Fox-fire

"It seemed a very good place to rest, so I dropped off from my bee and remained. Everywhere about me, as I looked, the air was yellow with these blossoms, and full of the wing-music of the bees. But, as I have said, I was a restless baby, and having had a taste of travel I soon tired of this idle life, and began to get ready for another ride. My chance soon came. This time it was a honey-bee. She alighted in the flower next to mine, but I quietly piled over and clutched upon her leg, and was soon snugly tucked away under her body, with my flat head between its segments. And now for the first time I began to feel hungry; and what was more natural than to take a bite from the tender flesh of this bee, so easily available? I did it, and liked it so well that I adopted this bee for my mother for quite a longwhile, taking many, many long rides every day, and always coming back to the prettiest little house on a bench under the trees. This was a sort of bee hotel, with many hundreds of guests. It was all partitioned off inside into little six-sided rooms, and the walls were so thin that you could see through them. Indeed, I soon came to like this little home so well that one morning I decided that I would not leave it again. I had begun to get tired of my roving life. I saw a lot of little white fat babies tucked away in some of these little rooms, and this very bee which I had adopted as my mother was engaged in bringing food to some of these babies and sealing them up in their nests. This was enough for me. I concluded to bring my roving habit to a close, and become a bee baby in truth; so watching for my opportunity, I loosened my clutch upon the mother bee, and dropped into one of the little rooms.

"Then I became sleepy, and can tell you nothing more than that when I woke up I didn't know who or what I was. My six spider legs had gone, and I had a half-dozen little short feet instead; and instead of the sprightly ideas of my baby days, the thought of such a thing as even moving was a bore. But I was hungrier than ever, and the first thing I did was to fall upon another fat youngster who disputed the room with me, and make short work of him. That was breakfast."When dinner-time came, I found it right at my mouth. That busy mother of mine had fully supplied my wants, and packed my room full to the ceiling with the most delicious, fragrant bread of flowers made of pollen and honey.

"Oh, those were good old times, with all I wanted to eat all the time, and everything I ateturning to appetite! Too soon, too soon I found myself getting drowsy again, and, I can only remember awakening from a queer dream, to find even my six tiny legs gone, and, what isworse, mymouthalso. While wondering and hoping that this was but a troubled vision, I was plunged into sleep again, and dreamed that I was locked up in a mummy-case for over a week. And now comes the end, the cycle of my story. From this nightmare mummy-case I finally awoke—awoke, and emerged as you now see me. Do you wonder that I have had the blues ever since at the memory of those honeyed days, now forever fled? Instead of sporting aloft in airy skyward flights, I am now a miserable groundling. Instead of sweet, fragrant bread of flowers, I am now forced to break my fast on acrid buttercup leaves. But I shall live again, with joys several hundred times multiplied, live again in my children, for whose jolly time in the autumn I shall soon lay my plans—golden promises—here in the ground beneath the buttercup leaves, close to a burrow where lives a burly bumblebee."But I have not told you all of my history, and will leave you to fill in the blank spaces, even as some of the scientists have to do."

"But I have not told you all of my history, and will leave you to fill in the blank spaces, even as some of the scientists have to do."

THEmost recent experience of my own with the mysterious fox-fire occurred a short time ago in a homeward drive with a companion from a botanizing expedition about twelve miles distant. It was near ten o'clock. The sky was overcast, only a stray star of the first magnitude now and then peeping out from between the rifts of hazy floating clouds. The new moon, "wi' th' auld moon i' her arm," had sunk below the western hills, and so dark had it become that the road ahead, at best but a faint suggestion, was occasionally lost for minutes together in the deepened gloom of the overhanging trees, only the keener nocturnal vision of the trusted horse affording the slightest hope of keeping in the wheel-tracks.In one of these dark passages we were suddenly surprised by a gleam of light a few rods ahead tothe left, and in a moment more we were directly abreast of it. On many previous night-journeys I had been on the lookout for some such surprise as this, as yet only rewarded by the tiny sparkle of the glowworm in the grass. But here, at last, it came in a shape that I could not have anticipated—an upright column of phosphorescence, brilliant at the upper extremity, and more broken below for a space of several feet. The brilliancy of the light may be inferred from the following query and its answer:

In one of these dark passages we were suddenly surprised by a gleam of light a few rods ahead tothe left, and in a moment more we were directly abreast of it. On many previous night-journeys I had been on the lookout for some such surprise as this, as yet only rewarded by the tiny sparkle of the glowworm in the grass. But here, at last, it came in a shape that I could not have anticipated—an upright column of phosphorescence, brilliant at the upper extremity, and more broken below for a space of several feet. The brilliancy of the light may be inferred from the following query and its answer:

"What is that light yonder?" I asked my companion.

"A lantern reflected in water," was his reply.

The mass of light shone verily like a lantern, and the present interpretation was somewhat reminiscent of a previous flickering lantern which we had seen, with its accompaniment of great magnified moving shadows on barn and hay-stack, as it assisted in the tardy chores of a whistling farmer lad.

But this light was of a greenish, ghostly hue, and perfectly motionless, and had withal a certain weird, uncanny glare, which belongs alone to fox-fire. It was impossible to locate its distance from us. It might as easily be one rod as five. I concluded to investigate its source, and, groping my way through the dewy bushes, soon confronted it. It seemed to glow with added brilliancy as I approached it, and as I stood face to face within a few inches of it no vestige of material surface appeared to sustain it; it seemed hanging motionless in mid-air. I reached out my hand, which momentarily intervened like a black silhouette against the glow, with which it soon came in contact. Upon further investigation, this proved to be the contact of a mere prosaic fence-post, which, for some mysterious reason, had been singled out for glorification among the ten thousand others of its neighbors and transformed into a pillar of fire. The post was about six inches in diameter, its summit an unbroken mass of light, which extended in more or less broken patches below for a distance of six feet, thus suggesting the effect of the rippling elongated reflection of a lantern in water noticed by my companion, and which woulddoubtless have been so accepted by the average passing observer without further thought.The most luminous upper portions were free from bark, the exposed patches of wood below being equally brilliant. Clutching at the more available part of the post, I was enabled to sink my fingers deep into its decayed fibre, and succeeded in tearing off a long fragment. The outer surface of this particular piece had been covered with bark and not especially brilliant, but the cavity of yielding moist fibre thus exposed, as well as the inner surface of the dislodged piece, poured forth a perfect flood of greenish light, indicating that the damp uncanny fire extended to the very core of the post, which was saturated with the phosphorescent essence. I laid this and other fragments in the back of the carriage, where its glare met our eyes whenever we turned to look upon it.

The most luminous upper portions were free from bark, the exposed patches of wood below being equally brilliant. Clutching at the more available part of the post, I was enabled to sink my fingers deep into its decayed fibre, and succeeded in tearing off a long fragment. The outer surface of this particular piece had been covered with bark and not especially brilliant, but the cavity of yielding moist fibre thus exposed, as well as the inner surface of the dislodged piece, poured forth a perfect flood of greenish light, indicating that the damp uncanny fire extended to the very core of the post, which was saturated with the phosphorescent essence. I laid this and other fragments in the back of the carriage, where its glare met our eyes whenever we turned to look upon it.

Taking it beneath the lamp-light upon our return home, it resolved itself into a very ordinary piece of yellowish rotten wood. In a more shaded corner of the room it appeared as though white-washed, and upon taking it into a closet or out into the night again its flame gradually rekindled, as though feeding upon the darkness, until it appeared precisely as when we found it.By enclosing the specimen in a tin box with moist moss I was enabled to prolong the effulgenceuntil the next evening, but it had entirely disappeared by the following night, at which time its original haunt, the post, was also doubtless lost in the darkness. A week later I again passed its neighborhood in the late hours without the slightest hint of its presence.This is the mysterious "fox-fire" or "ghost-fire" which has so imposed upon the imaginations of credulous country folk the world over, doubtless a conspicuous factor in many a harrowing tale in the legendary or traditional lore of spooks and goblins.I remember the breathless interest with which as a boy I listened to the weird story, whose scene was located not far from my native town, of aghostly light that flickered about the eaves of a certain old ruin of a house in the neighborhood, and also above the well close by in the weedy waste of the former door-yard.

By enclosing the specimen in a tin box with moist moss I was enabled to prolong the effulgenceuntil the next evening, but it had entirely disappeared by the following night, at which time its original haunt, the post, was also doubtless lost in the darkness. A week later I again passed its neighborhood in the late hours without the slightest hint of its presence.

This is the mysterious "fox-fire" or "ghost-fire" which has so imposed upon the imaginations of credulous country folk the world over, doubtless a conspicuous factor in many a harrowing tale in the legendary or traditional lore of spooks and goblins.

I remember the breathless interest with which as a boy I listened to the weird story, whose scene was located not far from my native town, of aghostly light that flickered about the eaves of a certain old ruin of a house in the neighborhood, and also above the well close by in the weedy waste of the former door-yard.

The light was seen by many for several consecutive nights. It fairly glowed into a halo up from the wooden curb which surmounted the well, where it was viewed at a safe distance with bated breath by a curious crowd of villagers, not one of whom would have dared to steal up and surprise the innocent spook in its haunt—doubtless a mass of fox-fire which had found its brief, congenial home in the decaying boards within the tottering well-curb. Of course the house was "haunted" for evermore, and rustic tradition for a whole generation was rich in fabulous tales of the "haunted well," and there was serious talk of unearthing the nameless mystery which lay at the bottom of it.

A certain saw-mill was also tenanted by a similar luminous ghost one night after a heavy rain, but the shape of the spook in this case was so peculiar, and so exactly corresponded with the parallel cross-boxes of the old broken water-wheel, that it was considered harmless.

But it is scarcely to be wondered at that a phenomenon so startling and inexplicable to the rustic mind should be associated with the supernatural. One's first experience with fox-fire, especially ifhe chances upon a specimen of some size, is apt to be a memorable incident.

My own first encounter dates back to the age of about eight years. While walking through a wood at night I chanced upon what I supposed to be a large glowworm in my path. I picked it up, only to find in my hand a hard piece of dead twig.

A later experience, which, while quite startling for a moment, was robbed of its full terrors by the reminiscence of the first. As in the former case, I was returning home at night through a dark, damp wood. I was skirting the border of a small runnel, when I was suddenly brought to a breathless standstill, apparently confronted by the glaring eyes of a panther, or perhaps a tiger; certainly no cat or fox or owl was possessed of eyes of such dimensions or wide interspace as those which glared at me from the dark shadow of yonder copse. But in a moment my quickened pulse had subsided, and I calmly returned the greenish phosphorescent gaze, observing that a singular accident had re-enforced the first illusion by a wonderful semblance to ears and outline of body, in keeping with the formidable eyes.

In a moment I was attacking the foe, my hands stroking his rough barky forehead, and my fingers penetrating his eyes, which proved to be two holes in the bark of a fallen log, the farther side of which disclosed a brilliant, luminous patch which,as I invaded it with my hand, proved to be bare, exposed wood. Taking hold of the loose bark, a vigorous pull dislodged a great piece some three feet long, at the same time liberating a glare of greenish light from the exposed surface of the log, which was responded to in sympathy by the inner surface of the slab of bark in my hands, in all representing about six square feet of brilliant phosphorescence.

I carried a fragment home, and upon inspecting it by lamp-light, found it white with thready mould, resembling the so-called "dry-rot" of mouldy timber—doubtless the mother of some well-known fungus, or "toadstool," which might have been discerned upon the log the following day had I chanced thither.

Hawthorne in one of his books records a remarkable personal encounter with this weird fox-fire, and one which cost him dearly. He was on a journey by canal-boat, which had stoppeden routefor a brief period at midnight. During the interval he had stepped ashore, and was decoyed into a neighboring wood by the bright glow, which proved to be a fallen tree ablaze with phosphorescence.

In his surprise and interest he lost all account of time, and thus missed his boat, and was obliged to "foot it" for miles on the midnight tow-path, which he was enabled to do bythe aid of a big brand of the tree which he used as a flambeau.

Almost any damp wood, especially after a rain, is likely to disclose its fox-fire, but it occasionally appears under circumstances where we little expect it. A few weeks since, having occasion to go to my refrigerator after dark, I noticed a brilliant glowing object upon the floor beneath it, which I found upon inspection to be merely a piece of damp bread. Can it be that the yeast fungus too may give off effulgence with its carbonic acid at its whim? or was the light traceable to the perceptible odor of lobster with which it had evidently been previously in contact?

Dead fish are frequently thus luminous, and brilliant phosphorescence is often an accompaniment of decomposition of both animal and vegetable matter. A few decaying potatoes will often light up a corner of a cellar which is dim by daylight, and an instance is on record of a certain cellar full of these vegetables giving off such a flood of light as to lead observers to suppose that the premises were on fire.

Many animals, and especially fishes and insects, possess luminous properties. The familiar examples of the glowworm and fire-fly hardly need be mentioned. Then there are the big lantern-flies, with their luminous heads; and brilliant snappingbeetles of the South, with their two glowing headlights, so effectively employed as ornaments for the hair and otherwise in the toilet of the Cuban belle. But the sea is the home of luminous life. From the diminutive myriads of thenoctiluca, which sets the sea aflame, to the numerous larger finny tribes, the ocean is peopledwith animal life, which, though dwelling in depths scarce reached by the faintest gleam from the sun, swim about enveloped in their self-illumined halo.While all these phenomena come under the general term of phosphorescence, the inference of the presence of phosphorus is incorrect; many substances without a trace of phosphorus in their constitution emit light with equal brilliancy.The well-known commercial article called "luminous paint" is an apt example, which, while containing no trace of phosphorus, glows like fox-fire at night, especially after having been exposed to the sun's rays during the day, giving forth in the dark hours the light which it has thus absorbed, and being thus of utility in its application to clock faces and match-boxes.Calcined lime and burnt oyster-shells, in combination with certain acids, become luminous at night by the similar power of absorption and transmission of light vibration which is supposed to be the secret of much of the so-called phosphorescence.But fox-fire is believed to be of a different nature, more chemical in its character, and usually emanates from a fungus, either visible in the form of mould or toadstool, or existing as an almost invisible essence which saturates the decaying wood, a species known asThelaphora ceruleabeing credited with most of the luminous manifestations.Fox-fire is occasionally put to a cruel utility by hunters in association with the "salt-lick" for deer. Salt is scattered in a selected spot, and a piece of fox-fire adjusted beyond it in direct line of the aim of the rifle, which is securely fixed in place. The sudden obscuration of the light is a sufficient signal for the still-hunter, who has only to pull the trigger to secure the game, even though the latter be entirely hid in the darkness.The more common examples of fox-fire are small bits of decayed wood, but most astonishing specimens have been observed. In addition to the fine example mentioned by Hawthorne, there is an authentic record of a single log twenty-four feet in length and a foot in diameter which was one mass of brilliant phosphorescence.

While all these phenomena come under the general term of phosphorescence, the inference of the presence of phosphorus is incorrect; many substances without a trace of phosphorus in their constitution emit light with equal brilliancy.

The well-known commercial article called "luminous paint" is an apt example, which, while containing no trace of phosphorus, glows like fox-fire at night, especially after having been exposed to the sun's rays during the day, giving forth in the dark hours the light which it has thus absorbed, and being thus of utility in its application to clock faces and match-boxes.

Calcined lime and burnt oyster-shells, in combination with certain acids, become luminous at night by the similar power of absorption and transmission of light vibration which is supposed to be the secret of much of the so-called phosphorescence.

But fox-fire is believed to be of a different nature, more chemical in its character, and usually emanates from a fungus, either visible in the form of mould or toadstool, or existing as an almost invisible essence which saturates the decaying wood, a species known asThelaphora ceruleabeing credited with most of the luminous manifestations.

Fox-fire is occasionally put to a cruel utility by hunters in association with the "salt-lick" for deer. Salt is scattered in a selected spot, and a piece of fox-fire adjusted beyond it in direct line of the aim of the rifle, which is securely fixed in place. The sudden obscuration of the light is a sufficient signal for the still-hunter, who has only to pull the trigger to secure the game, even though the latter be entirely hid in the darkness.

The more common examples of fox-fire are small bits of decayed wood, but most astonishing specimens have been observed. In addition to the fine example mentioned by Hawthorne, there is an authentic record of a single log twenty-four feet in length and a foot in diameter which was one mass of brilliant phosphorescence.

THErecent article from my pen on the "Riddle of the Bluets," and which showed the important significance of its two forms of blossoms, suggests that a few more similar expositions of the beautiful mysteries of the common flowers which we meet every day in our walks, and which we claim to "know" so well, may serve to add something to the interest of our strolls afield. It is scarcely fair to assert that familiarity can breed contempt in our relations toso lovely an object as a flower, but certain it is that this every-day contact or association, especially with the wild things of the wood, meadow, and way-side, is conducive to an apathy which dulls our sense to their actual attributes of beauty. Many of these commonplace familiars of the copse and thicket and field are indeed like voices in the wilderness to most of us. We forget that the "weed" of one country often becomes a horticultural prize in another, even as the mullein, for which it is hard for the average American to get up any enthusiasm, and which is tolerated with us only in a worthless sheep pasture, flourishes in distinction in many an English or Continental garden as the "American velvet plant."

The extent of our admiration often depends upon the relative rarity of the flower rather than upon its actual claims to our appreciation. The daisy which whitens our meadows—the "pesky white-weed" of the farmer—we are perfectly willing to see in the windrows of the scythe or tossed in the air by the fork of the hay-maker. The meed of our appreciation of the single blossom becomes extremely thin when spread over a ten-acre lot. How rarely do we see a bouquet of daisies on a country table? And yet, strange inconsistency! the marguerite of our goodwife's window-garden, almost identical with the daisy and not one whit prettier, is a prize, because itcame from the "florist's," and cost twenty-five cents, with five cents extra for the pot.

A certain thrifty granger of the writer's acquaintance was recently converted from the error of his attitude towards the "tarnal weeds and brush." He was one of the tribe of blind, misguided vandals who had always deemed it his first duty "after hayin'" to invade with his scythe all the adjacent roadside, to "tidy things up," reducing to most unsightly untidiness that glorious wild garden of August's floral cornucopia, that luxuriant tangle of purple eupatorium, the early asters, golden-rod, vervains, wild-carrot, and meadow-rue.

He was converted in the sanctuary, where one August Sabbath he beheld by the side of the pulpit, dignified by a large, beautiful vase, a great bouquet of this very tall, purple thoroughwort, meadow-rue, and wild-carrot of his abomination, and which had actually fallen before his scythe on the evening previous. "Well, there!" he exclaimed; "I didn't realize theywasso pretty!"

The beauty of the commonplace often requires the aid of the artist as its interpreter, a fact which Browning realized when he expressed, through Fra Lippo Lippi:

"We're made so that we loveFirst when we see them painted, things which we have passedPerhaps a hundred times, nor cared to see."

An illustration of the truth of this axiom was afforded in a recent incident in my experience. Sitting at the open window of my country studio one summer day, engaged in making a portrait of a common weed, a friendly farmer, chancing "across lots," seeing me at work, sauntered up to "pass the time o' day." As he leaned on the window-sill his eye fell upon the drawing before me.

"My!" he exclaimed, "but ain't that pooty?"

"What!" I retorted, "and willyou admitthat this drawing of aweedis pretty?"

"Yes, yourdraftthar is pooty, but you artist fellows alliz makes 'em look pootier 'n theyoughtto."

So much for the mere attributes of manifest outward beauty without regard to consideration of "botany" or the structural beauty of the flowers. The "botanist" finds beauty everywhere, even among the homeliest of Flora's hosts. But in the light of the "new botany," which recognizes the insect as the important affinity of the flower—the key to its various puzzling features of color, form, and fragrance—every commonest blossom which we thought we had "known" all our lives, and every homely weed scarce worth our knowing, now becomes a rebuke, and offers us a field of investigation as fresh and promising as is offered by the veriest rare exotic of the conservatory;more so, indeed, because these latter are strangers in a strange land, and divorced from their ordained insect affinities. The plebeian daisy now becomes a marvel of a flower indeed—five hundred wonderful little mechanisms packed together in a single golden disk. The red clover refuses to recognize us now unless properly introduced by that "burly bumblebee" with which its life is so strangely linked.

The barn-yard weeds need no longer be considered uninteresting and commonplace, because their mysteries have not yet been discovered, and I can do no better in my present chapter than to select one of their number and redeem it from its hitherto lowly place among them—one of the homeliest of them all, and whose blossoms are scarce noticed by any one except a botanist.

In my initial illustration is shown a sketch of the Figwort, or scrophularia, a tall, spindling weed, with rather fine, luxuriant leaves, it is true, but with a tall, curiously branching spray of small, insignificant purplish-olive flowers, with not even a perfume, like the mignonette, to atone for its plainness. But it has anodorif not a perfume, and it has a nectary which secretes the beads of sweets for its pet companion insects, which in this instance do not happen to be bees or butterflies, but most generally wasps of various kinds, asthese insects are not so particular as to the quality of their tipple as bees are apt to be. But the figwort has found out gradually through the ages thatwaspsare more serviceable in the cross-fertilization of its flowers than other insects, and it has thus gradually modified its shape, odor, and nectar especially to these insects.

A. First Day's Welcome—Stigma at the Doorway.A1. First Day—Sectional View.B. Second Day's Welcome—Stigma bent downward beneath two withered Stamens at Doorway.B1. Second Day—Sectional View.C. Third Day's Welcome.—Four Stamens at Doorway.D. Fourth Day.—Fall of Blossom. Its Mission fulfilled.

Let us then take a careful look at these queer little homely flowers, and for the time being consider them as mere devices—first, to insure the visit of an insect, and, second, to make that insect the bearer of the pollen from one blossom to the stigma of another. Here we see a flower with three distinct welcomes on three successive days.

Fig. 1

The flower-bud usually opens in the morning, and shows a face as at A, which must be fully understood by looking at the side section shown at A1.

The anthers and pollen are not yet ripe, but the stigma is ready, and now guards the doorway. To-morrow morning we shall see a new condition of things at that doorway, as seen at B and B1. The stigma has now bent down out of the way, while two anthers have unfolded on their stalks and now shed their pollen at the threshold. The third morning, or perhaps even sooner, the other pair come forward, and we see the opening of the blossom as at C. Blossoms in all these threeconditions are to be found on this cluster.

Fig. 2

A small wasp is now seen hovering about the flowers, and we must turn our attention to him as seen in Figs. 1, 2, and 3. The insect alights, we will assume, on a blossom of the second day (Fig. 1), clinging with all his feet, and thrusting his tongue into the beads of nectar shown at A1and B1. He now brings his breast or thorax, or perhaps the underside of his head against the pollen, and is thoroughly dusted with it. Leaving the blossom, we see him in flight, as at Fig. 2, and very soon he is seen to come to a freshly opened flower, which he sips as before. The pollen is thus pushed against the projecting stigma, as shown at Fig. 3, and thus, one by one, the flowers arecross-fertilized.

Fig. 3

The stigma, after receiving pollen, immediately bends downward andbackward, as shown in B1, to give place to the ripening anthers, and shortly after the last pair of them have shed their pollen the blossom, having then fulfilled its functions, falls off, as shown at D. This may be on the afternoon of the third day, or not until the fourth. If not visited by insects it may chance to remain the longer time; but more than one tiny wasp gets his head into such a blossom, and is surprised with a tumble, his weight pulling the blossom from its attachment.

The result of that pollen upon the stigma is quickly seen in the growing ovary or pod, which enlarges rapidly on the few succeeding days, as in E.

Many species of hornets and wasps, large and small, are to be seen about the figwort blooms, occasionally bees, frequently bumblebees, which usually carryaway the pollen on the underside of their heads.

Who shall any longer refer to the figwort as an "uninteresting weed"?

THEpretty works of my fairy and his companions in mischief are seen on every hand from spring until winter, but few of us have ever seen the fay, for Puck is no myth nor Ariel a creature of the poet's fancy. Their prototype existed in entomological entity and demoralizing mischievousness ages before the traditional fay, in diminutive human form, had been dreamed of. The quaint, bow-legged little "brownies," which have brought our entire land beneath the witching spell of their drollery, can scarce claim prestige in the ingenuity of their mischief, nor can the droll doings of imps and elves chronicled in the folk-lore of many an ancient people begin to match the actual doings of the real, live, busylittle fairy whose works abound in meadow, wood, and copse, and which any of us may discover if we can once be brought to realize that our imp is visible. Then we must not forget that ideal type of the true "fairy"—a paragon of beauty and goodness, with golden hair and dazzling crown of brilliants, with her airy costume of gossamer begemmed and spangled, her dainty, twinkling feet and gorgeously painted butterfly wings. And we all remember that wonderful wand which she carried so gracefully, and whose simple touch could evoke such a train of surprising consequences.

And who shall say that our pretty fay is a myth, or her magic wand a wild creation of the fancy? May we not see the wonder-workings of that potent wand on every hand, even though our fairy has eluded us while she cast the spell? There are a host of these wee fairies continually flitting about among the trees plotting all sorts of mischief and leaving an astonishing witness of their visitation in their trail as they pass from leaf to leaf or twig to twig. But these fairies, like those of Grimm and Laboulaye, are agile little atoms, and are not to be caught in their pranks if they know it, and even though our eye chancedto rest on one of them, it is doubtful whether we would recognize him, so different is the guise of theserealfairies from those invented creatures of the books. Once, when a mere boy, I caught one of the little imps at work, and watched her for several minutes without dreaming that I had been looking at a real fairy all this time. What did I see? I was sitting in a clearing, partly in the shade of a sapling growth of oak which sprang from the trunk of a felled tree. While thus half reclining I noticed a diminutive, black, wasp-like insect upon one of the oak leaves close to my face.

The insect seemed almost stationary, and not inclined to resent my intrusion, so I observed her closely. I soon discovered that she was inserting her sting into the midstem of the leaf, or perhaps withdrawing it therefrom, for in a few moments the midge flew away. I remember wondering what the insect was trying to do, and not until years later did I realize that I had been witnessing the secret arts of the magician of the insect world—a very Puck or Ariel, as I have said—a fairy with a magic wand which any sprite in elfindom might covet.

The wand of Herrmann never wrought such awonder as did this magic touch of the little black fly upon the oak leaf. Had I chanced to visit the spot a few weeks later, what a beautiful red-cheeked apple could I have plucked from that hemstitched leaf!

This was but one of a veritable swarm of mischief-making midges everywhere flitting among the trees; and while they are quite as various in their shapes as the traditional forms of fairies—the ouphes and imps, the gnomes and elves of quaintest mien, as well as the dainty fays and sylphs and sprites—there is one feature common to them all which annihilates the ideal of all the pictorial authorities on fairydom. Neither Grimm, nor Laboulaye, nor any of the masters of fairy-lore, seems to have discovered that a fairy has no right to those butterfly wings which the pages of books show us. Those of the real fairy are quite different, being narrow and glassy, and bear the magician's peculiar sign in their crisscross veins.

What a world of mischief is going on here in the fields! Here is one of the witching sprites among the drooping blossoms of the oak. "You would fain be an acorn," she says, as she pierces the tender blossoms with her wand, "but I charge thee bring forth a string of currants;" and immediately the blossoms begin to obey the behest, and erelong a mimic string of currants droopsupon the stem. Upon another tender branch near by a jet-black, gauze-winged elf is casting a similar spell, which is this time followed by a tiny, downy, pink-cheeked peach. And here alights a tiny sprite, whose magic touch evokes even from thesameleaf a cherry, or a coral bead, perhaps a huge green apple! How many of us have seen the little elf that spends her life among the tangles of creeping cinque-foil, and decks its stems with those brilliant scarlet beads which we may always find upon them, looking verily like tempting berries.

We see here about us swarms of these busy elves in obedience to their own peculiar mischievous promptings. What whispers this glittering midge to the oak twig here to which she clings so closely? We may not guess; but if we pass this way a month or so hence, what a beautiful response in the glistening, rosy-clouded sponge which encircles the stem! "But this sponge is not pretty enough by half," exclaims a rival fairy. "Wait until you see what yonder sweetbrier rose will do forme." Hovering thither among its thorns, she imparts her spell, and, lo! within a month the stem is clothed in emerald fringe, which grows apace, until it has become a dense pompon of deep crimson—a sponge worthy the toilet of the fairy queen herself!

Who shall still say that the fairy is a myth!

These two fairy sponges are familiar to us all, at least to those of us who dwell for even a small part of the year in the country, and use our eyes. Indeed, we need go no farther than our city parks, or even our "back-yard" gardens, to find at least one of them, for the sweetbrier is rarely neglected by this particular fairy.

So many specimens of both of these sponges have been sent to me by "Round Table" correspondents and others that I have begun to wonder how many of those other young people who have seen them and kept silence have wondered at their secret.

The two fairies which are responsible for these sponges have been captured by the inquisitive scientist, and have had their portraits taken for the rogues' gallery, and now we see them stuck upon tiny little three-cornered pieces of paper, and pinned in the specimen case as mereinsects—gall-flies. The one is labelledCynips seminator, the other,Cynips rosæ.

A. One of the points detached.B. Section of the base.C, D. Cynips emerging.

And now the prosaic entomologist proceeds to supplant fact for fancy. This gall-fly is a sort of cousin to the wasps, but what we would call its sting is more than a mere sting. Like a sting, it seems to puncture the bark or leaf, and at the same time probably to inject its drop of venom; but at the same time it conveys to the depths of the wound a tiny egg, or perhaps a host of them. One gall-fly is thus a magician in chemistry, at least, for no sooner are these eggs deposited than the wounded branch begins to swell and form a cellular growth or tumor about them, the character of this abnormal growth depending upon the peculiar charm of the venomous touch—to one a tiny coral globe, to another a cluster of spines, to another a curved horn, and to our cynips of the white or scrub oak a peculiar globular, spongy growth which completely envelops the stem, sometimes to the size of a small apple. In its prime it is a beautiful object, with its fibrous, glistening texture studded with pink points. But this condition lasts but a few days, when the entire mass becomes brownish and woolly, which fact has given this insect the common name of "wool-sower."And now we must lose no time if we would follow its history to its complete cycle. If we put one of these faded sponges in a tight-closed box, we shall in a few days learn the secret of itsbeing. For this singular mimic fruit which has sprung at the behest of the gall-fly, like other fruits, has its seeds—seeds which are animated with peculiar life, and which sprout in a way we would hardly expect. Within a fortnight after gathering, perhaps, we find our box swarming with tiny, black flies, while if we dissect the sponge we find its long-beaked seeds entirely empty, and each with a clean round hole gnawed through its shell, explaining this host of gall-flies, all similar to the parent of a few weeks since, and all bent on the same mischief when you shall let them loose at the window.The beautiful sponge of the sweet-brier has been called into being by exactly similar means, and its hard, woody centre is packed full ofcells, at first each with its tiny egg, and then with its plump larva, followed by the chrysalis, and at length by the emergence of the full-fledgedCynips rosæ.This sponge-gall of the rose is commonly known as the Bedegnar, and, like all other members of its tribe, as with the familiar oak-apple, was long supposed to be a regular accessory fruit of its parent stalk. Among early students were many superstitions connected with the Bedegnar, the nature of which may readily be inferred from its other common name of "Robin's Pin-cushion."

And now we must lose no time if we would follow its history to its complete cycle. If we put one of these faded sponges in a tight-closed box, we shall in a few days learn the secret of itsbeing. For this singular mimic fruit which has sprung at the behest of the gall-fly, like other fruits, has its seeds—seeds which are animated with peculiar life, and which sprout in a way we would hardly expect. Within a fortnight after gathering, perhaps, we find our box swarming with tiny, black flies, while if we dissect the sponge we find its long-beaked seeds entirely empty, and each with a clean round hole gnawed through its shell, explaining this host of gall-flies, all similar to the parent of a few weeks since, and all bent on the same mischief when you shall let them loose at the window.

The beautiful sponge of the sweet-brier has been called into being by exactly similar means, and its hard, woody centre is packed full ofcells, at first each with its tiny egg, and then with its plump larva, followed by the chrysalis, and at length by the emergence of the full-fledgedCynips rosæ.

This sponge-gall of the rose is commonly known as the Bedegnar, and, like all other members of its tribe, as with the familiar oak-apple, was long supposed to be a regular accessory fruit of its parent stalk. Among early students were many superstitions connected with the Bedegnar, the nature of which may readily be inferred from its other common name of "Robin's Pin-cushion."

THEcasual observer may perhaps have noticed that interesting law of nature which governs the coloring of flowers, and which confines the hues of a given flower, or perhaps a botanical group of flowers, to two colors and the combination of these colors. The three primary colors—red, yellow, and blue—are rarely to be seen in the blossoms of the same botanical group. Thus we observe roses, hollyhocks, chrysanthemums, and tulips in all shades of white, yellow, pink, red, and crimson, even almost approaching black, and numberless combinations of these colors, but never blue. The same is true with dahlias, zinnias, lilies, gladioli, pinks, and portulacas.On the other hand, flowers which are notably blue—as in the bellworts, or "Canterbury-bells,"and larkspur, which vary from white, through all shades of blue, to purple, pink, and even reds—never show any trace of yellow. This color limitation of blossoms was noted by De Candolle early in the present century, who classified flowers in two series as to their hues. The first, which included the yellow, was called theXanthic; the second, which omitted the yellow, theCyanic.

On the other hand, flowers which are notably blue—as in the bellworts, or "Canterbury-bells,"and larkspur, which vary from white, through all shades of blue, to purple, pink, and even reds—never show any trace of yellow. This color limitation of blossoms was noted by De Candolle early in the present century, who classified flowers in two series as to their hues. The first, which included the yellow, was called theXanthic; the second, which omitted the yellow, theCyanic.

World-wide fame and a comfortable fortune await the florist who shall produce a variety of blue rose, tulip, hollyhock, or dahlia, or a yellow geranium or larkspur, which all persist in their fidelity to their particular color series. And yet nature gives us occasional exceptions which, however, only serve by their contrast to emphasize the universal law. Thus we see the water-lily group—if we include the two separate ordersNymphæaandNelumbo—with blossoms of pink, yellow, and blue. The water-lilies of this latter color, allied to the Egyptian yellow lotus, which were to be seen in the Union Square fountain, New York, last summer, were almost lost in the azure of the sky which their surrounding waters reflected, and yet they clearly had no right to include blue in their gamut; purple or red possibly, but not blue.

But this is not so remarkable an exception as we find in the hyacinth, in which the three primary colors are to be seen with notable purity—blues, yellows, and reds—and thus with possibilitiesof almost any conceivable color, under cultivation and careful selection.

Another striking exception, and one which would have puzzled De Candolle for its color classification, is the columbine. One common species of the Eastern United States,Aquilegia canadensis, is of a pure deep scarlet color, as every country boy knows. If we seek for our columbines in the far West we shall miss this familiar type, and find it replaced by another species,A. chrysantha, of a fine clear yellow, or perhaps by its near relative, theA. cœrulea, with its sky-blue corolla, a common species in the region of the Rocky Mountains. Columbines, red, yellow, and blue, are thus to be found in a state of nature, and we thus find other cultivated forms which extend from a pure white through all shades of purple.

The pansy, that protean offspring from lowly "johnny-jumper," occasionally comes very near embracing the entire gamut of color to which its name,Viola tricolor, would seem to entitle it. Blue pansies and yellow pansies we certainly have, but the ruddiest of its rich wine tints, when laid beside the red, red rose, at once confesses its purple, the remnant of blue which it cannot absolutely eliminate.

The blue rose, blue tulip, blue dahlia, and blue carnation have as yet refused to respond to thecoaxing arts of the florist, but he has at least succeeded in imposing upon our credulity in a carnation pink of white, streaked with peacock blue. Bouquets of these uncanny-looking blossoms are frequently to be seen in our city flower-booths, but they smack of trickery, and the vendor is rarely seen to look you in the eye as he responds "new variety" to your inquiry as to the peculiar color.

"Are those natural?" I heard a lady ask at a flower-stall recently, referring to these pinks.

"Sure, madam," he replied, this time with easy conscience. "They were picked in the conservatory this morning."

But as he folded the paper carefully about her generous purchase, he didn't trouble her with the details of the subsequent aniline bath to which they were subjected, and of which they bore plain evidence upon close scrutiny.

But if we are to resort to hocus-pocus in thetinting of flowers, thereisan artificial method available which leaves this clumsy artifice of the blue-green pinks far behind, and which, withal, affords a very pretty experiment in chemistry, albeit presumably more enjoyed by the operator than the victim.

A gentleman of the writer's acquaintance, while visiting his sister at her country home, noted her fondness for pansies, as indicated by the numerous beds and borders of the flowers there. After expressing his appreciation and surprise at the endless shades of color in the bouquet which she was gathering for the library table, he stooped, and apparently plucked one of the blossoms from a bed.

"Your pansies are certainly the most remarkable that I have ever seen. Here is one which is truly most astonishing in color," he remarked, as he handed the blossom to her.

It was received with an exclamation of amazement, and with eager glances at the neighborhood of the bed from which she presumed it had been taken. "Wheredidyou find it?" exclaimed his sister, in complete demoralization. "Which plant was it on? Why, I neversawsuch a pansy! It's wonderful! There must be more. I neverheardof such a pansy! Do show me where you picked it."

"I got it from this plant here, I think," repliedthe young man, as soon as he could be heard; and, stooping carelessly, he plucked another, which proved even more of a surprise than the first, so vividly intense was its color.

The first specimen was a dark pansy. The two usually deep purple upper petals now appeared of a deep velvety peacock blue. The remaining three petals were pale emerald-green, bordered with deeper green. In the second blossom the upper pair of petals were now transfigured in vivid emerald-green, the rest of the flower being of paler but almost equally dazzling brilliancy.

The demoralization was more and more complete as another and another of the remarkable blossoms was rescued from its obscurity, always by the accommodating young man, and added to the growing bouquet. Neighbors on right and left were quickly acquainted with the remarkable discovery, and a gathering of excited natives soon assembled in the parlor to view the new floral sensation. The pansy-beds were soon the scene of busy commotion, but in the eager search for the rare blooms fortune seemed still to favor the young man, to the exasperation of several of the bright-eyed young ladies, who, of course, did not happen to know of the young man's occasional sly recourse to a certain tumbler concealed near by.

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