LIIWHAT SHALL I THINK ABOUT?

LIIWHAT SHALL I THINK ABOUT?

“What shall I think about when I am dying?” said Turgeney. Well, if I were dying at this moment, and were fortunate enough to be conscious—for death is an adventure no one ought to miss—I should endeavour to compose my mind and prepare it properly for its next experience. Then, having made whatever arrangements were necessary for the welfare of those I leave, I might—if there were time—review some of the events of my days on earth from which I had derived the largest amount of pleasure.

Omitting religion and family life, the two greatest sources of happiness that I know, which need no explanation to those familiar with them, and which no language could possibly explain to those unacquainted with them, I must honestly say I have found life good. I would not have missed it for anything. There have of course been misfortunes, illnesses, periods of mental depression, failures, loss of friends, and the general sense of frustration that afflicts every candidmind. But these are shadows, and my life has mainly been passed in sunshine.

It would of course be very nice to be an immortal poet or an immortal something-or-other; to feel the steadfast assurance that one had left on earth some enduring work that would remain as a permanent memorial. But although one knows, as I do, that everything one has done will be speedily forgotten, I do not see why that should make one miserable. Why spend one’s life or even one’s last moments in crying for the moon? Why not make the best of the good old world?

That daily life is really good one appreciates when one wakes from a horrible dream, or when one takes the first outing after a sickness. Why not realise it now?

My life has been divided into four parts—Work, Play, Development, Social Pleasures. Work is man’s greatest blessing. Whenever it is in any way possible, every boy and girl should choose as his life work some occupation which he would like to do anyhow, even if he does not need the money. It has always been necessary for me to work, but if at any time during the last twenty years some eccentric person had left me a million dollars, I should have gone right on working at my chosen professions, teaching,writing, and public speaking. I enjoy all three. I enjoy them so much that I have no hesitation in saying that I enjoy them more than vacations. There are better teachers, there are better writers, there are better lecturers; but I doubt if any of them have enjoyed their work more than I.

I have also had an enormous amount of fun out of play. I am a playboy, and shall never get over it. I like all kinds of games, except alley-bowling, just as I like all famous music except that by Meyerbeer. In every game I have never succeeded in rising above mediocrity; but here again I doubt if the great players—whom I nevertheless envy—have enjoyed playing football, baseball, hockey, tennis, golf, billiards, pool, duplicate whist—a better game than bridge—more than I have. If I were now given the opportunity to spend every single day for the next five hundred years in an invariable programme of work all the morning, golf all the afternoon, and social enjoyment all the evening, I should accept with alacrity, making only one stipulation—that at the end of the five hundred years I should have the privilege of renewal. And that’s that.

In cultural development, by which I mean the enrichment of the mind by Nature and by Art, Ihave had unspeakable delight. Yet I am neither a naturalist nor an artist. I don’t know anything about flowers, and very little about animals. I cannot draw or paint, or make anything with my hands. The only musical instrument I can play is a typewriter.

But no one loves the scenes of nature more than I. The first sunset that I remember with enjoyment occurred when I was ten years old; and how many I have seen since then! On an autumn day in 1903, I saw the sun sink into the ocean off the coast of Normandy, and, by the miracle of memory, I can see it again whenever I wish. I thought of Browning’s lines:

“Than by slow, pallid sunsets in autumn, ye watch from the shore,At their sad level gaze o’er the ocean—a sun’s slow decline.”

“Than by slow, pallid sunsets in autumn, ye watch from the shore,At their sad level gaze o’er the ocean—a sun’s slow decline.”

“Than by slow, pallid sunsets in autumn, ye watch from the shore,At their sad level gaze o’er the ocean—a sun’s slow decline.”

“Than by slow, pallid sunsets in autumn, ye watch from the shore,

At their sad level gaze o’er the ocean—a sun’s slow decline.”

I have seen the Matterhorn from the Gorner Grat, Mont Blanc from Chamonix, and the divine flush on the summit of the Jungfrau.

Forty years ago I heard for the first time the Ninth Symphony; and while I have heard it often since then, the most memorable occasion was in May 1912 when I heard it at Paris, played by a magnificent orchestra, conducted by Felix Weingartner; I have heardDie Meistersingerin Munich, conducted by Arthur Nikisch; I haveheard the Emperor Concerto, with Ossip Gabrilowitsch at the piano; I have heardTod und Verklärungwith Stokowski and the Philadelphia Orchestra; I have heard De Pachmann (in his prime) play Chopin’s B flat minor sonata, Paderewski play Liszt’s Hungarian Rhapsody No. 2, Josef Hofmann play Beethoven’s Sonata 111. I have heardCarmensung by Emma Calvé, Emma Eames, Jean de Reszké and Lassalle;Tristan und Isoldesung by Jean de Reszké and Lilli Lehmann;Faustsung by Jean and Edouard de Reszké, Emma Eames, Maurel, and Scalchi;Mignonsung by Mme. Lucrezia Bori; I have repeatedly heard the three greatest bassos of modern times, Edouard de Reszké, Pol Plançon, and Chaliapin.

In the theatre I have seen Edwin Booth as Shylock, Mansfield as Richard III, Irving inThe Lyons Mail, Possart as Mephistopheles, Sarah Bernhardt as La Tosca, Duse as Francesca, Salvini as Othello, and twice have I seen the Passion Play at Oberammergau. All these are memorable experiences, and for fear I may not be conscious when I am dying, I am recalling them now. But if I should attempt to recall all the glorious things I have seen in nature and in art, I should have no time for fresh experiences that await me.

As for social pleasures, one of the highest enjoyments is agreeable company and good conversation; and I especially like men, women and children.


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