Chapter 9

See G. P. Tate,Kalat(Calcutta, 1896);Baluchistan District Gazetteer, vol. vi. (Bombay, 1907).

(T. H. H.*)

KALAT-I-GHILZAI,a fort in Afghanistan. It is situated on an isolated rocky eminence 5543 ft. above sea-level and 200 ft. above the plain, on the right bank of the river Tarnak, on the road between Kabul and Kandahar, 87 m. from Kandahar and 229 m. from Kabul. It is celebrated for its gallant defence by Captain Craigie and a sepoy garrison against the Afghans in the first Afghan War of 1842. In memory of this feat of arms, the 12th Pioneers still bear the name of “The Kalat-i-Ghilzai Regiment,” and carry a special colour with the motto “Invicta.”

KALB, JOHANN(“Baron de Kalb”) (1721-1780), German soldier in the American War of Independence, was born in Hüttendorf, near Bayreuth, on the 29th of June 1721. He was of peasant parentage, and left home when he was sixteen to become a butler; in 1743 he was a lieutenant in a German regiment in the French service, calling himself at this time Jean de Kalb. He served with the French in the War of the Austrian Succession, becoming captain in 1747 and major in 1756; in the Seven Years’ War he was in the corps of the comte de Broglie, rendering great assistance to the French after Rossbach (November 1757) and showing great bravery at Bergen (April 1759); and in 1763 he resigned his commission. As secret agent, appointed by Choiseul, he visited America in 1768-1769 to inquire into the feeling of the colonists toward Great Britain. From his retirement at Milon la Chapelle, Kalb went to Metz for garrison duty under de Broglie in 1775. Soon afterwards he received permission to volunteer in the army of the American colonies, in which the rank of major-general was promised to him by Silas Deane. After many delays he sailed with eleven other officers on the ship fitted out by Lafayette and arrived at Philadelphia in July 1777. His commission from Deane was disallowed, but the Continental Congress granted him the rank of major-general (dating from the 15th of September 1777), and in October he joined the army, where his growing admiration for Washington soon led him to view with disfavour de Broglie’s scheme for putting a European officer in chief command. Early in 1778, as second in command to Lafayette for the proposed expedition against Canada, he accompanied Lafayette to Albany; but no adequate preparations had been made, and the expedition was abandoned. In April 1780, he was sent from Morristown, New Jersey, with his division of Maryland men, his Delaware regiment and the 1st artillery, to relieve Charleston, but on arriving at Petersburg, Virginia, he learned that Charleston had already fallen. In his camp at Buffalo Ford and Deep River, General Horatio Gates joined him on the 25th of July; and next day Gates led the army by the short and desolate road directly towards Camden. On the 11th-13th of August, when Kalb advised an immediate attack on Rawdon, Gates hesitated and then marched to a position on the Salisbury-Charlotte road which he had previously refused to take. On the 14th Cornwallis had occupied Camden, and a battle took place there on the 16th when, the other American troops having broken and fled, Kalb, unhorsed and fighting fiercely at the head of his right wing, was wounded eleven times. He was taken prisoner and died on the 19th of August 1780 in Camden. Here in 1825 Lafayette laid the corner-stone of a monument to him. In 1887 a statue of him by Ephraim Keyser was dedicated in Annapolis, Maryland.

See Friedrich Kapp,Leben des amerikanischen Generals Johann Kalb(Stuttgart, 1862; English version, privately printed, New York, 1870), which is summarized in George W. Greene’sThe German Element in the War of American Independence(New York, 1876).

KALCKREUTH(orKalkreuth),FRIEDRICH ADOLF,Count von(1737-1818), Prussian soldier, entered the regiment of Gardes du Corps in 1752, and in 1758 was adjutant or aide de camp to Frederick the Great’s brother, Prince Henry, with whom he served throughout the later stages of the Seven Years’ War. He won special distinction at the battle of Freiberg (Sept. 29, 1762), for which Frederick promoted him major. Personal differences with Prince Henry severed their connexion in 1766, and for many years Kalckreuth lived in comparative retirement. But he made the campaign of the War of the Bavarian Succession as a colonel, and on the accession of Frederick William II. was restored to favour. He greatly distinguished himself as a major-general in the invasion of Holland in 1787, and by 1792 had become count and lieutenant-general. Under Brunswick he took a conspicuous part in the campaign of Valmy in 1792, the siege and capture of Mainz in 1793, and the battle of Kaiserslautern in 1794. In the campaigns against Napoleon in 1806 he played a marked part for good or evil, both at Auerstädt and in the miserable retreat of the beaten Prussians. In 1807 he defended Danzig for 78 days against the French under Marshal Lefebvre, with far greater skill and energy than he had shown in the previous year. He was promoted field marshal soon afterwards, and conducted many of the negotiations at Tilsit. He died as governor of Berlin in 1818.

TheDictées du Feldmaréchal Kalckreuthwere published by his son (Paris, 1844).

KALCKREUTH, LEOPOLD,Count von(1855- ), German painter, a direct descendant of the famous field-marshal (see above), was born at Düsseldorf, received his first training at Weimar from his father, the landscape painter Count Stanislaus von Kalckreuth (1820-1894), and subsequently studied at the academies of Weimar and Munich. Although he painted some portraits remarkable for their power of expression, he devoted himself principally to depicting with relentless realism the monotonous life of the fishing folk on the sea-coast, and of the peasants in the fields. His palette is joyless, and almost melancholy, and in his technique he is strongly influenced by the impressionists. He was one of the founders of the secessionist movement. From 1885 to 1890 Count von Kalckreuth was professor at the Weimar art school. In 1890 he resigned his professorship and retired to his estate of Höckricht in Silesia, where he occupied himself in painting subjects drawn from the life of the country-folk. In 1895 he became a professor at the art school at Karlsruhe. The Munich Pinakothek has his “Rainbow” and the Dresden Gallery his “Old Age.” Among his chief works are the “Funeral at Dachau,” “Homewards,” “Wedding Procession in the Carpathian Mountains,” “The Gleaners,” “Old Age,” “Before the Fish Auction,” “Summer,” and “Going to School.”

See A. Ph. W. v. Kalckreuth,Gesch. der Herren, Freiherren und Grafen von Kalckreuth(Potsdam, 1904).

KALEIDOSCOPE(from Gr.καλός, beautiful,εἶδος, form, andσκοπεῖν, to view). The articleReflectionexplains the symmetrical arrangement of images formed by two mirrors inclined at an angle which is a sub-multiple of four right angles. This is the principle of the kaleidoscope, an optical toy which received its present form at the hands of Sir David Brewster about theyear 1815, and which at once became exceedingly popular owing to the beauty and variety of the images and the sudden and unexpected changes from one graceful form to another. A hundred years earlier R. Bradley had employed a similar arrangement which seems to have passed into oblivion (New Improvements of Planting and Gardening, 1710). The instrument has been extensively used by designers. In its simplest form it consists of a tube about twelve inches long containing two glass plates, extending along its whole length and inclined at an angle of 60°. The eye-end of the tube is closed by a metal plate having a small hole at its centre near the intersection of the glass plates. The other end is closed by a plate of muffed glass at the distance of distinct vision, and parallel to this is fixed a plate of clear glass. In the intervening space (theobject-box) are contained a number of fragments of brilliantly coloured glass, and as the tube is turned round its axis these fragments alter their positions and give rise to the various patterns. A third reflecting plate is sometimes employed, the cross-section of the three forming an equilateral triangle. Sir David Brewster modified his apparatus by moving the object-box and closing the end of the tube by a lens of short focus which forms images of distant objects at the distance of distinct vision. These images take the place of the coloured fragments of glass, and they are symmetrically multiplied by the mirrors. In thepolyangular kaleidoscopethe angle between the mirrors can be altered at pleasure. Such instruments are occasionally found in old collections of philosophical apparatus and they have been used in order to explain to students the formation of multiple images.

(C. J. J.)

KALERGIS, DIMITRI(Demetrios) (1803-1867), Greek statesman, was a Cretan by birth, studied medicine at Paris and on the outbreak of the War of Greek Independence went to the Morea and joined the insurgents. He fought under Karaiskakis, was taken prisoner by the Turks before Athens and mulcted of an ear; later he acted as aide de camp to the French philhellene Colonel Fabvier and to Count Capo d’Istria, president of Greece. In 1832 he was promoted lieutenant-colonel. In 1843, as commander of a cavalry division, he was the prime mover in the insurrection which forced King Otto to dismiss his Bavarian ministers. He was appointed military commandant of Athens and aide de camp to the king, but after the fall of the Mavrocordato ministry in 1845 was forced to go into exile, and spent several years in London, where he became an intimate of Prince Louis Napoleon. In 1848 he made an abortive descent on the Greek coast, in the hope of revolutionizing the kingdom. He was captured, but soon released and, after a stay in the island of Zante, went to Paris (1853). At the instance of the Western Powers he was recalled on the outbreak of the Crimean War and appointed minister of war in the reconstituted Mavrocordato cabinet (1854). He was, however, disliked by King Otto and his consort, and in October 1855 was forced to resign. In 1861 he was appointed minister plenipotentiary in Paris, in which capacity he took an important part in the negotiations which followed the fall of the Bavarian dynasty and led to the accession of Prince George of Denmark to the Greek throne.

KALEWALA,orKalevala, the name of the Finnish national epos. It takes its name from the three sons of Kalewa (or Finland), viz. the ancient Wäinämöinen, the inventor of the sacred harp Kantele; the cunning art-smith, Ilmarinen; and the gallant Lemminkäinen, who is a sort of Arctic Don Juan. The adventures of these three heroes are wound about a plot for securing in marriage the hand of the daughter of Louhi, a hero from Pohjola, a land of the cold north. Ilmarinen is set to construct a magic mill, the Sanpo, which grinds out meal, salt and gold, and as this has fallen into the hands of the folk of Pohjola, it is needful to recover it. The poem actually opens, however, with a very poetical theory of the origin of the world. The virgin daughter of the atmosphere, Luonnotar, wanders for seven hundred years in space, until she bethinks her to invoke Ukko, the northern Zeus, who sends his eagle to her; this bird makes its nest on the knees of Luonnotar and lays in it seven eggs. Oat of the substance of these eggs the visible world is made. But it is empty and sterile until Wäinämöinen descends upon it and woos the exquisite Aino. She disappears into space, and it is to recover from his loss and to find another bride that Wäinämöinen makes his series of epical adventures in the dismal country of Pohjola. Various episodes of great strangeness and beauty accompany the lengthy recital of the struggle to acquire the magical Sanpo, which gives prosperity to whoever possesses it. In the midst of a battle the Sanpo is broken and falls into the sea, but one fragment floats on the waves, and, being stranded on the shores of Finland, secures eternal felicity for that country. At the very close of the poem a virgin, Mariatta, brings forth a king who drives Wäinämöinen out of the country, and this is understood to refer to the ultimate conquest of Paganism by Christianity.

TheKalewalawas probably composed at various times and by various bards, but always in sympathy with the latent traditions of the Finnish race, and with a mixture of symbolism and realism exactly accordant with the instincts of that race. While in the other antique epics of the world bloodshed takes a predominant place, theKalewalais characteristically gentle, lyrical and even domestic, dwelling at great length on situations of moral beauty and romantic pathos. It is entirely concerned with the folk-lore and the traditions of the primeval Finnish race. The poem is written in eight-syllabled trochaic verse, and an idea of its style may be obtained from Longfellow’sHiawatha, which is a pretty true imitation of the Finnish epic.

Until the 19th century theKalewalaexisted only in fragments in the memories and on the lips of the peasants. A collection of a few of these scattered songs was published in 1822 by Dr Zacharius Topelius, but it was not until 1835 that anything like a complete and systematically arranged collection was given to the world by Dr Elias Lönnrot. For years Dr Lönnrot wandered from place to place in the most remote districts, living with the peasantry, and taking down from their lips all that they knew of their popular songs. Some of the most valuable were discovered in the governments of Archangel and Olonetz. After unwearied diligence Lönnrot was successful in collecting 12,000 lines. These he arranged as methodically as he could into thirty-two runes or cantos, which he published exactly as he heard them sung or chanted. Continuing his researches, Dr Lönnrot published in 1849 a new edition of 22,793 verses in fifty runes. A still more complete text was published by A. V. Forsman in 1887. The importance of this indigenous epic was at once recognized in Europe, and translations were made into Swedish, German and French. Several translations into English exist, the fullest being that by J. M. Crawford in 1888. The best foreign editions are those of Castren in Swedish (1844), Leouzon le Duc in French (1845 and 1868), Schiefner in German (1852).

(E. G.)

KALGAN(Chang-Chia K’ow), a city of China, in the province of Chih-li, with a population estimated at from 70,000 to 100,000. It lies in the line of the Great Wall, 122 m. by rail N.W. of Peking, commanding an important pass between China and Mongolia. Its position is stated as in 40° 50′ N. and 114° 54′ E., and its height above the sea as 2810 ft. The valley amid the mountains in which it is situated is under excellent cultivation, and thickly studded with villages. Kalgan consists of a walled town or fortress and suburbs 3 m. long. The streets are wide, and excellent shops are abundant; but the ordinary houses have an unusual appearance, from the fact that they are mostly roofed with earth and become covered with green-sward. Large quantities of soda are manufactured; and the town is the seat of a very extensive transit trade. In October 1909 it was connected by railway with Peking. In early autumn long lines of camels come in from all quarters for the conveyance of the tea-chests from Kalgan to Kiakhta; and each caravan usually makes three journeys in the winter. Some Russian merchants have permanent residences and warehouses just outside the gate. On the way to Peking the road passes over a beautiful bridge of seven arches, ornamented with marble figures of animals. The name Kalgan is Mongolian, and means a barrier or “gate-beam.”

KALGOORLIE,a mining town of Western Australia, 24 m. by rail E.N.E. of Coolgardie. Pop. (1901), 6652. It is a thriving town with an electric tramway service, and is the junction of four lines of railway. The gold-field, discovered in 1893, is very rich, supporting about 15,000 miners. The town is supplied with water, like Coolgardie, from a source near Perth 360 m. distant.

KALI(black), orKali Ma(the Black Mother), in Hindu mythology, the goddess of destruction and death, the wife of Siva. According to one theory, Calcutta owes its name to her, being originally Kalighat, “Kali’s landing-place.” Siva’s consort has many names (e.g.Durga, Bhawani, Parvati, &c.). Her idol is black, with four arms, and red palms to the hands. Her eyes are red, and her face and breasts are besmeared with blood. Her hair is matted, and she has projecting fang-like teeth, between which protrudes a tongue dripping with blood. She wears a necklace of skulls, her earrings are dead bodies, and she is girded with serpents. She stands on the body of Siva, to account for which attitude there is an elaborate legend. She is more worshipped in Gondwana and the forest tracts to the east and south of it than in any other part of India. Formerly human sacrifice was the essential of her ritual. The victim, always a male, was taken to her temple after sunset and imprisoned there. When morning came he was dead: the priests told the people that Kali had sucked his blood in the night. At Dantewara in Bastar there is a famous shrine of Kali under the name of Danteswari. Here many a human head has been presented on her altar. About 1830 it is said that upwards of twenty-five full-grown men were immolated at once by the raja. Cutting their flesh and burning portions of their body were among the acts of devotion of her worshippers. Kali is goddess of small-pox and cholera. The Thugs murdered their victims in her honour, and to her the sacred pickaxe, wherewith their graves were dug, was consecrated.

TheHook-swinging Festival(ChurrukorChuruck Puja), one of the most notable celebrations in honour of the goddess Kali, has now been prohibited in British territory. Those who had vowed themselves to self-torture submitted to be swung in the air supported only by hooks passed through the muscles over the blade-bones. These hooks were hung from a long crossbeam, which see-sawed upon a huge upright pole. Hoisted into the air by men pulling down the other end of the see-saw beam, the victim was then whirled round in a circle. The torture usually lasted fifteen or twenty minutes.

See A. A. Macdonell,Vedic Mythology(Strassburg, 1897).

KĀLIDĀSA,the most illustrious name among the writers of the second epoch of Sanskrit literature, which, as contrasted with the age of the Vedic hymns, may be characterized as the period of artificial poetry. Owing to the absence of the historical sense in the Hindu race, it is impossible to fix with chronological exactness the lifetime of either Kālidāsa or any other Sanskrit author. Native tradition places him in the 1st centuryB.C.; but the evidence on which this belief rests is worthless. The works of the poet contain no allusions by which their date can be directly determined; yet the extremely corrupt form of the Prākrit or popular dialects spoken by the women and the subordinate characters in his plays, as compared with the Prākrit in inscriptions of ascertained age, led such authorities as Weber and Lassen to agree in fixing on the 3rd centuryA.D.as the approximate period to which the writings of Kālidāsa should be referred.

He was one of the “nine gems” at the court of King Vikramaditya or Vikrama, at Ujjain, and the tendency is now to regard the latter as having flourished aboutA.D.375; others, however, place him as late as the 6th century. The richness of his creative fancy, his delicacy of sentiment, and his keen appreciation of the beauties of nature, combined with remarkable powers of description, place Kālidāsa in the first rank of Oriental poets. The effect, however, of his productions as a whole is greatly marred by extreme artificiality of diction, which, though to a less extent than in other Hindu poets, not unfrequently takes the form of puerile conceits and plays on words. In this respect his writings contrast very unfavourably with the more genuine poetry of the Vedas. Though a true poet, he is wanting in that artistic sense of proportion so characteristic of the Greek mind, which exactly adjusts the parts to the whole, and combines form and matter into an inseparable poetic unity. Kālidāsa’s fame rests chiefly on his dramas, but he is also distinguished as an epic and a lyric poet.

He wrote three plays, the plots of which all bear a general resemblance, inasmuch as they consist of love intrigues, which, after numerous and seemingly insurmountable impediments of a similar nature, are ultimately brought to a successful conclusion.Of these,Sakuntalāis that which has always justly enjoyed the greatest fame and popularity. The unqualified praise bestowed upon it by Goethe sufficiently guarantees its poetic merit. There are two recensions of the text in India, the Bengalī and the Devanāgarī, the latter being generally considered older and purer.Sakuntalāwas first translated into English by Sir William Jones (Calcutta, 1789), who used the Bengalī recension. It was soon after translated into German by G. Forster (1791; new ed. Leipzig, 1879). An edition of the Sanskrit original, with French translation, was published by A. L. Chézy at Paris in 1830. This formed the basis of a translation by B. Hirzel (Zürich, 1830); later trans. by L. Fritze (Chemnitz, 1876). Other editions of the Bengalī recension were published by Prema Chandra (Calcutta, 1860) for the use of European students and by R. Pischel (2nd ed., Kiel, 1886). The Devanāgarī recension was first edited by O. Böhtlingk (Bonn, 1842), with a German translation. On this were based the successive German translations of E. Meier (Tübingen, 1851) and E. Lobedanz (8th ed., Leipzig, 1892). The same recension has been edited by Dr C. Burkhard with a Sanskrit-Latin vocabulary and short Prākrit grammar (Breslau, 1872), and by Professor Monier Williams (Oxford, 2nd ed. 1876), who also translated the drama (5th ed., 1887). There is another translation by P. N. Patankar (Poona, 1888- ). There are also a South Indian and a Cashmir recension.TheVikramorvasī, orUrvasī won by Valour, abounds with fine lyrical passages, and is of all Indian dramas second only toSakuntalāin poetic beauty. It was edited by R. Lenz (Berlin, 1833) and translated into German by C. G. A. Höfer (Berlin, 1837), by B. Hirzel (1838), by E. Lobedanz (Leipzig, 1861) and F. Bollensen (Petersburg, 1845). There is also an English edition by Monier Williams, a metrical and prose version by Professor H. H. Wilson, and a literal prose translation by Professor E. B. Cowell (1851). The latest editions are by S. P. Pandit (Bombay, 1879) and K. B. Paranjpe (ibid. 1898).The third play, entitledMālavikāgnimitra, has considerable poetical and dramatic merit, but is confessedly inferior to the other two. It possesses the advantage, however, that its hero Agnimitra and its heroine Mālavikā are more ordinary and human characters than those of the other plays. It is edited by O. F. Tullberg (Bonn, 1840), by Shankar P. Pandit, with English notes (1869), and S. S. Ayyar (Poona, 1896); translated into German by A. Weber (1856), and into English by C. H. Tawney (2nd ed., Calcutta, 1898).Two epic poems are also attributed to Kālidāsa. The longer of these is entitledRaghuvamsa, the subject of which is the same as that of theRāmāyana, viz. the history of Rāma, but beginning with a long account of his ancestors, the ancient rulers of Ayodhya (ed. by A. F. Stenzler, London, 1832; and with Eng. trans. and notes by Gopal Raghunath Nandargĭkar, Poona, 1897; verse trans. by P. de Lacy Johnstone, 1902). The other epic is theKumārasambhava, the theme of which is the birth of Kumāra, otherwise called Kārttikeya or Skanda, god of war (ed. by Stenzler, London, 1838; K. M. Banerjea, 3rd ed. Calcutta, 1872; Parvanikara and Parab, Bombay, 1893; and M. R. Kale and S. R. Dharadhara, ibid. 1907; Eng. trans. by R. T. Griffith, 1879). Though containing many fine passages, it is tame as a whole.His lyrical poems are theMeghadūtaand theRitusamhāra. TheMeghadūta, or the Cloud-Messenger, describes the complaint of an exiled lover, and the message he sends to his wife by a cloud. It is full of deep feeling, and abounds with fine descriptions of the beauties of nature. It was edited with free English translation by H. H. Wilson (Calcutta, 1813), and by J. Gildemeister (Bonn, 1841); a German adaptation by M. Müller appeared at Königsberg (1847), and one by C. Schütz at Bielefeld (1859). It was edited by F. Johnson, with vocabulary and Wilson’s metrical translation (London, 1867); later editions by K. P. Parab (Bombay, 1891) and K. B. Pathak (Poona, 1894). TheRitusamhāra, or Collection of the Seasons, is a short poem, of less importance, on the six seasons of the year. There is an edition by P. von Bohlen, with prose Latin and metrical German translation (Leipzig, 1840); Eng. trans. by C. S. Sitaram Ayyar (Bombay, 1897).Another poem, entitled theNalodaya, or Rise of Nala, edited by F. Benary (Berlin, 1830), W. Yates (Calcutta, 1844) and Vidyasagara (Calcutta, 1873), is a treatment of the story of Nala and Damayanti, but describes especially the restoration of Nala to prosperity and power. It has been ascribed to the celebrated Kālidāsa, but was probably written by another poet of the same name. It is full of most absurd verbal conceits and metrical extravagances.So many poems, partly of a very different stamp, are attributed to Kālidāsa that it is scarcely possible to avoid the necessity of assuming the existence of more authors than one of that name. It is by no means improbable that there were three poets thus named; indeed modern native astronomers are so convinced of the existence of a triad of authors of this name that they apply the term Kālidāsa to designate the number three.On Kālidāsa generally, see A. A. Macdonell’sHistory of Sanskrit Literature(1900), and on his date G. Huth,Die Zeit des K.(Berlin, 1890).

Of these,Sakuntalāis that which has always justly enjoyed the greatest fame and popularity. The unqualified praise bestowed upon it by Goethe sufficiently guarantees its poetic merit. There are two recensions of the text in India, the Bengalī and the Devanāgarī, the latter being generally considered older and purer.Sakuntalāwas first translated into English by Sir William Jones (Calcutta, 1789), who used the Bengalī recension. It was soon after translated into German by G. Forster (1791; new ed. Leipzig, 1879). An edition of the Sanskrit original, with French translation, was published by A. L. Chézy at Paris in 1830. This formed the basis of a translation by B. Hirzel (Zürich, 1830); later trans. by L. Fritze (Chemnitz, 1876). Other editions of the Bengalī recension were published by Prema Chandra (Calcutta, 1860) for the use of European students and by R. Pischel (2nd ed., Kiel, 1886). The Devanāgarī recension was first edited by O. Böhtlingk (Bonn, 1842), with a German translation. On this were based the successive German translations of E. Meier (Tübingen, 1851) and E. Lobedanz (8th ed., Leipzig, 1892). The same recension has been edited by Dr C. Burkhard with a Sanskrit-Latin vocabulary and short Prākrit grammar (Breslau, 1872), and by Professor Monier Williams (Oxford, 2nd ed. 1876), who also translated the drama (5th ed., 1887). There is another translation by P. N. Patankar (Poona, 1888- ). There are also a South Indian and a Cashmir recension.

TheVikramorvasī, orUrvasī won by Valour, abounds with fine lyrical passages, and is of all Indian dramas second only toSakuntalāin poetic beauty. It was edited by R. Lenz (Berlin, 1833) and translated into German by C. G. A. Höfer (Berlin, 1837), by B. Hirzel (1838), by E. Lobedanz (Leipzig, 1861) and F. Bollensen (Petersburg, 1845). There is also an English edition by Monier Williams, a metrical and prose version by Professor H. H. Wilson, and a literal prose translation by Professor E. B. Cowell (1851). The latest editions are by S. P. Pandit (Bombay, 1879) and K. B. Paranjpe (ibid. 1898).

The third play, entitledMālavikāgnimitra, has considerable poetical and dramatic merit, but is confessedly inferior to the other two. It possesses the advantage, however, that its hero Agnimitra and its heroine Mālavikā are more ordinary and human characters than those of the other plays. It is edited by O. F. Tullberg (Bonn, 1840), by Shankar P. Pandit, with English notes (1869), and S. S. Ayyar (Poona, 1896); translated into German by A. Weber (1856), and into English by C. H. Tawney (2nd ed., Calcutta, 1898).

Two epic poems are also attributed to Kālidāsa. The longer of these is entitledRaghuvamsa, the subject of which is the same as that of theRāmāyana, viz. the history of Rāma, but beginning with a long account of his ancestors, the ancient rulers of Ayodhya (ed. by A. F. Stenzler, London, 1832; and with Eng. trans. and notes by Gopal Raghunath Nandargĭkar, Poona, 1897; verse trans. by P. de Lacy Johnstone, 1902). The other epic is theKumārasambhava, the theme of which is the birth of Kumāra, otherwise called Kārttikeya or Skanda, god of war (ed. by Stenzler, London, 1838; K. M. Banerjea, 3rd ed. Calcutta, 1872; Parvanikara and Parab, Bombay, 1893; and M. R. Kale and S. R. Dharadhara, ibid. 1907; Eng. trans. by R. T. Griffith, 1879). Though containing many fine passages, it is tame as a whole.

His lyrical poems are theMeghadūtaand theRitusamhāra. TheMeghadūta, or the Cloud-Messenger, describes the complaint of an exiled lover, and the message he sends to his wife by a cloud. It is full of deep feeling, and abounds with fine descriptions of the beauties of nature. It was edited with free English translation by H. H. Wilson (Calcutta, 1813), and by J. Gildemeister (Bonn, 1841); a German adaptation by M. Müller appeared at Königsberg (1847), and one by C. Schütz at Bielefeld (1859). It was edited by F. Johnson, with vocabulary and Wilson’s metrical translation (London, 1867); later editions by K. P. Parab (Bombay, 1891) and K. B. Pathak (Poona, 1894). TheRitusamhāra, or Collection of the Seasons, is a short poem, of less importance, on the six seasons of the year. There is an edition by P. von Bohlen, with prose Latin and metrical German translation (Leipzig, 1840); Eng. trans. by C. S. Sitaram Ayyar (Bombay, 1897).

Another poem, entitled theNalodaya, or Rise of Nala, edited by F. Benary (Berlin, 1830), W. Yates (Calcutta, 1844) and Vidyasagara (Calcutta, 1873), is a treatment of the story of Nala and Damayanti, but describes especially the restoration of Nala to prosperity and power. It has been ascribed to the celebrated Kālidāsa, but was probably written by another poet of the same name. It is full of most absurd verbal conceits and metrical extravagances.

So many poems, partly of a very different stamp, are attributed to Kālidāsa that it is scarcely possible to avoid the necessity of assuming the existence of more authors than one of that name. It is by no means improbable that there were three poets thus named; indeed modern native astronomers are so convinced of the existence of a triad of authors of this name that they apply the term Kālidāsa to designate the number three.

On Kālidāsa generally, see A. A. Macdonell’sHistory of Sanskrit Literature(1900), and on his date G. Huth,Die Zeit des K.(Berlin, 1890).

(A. A. M.)

KALIMPONG,a village of British India, in the Darjeeling district of Bengal, 4000 ft. above sea-level; pop. (1901), 1069. It is a frontier market for the purchase of wool and mules from Tibet, and an important agricultural fair is held in November. In 1900 Kalimpong was chosen by the Church of Scotland as the site of cottage homes, known as St Andrew’s Colonial Homes, for the education and training of poor European and Eurasian children.

KALINGA,orCalinga, one of the nine kingdoms of southern India in ancient times. Its exact limits varied, but included the eastern Madras coast from Pulicat to Chicacole, running inland from the Bay of Bengal to the Eastern Ghats. The name at one time had a wider and vaguer meaning, comprehending Orissa, and possibly extending to the Ganges valley. The Kalinga of Pliny certainly included Orissa, but latterly it seems to have been confined to the Telugu-speaking country; and in the time of Hsüan Tsang (630A.D.) it was distinguished on the south and west from Andhra, and on the north from Odra or Orissa. Taranatha, the Tibetan historian, speaks of Kalinga as one division of the country of Telinga. Hsüan Tsang speaks of Kalinga (“Kie-ling-kia”) having its capital at what has been identified with the site either of Rajahmundry or Coringa. Both these towns, as well as Singapur, Calingapatam and Chicacole, share the honour of having been the chief cities of Kalinga at different periods; but inscriptions recently deciphered seem to prove that the capital of the Ganga dynasty of Kalinga was at Mukhalingam in the Ganjam district.

KALINJAR,a town and hill fort of British India in the Banda district of the United Provinces. Pop. (1901), 3015. The fort stands on an isolated rock, the termination of the Vindhya range, at an elevation of 1203 ft., overlooking the plains of Bundelkhand. Kalinjar is the most characteristic specimen of the hill-fortresses, originally hill-shrines, of central India. Its antiquity is proved by its mention in theMahābhārata. It was besieged by Mahmud of Ghazni in 1023, and here the Afghan emperor Sher Shah met his death in 1545, and Kalinjar played a prominent part in history down to the time of the Mutiny in 1857, when it was held by a small British garrison. Both the fort and the town, which stands at the foot of the hill, are of interest to the antiquary on account of their remains of temples, sculptures, inscriptions and caves.

KALIR [QALIR], ELEAZER,Hebrew liturgical poet, whose hymns (piyyutim) are found in profusion in the festival prayers of the German synagogal rite. The age in which he lived is unknown. Some (basing the view on Saadiah’sSefer ha-galuy) place him as early as the 6th century, others regard him as belonging to the 10th century. Kalir’s style is powerful but involved; he may be described as a Hebrew Browning.

Some beautiful renderings of Kalir’s poems may be found in the volumes of Davis & Adler’s edition of the German Festival Prayers entitledService of the Synagogue.

KALISCH, ISIDOR(1816-1886), Jewish divine, was born at Krotoschin in Prussia on the 15th of November 1816, and was educated at Berlin, Breslau and Prague. In 1848 he came to London, but passed on in 1849 to America, where he ministered as rabbi in Cleveland, Cincinnati, Milwaukee, Detroit and Newark, New Jersey. At Newark from 1875 he gave himself entirely to literary work, and exercised a strong influence as leader of the radical and reforming Jewish party.

Among his works areWegweisen für rationelle Forschungen in den biblischen Schriften(1853); and translations ofNathan der Weise(1869);Sepher Jezirah(1877); and Munz’sHistory of Philosophy among the Jews(1881). He also wrote a good deal of German and Hebrew verse.

KALISCH, MARCUS(orMaurice) (1828-1885), Jewish scholar, was born in Pomerania in 1828, and died in England 1885. He was one of the pioneers of the critical study of the Old Testament in England. At one time he was secretary to the Chief Rabbi; in 1853 he became tutor in the Rothschild family and enjoyed leisure to produce his commentaries and other works. The first instalment of his commentary on the Pentateuch wasExodus(1855); this was followed byGenesis(1858) andLeviticusin two parts (1867-1872). Kalisch wrote before the publication of Wellhausen’s works, and anticipated him in some important points. Besides these works, Kalisch published in 1877-1878 two volumes of Bible studies (onBalaamandJonah). He was also author of a once popular Hebrew grammar in two volumes (1862-1863). In 1880 he publishedPath and Goal, a brilliant discussion of human destiny. His commentaries are of permanent value, not only because of the author’s originality, but also because of his erudition. No other works in English contain such full citations of earlier literature.

(I. A.)

KALISPEL,orPend d’Oreille, a tribe of North-American Indians of Salishan stock. They formerly ranged the country around Pend d’Oreille Lake, Washington. They number some 600, and are settled on a reservation in Montana.

KALISZ,a government of Russian Poland, having Prussia on the W., and the governments of Warsaw and Piotrków on the E. Its area is 4390 sq. m. Its surface is a lowland, sloping towards the west, and is drained by the Prosna and the Warta and their tributaries, and also by the Bzura. It was formerly covered with countless small lakes and thick forests; the latter are now mostly destroyed, but many lakes and marshes exist still. Pop. (1897), 844,358 of whom 427,978 were women, and 113,609 lived in towns; estimated pop. (1906), 983,200. They are chiefly Poles. Roman Catholics number 83%; Jews and Protestants each amount to 7%. Agriculture is carried to perfection on a number of estates, as also livestock breeding. The crops principally raised are rye, wheat, oats, barley and potatoes. Various domestic trades, including the weaving of linen and wool, are carried on in the villages. There are some factories, producing chiefly cloth and cottons. The government is divided into eight districts, the chief towns of which, with their populations in 1897, are: Kalisz (21,680), Kolo (9400), Konin (8530), Leczyca (8863), Slupec (3758), Sieradz (7019), Turek (8141) and Wielun (7442).

KALISZ,the chief town of the above government, situated in 51° 46′ N. and 18° E., 147 m. by rail W.S.W. of Warsaw, on the banks of the Prosna, which there forms the boundary of Prussia. Pop. (1871), 18,088; (1897), 21,680, of whom 37% were Jews. It is one of the oldest and finest cities of Poland, is the seat of a Roman Catholic bishop, and possesses a castle, a teachers’ institute and a large public park. The industrial establishments comprise a brewery, and factories for ribbons, cloth and sugar, and tanneries.

Kalisz is identified with theCalisiaof Ptolemy, and its antiquity is indicated by the abundance of coins and other objects of ancient art which have been discovered on the site, as well as by the numerous burial mounds existing in the vicinity. It was the scene of the decisive victory of Augustus the Strong of Poland over the Swedes on the 29th of October 1706, of several minor conflicts in 1813, and of the friendly meeting of the Russian and Prussian troops in 1835, in memory of which an iron obelisk was erected in the town by Nicholas I. in 1841. The treaty of 1813 between Russia and Prussia was signed here.

KALK,a town in the Prussian Rhine province, on the right bank of the Rhine, 2 m. E. of Cologne. Pop. (1905), 25,478. Kalk is an important junction of railway lines connecting Cologne with places on the right bank of the river. It has various iron and chemical industries, brickworks and breweries, and an electric tramway joins it with Cologne.

KALKAS,orKhalkas, a Mongoloid people mainly concentrated in the northern steppes of Mongolia near their kinsmen, the Buriats. According to Sir H. Howorth they derive their name from the river Kalka, which runs into the Buir lake. Of all Mongolians they physically differ most from the true Mongol type (seeMongols). Their colour is a brown rather than a yellow, and their eyes are open and not oblique. They have, however, the broad flat face, high cheekbones and lank black hair of their race. They number some 250,000, and their territory is divided into the four khanates of Tushetu (Tushiyetu), Tsetien (Setzen), Sai’noi’m (Sain Noyan) and Jesaktu (Jassaktu).

KALKBRENNER, FRIEDRICH WILHELM(1784-1849), German pianist and composer, son of Christian Kalkbrenner (1755-1806), a Jewish musician of Cassel, was educated at theParis Conservatoire, and soon began to play in public. From 1814 to 1823 he was well known as a brilliant performer and a successful teacher in London, and then settled in Paris, dying at Enghien, near there, in 1849. He became a member of the Paris piano-manufacturing firm of Pleyel & Co., and made a fortune by his business and his art combined. His numerous compositions are less remembered now than his instruction-book, with “studies,” which have had considerable vogue among pianists.

KÁLLAY, BENJAMIN VON(1839-1903), Austro-Hungarian statesman, was born at Budapest on the 22nd of December 1839. His family derived their name from their estates at Nágy Kallo, in Szabolcs, and claimed descent from the Balogh Semjen tribe, which colonized the counties of Borsod, Szabolcs, and Szatmár, at the close of the 9th century, when the Magyars conquered Hungary. They played a prominent part in Hungarian history as early as the reign of Koloman (1095-1114); and from King Matthias Corvinus (1458-1490) they received their estates at Mezö Tur, near Kecskemét, granted to Michael Kállay for his heroic defence of Jajce in Bosnia, and still held by his descendants. The father of Benjamin von Kállay, a superior official of the Hungarian Government, died in 1845, and his widow, who survived until 1903, devoted herself to the education of her son. At an early age Kállay manifested a deep interest in politics, and especially in the Eastern Question. He travelled in Russia, European Turkey and Asia Minor, gaining a thorough knowledge of Greek, Turkish and several Slavonic languages. He became as proficient in Servian as in his native tongue. In 1867 he entered the Hungarian Diet as Conservative deputy for Mühlbach (Szásy-Szebes); in 1869 he was appointed consul-general at Belgrade; and in 1872 he visited Bosnia for the first time. His views on Balkan questions strongly influenced Count Andrássy, the Austro-Hungarian minister for foreign affairs. Leaving Belgrade in 1875, he resumed his seat in the Diet, and shortly afterwards founded the journalKélet Nepe, orEastern Folk, in which he defended the vigorous policy of Andrássy. After the Russo-Turkish War of 1878 he went to Philippopolis as Austro-Hungarian envoy extraordinary on the International Eastern Rumelian Commission. In 1879 he became second, and soon afterwards first, departmental chief at the foreign office in Vienna. On the 4th of June 1882 he was appointed Imperial minister of finance and administrator of Bosnia and Herzegovina, and the distinction with which he filled this office, for a period of 21 years, is his chief title of fame (seeBosnia and Herzegovina). Kállay was an honorary member of the Budapest and Vienna academies of science, and attained some eminence as a writer. He translated J. S. Mill’sLibertyinto Hungarian, adding an introductory critique; while his version ofGalatea, a play by the Greek dramatist S. N. Basiliades (1843-1874), proved successful on the Hungarian stage. His monographs on Servian history (Geschichte der Serben) and on the Oriental ambition of Russia (Die Orientpolitik Russlands) were translated into German by J. H. Schwicker, and published at Leipzig in 1878. But, in his own opinion, his masterpiece was an academic oration on the political and geographical position of Hungary as a link between East and West. In 1873 Kállay married the countess Vilma Bethlen, who bore him two daughters and a son. His popularity in Bosnia was partly due to the tact and personal charm of his wife. He died on the 13th of July 1903.

KALMAR(Calmar), a seaport of Sweden on the Baltic coast, chief town of the district (län) of Kalmar, 250 m. S.S.W. of Stockholm by rail. Pop. (1900), 12,715. It lies opposite the island of Öland, mainly on two small islands, but partly on the mainland, where there is a pleasant park. The streets are regular, and most of the houses are of wood. The principal public edifices, however, are constructed of limestone from Öland, including the cathedral, built by Nicodemus Tessin and his son Nicodemus in the second half of the 17th century. Kalmar, a town of great antiquity, was formerly strongly fortified, and there remains the island-fortress of Kalmarnahus, dating partly from the 12th century, but mainly from the 16th and 17th. It contains the beautiful chamber of King Eric XIV. (d. 1577), an historical museum, and in the courtyard a fine ornate well-cover. This stronghold stood several sieges in the 14th, 15th and 16th centuries, and the town gives name to the treaty (Kalmar Union) by which Sweden, Norway and Denmark were united into one kingdom in 1397. Kalmar has an artificial harbour admitting vessels drawing 19 ft. There are a school of navigation, and tobacco and match factories, the produce of which, together with timber and oats, is exported. Ship-building is carried on.

KALMUCK,orKalmyk Steppe, a territory or reservation belonging to the Kalmuck or Kalmyk Tatars, in the Russian government of Astrakhan, bounded by the Volga on the N.E., the Manych on the S.W., the Caspian Sea on the E., and the territory of the Don Cossacks on the N.W. Its area is 36,900 sq. m., to which has to be added a second reservation of 3045 sq. m. on the left bank of the lower Volga. According to I. V. Mushketov, the Kalmuck Steppe must be divided into two parts, western and eastern. The former, occupied by the Ergeni hills, is deeply trenched by ravines and rises 300 and occasionally 630 ft. above the sea. It is built up of Tertiary deposits, belonging to the Sarmatian division of the Miocene period and covered with loess and black earth, and its escarpments represent the old shore-line of the Caspian. No Caspian deposits are found on or within the Ergeni hills. These hills exhibit the usual black earth flora, and they have a settled population. The eastern part of the steppe is a plain, lying for the most part 30 to 40 ft. below the level of the sea, and sloping gently towards the Volga. Post-Pliocene “Aral-Caspian deposits,” containing the usual fossils (Hydrobia,Neritina, eight species ofCardium, two ofDreissena, three ofAdacnaandLithoglyphus caspius), attain thicknesses varying from 105 ft. to 7 or 10 ft., and disappear in places. Lacustrine and fluviatile deposits occur intermingled with the above. Large areas of moving sands exist near Enotayevsk, where high dunes orbarkhanshave been formed. A narrow tract of land along the coast of the Caspian, known as the “hillocks of Baer,” is covered with hillocks elongated from west to east, perpendicularly to the coast-line, the spaces between them being filled with water or overgrown with thickets of reed,Salix,Ulmus campestris, almond trees, &c. An archipelago of little islands is thus formed close to the shore by these mounds, which are backed on the N. and N.W. by strings of salt lakes, partly desiccated. Small streams originate in the Ergenis, but are lost as soon as they reach the lowlands, where water can only be obtained from wells. The scanty vegetation is a mixture of the flora of south-east Russia and that of the deserts of central Asia. The steppe has an estimated population of 130,000 persons, living in over 27,700kibitkas, or felt tents. There are over 60 Buddhist monasteries. Part of the Kalmucks are settled (chiefly in the hilly parts), the remainder being nomads. They breed horses, cattle and sheep, but suffer heavy losses from murrain. Some attempts at agriculture and tree-planting are being made. The breeding of livestock, fishing, and some domestic trades, chiefly carried on by the women, are the principal sources of maintenance.

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