INTRODUCTION

A number of articles in this volume, even the more important, have not heretofore appeared in print. Mark Twain was nearly always writing--busily trying to keep up with his imagination and enthusiasm: A good many of his literary undertakings remained unfinished or were held for further consideration, in time to be quite forgotten. Few of these papers were unimportant, and a fresh interest attaches to them to-day in the fact that they present some new detail of the author’s devious wanderings, some new point of observation, some hitherto unexpressed angle of his indefatigable thought.

The present collection opens with a chapter from a book that was never written, a book about England, for which the author made some preparation, during his first visit to that country, in 1872. He filled several notebooks with brief comments, among which appears this single complete episode, the description of a visit to Westminster Abbey by night. As an example of what the book might have been we may be sorry that it went no farther.

It was not, however, quite in line with his proposed undertaking, which had been to write a more or less satirical book on English manners and customs. Arriving there, he found that he liked the people and their country too well for that, besides he wasso busy entertaining, and being entertained, that he had little time for critical observation. In a letter home he wrote:

I came here to take notes for a book, but I haven’t done much but attend dinners and make speeches. I have had a jolly good time, and I do hate to go away from these English folks; they make a stranger feel entirely at home, and they laugh so easily that it is a comfort to make after-dinner speeches here.

England at this time gave Mark Twain an even fuller appreciation than he had thus far received in his own country. To hunt out and hold up to ridicule the foibles of hosts so hospitable would have been quite foreign to his nature. The notes he made had little satire in them, being mainly memoranda of the moment....

“Down the Rhône,” written some twenty years later, is a chapter from another book that failed of completion. Mark Twain, in Europe partly for his health, partly for financial reasons, had agreed to write six letters for the New YorkSun, two of which--those from Aix and Marienbad--appear in this volume. Six letters would not make a book of sufficient size and he thought he might supplement them by making a drifting trip down the Rhône, the “river of angels,” as Stevenson called it, and turning it into literature.

The trip itself proved to be one of the most delightful excursions of his life, and his account of it, so far as completed, has interest and charm. But he was alone, with only his boatman (the “Admiral”) and his courier, Joseph Very, for company, a monotony of human material that was not inspiring. Hemade some attempt to introduce fictitious characters, but presently gave up the idea. As a whole the excursion was too drowsy and comfortable to stir him to continuous effort; neither the notes nor the article, attempted somewhat later, ever came to conclusion.

Three articles in this volume, beginning with “To the Person Sitting in Darkness,” were published in theNorth American Reviewduring 1901-02, at a period when Mark Twain had pretty well made up his mind on most subjects, and especially concerning the interference of one nation with another on matters of religion and government. He had recently returned from a ten years’ sojourn in Europe and his opinion was eagerly sought on all public questions, especially upon those of international aspect. He was no longer regarded merely as a humorist, but as a sort of Solon presiding over a court of final conclusions. A writer in theEvening Mailsaid of this later period:

Things have reached the point where, if Mark Twain is not at a public meeting or banquet, he is expected to console it with one of his inimitable letters of advice and encouragement.

His old friend, W. D. Howells, expressed an amused fear that Mark Twain’s countrymen, who in former years had expected him to be merely a humorist, should now, in the light of his wider acceptance abroad, demand that he be mainly serious.

He was serious enough, and fiercely humorous as well, in his article “To the Person Sitting in Darkness”and in those which followed it. It seemed to him that the human race, always a doubtful quantity, was behaving even worse than usual. On New Year’s Eve, 1900-01, he wrote:

A GREETING FROM THE NINETEENTH TO THETWENTIETH CENTURYI bring you the stately nation named Christendom, returning, bedraggled, besmirched, and dishonored, from pirate raids in Kiao-Chau, Manchuria, South Africa, and the Philippines, with her soul full of meanness, her pocket full of boodle, and her mouth full of pious hypocracies. Give her soap and a towel, but hide the looking-glass.

A GREETING FROM THE NINETEENTH TO THETWENTIETH CENTURY

A GREETING FROM THE NINETEENTH TO THE

TWENTIETH CENTURY

I bring you the stately nation named Christendom, returning, bedraggled, besmirched, and dishonored, from pirate raids in Kiao-Chau, Manchuria, South Africa, and the Philippines, with her soul full of meanness, her pocket full of boodle, and her mouth full of pious hypocracies. Give her soap and a towel, but hide the looking-glass.

Certain missionary activities in China, in particular, invited his attention, and in the first of theReviewarticles he unburdened himself. A masterpiece of pitiless exposition and sarcasm, its publication stirred up a cyclone. Periodicals more or less orthodox heaped upon him denunciation and vituperation. “To My Missionary Critics,” published in theReviewfor April, was his answer. He did not fight alone, but was upheld by a vast following of liberal-minded readers, both in and out of the Church. Edward S. Martin wrote him:

How gratifying it is to feel that we have a man among us who understands the rarity of plain truth, and who delights to utter it, and has the gift of doing so without cant, and with not too much seriousness.

The principals of the primal human drama, our biblical parents of Eden, play a considerable part in Mark Twain’s imaginative writings. He wrote “Diaries” of both Adam and Eve, that of the latterbeing among his choicest works. He was generally planning something that would include one or both of the traditional ancestors, and results of this tendency express themselves in the present volume. Satan, likewise, the picturesque angel of rebellion and defeat, the Satan ofParadise Lost, made a strong appeal and in no less than three of the articles which follow the prince of error variously appears. For the most part these inventions offer an aspect of humor; but again the figure of the outcast angel is presented to us in an attitude of sorrowful kinship with the great human tragedy.

Albert Bigelow Paine

EUROPE AND ELSEWHERE

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