(J. V.*)
ISABELLA OF HAINAUT(1170-1190), queen of France, was the daughter of Baldwin V., count of Hainaut, and Margaret, sister of Philip of Alsace, and was born in 1170 at Lille. She was married to Philip Augustus, and brought to him as her dowry the province of Artois. She was crowned at St Denis on the 29th of May 1180. As Baldwin V. claimed to be a descendant of Charlemagne, the chroniclers of the time saw in this marriage a union of the Carolingian and Capetian dynasties. Though she received extravagant praise from certain annalists, she failed to win the affections of Philip, who, in 1184, waging war against Flanders, was angered at seeing Baldwin support his enemies, and called a council at Sens for the purpose of repudiating her. Robert, the king’s uncle, successfully interposed. She died in childbirth in 1190, and was buried in the church of Notre Dame in Paris. Her son became Louis VIII. of France.
See Cartellieri, “L’Avènement de Phil. Aug.†inRev. hist.liii. 262 et seq.
See Cartellieri, “L’Avènement de Phil. Aug.†inRev. hist.liii. 262 et seq.
ISABEY, JEAN BAPTISTE(1767-1855), French painter, was born at Nancy on the 11th of April 1767. At nineteen, after some lessons from Dumont, miniature painter to Marie Antoinette, he became a pupil of David. Employed at Versailles on portraits of the dukes of Angoulême and Berry, he was given a commission by the queen, which opens the long list of those which he received, up to the date of his death in 1855, from the successive rulers of France. Patronized by Josephine and Napoleon, he arranged the ceremonies of their coronation and prepared drawings for the publication intended as its official commemoration, a work for which he was paid by Louis XVIII., whose portrait (engraved, Debucourt) he executed in 1814. Although Isabey did homage to Napoleon on his return from Elba, he continued to enjoy the favour of the Restoration, and took part in arrangements for the coronation of Charles X. The monarchy of July conferred on him an important post in connexion with the royal collections, and Napoleon III. granted him a pension, and the cross of commander of the Legion of Honour. “Review of Troops by the First Consul†was one of his most important compositions, and “Isabey’s Boat,â€â€”a charming drawing of himself and family—produced at a time when he was much occupied with lithography—had an immense success at the Salon of 1820 (engraved, Landon,Annales, i. 125). His portrait of “Napoleon at Malmaison†is held to be the best ever executed, and even his tiny head of the king of Rome, painted for a breast-pin, is distinguished by a decision and breadth which evidence the hand of a master.
A biography of Isabey was published by M. E. Taigny in 1859, and M. C. Lenormant’s article, written for Michaud’sBiog. univ., is founded on facts furnished by Isabey’s family.
A biography of Isabey was published by M. E. Taigny in 1859, and M. C. Lenormant’s article, written for Michaud’sBiog. univ., is founded on facts furnished by Isabey’s family.