from which furniture can be made, have been used for their construction. A variety of small “occasional” tables are now called in Frenchguéridons.
GUÉRIN, JEAN BAPTISTE PAULIN(1783-1855), French painter, was born at Toulon, on the 25th of March 1783, of poor parents. He learnt, as a lad, his father’s trade of a locksmith, whilst at the same time he followed the classes of the free school of art. Having sold some copies to a local amateur, Guérin started for Paris, where he came under the notice of Vincent, whose counsels were of material service. In 1810 Guérin made his first appearance at the Salon with some portraits, which had a certain success. In 1812 he exhibited “Cain after the murder of Abel” (formerly in Luxembourg), and, on the return of the Bourbons, was much employed in works of restoration and decoration at Versailles. His “Dead Christ” (Cathedral, Baltimore) obtained a medal in 1817, and this success was followed up by a long series of works, of which the following are the more noteworthy: “Christ on the knees of the Virgin” (1819); “Anchises and Venus” (1822) (formerly in Luxembourg); “Ulysses and Minerva” (1824) (Musée de Rennes); “the Holy Family” (1829) (Cathedral, Toulon); and “Saint Catherine” (1838) (St Roch). In his treatment of subject, Guérin attempted to realize rococo graces of conception, the liveliness of which was lost in the strenuous effort to be correct. His chief successes were attained by portraits, and those of Charles Nodier and the Abbé Lamennais became widely popular. He died on the 19th of January 1855.
GUÉRIN, PIERRE NARCISSE,Baron(1774-1833), French painter, was born at Paris on the 13th of May 1774. Becoming a pupil of Jean Baptiste Regnault, he carried off one of the three “grands prix” offered in 1796, in consequence of the competition not having taken place since 1793. Thepensionwas not indeed re-established, but Guérin fulfilled at Paris the conditions imposed upon apensionnaire, and produced various works, one of which brought him prominently before the public. This work, “Marcus Sextus” (Louvre), exhibited at the Salon of 1799, excited wild enthusiasm, partly due to the subject,—a victim of Sulla’s proscription returning to Rome to find his wife dead and his house in mourning—in which an allusion was found to the actualsituation of theémigrés. Guérin on this occasion was publicly crowned by the president of the Institute, and before his departure for Rome (on the re-establishment of the École under Suvée) a banquet was given to him by the most distinguished artists of Paris. In 1800, unable to remain in Rome on account of his health, he went to Naples, where he painted the “Grave of Amyntas.” In 1802 Guérin produced “Phaedra and Hippolytus” (Louvre); in 1810, after his return to Paris, he again achieved a great success with “Andromache and Pyrrhus” (Louvre); and in the same year also exhibited “Cephalus and Aurora” (Collection Sommariva) and “Bonaparte and the Rebels of Cairo” (Versailles). The Restoration brought to Guérin fresh honours; he had received from the first consul in 1803 the cross of the Legion of Honour, and in 1815 Louis XVIII. named him Academician. The success of Guérin’s “Hippolytus” of “Andromache,” of “Phaedra” and of “Clytaemnestra” (Louvre) had been ensured by the skilful selection of highly melodramatic situations, treated with the strained and pompous dignity proper to the art of the first empire; in “Aeneas relating to Dido the disasters of Troy” (Louvre), which appeared side by side with “Clytaemnestra” at the Salon of 1817, the influence of the Restoration is plainly to be traced. In this work Guérin sought to captivate the public by an appeal to those sensuous charms which he had previously rejected, and by the introduction of picturesque elements of interest. But with this work Guérin’s public successes came to a close. He was, indeed, commissioned to paint for the Madeleine a scene from the history of St Louis, but his health prevented him from accomplishing what he had begun, and in 1822 he accepted the post of director of the École de Rome, which in 1816 he had refused. On returning to Paris in 1828, Guérin, who had previously been made chevalier of the order of St Michel, was ennobled. He now attempted to complete “Pyrrhus and Priam,” a work which he had begun at Rome, but in vain; his health had finally broken down, and in the hope of improvement he returned to Italy with Horace Vernet. Shortly after his arrival at Rome Baron Guérin died, on the 6th of July 1833, and was buried in the church of La Trinità de’ Monti by the side of Claude Lorraine.
A careful analysis and criticism of his principal works will be found in Meyer’sGeschichte der französischen Malerei.
A careful analysis and criticism of his principal works will be found in Meyer’sGeschichte der französischen Malerei.
GUÉRIN DU CAYLA, GEORGES MAURICE DE(1810-1839), French poet, descended from a noble but poor family, was born at the chateau of Le Cayla in Languedoc, on the 4th of August 1810. He was educated for the church at a religious seminary at Toulouse, and then at the Collège Stanislas, Paris, after which he entered the society at La Chesnaye in Brittany, founded by Lamennais. It was only after great hesitation, and without being satisfied as to his religious vocation, that under the influence of Lamennais he joined the new religious order in the autumn of 1832; and when, in September of the next year, Lamennais, who had come under the displeasure of Rome, severed connexion with the society, Maurice de Guérin soon followed his example. Early in the following year he went to Paris, where he was for a short time a teacher at the College Stanislas. In November 1838 he married a Creole lady of some fortune; but a few months afterwards he was attacked by consumption and died on the 19th of July 1839. In theRevue des deux mondesfor May 15th, 1840, there appeared a notice of Maurice de Guérin by George Sand, to which she added two fragments of his writings—one a composition in prose entitled theCentaur, and the other a short poem. HisReliquiae(2 vols., 1861), including theCentaur, his journal, a number of his letters and several poems, was edited by G. S. Trébutien, and accompanied with a biographical and critical notice by Sainte-Beuve; a new edition, with the titleJournal, lettres et poèmes, followed in 1862; and an English translation of it was published at New York in 1867. Though he was essentially a poet, his prose is more striking and original than his poetry. Its peculiar and unique charm arises from his strong and absorbing passion for nature, a passion whose intensity reached almost to adoration and worship, but in which the pagan was more prominent than the moral element. According to Sainte-Beuve, “no French poet or painter has rendered so well the feeling for nature—the feeling not so much for details as for the ensemble and the divine universality, the feeling for the origin of things and the sovereign principle of life.”
The name ofEugénie de Guérin(1805-1848), the sister of Maurice, cannot be omitted from any notice of him. HerJournals(1861, Eng. trans., 1865) and herLettres(1864, Eng. trans., 1865) indicated the possession of gifts of as rare an order as those of her brother, though of a somewhat different kind. In her case mysticism assumed a form more strictly religious, and she continued to mourn her brother’s loss of his early Catholic faith. Five years older than he, she cherished a love for him which was blended with a somewhat motherly anxiety. After his death she began the collection and publication of the scattered fragments of his writings. She died, however, on the 31st of May 1848, before her task was completed.
See the notices by George Sand and Sainte-Beuve referred to above; Sainte-Beuve,Causeries du lundi(vol. xii.) andNouveaux Lundis(vol. iii.); G. Merlet,Causeries sur les femmes et les livres(Paris, 1865); Selden,L’Esprit des femmes de notre temps(Paris, 1864); Marelle,Eugénie et Maurice de Guérin(Berlin, 1869); Harriet Parr,M. and E. de Guérin, a monograph(London, 1870); and Matthew Arnold’s essays on Maurice and Eugénie de Guérin, in hisEssays in Criticism.
See the notices by George Sand and Sainte-Beuve referred to above; Sainte-Beuve,Causeries du lundi(vol. xii.) andNouveaux Lundis(vol. iii.); G. Merlet,Causeries sur les femmes et les livres(Paris, 1865); Selden,L’Esprit des femmes de notre temps(Paris, 1864); Marelle,Eugénie et Maurice de Guérin(Berlin, 1869); Harriet Parr,M. and E. de Guérin, a monograph(London, 1870); and Matthew Arnold’s essays on Maurice and Eugénie de Guérin, in hisEssays in Criticism.
GUERNIERI,orWerner, a celebrated mercenary captain who lived about the middle of the 14th century. He was a member of the family of the dukes of Urslingen, and probably a descendant of the dukes of Spoleto. From 1340 to 1343 he was in the service of the citizens of Pisa, but afterwards he collected a troop of adventurers which he called the Great Company, and with which he plundered Tuscany and Lombardy. He then entered the service of Louis I. the Great, king of Hungary and Poland, whom he assisted to obtain possession of Naples; but when dismissed from this service his ravages became more terrible than ever, culminating in the dreadful sack of Anagni in 1358, shortly after which Guernieri disappeared from history. He is said to have worn a breastplate with the inscription, “The enemy of God, of pity and of mercy.”
GUERNSEY(Fr.Guernesey), one of the Channel Islands, belonging to Britain, the second in size and westernmost of the important members of the group. Its chief town, St Peter Port, on the east coast, is in 2° 33′ W., 49° 27′ N., 74 m. S. of Portland Bill on the English coast, and 30 m. from the nearest French coast to the east. The island, roughly triangular in form, is 9¼ m. long from N.E. to S.W. and has an extreme breadth of 5¼ m. and an area of 15,691 acres or 24.5 sq. m. Pop. (1901), 40,446, the density being thus 162 per sq. m.
The surface of the island rises gradually from north to south, and reaches its greatest elevation at Haut Nez (349 ft.) above Point Icart on the south coast. The coast scenery, which forms one of the principal attractions to the numerous summer visitors to the island, is finest on the south. This coast, between Jerbourg and Pleinmont Points, respectively at the south-eastern and south-western corners of the island, is bold, rocky and indented with many exquisite little bays. Of these the most notable are Moulin Huet, Saint’s, and Petit Bot, all in the eastern half of the south coast. The cliffs, however, culminate in the neighbourhood of Pleinmont. Picturesque caves occur at several points, such as the Creux Mahie. On the west coast there is a succession of larger bays—Rocquaine Perelle, Vazon, and Cobo. Off the first lies Lihou Island, the Hanois and other islets, and all three bays are sown with rocks. The coast, however, diminishes in height, until at the north-eastern extremity of the island the land is so low across the Vale or Braye du Val, from shore to shore, that the projection of L’Ancresse is within a few feet of being isolated. The east coast, on which, besides the town and harbour of St Peter Port, is that of St Sampson, presents no physical feature of note. The interior of the island is generally undulating, and gains in beauty from its rich vegetation. Picturesque glens descend upon some of the southern bays (the two converging upon Petit Bot are notable), and the high-banked paths, arched with foliage, which follow the smallrills down to Moulin Huet Bay, are much admired under the name of water-lanes.
The soil is generally light sandy loam, overlying an angular gravel which rests upon the weathered granite. This soil requires much manure, and a large proportion of the total area (about three-fifths) is under careful cultivation, producing a considerable amount of grain, but more famous for market-gardening. Vegetables and potatoes are exported, with much fruit, including grapes and flowers. Granite is quarried and exported from St Sampson, and the fisheries form an important industry.
For administrative purposes Guernsey is united with Alderney, Sark, Herm and the adjacent islets to form the bailiwick of Guernsey, separate from Jersey. The peculiar constitution, machinery of administration and justice, finance, &c., are considered under the headingChannel Islands. Guernsey is divided into the ten parishes of St Peter Port, St Sampson, Vale, Câtel, St Saviour, St Andrew, St Martin, Forest, St Peter du Bois and Torteval. The population of St Peter Port in 1901 was 18,264; of the other parishes that of St Sampson was 5614 and that of Vale 5082. The population of the bailiwick of Guernsey nearly doubled between 1821 and 1901, and that of the island increased from 35,243 in 1891 to 40,446 in 1901. The island roads are excellent, Guernsey owing much in this respect to Sir John Doyle (d. 1834), the governor whose monument stands on the promontory of Jerbourg. Like Jersey and the neighbouring part of France, Guernsey retains considerable traces of early habitation in cromlechs and menhirs, of which the most notable is the cromlech in the north at L’Ancresse. As regards ecclesiastical architecture, all the parish churches retain some archaeological interest. There is good Norman work in the church of St Michael, Vale, and the church of St Peter Port is a notable building of various periods from the early 14th century. Small remains of monastic buildings are seen at Vale and on Lihou Island.
GUERRAZZI, FRANCESCO DOMENICO(1804-1873), Italian publicist, born at Leghorn, was educated for the law at Pisa, and began to practise in his native place. But he soon took to politics and literature, under the influence of Byron, and his novel, theBattagli di Benevento(1827), brought him into notice. Mazzini made his acquaintance, and with Carlo Bini they started a paper, theIndicatore, at Leghorn in 1829, which was quickly suppressed. Guerrazzi himself had to endure several terms of imprisonment for his activity in the cause of Young Italy, and it was in Portoferrato in 1834 that he wrote his most famous novelAssidio di Firenze. He was the most powerful Liberal leader at Leghorn, and in 1848 became a minister, with some idea of exercising a moderating influence in the difficulties with the grand-duke of Tuscany. In 1849, when the latter fled, he was first one of the triumvirate with Mazzini and Montanelli, and then dictator, but on the restoration he was arrested and imprisoned for three years. HisApologiawas published in 1852. Released from prison, he was exiled to Corsica, but subsequently was restored and was for some time a deputy at Turin (1862-1870), dying of apoplexy at Leghorn on the 25th of September 1873. He wrote a number of other works besides the novels already mentioned, notablyIsabella Orsini(1845) andBeatrice Cenci(1854), and hisOperewere collected at Milan (1868).
See theLife and Worksby Bosio (1877), and Carducci’s edition of his letters (1880).
See theLife and Worksby Bosio (1877), and Carducci’s edition of his letters (1880).
GUERRERO,a Pacific coast state of Mexico, bounded N.W. by Michoacan, N. by Mexico (state) and Morelos, N.E. and E. by Puebla and Oaxaca, and S. and W. by the Pacific. Area, 24,996 sq. m. Pop., largely composed of Indians and mestizos (1895), 417,886; (1900) 479,205. The state is roughly broken by the Sierra Madre and its spurs, which cover its entire surface with the exception of the low coastal plain (averaging about 20 m. in width) on the Pacific. The valleys are usually narrow, fertile and heavily forested, but difficult of access. The state is divided into two distinct zones—thetierras calientesof the coast and lower river courses where tropical conditions prevail, and thetierras templadasof the mountain region where the conditions are subtropical. The latter is celebrated for its agreeable and healthy climate, and for the variety and character of its products. The principal river of the state is the Rio de las Balsas or Mescala, which, having its source in Tlaxcala, flows entirely across the state from W. to E., and then southward to the Pacific on the frontier of Michoacan. This river is 429 m. long and receives many affluents from the mountainous region through which it passes, but its course is very precipitous and its mouth obstructed by sand bars. The agricultural products include cotton, coffee, tobacco and cereals, and the forests produce rubber, vanilla and various textile fibres. Mining is undeveloped, although the mineral resources of the state include silver, gold, mercury, lead, iron, coal, sulphur and precious stones. The capital, Chilpancingo, or Chilpancingo de los Bravos (pop. 7497 in 1900), is a small town in the Sierra Madre about 110 m. from the coast and 200 m. S. of the Federal capital. It is a healthy well-built town on the old Acapulco road, is lighted by electricity and is temporarily the western terminus of the Interoceanic railway from Vera Cruz. It is celebrated in the history of Mexico as the meeting-place of the revolutionary congress of 1813, which issued a declaration of independence. Chilpancingo was badly damaged by an earthquake in January 1902, and again on the 16th of April 1907. Other important towns of the state are Tixtla, or Tixtla de Guerrero, formerly the capital (pop. 6316 in 1900), 3 m. N.E. of Chilpancingo; Chilapa (8256 in 1895), the most populous town of the state, partially destroyed by a hurricane in 1889, and again by the earthquake of 1907; Iguala (6631 in 1895); and Acapulco. Guerrero was organized as a state in 1849, its territory being taken from the states of Mexico, Michoacan and Puebla.
GUERRILLA(erroneously written “guerilla,” being the diminutive of the Span.guerra, war), a term currently used to denote war carried on by bands in any irregular and unorganized manner. At the Hague Conference of 1899 the position of irregular combatants was one of the subjects dealt with, and the rules there adopted were reaffirmed at the Conference of 1907. They provide that irregular bands in order to enjoy recognition as belligerent forces shall (a) have at their head a person responsible for his subordinates, (b) wear some fixed distinctive badge recognizable at a distance, (c) carry arms openly, and (d) conform in their operations to the laws and customs of war. The rules, however, also provide that in case of invasion the inhabitants of a territory who on the approach of the invading enemy spontaneously take up arms to resist it, shall be regarded as belligerent troops if they carry arms openly and respect the laws and customs of war, although they may not have had time to become organized in accordance with the above provisions. These rules were borrowed almost word for word from the project drawn up at the Brussels international conference of 1874, which, though never ratified, was practically incorporated in the army regulations issued by the Russian government in connexion with the war of 1877-78.
(T. Ba.)
GUERRINI, OLINDO(1845- ), Italian poet, was born at Sant’ Alberto, Ravenna, and after studying law took to a life of letters, becoming eventually librarian at Bologna University. In 1877 he publishedPostuma, a volume ofcanzoniere, under the name of Lorenzo Stechetti, following this withPolemica(1878),Canti popolari romagnoli(1880) and other poetical works, and becoming known as the leader of the “verist” school among Italian lyrical writers.
GUESDE, JULES BASILE(1845- ), French socialist, was born in Paris on the 11th of November 1845. He had begun his career as a clerk in the French Home Office, but at the outbreak of the Franco-German War he was editingLes Droits de l’hommeat Montpellier, and had to take refuge at Geneva in 1871 from a prosecution instituted on account of articles which had appeared in his paper in defence of the Commune. In 1876 he returned to France to become one of the chief French apostles of Marxian collectivism, and was imprisoned for six months in 1878 for taking part in the first Parisian International Congress. He edited at different timesLes Droits de l’homme,Le Cri du peuple,Le Socialiste, but his best-known organ was the weeklyÉgalité. He had been in close association with Paul Lafargue, and through him with Karl Marx, whose daughter he married. It was in conjunction with Marx and Lafargue that he drew up the programme accepted by the national congress of the Labour party at Havre in 1880, which laid stress on the formation of an international labour party working by revolutionary methods. Next year at the Reims congress the orthodox Marxian programme of Guesde was opposed by the “possibilists,” who rejected the intransigeant attitude of Guesde for the opportunist policy of Benoît Malon. At the congress of St-Étienne the difference developed into separation, those who refused all compromise with a capitalist government following Guesde, while the opportunists formed several groups. Guesde took his full share in the consequent discussion between the Guesdists, the Blanquists, the possibilists, &c. In 1893 he was returned to the Chamber of Deputies for Lille (7th circonscription) with a large majority over the Christian Socialist and Radical candidates. He brought forward various proposals in social legislation forming the programme of the Labour party, without reference to the divisions among the Socialists, and on the 20th of November 1894 succeeded in raising a two days’ discussion of the collectivist principle in the Chamber. In 1902 he was not re-elected, but resumed his seat in 1906. In 1903 there was a formal reconciliation at the Reims congress of the sections of the party, which then took the name of the Socialist party of France. Guesde, nevertheless, continued to oppose the opportunist policy of Jaurès, whom he denounced for supporting one bourgeois party against another. His defence of the principle of freedom of association led him, incongruously enough, to support the religious Congregations against Émile Combes. Besides his numerous political and socialist pamphlets he published in 1901 two volumes of his speeches in the Chamber of Deputies entitledQuatre ans de lutte de classe 1893-1898.
GUEST, EDWIN(1800-1880), English antiquary, was born in 1800. He was educated at King Edward’s school, Birmingham, and at Caius College, Cambridge, where he graduated as eleventh wrangler, subsequently becoming a fellow of his college. Called to the bar in 1828, he devoted himself, after some years of legal practice, to antiquarian and literary research. In 1838 he published his exhaustiveHistory of English Rhythms. He also wrote a very large number of papers on Roman-British history, which, together with a mass of fresh material for a history of early Britain, were published posthumously under the editorship of Dr Stubbs under the titleOrigines Celticae(1883). In 1852 Guest was elected master of Caius College, becoming LL.D. in the following year, and in 1854-1855 he was vice-chancellor of Cambridge University. Guest was a fellow of the Royal Society, and an honorary member of the Society of Antiquaries. He died on the 23rd of November 1880.
GUEST(a word common to Teutonic languages; cf. Ger.Gast, and Swed.gäst; cognate with Lat.hostis, originally a stranger, hence enemy; cf. “host”), one who receives hospitality in the house of another, his “host”; hence applied to a parasite.
GUETTARD, JEAN ÉTIENNE(1715-1786), French naturalist and mineralogist, was born at Étampes, on the 22nd of September 1715. In boyhood he gained a knowledge of plants from his grandfather, who was an apothecary, and later he qualified as a doctor in medicine. Pursuing the study of botany in various parts of France and other countries, he began to take notice of the relation between the distribution of plants and the soils and subsoils. In this way his attention came to be directed to minerals and rocks. In 1746 he communicated to the Academy of Sciences in Paris a memoir on the distribution of minerals and rocks, and this was accompanied by a map on which he had recorded his observations. He thus, as remarked by W. D. Conybeare, “first carried into execution the idea, proposed by [Martin] Lister years before, of geological maps.” In the course of his journeys he made a large collection of fossils and figured many of them, but he had no clear ideas about the sequence of strata. He made observations also on the degradation of mountains by rain, rivers and sea; and he was the first to ascertain the existence of former volcanoes in the district of Auvergne. He died in Paris on the 7th of January 1786.