Chapter 19

See the article “Lukaris” by Ph. Meyer in Herzog-Hauck,Realencyklop.(3rd ed., Leipzig, 1902), which gives further authorities.

LUCARNE,a French architectural term for a garret window, also for the lights or small windows in spires.

LUCAS, SIR CHARLES(d. 1648), English soldier, was the son of Sir Thomas Lucas of Colchester, Essex. As a young man he saw service in the Netherlands under the command of his brother, and in the “Bishops’ War” he commanded a troop of horse in King Charles I.’s army. In 1639 he was made a knight. At the outbreak of the Civil War Lucas naturally took the king’s side, and at the first cavalry fight, Powick Bridge, he was wounded. Early in 1643 he raised a regiment of horse, with which he defeated Middleton at Padbury on July 1st. In January 1644 he commanded the forces attacking Nottingham, and soon afterwards, on Prince Rupert’s recommendation, he was made lieutenant-general of Newcastle’s Northern army. When Newcastle was shut up in York, Lucas and the cavalry remained in the open country, and when Rupert’s relieving army crossed the mountains into Yorkshire he was quickly joined by Newcastle’s squadrons. At Marston Moor Lucas swept Fairfax’s Yorkshire horse before him, but later in the day he was taken prisoner. Exchanged during the winter, he defended Berkeley Castle for a short time against Rainsborough, but was soon in the field again. As lieutenant-general of all the horse he accompanied Lord Astley in the last campaign of the first war, and, taken prisoner at Stow-on-the-Wold, he engaged not to bear arms against parliament in the future. This parole he must be held to have broken when he took a prominent part in the seizure of Colchester in 1648. That place was soon invested, and finally fell, after a desperate resistance, to Fairfax’s army. The superior officers had to surrender “at mercy,” and Lucas and Sir George Lisle were immediately tried by court martial and sentenced to death. The two Royalists were shot the same evening in the Castle of Colchester.

See Lloyd,Memoirs of Excellent Personages(1669); and Earl de Grey,A Memoir of the Life of Sir Charles Lucas(1845).

LUCAS, CHARLES(1713-1771), Irish physician and politician, was the son of a country gentleman of small means in Co. Clare. Charles opened a small business as an apothecary in Dublin, and between 1735 and 1741 he began his career as a pamphleteer by publishing papers on professional matters which led to legislation requiring inspection of drugs. Having been elected a member of the common council of Dublin in 1741 he detected and exposed encroachments by the aldermen on the electoral rights of the citizens, and entered upon a controversy on the subject, but failed in legal proceedings against the aldermen in 1744. With a view to becoming a parliamentary candidate for the city of Dublin he issued in 1748-1749 a series of political addresses in which he advocated the principles of Molyneux and Swift; and he made himself so obnoxious to the government that the House of Commons voted him an enemy to the country, and issued a proclamation for his arrest, thus compelling him to retire for some years to the continent. Having studied medicine at Paris, Lucas took the degree of M.D. at Leiden in 1752. In the following year he started practice as a physician in London, and in 1756 he published a work on medicinal waters, the properties of which he had studied on the continent and at Bath. The essay was reviewed by Dr Johnson, and although it was resented by the medical profession it gained a reputation and a considerable practice for its author. In 1760 he renewed his political pamphleteering; and having obtained a pardon from George III., he proceeded to Dublin, where he received a popular welcome and a Doctor’s degree from Trinity College. He was elected member for the city of Dublin in 1761, his colleague in the representation being the recorder, Henry Grattan’s father. On the appointment of Lord Halifax as lord lieutenant in the same year Lucas wrote him a long letter (19th of Sept. 1761, MSS. Irish State Paper Office) setting forth the grievances which Ireland had suffered in the past, chiefly on account of the exorbitant pensions enjoyed by government officials. The cause of these evils he declared to be the unrepresentative character of the Irish constitution; and among the remedies he proposed was the shortening of parliaments. Lucas brought in a bill in his first session to effect this reform, but was defeated on the motion to have the bill sent to England for approval by the privy council; and he insisted upon the independent rights of the Irish parliament, which were afterwards in fuller measure successfully vindicated by Grattan. He also defended the privileges of the Irish Protestants in the press, and especially in theFreeman’s Journal, founded in 1763. His contributions to the press, and hisAddresses to the Lord Mayorand other political pamphlets made him one of the most popular writers in Ireland of his time, although he was anti-catholic in his prejudices, and although, as Lecky observes, “there is nothing in his remains to show that he possessed any real superiority either of intellect or knowledge, or even any remarkable brilliancy of expression.” He died on the 4th of November 1771, and was accorded a public funeral. As an orator Charles Lucas appears to have had little power, and he made no mark in the House of Commons.

See R. R. Madden,Hist. of Irish Periodical Literature from the End of the 17th to the Middle of the 19th Century(2 vols., London, 1867); Francis Hardy,Memoirs of the Earl of Charlemont(2 vols., London, 1812); W. E. H. Lecky,History of Ireland in the Eighteenth Century, vols. i. and ii. (5 vols., London, 1892).

LUCAS, JOHN SEYMOUR(1849- ), English painter, was born in London, and was a student in the Royal Academy Schools. He was elected an associate of the academy in 1886 and academician in 1898, and became a constant exhibitor of pictures of historical and domestic incidents, notably of the Tudor and Stuart periods, painted with much skill and with close attention to detail. One of his most important works is a panel in the Royal Exchange, presented by the corporation of London, representing William the Conqueror granting the first charter to the city; and one of his earlier pictures, “After Culloden: Rebel Hunting,” is in the National Gallery of British Art.

LUCAS VAN LEYDEN(c.1494-1533), Dutch painter, was born at Leiden, where his father Huig Jacobsz gave him the first lessons in art. He then entered the painting-room of Cornelis Engelbrechtszen of Leiden, and soon became known for his capacity in making designs for glass, engraving copper-plates, painting pictures, portraits and landscapes in oil and distemper. According to van Mander he was born in 1494, and painted at the age of twelve a “Legend of St Hubert” for which he was paid a dozen florins. He was only fourteen when he finished a plate representing Mahomet taking the life of Sergius, the monk, and at fifteen he produced a series of nine plates for a “Passion,” a “Temptation of St Anthony,” and a “Conversionof St Paul.” The list of his engravings in 1510, when, according to van Mander, he was only sixteen, includes subjects as various as a celebrated “Ecce Homo,” “Adam and Eve expelled from Paradise,” a herdsman and a milkmaid with three cows, and a little naked girl running away from a barking dog. Whatever may be thought of the tradition embodied in van Mander’s pages as to the true age of Lucas van Leyden, there is no doubt that, as early as 1508, he was a master of repute as a copperplate engraver. It was the time when art found patrons among the public that could ill afford to buy pictures, yet had enough interest in culture to satisfy itself by means of prints. Lucas van Leyden became the representative man for the public of Holland as Dürer for that of Germany; and a rivalry grew up between the two engravers, which came to be so close that on the neutral market of Italy the products of each were all but evenly quoted. Vasari affirmed that Dürer surpassed Lucas as a designer, but that in the use of the graver they were both unsurpassed, a judgment which has not been reversed. But the rivalry was friendly. About the time when Dürer visited the Netherlands Lucas went to Antwerp, which then flourished as an international mart for productions of the pencil and the graver, and it is thought that he was the master who took the freedom of the Antwerp gild in 1521 under the name of Lucas the Hollander. In Dürer’s diary kept during his travels in the Low Countries, we find that at Antwerp he met Lucas, who asked him to dinner, and that Dürer accepted. He valued the art of Lucas at its true figure, and exchanged the Dutchman’s prints for eight florins’ worth of his own. In 1527 Lucas made a tour of the Netherlands, giving dinners to the painters of the gilds of Middleburg, Ghent, Malines and Antwerp. He was accompanied during the trip by Mabuse, whom he imitated in his style as well as in his love of rich costume. On his return home he fell sick and remained ailing till his death in 1533, and he believed that poison had been administered to him by some envious comrade.

A few days before his death Lucas van Leyden was informed of the birth of a grandson, first-born of his only daughter Gretchen. Gretchen’s fourth sonJean de Hoeyfollowed the profession of his grandfather, and became well known at the Parisian court as painter and chamberlain to the king of France, Henry IV.

As an engraver Lucas van Leyden deserves his reputation. He has not the genius, nor had he the artistic tact, of Dürer; and he displays more cleverness of expression than skill in distribution or in refinement in details. But his power in handling the graver is great, and some of his portraits, especially his own, are equal to anything by the master of Nüremberg. Much that he accomplished as a painter has been lost, because he worked a good deal upon cloth in distemper. In 1522 he painted the “Virgin and Child with the Magdalen and a Kneeling Donor,” now in the gallery of Munich. His manner was then akin to that of Mabuse. The “Last Judgment” in the town-gallery of Leiden is composed on the traditional lines of Cristus and Memling, with monsters in the style of Jerom Bosch and figures in the stilted attitudes of the South German school; the scale of colours in yellow, white and grey is at once pale and gaudy, the quaintest contrasts are produced by the juxtaposition of alabaster flesh in females and bronzed skin in males, or black hair by the side of yellow, or rose-coloured drapery set sharply against apple-green or black; yet some of the heads are painted with great delicacy and modelled with exquisite feeling. Dr Waagen gave a favourable opinion of a triptych now at the Hermitage at St Petersburg, executed, according to van Mander, in 1531, representing the “Blind Man of Jericho healed by Jesus Christ.” Here too the German critic observed the union of faulty composition with great finish and warm flesh-tints with a gaudy scale of colours. The same defects and qualities will be found in such specimens as are preserved in public collections, among which may be mentioned the “Card Party” at Wilton House, the “Penitent St Jerome” in the gallery of Berlin, and the hermits “Paul” and “Anthony” in the Liechtenstein collection at Vienna. There is a characteristic “Adoration of the Magi” at Buckingham Palace.

LUCCA(anc.Luca), a town and archiepiscopal see of Tuscany, Italy, capital of the province of Lucca, 13 m. by rail N.E. of Pisa. Pop. (1901) 43,566 (town); 73,465 (commune). It is situated 62 ft. above the level of the sea, in the valley of the Serchio, and looks out for the most part on a horizon of hills and mountains. The fortifications, pierced by four gates, were begun in 1504 and completed in 1645, and long ranked among the most remarkable in the peninsula. They are still well-preserved and picturesque, with projecting bastions planted with trees.

The city has a well-built and substantial appearance, its chief attraction lying in the numerous churches, which belong in the main to a well-marked basilican type, and present almost too richly decorated exteriors, fine apsidal ends and quadrangular campaniles, in some cases with battlemented summits, and windows increasing in number as they ascend. In style they are an imitation of the Pisan. It is remarkable that in the arcades a pillar generally occupies the middle of the façade. The cathedral of St Martin was begun in 1063 by Bishop Anselm (later Pope Alexander II.); but the great apse with its tall columnar arcades and the fine campanile are probably the only remnants of the early edifice, the nave and transepts having been rebuilt in the Gothic style in the 14th century, while the west front was begun in 1204 by Guidetto (lately identified with Guido Bigarelli of Como), and “consists of a vast portico of three magnificent arches, and above them three ranges of open galleries covered with all the devices of an exuberant fancy.” The ground plan is a Latin cross, the nave being 273 ft. in length and 84 ft. in width, and the transepts 144 ft. in length. In the nave is a little octagonal temple or chapel, which serves as a shrine for the most precious of the relics of Lucca, a cedar-wood crucifix, carved, according to the legend, by Nicodemus, and miraculously conveyed to Lucca in 782. The Sacred Countenance (Volto Santo), as it is generally called, because the face of the Saviour is considered a true likeness, is only shown thrice a year. The chapel was built in 1484 by Matteo Civitali, a local sculptor of the early Renaissance (1436-1501); he was the only master of Tuscany outside Florence who worked thoroughly in the Florentine style, and his creations are among the most charming works of the Renaissance. The cathedral contains several other works by him—the tomb of P. da Noceto, the altar of S. Regulus and the tomb of Ilaria del Carretto by Jacopo della Quercia of Siena (described by Ruskin inModern Painters, ii.), the earliest of his extant works (1406), and one of the earliest decorative works of the Renaissance. In one of the chapels is a fine Madonna by Fra Bartolommeo; in the municipal picture gallery are a fine “God the Father” and another Madonna by him; also some sculptures by Civitali, and some good wood carving, including choir stalls. In the cathedral choir is good stained glass of 1485. The church of St Michael, founded in the 8th century, and built of marble within and without, has a lofty and magnificent western façade (1188)—an architectural screen rising much above the roof of the church. The interior is good but rather bare. The church of St Martino at Arliano near Lucca belongs to the first half of the 8th century; it is of basilican plan (see G. T. Rivoira,Origini dell’ Architettura Lombarda, iii. [Rome, 1901] 138). St Frediano or Frigidian dates originally from the 7th century, but was built in the Romanesque style in 1112-1147, though the interior, originally with four aisles and nave, shows traces of the earliest structure; the front occupies the site of the ancient apse; in one of its chapels is the tomb of Santa Zita, patroness of servants and of Lucca itself. In S. Francesco, a fine Gothic church, is the tomb of Castruccio Castracane. San Giovanni (originally of the 12th century), S. Cristoforo, San Romano (rebuilt in the 17th century, by Vincenzo Buonamici), and Santa Maria Forisportam (of the 12th century) also deserve mention.

Among the secular buildings are the old ducal palace, begun in 1578 by Ammanati, and now the residence of the prefect and seat of the provincial officers and the public picture gallery; the early Renaissance Palazzo Pretorio, or former residence of the podestà, now the seat of the civil and correctional courts; the palace, erected in the 15th century by a member of the Guinigi family, of brick, in the Italian Gothic style, and now serving as a poor-house; the 16th-century palace of the marquis Guidiccioni, now used as a depository for the archives, the earliest documents going back toA.D.790. The Palazzo Mansi contains a collection of Dutch pictures. There are several other fine late 16th-century palaces. The principal market-place in the city (Piazza del Mercato) has taken possession of the arena of theancient amphitheatre, the outer arches of which can still be seen in the surrounding buildings. The whole building, belonging probably to the early Empire, measured 135 by 105 yds., and the arena 87½ by 58 yds. The outline of the ancient theatre can be traced in the Piazza delle Grazie, and some of its substructure walls are preserved. The ancient forum was on the site of the Piazza S. Michele in the centre of the town; remains of a small public building or shrine were found not far off in 1906 (L. Pernier inNotizie degli Scavi, 1906, p. 117). The rectangular disposition of the streets in the centre of the town is a survival of Roman times. Besides the academy of sciences, which dates from 1584, there are several institutions of the same kind—a royal philomathic academy, a royal academy of arts and a public library of 50,000 volumes. The archiepiscopal library and archives are also important, while the treasury contains some fine goldsmith’s work, including the 14th-century Croce dei Pisani, made by the Pisans for the cathedral.

The river Serchio affords water-power for numerous factories. The most important industries are the manufacture of jute goods (carried on at Ponte a Moriano in the Serchio valley, 6 m. N. of Lucca), tobacco, silks and cottons. The silk manufacture, introduced at Lucca about the close of the 11th century, and in the early part of the 16th the means of subsistence for 30,000 of its inhabitants, now gives employment (in reeling and throwing) to only about 1500. The bulk of the population is engaged in agriculture. The water supply is maintained by an aqueduct built in 1823-1832 with 459 arches, from the Pisan mountains.

The ancient Luca, commanding the valley of the Serchio, is first mentioned as the place to which Sempronius retired in 218B.C.before Hannibal; but there is some doubt as to the correctness of Livy’s statement, for, though there were continual wars with the Ligurians, after this time, it is not mentioned again until we are told that in 177B.C.a Latin colony was founded there in territory offered by the Pisans for the purpose.1It must have become a municipium by thelex Juliaof 90B.C., and it was here that Julius Caesar in 56B.C.held his famous conference with Pompey and Crassus, Luca then being still in Liguria, not in Etruria. A little later a colony was conducted hither by the triumvirs or by Octavian; whether after Philippi or after Actium is uncertain. In the Augustan division of Italy Luca was assigned to the 7th region (Etruria); it is little mentioned in the imperial period except as a meeting-point of roads—to Florentia (see Clodia, Via), Luna and Pisae. The road to Parma given in the itineraries, according to some authorities, led by Luna and the Cisa pass (the route taken by the modern railway from Sarzana to Parma), according to others up the Serchio valley and over the Sassalbo pass (O. Cuntz inJahreshefte des oesterr. arch. Instituts, 1904, 53). Though plundered and deprived of part of its territory by Odoacer, Luca appears as an important city and fortress at the time of Narses, who besieged it for three months inA.D.553, and under the Lombards it was the residence of a duke or marquis and had the privilege of a mint. The dukes gradually extended their power over all Tuscany, but after the death of the famous Matilda the city began to constitute itself an independent community, and in 1160 it obtained from Welf VI., duke of Bavaria and marquis of Tuscany, the lordship of all the country for 5 m. round, on payment of an annual tribute. Internal discord afforded an opportunity to Uguccione della Faggiuola, with whom Dante spent some time there, to make himself master of Lucca in 1314, but the Lucchesi expelled him two years afterwards, and handed over their city to Castruccio Castracane, under whose masterly tyranny it became “for a moment the leading state of Italy,” until his death in 1328 (his tomb is in S. Francesco). Occupied by the troops of Louis of Bavaria, sold to a rich Genoese Gherardino Spinola, seized by John, king of Bohemia, pawned to the Rossi of Parma, by them ceded to Martino della Scala of Verona, sold to the Florentines, surrendered to the Pisans, nominally liberated by the emperor Charles IV. and governed by his vicar, Lucca managed, at first as a democracy, and after 1628 as an oligarchy, to maintain “its independence alongside of Venice and Genoa, and painted the word Libertas on its banner till the French Revolution.” In the beginning of the 16th century one of its leading citizens, Francesco Burlamacchi, made a noble attempt to give political cohesion to Italy, but perished on the scaffold (1548); his statue by Ulisse Cambi was erected on the Piazza San Michele in 1863. As a principality formed in 1805 by Napoleon in favour of his sister Elisa and her husband Bacchiocchi, Lucca was for a few years wonderfully prosperous. It was occupied by the Neapolitans in 1814; from 1816 to 1847 it was governed as a duchy by Maria Luisa, queen of Etruria, and her son Charles Louis; and it afterwards formed one of the divisions of Tuscany.

The bishops of Lucca, who can be traced back to 347, received exceptional marks of distinction, such as the pallium in 1120, and the archiepiscopal cross from Alexander II. In 1726 Benedict XIII. raised their see to the rank of an archbishopric, without suffragans.

See A. Mazzarosa,Storia di Lucca(Lucca, 1833); E. Ridolfi,L’Arte in Lucca studiata nella sua Cattedrale(1882);Guidi di Lucca; La Basilica di S. Michele in Foro in Lucca.

(T. As.)

1Some confusion has arisen owing to the similarity of the names Luca and Luna; the theory of E. Bormann inCorp. Inscrip. Latin. (Berlin, 1888), xi. 295 is here followed.

LUCCA, BAGNI DI(Baths of Lucca, formerlyBagno a Corsena), a commune of Tuscany, Italy, in the province of Lucca, containing a number of famous watering-places. Pop. (1901) 13,685. The springs are situated in the valley of the Lima, a tributary of the Serchio; and the district is known in the early history of Lucca as the Vicaria di Val di Lima. Ponte Serraglio (16 m. N. of Lucca by rail) is the principal village (pop. 1312), but there are warm springs and baths also at Villa, Docce Bassi, Bagno Caldo, &c. The springs do not seem to have been known to the Romans. Bagno a Corsena is first mentioned in 1284 by Guidone de Corvaia, a Pisan historian (Muratori,R.I.S.vol. xxii.). Fallopius, who gave them credit for the cure of his own deafness, sounded their praises in 1569; and they have been more or less in fashion since. The temperature of the water varies from 98° to 130° Fahr.; in all cases it gives off carbonic acid gas and contains lime, magnesium and sodium products. In the village of Bagno Caldo there is a hospital constructed largely at the expense of Nicholas Demidoff in 1826. In the valley of the Serchio, 3 m. below Ponte a Serraglio, is the medieval Ponte del Diavolo (1322) with its lofty central arch.

LUCCEIUS, LUCIUS,Roman orator and historian, friend and correspondent of Cicero. A man of considerable wealth and literary tastes, he may be compared with Atticus. Disgusted at his failure to become consul in 60, he retired from public life, and devoted himself to writing a history of the Social and Civil Wars. This was nearly completed, when Cicero earnestly requested him to write a separate history of his (Cicero’s) consulship. Cicero had already sung his own praises in both Greek and Latin, but thought that a panegyric by Lucceius, who had taken considerable interest in the affairs of that critical period, would have greater weight. Cicero offered to supply the material, and hinted that Lucceius need not sacrifice laudation to accuracy. Lucceius almost promised, but did not perform. Nothing remains of any such work or of his history. In the civil war he took the side of Pompey; but, having been pardoned by Caesar, returned to Rome, where he lived in retirement until his death.

Cicero’sLetters(ed. Tyrrell and Purser), especiallyAd Fam.v. 12; and Orelli,Onomasticon Tullianum.

LUCCHESINI, GIROLAMO(1751-1825), Prussian diplomatist, was born at Lucca on the 7th of May 1751, the eldest son of Marquis Lucchesini. In 1779 he went to Berlin where Frederick the Great gave him a court appointment, making use of him in his literary relations with Italy. Frederick William II., who recognized his gifts for diplomacy, sent him in 1787 to Rome to obtain the papal sanction for the appointment of a coadjutor to the bishop of Mainz, with a view to strengthening the German Fürstenbund. In 1788 he was sent to Warsaw, and brought about a rapprochement with Prussia and a diminution of Russian influence at Warsaw. He was accredited ambassador to the king and republic of Poland on the 12th of April 1789.Frederick William was at that time intriguing with Turkey, then at war with Austria and Russia. Lucchesini was to rouse Polish feeling against Russia, and to secure for Prussia the concourse of Poland in the event of war with Austria and Russia. All his power of intrigue was needed in the conduct of these hazardous negotiations, rendered more difficult by the fact that Prussian policy excluded the existence of a strong Polish government. A Prusso-Polish alliance was concluded in March 1790. Lucchesini had been sent in January of that year to secure the alliance of Saxony against Austria, and in September he was sent to Sistova, where representatives of the chief European powers were engaged in settling the terms of peace between Austria and Turkey, which were finally agreed upon on the 4th of August 1791. Before he returned to Warsaw the Polish treaty of which he had been the chief author had become a dead letter owing to the engagements made between Prussia and Austria at Reichenbach in July 1790, and Prussia was already contemplating the second partition of Poland. He was recalled at the end of 1791, and in July 1792 he joined Frederick William in the invasion of France. He was to be Prussian ambassador in Paris when the allied forces should have reinstated the authority of Louis XVI. He was opposed alike to the invasion of France and the Austrian alliance, but his prepossessions did not interfere with his skilful conduct of the negotiations with Kellermann after the allies had been forced to retire by Dumouriez’s guns at Valmy, nor with his success in securing the landgrave of Hesse-Darmstadt’s assistance against France. In 1793 he was appointed ambassador to Vienna, with the ostensible object of securing financial assistance for the Rhenish campaign. He accompanied Frederick William through the Polish campaign of 1793-94, and in the autumn returned to Vienna. His anti-Austrian bias made him extremely unpopular with the Austrian court, which asked in vain for his recall in 1795. In 1797, after a visit to Italy in which he had an interview with Napoleon at Bologna, these demands were renewed and acceded to. In 1800 he was sent by Frederick William III. on a special mission to Paris. Despatches in which he expressed his distrust of Bonaparte’s peaceful professions and his conviction of the danger of the continuance of a neutral policy were intercepted by the first consul, who sought his recall, but eventually accepted him as regular ambassador (1802). He consistently sought friendly relations between France and Prussia, but he warned his government in 1806 of Napoleon’s intention of restoring Hanover to George III. and of Murat’s aggressions in Westphalia. He was superseded as ambassador in Paris in September just before the outbreak of war. After the disaster of Jena on the 14th of October he had an interview with Duroc near Wittenberg to seek terms of peace. After two unsuccessful attempts at negotiation, the first draft being refused by Napoleon, the second by Frederick William, he joined the Prussian court at Königsberg only to learn that his services were no longer required. He then joined the court of Elisa, grand duchess of Tuscany, at Lucca and Florence, and after Napoleon’s fall devoted himself to writing. He died on the 20th of October 1825.

He published in 1819 three volumes,Sulle cause et gli effetti della confederazione rhenana, at Florence, but revealed little that was not already available in printed sources. His memoirs remained in MS. His despatches are edited by Bailleu inPreussen und Frankreich(Leipzig, 1887,Publikationen aus den preussischen Staatsarchiven).

LUCENA,a town of southern Spain, in the province of Cordova, 37 m. S.S.E. of Cordova, on the Madrid-Algeciras railway. Pop. (1900) 21,179. Lucena is situated on the Cascajar, a minor tributary of the Genil. The parish church dates from the beginning of the 16th century. The chief industries are the manufacture of matches, brandy, bronze lamps and pottery, especially the large earthenware jars (tinajas) used throughout Spain for the storage of oil and wine, some of which hold more than 300 gallons. There is considerable trade in agricultural produce, and the horse fair is famous throughout Andalusia. Lucena was taken from the Moors early in the 14th century; it was in the attempt to recapture it that King Boabdil of Granada was taken prisoner in 1483.

LUCERA,a town and episcopal see of Apulia, Italy, 12½ m. W.N.W. by rail of Foggia. Pop. (1901) 16,962. It is situated upon a lofty plateau, the highest point of which (823 ft.), projecting to the W., was the ancient citadel, and is occupied by the well-preserved castle erected by Frederick II., and rebuilt by Pierre d’Angicourt about 1280. The cathedral, originally Romanesque, but restored after 1300 is in the Gothic style; the façade is good, and so is the ciborium. The interior was restored in 1882. The town occupies the site of the ancient Luceria, the key of the whole country. According to tradition the temple of Minerva, founded by Diomede, contained the Trojan Palladium, and the town struck numerous bronze coins; but in history it is first heard of as on the Roman side in the Samnite Wars (321B.C.), and in 315 or 314B.C.a Latin colony was sent here. It is mentioned in subsequent military history, and its position on the road from Beneventum, via Aecae (mod.Troja) to Sipontum, gave it some importance. Its wool was also renowned. It now contains no ancient remains above ground, though several mosaic pavements have been found and there are traces of the foundations of an amphitheatre outside the town on the E. The town-hall contains a statue of Venus, a mosaic and some inscriptions (but cf. Th. Mommsen’s remarks on the local neglect of antiquities inCorp. Inscr. Lat.ix. 75). In 663 it was destroyed by Constans II., and was only restored in 1223 by Frederick II., who transported 20,000 Saracens hither from Sicily. They were at first allowed religious freedom, but became Christians under compulsion in 1300. Up to 1806 Lucera was the capital of the provinces of Basilicata and Molise.

(T. As.)

LUCERNE(Ger.Luzern; Ital.Lucerna), one of the cantons of central Switzerland. Its total area is 579.3 sq. m., of which 530.2 sq. m. are classed as “productive” (forests covering 120.4 sq. m., and vineyards .04 sq. m.). It contains no glaciers or eternal snows, its highest points being the Brienzer Rothhorn (7714 ft.) and Pilatus (6995 ft.), while the Rothstock summit (5453 ft.) and the Kaltbad inn, both on the Rigi, are included in the canton, the loftiest point of the Rigi range (the Kulm) being entirely in Schwyz. The shape of the canton is an irregular quadrilateral, due to the gradual acquisition of rural districts by the town, which is its historical centre. The northern portion, about 15½ sq. m., of the Lake of Lucerne is in the canton. Its chief river is the Reuss, which flows through it for a short distance only receiving the Kleine Emme that flows down through the Entlebuch. In the northern part the Wigger, the Suhr and the Wynen streams flow through shallow valleys, separated by low hills. The canton is fairly well supplied with railways. The lakes of Sempach and Baldegg are wholly within the canton, which also takes in small portions of those of Hallwil and of Zug.

In 1900 the population numbered 146,519, of which 143,337 were German-speaking, 2204 Italian-speaking and 747 French-speaking, while 134,020 were Romanists, 12,085 Protestants and 319 Jews. Its capital is Lucerne (q.v.); the other towns are Kriens (pop. 5951), Willisau (4131), Ruswil (3928), Littau (3699), Emmen (3162) and Escholzmatt (3127). The peasants are a fine race, and outside the chief centres for foreign visitors have retained much of their primitive simplicity of manners and many local costumes. In the Entlebuch particularly the men are of a robust type, and are much devoted to wrestling and other athletic exercises. That district is mainly pastoral and is famous for its butter and cheese. Elsewhere in the canton the pastoral industry (including swine-breeding) is more extended than agriculture, while chiefly in and around Lucerne there are a number of industrial establishments. Theindustrie des étrangersis greatly developed in places frequented by foreign visitors. The population as a whole is Conservative in politics and devotedly Romanist in religion. But owing to the settlement of many non-Lucerne hotel-keepers and their servants in the town of Lucerne the capital is politically Radical.

The canton ranks officially third in the Swiss confederation next after Zürich and Bern. It was formerly in the diocese of Constance, and is now in that of Basel. It contains 5 administrative districts and 107 communes. The existing cantonalconstitution dates in its main features from 1875. The legislature orGrossrathconsists of members elected in 55 electoral circles, in the proportion of 1 to every 1000 souls (or fraction over 500) of the Swiss population, and lasts for 4 years. On the 4th of April 1909 proportional representation was adopted for elections of members of theGrossrath. Since 1905 the executive of 7 members is elected by a popular vote for 4 years, as are the 2 members of the federalStänderathand the 7 members of the federalNationalrath. Five thousand citizens can demand a facultative referendum as to all legislative projects and important financial decrees, or as to the revision of the cantonal constitution, while the same number can also revoke the mandate of the cantonal legislature before its proper term of office has ended, though this revocation does not affect the executive. Four thousand citizens have the right of “initiative” as to constitutional amendments or legislative projects.

The canton is composed of the various districts which the town acquired, the dates being those at which the particular region was finally secured—Weggis (1380), Rothenburg, Kriens, Horw, Sempach and Hochdorf (all in 1394), Wolhusen and the Entlebuch (1405), the so-called “Habsburger region” to the N.E. of the town of Lucerne (1406), Willisau (1407), Sursee and Beromünster (1415), Malters (1477) and Littau (1481), while in 1803, in exchange for Hitzkirch, Merenschwand (held since 1397) was given up.

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LUCERNE,the capital of the Swiss canton of the same name. It is one of the principal tourist centres of Switzerland, being situated on the St Gotthard railway line, by which it is 59 m. from Basel and 180 m. from Milan. Its prosperity has always been bound up with the St Gotthard Pass, so that the successive improvements effected on that route (mule path in the 13th century, carriage road 1820-1830, and railway tunnel in 1882) have had much effect on its growth. It is beautifully situated on the banks of the river Reuss, just as it issues from the Lake of Lucerne, while to the south-west rises the rugged range of Pilatus, balanced on the east by the more smiling ridge of the Rigi and the calm waters of the lake. The town itself is very picturesque. On the rising ground to its north still stand nine of the towers that defended the old town wall on the Musegg slope. The Reuss is still crossed by two quaint old wooden bridges, the upper being the Kapellbrücke (adorned by many paintings illustrating the history of Switzerland and the town and clinging to the massive Wasserthurm) and the lower the Mühlenbrücke (also with paintings, this time of the Dance of Death). The old Hofbrücke (on the site of the Schweizerhof quay) was removed in 1852, when the process of embanking the shore of the lake began, the result being a splendid series of quays, along which rise palatial hotels. The principal building is the twin-towered Hofkirche (dedicated to St Leger or Leodegar) which, though in its present form it dates only from 1633-1635, was the centre round which the town gradually gathered; originally it formed part of a Benedictine monastery, but since 1455 has been held by a college of secular canons. It has a fine 17th-century organ. The 16th-century town-hall (Rathhaus) now houses the cantonal museum of antiquities of all dates. Both the cantonal and the town libraries are rich in old books, the latter being now specially devoted to works (MS. or printed) relating to Swiss history before 1848. The Lion monument, designed by Thorwaldsen, dedicated in 1821, and consisting of a dying lion hewn out of the living sandstone, commemorates the officers and men of the Swiss Guard (26 officers and about 760 men) who were slain while defending the Tuileries in Paris in 1792, and is reflected in a clear pool at its foot. In the immediate neighbourhood is the Glacier Garden, a series of potholes worn in the sandstone rock bed of an ancient glacier. Among modern buildings are the railway station, the post office and the Museum of War and Peace, all in the new quarter on the left bank of the Reuss. In the interior of the town are many quaint old private houses. In 1799 the population numbered but 4337, but had doubled by 1840. Since then the rise has been rapid and continuous, being 29,255 in 1900. The vast majority are German-speaking (in 1900 there were 1242 Italian-speaking and 529 French-speaking persons) and Romanists (in 1900 there were 4933 Protestants and 299 Jews).

The nucleus of the town was a Benedictine monastery, founded about 750 on the right bank of the Reuss by the abbey of Murbach in Alsace, of which it long remained a “cell.” It is first mentioned in a charter of 840 under the name of “Luciaria,” which is probably derived from that of the patron saint of the monastery, St Leger or Leodegar (in O. Ger.LeudegarorLutgar)—the form “Lucerrun” is first found in 1252. Under the shadow of this monastery there grew up a small village. The germs of a municipal constitution appear in 1252, while the growing power of the Habsburgs in the neighbourhood weakened the ties that bound Lucerne to Murbach. In 1291 the Habsburgs finally purchased Lucerne from Murbach, an act that led a few weeks later to the foundation of the Swiss Confederation, of which Lucerne became the fourth member (the first town to be included) in 1332. But it did not get rid of all traces of Habsburg domination till after the glorious victory of Sempach (1386). That victory led also to the gradual acquisition of territory ruled by and from the town. At the time of the Reformation Lucerne clave to the old faith, of which ever since it has been the great stronghold in Switzerland. The papal nuncio resided here from 1601 to 1873. In the 16th century, as elsewhere in Switzerland, the town government fell into the hands of an aristocratic oligarchy, whose power, though shaken by the great peasant revolt (1653) in the Entlebuch, lasted till 1798. Under the Helvetic republic (1798-1803) Lucerne was the seat of the central government, under the Act of Mediation (1803-1814) one of the six “Directorial” cantons and from 1815 to 1848 one of the three ruling cantons. The patrician government was swept away by the cantonal constitution of 1831. But in 1841 the Conservatives regained power, called in the Jesuits (1844) and so brought about the Sonderbund War (1847) in which they were defeated, the decisive battle taking place at Gisikon, not far from Lucerne. Since 1848 Lucerne has been in disfavour with the Radicals who control the federal government, and has not been chosen as the site of any great federal institution. The Radicals lost power in the canton in 1871, after which date the Conservatives became predominant in the canton, though in the town the Radicals were in the majority.

See J. J. Blumer,Staats- und Rechtsgeschichte d. Schweiz. Demokratien(3 vols., St Gall, 1850-1859); A. L. Gassmann,Das Volkslied im Luzerner Wiggerthal u. Hinterland(Basel, 1906);Geschichtsfreund(organ of the Historical Society of the Forest Cantons) from 1843. A. von Liebenau,Charakterbilder aus Luzern’s Vergangenheit(2 vols., Lucerne, 1884-1891); T. von Liebenau,Das alte Luzern(Lucerne, 1881) and “Der luzernische Bauernkrieg vom 1653” (3 articles in vols. xviii.-xx., 1893-1895, of theJahrbuch f. Schweizerische Geschichte);Heimathkunde für den Kanton Luzern(6 vols., Lucerne, 1867-1883); A. Lütolf,Sagen, Bräuche, Legenden aus d. Fünf Orten(Lucerne, 1862); K. Pfyffer,Der Kanton Luzern(2 vols., 1858-1859) andGeschichte d. Stadt u. Kanton Luzern(2 vols., new ed., 1861); A. P. von Segesser,Rechtsgeschichte d. Stadt u. Republik Luzern(4 vols., 1850-1858) and45 Jahre (1841-1887) im Luzernischen Staatsdienst(Bern, 1887); J. Sowerby,The Forest Cantons of Switzerland(London, 1892).

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LUCERNE, LAKE OF,the name usually given by foreigners to the principal lake of Central Switzerland. In French it is called theLac des Quatre Cantons, and in German theVierwaldstättersee, this term being often wrongly translated “Lake of the Four Forest Cantons,” whereas it means the “Lake of the Four Valleys”—valles—which form the four Cantons of Lucerne, Unterwalden, Uri and Schwyz. It takes its name from the town of Lucerne, which is situated at its west end, just where the Reuss issues from the lake, after having entered it at Flüelen at the east end and so practically formed it; the Muota enters the lake at Brunnen (northern shore) and the two mountain streams called the Engelberg and the Sarnen Aa at Buochs and Alpnachstad respectively (S.). The lake is generally supposed to be, on the whole, the most beautiful in Switzerland. This is partly due to the steep limestone mountains between which it lies, the best known being the Rigi (5906 ft.) to the N., and Pilatus (6995 ft.) to the S.W., and to the great promontories that thrust themselves into its waters, such as those of Horw (S.), of Bürgenstock (S.), of Meggenhorn (N.) and of Seelisberg (S.), and partlyto the irregularity of its shape. It is, in fact, composed of four main basins (with two side basins), which represent four different valleys, orographically distinct, and connected only by narrow and tortuous channels. There is, first, the most easterly basin, theBay of Uri, extending from Flüelen on the south to Brunnen on the north. At Brunnen the great delta of the Muota forces the lake to the west, so that it forms theBay of Gersauor theGulf of Buochs, extending from the promontory of Seelisberg (E.) to that of the Bürgenstock (W.). Another narrow strait between the two “Noses” (Nasen) leads westwards to theBasin of Weggis, enclosed between the Rigi (N.) and the Bürgenstock promontory (S.). This last named bay forms the eastern arm of what is called the Cross of Lucerne, the western arm of which is formed by the Bay of Lucerne, while the northern arm is the Bay of Küssnacht and the southern that ofHergiswil, prolonged S.W. by theBay of Alpnach, with which it is joined by a very narrow channel, spanned by the Acher iron bridge. The Bay of Uri offers the sternest scenery, but is the most interesting, by reason of its connexion with early Swiss history—at Brunnen the Everlasting League of 1315 was really made, while the legendary place of meeting of the founders of Swiss freedom was the meadow of the Rütli on the west (purchased by the Confederation in 1859), and the site of Tell’s leap is marked by the Chapel of Tell (E.). Nearly opposite Brunnen, close to the west shore, an isolated rock (theSchillersteinorMythenstein) now bears an inscription in honour of Friedrich Schiller, the author of the famous play ofWilliam Tell(1804). In the Bay of Gersau the most interesting spot is the village of Gersau (N.), which formed an independent republic from 1390 to 1798, but in 1818 was finally united to the canton of Schwyz. In the next basin to the west is Weggis (N.), also for long in the middle ages a small independent state; to the S.E. of Weggis, on the north shore of the lake, is Vitznau, whence a rack railway (1871) leads up to the top of the Rigi (4¼ m.), while S.W. of Weggis, on the south shore of the lake, is Kehrsiten, whence an electric railway leads up to the great hotels on the Bürgenstock promontory (2854 ft.). The town of Lucerne is connected with Flüelen by the main line of the St Gotthard railway (32 m.), though only portions of this line (from Lucerne to Küssnacht, 10½ m., and from Brunnen to Flüelen, 7 m.) run along the shore; Brunnen is also connected with Flüelen by the splendid carriage road known as the Axenstrasse (7¼ m.) and is the starting-point of an electric line (1905) up to Morschach (S.E.) and the great hotels of Axenstein and Axenfels near it. On the promontory between Lucerne and Küssnacht stands the castle of New Habsburg (modern), while from Küssnacht a carriage road leads through the remains of the “Hollow Way” (Hohle Gasse), the scene of the legendary murder of Gessler by William Tell. The west shore of the southern arm, or the basin of Hergiswil and the Bay of Alpnach, is traversed from Horw to Alpnachstad by the Brünig railway (5½ m.), which continues towards Sarnen (Obwalden) and the Bernese Oberland, S.W. from Alpnachstad, whence a rack railway leads N.W. up Pilatus (2¾ m.). Opposite Hergiswil, but on the east shore of the Basin of Hergiswil, is Stanstad, the port of Stans (Nidwalden), which is connected by an electric line with Engelberg (14 m.). The first steamer was placed on the lake in 1835. Lucerne is the only town of importance, but several spots serve as ports for neighbouring towns or large villages (Brunnen for Schwyz, Flüelen for Altdorf, Stanstad for Stans, Alpnachstad for Sarnen). Most of the villages on the shores are frequented in summer by visitors (Gersau also in winter), especially Hertenstein, Weggis, Gersau, Brunnen, Beckenried and Hergiswil, while great hotels, commanding magnificent views, have been built on heights above it, such as the Bürgenstock, Seelisberg, and near Morschach, above Brunnen, besides those on the Rigi, Pilatus and the Stanserhorn. The area of the lake is about 44½ sq. m., its length about 24 m., its greatest width only 2 m. and its greatest depth 702 ft., while the surface of the water is 1434 ft. above sea-level. Of the total area about 15½ sq. m. are in the Canton of Lucerne, 13 sq. m. in that of Nidwalden, 7½ sq. m. in that of Uri, 7½ sq. m. in that of Schwyz, and about 1 sq. m. in that of Obwalden.

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