In Longfellow, the poet was the flower and fruit of the man. His nature was essentially poetic, and his life the greatest of his poems. Those who knew only the poems he wrote could form but a faint notion of the harmony, the sweetness, the manliness and the tenderness of that which he lived. What he would have been as a poet, if, instead of visiting Europe in early life and drinking in the spirit of the middle ages under the shadows of cathedral towers, he had, likeWhittier, grown old amid American scenery and life, we can only guess from his earlier poems, which are as naturalistic, fresh and unmystical as could be desired; but certain it is that, from his long familiarity with the medieval view of nature, and its semi-pagan offspring, the romantic view, he was brought, for the greater part of his life, to look upon the world of men and things either as the middle scene of a miracle play, with a heaven of rewarding happiness above and a purgatory of purifying pain below, or else as a garment concealing, while it revealed, spiritual forms of unfathomed mystery. During this time he could hear “the trailing garments of the night sweep through her marble halls,” and see “the stars come out to listen to the music of the seas.” Later on, as he approached his second youth (he was spared a second childhood), he tended to a more pagan view. About the time when he was writingThe Mask of Pandora, he could see “in the sunset Jason’s fleece of gold,” and hear “the waves of the distracted sea piteously calling and lamenting” his lost friend. But through all the periods of his life his view of the world was essentially religious and subjective, and, consequently, his manner of dealing with it hymnal or lyric. This fact, even more than his merits as an artist, serves to account for his immense popularity. Too well-informed, too appreciative and too modest to deem himself the peer of the “grand old masters,” or one of “those far stars that come in sight once in a century,” he made it his aim to write something that should “make a purer faith and manhood shine in the untutored heart,” and to do this in the way that should best reach that heart. This aim determined at once his choice of subjects and his mode of treating them.The subjects of Longfellow’s poetry are, for the most part, aspects of nature as influencing human feeling, either directly or through historical association, the tender or pathetic sides and incidents of life, or heroic deeds preserved in legend or history. He had a special fondness for records of human devotion and self-sacrifice, whether they were monkish legends, Indian tales, Norsedrápasor bits of American history. His mode of treatment is subjective and lyric. No matter what form his works assume, whether the epic, as in Evangeline,The Courtship of Miles StandishandHiawatha, the dramatic, as inThe Spanish Student,The Golden LegendandThe Mask of Pandora, or the didactic, as inThe Psalm of Lifeand many of the minor poems; they are all subjective. This is not the highest praise that can be given to works of art; but it implies less dispraise in Longfellow’s case than in almost any other, by reason of his noble subjectivity.If we look in Longfellow’s poetry for originality of thought, profound psychological analysis or new insights into nature, we shall be disappointed. Though very far from being hampered by any dogmatic philosophical or religious system of the past, his mind, until near the end, found sufficient satisfaction in the Christian view of life to make it indifferent to the restless, inquiring spirit of the present, and disinclined to play with any more recent solution of life’s problems. He had no sympathy with either scepticism or formal dogmatism, and no need to hazard rash guesses respecting man’s destiny. He disliked the psychological school of art, believing it to be essentially morbid and unhealthy. He had no sympathy with the tendency represented by George Eliot, or with any attempt to be analytic in art. He held art to be essentially synthetic, creative and manifesting, not analytic, destructive or questioning. Hence he never strove to draw from nature some new secret, or to show in her relations never discovered before. His aim was to impress upon her familiar facts and aspects the seal of his own gracious nature. A man in intellect and courage, yet without conceit or bravado; a woman in sensibility and tenderness, yet without shrinking or weakness; a saint in purity of life and devotion of heart, yet without asceticism or religiosity; a knight-errant in hatred of wrong and contempt of baseness, yet without self-righteousness or cynicism; a prince in dignity and courtesy, yet without formality or condescension; a poet in thought and feeling, yet without jealousy or affectation; a scholar in tastes and habits, yet without aloofness or bookishness; a dutiful son, a loving husband, a judicious father, a trusty friend, a useful citizen and an enthusiastic patriot,—he united in his strong, transparent humanity almost every virtue under heaven. A thoroughly healthy, well-balanced, harmonious nature, accepting life as it came, with all its joys and sorrows, and living it beautifully and hopefully, without canker and without uncharity. No man ever lived more completely in the light than Henry Wadsworth Longfellow.Perhaps the most remarkable traits in Longfellow’s character were his accessibility and his charity. Though a great worker, he seemed always to have time for anything he was asked to do. He was never too busy to see a caller, to answer a letter, or to assist, by word or deed, any one that needed assistance. His courtesy to all visitors, even to strangers and children who called to look at him, or who, not venturing to call, hung about his garden-gate in order to catch a glimpse of him, was almost a marvel. He always took it for granted that they had come to see Washington’s study, and, accordingly, took the greatest interest in showing them that. He never, as long as he could write, was known to refuse his autograph, and so far was he from trying to protect himself from intruders that he rarely drew the blinds of his study windows at night, though that study was on the ground floor and faced the street. His acts of charity, though performed in secret, were neither few nor small. Of him it may be said with perfect truth, “He went about doing good”; and not with his money merely, but also with his presence and his encouragement. To how many sad hearts did he come like an angel, with the rich tones of his voice waking harmonics of hope, where before there had been despair and silence? How many young literary people, disappointed at the unsuccess of their first attempts, did he comfort and spur on to renewed and higher efforts! How careful he was to quench no smoking flax! How utterly free he was from jealousy or revengefulness! While poor, morbid Edgar Allan Poe was writing violent and scurrilous articles upon him, accusing him of plagiarism and other literary misdemeanours, he was delivering enthusiastic lectures to his classes on Poe’s poetry. His charity was unbounded. Once, when the present writer proposed to the president of the Harvard University Visiting Committee that Longfellow should be placed on that committee, the president replied: “What would be the use? Longfellow could never be brought to find fault with anybody or anything.” And it was true. His whole life was bathed in that sympathy, that love which suffers long and envies not, which forgives unto seventy times seven times, and as many more if need be. Even in his last years, when loss of friends and continual physical pain made life somewhat “cold, and dark and dreary” for him, he never complained, lamented or blamed the arrangements of nature, and the only way in which it was possible to know that he suffered was through his ever-increasing delight in the health and strength of younger men. His whole nature was summed up in the lines of his favourite poet:—“Luce intellettual, piena d’amore.Amor di vero ben, pien di letizia.Letizia che trascende ogni dolzore.”See hisLife ... with Extracts from his Journals and Correspondence, by Samuel Longfellow, and the “Riverside” edition of the prose and poems (Boston, 11 vols., 1886-1890). An enlarged edition of theLife(3 vols., 1891) included the journals and correspondence, 1866-1882, published in 1887 asFinal Memorials(Boston and New York). Also the volume by T. W. Higginson in the “American Men of Letters” series (1902); E. C. Stedman’s criticism inPoets of America; and an article in W. D. Howells’My Literary Friends and Acquaintance(New York, 1900) which contains a valuable account of Longfellow’s later life.
In Longfellow, the poet was the flower and fruit of the man. His nature was essentially poetic, and his life the greatest of his poems. Those who knew only the poems he wrote could form but a faint notion of the harmony, the sweetness, the manliness and the tenderness of that which he lived. What he would have been as a poet, if, instead of visiting Europe in early life and drinking in the spirit of the middle ages under the shadows of cathedral towers, he had, likeWhittier, grown old amid American scenery and life, we can only guess from his earlier poems, which are as naturalistic, fresh and unmystical as could be desired; but certain it is that, from his long familiarity with the medieval view of nature, and its semi-pagan offspring, the romantic view, he was brought, for the greater part of his life, to look upon the world of men and things either as the middle scene of a miracle play, with a heaven of rewarding happiness above and a purgatory of purifying pain below, or else as a garment concealing, while it revealed, spiritual forms of unfathomed mystery. During this time he could hear “the trailing garments of the night sweep through her marble halls,” and see “the stars come out to listen to the music of the seas.” Later on, as he approached his second youth (he was spared a second childhood), he tended to a more pagan view. About the time when he was writingThe Mask of Pandora, he could see “in the sunset Jason’s fleece of gold,” and hear “the waves of the distracted sea piteously calling and lamenting” his lost friend. But through all the periods of his life his view of the world was essentially religious and subjective, and, consequently, his manner of dealing with it hymnal or lyric. This fact, even more than his merits as an artist, serves to account for his immense popularity. Too well-informed, too appreciative and too modest to deem himself the peer of the “grand old masters,” or one of “those far stars that come in sight once in a century,” he made it his aim to write something that should “make a purer faith and manhood shine in the untutored heart,” and to do this in the way that should best reach that heart. This aim determined at once his choice of subjects and his mode of treating them.
The subjects of Longfellow’s poetry are, for the most part, aspects of nature as influencing human feeling, either directly or through historical association, the tender or pathetic sides and incidents of life, or heroic deeds preserved in legend or history. He had a special fondness for records of human devotion and self-sacrifice, whether they were monkish legends, Indian tales, Norsedrápasor bits of American history. His mode of treatment is subjective and lyric. No matter what form his works assume, whether the epic, as in Evangeline,The Courtship of Miles StandishandHiawatha, the dramatic, as inThe Spanish Student,The Golden LegendandThe Mask of Pandora, or the didactic, as inThe Psalm of Lifeand many of the minor poems; they are all subjective. This is not the highest praise that can be given to works of art; but it implies less dispraise in Longfellow’s case than in almost any other, by reason of his noble subjectivity.
If we look in Longfellow’s poetry for originality of thought, profound psychological analysis or new insights into nature, we shall be disappointed. Though very far from being hampered by any dogmatic philosophical or religious system of the past, his mind, until near the end, found sufficient satisfaction in the Christian view of life to make it indifferent to the restless, inquiring spirit of the present, and disinclined to play with any more recent solution of life’s problems. He had no sympathy with either scepticism or formal dogmatism, and no need to hazard rash guesses respecting man’s destiny. He disliked the psychological school of art, believing it to be essentially morbid and unhealthy. He had no sympathy with the tendency represented by George Eliot, or with any attempt to be analytic in art. He held art to be essentially synthetic, creative and manifesting, not analytic, destructive or questioning. Hence he never strove to draw from nature some new secret, or to show in her relations never discovered before. His aim was to impress upon her familiar facts and aspects the seal of his own gracious nature. A man in intellect and courage, yet without conceit or bravado; a woman in sensibility and tenderness, yet without shrinking or weakness; a saint in purity of life and devotion of heart, yet without asceticism or religiosity; a knight-errant in hatred of wrong and contempt of baseness, yet without self-righteousness or cynicism; a prince in dignity and courtesy, yet without formality or condescension; a poet in thought and feeling, yet without jealousy or affectation; a scholar in tastes and habits, yet without aloofness or bookishness; a dutiful son, a loving husband, a judicious father, a trusty friend, a useful citizen and an enthusiastic patriot,—he united in his strong, transparent humanity almost every virtue under heaven. A thoroughly healthy, well-balanced, harmonious nature, accepting life as it came, with all its joys and sorrows, and living it beautifully and hopefully, without canker and without uncharity. No man ever lived more completely in the light than Henry Wadsworth Longfellow.
Perhaps the most remarkable traits in Longfellow’s character were his accessibility and his charity. Though a great worker, he seemed always to have time for anything he was asked to do. He was never too busy to see a caller, to answer a letter, or to assist, by word or deed, any one that needed assistance. His courtesy to all visitors, even to strangers and children who called to look at him, or who, not venturing to call, hung about his garden-gate in order to catch a glimpse of him, was almost a marvel. He always took it for granted that they had come to see Washington’s study, and, accordingly, took the greatest interest in showing them that. He never, as long as he could write, was known to refuse his autograph, and so far was he from trying to protect himself from intruders that he rarely drew the blinds of his study windows at night, though that study was on the ground floor and faced the street. His acts of charity, though performed in secret, were neither few nor small. Of him it may be said with perfect truth, “He went about doing good”; and not with his money merely, but also with his presence and his encouragement. To how many sad hearts did he come like an angel, with the rich tones of his voice waking harmonics of hope, where before there had been despair and silence? How many young literary people, disappointed at the unsuccess of their first attempts, did he comfort and spur on to renewed and higher efforts! How careful he was to quench no smoking flax! How utterly free he was from jealousy or revengefulness! While poor, morbid Edgar Allan Poe was writing violent and scurrilous articles upon him, accusing him of plagiarism and other literary misdemeanours, he was delivering enthusiastic lectures to his classes on Poe’s poetry. His charity was unbounded. Once, when the present writer proposed to the president of the Harvard University Visiting Committee that Longfellow should be placed on that committee, the president replied: “What would be the use? Longfellow could never be brought to find fault with anybody or anything.” And it was true. His whole life was bathed in that sympathy, that love which suffers long and envies not, which forgives unto seventy times seven times, and as many more if need be. Even in his last years, when loss of friends and continual physical pain made life somewhat “cold, and dark and dreary” for him, he never complained, lamented or blamed the arrangements of nature, and the only way in which it was possible to know that he suffered was through his ever-increasing delight in the health and strength of younger men. His whole nature was summed up in the lines of his favourite poet:—
“Luce intellettual, piena d’amore.Amor di vero ben, pien di letizia.Letizia che trascende ogni dolzore.”
“Luce intellettual, piena d’amore.
Amor di vero ben, pien di letizia.
Letizia che trascende ogni dolzore.”
See hisLife ... with Extracts from his Journals and Correspondence, by Samuel Longfellow, and the “Riverside” edition of the prose and poems (Boston, 11 vols., 1886-1890). An enlarged edition of theLife(3 vols., 1891) included the journals and correspondence, 1866-1882, published in 1887 asFinal Memorials(Boston and New York). Also the volume by T. W. Higginson in the “American Men of Letters” series (1902); E. C. Stedman’s criticism inPoets of America; and an article in W. D. Howells’My Literary Friends and Acquaintance(New York, 1900) which contains a valuable account of Longfellow’s later life.
(T. Da.)
LONG FIVES.This game, though played in a tennis-court, bears but a slight resemblance to tennis, but is nevertheless a valuable form of preparatory practice. The game is 8 or 11 points, each stroke won counting one point to the winner. The server gives 3 points in 8, or 4 points in 11 to the striker-out. There are no chases. The winning openings count as at tennis. If a ball be struck into any other gallery or opening, it may be counted, by arrangement, either as a “let” (the rest being annulled) or against the striker; a similar arrangement is made for balls that make any chase on the hazard-side, or a chase of the last gallery on the service-side.
LONGFORD,a county of Ireland in the province of Leinster, bounded N.W. by Leitrim, N.E. by Cavan, E. and S. by Westmeath and W. by Lough Ree and Roscommon. With the exception of Carlow, Louth and Dublin, it is the smallest county in Ireland, the area being 269,408 acres, or about 421 sq. m. The general level surface is broken occasionally by low hills, which cover a considerable area at its northern angle. The principal rivers are the Camlin, which rises near Granard and flows past Longford to the Shannon, and the Inny, which entering the county from Westmeath crosses its southern corner and falls into Lough Ree. Lough Ree is partly included in Longford, and the other principal lakes are Lough Gowna, Derrylough, Lough Drum and Lough Bannow.
The Silurian axis of Newry reaches the north of this county, where Lough Gowna lies upon it. The rest of the county, but for anticlinals which bring up Old Red Sandstone at Longford town and Ardagh, belongs to the Carboniferous Limestone plain, in which Lough Ree forms a very characteristic lake, with signs of extension by solution along its shores. Marble of fine quality has been raised. In the north indications of iron are abundant, and there are also some traces of lead.The climate is somewhat moist and cold, and there is a large extent of marsh and bog. The soil in the southern districts resting on the limestone is a deep loam well adapted for pasture, but in the north it is often poor. The proportion of tillage to pasture is roughly as 1 to 2. Oats and potatoes, in decreasing quantities, are the principal crops. The numbers of cattle, sheep, pigs and poultry are well maintained. The population is almost wholly rural, but the principal industry of agriculture is supplemented by a slight manufacture of coarse woollens and linen. The Midland Great Western line from Mullingar to Sligo crosses the centre of the county by way of the county town of Longford; and the Cavan branch touches the extreme east. The Royal Canal enters the county in the south at Abbeyshrule, and joins the Shannon near Cloondara.The population (52,647 in 1891; 46,672 in 1901) decreases seriously, owing to emigration. About 90% of the total are Roman Catholics. The only towns of any importance are Longford (the county town, pop. 3747) and Granard (1622). The county includes six baronies. Assizes are held at Longford, and quarter sessions at Ballymahon, Granard and Longford. The county is in the Protestant diocese of Ardagh, and the Roman Catholic dioceses of Ardagh and Meath. It is divided into two parliamentary divisions, north and south, each returning one member.
The Silurian axis of Newry reaches the north of this county, where Lough Gowna lies upon it. The rest of the county, but for anticlinals which bring up Old Red Sandstone at Longford town and Ardagh, belongs to the Carboniferous Limestone plain, in which Lough Ree forms a very characteristic lake, with signs of extension by solution along its shores. Marble of fine quality has been raised. In the north indications of iron are abundant, and there are also some traces of lead.
The climate is somewhat moist and cold, and there is a large extent of marsh and bog. The soil in the southern districts resting on the limestone is a deep loam well adapted for pasture, but in the north it is often poor. The proportion of tillage to pasture is roughly as 1 to 2. Oats and potatoes, in decreasing quantities, are the principal crops. The numbers of cattle, sheep, pigs and poultry are well maintained. The population is almost wholly rural, but the principal industry of agriculture is supplemented by a slight manufacture of coarse woollens and linen. The Midland Great Western line from Mullingar to Sligo crosses the centre of the county by way of the county town of Longford; and the Cavan branch touches the extreme east. The Royal Canal enters the county in the south at Abbeyshrule, and joins the Shannon near Cloondara.
The population (52,647 in 1891; 46,672 in 1901) decreases seriously, owing to emigration. About 90% of the total are Roman Catholics. The only towns of any importance are Longford (the county town, pop. 3747) and Granard (1622). The county includes six baronies. Assizes are held at Longford, and quarter sessions at Ballymahon, Granard and Longford. The county is in the Protestant diocese of Ardagh, and the Roman Catholic dioceses of Ardagh and Meath. It is divided into two parliamentary divisions, north and south, each returning one member.
The early name of Longford was Annaly or Analé, and it was a principality of the O’Farrels. Along with the province of Meath, in which it was then included, it was granted by Henry II. to Hugh de Lacy, who planted an English colony. On the division of Meath into two counties in 1543, Annaly was included in Westmeath, but under a statute of 1569, for the shiring of countries not already shired, it was made shire ground under the name of Longford.
Among antiquarian remains the chief ruin is the rath called the Moat of Granard, at the end of the main street of that town. There are monastic remains at Ardagh, a former bishopric, Longford, Moydow and on several of the islands of Lough Ree. The principal old castles are those of Rathcline near Lanesborough, and Ballymahon on the Inny. The principal modern seats are those of Carrickglass on the Camlin, and Castle Forbes, the seat of the earls of Granard. Oliver Goldsmith was born at Pallas, a village near Ballymahon, in this county; and at Edgeworthstown the family of Edgeworth, of which the famous novelist Maria Edgeworth was a member, established themselves in the 16th century.
LONGFORD,the county town of Co. Longford, Ireland, on the river Camlin, and on a branch of the Midland Great Western railway, 75 m. W.N.W. of Dublin. Pop. (1901) 3747. The principal building is St Mel’s Roman Catholic cathedral for the diocese of Ardagh, one of the finest Roman Catholic churches in Ireland. The town has a considerable trade in grain, butter and bacon. There are corn-mills, a spool factory and tanneries. Longford is governed by an urban district council. The ancient name of the town was Athfada, and here a monastery is said to have been founded by St Idus, a disciple of St Patrick. The town obtained a fair and market from James I. and a charter of incorporation from Charles II., as well as the right to return two members to parliament. It was disfranchised at the Union in 1800.
LONGHI, PIETRO(1702-1762), Venetian painter, was born in Venice. He was a pupil of Antonio Palestra and Giuseppe Maria Crespi at Bologna, and devoted himself to the painting of the elegance of the social life in 18th-century Venice. The republic was dying fast, but her sons, even in this period of political decline, retained their love of pageants and ceremonies and of extravagant splendour in attire. The art of Venice was vanishing like her political power; and the only painters who attempted to stem the tide of artistic decadence were the Canaletti, Guardi, Tiepolo and Longhi. But whilst the Canaletti and Guardi dwelt upon the architectural glories of Venice, and Tiepolo applied himself to decorative schemes in which he continued the tradition of Paolo Veronese and Tintoretto, Longhi became the chronicler of the life of his compatriots. In a way his art may be set beside Hogarth’s, though the Venetian did not play the part of a satirical moralist. He has aptly been called the Goldoni of painting. His sphere is that of light social comedy—the life at the café, the hairdresser’s, at the dancing-school, at the dressmaker’s. The tragic, or even the serious, note is hardly sounded in his work, which, in its colour, is generally distinguished by a rich mellow quality of tone. Most of his paintings are in the public and private collections of Venice. They are generally on a small scale, but the staircase of the Palazzo Grassi in Venice is decorated by him with seven frescoes, representing scenes of fashionable life. At the Venice academy are a number of his genre pictures and a portrait of the architect Temanza; at the Palazzo Quirini-Stampalia the portrait of Daniele Dolfino, “The Seven Sacraments” (etched by Pitteri), a “Temptation of St Anthony,” a “Circus,” a “Gambling Scene,” and several other genre pictures and portraits; at the Museo Correr a dozen scenes of Venetian life and a portrait of Goldoni. In England the National Gallery owns “The Exhibition of a Rhinoceros in an Arena,” a “Domestic Group,” “The Fortune-Teller,” and the portrait of the Chevalier Andrea Tron; two genre pictures are at Hampton Court Palace, and others in the Richter and Mond collections. Many of his works have been engraved by Alessandro Longhi, Bartolozzi, Cattini, Faldoni and others. Longhi died in Venice in 1762.
LONGINUS, CASSIUS(c.A.D.213-273), Greek rhetorician and philosophical critic, surnamedPhilologus. The origin of his gentile name Cassius is unknown; it can only be conjectured that he adopted it from a Roman patron. He was perhaps a native of Emesa (Homs) in Syria, the birthplace of his uncle Fronto the rhetorician. He studied at Alexandria under Origen the heathen, and taught for thirty years at Athens, one of his pupils being the Neoplatonist Porphyry. Longinus did not embrace the new speculations then being developed by Plotinus, but continued a Platonist of the old type. He upheld, in opposition to Plotinus, the doctrine that the Platonic ideas existed outside the divineὅτι ἔξω τοῦ νοῦ ὑφέστηκε τὰ νοητά: see F. Überweg,Grundriss der Geschichte der Philosophie, 9th ed., 1903, i. § 72). Plotinus, after reading his treatiseΠερὶ ἀρχῶν(On First Principles), remarked that Longinus might be a scholar (φιλόλογος), but that he was no philosopher (φιλόσοφος). The reputation which Longinus acquired by his learning was immense; he is described by Porphyry as “the first of critics,” and by Eunapius as “a living library and a walking museum” or encyclopaedia. During a visit to the East he became teacher in Greek, and subsequently chief counsellor in state affairs, to Zenobia, queen of Palmyra. It was by his advice that she endeavoured to regain her independence; Aurelian, however, crushed the attempt, and while Zenobia was led captive to Rome to grace Aurelian’s triumph, Longinus paid the forfeit of his life.
Longinus was the author of a large number of works, nearly all of which have perished. Among those mentioned by Suïdas areQuaestiones Homericae,An Homerus fuerit philosophus,Problemata Homeri et solutiones,Atticorum vocabulorum editiones duae; the most important of his philological works,Φιλόλογοι ὁμιλίαι(Philological Discourses) consisting of at least 21 books, is omitted. A considerable fragment of theΠερὶ τέλους(De finibus, On the Chief End) is preserved in theLife of Plotinusby Porphyry (§ 20). Under his name there are also extant Prolegomena to theEncheiridionof Hephaestion on metre (printed in R. Westphal,Scriptores Metrici Graeci, i. 1866) and the fragment of a treatise on rhetoric (L. Spengel,Rhetores Graeci, i. pp. 299-320), inserted in the middle of a similar treatise by Apsines. It gives brief practical hints on invention, arrangement, style, memory and other things useful to the student. Some important excerptsἐκ τῶν Λογγίνου(Spengel, i. 325-328) may possibly be from theφιλόλογοι ὁμιλίαι.
It is as the reputed author of the well-known and remarkable workΠερὶ ὕψους(generally, but inadequately, renderedOn the Sublime) that Longinus is best known. Modern scholars, however, with few exceptions, are agreed that it cannot with any certainty be ascribed to him, and that the question of authorship cannot be determined (see Introduction to Roberts’s edition). The following are the chief arguments against Longinus. (1) The treatise is not mentioned by any classical author, nor in any lists of the works attributed to him. (2) The evidence of the MSS. shows that doubts existed even in early times. In the most important (No. 2036 in the Paris Library, 10th century) the heading isΔιονυσίου ἥ Λογγίνου, thus giving an alternative author Dionysius; in the Laurentian MS. at Florence the title hasἀνωνύμου, implying that the author was unknown. The ascription in the Paris MS. led to the addition of Dionysius to the name of the reputed author—Dionysius Cassius Longinus, accounted for by the supposition that his early name was Dionysius, Cassius Longinus being subsequently adopted from a Roman patron whose client he had been. (3) The absence of any reference to the famous writers on rhetoric of the age of the Antonines, such as Hermogenes and Alexander son of Numenius. (4) The opening sentences show that theΠερὶ ὕψουςwas written with a view of correcting the faults of style and method in a treatise by Caecilius (q.v.) of Calactē on the same subject. As Caecilius flourished during the reign of Augustus, it is hardly likely that his work would have been selected for purposes of criticism in the 3rd century. (5) General considerations of style and language and of the point of view from which the work is written. In favour of Longinus: (1) The traditional ascription, which held its groundunchallenged till the beginning of the 18th century. (2) The philosophical colouring of the first chapter and the numerous quotations from Plato are in accordance with what is known of his philosophical opinions. (3) The treatise is the kind of work to be expected from one who was styled “the first of critics.” (4) The Ammonius referred to (xiii. 3) is supposed to be Ammonius Saccas (c.175-242), but it appears from the Venetian scholia to theIliadthat there was an earlier Ammonius (fl.c.140B.C.), a pupil and successor of Aristarchus at Alexandria, who, judging from the context, is no doubt the writer in question. The reference is therefore an argument against Longinus.The work is dedicated to a certain Terentianus, of whom nothing is known (see Roberts’s edition, p. 18).The alternative author Dionysius of the MSS. has been variously identified with the rhetorician and historian Dionysius of Halicarnassus, the Atticist Aelius Dionysius of Halicarnassus, Dionysius Atticus of Pergamum, Dionysius of Miletus. Other suggested claimants to the authorship are Plutarch (L. Vaucher inÉtudes critiques sur le traité du sublime(Geneva, 1854) and Aelius Theon of Alexandria (W. Christ), the author of a work on theArrangement of Speech. But it seems most probable that the author was an unknown writer who flourished in the 1st century soon after Caecilius and before Hermogenes. Wilamowitz-Möllendorff gives his date as aboutA.D.40.The renderingOn the Sublimeimplies more than is intended by the GreekΠερὶ ὕψους(“impressiveness in style,” Jebb). Nothing abnormal, such as is associated with the word “sublime,” is the subject of discussion; it is rather a treatise on style. According to the author’s own definitions, “Sublimity is a certain distinction and excellence in expression,” “sublimity consists in elevation,” “sublimity is the echo (or expression) of a great soul” (see note in Roberts).The treatise is especially valuable for the numerous quotations from classical authors, above all, for the preservation of the famous fragment of Sappho, the ode to Anactoria, beginningφαίνεταί μοι κῆνος ἴσος θεοῖσιν,imitated by Catullus (li.)Ad Lesbiam,“Ille mi par esse deo videtur.”“Its main object is to point out the essential elements of an impressive style which, avoiding all tumidity, puerility, affectation and bad taste, finds its inspiration in grandeur of thought and intensity of feeling, and its expression in nobility of diction and in skilfully ordered composition” (Sandys).A full bibliography of the subject will be found in the edition by W. R. Roberts (Cambridge, 2nd ed., 1907), containing an Introduction, Analysis, Translation and Appendices (textual, linguistic, literary and bibliographical), to which may be added F. Marx,Wiener Studien, xx. (1898), and F. Kaibel,Hermes, xxxiv. (1899), who respectively advocate and reject the claims of Longinus to the authorship; J. E. Sandys,History of Classical Scholarship(2nd ed., 1906), pp. 288, 338, should also be consulted. The number of translations in all the languages of Europe is large, including the famous one by Boileau, which made the work a favourite text-book of the bellelettristic critics of the 18th century. A text and translation was published by A. O. Prickard (1907-1908).
It is as the reputed author of the well-known and remarkable workΠερὶ ὕψους(generally, but inadequately, renderedOn the Sublime) that Longinus is best known. Modern scholars, however, with few exceptions, are agreed that it cannot with any certainty be ascribed to him, and that the question of authorship cannot be determined (see Introduction to Roberts’s edition). The following are the chief arguments against Longinus. (1) The treatise is not mentioned by any classical author, nor in any lists of the works attributed to him. (2) The evidence of the MSS. shows that doubts existed even in early times. In the most important (No. 2036 in the Paris Library, 10th century) the heading isΔιονυσίου ἥ Λογγίνου, thus giving an alternative author Dionysius; in the Laurentian MS. at Florence the title hasἀνωνύμου, implying that the author was unknown. The ascription in the Paris MS. led to the addition of Dionysius to the name of the reputed author—Dionysius Cassius Longinus, accounted for by the supposition that his early name was Dionysius, Cassius Longinus being subsequently adopted from a Roman patron whose client he had been. (3) The absence of any reference to the famous writers on rhetoric of the age of the Antonines, such as Hermogenes and Alexander son of Numenius. (4) The opening sentences show that theΠερὶ ὕψουςwas written with a view of correcting the faults of style and method in a treatise by Caecilius (q.v.) of Calactē on the same subject. As Caecilius flourished during the reign of Augustus, it is hardly likely that his work would have been selected for purposes of criticism in the 3rd century. (5) General considerations of style and language and of the point of view from which the work is written. In favour of Longinus: (1) The traditional ascription, which held its groundunchallenged till the beginning of the 18th century. (2) The philosophical colouring of the first chapter and the numerous quotations from Plato are in accordance with what is known of his philosophical opinions. (3) The treatise is the kind of work to be expected from one who was styled “the first of critics.” (4) The Ammonius referred to (xiii. 3) is supposed to be Ammonius Saccas (c.175-242), but it appears from the Venetian scholia to theIliadthat there was an earlier Ammonius (fl.c.140B.C.), a pupil and successor of Aristarchus at Alexandria, who, judging from the context, is no doubt the writer in question. The reference is therefore an argument against Longinus.
The work is dedicated to a certain Terentianus, of whom nothing is known (see Roberts’s edition, p. 18).
The alternative author Dionysius of the MSS. has been variously identified with the rhetorician and historian Dionysius of Halicarnassus, the Atticist Aelius Dionysius of Halicarnassus, Dionysius Atticus of Pergamum, Dionysius of Miletus. Other suggested claimants to the authorship are Plutarch (L. Vaucher inÉtudes critiques sur le traité du sublime(Geneva, 1854) and Aelius Theon of Alexandria (W. Christ), the author of a work on theArrangement of Speech. But it seems most probable that the author was an unknown writer who flourished in the 1st century soon after Caecilius and before Hermogenes. Wilamowitz-Möllendorff gives his date as aboutA.D.40.
The renderingOn the Sublimeimplies more than is intended by the GreekΠερὶ ὕψους(“impressiveness in style,” Jebb). Nothing abnormal, such as is associated with the word “sublime,” is the subject of discussion; it is rather a treatise on style. According to the author’s own definitions, “Sublimity is a certain distinction and excellence in expression,” “sublimity consists in elevation,” “sublimity is the echo (or expression) of a great soul” (see note in Roberts).
The treatise is especially valuable for the numerous quotations from classical authors, above all, for the preservation of the famous fragment of Sappho, the ode to Anactoria, beginning
φαίνεταί μοι κῆνος ἴσος θεοῖσιν,
imitated by Catullus (li.)Ad Lesbiam,
“Ille mi par esse deo videtur.”
“Its main object is to point out the essential elements of an impressive style which, avoiding all tumidity, puerility, affectation and bad taste, finds its inspiration in grandeur of thought and intensity of feeling, and its expression in nobility of diction and in skilfully ordered composition” (Sandys).
A full bibliography of the subject will be found in the edition by W. R. Roberts (Cambridge, 2nd ed., 1907), containing an Introduction, Analysis, Translation and Appendices (textual, linguistic, literary and bibliographical), to which may be added F. Marx,Wiener Studien, xx. (1898), and F. Kaibel,Hermes, xxxiv. (1899), who respectively advocate and reject the claims of Longinus to the authorship; J. E. Sandys,History of Classical Scholarship(2nd ed., 1906), pp. 288, 338, should also be consulted. The number of translations in all the languages of Europe is large, including the famous one by Boileau, which made the work a favourite text-book of the bellelettristic critics of the 18th century. A text and translation was published by A. O. Prickard (1907-1908).
LONG ISLAND,an island, 118 m. long and 12 to 23 m. wide, with its axis E.N.E. and W.S.W., roughly parallel with the S. shore of Connecticut, U.S.A., from which it is separated by Long Island Sound (115 m. long and 20-25 m. wide) and lying S.E. of the mainland of New York state, of which it is a part, and immediately E. of Manhattan Island. Area, 1682 sq. m. The east end is divided into two narrow peninsulas (the northern culminating in Orient Point about 25 m. long, the southern ending in Montauk Point, the eastern extremity of the island, about 40 m. long) by the three bays, Great Peconic, Little Peconic (in which lies Shelter Island) and Gardiners (in which lies Gardiners Island). The N. shore is broken in its western half by the fjords of Flushing Bay, Little Neck Bay, Manhasset Bay, Cold Spring Harbor; Huntington Bay (nearly landlocked), Smithtown Bay and Port Jefferson Harbor, which also is nearly landlocked. East of Port Jefferson the N. shore is comparatively unbroken. The S. shore has two bays, Jamaica Bay with many low islands and nearly cut off from the ocean by the narrow spur of Rockaway Beach; and the ill-defined Great South Bay, which is separated from the Atlantic by the narrow Long Beach, Jones Beach and Oak Island Beach, and by the long peninsula (35 or 40 m.), called Fire Island or Great South Beach. Still farther E. and immediately S. of Great Peconic Bay is Shinnecock Bay, about 10 m. long and cut off from the ocean by a narrow beach.
The N. side of the island was largely built by deposits along the front of the continental glacier, and its peculiar surface is due to such deposits. At Astoria the dark gneiss bed rock is visible. The S. half of the island is mostly built of a light sandy or loamy soil and is low, except for the hills (140-195 ft.) of Montauk peninsula, which are a part of the “back-bone” of the island elsewhere running through the centre from E. to W. and reaching its highest point in its western extremity, Oakley’s High Hill (384 ft.) and Hempstead Harbor Hill, W. of which are the flat and fertile Hempstead Plains. North of the back-bone or central ridge the country is hilly with glacial drift and many boulders along the coast and with soil stonier and more fertile than that of the “South Side.” There is good clay at Whitestone and at Lloyd’s Point on the north side. This north shore is comparatively well wooded; the middle of the island is covered with stunted oaks and scrubby pines; the south side is a floral mean between the other divisions. It is cut in its middle part by a few creeks and tidal rivers1flowing into the Great South Bay. Another “river,” the Peconic, about 15 m. long, runs E. into Peconic Bay. On the north side there are few waterways save Nissequoge river, partly tidal, which runs N. into Smithtown Bay. Near the centre of the island is Lake Ronkonkoma, which is well below the level of the surrounding country, and whose deep cold waters with their unexplained ebb and flow are said to have been so feared by the Indians that they would not fish there. There are salt marshes (probably 100 sq. m. in all) on the shore of the Sound and of the Great South Bay.As regards its fauna Long Island is a meeting-place for equatorial and arctic species of birds and fish; in winter it is visited occasionally by the auk and in summer sometimes by the turkey buzzard. James E. DeKay in his botanical and zoological survey (1842-1849) of New York state estimated that on Long Island there were representatives of two-thirds of the species of land birds of the United States and seven-eighths of the water birds—probably an exaggerated estimate for the time and certainly not true now. There is snipe and duck shooting, especially on the shores of the Great South Bay; there is good deer hunting, especially in Islip town; and there are several private preserves, some stocked with English game birds, within 50 m. of New York City. There are many excellent trout streams and the island was known in aboriginal times for its fresh and salt water fish. Indian names referring to fishing places are discussed in Wm. W. Tooker’sSome Indian Fishing Stations upon Long Island. Long Island wampum was singularly good—the Indian name, Seawanhacky (Seawanhaka, &c.), of the island has been interpreted to mean “shell treasury”—and black wampum was made from the purple part of the shell of the quahaug. Soft clams are dug on the north shore at low tide and hard clams are found along the southern shore, where (at Islip) they were first successfully canned; scallops and other small shell fish are taken, especially at the E. end of the island. But the most important shell fishery is that of oysters. The famous Blue Points grow in the Great South Bay, particularly at Sayville and Bellport, where seed oysters planted from Long Island Sound develop into the Blue Points with characteristics of no other variety of oyster. Farther west, on the S. shore are grown the well-known Rockaway oysters. The New York State Fish Commission has a hatchery at Cold Spring Harbor on the N. shore. The largest commercial fisheries are on the south side, in the ocean off Fire Island Beach, where there are great “pounds” in which captured fish are kept alive before shipment to market. Sag Harbor and East Hampton on the E. end of the island were important whaling ports in the 18th century and the first part of the 19th, and they and other fishing villages afterward did a large business in the capture of menhaden (Brevoortia tyrannus), a small shad-like fish, which, following the custom of the Indians, they manufactured into fertilizer. At Glen Cove there are now great starch factories.The west end of the island has been called New York’s market garden. On the Hempstead Plains and immediately E. of them along the north shore great quantities of cabbage and cucumbers are grown and manufactured into sauerkraut and pickles. There are large cranberry fields near the village of Calverton, immediately W. of Riverhead.
The N. side of the island was largely built by deposits along the front of the continental glacier, and its peculiar surface is due to such deposits. At Astoria the dark gneiss bed rock is visible. The S. half of the island is mostly built of a light sandy or loamy soil and is low, except for the hills (140-195 ft.) of Montauk peninsula, which are a part of the “back-bone” of the island elsewhere running through the centre from E. to W. and reaching its highest point in its western extremity, Oakley’s High Hill (384 ft.) and Hempstead Harbor Hill, W. of which are the flat and fertile Hempstead Plains. North of the back-bone or central ridge the country is hilly with glacial drift and many boulders along the coast and with soil stonier and more fertile than that of the “South Side.” There is good clay at Whitestone and at Lloyd’s Point on the north side. This north shore is comparatively well wooded; the middle of the island is covered with stunted oaks and scrubby pines; the south side is a floral mean between the other divisions. It is cut in its middle part by a few creeks and tidal rivers1flowing into the Great South Bay. Another “river,” the Peconic, about 15 m. long, runs E. into Peconic Bay. On the north side there are few waterways save Nissequoge river, partly tidal, which runs N. into Smithtown Bay. Near the centre of the island is Lake Ronkonkoma, which is well below the level of the surrounding country, and whose deep cold waters with their unexplained ebb and flow are said to have been so feared by the Indians that they would not fish there. There are salt marshes (probably 100 sq. m. in all) on the shore of the Sound and of the Great South Bay.
As regards its fauna Long Island is a meeting-place for equatorial and arctic species of birds and fish; in winter it is visited occasionally by the auk and in summer sometimes by the turkey buzzard. James E. DeKay in his botanical and zoological survey (1842-1849) of New York state estimated that on Long Island there were representatives of two-thirds of the species of land birds of the United States and seven-eighths of the water birds—probably an exaggerated estimate for the time and certainly not true now. There is snipe and duck shooting, especially on the shores of the Great South Bay; there is good deer hunting, especially in Islip town; and there are several private preserves, some stocked with English game birds, within 50 m. of New York City. There are many excellent trout streams and the island was known in aboriginal times for its fresh and salt water fish. Indian names referring to fishing places are discussed in Wm. W. Tooker’sSome Indian Fishing Stations upon Long Island. Long Island wampum was singularly good—the Indian name, Seawanhacky (Seawanhaka, &c.), of the island has been interpreted to mean “shell treasury”—and black wampum was made from the purple part of the shell of the quahaug. Soft clams are dug on the north shore at low tide and hard clams are found along the southern shore, where (at Islip) they were first successfully canned; scallops and other small shell fish are taken, especially at the E. end of the island. But the most important shell fishery is that of oysters. The famous Blue Points grow in the Great South Bay, particularly at Sayville and Bellport, where seed oysters planted from Long Island Sound develop into the Blue Points with characteristics of no other variety of oyster. Farther west, on the S. shore are grown the well-known Rockaway oysters. The New York State Fish Commission has a hatchery at Cold Spring Harbor on the N. shore. The largest commercial fisheries are on the south side, in the ocean off Fire Island Beach, where there are great “pounds” in which captured fish are kept alive before shipment to market. Sag Harbor and East Hampton on the E. end of the island were important whaling ports in the 18th century and the first part of the 19th, and they and other fishing villages afterward did a large business in the capture of menhaden (Brevoortia tyrannus), a small shad-like fish, which, following the custom of the Indians, they manufactured into fertilizer. At Glen Cove there are now great starch factories.
The west end of the island has been called New York’s market garden. On the Hempstead Plains and immediately E. of them along the north shore great quantities of cabbage and cucumbers are grown and manufactured into sauerkraut and pickles. There are large cranberry fields near the village of Calverton, immediately W. of Riverhead.
There are a few large farms on Long Island, mostly on the north side, but it is becoming more and more a place of suburban residence. This change is due in part to cool summer and warm winter winds from the ocean, which makes the July mean temperature 68° to 70° F. at the east end and the south side, and 72° on the north shore, as contrasted with 74° for the west end and New York City. The range of temperature is said to be less than in any other place in the United States with the exception of Corpus Christi (Tex.), Eureka (California), Galveston (Texas), and Key West (Florida). Even on the south shore the humidity for August and September is less than that of any location on the Atlantic coast, or Los Angeles and San Diego on the Pacific, according to Dr Le Grand N. Denslow in a paper, “The Climate of Long Island” (1901). Surf-bathing on the south shore,yachting and boating on the Sound, the Great South Bay and the Ocean, and hunting and fishing are attractions. At Garden City, Nassau (Glen Cove), Great River and Shinnecock Hills are well-known golf links; there are several hunt clubs; and at Southampton are some of the best turf tennis-courts in the United States. Few parts of the island are summer resorts in the ordinary use of the word; there are large hotels hardly anywhere save on Coney Island, at Far Rockaway, on Long Beach and on Shelter Island; and a large part of the summer population lives in private mansions. Some Long Island “country places” are huge estates with game and fish preserves and luxurious “châteaux.” The roads are good. The course of the Vanderbilt automobile races is along the roads of the Hempstead Plains. Also on the Hempstead Plains are the Creedmoor Rifle Range, where, in an Interstate Park, E. of Jamaica, annual international rifle shooting tournaments for the championship of America were held until 1909; Garden City, which was founded by A. T. Stewart for the purpose of providing comfortable homes at low cost to his employés and others, and where are the Protestant Episcopal Cathedral of the Incarnation, St Paul’s School for Boys and St Mary’s School for Girls; and, near Hempstead, the grounds of the Meadowbrook (hunt and polo) Club and those of the Farm Kennel Club. The only railway is the Long Island Railroad (owned by the Pennsylvania Railroad) with western termini on Manhattan and in Long Island City and Brooklyn, whence lines meet at Jamaica, and thence three principal lines branch, the north shore to Wading River, the main line to Greenport, and the south side to Montauk.
Long Island is a part of New York State, its western third forming Brooklyn and Queens boroughs of New York City—these boroughs were formed respectively from Kings county and from the w. half of Queens county upon the erection of Greater New York, what was formerly the E. half of Queens county then became Nassau county (area 252 sq. m.; pop., in 1900, 55,448, in 1905, 69,477), whose county-seat is Mineola. The eastern and the larger part of the island is the less thickly settled Suffolk county with an area of 918 sq. m. and a population in 1900 of 77,582 and in 1905 of 81,653. The county-seat of Suffolk county is Riverhead, so named from its position at the head of the Peconic river on the W. end of Great Peconic Bay. The ten townships of Suffolk county are large governmental units, showing, by their similarity to the towns of New England, the relation of the early settlers to New England. The largest in area is Brookhaven, which reaches all the way across the island near its central part. The townships of Suffolk county with their population in 1905 were: Huntington (10,236). Babylon (7919), Smithtown (3325), Islip (13,721), Brookhaven (16,050), Riverhead (4950), Shelter Island (1105), Easthampton (4303), Southold (8989) and Southampton (11,024). The total population of Long Island was 1,452,611 in 1900, and 1,718,056 in 1905 (state census), the population of the borough of Brooklyn alone for these years being 1,166,582 and 1,358,686.
History.—The principal Indian tribes on Long Island at the time of the first settlement by the whites were the Montauk, on the eastern end of the island, where they gave their name to the “point” and where their last “king,” David Pharoah, died in 1785; the Shinnecock, who, much admixed with negro blood, now live on the reservation between Canoe Place and Shinnecock Hills; the Manhasset, on what is now Shelter Island; the Patchogue, near the present village of that name; the Massapequa, between the Hempstead Plains and what is now Islip, who were defeated and practically exterminated in 1653 by John Underhill; the Canarsie, who lived near the present Jamaica; and on the north side the Nessaquague or Nissequoge (in the present town of Smithtown), and the Sealtocot who gave their name to Setauket in Brookhaven town. The first pastor of the church (Presbyterian-Congregational) at Easthampton, Thomas James (c.1620-1696), is supposed to have translated a catechism and parts of the Bible into the dialect of the Montauk, among whom Samson Occum had a school between 1755 and 1765.
The territory of Long Island was included in the grant of 1620 by James I. to the Plymouth Company and in 1635 was conveyed to William Alexander, earl of Stirling. The conflicting claims of English and Dutch were the subject of the treaty concluded at Hartford, Connecticut, in 1650, by which the Dutch were to hold everything west of Oyster Bay, the English everything east—a provision which accomplished no agreement, since Oyster Bay itself was the matter of contention, and English settlers on what the Dutch called the west side of Oyster Bay refused to remove. Long Island was included in the territory assigned to the duke of York in 1663-1664, when the New England towns on the island objected to separation from Connecticut. On the recovery of New York by the Dutch in 1673 the eastern towns refused to submit to the Dutch governor. In 1674 by the treaty of Westminster Long Island became a part of the British colony of New York. The Dutch settlements were more important ethnically than historically; on the west end of the Island the Dutch Reformed Church is still strong and there are many Dutch names; at West Sayville, on the “south side,” about 50 m. from New York, in a settlement made about 1786 by Gustav Tukker, who did much to develop the oyster fisheries, Holland Dutch was the common speech until the last quarter of the 19th century. The “Five Dutch Towns” were: Nieuw Amersfoord (after 1801 officially called Flatlands), on Jamaica Bay, where the first settlement was made about 1623 and the first grant in 1636; Midwout (later Vlackte-Bosch and Flatbush), settled between 1645 and 1650 and having in 1654 the first Dutch church; Nieuw Utrecht, settled soon after 1650 and incorporated in 1660; Breuckelen (now Brooklyn), which was settled a little before its organization as a town in 1646; and Boswijck (Bushwick), first settled by Swedes and Norwegians and incorporated in 1660. These five towns became one administrative district in 1661.
Apparently the earliest English settlement was at Hempstead in 1640 by colonists from Lynn, Massachusetts, who based their claim on the patent (1621) of Nova Scotia to Lord Stirling, but were almost immediately driven out by the Dutch. In 1643 another English settlement was made at Hempstead by men from Stamford, Connecticut, who in 1644 secured a patent from Governor Kieft of New Netherland. In 1645 Kieft granted land at Gravesend to Lady Deborah Moody, who had settled there about 1643, when she had left Lynn and the Salem church because of her anti-pedobaptist views. At Gravesend in 1664 Colonel Richard Nicolls first landed the English troops which occupied the island; and in 1693 it became one of its three ports of entry. The Connecticut towns on Long Island were as follows: Southampton was settled in 1640 by the Lynn men driven out of Hempstead by the Dutch, and in 1644-1664 was in the Connecticut jurisdiction. Southold (the “South Hold of New Haven”), called from 1640 until 1644 by the Indian name Yennicock, had a church in 1640, and a court based on the Levitical law, which was abolished in 1643 upon the remonstrance of the authorities of New Haven. The Southold settlers were from Hingham, Norfolk and New Haven, and the colony joined New Haven in 1648, in which year the colony of Forrett’s (now Shelter) Island also submitted to New Haven. Easthampton was settled in 1648 from Lynn. Oyster Bay was also settled by Lynn men in 1640 and contested by the Dutch and English. Newtown, officially called Middleburgh, was settled in 1652, purchased from the Indians in 1656, “annexed to the other side of the Sound” in 1662, in the same year took the name of Hastings, in 1706 was the scene of the arrest of the Presbyterian itinerants Francis Mackemie and John Hampton, and in 1766 was the site of the Methodist Episcopal Society at Middle Village, the second oldest of that denomination in America. Huntington was settled in 1653 from New Haven, Hempstead, Southold and Southampton. Other early settlements were: Jamaica, about 1657; Brookhaven, first settled at Ashford (now Setauket) from Boston in 1655, and Smithtown, patented in 1677 to Richard Smith of Setauket, who was said to be a soldier of Cromwell, and of whom there is a story that having bargained with the Indians for as much land as a bull could cover in a day he rode his trained bull in a great circuit about the land he coveted andwas thereafter known as “Bull” Smith. Almost all these English settlements were made by Presbyterians and from Jamaica east this was the prevailing denomination. During the war of Independence the battle of Long Island (see below) was fought within what is now the borough of Brooklyn.
Authorities.—Benj. F. Thompson,The History of Long Island(New York, 2nd ed. 1843); Nathaniel S. Prime,History of Long Island(New York, 1845), especially valuable for ecclesiastical history, particularly of the Presbyterian church; Martha B. Flint,Early Long Island(New York, 1896); Gabriel Furman,Antiquities of Long Island(New York, 1875), edited by Frank Moore; and the publications of the Long Island Historical Society (of Brooklyn) and of the Suffolk County Historical Society (of Riverhead).
Authorities.—Benj. F. Thompson,The History of Long Island(New York, 2nd ed. 1843); Nathaniel S. Prime,History of Long Island(New York, 1845), especially valuable for ecclesiastical history, particularly of the Presbyterian church; Martha B. Flint,Early Long Island(New York, 1896); Gabriel Furman,Antiquities of Long Island(New York, 1875), edited by Frank Moore; and the publications of the Long Island Historical Society (of Brooklyn) and of the Suffolk County Historical Society (of Riverhead).
(R. We.)
Battle of Long Island, 1776.—The interest of this battle lies in the fact that it was the first engagement in the campaign of 1776 (seeAmerican War of Independence) and was expected in England to be decisive of the contest in the colonies. After the evacuation of Boston (March 1776), Lord Howe moved against New York City, which he thought would afford a better base of operations for the future. The Americans undertook its defence although recognizing the difficulties in the case, as the bay and rivers adjoining would enable the British fleet to co-operate effectively with the army. To protect his left flank Washington was forced to throw a portion of his troops over to the Long Island side of the East river; they fortified themselves there on the site of the present Borough of Brooklyn. Lord Howe, who had encamped on Staten Island at the entrance to the harbour, determined to attack this isolated left wing, and on the 22nd of August landed at Gravesend Bay, Long Island, with about 20,000 men. The Americans maintained strong outposts in the wooded hills in advance of their fortified lines. On the morning of the 27th Howe, after four days’ reconnaissance, attacked these posts with three columns, the left and centre delivering the holding attack, and the right and strongest column turning the enemy’s left by a détour. Howe himself, accompanied by Generals (Sir H.) Clinton and Lord Cornwallis, led the turning movement, which came upon the rear of the enemy at the moment when they were engaged with the two other columns. By noon the Americans had been driven back into the Brooklyn lines in considerable confusion, and with the loss of about half their number. This constituted the battle. The completeness of the English victory was due to the neglect of the Americans in guarding the left of their outposts. Howe has been criticized for not immediately assaulting the American works which he might have carried on the evening of the battle. In view of the fact that he had only defeated a small portion of the American forces, and that the works were of considerable strength, he decided to make a formal siege, and Washington took advantage of the delay in operations to retreat across the river to New York on the night of the 29th. This successful movement repaired to some extent the bad moral effect of the defeat of the 27th in the American camp. In the engagement of Long Island Washington lost about 1200 prisoners and 30 guns, and 400 killed and wounded; of the latter the British lost nearly the same number.
(C. F. A.)
1G. K. Gilbert, in an article, “The Deflection of Streams” in theAmerican Journal of Science(xxvii. 427-432), points out that each of these streams is “bounded on the west or right side by a bluff 10 to 20 ft. high.”
1G. K. Gilbert, in an article, “The Deflection of Streams” in theAmerican Journal of Science(xxvii. 427-432), points out that each of these streams is “bounded on the west or right side by a bluff 10 to 20 ft. high.”
LONG ISLAND CITY,formerly a city of Queens county, New York, U.S.A., and since the 1st of January 1898 the first ward of the Borough of Queens, New York City. Pop. (1880) 17,129, (1890) 30,506, (1900) 48,272, of whom 15,899 were foreign-born. It has a river front, on East river and Long Island Sound, of 10 m., and is the eastern terminal and the headquarters of the Long Island railway, having a large Y.M.C.A. building (the gift of Mrs Russell Sage) for employees of this railway. Among manufactures are chemicals, pottery, varnish, silk, &c., and there are oil-storage warehouses. Most of the borough offices of Queens borough are in Long Island City, which was formerly the county-seat of Queens county. The first settlement within the limits of what subsequently became Long Island City was made in 1640 by a Dutch blacksmith, Hendrick Harmensen, who soon afterward was murdered by an Indian. Other settlers, both Dutch and English, soon followed, and established detached villages, which became known as Hunter’s Point, Blissville, Astoria, Ravenswood, Dutch Kills, Middleton and Steinway. In 1853 this group of villages, by that time virtually one community, was called Long Island City, and it was formally incorporated under that name in 1870. In 1871-1872 the city was laid out by a commission of which General W. B. Franklin was president. Political convictions, economic considerations and fear combined to make the residents in this region largely loyalist in their attitude during the War of Independence. From 1776 to 1783 British troops occupied Newtown, a village to the S. E. In January 1776 the committee on the state of New York in Congress reported a resolution that “Whereas a majority of the inhabitants of Queens county, in the colony of New York, being incapable of resolving to live and die free men,... all such persons as voted against sending deputies to the present convention in New York ... be put out of the protection of the United Colonies,” &c., an action which led to the arrest and imprisonment of many of the accused persons.
See J. S. Kelsey,History of Long Island City(Long Island City, 1896).
See J. S. Kelsey,History of Long Island City(Long Island City, 1896).
LONGITUDE(from Lat.longitudo, “length”), the angle which the terrestrial meridian from the pole through a point on the earth’s surface makes with some standard meridian, commonly that of Greenwich. It is equal to the difference between local time on the standard meridian, and at the place defined, one hour of time corresponding to 15° difference of longitude. Formerly each nation took its own capital or principal observatory as the standard meridian from which longitudes were measured. Another system had a meridian passing through or near the island of Ferro, defined as 20° W. of Paris, as the standard. While the system of counting from the capital of the country is still used for local purposes, the tendency in recent years is to use the meridian of Greenwich for nautical and international purposes. France, however, uses the meridian of the Paris observatory as its standard for all nautical and astronomical purposes (seeTime). In astronomy, the longitude of a celestial body is the distance of its projection upon the ecliptic from the vernal equinox, counted in the direction west to east from 0° to 360°.