The Project Gutenberg eBook ofEngravers and EtchersThis ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online atwww.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.Title: Engravers and EtchersAuthor: Fitz Roy CarringtonRelease date: November 30, 2021 [eBook #66848]Most recently updated: October 18, 2024Language: EnglishOriginal publication: United States: Art Institute of Chicago, 1917Credits: Charlene Taylor, Alan and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)*** START OF THE PROJECT GUTENBERG EBOOK ENGRAVERS AND ETCHERS ***
This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online atwww.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
Title: Engravers and EtchersAuthor: Fitz Roy CarringtonRelease date: November 30, 2021 [eBook #66848]Most recently updated: October 18, 2024Language: EnglishOriginal publication: United States: Art Institute of Chicago, 1917Credits: Charlene Taylor, Alan and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Title: Engravers and Etchers
Author: Fitz Roy Carrington
Author: Fitz Roy Carrington
Release date: November 30, 2021 [eBook #66848]Most recently updated: October 18, 2024
Language: English
Original publication: United States: Art Institute of Chicago, 1917
Credits: Charlene Taylor, Alan and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
*** START OF THE PROJECT GUTENBERG EBOOK ENGRAVERS AND ETCHERS ***
MASTER OF THE AMSTERDAM CABINET. TWO LOVERSSize of the original engraving, 6½ × 4⅛ inchesIn the Ducal Collection, Coburg
MASTER OF THE AMSTERDAM CABINET. TWO LOVERS
Size of the original engraving, 6½ × 4⅛ inchesIn the Ducal Collection, Coburg
ENGRAVERS
AND
ETCHERS
SIX LECTURES DELIVERED ON THE SCAMMON FOUNDATIONAT THE ART INSTITUTE OF CHICAGO, MARCH 1916
BY
FITZROY CARRINGTON, M. A.
CURATOR OF PRINTS AT THE MUSEUM OF FINE ARTS,BOSTON; LECTURER ON THE HISTORY AND PRINCIPLESOF ENGRAVING AT HARVARD UNIVERSITY; EDITOR OF“THE PRINT-COLLECTOR’S QUARTERLY”
WITH 133 ILLUSTRATIONS
THE ART INSTITUTE OF CHICAGO1917
COPYRIGHT 1917
THOMSEN-BRYAN-ELLIS COMPANY
DESIGNED AND PUBLISHED BY
THOMSEN-BRYAN-ELLIS COMPANY
WASHINGTONBALTIMORE
NEW YORKPHILADELPHIA
TO THOSEWHO HELPED ME MAKE THIS BOOKIN GRATEFUL RECOGNITION
NOTEThe lectures presented in this volume comprise the twelfth series delivered at the Art Institute of Chicago on the Scammon Foundation. The Scammon Lectureship is established on an ample basis by bequest of Mrs. Maria Sheldon Scammon, who died in 1901. The will prescribes that these lectures shall be upon the history, theory, and practice of the Fine Arts (meaning thereby the graphic and plastic arts), by persons of distinction or authority on the subject on which they lecture, such lectures to be primarily for the benefit of the students of the Art Institute, and secondarily for members and other persons. The lectures are known as “The Scammon Lectures.”
NOTE
The lectures presented in this volume comprise the twelfth series delivered at the Art Institute of Chicago on the Scammon Foundation. The Scammon Lectureship is established on an ample basis by bequest of Mrs. Maria Sheldon Scammon, who died in 1901. The will prescribes that these lectures shall be upon the history, theory, and practice of the Fine Arts (meaning thereby the graphic and plastic arts), by persons of distinction or authority on the subject on which they lecture, such lectures to be primarily for the benefit of the students of the Art Institute, and secondarily for members and other persons. The lectures are known as “The Scammon Lectures.”