revived in18th century,277;sequences,273;"Ten Commandments" of,268n.Sonnets on the sonnet,278,279,284,288.Sound-qualities of verse made expressive of sense,135-137.Southey:Curse of Kehama,329;hexameters of,347f.;Sapphics,337*;Vision of Judgment,347*.Spanish verse,28,115;assonance in,114.Spedding, J., on English hexameter,351.Spenser:Amoretti,293*;Faerie Queene,102*;free cesura in,17;interest in classical metres,332f.;Mother Hubbard's Tale,181*;Shepherd's Calendar,15*,89*,158f.*,179f.*;Tetrasticon,332*;tumbling verse of,159;unrimed sonnets of,219;Virgil's Gnat,98f.*.Spenserian sonnet,293*.Spenserian stanza,102-106;stanzas influenced by,107f.Spondee,56,57.Stanyhurst, R.:Æneid,341f.*;hexameters of,342f.Stanzas,62-112;complex forms of, under French influence,110;formed by refrains,78;how determined and described,62;tail-rime,80-86.Stedman, E. C., on rhythm in poetry,432f.Stengel, on French alexandrine,252;on French decasyllabic verse,177f.;on octosyllabic verse,160.Stetson, C. P.:A Man Must Live,375f.*.Stevenson, R. L., on tone-color,138.Stichic verse,62.Stillingfleet, B., sonnets of,277.Stond wel, moder,84*.Stone, W. J.:Odyssey,356*;on quantity in English verse,356f.Stress (see Accent).Substitution of feet,55-61.Suckling:A Soldier,86*.Suete iesu, king of blysse,69*.Surrey, Earl of, accents in verse of,10;Æneid,215f.*;How no Age is Content,266*;inventor of English sonnet,290;Psalm LV.,255*;Restless State of a Lover,71*;Sonnet,290*;verse of,216.Swift:Death of Dr. Swift,169f.*.Swinburne:Armada,51*,134*;Atalanta in Calydon,9*,146*;Ballad of François Villon,367*;Birds,45*;Century of Roundels,42*;Choriambics,340*;Death of Wagner,60*;Garden of Cymodoce,43*;Hendecasyllabics,338;Hesperia,44*;Last Oracle,43*;Laus Veneris,78*;Leper,9*;March,13*,48*;Night in Guernsey,47*;on choral ode of Milton,325;on English hexameters,353f.;on sonnets of Wordsworth,280;On the Cliffs,329;on Whitman,431n.;Roundel,376*;Sapphics,340*;Seaboard,51*;Song in Season,28*;Thalassius,329;Tristram of Lyonesse,212*;Winter in Northumberland,130f.*,147*.Syllable-counting, in Surrey's verse,216;want of, in early English verse,16,112,151.Syllables, artificially varied in length when in metre,401-404;kinds of accented,3.Symonds, J. A., on blank verse,214,232,233;of 18th century,239;ofGorboduc,217;of Jonson,225;of Keats,242;of Marlowe,220f.;of Shakspere,222;of Tennyson,246;of Webster,229;on heroic verse of the romantic poets,210;Sonnets on the Thought of Death,287f.*.Tailed sonnet,276.Tail-rime (seeRime couée).Taylor, B.:Home Pastorals,349*;National Ode,320f.*.Taylor, W., on German and English hexameters,345;Ossian's Hymn to the Sun,344f.*.Ten Brink, on Anglo-Saxon verse,151f.;on Chaucer's verse,177,178;on early five-stress verse,175;on verse of court romances,164f.;on verse ofKing Horn,155.Tennyson:Alcaics on Milton,337*;blank verse of,246;Boadicea,339;Break, break, break,21*;Charge of the Light Brigade,30*;Coming of Arthur,143;Daisy,77;elegiac distich of,346*;Enoch Arden,58*,59*,144*;Geraint and Enid,59*;Hendecasyllabics,337f.*;In Memoriam,75f.*;Locksley Hall,13*,46f.*;Lotos-Eaters,106*;Maud,32*,42*,43*,52*,317;Merlin and Vivien,58*;Montenegro,285f.*;Northern Farmer,44*;Œnone,59*;on English hexameters,353;on quantity in English,338;Oriana,80*;Palace of Art,74*;Passing of Arthur,244*;Princess,8*,58*,134*,144f.*,245*,246*;Queen Mary,245*;Sapphics,339*;sonnets of,286;Tears, Idle Tears,246*;To Maurice,77*;Two Voices,64*;Vision of Sin,41*,54f.*;Wellington Ode,315f.*.Tercets,63-69.Terminology, classical in English verse,24n.,406-409.Terza rima,65-69.Thackeray, irregular verse in ballads of, 158 n.;Sorrows of Werther,47*;What Makes my Heart, etc.,132*.Thomson, as imitator of Spenser's verse,104;Castle of Indolence,103*,143*;Seasons,237f.*.Thomson, J.:City of Dreadful Night,95*.Tillbrook, S., on Southey's hexameters,347n.Time-element in English verse,391-409.Time-intervals,11-23;irregular,13-16;regular,12f.;the basis of metrical feet,408.Todhunter, on Shelley's verse,106.Tolomei, C.,331.Tomlinson, on the sonnet,267f.Tone-color,135-147.Tone-quality,113-147.Tottel:Songs and Sonnets,10,87*,98*,218,266*,271*,290*,372.Trial before Pilate(Mystery Play),157*.Triggs, on verse ofDe Muliere Samaritana,253f.Triolet,381-383.Triple endings in Elizabethan drama,226-228.Triplet, used in heroic verse,195,208.Trissino, G.,214,330.Trochaic verse, two-stress,27f.;three-stress,33f.;four-stress,37f.;five-stress,41;six-stress,43;seven-stress,45,259;eight-stress,46f.Trochee,24;substituted for iambus,57f.Troy Book,156.Truncation,25,33."Tumbling verse,"157f.,159;relation to decasyllabic,179f.Turberville:Heroical Epistles,219.Udall, N.:Ralph Roister Doister,14*.Van Dyke, H., on Tennyson'sWellington Ode,317.Variety in verse, significant,61.Vers baïfins,331.Vers de société,39,365.Versi sciolti,214,330f.Villanelle,376-380.Villon,358,363,365,367,374.Virelai,385.Voiture,358,371;Rondeau,371*.Vowels, long and short in English,396f.Wace,Brut,160*.Waddington:Manuel des Pechiez,163n.*.Waller:Battle of the Summer Islands,187*;Go, Lovely Rose,89*;influence on heroic couplet,187-190;Of the Danger of his Majesty, etc.,186*.Ward, on verse of Cowper,240.Warner, W.:Albion's England,261*.Wartonbrothers, revivers of sonnet,277.Warton, T., on verse of Joseph Hall,182;Sonnet on Dugdale's Monasticon,276f.*.Watson(of Cambridge), distich of,341*.Watson, T.:Tears of Fancy,273.Watson, W.:Hymn to the Sea,355*;Sonnet on History,297*;Sonnet to the Sultan,289*.Watts, T., on verse-form in poetry,426f.;Sonnet's Voice,288*.Wayle whyte, A,86*.Webbe, W.:Discourse of English Poetriecited,46,334,341,344;Eclogue of Vergil,344*;Sapphics,333*.Webster:Duchess of Malfi,228*.Wendell, B., on Shakspere's verse,223f.White, G., onchant royal,368;on French lyrical forms,359f.White, J. B.:Sonnet to Night,281*.Whitman, W., verse of,431.Wood, H., on the heroic couplet,189f.Woodberry, on the heroic couplet,207.Wordsworth:Intimations of Immortality(ode),312f.*;I wandered lonely,92*;Norman Boy,264*;on blank verse,232;on theory of metre,417-420;Peter Bell,91*;Pet Lamb,257*;Scorn not the Sonnet,279*;Solitary Reaper,97f.*;Sonnet, The,278f.*;sonnets of,278,280;The World is too much with us,279f.*;Tintern Abbey,243*;White Doe of Rylstone,171f*.Wyatt, accents in verse of,10f.;How to use the court,65*;Of his love that pricked his finger,98*;O goodly hand,87*;ottava rimaintroduced by,98;Power of Love,96*;Rondeau,372*;Sonnet,271*;sonnet introduced by,272;text of poems of,10f.;The joy so short,20*;Torment of the Unhappy Lover,101f.*;unaccented rime in,122n.Young:Night Thoughts,238;Ocean,87f.*;stanza of odes of,88.