Rachel, removing her heavy coat, walked briskly to the grate fire burning in the rear of the studio. She stood looking into the flames and rubbing the cold out of her hands.
"Well, I kept the appointment, Frank."
Brander, the artist, sprawled on a cushion-littered couch, sat up slowly. His heavy eyes regarded her.
"We had quite a talk. You know his wife has remarried."
"That so?" Rachel laughed.
"Mr. Dorn sends you his regards."
"That'll be enough."
"I must say he's much cleverer than you, Frank."
"What did you talk about? Soul stuff, eh?"
"Oh, not entirely."
She came over to the couch and patted his cheeks.
"My hands—feel how cold they are."
"Never mind your hands. What did our good friend have to say for himself?"
"Oh, talk." Her dark eyes glanced enigmatically from his stare.
Brander swore. "I want to know, d'you hear?"
"Dear me! Soulmate bares all." She laughed and walked with a sensual swing down the long room.
Brander, without stirring, repeated, "Yes, everything."
Rachel's face sobered.
"Why, there's nothing Frank—of interest."
"Hell, I've caught you crying over him."
"Well, what of that? A woman's tears, you know, a woman's tears, don't mean anything."
"They don't, eh?"
"No." The sight of him hunched amid the cushions seemed to appeal to her humor. A large, strong monkey face against blue, green, and yellow pillow faces. She laughed.
"Well, I'll tell you something. There's going to be no soul stuff in this. You're mine. And if you start any flapdoodle hand-holding with our good friend, I'll knock your heads together into a pulp."
He raised his large shoulders and glowered majestically. Rachel, paused beside a canvas, regarded him with half-closed eyes and smiling lips.
"He sent his kindest wishes to you."
Brander left his seat and strode toward her.
"That's enough."
"And asked us to call. And if we couldn't come together, I might call alone," she spoke quickly. Her eyes were mocking. An oath from Brander seemed to amuse her.
"You're in love with him," he muttered, hisfingers tightening about her wrist. "Come, out with it! I want to know."
"Yes." Rachel's eyes grew taunting. "He is the knight in shining armor, fairy prince, and the man in the moon."
"Never mind laughing. I want to know."
"Well, listen then." Her voice grew vibrant as if a laugh were talking. "His eyes are the beckoning hands of dream. Poor Frank doesn't know what that means."
Brander swung her toward the couch. She fell amid the cushions with a laugh. He stood looking at her and then walked slowly.
"Don't touch me. Don't you dare!"
A grin crossed the artist's face.
"I know you and your kind," he answered, "mooney girls. Mooney-headed girls. I've had 'em before."
"Keep away...."
Her face as he bent over her glowed with a sudden terror.
"Mooney girls," repeated Brander.
His hands reached her shoulders and held her carelessly as she squirmed.
"You're hurting me."
"I'll hurt you more. Talk out now. Are you in love with that loon?"
"Yes."
"More than me?"
"Yes."
Brander's face reddened. His hand struckher chin. Rachel shut her eyes to hold back tears.
"Are you still?"
"Yes. Always." Her teeth clenched. "Go on, hit me, if you want to. I love him. Love him always. Every minute. As I did. Do you hear? I love him."
She opened her eyes and shivered. He was going to kill her. He tore at her clothes, beating her with his fists until her head rattled on her neck.
"I'll fix your love for him," Brander whispered. The pain of his blows and shakings were making her dizzy.
"Frank ... dear, please...."
"Do you love him?"
"Yes."
She tried to bury her head in her arms, but he untwisted her gesture. His hands, striking and clawing at her, made her scream. A mist—he had seized her.
"Frank! Frank!"
"Do you love him now?"
She opened her eyes and stared wildly into Brander's face. It grinned at her. Her arms clutched his body.
"No, no!" she cried, her mouth gasping. "Don't talk. Don't ask questions. Love ..." she laughed aloud eagerly, brazenly. Her thin arms tightened fiercely about him. "I love this."
Isaac Dorn was sitting in a chair beside the gas-log fire in his son's apartment. His thin fingers lay motionless on his knees. His head had fallen forward.
It was early evening when his son entered the room. Dorn paused and looked at the silent figure in the chair. The old man raised his head as if he had been spoken to and muttered. "Eh?"
He saw his son and smiled. He would like to talk to him. It was lonely all day in the house. And things were beginning to fade from his eyes. It was hard even to see if Erik was smiling. Yes, his face was happy. That was good. People should look as Erik did—amused. Wait ... wait long enough and it all blurred and faded gently away.
"What made you so late, Erik?" he asked. Now his son was laughing. That was a good sign.
"A lot of work at the office. The Russians are at it again. And I met an old friend this afternoon. A dear old friend. Old friends make one sentimental and garrulous. So we talked."
He noticed the old man's eyes close but continued addressing him.
"We discussed problems in mathematics. Howmany yesterdays make a to-morrow. That gas-log smells to high heaven."
He leaned over and turned out the odorous flames. He noticed now that the old man had dozed off again. But his talk went on. It had become a habit to keep on talking to his father who dozed under his words. "She's going to drop around and visit us. And we will perform a gentle autopsy. Stir a little cloud of dust out of the bucket of ashes, eh? And perhaps we will come to life for a moment. Who knows? At least, we shall weep. And that is something. To be able to weep. To know enough to weep. Her name is Rachel."
He paused and walked toward the window.
"Rachel," he repeated, his eyes no longer on the old man. "Her name is unchanged...."
He opened von Stinnes's silver case and removed a cigarette. He stood gazing at the snow on roofs, on window ledges, on pavements. Crystalline geometries. Houses that made little puzzle pictures against the stagnant curve of the darkening sky. A zigzag of leaden-eyed windows, and windows ringed with yellow light peering like cat eyes into the winter dusk. The darkness slowly ended the scene. Night covered the snow. The city opened its tiny yellow eyes.
A street of houses before him. A cigarette under his nose. An old man asleep. Outside the window the snow-covered buildings stood in the dark like a skeleton world, like patterns in black and white.