Chapter 4

JOLY DE LOTBINIÈRE, SIR HENRI GUSTAVE(1829-1908), Canadian politician, was born at Epernay in France on the 5th of December 1829. His father, Gaspard Pierre Gustave Joly, the owner of famous vineyards at Epernay, was of Huguenot descent, and married Julie Christine, grand-daughter of Eustache Gaspard Michel Chartier de Lotbinière, marquis de Lotbinière (one of Montcalm’s engineers at Quebec); he thus became seigneur de Lotbinière. Henri Gustave adopted the name of de Lotbinière in 1888, under a statute of the province of Quebec. He was educated in Paris, and called to the bar of lower Canada in 1858. On the 6th of May 1856 he married Margaretta Josepha (d. 1904), daughter of Hammond Gowen, of Quebec. At the general election of 1861 he was elected to the house of assembly of the province of Canada as Liberal member for the county of Lotbinière, and from 1867 to 1874 he represented the same county in the House of Commons, Ottawa, and in the legislative assembly, Quebec. Joly was opposed to confederation and supported Dorion in the stand which he took on this question. In 1878 he was called by Luc Letellier de St Just, lieutenant-governor of Quebec, to form an administration, which was defeated in 1879, and until 1883 he was leader of the opposition. During his brief administration he adopted a policy of retrenchment, and endeavoured to abolish the legislative council. In 1885, as a protest against the attitude of his party towards Louis Riel, who was tried and executed for high treason, he retired from public life. Early in the year 1895 he was induced again to take an active part in the campaign of his party, and at the general election of 1896 he was returned as member for the county of Portneuf. He had already in 1895 been created K.C.M.G. On the formation of Sir Wilfrid Laurier’s administration he accepted the office of controller of inland revenue, and a year later he became a privy councillor, as minister of inland revenue. From 1900 to 1906 he was lieutenant-governor of the province of British Columbia. He twice declined a seat in the senate, but rendered eminent service to Canada by promoting the interest of agriculture, horticulture and of forestry. He died on the 17th of November 1908.

(A. G. D.)

JOMINI, ANTOINE HENRI,Baron(1779-1869), general in the French and afterwards in the Russian service, and one of the most celebrated writers on the art of war, was born on the 6th of March 1779 at Payerne in the canton of Vaud, Switzerland, where his father was syndic. His youthful preference for a military life was disappointed by the dissolution of the Swiss regiments of France at the Revolution. For some time he was a clerk in a Paris banking-house, until the outbreak of the Swiss revolution. At the age of nineteen he was appointed to a post on the Swiss headquarters staff, and when scarcely twenty-one to the command of a battalion. At the peace of Lunéville in 1801 he returned to business life in Paris, but devoted himself chiefly to preparing the celebratedTraité des grandes opérations militaires, which was published in 1804-1805. Introduced to Marshal Ney, he served in the campaign of Austerlitz as a volunteer aide-de-camp on Ney’s personal staff. In December 1805 Napoleon, being much impressed by a chapter in Jomini’s treatise, made him a colonel in the French service. Ney thereupon made him his principal aide-de-camp. In 1806 Jomini published his views as to the conduct of the impending war with Prussia, and this, along with his knowledge of Frederick the Great’s campaigns, which he had described in theTraité, led Napoleon to attach him to his own headquarters. He was present with Napoleon at the battle of Jena, and at Eylau won the cross of the Legion of Honour. After the peace of Tilsit he was made chief of the staff to Ney, and created a baron. In the Spanish campaign of 1808 his advice was often of the highest value to the marshal, but Jomini quarrelled with his chief, and was left almost at the mercy of his numerous enemies, especially Berthier, the emperor’s chief of staff. Overtures had been made to him, as early as 1807, to enter the Russian service, but Napoleon, hearing of his intention to leave the French army, compelled him to remain in the service with the rank of general of brigade. For some years thereafter Jomini held both a French and a Russian commission, with the consent of both sovereigns. But when war between France and Russia broke out, he was in a difficult position, which he ended by taking a command on the line of communication. He was thus engaged when the retreat from Moscow and the uprising of Prussia transferred the seat of war to central Germany. He promptly rejoined Ney, took part in the battle of Lützen and, as chief of the staff of Ney’s group of corps, rendered distinguished services before and at the battle of Bautzen, and was recommended for the rank of general of division. Berthier, however, not only erased Jomini’s name from the list, but put him under arrest and censured him in army orders for failing to supply certain returns that had been called for. How far Jomini was held responsible for certain misunderstandings which prevented the attainment of all the results hoped for from Ney’s attack (seeBautzen) there is no means of knowing. But the pretext for censure was trivial and baseless, and during the armistice Jomini did as he had intended to do in 1809-10, and went into the Russian service. As things then were, this was tantamount to deserting to the enemy, and so it was regarded by Napoleon and by the French army, and by not a few of his new comrades. It must be observed, in Jomini’s defence, that he had for years held a dormant commission in the Russian army, that he had declined to take part in the invasion of Russia in 1812, and that he was a Swiss and not a Frenchman. His patriotism was indeed unquestioned, and he withdrew from the Allied Army in 1814 when he found that he could not prevent the violation of Swiss neutrality. Apart from love of his own country, the desire to study, to teach and to practise the art of war was his ruling motive. At the critical moment of the battle of Eylau he exclaimed, “If I were the Russian commander for two hours!” On joining the allies he received the rank of lieutenant-general and the appointment of aide-de-camp from the tsar, and rendered important assistance during the German campaign, though the charge that he betrayed the numbers, positions and intentions of the French to the enemy was later acknowledged by Napoleon to be without foundation. He declined as a Swiss patriot and as a French officer to take part in the passage of the Rhine at Basel and the subsequent invasion of France.

In 1815 he was with the emperor Alexander in Paris, and attempted in vain to save the life of his old commander Ney.This almost cost him his position in the Russian service, but he succeeded in making head against his enemies, and took part in the congress of Vienna. Resuming, after a period of several years of retirement and literary work, his post in the Russian army, he was about 1823 made a full general, and thenceforward until his retirement in 1829 he was principally employed in the military education of the tsarevich Nicholas (afterwards emperor) and in the organization of the Russian staff college, which was opened in 1832 and still bears its original name of the Nicholas academy. In 1828 he was employed in the field in the Russo-Turkish War, and at the siege of Varna he was given the grand cordon of the Alexander order. This was his last active service. In 1829 he settled at Brussels where he chiefly lived for the next thirty years. In 1853, after trying without success to bring about a political understanding between France and Russia, Jomini was called to St Petersburg to act as a military adviser to the tsar during the Crimean War. He returned to Brussels on the conclusion of peace in 1856 and some years afterwards settled at Passy near Paris. He was busily employed up to the end of his life in writing treatises, pamphlets and open letters on subjects of military art and history, and in 1859 he was asked by Napoleon III. to furnish a plan of campaign in the Italian War. One of his last essays dealt with the war of 1866 and the influence of the breech-loading rifle, and he died at Passy on the 24th of March 1869 only a year before the Franco-German War. Thus one of the earliest of the great military theorists lived to speculate on the tactics of the present day.

Amongst his numerous works the principal, besides theTraité, are:Histoire critique et militaire des campagnes de la Révolution(1806; new ed. 1819-1824);Vie politique et militaire de Napoléon racontée par lui-même(1827) and, perhaps the best known of all his publications, the theoreticalPrécis de l’art de la guerre(1836).See Ferdinand Lecomte,Le Général Jomini, sa vie et ses écrits(1861; new ed. 1888); C. A. Saint-Beuve,Le Général Jomini(1869); A. Pascal,Observations historiques sur la vie, &c., du général Jomini(1842).

Amongst his numerous works the principal, besides theTraité, are:Histoire critique et militaire des campagnes de la Révolution(1806; new ed. 1819-1824);Vie politique et militaire de Napoléon racontée par lui-même(1827) and, perhaps the best known of all his publications, the theoreticalPrécis de l’art de la guerre(1836).

See Ferdinand Lecomte,Le Général Jomini, sa vie et ses écrits(1861; new ed. 1888); C. A. Saint-Beuve,Le Général Jomini(1869); A. Pascal,Observations historiques sur la vie, &c., du général Jomini(1842).

JOMMELLI, NICCOLA(1714-1774), Italian composer, was born at Aversa near Naples on the 10th of September 1714. He received his musical education at two of the famous music schools of that capital, being a pupil of the Conservatorio de’ poveri di Gesù Cristo under Feo, and also of the Conservatorio della pietà dei Turchini under Prota, Mancini and Leo. His first opera,L’Errore amoroso, was successfully produced at Naples (under a pseudonym) when Jommelli was only twenty-three. Three years afterwards he went to Rome to bring out two new operas, and thence to Bologna, where he profited by the advice of Padre Martini, the greatest contrapuntist of his age. In the meantime Jommelli’s fame began to spread beyond the limits of his country, and in 1748 he went for the first time to Vienna, where one of his finest operas,Didone, was produced. Three years later he returned to Italy, and in 1753 he obtained the post of chapel-master to the duke of Württemberg at Stuttgart, which city he made his home for a number of years. In the same year he had ten commissions to write operas for princely courts. In Stuttgart he permitted no operas but his own to be produced, and he modified his style in accordance with German taste, so much that, when after an absence of fifteen years he returned to Naples, his countrymen hissed two of his operas off the stage. He retired in consequence to his native village, and only occasionally emerged from his solitude to take part in the musical life of the capital. His death took place on the 25th of August 1774, his last composition being the celebratedMiserere, a setting for two female voices of Saverio Mattei’s Italian paraphrase of Psalm li. Jommelli is the most representative composer of the generation following Leo and Durante. He approaches very closely to Mozart in his style, and is important as one of the composers who, by welding together German and Italian characteristics, helped to form the musical language of the great composers of the classical period of Vienna.

JONAH,in the Bible, a prophet born at Gath-hepher in Zebulun, perhaps under Jeroboam (2) (781-741B.C.?), who foretold the deliverance of Israel from the Aramaeans (2 Kings xiv. 25). This prophet may also be the hero of the much later book of Jonah, but how different a man is he! It is, however, the later Jonah who chiefly interests us. New problems have arisen out of the book which relates to him, but here we can only attempt to consider what, in a certain sense, may be called the surface meaning of the text.

This, then is what we appear to be told. The prophet Jonah is summoned to go to Nineveh, a great and wicked city (cf. 4 Esdras ii. 8, 9), and prophesy against it. Jonah, however, is afraid (iv. 2) that the Ninevites may repent, so, instead of going to Nineveh, he proceeds to Joppa, and takes his passage in a ship bound for Tarshish. But soon a storm arises, and, supplication to the gods failing, the sailors cast lots to discover the guilty man who has brought this great trouble. The lot falls on Jonah, who has been roughly awakened by the captain, and when questioned frankly owns that he is a Hebrew and a worshipper of the divine creator Yahweh, from whom he has sought to flee (as if He were only the god of Canaan). Jonah advises the sailors to throw him into the sea. This, after praying to Yahweh, they actually do; at once the sea becomes calm and they sacrifice to Yahweh. Meantime God has “appointed a great fish” which swallows up Jonah. Three days and three nights he is in the fish’s belly, till, at a word from Yahweh, it vomits Jonah on to the dry ground. Again Jonah receives the divine call. This time he obeys. After delivering his message to Nineveh he makes himself a booth outside the walls and waits in vain for the destruction of the city (probably iv. 5 is misplaced and should stand after iii. 4). Thereupon Jonah beseeches Yahweh to take away his worthless life. As an answer Yahweh “appoints” a small quickly-growing tree with large leaves (the castor-oil plant) to come up over the angry prophet and shelter him from the sun. But the next day the beneficent tree perishes by God’s “appointment” from a worm-bite. Once more God “appoints” something; it is the east wind, which, together with the fierce heat, brings Jonah again to desperation. The close is fine, and reminds us of Job. God himself gives short-sighted man a lesson. Jonah has pitied the tree, and should not God have pity on so great a city?

Two results of criticism are widely accepted. One relates to the psalm in ch. ii., which has been transferred from some other place; it is in fact an anticipatory thanksgiving for the deliverance of Israel, mostly composed of phrases from other psalms. The other is that the narrative before us is not historical but an imaginative story (such as was called a Midrash) based upon Biblical data and tending to edification. It is, however, a story of high type. The narrator considered that Israel had to be a prophet to the “nations” at large, that Israel had, like Jonah, neglected its duty and for its punishment was “swallowed up” in foreign lands. God had watched over His people and prepared its choicer members to fulfil His purpose. This company of faithful but not always sufficiently charitable men represented their people, so that it might be said that Israel itself (the second Isaiah’s “Servant of Yahweh”—seeIsaiah) had taken up its duty, but in an ungenial spirit which grieved the All-merciful One. The book, which is post-exilic, may therefore be grouped with another Midrash, the Book of Ruth, which also appears to represent a current of thought opposed to the exclusive spirit of Jewish legalism.

Some critics, however, think that the key of symbolism needs to be supplemented by that of mythology. The “great fish” especially has a very mythological appearance. The Babylonian dragon myth (seeCosmogony) is often alluded to in the Old Testament,e.g.in Jer. li. 44, which, as the present writer long since pointed out, may supply the missing link between Jonah i. 17 and the original myth. For the “great fish” is ultimately Tiāmat, the dragon of chaos, represented historically by Nebuchadrezzar, by whom for a time God permitted or “appointed” Israel to be swallowed up.

For further details see T. K. Cheyne,Ency. Bib., “Jonah”; and his article “Jonah, a Study in Jewish Folklore and Religion,”Theological Review(1877), pp. 211-219. König, Hastings’sDict. Bible, “Jonah,” is full but not lucid; C. H. H. Wright,Biblical Studies(1886) argues ably for the symbolic theory. Against Cheyne, see Marti’s work on theMinor Prophets(1894); the “great fish”and the “three days and three nights” remain unexplained by this writer. On these points see Zimmern,K.A.T.(3), pp. 366, 389, 508. The difficulties of the mission of a Hebrew prophet to Asshur are diminished by Cheyne’s later theory,Critica Biblica(1904), pp. 150-152.

For further details see T. K. Cheyne,Ency. Bib., “Jonah”; and his article “Jonah, a Study in Jewish Folklore and Religion,”Theological Review(1877), pp. 211-219. König, Hastings’sDict. Bible, “Jonah,” is full but not lucid; C. H. H. Wright,Biblical Studies(1886) argues ably for the symbolic theory. Against Cheyne, see Marti’s work on theMinor Prophets(1894); the “great fish”and the “three days and three nights” remain unexplained by this writer. On these points see Zimmern,K.A.T.(3), pp. 366, 389, 508. The difficulties of the mission of a Hebrew prophet to Asshur are diminished by Cheyne’s later theory,Critica Biblica(1904), pp. 150-152.

(T. K. C.)

JONAH, RABBI(Abulwalid Merwan Ibn Janah, alsoR. Marinus) (c.990-c.1050), the greatest Hebrew grammarian and lexicographer of the middle ages. He was born before the year 990, in Cordova, studied in Lucena, left his native city in 1012, and, after somewhat protracted wanderings, settled in Saragossa, where he died before 1050. He was a physician, and Ibn Abi Uṣaibia, in his treatise on Arabian doctors, mentions him as the author of a medical work. But Rabbi Jonah saw the true vocation of his life in the scientific investigation of the Hebrew language and in a rational biblical exegesis based upon sound linguistic knowledge. It is true, he wrote no actual commentary on the Bible, but his philological works exercised the greatest influence on Judaic exegesis. His first work—composed, like all the rest, in Arabic—bears the titleAlmustalḥa, and forms, as is indicated by the word, a criticism and at the same time a supplement to the two works of Yehuda ‘Ḥayyuj on the verbs with weak-sounding and double-sounding roots. These two tractates, with which ‘Ḥayyuj had laid the foundations of scientific Hebrew grammar, were recognized by Abulwalid as the basis of his own grammatical investigations, and Abraham Ibn Daud, when enumerating the great Spanish Jews in his history, sums up the significance of R. Jonah in the words: “He completed what ‘Ḥayyuj had begun.” The principal work of R. Jonah is theKitab al Tanḳiḥ(“Book of Exact Investigation”), which consists of two parts, regarded as two distinct books—theKitab al-Luma(“Book of Many-coloured Flower-beds”) and theKitab al-uṣul(“Book of Roots”). The former (ed. J. Derenbourg, Paris, 1886) contains the grammar, the latter (ed. Ad. Neubauer, Oxford, 1875) the lexicon of the Hebrew language. Both works are also published in the Hebrew translation of Yehuda Ibn Tibbon (Sefer Ha-Riḳmah, ed. B. Goldberg, Frankfurt am Main, 1855;Sefer Ha-Schoraschim, ed. W. Bacher, Berlin, 1897). The other writings of Rabbi Jonah, so far as extant, have appeared in an edition of the Arabic original accompanied by a French translation (Opuscules et traités d’Abou’l Walid, ed. Joseph and Hartwig Derenbourg, Paris 1880). A few fragments and numerous quotations in his principal book form our only knowledge of theKitab al-Tashwir(“Book of Refutation”) a controversial work in four parts, in which Rabbi Jonah successfully repelled the attacks of the opponents of his first treatise. At the head of this opposition stood the famous Samuel Ibn Nagdela (S. Ha-Nagid) a disciple of ‘Ḥayyuj. The grammatical work of Rabbi Jonah extended, moreover, to the domain of rhetoric and biblical hermeneutics, and his lexicon contains many exegetical excursuses. This lexicon is of especial importance by reason of its ample contribution to the comparative philology of the Semitic languages—Hebrew and Arabic, in particular. Abulwalid’s works mark the culminating point of Hebrew scholarship during the middle ages, and he attained a level which was not surpassed till the modern development of philological science in the 19th century.

See S. Munk,Notice sur Abou’l Walid(Paris, 1851); W. Bacher,Leben und Werke des Abulwalid und die Quellen seiner Schrifterklärung(Leipzig, 1885); id.,Aus der Schrifterklärung des Abulwalid(Leipzig, 1889); id.,Die hebr.-arabische Sprachvergleichung des Abulwalid(Vienna, 1884); id.,Die hebräisch-neuhebräische und hebr.-aramäische Sprachvergleichung des Abulwalid(Vienna, 1885).

See S. Munk,Notice sur Abou’l Walid(Paris, 1851); W. Bacher,Leben und Werke des Abulwalid und die Quellen seiner Schrifterklärung(Leipzig, 1885); id.,Aus der Schrifterklärung des Abulwalid(Leipzig, 1889); id.,Die hebr.-arabische Sprachvergleichung des Abulwalid(Vienna, 1884); id.,Die hebräisch-neuhebräische und hebr.-aramäische Sprachvergleichung des Abulwalid(Vienna, 1885).

(W. Ba.)

JONAS, JUSTUS(1493-1555), German Protestant reformer, was born at Nordhausen in Thuringia, on the 5th of June 1493. His real name was Jodokus (Jobst) Koch, which he changed according to the common custom of German scholars in the 16th century, when at the university of Erfurt. He entered that university in 1506, studied law and the humanities, and became Master of Arts in 1510. In 1511 he went to Wittenberg, where he took his bachelor’s degree in law. He returned to Erfurt in 1514 or 1515, was ordained priest, and in 1518 was promoted doctor in both faculties and appointed to a well-endowed canonry in the church of St Severus, to which a professorship of law was attached. His great admiration for Erasmus first led him to Greek and biblical studies, and his election in May 1519 as rector of the university was regarded as a triumph for the partisans of the New Learning. It was not, however, until after the Leipzig disputation with Eck that Luther won his allegiance. He accompanied Luther to Worms in 1521, and there was appointed by the elector of Saxony professor of canon law at Wittenberg. During Luther’s stay in the Wartburg Jonas was one of the most active of the Wittenberg reformers. Giving himself up to preaching and polemics, he aided the Reformation by his gift as a translator, turning Luther’s and Melanchthon’s works into German or Latin as the case might be, thus becoming a sort of double of both. He was busied in conferences and visitations during the next twenty years, and in diplomatic work with the princes. In 1541 he began a successful preaching crusade in Halle; he became superintendent of its churches in 1542. In 1546 he was present at Luther’s deathbed at Eisleben, and preached the funeral sermon; but in the same year was banished from the duchy by Maurice, duke (later elector) of Saxony. From that time until his death, Jonas was unable to secure a satisfactory living. He wandered from place to place preaching, and finally went to Eisfeld (1553), where he died. He had been married three times.

SeeBriefswechsel des Justus Jonas, gesammelt und bearbeitet von G. Kawerau(2 vols., Halle, 1884-1885); Kawerau’s article in Herzog-Hauck,Realencyklopädie, ed. 3, with bibliography.

SeeBriefswechsel des Justus Jonas, gesammelt und bearbeitet von G. Kawerau(2 vols., Halle, 1884-1885); Kawerau’s article in Herzog-Hauck,Realencyklopädie, ed. 3, with bibliography.

JONATHAN(Heb. “Yah [weh] gives”). Of the many Jewish bearers of this name, three are well known: (1) the grandson of Moses, who was priest at Dan (Judg. xviii. 30). The reading Manasseh (see R.V. mg.; obtained by insertingnabove the consonantal text in the Hebrew) is apparently intended to suggest that he was the son of that idolatrous king. (2) The eldest son of Saul, who, together with his father, freed Israel from the crushing oppression of the Philistines (1 Sam. xiii. seq.). Both are lauded in an elegy quoted from the Book of Jashar (2 Sam. i.) for their warm mutual love, their heroism, and their labours on behalf of the people. Jonathan’s name is most familiar for the firm friendship which subsisted between him and David (1 Sam. xviii. 1-4; xix. 1-7; xx., xxii. 8; xxiii. 16-18), and when he fell at the battle of Gilboa and left behind him a young child (1 Sam. xxxi.; 2 Sam. iv. 4), David took charge of the youth and gave him a place at his court (2 Sam. ix.). See furtherDavid,Saul. (3) The Maccabee (seeJews;Maccabees).

JONCIÈRES, VICTORIN(1839-1903), French composer, was born in Paris on the 12th of April 1839. He first devoted his attention to painting, but afterwards took up the serious study of music. He entered the Paris Conservatoire, but did not remain there long, because he had espoused too warmly the cause of Wagner against his professor. He composed the following operas:Sardanapale(1867),Le Dernier jour de Pompéi(1869),Dimitri(1876),La Reine Berthe(1878),Le Chevalier Jean(1885),Lancelot(1900). He also wrote incidental music toHamlet, a symphony, and other works. Joncières’ admiration for Wagner asserted itself rather in a musical than a dramatic sense. The influence of the German master’s earlier style can be traced in his operas. Joncières, however, adhered to the recognized forms of the French opera and did not model his works according to the later developments of the Wagnerian “music drama.” He may indeed be said to have been at least as much influenced by Gounod as by Wagner. From 1871 he was musical critic forLa Liberté. He died on the 26th of October 1903.

JONES, ALFRED GILPIN(1824-1906), Canadian politician, was born at Weymouth, Nova Scotia, in September 1824, the son of Guy C. Jones of Yarmouth, and grandson of a United Empire Loyalist. In 1865 he opposed the federation of the British American provinces, and, in his anger at the refusal of the British government to repeal such portions of the British North America Act as referred to Nova Scotia, made a speech which won for him the name of Haul-down-the-flag Jones. He was for many years a member of the Federal Parliament, andfor a few months in 1878 was minister of militia under the Liberal government. Largely owing to his influence the Liberal party refused in 1878 to abandon its Free Trade policy, an obstinacy which led to its defeat in that year. In 1900 he was appointed lieutenant-governor of his native province, and held this position till his death on the 15th of March 1906.

JONES, SIR ALFRED LEWIS(1845-1909), British shipowner, was born in Carmarthenshire, in 1845. At the age of twelve he was apprenticed to the managers of the African Steamship Company at Liverpool, making several voyages to the west coast of Africa. By the time he was twenty-six he had risen to be manager of the business. Not finding sufficient scope in this post, he borrowed money to purchase two or three small sailing vessels, and started in the shipping business on his own account. The venture succeeded, and he made additions to his fleet, but after a few years’ successful trading, realizing that sailing ships were about to be superseded by steamers, he sold his vessels. About this time (1891) Messrs. Elder, Dempster & Co., who purchased the business of the old African Steamship Company, offered him a managerial post. This offer he accepted, subject to Messrs. Elder, Dempster selling him a number of their shares, and he thus acquired an interest in the business, and subsequently, by further share purchases, its control. See furtherSteamship Lines. In 1901 he was knighted. Sir Alfred Jones took a keen interest in imperial affairs, and was instrumental in founding the Liverpool school of tropical medicine. He acquired considerable territorial interests in West Africa, and financial interests in many of the companies engaged in opening up and developing that part of the world. He also took the leading part in opening up a new line of communication with the West Indies, and stimulating the Jamaica fruit trade and tourist traffic. He died on the 13th of December 1909, leaving large charitable bequests.

JONES, EBENEZER(1820-1860), British poet, was born in Islington, London, on the 20th of January 1820. His father, who was of Welsh extraction, was a strict Calvinist, and Ebenezer was educated at a dull, middle-class school. The death of his father obliged him to become a clerk in the office of a tea merchant. Shelley and Carlyle were his spiritual masters, and he spent all his spare time in reading and writing; but he developed an exaggerated style of thought and expression, due partly to a defective education. The unkind reception of hisStudies of Sensation and Event(1843) seemed to be the last drop in his bitter cup of life. Baffled and disheartened, he destroyed his manuscripts. He earned his living as an accountant and by literary hack work, and it was not until he was rapidly dying of consumption that he wrote his three remarkable poems, “Winter Hymn to the Snow,” “When the World is Burning” and “To Death.” The fame that these and some of the pieces in the early volume brought to their author came too late. He died on the 14th of September 1860.

It was not till 1870 that Dante Gabriel Rossetti praised his work inNotes and Queries. Rossetti’s example was followed by W. B. Scott, Theodore Watts-Dunton, who contributed some papers on the subject to theAthenaeum(September and October 1878), and R. H. Sheppard, who editedStudies of Sensation and Eventin 1879.

It was not till 1870 that Dante Gabriel Rossetti praised his work inNotes and Queries. Rossetti’s example was followed by W. B. Scott, Theodore Watts-Dunton, who contributed some papers on the subject to theAthenaeum(September and October 1878), and R. H. Sheppard, who editedStudies of Sensation and Eventin 1879.

JONES, ERNEST CHARLES(1819-1869), English Chartist, was born at Berlin on the 25th of January 1819, and educated in Germany. His father, an officer in the British army, was then equerry to the duke of Cumberland—afterwards king of Hanover. In 1838 Jones came to England, and in 1841 published anonymouslyThe Wood Spirit, a romantic novel. This was followed by some songs and poems. In 1844 he was called to the bar at the Middle Temple. In 1845 he joined the Chartist agitation, quickly becoming its most prominent figure, and vigorously carrying on the party’s campaign on the platform and in the press. His speeches, in which he openly advocated physical force, led to his prosecution, and he was sentenced in 1848 to two years’ imprisonment for sedition. While in prison he wrote, it is said in his own blood on leaves torn from a prayer-book,The Revolt of Hindostan, an epic poem. On his release he again became the leader of what remained of the Chartist party and editor of its organ. But he was almost its only public speaker; he was out of sympathy with the other leading Chartists, and soon joined the advanced Radical party. Thenceforward he devoted himself to law and literature, writing novels, tales and political songs. He made several unsuccessful attempts to enter parliament, and was about to contest Manchester, with the certainty of being returned, when he died there on the 26th of January 1869. He is believed to have sacrificed a considerable fortune rather than abandon his Chartist principles. His wife was Jane Atherley; and his son, Llewellyn Atherley-Jones, K.C. (b. 1851), became a well-known barrister and Liberal member of parliament.

JONES, HENRY(1831-1899), English author, well known as a writer on whist under hisnom de guerre“Cavendish,” was born in London on the 2nd of November 1831, being the eldest son of Henry D. Jones, a medical practitioner. He adopted his father’s profession, established himself in 1852 and continued for sixteen years in practice in London. The father was a keen devotee of whist, and under his eye the son became early in life a good player. He was a member of several whist clubs, among them the “Cavendish,” and in 1862 appeared hisPrinciples of Whist, stated and explained by“Cavendish,” which was destined to become the leading authority as to the practice of the game. This work was followed by treatises on the laws of piquet and écarté. “Cavendish” also wrote on billiards, lawn tennis and croquet, and contributed articles on whist and other games to the ninth edition of theEncyclopaedia Britannica. “’Cavendish’ was not a law-maker, but he codified and commented upon the laws which had been made during many generations of card-playing.” One of the most noteworthy points in his character was the manner in which he kept himself abreast of improvements in his favourite game. He died on the 10th of February 1899.

JONES, HENRY ARTHUR(1851-  ), English dramatist, was born at Grandborough, Buckinghamshire, on the 28th of September 1851 the son of Silvanus Jones, a farmer. He began to earn his living early, his spare time being given to literary pursuits. He was twenty-seven before his first piece,Only Round the Corner, was produced at the Exeter Theatre, but within four years of his début as a dramatist he scored a great success byThe Silver King(November 1882), written with Henry Herman, a melodrama produced by Wilson Barrett at the Princess’s Theatre. Its financial success enabled the author to write a play “to please himself.”Saints and Sinners(1884), which ran for two hundred nights, placed on the stage a picture of middle-class life and religion in a country town, and the introduction of the religious element raised considerable outcry. The author defended himself in an article published in theNineteenth Century(January 1885), taking for his starting-point a quotation from the preface to Molière’sTartuffe. His next serious piece wasThe Middleman(1889), followed byJudah(1890), both powerful plays, which established his reputation. Later plays wereThe Dancing Girl(1891),The Crusaders(1891),The Bauble Shop(1893),The Tempter(1893),The Masqueraders(1894),The Case of Rebellious Susan(1894),The Triumph of the Philistines(1895),Michael and his Lost Angel(1896),The Rogue’s Comedy(1896),The Physician(1897),The Liars(1897),Carnac Sahib(1899),The Manœuvres of Jane(1899),The Lackeys’ Carnival(1900),Mrs Dane’s Defence(1900),The Princess’s Nose(1902),Chance the Idol(1902),Whitewashing Julia(1903),Joseph Entangled(1904),The Chevalier(1904), &c. A uniform edition of his plays began to be issued in 1891; and his own views of dramatic art have been expressed from time to time in lectures and essays, collected in 1895 asThe Renascence of the English Drama.

JONES, INIGO(1573-1651), English architect, sometimes called the “English Palladio,” the son of a cloth-worker, was born in London on the 15th of July 1573. It is stated that he was apprenticed to a joiner, but at any rate his talent for drawing attracted the attention of Thomas Howard, earl of Arundel (some say William, 3rd earl of Pembroke), through whose help he went to study landscape-painting in Italy. His preference soon transferred itself to architecture, and, following chiefly the styleof Palladio, he acquired at Venice such a reputation that in 1604 he was invited by Christian IV. to Denmark, where he is said to have designed the two great royal palaces of Rosenborg and Frederiksborg. In the following year he accompanied Anne of Denmark to the court of James I. of England, where, besides being appointed architect to the queen and Prince Henry, he was employed in supplying the designs and decorations of the court masques. After a second visit to Italy in 1612, Jones was appointed surveyor-general of royal buildings by James I., and was engaged to prepare designs for a new palace at Whitehall. In 1620 he was employed by the king to investigate the origin of Stonehenge, when he came to the absurd conclusion that it had been a Roman temple. Shortly afterwards he was appointed one of the commissioners for the repair of St Paul’s, but the work was not begun till 1633. Under Charles I. he enjoyed the same offices as under his predecessor, and in the capacity of designer of the masques he came intocollisionwith Ben Jonson, who frequently made him the butt of his satire. After the Civil War Jones was forced to pay heavy fines as a courtier and malignant. He died in poverty on the 5th of July 1651.

A list of the principal buildings designed by Jones is given in Dallaway’s edition of Walpole’sAnecdotes of Painting, and for an estimate of him as an architect see Fergusson’sHistory of Modern Architecture.The Architecture of Palladio, in 4 books, by Inigo Jones, appeared in 1715;The Most Notable Antiquity of Great Britain, called Stonehenge, restored by Inigo Jones, in 1655 (ed. with memoir, 1725); theDesigns of Inigo Jones, by W. Kent, in 1727; andThe Designs of Inigo Jones, by J. Ware, in 1757. See also G. H. Birch,London Churches of the XVIIth and XVIIIth Centuries(1896); W. J. Loftie,Inigo Jones and Wren, or the Rise and Decline of Modern Architecture in England(1893).

A list of the principal buildings designed by Jones is given in Dallaway’s edition of Walpole’sAnecdotes of Painting, and for an estimate of him as an architect see Fergusson’sHistory of Modern Architecture.The Architecture of Palladio, in 4 books, by Inigo Jones, appeared in 1715;The Most Notable Antiquity of Great Britain, called Stonehenge, restored by Inigo Jones, in 1655 (ed. with memoir, 1725); theDesigns of Inigo Jones, by W. Kent, in 1727; andThe Designs of Inigo Jones, by J. Ware, in 1757. See also G. H. Birch,London Churches of the XVIIth and XVIIIth Centuries(1896); W. J. Loftie,Inigo Jones and Wren, or the Rise and Decline of Modern Architecture in England(1893).

JONES, JOHN(c.1800-1882), English art collector, was born about 1800 in or near London. He was apprenticed to a tailor, and about 1825 opened a shop of his own in the west-end of London. In 1850 he was able to retire from active management with a large fortune. When quite a young man he had begun to collect articles ofvertu. The rooms over his shop in which he at first lived were soon crowded, and even the bedrooms of his new house in Piccadilly were filled with art treasures. His collection was valued at approximately £250,000. Jones died in London on the 7th of January 1882, leaving his pictures, furniture and objects of art to the South Kensington Museum.

ACatalogue of the Jones Bequestwas published by the Museum in 1882, and aHandbook, with memoir, in 1883.

ACatalogue of the Jones Bequestwas published by the Museum in 1882, and aHandbook, with memoir, in 1883.

JONES, JOHN PAUL(1747-1792), American naval officer, was born on the 6th of July 1747, on the estate of Arbigland, in the parish of Kirkbean and the stewartry of Kirkcudbright, Scotland. His father, John Paul, was gardener to Robert Craik, a member of parliament; and his mother, Jean Macduff, was the daughter of a Highlander. Young John Paul, at the age of twelve, became shipmaster’s apprentice to a merchant of Whitehaven, named Younger. At seventeen he shipped as second mate and in the next year as first mate in one of his master’s vessels; on being released from his indentures, he acquired an interest in a ship, and as first mate made two voyages between Jamaica and the Guinea coast, trading in slaves. Becoming dissatisfied with this kind of employment, he sold his share in the ship and embarked for England. During the voyage both the captain and the mate died of fever, and John Paul took command and brought the ship safely to port. The owners gave him and the crew 10% of the cargo; after 1768, as captain of one of their merchantmen, John Paul made several voyages to America; but for unknown reasons he suddenly gave up his command to live in America in poverty and obscurity until 1775. During this period he assumed the name of Jones, apparently out of regard for Willie Jones, a wealthy planter and prominent political leader of North Carolina, who had befriended John Paul in his days of poverty.

When war broke out between England and her American colonies, John Paul Jones was commissioned as a first lieutenant by the Continental Congress, on the 22nd of December 1775. In 1776 he participated in the unsuccessful attack on the island of New Providence, and as commander first of the “Providence” and then of the “Alfred” he cruised between Bermuda and Nova Scotia, inflicting much damage on British shipping and fisheries. On the 10th of October 1776 he was promoted captain. On the 1st of November 1777 he sailed in the sloop-of-war “Ranger” for France with despatches for the American commissioners, announcing the surrender of Burgoyne and asking that Jones should be supplied with a swift frigate for harassing the coasts of England. Failing to secure a frigate, Jones sailed from Brest in the “Ranger” on the 10th of April 1778. A few days later he surprised the garrisons of the two forts commanding the harbour of Whitehaven, a port with which he was familiar from boyhood, spiked the guns and made an unsuccessful attempt to fire the shipping. Four days thereafter he encountered the British sloop-of-war “Drake,” a vessel slightly superior to his in fighting capacity, and after an hour’s engagement the British ship struck her colours and was taken to Brest. By this exploit Jones became a great hero in the eyes of the French, just beginning a war with Great Britain. With the rank of commodore he was now put at the head of a squadron of five ships. His flagship, the “Duras,” a re-fitted East Indiaman, was re-named by him the “Bonhomme Richard,” as a compliment to Benjamin Franklin, whosePoor Richard’s Almanacwas then popular in France. On the 14th of August the five ships sailed from L’Orient, accompanied by two French privateers. Several of the French commanders under Jones proved insubordinate, and the privateers and three of the men-of-war soon deserted him. With the others, however, he continued to take prizes, and even planned to attack the port of Leith, but was prevented by unfavourable winds. On the evening of the 23rd of September the three men-of-war sighted two British men-of-war, the “Serapis” and the “Countess of Scarbrough,” off Flamborough Head. The “Alliance,” commanded by Captain Landais, made off, leaving the “Bonhomme Richard” and the “Pallas” to engage the Englishmen. Jones engaged the greatly superior “Serapis,” and after a desperate battle of three and a half hours compelled the English ship to surrender. The “Countess of Scarbrough” had meanwhile struck to the more formidable “Pallas.” Jones transferred his men and supplies to the “Serapis,” and the next day the “Bonhomme Richard” sank.

During the following year Jones spent much of his time in Paris. Louis XVI. gave him a gold-hilted sword and the royal order of military merit, and made him chevalier of France. Early in 1781 Jones returned to America to secure a new command. Congress offered him the command of the “America,” a frigate then building, but the vessel was shortly afterwards given to France. In November 1783 he was sent to Paris as agent for the prizes captured in European waters under his own command, and although he gave much attention to social affairs and engaged in several private business enterprises, he was very successful in collecting the prize money. Early in 1787 he returned to America and received a gold medal from Congress in recognition of his services.

In 1788 Jones entered the service of the empress Catherine of Russia, avowing his intention, however, “to preserve the condition of an American citizen and officer.” As a rear-admiral he took part in the naval campaign in the Liman (an arm of the Black Sea, into which flow the Bug and Dnieper rivers) against the Turks, but the jealous intrigues of Russian officers caused him to be recalled to St Petersburg for the pretended purpose of being transferred to a command in the North Sea. Here he was compelled to remain in idleness, while rival officers plotted against him and even maliciously assailed his private character. In August 1789 he left St Petersburg a bitterly disappointed man. In May 1790 he arrived in Paris, where he remained in retirement during the rest of his life, although he made several efforts to re-enter the Russian service.

Undue exertion and exposure had wasted his strength before he reached the prime of life, and after an illness, in which he was attended by the queen’s physician, he died on the 18th of July 1792. His body was interred in the St Louis cemetery for foreign Protestants, the funeral expenses being paid from the private purse of Pierrot François Simmoneau, the king’scommissary. In the confusion during the following years the burial place of Paul Jones was forgotten; but in June 1899 General Horace Porter, American ambassador to France, began a systematic search for the body, and after excavations on the site of the old Protestant cemetery, now covered with houses, a leaden coffin was discovered, which contained the body in a remarkable state of preservation. In July 1905 a fleet of American war-ships carried the body to Annapolis, where it now rests in one of the buildings of the naval academy.

Jones was a seaman of great bravery and technical ability, but over-jealous of his reputation and inclined to be querulous and boastful. The charges by the English that he was a pirate were particularly galling to him. Although of unprepossessing appearance, 5 ft. 7 in. in height and slightly round-shouldered, he was noted for his pleasant manners and was welcomed into the most brilliant courts of Europe.

Romance has played with the memory of Paul Jones to such an extent that few accounts of his life are correct. Of the early biographies the best are Sherburne’s (London, 1825), chiefly a collection of Jones’s correspondence; theJanette-Taylor Collection(New York, 1830), containing numerous extracts from his letters and journals; and the life by A. S. MacKenzie (2 vols., New York, 1846). In recent years a number of new biographies have appeared, including A. C. Buell’s (2 vols., 1900), the trustworthiness of which has been discredited, and Hutchins Hapgood’s in the Riverside Biographical Series (1901). The life by Cyrus Townsend Brady in the “Great Commanders Series” (1900) is perhaps the best.

Romance has played with the memory of Paul Jones to such an extent that few accounts of his life are correct. Of the early biographies the best are Sherburne’s (London, 1825), chiefly a collection of Jones’s correspondence; theJanette-Taylor Collection(New York, 1830), containing numerous extracts from his letters and journals; and the life by A. S. MacKenzie (2 vols., New York, 1846). In recent years a number of new biographies have appeared, including A. C. Buell’s (2 vols., 1900), the trustworthiness of which has been discredited, and Hutchins Hapgood’s in the Riverside Biographical Series (1901). The life by Cyrus Townsend Brady in the “Great Commanders Series” (1900) is perhaps the best.


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